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Jay Roach on the problem Mike Myers & he faced after the test screening of "Austin Powers: The Spy Who Sh@gged Me" (1999): "The first movie never tested well. It never got above a 55, which is so low. There was scepticism. People had expectations of Mike Myers, because...

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Daniel Craig on how Mike Myers's "Austin Powers" movies f**ked the James Bond franchise: "Interviewer: How much of 'Skyfall' (2012) was a reaction to 'Quantum of Solace' (2008) or 'Casino Royale' (2006)? Craig: I am very, very keen that you can't make films in a reactionary way. You can't do it! There has been a lot of talk, from the beginning from 'Casino' into 'Quantum' because everyone has gone, "Where's the 'Bondness'? Where's all the old stuff?" I was given this chance by Barbara and Michael, which is the first of the books, and the conceit is we began again, but I couldn't come in and pretend to be James Bond, because everyone knows Bond as Pierce or Roger or Timothy or Sean. I couldn't come in and go, "Hmm, Martini," or whatever. It's not who I am, and how I kind of approach things. The truth of it is that I always had this plan in my head is that we got to make them and begin them again and bring all that back in, but it had to happen the way it did. I can't see it happening any other way. We had to destroy the myth because Mike Myers f**ked us - I am a huge Mike Myers fan, so don't get me wrong - but he kind of f**ked us; made it impossible to do the gags. What I am proudest of in 'Skyfall' is the lightness of touch we've been able to bring to back into it but not lose the drama and the action." (Daniel Craig's interview to MI6, 2014) P.S: On this day, 29 years ago, "Austin Powers: International Man of Mystery" (1999) premiered in Los Angeles, USA.

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Luke Greenfield on why "The Girl Next Door" (2004) failed at the Box Office: "The Studio executives were expecting something the realm of 'American Pie' (1999) didn't know how to explain to them that it was going to be a lot more real and a lot more edgy and a lot more volatile and unpredictable. I kept saying that, and I don't think they understood it until they saw my director's cut." Greenfield's director's cut was met with mixed reactions from executives because of its adu!t content and dangerous situations. When they got to scenes such as Timothy Olyphant beating the sh!t out of Emile Hirsch and bloodying his face, I remember one of the studio people saying, 'Okay, this is f**king not 'American Pie'. We were really lucky [with the test audience]. We tested the director's cut, and it tested enormously high. So high, in fact, that hardly any changes were made. Arnon Milchon [the head of New Regency] and Tom Rothman, they were literally telling me it was a guaranteed hit. The movie was going to make so much money that it was going to be Arnon Milchon's next 'Pretty Woman' (1990). It was going to hit every demographic. Everyone was talking such an enormous game. Our movie, there was such a challenge, because we're at 20th Century Fox, which at the time was a very conservative studio. The idea that they had to go out there and sell an R-rated movie about teenagers and about a kid falling in love with a p0rn star? They tried. They spent money. They didn't know how to do it. I got in there and I was trying to cut trailers too. We had worked with some of the best trailer editors. In the end, what's really funny is that -- everyone knows this, no one is at fault -- the marketing destroyed the movie. Two weeks prior to coming out, we were tracking that the people who wanted to see the movie were 14 year old girls, The young males, 18 to 30, wanted nothing to do with the film. They thought it looked cheesy and stupid. Never in a million years were they going to see it. I cannot say I was not disappointed when the movie came out. It was a big marketing challenge and they couldn't reach that audience." ("The Juice Was Worth The Squeeze: Looking Back On 'The Girl Next Door'", Christopher Rosen, Huff Post, 2014)
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Luke Greenfield on why "The Girl Next Door" (2004) failed at the Box Office: "The Studio executives were expecting something the realm of 'American Pie' (1999) didn't know how to explain to them that it was going to be a lot more real and a lot more edgy and a lot more volatile and unpredictable. I kept saying that, and I don't think they understood it until they saw my director's cut." Greenfield's director's cut was met with mixed reactions from executives because of its adu!t content and dangerous situations. When they got to scenes such as Timothy Olyphant beating the sh!t out of Emile Hirsch and bloodying his face, I remember one of the studio people saying, 'Okay, this is f**king not 'American Pie'. We were really lucky [with the test audience]. We tested the director's cut, and it tested enormously high. So high, in fact, that hardly any changes were made. Arnon Milchon [the head of New Regency] and Tom Rothman, they were literally telling me it was a guaranteed hit. The movie was going to make so much money that it was going to be Arnon Milchon's next 'Pretty Woman' (1990). It was going to hit every demographic. Everyone was talking such an enormous game. Our movie, there was such a challenge, because we're at 20th Century Fox, which at the time was a very conservative studio. The idea that they had to go out there and sell an R-rated movie about teenagers and about a kid falling in love with a p0rn star? They tried. They spent money. They didn't know how to do it. I got in there and I was trying to cut trailers too. We had worked with some of the best trailer editors. In the end, what's really funny is that -- everyone knows this, no one is at fault -- the marketing destroyed the movie. Two weeks prior to coming out, we were tracking that the people who wanted to see the movie were 14 year old girls, The young males, 18 to 30, wanted nothing to do with the film. They thought it looked cheesy and stupid. Never in a million years were they going to see it. I cannot say I was not disappointed when the movie came out. It was a big marketing challenge and they couldn't reach that audience." ("The Juice Was Worth The Squeeze: Looking Back On 'The Girl Next Door'", Christopher Rosen, Huff Post, 2014)

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129,130 Aufrufe • vor 3 Monaten

🛑🇧🇫- Burkina Faso’s PM on how how our gold was being looted. This is what Jean Emmanuel Ouédraogo was saying on national television about our artisanal gold: “Imagine, we were getting less than 500kg of gold. And last year (with SONASP), we almost got 10 tons. However, this year by the month of September alone, it was already 36 tons. In the past, Burkina Faso had no gold reserves at all. They were coming, they were the ones who go down in the mines, no Burkinabè was there. They were the ones who will come out and say, “Ah, this is what we got! And we only had to nod and accept it.” Once it leaves the mines, it goes directly to the airport where a plane ✈️ is waiting for it, and when it’s finally loaded, it takes off and that was it. Nothing stays in the country. Is this acceptable? This is unacceptable! But it’s over now! Even in the big mines they still have, we have our people there to control them, so that everything can be clear, so that if they say this is the amount of tons that we brought out, at least we are all witnesses of it.” - End of quote. I, Marcus or any Burkinabè who is well aware can attest to this. I was living in Kombissiri in the year 2010-2011, and frequently, I could hear the bikers escorting the gold in full speed like a presidential escort heading to Ouagadougou which is just at about 40km from Kombissiri. At first, I didn’t know it was gold being transported. Until one day, I asked the neighbors and the police and they told me it was gold going to the airport. I was like damn! People are looting our gold! I don’t remember the name of the mine they told me, but Kombissiri was the route they were following. So, this confirms what the PM is saying. But thank God for Capitaine Ibrahim TRAORÉ ! We have none of that shit anymore.

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On this day, 41 years ago, Peter Weir's "Witness" (1985) starring Harrison Ford & Kelly McGillis was released in the USA. Originally, there were 2 pages of dialogue for the final scene in 'Witness' (1985), but Peter Weir cut it, despite the insistence of the studio: "I got into a tricky spot with my first American film 'Witness' (1985). At the end of that movie, the police detective played by Harrison Ford is leaving the farm to go back to his life in Philadelphia and he goes to say goodbye to the Amish woman. Their romance is clearly not going to go anywhere. You see him driving away and passing the Amish man coming down the hill and you realize that she is going to have a life with him. Originally there were two pages of dialogue in which Harrison explained why he was leaving and she gave her feelings to him. It was very literal, and I cut it all because we didn’t need it. The producer told me that the studio would never accept it because we need to know what they are feeling. I knew that if I had done my job properly, you would know exactly how they were feeling by the time it was all cut together. They just look at each other. It’s hopeless, it’s beyond words. The executive from the studio, Jeffrey Katzenberg, who was at Paramount at the time, flew out to talk to me and suggested I shoot it both ways just in case. That seemed a waste of time to me so Jeff asked me to paint a picture in words for him and tell it like a story. So, over coffee in this restaurant in Lancaster Pennsylvania, I told him. He thought it sounded fine." ('Filmcraft - Directing', Mike Goodridge, 2012)

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This is the harrowing reality of what detransitioners face, says Chloe Cole ⭐️: “The moment that I detransitioned, I was human garbage to them. I was subhuman even. … They told me: ‘This is all your fault. Don't put this on us. You were the one who said yes, you were the one who wanted this. You were a complete idiot for not knowing that you weren't truly transgender. So don't come crying to us. And you should shut up about this because you might scare somebody out of getting the care that they really need. And you are a waste of resources. You are a waste of the love and support of your family. You didn't deserve the support of your doctors. You didn't deserve any of this. So stay quiet and stop being a problem.’ …There were people who were trying to compel me to retransition, people who were trying to tell me to kill myself, even just for the fact that I was going against the dogma. And I stayed low for a little bit. I apologized to the same people who were abusing me because I was a freshly traumatized 16 year old girl. I had been bullied in school before, but nobody had ever treated me this horribly over such a painful part of my life. But after a while of being painfully isolated. I started to really think the way that they are treating me is not deserved. I'm speaking to nothing but my experience, to the way that I feel and to reality. I'm going to speak up, regardless of whether they want me to or not. And I just knew that there had to be other detransitioners out there. And very quickly, I learned that they were in the thousands. And I'm sure that it's doubled, tripled, quadrupled over the years, the amount of us who are out there. We are never going to know the real numbers. …And some of the harassment, the hatred I faced over the years has gotten worse. I've been doxxed. I have had people assaulting me, chasing after me in government buildings, who have tried to hurt me, who have wished death upon me.”

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695,216 Aufrufe • vor 7 Monaten