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Jennifer Aniston reveals she turned down Saturday Night Live because she believed women were not treated properly on the show Dax Shepard: “I had no idea until yesterday that you had been offered SNL. That would have been impossible for me to turn down” Jennifer: “I thought I was...

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Scott Eastwood shares his traumatic experience of not being able to grieve after his girlfriend died in an airbag accident Dax Shepard: Yeah. This is the crazy one of the craziest ways I've ever heard someone's died. Scott Eastwood: Yeah. Dax Shepard: Is her airbag went off and it was defective. Scott Eastwood: Yeah, yeah, they had a, um, a recall on the airbag, and, uh... and, and what would have been a, uh, a fender bender... Dax Shepard: Yeah. Scott Eastwood: ...uh, you know, probably most people would survive. Yeah, she, uh... she was essentially shot by the airbag. Monica Padman: Oh, my god. That's horrifying. Dax Shepard: And... Monica Padman: So sad. Dax Shepard: How are you juggling what I would imagine... like, for me, if I were you at 28... Scott Eastwood: Yeah. That sounds about right. Dax Shepard: Did you had you just finished Fury? Scott Eastwood: I was on another film set at the time. Dax Shepard: You were. Scott Eastwood: I was on another film set. And as you know, being on a film set when someone passes or something happens, it's really tough because, and this had happened before, actually. I had lost, um... lost Paul Walker on Fury, and he was one of my... Dax Shepard: Oh, you guys were... Monica Padman: Oh, my god. Dax Shepard: ...close friends? Uh-huh. Scott Eastwood: ...close friends. When you're on a film set, you don't have time to grieve because the show must go on. Dax Shepard: You might be shooting the happiest scene your character has an hour after you hear this. Monica Padman: Ugh. Scott Eastwood: Exactly, yeah. So, you can't fly home. You're stuck. you've got to work. And it actually happened—well, I got the call actually during a filming day. Um... and I think I did a, you know, a classic defense mechanism, just punt that to later. Dax Shepard: Compartmentalized. Scott Eastwood: Compartmentalized that to later. Dax Shepard: Yeah, "That's going to be miserable and we're going to deal with that at some point that's not today." Scott Eastwood: Yeah. Yeah, brutal having to deal with that and then, and then, um... yeah, not being able to go through that. I grieved later. Dax Shepard: Yeah. Scott Eastwood: I grieved later, um... You know, I think, and that's not a great thing because I think you do want to grieve with the people that are around that you know, that were part of their lives as well. Dax Shepard: Yeah! Scott Eastwood: Yeah. That's like an important part of the grieving process. Dax Shepard: I agree. It's kind of the... sweetest, nicest part. And then you go to the funeral, and you think that's going to be miserable, but it's like, no, you see all these people are dealing with the same thing. It can be weirdly beautiful if you get to do that part. Scott Eastwood: Yeah. Yeah. And see, I never got to do it, and I actually, uh... I think I compartmentalized it so much I couldn't go to the... Well, I don't actually remember if I actually couldn't because of filming or if I just completely blacked it out, but... Yeah, I had to process that grief later. That was tough. Dax Shepard: Fuck.

Emmy🧡

159,641 Aufrufe • vor 25 Tagen

Kristen Bell reveals Dax Shepard broke up with her, then called her back just four days later. “ He did break up with me very early on. I may have scared him a little because I wanted to spend all our time together. I was very excited, and he had just gotten out of a relationship and wanted more freedom. I don’t think he wanted everything I was presenting to him.” “ He sat me down and said, ‘I don’t think we’re in the same place. I really, really enjoy you.’ At that point, I was definitely in love with him. We were a month and a half in, and I was heartbroken. Even thinking about it breaks my heart.” “ He said, ‘I’m still casually dating other people.’ I definitely wasn’t. But he was very upfront. He said, ‘That’s not what you deserve, and I’m not going to give you anything half-assed.’ In a way, he was extremely responsible with my heart, even though he broke it.” “Then, four days later, he texted me: ‘I’m just joking. I can’t do this. I really would like to be with you again.’” “I went over to his house, but I was a little guarded. He had planned a trip to the Bahamas for New Year’s and said, ‘I should probably let them know if you’re going to come on the trip.’” “I said, ‘If you want to invite me on a trip, you can ask me like a lady.’” “I gave him some grief after that, and I think it set the tone for our relationship.” “My therapist had said, ‘Maybe make him earn you back just a little bit. Don’t play a game, but don’t go back like some happy, dumb puppy dog.’” “So he did. He said, ‘I would really like it if you would accompany me to the Bahamas for New Year’s. Would you like to come?’” “And I said, ‘Yes, I would love to.’”

𝓢𝓵𝓪𝓶 👁️⃤

2,084,164 Aufrufe • vor 7 Tagen

On this day, 43 years ago, David Cronenberg's 'Videodrome' (1983) was released in the USA & Canada. Here is David Cronenberg explaining how he got the inspiration to make 'Videodrome' (1983): "'Videodrome' came out of two things, I suppose. The first was remembering, as a kid, watching TV late at night, and of course it was black and white television, and when all the regular stations would go off the air you could get these distant, strange stations that were probably all American. The airwaves would be quiet, so you could pick up and we had a rotating antennae, you know, so we could rotate the antennae on our house and get this stuff. But they were always very bad images, and they would fade in and out, and where they came from and what they were was very mysterious. That was many years before I was making movies, I was probably fourteen or fifteen or sixteen. Anyway, these create strange late-night channels, plus bits of Marshall McLuhan, plus I have no idea what, combined to the initial premise that someone been rented, but it had sand-blasted brick in the Toronto style and beams. And there was nothing in the room but a table, a chair and an IBM Selectric, that was it. It was quite a big room, and I was just in the middle of it and I would go there every day and write. And that’s where I wrote 'Videodrome', I can remember that, but I don’t remember any more of the details other than just the normal way that things accumulate around a central concept. receives images on his television set that are fascinating to him, and seem to have an element of danger which makes them more fascinating. I don’t even think I knew, at the time that I started writing, that I would be examining the influence of television or that I would create a character based on Marshall McLuhan [O’Blivion], none of that was really in my mind to begin with. And I can’t really remember how I proposed this to the guys at Film Plan. It was the same thing, you know, the tax money was coming in, they wanted to do another movie, Pierre David and Victor Solnicki. I remember renting a room right across the hall from where Ron Sanders was editing, it was downtown near the waterfront. It was in an old building that had been rented, but it had sand-blasted brick in the Toronto style and beams. And there was nothing in the room but a table, a chair and an IBM Selectric, that was it. It was quite a big room, and I was just in the middle of it and I would go there every day and write. And that’s where I wrote Videodrome, I can remember that, but I don’t remember any more of the details other than just the normal way that things accumulate around a central concept." ('David Cronenberg: Interviews with Serge Grünberg', 2000)

DepressedBergman

44,610 Aufrufe • vor 6 Monaten

Paul London explained why Vince McMahon was angry at him during the 'who killed Vince McMahon: the limo exploded segment' “We were in Hershey, Pennsylvania. We were coming off of a house show, and I had been pulled into the office right as I got there. I still had my bags, and, you know, I was already in trouble for another before-mentioned hillbilly backyard wrestler from North Carolina, who sabotaged me by putting out online that I had leaked a magazine reveal to a fan. I had revealed Ashley being on Playboy; I had revealed that online, so that had been put out there that I talked to a fan. So I was getting reprimanded for that. I was like, you know who did this. You know who’s behind this. ‘I know, we still have to talk to you.’ Why? If you know who did it. So I was already in trouble for that.” “Then they called everybody over that they didn’t have any plans for. Just okay, the rest of you, this was going to be going on here. Okay, we have this segment going on the ring now. Vince is going to be acting very queer, okay, very odd, unusual, very, very queer. They kept saying queer, I don’t know why, okay, I think they mean odd. That has to be what they mean, right? ‘He’s gonna come back here and we’re gonna line you all up, and he’s gonna just walk along acting very queer, very odd and just very bizarre and very queer.’ I was like, Okay, I get it. Now, if he looks at you, just play off of it. The best part of that segment is watching everybody else in that thing, their faces. That’s my favorite kind of part of that scene, because they were really trying. I’m like, What are y’all doing? So that was the only description. They filmed the limousine explosion the night before. Didn’t tell any of us that was what was happening. Didn’t tell us anything other than he was bizarre, odd and queer. So every take he looked in my face. I’m sitting here thinking, whatever is up this guy’s ass is making him so bizarre.” “I did that every time. We did it nine times, every time he [looked at me]. All right, thanks, everybody. And then it was that Oompa Loompa that used to walk Khali to the ring, who was in the office, and I’m not talking about Davari, because I love Davari, but the non-athletic Oompa Loompa guy who used to walk Khali out to the ring, he’s like, ‘Hold on, sir. Do you think anyone’s gonna notice this’? He pulls out like a stencil and points out my smile. I don’t know if you’re familiar with Mekaneck from He-Man or a periscope in a submarine. His head, literally, he power walked over to me. ‘Why were you smiling?!’ Because you’re like, acting bizarre, and I don’t know? Don’t kill the messenger. I don’t get that.” (Chris Van Vliet)

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