Загрузка видео...

Не удалось загрузить видео

На главную

Jesse dropping another one, DEI Thursday turning into Faith Friday real quick. San Francisco Giants tried the whole Pride Night script: rainbow caps for everyone. Three pitchers said nah, Landen Roupp (starter), JT Brubaker, and Ryan Walker wrote Genesis 9:12-16 right over that rainbow logo. (You know the verse,...

150,325 просмотров • 2 месяцев назад •via X (Twitter)

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

Wiz Khalifa says he rewrote his second verse for “See You Again” after Paul Walker's death, just one week before Furious 7 was released “It was right when he passed. He was filming for the movie, and they were like, ‘Something happened. We need to do a whole little redirection, and you're going to be a part of that” “So they're like, ‘This is the last scene of the movie. He's in the movie, but we're generating his face on a couple scenes. And this is going to be one of them where it's going to be him riding off into the sunset, but it's going to represent his departure’” “But by the time the movie had come out, it was like a week before the movie came out, they were like, ‘We need to finish the song, and we're going to shoot the video, and we just want you and Charlie Puth on there. Everybody else we don't want, so you need to write another verse.’ So I quickly came in there. I watched the scene, because I already did the first verse just based off what they told me it was going to be like. Then for the second verse, they were like watch the scene and write it based off that” “I watched the scene, wrote my verse real quick, recorded it, we shot the video the next week, and then it comes out with the movie. It's just supposed to be a soundtrack song, but as soon as it got on the radio, it went number one and stayed there for like 12 or 13 weeks. I never knew it was going to do all of that at all” “It's unfortunate that Paul Walker lost his life, and his legacy is always going to live on. I met his family and they loved it. But I think ‘See You Again’ connects because you can tell everybody goes through those losses, and you can feel that in those verses. I've taken losses, and I've personally felt what that feels like. So to be able to channel that through the music, tell his story, help his legacy live on, and also connect with other people who go through similar things, that was my main goal. That's what I knew I could do through my personal experiences, and I'm glad that the world”

dank

38,260 просмотров • 1 месяц назад

Since I’m already here in the Outro: Tear hole and have been for about 12 hours now. I may as well use this opportunity to point out one of the very distinct reasons Outro: Tear evokes such visceral reactions from all us who hear it. The meaning behind it is defintely one of the reasons. But another is the structure of the song itself. Outro: Tear is not one song with 3 verses saying the same thing. It’s 3 different reactions changing hands as the song moves from Namjoon to Yoongi to Hoseok. And along with the lyrics, the melody is doing the same thing. It’s weaving from Namjoon’s conflict to Yoongi’s despair to Hoseok’s fear. It’s 3 different reactions in response to the same inevitable end. Namjoon’s reaction being internal interrogation of his self. His relationship with identity has always been threaded through questions of sincerity. Kim Namjoon vs RM. Leader vs person. The person carrying everybody versus the person who is also exhausted and frightened and occasionally has absolutely no idea what he’s doing. It’s inward conflict. Was it real? Was the goodbye always inevitable because of his own insincerity him? Then yoongi comes in with his verse that says, fine. Destroy it. His reaction is pure rage. And it’s not rage at the people who are important to him. No. It’s rage at the fact it has come to this. So he wants it all scorched. Bc if all of it has to go, then he wants it gone completely. No lingering. No halves. No hope. And then Hoseok’s verse. His whole verse is grappling with fear through his words. But it’s also fear as a physiological language. It’s one of the truly unique things about his verse. How the melody literally starts with hard breaths. You can hear it in the song. Gasping. Forcing. Almost choking. And then his flow breaks out of its contained rhythm. He’s panicking. He’s fearful bc “ending” was always just a concept. But now it’s here in present time. He spends the final verse driving his body and the song towards a state that feels increasingly unsustainable. The breaths are shorter, his delivery gets more frantic, rhythm breaking out of confinement, and then his repetitions like geol geol geol and byeong byeong byeong lose structure within the song and becomes a fixation almost. So now you as the listener who has been experiencing that transition from conflict to rage and despair and now to fear and panic, you are naturally expecting a sort of resolve. But it doesn’t happen. What does happen is the song quite literally cuts. The composition of the flow itself finally does what it’s meant to do. It ends without allowing for a resolve. That part. That abrupt end. That is why Outro: Tear has that reaction on us all. Because the very last thing you experience with the song is an interruption. All of that confusion and pain and rage and fear carries with you into Hoseok’s verse where as the panic crescendos, you expect him to arrive emotionally somewhere. But he doesn’t. He is still inside the panic when the song takes him away from you. So now you’re the one left holding all of that with you. That’s what’s almost cruel about the song itself. There’s no completion. Hoseok’s verse just escalates and escalates and then cuts. That’s it. You don’t get closure. You don’t get the emotional luxury of watching the pain taper away. The songs just rips from you.

Livheartt⁷ met hobi | ㉧㉣㉣ | 🦢🤍

54,581 просмотров • 2 дней назад

This CIA-trained remote viewer just alleged he was abducted by Grey aliens and taken to an exotic, faraway planet. “The sky was black.” “The grass was totally black.” “The sun was out, but very dim.” The Greys even let him fly their UFO. Stop scrolling to hear Lyn Buchanan tell his life-changing abduction experience with Jesse Michels: “I heard something land in the backyard.” “I couldn’t move.” “Immediately I woke up, and I was sitting in a white room.” A pale, 7-foot tall being “came into the room, and I said: excuse me, can I sit by the window?” “He got this look of fear on his face and turned around and ran out.” “A few minutes later, a little Grey with three of these big guys huddled behind the Grey came in.” “The Grey said: we’ve got work to do, come with me.” “He was the pilot, and he had me kneel down in front of the control panel.” “With me kneeling down and him standing, we were eye to eye, so that tells you his size.” “We would land, the tall white guys would go out and come back in.” “I guess they were picking up more people.” “Finally [the Grey] said: we’re going on a long jump now.” “We didn’t land for quite a while.” “I said: I’ve been watching, can I try [flying] it?” “I tried it and I didn’t wreck the thing, but he was standing right over me just in case.” “We landed at some place that was not Earth.” “I looked out the front window, and there were two other ships.” “There was a string of people going, and I asked him: what do you do here?” “He said: we’re a medical team. We catch a lot of diseases going around space. And we have no immunity, but you people are like antibody factories. We use your antibodies for health.” “I was getting off, and they were going up this path to a pavilion that was up on the hill.” “He grabbed me by the arm, and he said: you don’t wanna go up there.” “He pulled me over to the side, and we sat down on the grass on the hillside.” “The grass was totally black.” “As we sat there … you could hear up on the hill, somebody would scream in horror, and everybody else would laugh.” “I said: what are you implanting in us?” “He said: we don’t implant anything into you.” “I said: well, we find these glass-like things implanted in us.” “He said: you people won’t be still. The tips of our instruments break off.” “And I said: well, why do you stick those?” “He said: because we take one or two cells of our diseased tissue, put it on that tip, implant it into you, and you will start making antibodies, and then we come back and harvest the antibodies.” Jesse Michels: “Do you know where this other planet is?” Buchanan: “No, I just know it wasn’t Earth.” Michels: “The other guy, the seven-foot guy—” Buchanan: “They struck me as being dumb as a rock.” “They were just workers for the Greys.” “While we’re there on the hillside, the pilot … went off and got another one that came back, sat down on the hill behind me and said: put up your hand.” “I put up my hand, he put his hand on the back of mine, and from that point on, I remembered nothing until the people were coming back down the hill, and I was in line with them, getting back onto the ship.” “The next morning, I was standing at the back window of [my house], and could not remember why I was there.” For 25 years, Buchanan had no memory of his abduction. Just a persistent, nagging feeling that he’d “forgotten something.” It wasn’t until 25 years later that he remembered everything. Jesse Michels American Alchemy
9:29

Sensitive content

This CIA-trained remote viewer just alleged he was abducted by Grey aliens and taken to an exotic, faraway planet. “The sky was black.” “The grass was totally black.” “The sun was out, but very dim.” The Greys even let him fly their UFO. Stop scrolling to hear Lyn Buchanan tell his life-changing abduction experience with Jesse Michels: “I heard something land in the backyard.” “I couldn’t move.” “Immediately I woke up, and I was sitting in a white room.” A pale, 7-foot tall being “came into the room, and I said: excuse me, can I sit by the window?” “He got this look of fear on his face and turned around and ran out.” “A few minutes later, a little Grey with three of these big guys huddled behind the Grey came in.” “The Grey said: we’ve got work to do, come with me.” “He was the pilot, and he had me kneel down in front of the control panel.” “With me kneeling down and him standing, we were eye to eye, so that tells you his size.” “We would land, the tall white guys would go out and come back in.” “I guess they were picking up more people.” “Finally [the Grey] said: we’re going on a long jump now.” “We didn’t land for quite a while.” “I said: I’ve been watching, can I try [flying] it?” “I tried it and I didn’t wreck the thing, but he was standing right over me just in case.” “We landed at some place that was not Earth.” “I looked out the front window, and there were two other ships.” “There was a string of people going, and I asked him: what do you do here?” “He said: we’re a medical team. We catch a lot of diseases going around space. And we have no immunity, but you people are like antibody factories. We use your antibodies for health.” “I was getting off, and they were going up this path to a pavilion that was up on the hill.” “He grabbed me by the arm, and he said: you don’t wanna go up there.” “He pulled me over to the side, and we sat down on the grass on the hillside.” “The grass was totally black.” “As we sat there … you could hear up on the hill, somebody would scream in horror, and everybody else would laugh.” “I said: what are you implanting in us?” “He said: we don’t implant anything into you.” “I said: well, we find these glass-like things implanted in us.” “He said: you people won’t be still. The tips of our instruments break off.” “And I said: well, why do you stick those?” “He said: because we take one or two cells of our diseased tissue, put it on that tip, implant it into you, and you will start making antibodies, and then we come back and harvest the antibodies.” Jesse Michels: “Do you know where this other planet is?” Buchanan: “No, I just know it wasn’t Earth.” Michels: “The other guy, the seven-foot guy—” Buchanan: “They struck me as being dumb as a rock.” “They were just workers for the Greys.” “While we’re there on the hillside, the pilot … went off and got another one that came back, sat down on the hill behind me and said: put up your hand.” “I put up my hand, he put his hand on the back of mine, and from that point on, I remembered nothing until the people were coming back down the hill, and I was in line with them, getting back onto the ship.” “The next morning, I was standing at the back window of [my house], and could not remember why I was there.” For 25 years, Buchanan had no memory of his abduction. Just a persistent, nagging feeling that he’d “forgotten something.” It wasn’t until 25 years later that he remembered everything. Jesse Michels American Alchemy

Holden Culotta

49,240 просмотров • 2 месяцев назад

Bill Maher DEFENDS Charlie Kirk after actor David Cross tried to paint him as racist. Maher refused to let Cross run away with the narrative. MAHER: “But like the the the rank and file Republican, I don’t think is a racist.” “I think you can get them into positions that look racist, but I don’t think in their bones they’re like what the racists kind of what I grew up was like a racist was somebody who didn’t want to shake a black person’s hand.” CROSS: “Yes...I don’t think that’s a thing, but I think there is...I mean I know there is because they say as much.” “There’s a feeling, a sense that...uh...I mean like Charlie Kirk stuff that women and black people and black women especially are just not...” “I’m not being an a**hole guys, I’m just saying they don’t have the mental, you know...” MAHER: “There was a little more [to it].” “I read that when he died, of course lots of places put his greatest hits...worst hits, worst things.” “And then somebody else printed something and this is what always happens with the media like I never trust it because you never get the full story, where like each one was put in with the full context.” “It was never quite as bad as they said.” CROSS: “I mean, context is everything, right?” MAHER: “It is. I’m just saying it was easy to pull from his quote bed and find stuff that I certainly don’t agree with even in the context, but it wasn’t quite what...it wasn’t quite what you were saying there.”

Overton

405,217 просмотров • 4 месяцев назад

Ryan Fox says the way he played the final hole to win The Open with a birdie was the best hole he’s ever played in his life. He also said he told his caddie on the tee he was going to take it on and try to win the tournament right there: “Yeah, definitely the first part. I mean, I hit two shots exactly how I wanted to hit them. I didn't feel anything for the putt; everything was shaking that much. I was just happy to hit it somewhat near the hole, and to see it go in was incredible. “I did say to my caddie, Dean, on the tee that we were going to take it on, that I was going to try to win the tournament, and I'd live with the consequences if I stuffed it up. To go out there and execute, that drive is not a very comfortable tee shot, obviously, and to hit it in the fairway and give myself a chance was huge. “Then I landed on a good number. I think I had 160 metres to the hole. The breeze was a little down off the left. Obviously everything is a bit jammed up there, so it was just a solid 9, and I hit it exactly where I wanted to hit it. I think I screamed to it, "Please be good," in the air, and it was. “To cap it off with a putt -- everyone practises on the green, I guess, you've got to a putt to win a major championship, to win The Open. It's not like that in real life. It's not a very comfortable feeling. It's certainly very enjoyable when you see it go in.” What a fantastic attitude and a great example of why Ryan is now the Champion Golfer of The Year. He knows how to get the job done 👊 🇳🇿 Ryan Fox The Open

Flushing It

224,742 просмотров • 1 месяц назад

Tucker might want to spend less time with the Quran and more time with the Bible. So for the 100th time, here is biblical proof, historical proof both Catholic and Protestant that he is lying. On purpose. To push an agenda. One that is at odds with the Bible. To say the Jews are not God’s chosen people is not just wrong. It is a denial of what the Bible clearly teaches, and it shows a failure to understand the foundations of Christianity itself. In the Old Testament, God declares Israel’s chosenness beyond dispute. Deuteronomy 7:6 says, “The Lord your God has chosen you out of all the peoples on the face of the earth to be his people, his treasured possession.” In Genesis 17:7, God tells Abraham, “I will establish my covenant as an everlasting covenant between me and you and your descendants after you.” Everlasting means permanent. Jeremiah 31:36 makes the point in even stronger terms: “Only if the sun, moon, and stars vanish will Israel ever cease to be a nation before me.” If the stars are still shining tonight, then Israel’s covenant still stands. The New Testament affirms this truth just as clearly. Paul raises the question in Romans 11:1, “Did God reject his people?” His answer is immediate: “By no means! God did not reject his people, whom he foreknew.” Later in Romans 11:28–29 he writes, “As far as election is concerned, they are loved on account of the patriarchs, for God’s gifts and his call are irrevocable.” Irrevocable means exactly what it says. No commentator, pundit, or modern voice has the authority to reverse what God Himself has declared. Jesus said in John 4:22, “Salvation is from the Jews.” That is not a side note. It is central to understanding who He is and how God’s plan unfolds. Christianity does not replace Israel. It is joined to Israel. Paul explains this in Romans 11:17–18 when he warns Gentile believers not to boast against Israel: “You, though a wild olive shoot, have been grafted in among the others… do not consider yourself superior to those other branches.” The Church shares in the promises given to Israel, but those promises remain rooted in the people to whom God first gave them. Church history confirms what Scripture teaches. The early Fathers acknowledged Israel’s election. The Catholic Catechism teaches that “to the Jews belong the covenants, the law, the worship, the promises, and from them is the Christ” (CCC 839–840). Vatican II’s Nostra Aetate solemnly declared that God’s covenant with the Jewish people has never been revoked. Protestant voices like John Calvin, commenting on Romans 11, also affirmed that God did not cut off His covenant with Abraham’s descendants. So when Tucker Carlson claims the Jews are not God’s chosen people, he is not correcting elites or offering a bold insight. He is simply revealing that he does not understand basic Christianity. The Bible is plain, the teaching of the apostles is plain, and the witness of the Church through history is plain. God’s covenant with Israel is everlasting, His gifts and His call are irrevocable, and Christians are grafted into that truth. As Paul put it in Romans 11:29: “God’s gifts and His call are irrevocable.” Anyone who denies that is not defending the faith. They are contradicting it at its root. And when Tucker dares to speak as if he knows whom God has chosen, his arrogance knows no bounds.

Insurrection Barbie

1,142,168 просмотров • 10 месяцев назад

Gena Rowlands explains the reason why "A Woman Under the Influence" (1974, Cassavetes), which was first written as a play, was made into a movie: "Rowlands: John wrote it as a play. He said, “Hey, I wrote you a play.” And I said, “Great, let’s read it.” I read it and I said, “John, I couldn’t do this every night and twice on Wednesday and Saturday. I wouldn’t be able to last two weeks. I’d die.” It was a very hard play to do every night. And he said, “Don’t worry. Don’t even think about it, you’re right. I hadn’t thought of that.” He said, “Just forget it.” Then in about two weeks he said, “Okay. I solved the problem. I wrote a different play for you.” He said, “So you won’t have to carry all of it every night. I used the same characters but I enlarged different parts of the scenes.” He changed it generally to make it humanly possible. And I said, “Oh, that’s a miracle, let me see it.” And I read it and I said, “Listen, you must know a lot of strong actresses!” [laughs] I said, “I still wouldn’t be able to do it. This is really hard.” She has a nervous breakdown—there’s a lot of things that are hard emotionally to do. So he said, “Okay. I’m going to write it as a picture.” I said, “I think I can get through it once.” [laughs] “But I’m not making any guarantees.” He thought that was funny and then he wrote it thinking like an actor too instead of just a writer. I think he took that into consideration. And it is, of course, much easier to do a film when you’re doing an extremely emotional part than it is doing it onstage over and over especially. Interviewer: Do you consider that to be your most challenging role? Mabel? Rowlands: Well, yes, it was my favorite. I loved doing that. And it was challenging. Interviewer: Since John gave you so much freedom to do what you liked as a character, how would you go about finding them? Was it something that was instinctual for you, from the script? Rowlands: I read the script, you know, 50 times. And I thought about it. And then I did it. [laughs]" (Gena Rowlands' interview with Colleen Kelsey, Interview Magazine, 2016) P.S: Remembering the great American Actress Gena Rowlands on her 96th birthday!

DepressedBergman

67,455 просмотров • 2 месяцев назад

Jesse Pinkman hits 96.2% purity cooking for the cartel, and for exactly one second, it looks like a genuine victory. The failed student, the addict, the guy everyone wrote off, walks into a cartel lab with no Walter White standing over him and proves he actually learned something. Not by accident. Not because Walt carried him through it. He does it himself. That's what makes the moment so satisfying at first. Jesse finally gets the kind of validation Walt never really gave him. For once, the room has no choice but to take him seriously. That number on the machine isn't just chemistry - it's proof that Jesse was never as useless as everyone kept telling him he was. But Breaking Bad rarely lets Jesse win cleanly. The second he hears "first of many," the whole scene flips. His face drops because he instantly understands what that number actually means. 96.2% didn't set him free. It made him valuable. And in this world, being valuable doesn't get you respect - it gets you owned. That's the real tragedy of Jesse's arc. Every single time he proves he has real talent, someone worse shows up to exploit it. Walt uses his loyalty. Gus uses his skill. The cartel treats him like an asset. Later, Uncle Jack's crew will turn that same talent into something even darker. The saddest part is that Jesse did exactly what Walt always claimed to want from him - he listened, he learned, he improved, he delivered. And instead of freedom, all he gets is another cage. That's why this scene hits so much harder than "Jesse cooks a good batch." It's pride curdling into fear in real time. The failed student finally passes his most important exam. Then realizes the prize was captivity all along.

best of breaking bad

1,803,161 просмотров • 1 месяц назад

WHITNEY WEBB on "Thiel-verse oligarchs" aiming to turn the US into a "sovcorp" run by a CEO "Palantir is...being set up to be the beta test" "[these] people...want one company to replace [America's] governing structure" "[NYT] literally called [Palantir] the one seeing eye" This clip of Webb (Whitney Webb), author of One Nation Under Blackmail and contributing editor of unlimitedhangout(.)com, is taken from a discussion with Ryan Cristian (The Last American Vagabond), Hrvoje Morić (Geopolitics & Empire), et al. posted to the Corbett Report YouTube channel on May 29, 2026. ---------------Partial transcription of clip--------------- "There is this push from the— from Peter Thiel, the Thiel-verse and all of these tech oligarchs that are aligned with him, not to single him out, but it's a squad, to basically create a— turn the US Government into a private corporation, which it technically already is. The multinational corporation runs everything, right? "But it's a way to sort of formalize that and have, you know, a national CEO run the country, as a dictator. And they call it, you know, either Sovcorp for 'sovereign corporation' or govcorp, a governing corporation. "And I think Palantir is basically being set up to be the beta test for that because not only have they been handed the military, and our entire intelligence community, they've now under, under the current iteration of Trump, been handed all of our agricultural data, all of our health care data, and IRS, you know, I mean, it has just expanded and become total. "And I think that's extremely concerning when you consider the people that run this are literally ideologically aligned with people that want one company to replace the governing structure of the, of the country. "So... if we allow them to continue to do this Palantir, will they already— I mean, the New York Times said they know already know everything about you and literally called them the one seeing eye. And Total Information Awareness is the pyramid with the beam covering the earth, you know? I mean they're just like rubbing it in your face. "But what it ultimately comes down to is that, you know, obviously those of us in independent media putting ourselves out there, we're putting a certain amount of data into the void, with the hope that people will wake up and do something about it. "But if you are watching this and this stuff concerns you, starve them of your data as much as possible. And I think the most powerful thing you can do is get rid of your smartphone. I know Hakeem sells alternatives, but, if you really need one, you know, but you do not need to have an Android or an Apple device on you. You can live without it. You lived without it before. "And... I mean, it's the biggest generator of data for them and their whole plan fails if people just mass non-comply with them. It's very important."

Sense Receptor

83,119 просмотров • 2 месяцев назад