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Jim Jarmusch

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FilmoteCanet Cinema

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17,655 просмотров • 9 месяцев назад •via X (Twitter)

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Que pedazo de director es Jim Jarmusch y que auténtico PELICULÓN es Dead Man (1995)
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Jim Jarmusch remarks on LA wildfires before presenting NYFCC’s Best Screenplay award to Sean Baker for Anora. #NYFCC #NYFCC90
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The FATHER MOTHER SISTER BROTHER family discuss the upcoming movie and working with the legendary Jim Jarmusch at New York Film Festival.
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Director Jim Jarmusch hugs Cate Blanchett and the rest of his #FatherMotherSisterBrother cast after the world premiere of the film in Venice
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"I hated Alejandro Jodorowsky's 'El Topo' (1970). I thought it was heavy handed. I thought it was kind of pretentious and overdone." --- Jim Jarmusch
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"I hated Alejandro Jodorowsky's 'El Topo' (1970). I thought it was heavy handed. I thought it was kind of pretentious and overdone." --- Jim Jarmusch

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BABA ANNE KIZ KARDEŞ ERKEK KARDEŞ. Mizahı, zarafeti ve keskin gözlemleriyle Jim Jarmusch imzalı bir aile portresi. Cuma gününden itibaren sadece MUBI’de. Bir MUBI Sunumu.
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Saint Laurent has launched a production company to support new films by directors Wong Kar-wai, Pedro Almodóvar, Jim Jarmusch, Paolo Sorrentino, David Cronenberg, Abel Ferrara, and Gaspar Noé.
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Se cumplen 31 años del estreno de Dead Man (1995) Que pedazo de director es Jim Jarmusch y que PELICULÓN es Dead Man. ¿Qué os pareció?
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Jim Jarmusch responds to backlash over Mubi taking on an investor with ties to the Israeli military: “I’m disappointed and disconcerted,” but “all corporate money is dirty.”
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Gösterişsiz bir yaşamın şiirini keşfeden, otobüs yolculuklarında, evde pişirilen kek kokularında hayatın dingin mutluluğunu bulan iki kişinin öyküsü. Jim Jarmusch, Adam Driver ve Gülşifte Ferahani bir arada.
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Paterson (2016) is one of cinema’s gentlest gifts. Jim Jarmusch turns routine into poetry, letting Adam Driver’s quiet observations give everyday life a rare kind of dignity. Proof that movies don’t need drama to feel profound.
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“America is about objectifying everything and making it marketable, about greed and profit. I react against that by making films about displaced or marginal characters and the seemingly inconsequential little things they do.” —Jim Jarmusch
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“America is about objectifying everything and making it marketable, about greed and profit. I react against that by making films about displaced or marginal characters and the seemingly inconsequential little things they do.” —Jim Jarmusch

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Jim Jarmusch on the “All-Time Greatest L.A. Crime Film,” John Boorman's POINT BLANK (1967) 🖤 Watch more from Jarmusch's reflection this modernist revenge thriller on our new 4K+Blu-ray edition of the film!
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Jim Jarmusch on the “All-Time Greatest L.A. Crime Film,” John Boorman's POINT BLANK (1967) 🖤 Watch more from Jarmusch's reflection this modernist revenge thriller on our new 4K+Blu-ray edition of the film!

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