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Johnny Depp Fully Transforms as Ebenezer Scrooge in Surprise Comic-Con Appearance Amazing transformation as usual for Depp as he fully throws himself into yet another iconic role. The actor showed up unannounced on the streets of San Diego in full old-age makeup and costume as the classic Dickens character,...

23,031 просмотров • 2 месяцев назад •via X (Twitter)

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Tigers Prospect Jackson Jobe averages 97mph ⛽️ Here are the 3 keys to his delivery: 1. The drift and drop As he goes into his leg lift, notice how straight his back leg is. This sets him up to create a lot of energy and force as he goes into the drop (load). Along with keep the back leg straight into leg lift, he also gains ground towards home. This allow him to initiate linear momentum while also setting himself up for the load. 2. Hip to shoulder separation During the stride phase he does a great job of rotating the pelvis into foot plant while staying closed with the upper body. His ability to stay level with the shoulders and stacked puts him in a good position to rotate instead of push. 3. Rotational velocity of the chest Staying closed with the torso into foot plant plays a large role in rotational velocity of the chest. Think of separation like pulling a rubber band back. That pull back is creating tension and a stretch that will accelerate once it’s let go. Jackson does an exceptional job of this, allowing him to rotate the upper body extremely well. RECAP 3 keys to Jobe’s delivery: 1. The drift and drop 2. Hip to shoulder separation 3. Rotational velocity of the chest It all starts with the beginning of the delivery. Getting the first move right has a positive effect on the rest of the delivery. Jobe is a great example of one good move effecting the next one and the next one. FLATGROUND Pitching

Pitching Coach "U"

312,275 просмотров • 3 лет назад

26.09.03 🎬 12 Years of Cha Eunwoo, the Actor From his brief first appearance as the healthy version of Ahreum in My Brilliant Life on September 3, 2014, to the actor he is today, every role has added another character, another story and another facet to Cha Eunwoo’s acting journey. After his first appearance in My Brilliant Life, his early years brought a fictionalized version of himself alongside the future ASTRO members in To Be Continued, followed by another playful take on “Cha Eunwoo” in My Romantic Some Recipe, where he quite literally steps out of a cardboard cutout and into a young woman’s life. Hit the Top introduced him as MJ, a popular idol with a confident presence, while Sweet Revenge saw him once again appearing as a fictionalized version of himself. And in Top Management, he became Woo Yeonwoo, a member of the struggling idol group S.O.U.L. trying to find its place in the industry. Each of these early roles brought something different, marking the beginning of a filmography that would soon expand into increasingly diverse characters, stories and genres. Then came the leading roles: the reserved honesty of Do Kyungseok in My ID is Gangnam Beauty, the naive yet increasingly courageous Prince Yirim in Rookie Historian Goo Haeryung, the gentle Angel Raviel in Soul Plate, and the hurt and sadness beneath Lee Suho’s distant exterior in True Beauty. With Jeon Taeryong in Decibel, Yohan in Island and Jin Seowon in A Good Day to Be a Dog, Eunwoo continued to broaden his range — moving between action, humor, tragedy, romance, physical intensity and quiet emotion. And his recent characters have revealed still more sides: the pain and intensity of Kwon Seonyul in Wonderful World, the introverted but quirky dreamer Ahn Yeonmin in The First Ride, and the principled, reserved and mysterious Lee Unjeong in The WONDERfools. A prince and a priest. A student and a teacher. An idol and a Navy submariner — just some among the different characters he has brought to life. Through subtle glances, expressions, body language, timing, physically demanding performances and emotional intensity, Eunwoo has continued to find a different way of bringing each character to life. Different characters. Different emotions. Different worlds. Happy 12th Actor Anniversary, Cha Eunwoo. 💜🥳 12 years of acting — and so many more characters still waiting to be brought to life.✨ #CHAEUNWOO #차은우 CHA EUN-WOO OFFICIAL

CHA EUNWOO PROJECTS

15,429 просмотров • 25 дней назад

Another favourite thing of mine I admire about Jonasi from #ThePolygamist is that he has never missed a birth of his kids. But also Gomora's standard for being present at his children's births highlights the deeply contradictory nature of his character. While he prides himself on showing up for those monumental medical milestones, his presence at delivery stands in stark contrast to his complete emotional abandonment and selfishness in daily life. It feels less like genuine fatherly devotion and more like a tactical ego boost to reinforce his role as the ultimate patriarch. Jonasi uses moments like being in the delivery room to tell himself he is a "good, traditional man". Yet, he has no issue leaving his family in emotional ruin. Showing up for the birth gives him an immediate sense of ownership and control over the mother and the newborn. It feeds his narcissistic belief that his empire revolves entirely around his legacy. perfect record" at births as a shield against criticism. It allows him to claim he cares for his kids, even as his chaotic web of wives, mistresses, and girlfriends tears the children's daily stability apart. Ultimately, Jonasi being there for the births makes his final, isolated downfall feel even more earned. He made sure he was there when his children entered the world, but by the end, his egocentric choices ensured he died without them by his side. #NetflixPolygamist Full episode on Netflix

TheKingLouNetwork

57,451 просмотров • 3 месяцев назад

I'm going to tell you all a story. Back in November 2023, I attended the San Francisco Fan Expo. I was right in the middle of finishing all of my finals for San Francisco State University in order to graduate, but I wanted to go to the event to say hello to Tony Todd in person and congratulate him on his outstanding performance as Venom in Marvel's Spider-Man 2. I was already lucky enough to briefly say hi to him during San Diego Comic-Con 2023, but it was in passing amongst a massive crowd of people and I barely had enough time to introduce myself. The moment I walked up to him at Fan Expo, he immediately remembered me from our brief interaction prior, already knew my name, and asked how I was doing in school. I was able to talk with him one-on-one for multiple days during the event, geek out about our favorite shared nerd culture, gift him with a Marvel's Spider-Man 2 Venom fan art print, and learn firsthand just how much he loved his work, his family, and all of his fans. During Fan Expo, there was a Q&A panel for Marvel's Spider-Man 2 which I was in attendance for. Tony & Nadji were able to answer several questions from fans about the game. When I walked up to the panel's microphone, my question in particular was about where they would like to see Miles & Venom go next within the Marvel's Spider-Man universe. Tony clearly adored the games, essentially said that he would love to see Venom "travel the world", and that he would want to keep playing the character forever. After I thanked them both for answering my question, Tony said something to me in front of everybody attending the panel that will stick with me for the rest of my life: "Everybody keep your eyes on this young man right here. He'll be working for Marvel someday." Tony's unfathomable kindness and warmth not only inspired me to graduate Magna Cum Laude from San Francisco State University, but they also furthered my drive to pursue my dreams within the industry. I am utterly gutted and heartbroken to hear about his passing. I genuinely feel like I've lost a close friend. But, above everything else, I am eternally grateful for everything that he has done for the entire Spider-Man community, as well as pouring his heart and soul into his craft which went on to inspire so many others. Thank you for healing the world, Tony. Rest in Peace. 🕷❤️

Evan Filarca

133,056 просмотров • 1 год назад

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 просмотров • 3 месяцев назад

It just works. Seedance 2.0 prompts are below 👇 Authentic live-action cinematic footage shot on real 35mm film as one continuous dynamic tracking shot in an urban city during overcast daylight. Natural light, real city atmosphere, subtle film grain, smooth yet energetic camera movement following the action without any cuts. Authentic physics and surprise, no CGI. Use the exact man from the reference image: 40-year-old white man with short dark beard, wearing black beanie, thick gold chains, black and grey plaid shirt over white t-shirt, blue jeans. Tough, street-wise appearance. 0-3s: The man stands clearly at the edge of a gritty urban rooftop, cornered, hands in pockets, looking down with a calm, determined expression. The camera slowly pushes in on him as he leans back and deliberately lets himself fall backwards off the roof into the void. 3-6s: As he plummets toward the ground, just before impact his body transforms in a quick burst of white mist and subtle particles into an ordinary city pigeon. The pigeon immediately takes flight with powerful wingbeats. The camera plunges down with him and then smoothly transitions into following the pigeon as it flies low over the street toward a nearby park. 6-10s: The camera continues tracking the pigeon as it flies into the park and lands among other pigeons on the ground. An old man is sitting on a bench throwing bread crumbs. The pigeon walks forward and starts eating the bread naturally. The camera moves to ground level, smoothly following the pigeon as it eats. 10-13s: While the pigeon is eating, it transforms back into the man in a quick flash of white mist and particles. He rises from a crouch, stands up, and casually shakes his shoulders and arms. The camera rises with him and continues tracking as he walks calmly toward the old man on the bench. 13-15s: The man reaches the old man. They share a quick, respectful fist bump. The man then turns and walks away confidently into the park. The camera slowly pulls back in one continuous movement, revealing the old man watching him leave with his mouth slightly open in quiet astonishment. Photorealistic real film capture, ultra-detailed skin, clothing, feathers and urban textures, perfect real-world physics during the fall and transformations, natural motion blur, cinematic color grading, heavy realistic film grain, stable real performer, no digital artifacts, authentic urban location quality, 100% practical footage feel with subtle mystical transformation effects captured on film. share yours!

TechHalla

42,633 просмотров • 2 месяцев назад