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Johnny Depp Fully Transforms as Ebenezer Scrooge in Surprise Comic-Con Appearance Amazing transformation as usual for Depp as he fully throws himself into yet another iconic role. The actor showed up unannounced on the streets of San Diego in full old-age makeup and costume as the classic Dickens character,...

16,163 просмотров • 18 дней назад •via X (Twitter)

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Tigers Prospect Jackson Jobe averages 97mph ⛽️ Here are the 3 keys to his delivery: 1. The drift and drop As he goes into his leg lift, notice how straight his back leg is. This sets him up to create a lot of energy and force as he goes into the drop (load). Along with keep the back leg straight into leg lift, he also gains ground towards home. This allow him to initiate linear momentum while also setting himself up for the load. 2. Hip to shoulder separation During the stride phase he does a great job of rotating the pelvis into foot plant while staying closed with the upper body. His ability to stay level with the shoulders and stacked puts him in a good position to rotate instead of push. 3. Rotational velocity of the chest Staying closed with the torso into foot plant plays a large role in rotational velocity of the chest. Think of separation like pulling a rubber band back. That pull back is creating tension and a stretch that will accelerate once it’s let go. Jackson does an exceptional job of this, allowing him to rotate the upper body extremely well. RECAP 3 keys to Jobe’s delivery: 1. The drift and drop 2. Hip to shoulder separation 3. Rotational velocity of the chest It all starts with the beginning of the delivery. Getting the first move right has a positive effect on the rest of the delivery. Jobe is a great example of one good move effecting the next one and the next one. FLATGROUND Pitching

Pitching Coach "U"

312,275 просмотров • 2 лет назад

We’ve seen guys like Judge, Stanton, Wells and others tinker with their stances to get into a better hitting position to attack strikes in the zone. When a guy like Volpe has struggled to hit consistently for his first 3 years, is constantly late on mid-velocity heaters in the middle of the zone and is constantly off-balance when he misses the off-speed stuff; you think to take a look at his pre-pitch habits especially what he’s doing with his hands and stride, and consider eliminating some of the unnecessary movements to simplify things and be ready to attack a pitch in the strike zone sooner. Volpe starts with his hands high above his head with some waggle to probably keep his hands moving and stay in rhythm, then as he strides he drops his hands into the slot while he loads, then wraps his hands behind him as he strides and keeps his weight back on his backside. That front foot needs to get down early as he gets his hands back to be ready to smoke something in the zone. Why hasn’t someone suggested dropping his hands pre-pitch in his stance to get them into the slot early, keep them back to prevent wrapping, and cut out one less moving part to get him better ready to attack pitches in the zone? He can even still have some waggle back there if he prefers to keep his hands moving. In theory if his hands are down and back already, all he needs to do is get his front foot down in time? It’s worth a try lol

JL

329,513 просмотров • 11 месяцев назад

Another favourite thing of mine I admire about Jonasi from #ThePolygamist is that he has never missed a birth of his kids. But also Gomora's standard for being present at his children's births highlights the deeply contradictory nature of his character. While he prides himself on showing up for those monumental medical milestones, his presence at delivery stands in stark contrast to his complete emotional abandonment and selfishness in daily life. It feels less like genuine fatherly devotion and more like a tactical ego boost to reinforce his role as the ultimate patriarch. Jonasi uses moments like being in the delivery room to tell himself he is a "good, traditional man". Yet, he has no issue leaving his family in emotional ruin. Showing up for the birth gives him an immediate sense of ownership and control over the mother and the newborn. It feeds his narcissistic belief that his empire revolves entirely around his legacy. perfect record" at births as a shield against criticism. It allows him to claim he cares for his kids, even as his chaotic web of wives, mistresses, and girlfriends tears the children's daily stability apart. Ultimately, Jonasi being there for the births makes his final, isolated downfall feel even more earned. He made sure he was there when his children entered the world, but by the end, his egocentric choices ensured he died without them by his side. #NetflixPolygamist Full episode on Netflix

TheKingLouNetwork

57,350 просмотров • 1 месяц назад

I'm going to tell you all a story. Back in November 2023, I attended the San Francisco Fan Expo. I was right in the middle of finishing all of my finals for San Francisco State University in order to graduate, but I wanted to go to the event to say hello to Tony Todd in person and congratulate him on his outstanding performance as Venom in Marvel's Spider-Man 2. I was already lucky enough to briefly say hi to him during San Diego Comic-Con 2023, but it was in passing amongst a massive crowd of people and I barely had enough time to introduce myself. The moment I walked up to him at Fan Expo, he immediately remembered me from our brief interaction prior, already knew my name, and asked how I was doing in school. I was able to talk with him one-on-one for multiple days during the event, geek out about our favorite shared nerd culture, gift him with a Marvel's Spider-Man 2 Venom fan art print, and learn firsthand just how much he loved his work, his family, and all of his fans. During Fan Expo, there was a Q&A panel for Marvel's Spider-Man 2 which I was in attendance for. Tony & Nadji were able to answer several questions from fans about the game. When I walked up to the panel's microphone, my question in particular was about where they would like to see Miles & Venom go next within the Marvel's Spider-Man universe. Tony clearly adored the games, essentially said that he would love to see Venom "travel the world", and that he would want to keep playing the character forever. After I thanked them both for answering my question, Tony said something to me in front of everybody attending the panel that will stick with me for the rest of my life: "Everybody keep your eyes on this young man right here. He'll be working for Marvel someday." Tony's unfathomable kindness and warmth not only inspired me to graduate Magna Cum Laude from San Francisco State University, but they also furthered my drive to pursue my dreams within the industry. I am utterly gutted and heartbroken to hear about his passing. I genuinely feel like I've lost a close friend. But, above everything else, I am eternally grateful for everything that he has done for the entire Spider-Man community, as well as pouring his heart and soul into his craft which went on to inspire so many others. Thank you for healing the world, Tony. Rest in Peace. 🕷❤️

Evan Filarca

133,056 просмотров • 1 год назад

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 просмотров • 2 месяцев назад

It just works. Seedance 2.0 prompts are below 👇 Authentic live-action cinematic footage shot on real 35mm film as one continuous dynamic tracking shot in an urban city during overcast daylight. Natural light, real city atmosphere, subtle film grain, smooth yet energetic camera movement following the action without any cuts. Authentic physics and surprise, no CGI. Use the exact man from the reference image: 40-year-old white man with short dark beard, wearing black beanie, thick gold chains, black and grey plaid shirt over white t-shirt, blue jeans. Tough, street-wise appearance. 0-3s: The man stands clearly at the edge of a gritty urban rooftop, cornered, hands in pockets, looking down with a calm, determined expression. The camera slowly pushes in on him as he leans back and deliberately lets himself fall backwards off the roof into the void. 3-6s: As he plummets toward the ground, just before impact his body transforms in a quick burst of white mist and subtle particles into an ordinary city pigeon. The pigeon immediately takes flight with powerful wingbeats. The camera plunges down with him and then smoothly transitions into following the pigeon as it flies low over the street toward a nearby park. 6-10s: The camera continues tracking the pigeon as it flies into the park and lands among other pigeons on the ground. An old man is sitting on a bench throwing bread crumbs. The pigeon walks forward and starts eating the bread naturally. The camera moves to ground level, smoothly following the pigeon as it eats. 10-13s: While the pigeon is eating, it transforms back into the man in a quick flash of white mist and particles. He rises from a crouch, stands up, and casually shakes his shoulders and arms. The camera rises with him and continues tracking as he walks calmly toward the old man on the bench. 13-15s: The man reaches the old man. They share a quick, respectful fist bump. The man then turns and walks away confidently into the park. The camera slowly pulls back in one continuous movement, revealing the old man watching him leave with his mouth slightly open in quiet astonishment. Photorealistic real film capture, ultra-detailed skin, clothing, feathers and urban textures, perfect real-world physics during the fall and transformations, natural motion blur, cinematic color grading, heavy realistic film grain, stable real performer, no digital artifacts, authentic urban location quality, 100% practical footage feel with subtle mystical transformation effects captured on film. share yours!

TechHalla

41,629 просмотров • 27 дней назад

HALLO SPACEBOY VIDEO UPGRADE “It's confusing these days...” Hallo Spaceboy was originally released on the 1995 1. Outside album. This version was going to be the follow up to Strangers When We Meet, even going as far as a video being filmed at the Big Twix concert in Birmingham, released as the No Trendy Réchauffé live album by Parlophone. Hallo Spaceboy was performed twice at the gig, once as part of the main set and again as the last encore. That final version was intended to be the video. Bowie had this to say of that original album version: “I adore that track. In my mind, it was like Jim Morrison meets industrial. When I heard it back, I thought, ‘Fuck me. It’s like metal Doors,’ It’s an extraordinary sound.” In the event, the song was reworked and produced by Pet Shop Boys for the single, giving Bowie a #12 hit in the UK. The chart placing was no doubt helped by a profusion of remixes and various formats (including a pink vinyl 45), not to mention the eventual David Mallet-directed official video, which featured both Bowie and the Pet Shop Boys interspersed with stock footage of all manner of interesting and slightly sinister flavours. View the restored video here: Two live songs from the Birmingham set, Moonage Daydream and Under Pressure, were used as the single’s extra tracks along with the radio edit of The Hearts Filthy Lesson. Various sources have been suggested as possible inspiration for the spoken introduction by Bowie on this version: “If I fall, moondust will cover me”, including Brion Gysin’s* last words and more likely, a line from his 1969 novel The Process: “I look for my guide to find him, too, buried in moondust.” It’s unlikely we’ll ever know for certain, but we can probably rule out the Mike & Bernie Winters 1967 comedy classic, Smother Me With Moondust And Elusive Strawberries. * Gysin was the original inventor of the cut-up method employed by both Bowie and William Burroughs. #HalloSpaceboy #BowiePetShopBoys

David Bowie Official

18,827 просмотров • 5 месяцев назад