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Josef Von Sternberg was initially hired as a special visual consultant for "Duel in the Sun" (1946). However, he directed for one week due to King Vidor being ill. When he was asked by Peter Bogdanovich what he exactly did in the movie, Sternberg replied, "I directed one week... show more
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![Orson Welles on Alfred Hitchcock's "Shadow of a Doubt" (1943) "Welles: The American movie [by Hitchcock] I liked most was the one Thornton Wilder wrote. Joseph Cotten was in it Bogdanovich: "Shadow of a Doubt" (1943)—it’s his favorite, too. Welles: Thornton’s natural warmth was a big help. There’s a certain icy calculation in a lot of Hitch’s work that puts me off. He says he doesn't like actors, and sometimes it looks as though he doesn’t like people." ("This is Orson Welles", Orson Welles and Peter Bogdanovich, 1992) P.S: Remembering Joseph Cotten on his 121st birthday!](https://image.24vids.com/tw-2055317350296219962/amplify_video_thumb/2055317208646246400/img/XrN5Yy_duY-WGLyK.jpg)
![Peter Bogdanovich on the phone call he had with Howard Hawks on the set of "What’s Up, Doc?" (1972) & what Howard Hawks thought of the movie: "Interviewer: Howard Hawks phoned you on the set while you were shooting. Bogdanovich: We were actually having a table read. I think it was before the read had started. The whole cast was assembled, and we were chatting. The assistant director comes over and says, “Peter, you’ve got a call on the stage phone. It’s Howard Hawks.” Everybody went, Ohhh, it’s Howard Hawks! I went over, and I said, “Howard?” “Peter?” “Howard?” “Peter?” “Howard!” “Peter!” I said, “Hi, how are you?” I had sent him the script of What’s Up, Doc?, and I had told him we had stolen a few things from him. Now, he calls me, and he says, “Well, you didn’t steal the leopard.” “I couldn’t steal the leopard, Howard! I mean, it’s too much identified with your picture.” “Well, yeah, I guess. Well, you didn’t steal the dinosaur.” “No, I couldn’t steal the dinosaur, Howard. Again, it’s very associated with your picture. I just took the basic plot.” “Yeah, well, it’s okay. It’s fine. Who you got in it?” “Well, Barbra Streisand and Ryan O’Neal. I know they’re not Katharine Hepburn and Cary Grant …” “You’re damn right they’re not. Well, just don’t let ’em be cute.” “Okay, Howard. Thank you.” “All right, boy. See you later.” Interviewer: What did Hawks think when he saw it? Bogdanovich: He was very proud of it. [Laughs.] He took a lot of bows for it. Interviewer: But that was fine with you Bogdanovich: Oh, yeah, I told everybody it was stolen from Bringing Up Baby, and then everybody said, “He stole it from Bringing Up Baby.” [Laughs.] One of them said I stole it from Bringing Up Father, which was a comic strip at that time. Interviewer: But Hawks felt you did a good job. Bogdanovich: He went down to Rio, and it was playing there. With his own little camera, he took pictures of the marquee, showing what it looked like for me. Isn’t that sweet? ("Picturing Peter Bogdanovich", Peter Tonguette, 2020) P.S: On this day, 54 Years ago, "What’s Up, Doc?" (1972) premiered in New York City, USA.](https://image.24vids.com/tw-2031076301008941471/amplify_video_thumb/2031050006120345600/img/QGYnaeIOM02ZcrW9.jpg)
![Terrence Stamp on Federico Fellini & how he got cast in "Spirits of the Dead" (1968): "Stamp: Fellini had been approached a lot when he was in London by Peter O’Toole. O’Toole had met him at lunches and things and said we must do something together, so [Fellini] did write it with Peter O’Toole in mind. But when he sent the screenplay to Peter, Peter read it and said “I don’t want to be in this.” So [Fellini] called a casting director called Dyson Lovell and said “Send me your most decadent actors.” I was one of the decadent ones that went, and that was how I met him. Interviewer: What was Fellini like? Stamp: He was just everything and more – I think he was one of the most wonderful human beings I’ve ever met. And he bore witness to his talent. He wasn’t one of these guys who makes great movies like Antonioni, who’s like this dry, boring academic in real life. He was full of life – funny and witty and smart, and adorable to hang out with. There was never a moment wasted with Federico." (Terrence Stamp's interview with Sam Wigley, Sight & Sound, 2013)](https://image.24vids.com/tw-2051001341561242106/amplify_video_thumb/2050999278114619393/img/VmX5qqY4wwirQdVQ.jpg)
