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“Jujube’s ridiculous dance” ——————————————— Tags: #animation #animated #animationloop #2danimation #drawing #drawn #cartoon #cartooncharacter #cartoonist #art #digitalart #artcommunity

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TheReelStudioHWO

1,541 subscribers

93,608 просмотров • 2 дней назад •via X (Twitter)

Искусство#animation#animated#animationloop#2danimation#drawing#drawn#cartoon#cartooncharacter#cartoonist#art#digitalart#artcommunity
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Комментарии: 5

Фото профиля TherealAtago2.0
TherealAtago2.02 дней назад

Now just make the animation sped up and you’ll get tons of views and also to add meme sound effects

Фото профиля Seiber Saiban
Seiber Saiban2 дней назад

Put some weights in her hands and you instantly change it from dancing to exercising.

Фото профиля Venancio Allan
Venancio Allan1 день назад

OMG👀👀

Фото профиля Shade Meadows (NS2 Throne at 41%) 🖤
Shade Meadows (NS2 Throne at 41%) 🖤1 день назад

Looove how bouncy it is!

Фото профиля Gamzillaman1954
Gamzillaman19541 день назад

Wife.

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Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations. One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway. Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons. Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals. In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance. "Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience. Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day. Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.

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Doodles must interact naturally with the live-action environment. PART 2: MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: Continue with EXACTLY the same young male from Part 1. Same face, hairstyle, oversized graphic T-shirt, baggy cargo pants, sneakers and overall identity. STRICT IDENTITY AND OUTFIT LOCK. 0–6s — DOODLE CHAOS Continue directly from Part 1 as the boy jumps onto a city staircase and races upward. Hundreds of cute hand-drawn doodles chase after him. Animated lemons bounce down the stairs. Lightning bolts zigzag beside him. Tiny stars spin through the air. Cartoon flames briefly appear behind his sneakers. 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End on a clean premium hero shot of the Mountain Dew Spark can surrounded by playful doodle lightning, stars and fruit. Final feeling: refreshing, energetic, mischievous, funky and irresistibly fun. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, speed ramps, macro product photography, orbiting camera movement, crash zooms and match cuts. Transitions should be motivated by the character's movement and preserve visual continuity from Part 1. DOODLE ANIMATION: Cute hand-drawn 2D doodles with imperfect sketch lines, playful expressions and bouncy animation. Doodles should physically interact with the live-action world rather than appearing as static overlays. Keep them playful and stylish, never childish. 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Caden Flux

33,798 просмотров • 16 дней назад

In 2003, a teenager and his friends were sitting in a park late at night talking about nuclear weapons and drawing pictures of missiles in the dirt with sticks. He went home, opened a programme called Flash, animated a 94 second video of every country launching missiles at each other, recorded the voiceover in one take using silly accents, and sent it to his friends. Someone posted it online without him knowing. It ended up on every humour site that existed before YouTube and became one of the first videos in internet history to go truly viral. Millions of people watched a crudely drawn earth with a narrator who opened with “Hokay, so, here’s ze earth” and a scene where France says “but I am le tired” before being told to “have a nap, then fire ze missiles.” Jason Windsor was a recent high school graduate who drew the whole thing with a regular mouse. He never expected anyone outside his friend group to see it. It helped launch his career in animation and 15 years later he released a sequel.
0:53

In 2003, a teenager and his friends were sitting in a park late at night talking about nuclear weapons and drawing pictures of missiles in the dirt with sticks. He went home, opened a programme called Flash, animated a 94 second video of every country launching missiles at each other, recorded the voiceover in one take using silly accents, and sent it to his friends. Someone posted it online without him knowing. It ended up on every humour site that existed before YouTube and became one of the first videos in internet history to go truly viral. Millions of people watched a crudely drawn earth with a narrator who opened with “Hokay, so, here’s ze earth” and a scene where France says “but I am le tired” before being told to “have a nap, then fire ze missiles.” Jason Windsor was a recent high school graduate who drew the whole thing with a regular mouse. He never expected anyone outside his friend group to see it. It helped launch his career in animation and 15 years later he released a sequel.

Lemma the Optimist

622,347 просмотров • 6 месяцев назад