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Just wrapped up a 4-part IFRS 9 ECL series with a focus on the modelling. Almost 4hrs in all but to follow through with the modeling you probably need at least 8hrs. Part 1: A brief intro - Classification & Measurement (SPPI, business model assessment, EIR dynamics) Part 2:...

22,920 次观看 • 3 个月前 •via X (Twitter)

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Most “beautiful hotel” lists start to feel the same after a while. Same infinity pools and beach villas. The same famous names you’ve already seen a hundred times. But the hotels I remember are usually different. They’re the ones with a story behind them. A castle in Ireland where the rain and old stone feel like part of the stay. A desert resort in the Empty Quarter that looks like it rose out of the sand. A palace in Udaipur where you arrive by boat across the lake. A former military fortress in Mallorca turned into one of the most quietly beautiful hotels in the Mediterranean. And then there’s Giraffe Manor in Nairobi. It sounds made up until you see it. An old ivy-covered manor from the 1930s, set in green gardens, where giraffes wander up to the windows during breakfast. That could easily feel like a gimmick, but it doesn’t. Part of what makes it special is that the property is tied to conservation work for endangered Rothschild giraffes. So the magic of the place has some purpose behind it. That’s the kind of hotel I highlight in this series. Not just places with nice rooms. Places with a setting. Places with history. Places that make you stop and think, “How did I not know this existed?” I’m writing a five-part series for The Timeless Traveler on 50 of the most beautiful hotels in the world you’ve probably never heard of. Part 4 is out now. It includes hotels in Mexico, Kenya, Spain, Switzerland, India, Ireland, the UAE, England and Italy. If you love beautiful places, hidden gems, old-world hotels, strange settings, and travel ideas worth saving, I’d love to have you subscribe to the newsletter. That’s where I’m sharing the full series, along with more other places around the world you should know about.

The Timeless Traveler 🇺🇸

40,295 次观看 • 1 个月前

Demystifying IFRS 17 Insurance contract One of the IFRS standards that is too dear to me is IFRS 17. While it’s an accounting standard, it has a strong intersection with actuarial work and in many cases you see accountants in the insurance industry shy away from it and let the actuarial team take the lead (more reason I’ve been preaching that accountants who like complexity should explore actuarial exams… lol 😄). Unlike the old IFRS 4 where actuarial numbers were often treated as “just a liability figure,” IFRS 17 now has a very pervasive impact on the face of the accounts, from revenue to expenses to finance income/expense, etc. It’s also quite specialised such that if you’re not involved in insurance industry (or insurance-like contracts), you may never really experience it. And honestly, it’s difficult to learn purely in theory because it’s well loaded. practical application is what makes it click. That said, I still believe anyone can get a solid gist with the right explanation. I’ve supported 40+ insurance & reinsurance entities across Africa on IFRS 17 implementation and delivered 50+ trainings for boards, practitioners, and regulators. Someone dear to me recently asked that I explain the standard, so I put something together to share (recorded this yesterday night from about 8pm–1am, even sacrificed my Chelsea game as I was so sure its a straight win 😅). The video is in 3 streams (about 4 hours combined), but if you really want to learn, you’ll need to pause, open Excel, and demo the same examples yourself. This is a preamble, but I trust that if you’re interested in IFRS 17 and you go through it, it will be a strong starting point to explore the standard further. Here are the 3 parts: Basics of Insurance + IFRS 17 technical foundations- IFRS 17 practical example (GMM portfolio)- Analysing IFRS 17 financial statements- Snippet 1 - explaining non insurance components in insurance contracts Snippet 2- explaining why expenses and claims forms part of insurance revenue Snippet 3 - analyzing IFRS 17 Financial statements #insurance #IFRS17

Michael

39,628 次观看 • 6 个月前

- Notion 2.0, 2026 plans - Alright guys, here’s a sneak peek at what the educational material inside Notion has become and what the plans are for this year. Over the past 2 years, I’ve written extensively. The result? A complete trading course, structured and accessible even if you’re starting from zero. We’re now talking about 1,700+ pages of PDFs covering everything from basic to advanced concepts. From market structure to Wyckoff, from AMT to SMC not just through written material, but also supported by in-depth video content. It’s truly a comprehensive learning path. And this year, it’s going to be expanded even further with new content across multiple areas: - Technical: time cycles, execution models, deeper operational frameworks. - Fundamental: with a strong focus on traditional finance. - Psychological: new practical guides and tools designed to help you stay calm, build discipline, and develop the right mindset. On top of that, there will also be live training sessions to make the experience even more interactive and dynamic. If you combine all of this with weekly and bi-weekly market analysis, video updates, and a tight-knit, growth-oriented community… what you get is not just a course, but a high-level learning experience. A special thank you to MisterPA of course not only for expanding the Notion with his educational videos, but for actively contributing with updates and analysis that are bringing real value to all members. If you’re looking for a structured growth path, one designed to guide you step by step, even if you’re starting from scratch.. this is exactly what you need.

ZERO IKA 🗡️

29,444 次观看 • 6 个月前

a team of researchers just proved you don't need a bigger model, you need a smarter plan researchers from Tsinghua and South China University of Technology built a framework called Atomic Task Graph. it turned 7B-8B open-source models into GPT-4 competitors on complex agent benchmarks, beating it on two out of three. no fine-tuning. no extra training. zero parameter updates. current AI agents plan in a straight line. step 1, step 2, step 3. when step 4 fails, the whole chain breaks. and the longer the chain gets, the more the model hallucinates because it's reasoning over a ballooning text history. here's how it works. 1. instead of a linear chain, ATG breaks any complex task into a directed graph where subtask inputs and outputs are explicitly mapped 2. it recursively decomposes each subtask until every node is one atomic tool call 3. independent branches run in parallel instead of waiting in line 4. before anything executes, a lightweight "thought experiment" simulates the plan internally to catch bad dependencies and missing steps early 5. when something breaks at runtime, ATG traces the failure to the exact subgraph that caused it and repairs only that piece. validated work stays frozen. the old way meant a failure at step 5 forced a full replan from scratch. hallucinated actions piled up the longer the task ran. ReAct hit a 43% hallucination rate on household tasks. ATG on an 8B Llama model scored 63.65 on ALFWorld. GPT-4 with ReAct scored 41.24 on the same benchmark. hallucinated actions dropped to 12%. those numbers happened because someone stopped throwing compute at the problem and started thinking about how work gets organized. that's the part that gets me. the industry is spending billions on scale. this team spent time on architecture. and the architecture won.

Alex Veremeyenko

173,351 次观看 • 1 个月前

Since timezones and such... I'm gonna say it now HAPPY NEW YEAR EVERYONE! And now, here's a video and a wall of text... ⬇️ Thanks to ALL OF YOU... It's been one of the best years in my life, not only I acomplished a lot of dreams, but also met wonderful people. I cannot believe how far I got, but that wouldn't have been possible without all your support... Went to Japan and even saw the snow for the first time in my life at the same time while visiting lot of MH places! I went to Gamescom and could both the MH directors and part of the community Went to Japan a SECOND time but invited for a Monster Hunter game, and got to met another MH director! I went from 2k followers to almost 7k followers, which for me, it's AMAZING and cannot thank you all enough, seriously Whenever I felt down, I just had to go an read all your replies, your DM's, the amount of love and laughs you all gave me cannot be quantified, you might underestimate my words but trust me, it helped me so much and I felt so close to a lot of the people The more I think of it, the more happy I am... Monster Hunter is a big part of my life and will always be! Hope you all can keep trusting me and my content, and I cannot imagine 2025 being better but sure hope so! I tried to put as much names on the video as I could, but there's a point one has to stop because otherwise I would end up with 20hours video haha If your name is not there, it's probably that reason alone There's also a possibility the auto-corrector rewrote some name wrong and I didn't notice it, sorry again! Thanks if you have read until here and even more, if you have watched the video. Thanks for everything, I'm almost crying just writting down this🥺

Shincry

59,770 次观看 • 1 年前

As a Twitch streamer, do you struggle with keeping your viewership up when on a BRB or Starting Soon screen? Clip reels are a perfect, fun way to keep attention. And they showcase your content. But they're a LOT of work to maintain. Well.. at least they were😎 What if you could have a simple browser source that automatically played an always-fresh clip reel? What if you could have a simple browser source that would show the clip reel of your last stream, like a "Previously On..." TV show intro? Now you can!! When you use the Highlight Hunter by FrostyTools, you find the best moments from your VOD, automatically. You can already easily turn them into Twitch clips, or download the snippets to edit for a perfect short-form video, or download entire montages of VODs to share with your community. BUT NOW, you can just grab one of two simple browser source links, to pop into your OBS or Meld Studio One of them will roll all your favorited snippets in random order, like a shuffling playlist of your best highlights. Great for BRB screens, or any time you want to entertain with your best moments. The other will play the linear montage of your latest VOD, for a "Previously On..." experience that helps catch viewers up if they missed it or forgot. Great for Starting Soon screens to seamlessly tie the streams together (and pairs great with our Showstarter chatbot feature 😉). The best part? As you continue to use the Highlight Hunter, these update automatically! New favorite snippets since last stream? They're in the reel already! Ran the Highlight Hunter on your latest VOD? Its montage will automatically play on your 'Previously On..' browser source when you start stream up next time. This is a SUPER powerful update; check it out ASAP!

Ken aka Frosty

103,009 次观看 • 9 个月前

The NYT interview with Taylor Swift on her songwriting process is so good. Here she explains her approach to choruses and bridges: “The importance for me of a bridge is it just feels like we’re painting a picture. We’re setting a scene. We have this opportunity as a songwriter to tell an entire story. Or an entire movie. Or a very detailed description of one scene in a movie. Or a very nuanced dynamic between people or a complicated emotion. And we have only so long to do this. I’ve written some really long songs in my life. But, for the most part, they’re between 3.5 to 4 minutes. You can start painting the picture in the verse. You can get to the heart of it at the chorus. But then the bridge can be where you zoom back, you walk 20 feet back, and you see what this entire painting was supposed to be. You’ve seen brushstrokes. You’ve seen the color tones. But the bridge can be when you step back and you feel everything that that piece of art was supposed to make you feel. That’s just how I feel about bridges. I came up as a songwriter in Nashville, where structure is a huge part of how you effectively tell a story, right? You go verse - chorus - second verse - chorus - bridge - chorus. Maybe you repeat that first verse if you want to. If you want to pull at some heartstrings. If it makes sense. Now, that’s something that I absolutely subscribe to…that structure is important. But I think that when you write enough songs — at least in my case — the intuitive part of your songwriting brain can kind of create a new structure that’s not as classically what you’ve been taught. Jack Antonoff is a collaborator of mine and one of my best friends. We established this thing that we love to do and we call it the rant bridge. I could point to examples like, ‘Out of the Woods’, ‘Is It Over Now?’ or ‘Cruel Summer’. And oftentimes we love these rant bridges, where it’s basically like stream of consciousness. Endless pouring-out of emotion. Intrusive thoughts, blended with metaphor with discussion with shouting. You want this rant bridge to feel the most intense of what that feeling is…that you’re trying to, establish over the course of the song and you want it to kind of be a crescendo.” *** Full interview here:

Trung Phan

85,278 次观看 • 3 个月前

team same talked about ‘super’ for choi youngjun’s choreography world cup content 🕺: so... (the top contender appears...) 👩🏻: aigoo, this is... 👦🏻: it was really cold back then. 👩🏻: but at first, i thought all of that was CGI, the people... 🕺: when we were making ‘super’, we experimented for 3 days and filmed the draft on the last day with 28 people. all that effort, that struggle… the choreographers were me, jidae, seunghyun, jinwook… 👩🏻: i seriously thought it was CGI. 🕺: remember? we came up with that chorus part just 10 minutes before the demo. we had to go to HYBE and film the demo by 12, but the choreo didn’t come together until around 11: 40. they’re next to me, freaking out, ‘ah, what do we do?’ and i was like, ‘hey, don’t worry, it’ll come to us’ and then this is what came out. 👩🏻: this was shot so well. is that background a real set? 👩🏻‍🦰: it’s a building 🕺: people don’t realize it, but the choreo overall is completely packed and super exhausting. that’s why it’s structured in a way where the energy is evenly distributed. the singers also get a bit of rest during this part so they can get ready for the next section. 👩🏻: you have to watch this part (the8’s part) 🕺: wait, i have something to say about this part too. originally, this part didn’t exist. but in terms of the overall flow of the choreo, i thought there needed to be a break here. at that time, the8 was injured, so he couldn’t do the full choreo and had to appear in the second verse. but since the song flows continuously, the choreo kind of lacked impact. so i thought, ‘the8 should walk out and there should be some kind of impact.’ that’s why i asked for a break to be added here. 👩🏻: so that’s how this part came to be. 🕺: because of this, the8 really stood out. the way he didn’t use one arm was because he was injured, so we choreographed everything in a way that made him dance kind of like a scholar, with that elegant vibe.

디 ૮₍ ˃⤙˂ ₎ა

36,482 次观看 • 1 年前

wen Dookey Dash? [long, sorry] some updates: The competitive part of Dookey Dash is pretty well cooked and many of you have gotten a chance to playtest the game in some form, either at NFT Paris, in Dubai at Token2049, or as part of our gaming council. THANK YOU for being part of testing and dealing with bugs as we QA the shit out of the game. A not-final build of the game is currently live in the Philippines and Australia for testing. This version is missing a ton of features we’ve been busy building with Faraway, as well as many completed parts of the game that we can’t push live until Season 1 begins. What are we adding? A bunch of things to make the game more casual-friendly. Stuff like: -NEW MAPS: More to explore than just the same 'ol sewer -ARCADE MODE: A new objective-based game mode, with clear conditions for progressing (like "dash through five walls to win," etc). Arcade mode is broken up into levels, and achieving goals gets you progress on the map and onto the next stage. Basically, think Candy Crush. -CHAMPIONSHIP MODE: This is the good old leaderboard-based DDU for hardcore players. -WEEKLY TOURNAMENTS: Compete in weekly tournaments to win boxes featuring new characters, vehicles, banners, etc. Opening up boxes will grant you Dookey Points, which you can spend to spin for a chance at a Golden Plunger – you’ll need a Golden Plunger in order to compete in the $1m esports championship at the end of the season. -DAILY QUESTS: Rotating set of quests with a range of possible rewards It’s a LOT of new upgrades to Dookey Dash, all with the aim of making the game fun for everyone and not just twitchy nerds with fast reflexes. Looking forward to getting my mom to play. All that said, I don’t want to push this sucker live until I feel like we’ve got the best game possible. Good news is, all the new features will be out of dev later this month, and we’ll be able to give an update on launch date then. Some very work-in-progress screenshots and vids here. [last tweet]

Garga.eth (Greg Solano)

68,228 次观看 • 2 年前

A closer look on the GSAP powered animations in Webflow. Just from my perspective. In short, it’s way more powerful than I first thought. The more I use it, the more I like it. Of course, there are some parts missing. But it's the first version. There's still a lot to come. For example, custom ease would already make a huge difference. Breakpoints. Maybe a way to add custom functions as sometimes you need to calculate stuff in JavaScript to get complex animations. The biggest part for me is that you can just build the animation inside a timeline. This makes it so much easier than writing it as code. You can fine tune it so much more. When there would be a way to export the tween as code to add some more functionality would be awesome. You can also add custom classes with the timeline, which can then be used in custom CSS to add more functionality. With a bit of custom code you can also use breakpoints for your animations. By using the custom event the animation can be used in custom code which can also be pretty powerful. Didn’t test it so much yet, but would be cool if you could just take the event and use for example the onComplete() from GSAP or other stuff. For example. let mm = gsap.matchMedia(); const module = Webflow.require("ix3"); module.ready().then(() => { mm.add( { isMobile: "(max-width: 992px)", }, (context) => { let { isMobile } = context.conditions; if (isMobile) { module.emit("Mobile Animation"); } } ); }); "Mobile Animation" is the name of your custom event. I hope that part will get more powerful. Something I miss on the timeline is that when you select more actions you can just drag all actions. It would be cool if you could move it frame by frame with the arrow keys, like in Jitter for example. Or just write a specific point like when you have one selected. For now I would further write the code myself, but I’m excited to see where it’s going. Maybe there will be a time where you could animate most parts inside Webflow 🙂 Can’t wait for the next GSAP update!

Eduard Bodak

12,590 次观看 • 1 年前

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

Gangster Cinema Central

89,214 次观看 • 1 个月前