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Kaito - Phantom Mirage Track listing : 01. Phantom 02. When the Past Dissolves into Light 03. Mirage Label : InFiné Music Release date : May 30, 2025

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HIROSHI WATANABE aka KAITO

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10,637 Aufrufe • vor 1 Jahr •via X (Twitter)

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A 24-YEAR-OLD STUDENT FROM BERLIN TURNED MUSIC ROYALTY DATA INTO A $14,250/MONTH PROMO BUSINESS he found out most indie artists do not have a music problem. they have a distribution problem. spotify, tiktok and youtube do not reward the best track first, they reward repeatable attention, saves, playlist signals and listener retention his setup was simple. one laptop, royalty analytics, playlist research, short-form clips and outreach automation. instead of chasing fake streams, he built a system that finds small artists with good songs and pushes them into real listener loops every track gets packaged into 15 to 30 clips, tested across tiktok, reels and shorts, then routed back into spotify through landing pages and playlist pitches. the whole point is to create real discovery before the algorithm buries the song after 30 days, the system had promoted 50+ tracks for indie producers, underground rappers and low-fi artists. his service fee starts at $500 per track, with bigger packages going to $1,500 when artists want clips, outreach and reporting the crazy part is that he does not need a label, studio or team. just music data, content distribution and a repeatable backend that artists are too lazy to build themselves this is what music promo looks like when it becomes software

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411,081 Aufrufe • vor 4 Monaten

Prompt: Create a professional Hollywood advertising storyboard sheet for a premium moisturizing face cream commercial, inspired by the visual language of world-class luxury skincare and high-end beauty campaigns, while remaining completely original and brand-neutral. FORMAT & LAYOUT - One large white presentation board - 10 ultra-realistic cinematic storyboard frames arranged in a perfectly aligned 2 × 5 grid - Each frame has a thin, elegant black border - Consistent spacing, precise editorial layout, premium advertising-agency presentation aesthetic - Every frame clearly displays a bold scene number (01–10), a duration timestamp, and a short production caption underneath - Clean typography, subtle black/gray text, sophisticated art-direction notes - No logos, trademarks, brand names, or copyrighted campaign elements - The final image should look like an authentic Hollywood commercial director's storyboard / agency treatment board VISUAL STYLE Ultra-realistic cinematic photography, luxury beauty advertising, photorealistic skin texture, natural pores and fine details, sophisticated beauty lighting, soft diffused highlights, controlled shadows, subtle volumetric light, premium glossy product photography, shallow depth of field, anamorphic cinematic composition, elegant neutral color palette, creamy whites, warm skin tones, subtle champagne highlights, high dynamic range, realistic reflections, polished color grading, 8K-level detail, sophisticated production design. STORYBOARD SEQUENCE — 10 FRAMES 01 — 0:00–0:03 | THE FIRST DROP Extreme macro shot of a crystal-clear water droplet falling onto a pristine cream-colored surface, creating delicate concentric ripples. Luxurious soft lighting, dramatic slow-motion feeling. 02 — 0:03–0:06 | PURE HYDRATION Macro beauty shot of a rich moisturizing cream being elegantly lifted from a premium minimalist glass jar. Silky texture, glossy highlights, luxurious studio lighting. 03 — 0:06–0:09 | TOUCH Close-up of a beautiful adult female model gently applying the cream to her cheek with her fingertips. Natural expression, immaculate but realistic skin, intimate cinematic framing. 04 — 0:09–0:12 | ABSORPTION Ultra-close beauty shot showing the cream melting seamlessly into the skin. Emphasize realistic skin texture, moisture, luminous highlights, and a fresh hydrated appearance. 05 — 0:12–0:15 | HYDRATION GLOW Cinematic portrait of the model beside a softly illuminated window. Her skin appears naturally radiant, supple, fresh, and deeply moisturized. Elegant morning atmosphere. 06 — 0:15–0:18 | THE FORMULA Premium product-science visual: suspended water droplets, translucent botanical-inspired elements, creamy textures, and elegant fluid motion surrounding the face cream jar. Sophisticated, believable cosmetic advertising aesthetic. 07 — 0:18–0:21 | ALL-DAY COMFORT The model outdoors in soft golden-hour light, looking confident and relaxed. Close cinematic framing emphasizes comfortable, hydrated, naturally glowing skin. 08 — 0:21–0:24 | LUMINOUS DETAIL Extreme macro shot of hydrated facial skin with beautifully controlled highlights and realistic pores. Skin looks healthy, smooth, supple, and luminous rather than artificially airbrushed. 09 — 0:24–0:27 | HERO PRODUCT Hero shot of the premium face cream jar centered on a sculptural stone surface, surrounded by subtle water reflections and soft atmospheric mist. Luxury beauty commercial lighting, dramatic but minimal. 10 — 0:27–0:30 | THE FINAL REVEAL Final cinematic composition combining the hero product and the model in the background, softly out of focus. Elegant glowing light, premium minimalist environment, strong visual hierarchy, sophisticated end-card composition with clean negative space for a tagline.
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Prompt: Create a professional Hollywood advertising storyboard sheet for a premium moisturizing face cream commercial, inspired by the visual language of world-class luxury skincare and high-end beauty campaigns, while remaining completely original and brand-neutral. FORMAT & LAYOUT - One large white presentation board - 10 ultra-realistic cinematic storyboard frames arranged in a perfectly aligned 2 × 5 grid - Each frame has a thin, elegant black border - Consistent spacing, precise editorial layout, premium advertising-agency presentation aesthetic - Every frame clearly displays a bold scene number (01–10), a duration timestamp, and a short production caption underneath - Clean typography, subtle black/gray text, sophisticated art-direction notes - No logos, trademarks, brand names, or copyrighted campaign elements - The final image should look like an authentic Hollywood commercial director's storyboard / agency treatment board VISUAL STYLE Ultra-realistic cinematic photography, luxury beauty advertising, photorealistic skin texture, natural pores and fine details, sophisticated beauty lighting, soft diffused highlights, controlled shadows, subtle volumetric light, premium glossy product photography, shallow depth of field, anamorphic cinematic composition, elegant neutral color palette, creamy whites, warm skin tones, subtle champagne highlights, high dynamic range, realistic reflections, polished color grading, 8K-level detail, sophisticated production design. STORYBOARD SEQUENCE — 10 FRAMES 01 — 0:00–0:03 | THE FIRST DROP Extreme macro shot of a crystal-clear water droplet falling onto a pristine cream-colored surface, creating delicate concentric ripples. Luxurious soft lighting, dramatic slow-motion feeling. 02 — 0:03–0:06 | PURE HYDRATION Macro beauty shot of a rich moisturizing cream being elegantly lifted from a premium minimalist glass jar. Silky texture, glossy highlights, luxurious studio lighting. 03 — 0:06–0:09 | TOUCH Close-up of a beautiful adult female model gently applying the cream to her cheek with her fingertips. Natural expression, immaculate but realistic skin, intimate cinematic framing. 04 — 0:09–0:12 | ABSORPTION Ultra-close beauty shot showing the cream melting seamlessly into the skin. Emphasize realistic skin texture, moisture, luminous highlights, and a fresh hydrated appearance. 05 — 0:12–0:15 | HYDRATION GLOW Cinematic portrait of the model beside a softly illuminated window. Her skin appears naturally radiant, supple, fresh, and deeply moisturized. Elegant morning atmosphere. 06 — 0:15–0:18 | THE FORMULA Premium product-science visual: suspended water droplets, translucent botanical-inspired elements, creamy textures, and elegant fluid motion surrounding the face cream jar. Sophisticated, believable cosmetic advertising aesthetic. 07 — 0:18–0:21 | ALL-DAY COMFORT The model outdoors in soft golden-hour light, looking confident and relaxed. Close cinematic framing emphasizes comfortable, hydrated, naturally glowing skin. 08 — 0:21–0:24 | LUMINOUS DETAIL Extreme macro shot of hydrated facial skin with beautifully controlled highlights and realistic pores. Skin looks healthy, smooth, supple, and luminous rather than artificially airbrushed. 09 — 0:24–0:27 | HERO PRODUCT Hero shot of the premium face cream jar centered on a sculptural stone surface, surrounded by subtle water reflections and soft atmospheric mist. Luxury beauty commercial lighting, dramatic but minimal. 10 — 0:27–0:30 | THE FINAL REVEAL Final cinematic composition combining the hero product and the model in the background, softly out of focus. Elegant glowing light, premium minimalist environment, strong visual hierarchy, sophisticated end-card composition with clean negative space for a tagline.

Huma Ai

13,476 Aufrufe • vor 27 Tagen

PROMPT: Create a premium 15-second vertical 9:16 Thai Tea commercial, featuring 8 cinematic scenes, ultra-realistic 8K, luxury FMCG beverage advertising quality, photorealistic food cinematography, sophisticated lighting, realistic liquid physics, macro details, high-end commercial production, smooth camera movement, dramatic slow motion, rich amber and creamy milk tones. PRODUCT LOCK — EXTREMELY IMPORTANT Use the exact uploaded Thai Tea cup reference as the hero product throughout the entire video. Preserve 100% of the original product identity: - Exact transparent plastic cup shape and proportions - Exact Thai Tea logo and label - Exact typography and graphics - Exact lid design - Exact straw position, shape and color - Exact amber-orange Thai Tea color - Exact ice cube appearance and quantity - Exact branding and packaging details - No redesign, no altered logo, no distorted text - No duplicate cups - No warped packaging - No floating or impossible product geometry The cup must remain visually consistent across all 8 scenes. VISUAL CONCEPT TEA DROP → WAVE → MILK COLLISION → MARBLE → SWIRL → POUR → SPLASH → HERO --- SCENE 01 — TEA DROP | 0–1.5s The exact Thai Tea cup stands perfectly centered against a dark, luxurious studio background. A single stream of rich amber Thai Tea falls dramatically from above and lands directly into the drink, creating a beautiful explosive liquid splash around the cup. Camera: 35mm low-angle macro lens, rapid cinematic push-in. Motion: High-speed liquid physics transitioning into brief slow motion. Lighting: Warm golden rim light, subtle reflections on transparent plastic. Mood: Powerful, premium, energetic. --- SCENE 02 — TEA WAVE | 1.5–3s Extreme macro shot of the Thai Tea surface. The amber tea suddenly forms a smooth cinematic wave, curling upward around floating ice cubes. Tiny droplets sparkle in the studio lighting. The wave moves toward camera and transitions seamlessly back toward the hero cup. Camera: Macro lens, ultra-smooth lateral tracking. Motion: Slow motion, realistic fluid simulation. Details: Crystal-clear ice, condensation, realistic tea viscosity, microscopic droplets. --- SCENE 03 — MILK COLLISION | 3–4.8s A silky stream of creamy white milk enters from the opposite direction and collides with the rich amber Thai Tea in mid-air. The two liquids meet in a dramatic high-speed collision, creating intricate tendrils, droplets and suspended particles. Camera: Extreme macro, 100mm food-commercial lens. Motion: Ultra slow motion at the moment of impact. Lighting: Soft cream highlights against deep amber tones. Physics: Physically accurate milk-and-tea interaction. --- SCENE 04 — MARBLE | 4.8–6.5s The milk and Thai Tea continue mixing in a mesmerizing marble pattern. Creamy white and amber-orange ribbons twist together into elegant flowing patterns, resembling luxury marble or silk fabric. The camera slowly rotates around the liquid while maintaining perfect focus on the texture. Camera: Macro orbit shot. Depth: Extremely shallow depth of field. Texture: Glossy, creamy, silky, hyper-detailed. Transition: The marble pattern naturally transforms into a circular vortex. --- SCENE 05 — SWIRL | 6.5–8.3s The mixed Thai Tea forms a powerful central vortex around crystal-clear ice. The liquid spirals rapidly, then slows dramatically, revealing the beautiful creamy amber color and refreshing texture. Tiny droplets float around the vortex as condensation begins forming on the cup. Camera: Top-down macro shot transitioning into a dynamic 45-degree angle. Motion: Controlled rotational camera movement. Lighting: Cinematic highlights, glowing amber reflections, premium studio atmosphere. --- SCENE 06 — PERFECT POUR | 8.3–10.5s A rich, creamy Thai Tea stream pours smoothly into the exact reference cup. The camera follows the liquid from the pouring source down into the cup. Ice cubes shift naturally as the tea fills the transparent cup.
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PROMPT: Create a premium 15-second vertical 9:16 Thai Tea commercial, featuring 8 cinematic scenes, ultra-realistic 8K, luxury FMCG beverage advertising quality, photorealistic food cinematography, sophisticated lighting, realistic liquid physics, macro details, high-end commercial production, smooth camera movement, dramatic slow motion, rich amber and creamy milk tones. PRODUCT LOCK — EXTREMELY IMPORTANT Use the exact uploaded Thai Tea cup reference as the hero product throughout the entire video. Preserve 100% of the original product identity: - Exact transparent plastic cup shape and proportions - Exact Thai Tea logo and label - Exact typography and graphics - Exact lid design - Exact straw position, shape and color - Exact amber-orange Thai Tea color - Exact ice cube appearance and quantity - Exact branding and packaging details - No redesign, no altered logo, no distorted text - No duplicate cups - No warped packaging - No floating or impossible product geometry The cup must remain visually consistent across all 8 scenes. VISUAL CONCEPT TEA DROP → WAVE → MILK COLLISION → MARBLE → SWIRL → POUR → SPLASH → HERO --- SCENE 01 — TEA DROP | 0–1.5s The exact Thai Tea cup stands perfectly centered against a dark, luxurious studio background. A single stream of rich amber Thai Tea falls dramatically from above and lands directly into the drink, creating a beautiful explosive liquid splash around the cup. Camera: 35mm low-angle macro lens, rapid cinematic push-in. Motion: High-speed liquid physics transitioning into brief slow motion. Lighting: Warm golden rim light, subtle reflections on transparent plastic. Mood: Powerful, premium, energetic. --- SCENE 02 — TEA WAVE | 1.5–3s Extreme macro shot of the Thai Tea surface. The amber tea suddenly forms a smooth cinematic wave, curling upward around floating ice cubes. Tiny droplets sparkle in the studio lighting. The wave moves toward camera and transitions seamlessly back toward the hero cup. Camera: Macro lens, ultra-smooth lateral tracking. Motion: Slow motion, realistic fluid simulation. Details: Crystal-clear ice, condensation, realistic tea viscosity, microscopic droplets. --- SCENE 03 — MILK COLLISION | 3–4.8s A silky stream of creamy white milk enters from the opposite direction and collides with the rich amber Thai Tea in mid-air. The two liquids meet in a dramatic high-speed collision, creating intricate tendrils, droplets and suspended particles. Camera: Extreme macro, 100mm food-commercial lens. Motion: Ultra slow motion at the moment of impact. Lighting: Soft cream highlights against deep amber tones. Physics: Physically accurate milk-and-tea interaction. --- SCENE 04 — MARBLE | 4.8–6.5s The milk and Thai Tea continue mixing in a mesmerizing marble pattern. Creamy white and amber-orange ribbons twist together into elegant flowing patterns, resembling luxury marble or silk fabric. The camera slowly rotates around the liquid while maintaining perfect focus on the texture. Camera: Macro orbit shot. Depth: Extremely shallow depth of field. Texture: Glossy, creamy, silky, hyper-detailed. Transition: The marble pattern naturally transforms into a circular vortex. --- SCENE 05 — SWIRL | 6.5–8.3s The mixed Thai Tea forms a powerful central vortex around crystal-clear ice. The liquid spirals rapidly, then slows dramatically, revealing the beautiful creamy amber color and refreshing texture. Tiny droplets float around the vortex as condensation begins forming on the cup. Camera: Top-down macro shot transitioning into a dynamic 45-degree angle. Motion: Controlled rotational camera movement. Lighting: Cinematic highlights, glowing amber reflections, premium studio atmosphere. --- SCENE 06 — PERFECT POUR | 8.3–10.5s A rich, creamy Thai Tea stream pours smoothly into the exact reference cup. The camera follows the liquid from the pouring source down into the cup. Ice cubes shift naturally as the tea fills the transparent cup.

Ruby Ai

55,964 Aufrufe • vor 9 Tagen

Since y’all liked the first list so much, here are 99 more games with boob and/or butt jiggle… • Arc Rise Fantasia [WII] • Dragon’s Dogma: Dark Arisen [NSW] • Fist of the North Star: Ken’s Rage [PS3] • Haydee [PC] • No More Heroes 2: Desperate Struggle [WII] • Ryse: Son of Rome [XBO] • Super Smash Bros. Ultimate [NSW] • Astral Chain [NSW] • Dungeon Fighter Online [PC] • Fighter Maker 2 [PS2] • Honkai Impact 3rd [PC] • Mercenary Kings [NSW] • Samurai Shodown [PS4] • The 3rd Birthday [PSP] • Baldur’s Gate: Dark Alliance II [PS2] • Dungeon Siege III [PS3] • Fighting Angels [PS2] • GunZ 2: The Second Duel [PC] • Hunted: The Demon’s Forge [PS3] • Metro: Last Light [PC] • R: Racing Evolution [PS2] • Scarlet Blade [PC] • The King of Route 66 [PS2] • Yakuza 0 [PS4] • Baten Kaitos Origins [GC] • Cel Damage [XB] • Demolition Girl [PS2] • Sengoku 3 [AES] • Dynasty Warriors 8 Empires [PS4] • Fitness Boxing [NSW] • J-Stars Victory Vs+ [PS4] • Trails Through Daybreak [PS5] • Batman: Arkham Knight [XBO] • Devil May Cry 4 [PS3] • Evil Zone [PSX] • Half-Life [PC] • Muramasa Rebirth [PSV] • Phantom Breaker: Battle Grounds [PSV] • Ready 2 Rumble Boxing [DC] • Sengoku Basara: Samurai Heroes [PS3] • Time Crisis: Razing Storm [PS3] • Bayonetta [XB360] • Conan Exiles [PS4] • Girl Fight [PS3] • Killer is Dead [PS3] • NEKOPARA Vol. 1 [PC] • Playboy: The Mansion [PS2] • SiN [PC] • Tokyo Mirage Sessions FE [WIIU] • Black Desert Online [PC] • Cross Edge [PS3] • The House of the Dead: Overkill [WII] • Dissidia 012 Final Fantasy [PSP] • Eternal Champions: CftDS [SCD] • God Eater 3 [NSW] • Hatsune Miku: Project DIVA f [PS3] • Leisure Suit Larry: Magna Cum Laude [PC] • Neverwinter Nights [PC] • Pirates: The Legend of Black Kat [XB] • Red Dead Redemption [XB360] • Skullgirls [PS3] • Uppers [PC] • Blade & Soul [PC] • Dead Rising [XB360] • BlazBlue: Central Fiction Special Edition [NSW] • Dragon Star Varnir [NSW] • Fatal Fury 2 [AES] • Lost Ruins [NSW] • Smite [PC] • Reynatis [PS5] • Sonic Adventure 2 [DC] • Valkyria Chronicles [PS3] • Kingdom Hearts: Birth by Sleep [PSP] • Boo Party [NSW] • Dead or School [NSW] • Fate/EXTELLA Link [NSW] • Golden Axe: Beast Rider [PS3] • Mega Man X DiVE [MOB] • Nitroplus Blasterz: Heroines Infinite Duel [PS3] • Star Trek Online [PC] • Ōkami [PS2] • Ride to Hell: Retribution [PS3] • ArcheBlade [PC] • Super Galdelic Hour [PS2] • X-Men: Children of the Atom [SAT] • Indivisible [PS4] • Wuthering Waves [PC] • Guacamelee! [PS4] • Scott Pilgrim vs. The World: The Game [NSW] • Amazing Princess Sarah [PC] • The Witcher [PC] • Guns, Gore & Cannoli [XBO] • Spacelords [PC] • Darksiders II: Deathinitive Edition [NSW] • Street Fighter X Tekken [PS3] • Duke Nukem Forever [XB360] • PUBG: Battlegrounds [PC] • Ar tonelico Qoga: Knell of Ar Ciel [PS3] • Grand Theft Auto V [PS3] (Again, please note that the platform in brackets to the side indicates which version I’ve played or may prefer for one reason or another. That does not mean it’s the only platform to feature jiggle. Also this is not an exhaustive list. I’ve limited to just one entry per series, for instance.)
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Since y’all liked the first list so much, here are 99 more games with boob and/or butt jiggle… • Arc Rise Fantasia [WII] • Dragon’s Dogma: Dark Arisen [NSW] • Fist of the North Star: Ken’s Rage [PS3] • Haydee [PC] • No More Heroes 2: Desperate Struggle [WII] • Ryse: Son of Rome [XBO] • Super Smash Bros. Ultimate [NSW] • Astral Chain [NSW] • Dungeon Fighter Online [PC] • Fighter Maker 2 [PS2] • Honkai Impact 3rd [PC] • Mercenary Kings [NSW] • Samurai Shodown [PS4] • The 3rd Birthday [PSP] • Baldur’s Gate: Dark Alliance II [PS2] • Dungeon Siege III [PS3] • Fighting Angels [PS2] • GunZ 2: The Second Duel [PC] • Hunted: The Demon’s Forge [PS3] • Metro: Last Light [PC] • R: Racing Evolution [PS2] • Scarlet Blade [PC] • The King of Route 66 [PS2] • Yakuza 0 [PS4] • Baten Kaitos Origins [GC] • Cel Damage [XB] • Demolition Girl [PS2] • Sengoku 3 [AES] • Dynasty Warriors 8 Empires [PS4] • Fitness Boxing [NSW] • J-Stars Victory Vs+ [PS4] • Trails Through Daybreak [PS5] • Batman: Arkham Knight [XBO] • Devil May Cry 4 [PS3] • Evil Zone [PSX] • Half-Life [PC] • Muramasa Rebirth [PSV] • Phantom Breaker: Battle Grounds [PSV] • Ready 2 Rumble Boxing [DC] • Sengoku Basara: Samurai Heroes [PS3] • Time Crisis: Razing Storm [PS3] • Bayonetta [XB360] • Conan Exiles [PS4] • Girl Fight [PS3] • Killer is Dead [PS3] • NEKOPARA Vol. 1 [PC] • Playboy: The Mansion [PS2] • SiN [PC] • Tokyo Mirage Sessions FE [WIIU] • Black Desert Online [PC] • Cross Edge [PS3] • The House of the Dead: Overkill [WII] • Dissidia 012 Final Fantasy [PSP] • Eternal Champions: CftDS [SCD] • God Eater 3 [NSW] • Hatsune Miku: Project DIVA f [PS3] • Leisure Suit Larry: Magna Cum Laude [PC] • Neverwinter Nights [PC] • Pirates: The Legend of Black Kat [XB] • Red Dead Redemption [XB360] • Skullgirls [PS3] • Uppers [PC] • Blade & Soul [PC] • Dead Rising [XB360] • BlazBlue: Central Fiction Special Edition [NSW] • Dragon Star Varnir [NSW] • Fatal Fury 2 [AES] • Lost Ruins [NSW] • Smite [PC] • Reynatis [PS5] • Sonic Adventure 2 [DC] • Valkyria Chronicles [PS3] • Kingdom Hearts: Birth by Sleep [PSP] • Boo Party [NSW] • Dead or School [NSW] • Fate/EXTELLA Link [NSW] • Golden Axe: Beast Rider [PS3] • Mega Man X DiVE [MOB] • Nitroplus Blasterz: Heroines Infinite Duel [PS3] • Star Trek Online [PC] • Ōkami [PS2] • Ride to Hell: Retribution [PS3] • ArcheBlade [PC] • Super Galdelic Hour [PS2] • X-Men: Children of the Atom [SAT] • Indivisible [PS4] • Wuthering Waves [PC] • Guacamelee! [PS4] • Scott Pilgrim vs. The World: The Game [NSW] • Amazing Princess Sarah [PC] • The Witcher [PC] • Guns, Gore & Cannoli [XBO] • Spacelords [PC] • Darksiders II: Deathinitive Edition [NSW] • Street Fighter X Tekken [PS3] • Duke Nukem Forever [XB360] • PUBG: Battlegrounds [PC] • Ar tonelico Qoga: Knell of Ar Ciel [PS3] • Grand Theft Auto V [PS3] (Again, please note that the platform in brackets to the side indicates which version I’ve played or may prefer for one reason or another. That does not mean it’s the only platform to feature jiggle. Also this is not an exhaustive list. I’ve limited to just one entry per series, for instance.)

Joshua Michael French ジョシュア

63,550 Aufrufe • vor 2 Jahren

Prompt: Create a premium 9-second vertical 9:16 luxury FMCG skincare commercial for Vaseline Intensive Care Aloe Fresh, using the uploaded product image as the exact visual reference. MASTER STYLE Ultra-photorealistic, 8K commercial quality, global FMCG advertising aesthetic, premium skincare TVC, fresh, clean, refreshing, sophisticated, product-first cinematography. Realistic skin-care textures, physically accurate liquid behavior, natural reflections, realistic glass/plastic materials, soft volumetric lighting, high-speed macro photography, shallow depth of field, cinematic motion blur. COLOR WORLD: fresh aloe green, translucent water, clean white highlights, subtle cool blue accents. CAMERA: continuous seamless cinematic movement throughout the entire 9 seconds. No abrupt cuts, no frozen frames. Smooth transitions motivated by the movement of aloe, water, and lotion. PRODUCT LOCK — CRITICAL Use only the uploaded Vaseline Intensive Care Aloe Fresh product as the exact reference. Maintain the exact: - Bottle/tube shape and proportions - Cap design - Label layout - Logo - Typography - Colors - Aloe Fresh branding - Material and surface finish - Product scale and geometry Do not redesign, reinterpret, simplify, distort, or replace the packaging. The product must remain perfectly recognizable and consistent throughout the commercial. No duplicate products unless intentionally created as reflections. --- 01 | 0–1s — HOOK: ALOE IMPACT Extreme 100mm macro shot of a translucent fresh aloe-gel droplet flying rapidly toward the camera. The droplet hits the lens with a beautiful realistic splash, creating tiny water particles and refractive distortion. As the splash clears, the Vaseline Intensive Care Aloe Fresh product is revealed behind it. Fast cinematic push-in, green rim light, glossy highlights, shallow depth of field, ultra-realistic fluid simulation. On-screen text: “FRESHNESS YOU CAN FEEL.” --- 02 | 1–2.5s — ALOE TRANSFORMATION Camera smoothly travels through a translucent aloe environment. Fresh aloe leaves appear in the background while a glowing aloe gel droplet flows forward. The droplet transforms seamlessly into crystal-clear water. Macro detail of water beads sliding across the frame. Fresh green lighting, realistic refraction, floating micro-droplets, premium beauty-commercial aesthetic. --- 03 | 2.5–4s — WATER → LOTION The water stream gracefully curves around the product and transitions into a silky white-green moisturizing lotion texture. Show an elegant macro close-up of the lotion flowing smoothly, with realistic viscosity and soft glossy highlights. The camera performs a continuous orbital movement, gradually revealing the full product. No harsh transition — the transformation must feel like one continuous fluid motion. On-screen text: “ALOE + HYDRATION” --- 04 | 4–6s — COOLING BURST The lotion texture suddenly releases a refreshing cooling burst around the product. Ultra-realistic micro water droplets, cool mist, translucent particles, and soft aloe-green energy sweep across the frame. The product remains perfectly sharp and locked in focus while the cooling elements move dynamically around it. Use high-speed macro photography, realistic particle physics, subtle lens bloom and cinematic depth. On-screen text: “INSTANT FRESH FEELING” --- 05 | 6–7.5s — HERO REVEAL Camera smoothly pulls back into a premium hero composition. The exact Vaseline Intensive Care Aloe Fresh product stands centered on a clean glossy surface. Fresh aloe leaves and tiny water droplets subtly frame the product without obstructing the label. Soft green backlight creates a premium halo. The bottle/tube catches realistic specular highlights while remaining completely readable. Minimal, elegant, international FMCG beauty-ad aesthetic. --- 06 | 7.5–9s — FINAL PACKSHOT Final cinematic hero shot. The product remains centered, perfectly upright, sharp, and fully visible.
0:10

Prompt: Create a premium 9-second vertical 9:16 luxury FMCG skincare commercial for Vaseline Intensive Care Aloe Fresh, using the uploaded product image as the exact visual reference. MASTER STYLE Ultra-photorealistic, 8K commercial quality, global FMCG advertising aesthetic, premium skincare TVC, fresh, clean, refreshing, sophisticated, product-first cinematography. Realistic skin-care textures, physically accurate liquid behavior, natural reflections, realistic glass/plastic materials, soft volumetric lighting, high-speed macro photography, shallow depth of field, cinematic motion blur. COLOR WORLD: fresh aloe green, translucent water, clean white highlights, subtle cool blue accents. CAMERA: continuous seamless cinematic movement throughout the entire 9 seconds. No abrupt cuts, no frozen frames. Smooth transitions motivated by the movement of aloe, water, and lotion. PRODUCT LOCK — CRITICAL Use only the uploaded Vaseline Intensive Care Aloe Fresh product as the exact reference. Maintain the exact: - Bottle/tube shape and proportions - Cap design - Label layout - Logo - Typography - Colors - Aloe Fresh branding - Material and surface finish - Product scale and geometry Do not redesign, reinterpret, simplify, distort, or replace the packaging. The product must remain perfectly recognizable and consistent throughout the commercial. No duplicate products unless intentionally created as reflections. --- 01 | 0–1s — HOOK: ALOE IMPACT Extreme 100mm macro shot of a translucent fresh aloe-gel droplet flying rapidly toward the camera. The droplet hits the lens with a beautiful realistic splash, creating tiny water particles and refractive distortion. As the splash clears, the Vaseline Intensive Care Aloe Fresh product is revealed behind it. Fast cinematic push-in, green rim light, glossy highlights, shallow depth of field, ultra-realistic fluid simulation. On-screen text: “FRESHNESS YOU CAN FEEL.” --- 02 | 1–2.5s — ALOE TRANSFORMATION Camera smoothly travels through a translucent aloe environment. Fresh aloe leaves appear in the background while a glowing aloe gel droplet flows forward. The droplet transforms seamlessly into crystal-clear water. Macro detail of water beads sliding across the frame. Fresh green lighting, realistic refraction, floating micro-droplets, premium beauty-commercial aesthetic. --- 03 | 2.5–4s — WATER → LOTION The water stream gracefully curves around the product and transitions into a silky white-green moisturizing lotion texture. Show an elegant macro close-up of the lotion flowing smoothly, with realistic viscosity and soft glossy highlights. The camera performs a continuous orbital movement, gradually revealing the full product. No harsh transition — the transformation must feel like one continuous fluid motion. On-screen text: “ALOE + HYDRATION” --- 04 | 4–6s — COOLING BURST The lotion texture suddenly releases a refreshing cooling burst around the product. Ultra-realistic micro water droplets, cool mist, translucent particles, and soft aloe-green energy sweep across the frame. The product remains perfectly sharp and locked in focus while the cooling elements move dynamically around it. Use high-speed macro photography, realistic particle physics, subtle lens bloom and cinematic depth. On-screen text: “INSTANT FRESH FEELING” --- 05 | 6–7.5s — HERO REVEAL Camera smoothly pulls back into a premium hero composition. The exact Vaseline Intensive Care Aloe Fresh product stands centered on a clean glossy surface. Fresh aloe leaves and tiny water droplets subtly frame the product without obstructing the label. Soft green backlight creates a premium halo. The bottle/tube catches realistic specular highlights while remaining completely readable. Minimal, elegant, international FMCG beauty-ad aesthetic. --- 06 | 7.5–9s — FINAL PACKSHOT Final cinematic hero shot. The product remains centered, perfectly upright, sharp, and fully visible.

Huma Ai

36,653 Aufrufe • vor 13 Tagen

Seedance 2.0 on Haimeta is next level. It doesn’t even look AI-generated anymore, it looks filmed. Prompt: FORMAT: 15s / 180 BPM / ONE CONTINUOUS SHOT / 360 POV downhill stair run, viral energy, max chaos SUBJECTS: First-person cyclist, handlebars and front wheel flashing low in frame during drops and hard turns. Vendors, laundry, scooters, dogs, chickens, cars, and pedestrians erupt around the rider as sudden obstacles. ENVIRONMENT: Dense Brazilian hillside streets, painted concrete stairs, tight landings, tiled corners, hanging wires, murals, awnings, puddles, hot late afternoon light, deep alley shadows, city sprawling below. MOOD: Adrenaline, max chaos, and nonstop street speed with violent spatial intensity in every direction. COLOR LOGIC: Hyperreal Pop Look CAMERA DETAILS: 360 action-cam POV, horizon-stable but brutal, nonstop forward drive, minimal roll, heavy stair vibration, sharp side and rear parallax, full-sphere chaos, no release. TIMELINE: 0:00-0:03: POV freefalls down a steep stairwell. The front wheel punches over the first steps, bars jackhammer below frame, the whole sphere shuddering with every hit while a child lunges in from the left to yank a rolling soccer ball out of the rider's line and walls, rails, balconies, and faces whip past on both sides. Violent forward descent with brutal stair vibration. SFX: (city hum, distant funk beat, tire chatter, breath, rapid stair hits, frame rattle). Hard sun above, deep shadow pockets below. 0:03-0:05: POV slashes left across a tiny landing, skips a broken crate, and drops again as laundry cracks across the front hemisphere, shoulder missing painted concrete by inches while side-wrap onlookers recoil. Hard lateral shake, immediate snap back into the stair run. SFX: (cloth slap, skid, crowd shout, chain buzz, stair chatter). 0:05-0:08: POV hammers the next staircase as a stray dog cuts center frame and startled chickens burst upward from the side steps, wings flaring across the sphere. The rider flicks the bars, rear wheel skates loose, then needles between a fruit cart and handrail with almost no clearance while the sphere jitters from every stair impact. Fast vibrating continuous-shot chaos. SFX: (tire chirp, crate clack, wings flapping, squawks, paw skitter, stair thuds, bass from window, metal rattle). 0:08-0:10: POV blasts out of one stair run, skips across a short asphalt gap between two stair sections without slowing, slams the opposite curb, and drops straight into the next descending steps. Only once the rider is fully back on the stairs do horns burst behind while passing cars rip through the side wrap. Full-speed crossing with strong lateral parallax and zero release. SFX: (engine idle, tire buzz, chain rattle, curb thump, car horns behind). 0:10-0:13: POV keeps attacking the next stair section immediately after the asphalt gap, machine-gunning through two tight landings and another steep stepped lane, every hit punching a fresh jolt through the sphere as stacked homes, wires, and alley mouths curl around the viewer and the overlook rushes closer. Forward lunge with impact drive and nonstop shake. SFX: (air rush, heavy thump, stair chatter, horn echo fading, chain lash, wind buffeting). 0:13-0:15: POV rips through the final stepped approach to the overlook and throws the rear wheel into a savage sideways skid, dust and gravel spraying across the lower frame while stair-lined drops fall away to both sides and the skyline blooms around the entire sphere in one fast violent sweep. The bike stays hot through the slide as the city fills every direction. SFX: (rear tire screech, gravel spray, freewheel spin, city roar, music drop)."
0:15

Seedance 2.0 on Haimeta is next level. It doesn’t even look AI-generated anymore, it looks filmed. Prompt: FORMAT: 15s / 180 BPM / ONE CONTINUOUS SHOT / 360 POV downhill stair run, viral energy, max chaos SUBJECTS: First-person cyclist, handlebars and front wheel flashing low in frame during drops and hard turns. Vendors, laundry, scooters, dogs, chickens, cars, and pedestrians erupt around the rider as sudden obstacles. ENVIRONMENT: Dense Brazilian hillside streets, painted concrete stairs, tight landings, tiled corners, hanging wires, murals, awnings, puddles, hot late afternoon light, deep alley shadows, city sprawling below. MOOD: Adrenaline, max chaos, and nonstop street speed with violent spatial intensity in every direction. COLOR LOGIC: Hyperreal Pop Look CAMERA DETAILS: 360 action-cam POV, horizon-stable but brutal, nonstop forward drive, minimal roll, heavy stair vibration, sharp side and rear parallax, full-sphere chaos, no release. TIMELINE: 0:00-0:03: POV freefalls down a steep stairwell. The front wheel punches over the first steps, bars jackhammer below frame, the whole sphere shuddering with every hit while a child lunges in from the left to yank a rolling soccer ball out of the rider's line and walls, rails, balconies, and faces whip past on both sides. Violent forward descent with brutal stair vibration. SFX: (city hum, distant funk beat, tire chatter, breath, rapid stair hits, frame rattle). Hard sun above, deep shadow pockets below. 0:03-0:05: POV slashes left across a tiny landing, skips a broken crate, and drops again as laundry cracks across the front hemisphere, shoulder missing painted concrete by inches while side-wrap onlookers recoil. Hard lateral shake, immediate snap back into the stair run. SFX: (cloth slap, skid, crowd shout, chain buzz, stair chatter). 0:05-0:08: POV hammers the next staircase as a stray dog cuts center frame and startled chickens burst upward from the side steps, wings flaring across the sphere. The rider flicks the bars, rear wheel skates loose, then needles between a fruit cart and handrail with almost no clearance while the sphere jitters from every stair impact. Fast vibrating continuous-shot chaos. SFX: (tire chirp, crate clack, wings flapping, squawks, paw skitter, stair thuds, bass from window, metal rattle). 0:08-0:10: POV blasts out of one stair run, skips across a short asphalt gap between two stair sections without slowing, slams the opposite curb, and drops straight into the next descending steps. Only once the rider is fully back on the stairs do horns burst behind while passing cars rip through the side wrap. Full-speed crossing with strong lateral parallax and zero release. SFX: (engine idle, tire buzz, chain rattle, curb thump, car horns behind). 0:10-0:13: POV keeps attacking the next stair section immediately after the asphalt gap, machine-gunning through two tight landings and another steep stepped lane, every hit punching a fresh jolt through the sphere as stacked homes, wires, and alley mouths curl around the viewer and the overlook rushes closer. Forward lunge with impact drive and nonstop shake. SFX: (air rush, heavy thump, stair chatter, horn echo fading, chain lash, wind buffeting). 0:13-0:15: POV rips through the final stepped approach to the overlook and throws the rear wheel into a savage sideways skid, dust and gravel spraying across the lower frame while stair-lined drops fall away to both sides and the skyline blooms around the entire sphere in one fast violent sweep. The bike stays hot through the slide as the city fills every direction. SFX: (rear tire screech, gravel spray, freewheel spin, city roar, music drop)."

Iqra Saifi

25,934 Aufrufe • vor 5 Monaten

Prompt: Create a 15-second vertical 9:16 premium fried-chicken television commercial, inspired by the visual language of high-end fast-food advertising. Ultra-realistic 8K cinematic food photography, photorealistic textures, dramatic commercial lighting, shallow depth of field, high-speed macro cinematography, rich golden tones, crisp detail, realistic physics, premium color grading. CORE CONCEPT “FROM CHICKEN TO CRUNCH” Follow ONE SINGLE, IDENTICAL CHICKEN PIECE continuously throughout the entire film — from raw chicken to seasoned, floured, fried, golden-crisp, and final hero presentation. Maintain exact visual continuity of the chicken's shape, size, orientation, bone structure, skin/flesh details, and proportions at every stage. No visible people. No faces. No bodies. Hands may appear only briefly when absolutely necessary during the coating stage. 01 — RAW | 0–2 SECONDS Extreme macro shot of a fresh raw chicken piece sliding smoothly onto a pristine stainless-steel preparation surface. Cold moisture and tiny droplets of condensation are visible on the chicken. Highly detailed natural meat texture, subtle wet sheen, realistic pores and fibers. Camera: 100mm macro lens, fast cinematic push-in, extremely shallow depth of field. Lighting: cool, clean, slightly blue-toned kitchen light with controlled specular highlights. Motion: elegant, precise, premium food-commercial movement. 02 — SEASON | 2–4 SECONDS Without changing the chicken piece, transition into a dramatic macro shot as golden-brown seasoning and spices rain down from above. Individual seasoning particles remain visible in the air, suspended momentarily in high-speed slow motion, then settle naturally across the chicken. Camera: 100mm macro lens, subtle lateral tracking. Lighting: warm golden side light, strong rim highlights, dark cinematic background. Emphasize floating spice particles, texture, depth, and realistic particle physics. 03 — COAT | 4–6 SECONDS The same chicken piece is briefly tossed through a bed of richly seasoned flour. Only clean human hands appear for a moment — no face or body visible. As the chicken is lifted and turned, flour bursts dramatically into the air, creating a dense cloud of tiny particles. The wet chicken becomes progressively covered in a rough, irregular, heavily textured coating, with visible ridges and crags forming on the surface. Camera: 85mm macro lens, dynamic tracking movement, energetic but controlled. Lighting remains warm and cinematic. 04 — FRY | 6–8 SECONDS The same fully coated chicken piece drops into a deep fryer filled with hot shimmering oil. The instant it touches the oil, create a spectacular eruption of bubbles, steam, tiny droplets, and sizzling oil around the chicken. Capture the reaction in extreme high-speed slow motion. Camera: 50mm high-speed cinematic camera, low angle close-up. Realistic oil behavior, realistic steam, physically accurate bubbles and droplets. The coating begins visibly changing from pale flour to rich golden brown. 05 — GOLDEN TRANSFORMATION | 8–10 SECONDS Extreme macro transformation shot of the same chicken piece frying. Show the coating becoming deep golden, crispy, rugged, and irresistibly crunchy. Use a cinematic visual transition from pale coated surface to perfectly fried golden crust. Tiny bubbles disappear from the surface as the crust becomes crisp and textured. Golden oil droplets glisten across the crust. Camera slowly rotates around the chicken while maintaining sharp focus on the evolving texture. Lighting: premium warm golden backlight with dramatic highlights, rich contrast, luxurious food-commercial aesthetic. The result should look freshly fried, hot, crisp, juicy, and exceptionally appetizing. 06 — CRUNCH | 10–12 SECONDS Ultra-macro beauty shot of the finished fried chicken. The crust is now deep golden, rugged, flaky and extremely crisp, with intricate crunchy ridges and small crispy fragments.
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Prompt: Create a 15-second vertical 9:16 premium fried-chicken television commercial, inspired by the visual language of high-end fast-food advertising. Ultra-realistic 8K cinematic food photography, photorealistic textures, dramatic commercial lighting, shallow depth of field, high-speed macro cinematography, rich golden tones, crisp detail, realistic physics, premium color grading. CORE CONCEPT “FROM CHICKEN TO CRUNCH” Follow ONE SINGLE, IDENTICAL CHICKEN PIECE continuously throughout the entire film — from raw chicken to seasoned, floured, fried, golden-crisp, and final hero presentation. Maintain exact visual continuity of the chicken's shape, size, orientation, bone structure, skin/flesh details, and proportions at every stage. No visible people. No faces. No bodies. Hands may appear only briefly when absolutely necessary during the coating stage. 01 — RAW | 0–2 SECONDS Extreme macro shot of a fresh raw chicken piece sliding smoothly onto a pristine stainless-steel preparation surface. Cold moisture and tiny droplets of condensation are visible on the chicken. Highly detailed natural meat texture, subtle wet sheen, realistic pores and fibers. Camera: 100mm macro lens, fast cinematic push-in, extremely shallow depth of field. Lighting: cool, clean, slightly blue-toned kitchen light with controlled specular highlights. Motion: elegant, precise, premium food-commercial movement. 02 — SEASON | 2–4 SECONDS Without changing the chicken piece, transition into a dramatic macro shot as golden-brown seasoning and spices rain down from above. Individual seasoning particles remain visible in the air, suspended momentarily in high-speed slow motion, then settle naturally across the chicken. Camera: 100mm macro lens, subtle lateral tracking. Lighting: warm golden side light, strong rim highlights, dark cinematic background. Emphasize floating spice particles, texture, depth, and realistic particle physics. 03 — COAT | 4–6 SECONDS The same chicken piece is briefly tossed through a bed of richly seasoned flour. Only clean human hands appear for a moment — no face or body visible. As the chicken is lifted and turned, flour bursts dramatically into the air, creating a dense cloud of tiny particles. The wet chicken becomes progressively covered in a rough, irregular, heavily textured coating, with visible ridges and crags forming on the surface. Camera: 85mm macro lens, dynamic tracking movement, energetic but controlled. Lighting remains warm and cinematic. 04 — FRY | 6–8 SECONDS The same fully coated chicken piece drops into a deep fryer filled with hot shimmering oil. The instant it touches the oil, create a spectacular eruption of bubbles, steam, tiny droplets, and sizzling oil around the chicken. Capture the reaction in extreme high-speed slow motion. Camera: 50mm high-speed cinematic camera, low angle close-up. Realistic oil behavior, realistic steam, physically accurate bubbles and droplets. The coating begins visibly changing from pale flour to rich golden brown. 05 — GOLDEN TRANSFORMATION | 8–10 SECONDS Extreme macro transformation shot of the same chicken piece frying. Show the coating becoming deep golden, crispy, rugged, and irresistibly crunchy. Use a cinematic visual transition from pale coated surface to perfectly fried golden crust. Tiny bubbles disappear from the surface as the crust becomes crisp and textured. Golden oil droplets glisten across the crust. Camera slowly rotates around the chicken while maintaining sharp focus on the evolving texture. Lighting: premium warm golden backlight with dramatic highlights, rich contrast, luxurious food-commercial aesthetic. The result should look freshly fried, hot, crisp, juicy, and exceptionally appetizing. 06 — CRUNCH | 10–12 SECONDS Ultra-macro beauty shot of the finished fried chicken. The crust is now deep golden, rugged, flaky and extremely crisp, with intricate crunchy ridges and small crispy fragments.

Sadia

12,833 Aufrufe • vor 18 Tagen

Prompt: Create a 15-second vertical 9:16 premium fried-chicken television commercial, inspired by the visual language of high-end fast-food advertising. Ultra-realistic 8K cinematic food photography, photorealistic textures, dramatic commercial lighting, shallow depth of field, high-speed macro cinematography, rich golden tones, crisp detail, realistic physics, premium color grading. CORE CONCEPT “FROM CHICKEN TO CRUNCH” Follow ONE SINGLE, IDENTICAL CHICKEN PIECE continuously throughout the entire film — from raw chicken to seasoned, floured, fried, golden-crisp, and final hero presentation. Maintain exact visual continuity of the chicken's shape, size, orientation, bone structure, skin/flesh details, and proportions at every stage. No visible people. No faces. No bodies. Hands may appear only briefly when absolutely necessary during the coating stage. 01 — RAW | 0–2 SECONDS Extreme macro shot of a fresh raw chicken piece sliding smoothly onto a pristine stainless-steel preparation surface. Cold moisture and tiny droplets of condensation are visible on the chicken. Highly detailed natural meat texture, subtle wet sheen, realistic pores and fibers. Camera: 100mm macro lens, fast cinematic push-in, extremely shallow depth of field. Lighting: cool, clean, slightly blue-toned kitchen light with controlled specular highlights. Motion: elegant, precise, premium food-commercial movement. 02 — SEASON | 2–4 SECONDS Without changing the chicken piece, transition into a dramatic macro shot as golden-brown seasoning and spices rain down from above. Individual seasoning particles remain visible in the air, suspended momentarily in high-speed slow motion, then settle naturally across the chicken. Camera: 100mm macro lens, subtle lateral tracking. Lighting: warm golden side light, strong rim highlights, dark cinematic background. Emphasize floating spice particles, texture, depth, and realistic particle physics. 03 — COAT | 4–6 SECONDS The same chicken piece is briefly tossed through a bed of richly seasoned flour. Only clean human hands appear for a moment — no face or body visible. As the chicken is lifted and turned, flour bursts dramatically into the air, creating a dense cloud of tiny particles. The wet chicken becomes progressively covered in a rough, irregular, heavily textured coating, with visible ridges and crags forming on the surface. Camera: 85mm macro lens, dynamic tracking movement, energetic but controlled. Lighting remains warm and cinematic. 04 — FRY | 6–8 SECONDS The same fully coated chicken piece drops into a deep fryer filled with hot shimmering oil. The instant it touches the oil, create a spectacular eruption of bubbles, steam, tiny droplets, and sizzling oil around the chicken. Capture the reaction in extreme high-speed slow motion. Camera: 50mm high-speed cinematic camera, low angle close-up. Realistic oil behavior, realistic steam, physically accurate bubbles and droplets. The coating begins visibly changing from pale flour to rich golden brown. 05 — GOLDEN TRANSFORMATION | 8–10 SECONDS Extreme macro transformation shot of the same chicken piece frying. Show the coating becoming deep golden, crispy, rugged, and irresistibly crunchy. Use a cinematic visual transition from pale coated surface to perfectly fried golden crust. Tiny bubbles disappear from the surface as the crust becomes crisp and textured. Golden oil droplets glisten across the crust. Camera slowly rotates around the chicken while maintaining sharp focus on the evolving texture. Lighting: premium warm golden backlight with dramatic highlights, rich contrast, luxurious food-commercial aesthetic. The result should look freshly fried, hot, crisp, juicy, and exceptionally appetizing. 06 — CRUNCH | 10–12 SECONDS Ultra-macro beauty shot of the finished fried chicken. The crust is now deep golden, rugged, flaky and extremely crisp, with intricate crunchy ridges and small crispy fragments.
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Prompt: Create a 15-second vertical 9:16 premium fried-chicken television commercial, inspired by the visual language of high-end fast-food advertising. Ultra-realistic 8K cinematic food photography, photorealistic textures, dramatic commercial lighting, shallow depth of field, high-speed macro cinematography, rich golden tones, crisp detail, realistic physics, premium color grading. CORE CONCEPT “FROM CHICKEN TO CRUNCH” Follow ONE SINGLE, IDENTICAL CHICKEN PIECE continuously throughout the entire film — from raw chicken to seasoned, floured, fried, golden-crisp, and final hero presentation. Maintain exact visual continuity of the chicken's shape, size, orientation, bone structure, skin/flesh details, and proportions at every stage. No visible people. No faces. No bodies. Hands may appear only briefly when absolutely necessary during the coating stage. 01 — RAW | 0–2 SECONDS Extreme macro shot of a fresh raw chicken piece sliding smoothly onto a pristine stainless-steel preparation surface. Cold moisture and tiny droplets of condensation are visible on the chicken. Highly detailed natural meat texture, subtle wet sheen, realistic pores and fibers. Camera: 100mm macro lens, fast cinematic push-in, extremely shallow depth of field. Lighting: cool, clean, slightly blue-toned kitchen light with controlled specular highlights. Motion: elegant, precise, premium food-commercial movement. 02 — SEASON | 2–4 SECONDS Without changing the chicken piece, transition into a dramatic macro shot as golden-brown seasoning and spices rain down from above. Individual seasoning particles remain visible in the air, suspended momentarily in high-speed slow motion, then settle naturally across the chicken. Camera: 100mm macro lens, subtle lateral tracking. Lighting: warm golden side light, strong rim highlights, dark cinematic background. Emphasize floating spice particles, texture, depth, and realistic particle physics. 03 — COAT | 4–6 SECONDS The same chicken piece is briefly tossed through a bed of richly seasoned flour. Only clean human hands appear for a moment — no face or body visible. As the chicken is lifted and turned, flour bursts dramatically into the air, creating a dense cloud of tiny particles. The wet chicken becomes progressively covered in a rough, irregular, heavily textured coating, with visible ridges and crags forming on the surface. Camera: 85mm macro lens, dynamic tracking movement, energetic but controlled. Lighting remains warm and cinematic. 04 — FRY | 6–8 SECONDS The same fully coated chicken piece drops into a deep fryer filled with hot shimmering oil. The instant it touches the oil, create a spectacular eruption of bubbles, steam, tiny droplets, and sizzling oil around the chicken. Capture the reaction in extreme high-speed slow motion. Camera: 50mm high-speed cinematic camera, low angle close-up. Realistic oil behavior, realistic steam, physically accurate bubbles and droplets. The coating begins visibly changing from pale flour to rich golden brown. 05 — GOLDEN TRANSFORMATION | 8–10 SECONDS Extreme macro transformation shot of the same chicken piece frying. Show the coating becoming deep golden, crispy, rugged, and irresistibly crunchy. Use a cinematic visual transition from pale coated surface to perfectly fried golden crust. Tiny bubbles disappear from the surface as the crust becomes crisp and textured. Golden oil droplets glisten across the crust. Camera slowly rotates around the chicken while maintaining sharp focus on the evolving texture. Lighting: premium warm golden backlight with dramatic highlights, rich contrast, luxurious food-commercial aesthetic. The result should look freshly fried, hot, crisp, juicy, and exceptionally appetizing. 06 — CRUNCH | 10–12 SECONDS Ultra-macro beauty shot of the finished fried chicken. The crust is now deep golden, rugged, flaky and extremely crisp, with intricate crunchy ridges and small crispy fragments.

Ruby Ai

17,351 Aufrufe • vor 19 Tagen

GPT Image 2 + Seedance 2.0 on OpenArt Prompt: Create a professional production storyboard sheet for a cinematic Japanese cooking video. Format: A wide horizontal storyboard layout, 16:9 aspect ratio, arranged in a clean 3x3 grid with 9 panels total. Thin black borders separating each frame. Warm parchment/off-white background like a printed production board. At the top center, add the title: JAPANESE BEEF BOWL — Production Storyboard Each panel should have a small white label box in the top-left corner with the panel number in brackets: [1], [2], [3], etc. Under each panel, add a short italic serif caption starting with a two-digit number and an em dash. Visual style: High-end cinematic food photography, warm rustic Japanese kitchen, moody amber lighting, shallow depth of field, steam, dark wooden table, handmade ceramic bowls, old kitchen tools in the background, realistic textures, glossy sauce, appetizing food details, premium commercial cooking video look. Storyboard panels: [1] Close-up of hands slicing raw beef into thick bite-sized pieces on a worn wooden cutting board with a large chef's knife. Caption: 01 — Slice beef into bite-sized pieces. [2] Close-up of beef pieces searing in a black cast-iron pan, caramelized golden-brown edges, sizzling oil, steam rising, chopsticks turning one piece. Caption: 02 — Sear beef until browned. [3] Close-up of soy sauce being poured from a small ceramic cup into the hot pan, dark sauce bubbling around the beef, steam filling the frame. Caption: 03 — Add soy sauce to the pan. [4] Beef pieces simmering in a thick glossy sauce, chopsticks lifting a glazed piece, sauce bubbling heavily in the pan. Caption: 04 — Simmer beef in the sauce. [5] A wooden rice paddle scooping freshly steamed white rice into a large handmade ceramic bowl. Caption: 05 — Scoop steamed rice into bowl. [6] Thick Japanese-style savory sauce being poured over the mound of white rice in the ceramic bowl, glossy dark sauce spreading over the rice. Caption: 06 — Drizzle sauce over rice. [7] Glazed beef slices being placed carefully over the rice with chopsticks, close-up, rich caramelized shine. Caption: 07 — Arrange glazed beef over rice. [8] Finished bowl being assembled with green onions, soft-boiled egg halves, pickled ginger, sesame seeds, and fresh vegetables around the beef. Caption: 08 — Add vegetables, egg, and garnish. [9] Final hero shot of the completed Japanese beef bowl on a rustic wooden table, glossy beef, golden egg yolks, steam rising, hands resting near the bowl, cinematic food commercial look. Caption: 09 — Completed beef bowl, hero shot. Make the entire storyboard feel like a polished production planning sheet for a premium Japanese beef bowl commercial. Keep every panel realistic, cinematic, warm, detailed, and consistent in lighting, color palette, kitchen environment, and bowl design. Video Prompt: CRITICAL INSTRUCTION: The reference image contains a 9-step chronological cooking storyboard for a Japanese Beef Bowl. Animate the chef seamlessly through these exact 9 steps in order. Start at Step 1 (Slice raw beef into bite-sized pieces), flow into Step 2 (Sear beef until browned), then Step 3 (Add soy sauce to the pan). Continue through Step 4 (Simmer beef in the sauce), Step 5 (Scoop steamed rice into bowl), Step 6 (Drizzle sauce over rice), Step 7 (Arrange glazed beef over rice), Step 8 (Add vegetables, egg, and garnish), finishing on Step 9 (Completed beef bowl hero shot). Prioritize the strict sequence of actions. No music. No subtitles. Location: Traditional Japanese kitchen. 15 seconds, 16:9, realistic, cinematic, appetizing, natural camera movement. Warm moody lighting, shallow depth of field, rich steam, glossy sauce, premium food commercial quality.
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GPT Image 2 + Seedance 2.0 on OpenArt Prompt: Create a professional production storyboard sheet for a cinematic Japanese cooking video. Format: A wide horizontal storyboard layout, 16:9 aspect ratio, arranged in a clean 3x3 grid with 9 panels total. Thin black borders separating each frame. Warm parchment/off-white background like a printed production board. At the top center, add the title: JAPANESE BEEF BOWL — Production Storyboard Each panel should have a small white label box in the top-left corner with the panel number in brackets: [1], [2], [3], etc. Under each panel, add a short italic serif caption starting with a two-digit number and an em dash. Visual style: High-end cinematic food photography, warm rustic Japanese kitchen, moody amber lighting, shallow depth of field, steam, dark wooden table, handmade ceramic bowls, old kitchen tools in the background, realistic textures, glossy sauce, appetizing food details, premium commercial cooking video look. Storyboard panels: [1] Close-up of hands slicing raw beef into thick bite-sized pieces on a worn wooden cutting board with a large chef's knife. Caption: 01 — Slice beef into bite-sized pieces. [2] Close-up of beef pieces searing in a black cast-iron pan, caramelized golden-brown edges, sizzling oil, steam rising, chopsticks turning one piece. Caption: 02 — Sear beef until browned. [3] Close-up of soy sauce being poured from a small ceramic cup into the hot pan, dark sauce bubbling around the beef, steam filling the frame. Caption: 03 — Add soy sauce to the pan. [4] Beef pieces simmering in a thick glossy sauce, chopsticks lifting a glazed piece, sauce bubbling heavily in the pan. Caption: 04 — Simmer beef in the sauce. [5] A wooden rice paddle scooping freshly steamed white rice into a large handmade ceramic bowl. Caption: 05 — Scoop steamed rice into bowl. [6] Thick Japanese-style savory sauce being poured over the mound of white rice in the ceramic bowl, glossy dark sauce spreading over the rice. Caption: 06 — Drizzle sauce over rice. [7] Glazed beef slices being placed carefully over the rice with chopsticks, close-up, rich caramelized shine. Caption: 07 — Arrange glazed beef over rice. [8] Finished bowl being assembled with green onions, soft-boiled egg halves, pickled ginger, sesame seeds, and fresh vegetables around the beef. Caption: 08 — Add vegetables, egg, and garnish. [9] Final hero shot of the completed Japanese beef bowl on a rustic wooden table, glossy beef, golden egg yolks, steam rising, hands resting near the bowl, cinematic food commercial look. Caption: 09 — Completed beef bowl, hero shot. Make the entire storyboard feel like a polished production planning sheet for a premium Japanese beef bowl commercial. Keep every panel realistic, cinematic, warm, detailed, and consistent in lighting, color palette, kitchen environment, and bowl design. Video Prompt: CRITICAL INSTRUCTION: The reference image contains a 9-step chronological cooking storyboard for a Japanese Beef Bowl. Animate the chef seamlessly through these exact 9 steps in order. Start at Step 1 (Slice raw beef into bite-sized pieces), flow into Step 2 (Sear beef until browned), then Step 3 (Add soy sauce to the pan). Continue through Step 4 (Simmer beef in the sauce), Step 5 (Scoop steamed rice into bowl), Step 6 (Drizzle sauce over rice), Step 7 (Arrange glazed beef over rice), Step 8 (Add vegetables, egg, and garnish), finishing on Step 9 (Completed beef bowl hero shot). Prioritize the strict sequence of actions. No music. No subtitles. Location: Traditional Japanese kitchen. 15 seconds, 16:9, realistic, cinematic, appetizing, natural camera movement. Warm moody lighting, shallow depth of field, rich steam, glossy sauce, premium food commercial quality.

Zara

20,166 Aufrufe • vor 2 Monaten

🧵 ASAP Rocky vs Drake — A DEEPER LOOK (Receipts, Not Revisionism) ASAP Rocky recently went on The Joe Budden Podcast and claimed the reason he dissed Drake on “Stole My Flow” and other songs on the (Don’t Be Dumb) project is because Drake has been “taking shots at him for years” while he stayed silent. That narrative doesn’t hold up when you look at the full history. This has been back and forth tension for nearly half a decade, with Rocky repeatedly firing first musically, visually, and symbolically and Drake responding in kind. 📌 The Real Starting Point (2021) •May 2021: ASAP Rocky & Rihanna confirm their relationship in GQ •June 2021: Rocky previews “D.M.B (Dat’s My B*tch)” in a Klarna ad •Extended version leaks shortly after •The intro and bars clearly frame Rihanna as a “prize won,” widely interpreted as a Drake sub •Video rollout goes viral with Rihanna as the love interest, doubling down on the flex September 3, 2021 •Drake drops Certified Lover Boy •Multiple bars are read as indirect responses to Rocky’s rollout September 13, 2021 •ASAP Rocky & Rihanna attend the Met Gala •Rocky wears a quilted blanket outfit, which many saw as a calculated visual jab toward Drake 2022 •Pregnancy announcement 4 months later first child is born •8 days later, Rocky officially drops the D.M.B video, once again starring Rihanna •Drake responds months later on Her Loss, continuing the subliminal exchange 📌 Escalation Era (2023) •Rihanna performs at the Super Bowl, visibly pregnant again •Shortly after: •ASAP Rocky previews “Stole My Flow” at Rolling Loud •The clip goes viral immediately •Rocky then drops “Riot”, another track interpreted as a Drake jab Drake Responds •October 6, 2023: Drake releases For All The Dogs •Tracks like “Fear of Heights” and “Another Late Night” contain clear subs •Drake even trolls Rocky’s Rolling Loud appearance by wearing colorful hair clips, mirroring Rocky’s look Rocky’s Counter •Puma x F1 partnership rollout featuring Rocky and Rihanna •Rocky positions himself as a fashion forward mogul while taking subtle cultural shots 📌 Diss Cycle Goes Public (2024) •Rocky jumps on Future & Metro Boomin’s Drake diss project •Track: “Show of Hands” •Drake fires back on “Family Matters”: “Rakim talkin’ shit again…” •Drake follows with 100 Gigs for Your Head Top •Rocky responds with “Tailor Swif” and “Hijack” •Drake answers again with: •No Face •SOD •Circadian Rhythm •Rocky doubles down with another Puma F1 campaign, leaning into optics instead of direct records 📌 Optics, Timing & Strategy (2025) •Rolling Loud: Rocky performs multiple Drake sub tracks like Helicopter •Met Gala 2025: •ASAP & Rihanna announce another pregnancy • Rocky does late night appearance with Anna wintour on Seth meyers •Rihanna drops a Smurfs soundtrack song produced by the same producer behind Drake’s “Nokia” •Lyrics hint at déjà vu 👀 Drake’s Response •Headlines Wireless Festival solo •Sends an unspoken message: I don’t need Rolling Loud or a stacked lineup •July 4, 2025: Drake drops “What Did I Miss?” •Same day: Rocky drops “Pray4DaGang” •July 25, 2025: Drake drops “Which One” viewed as a Rihanna centered response 📌 The Album Delay & Final Drop (2026) •Rocky teases Don’t Be Dumb for nearly three years •Avoids direct release windows where Drake might step on the moment •January 2026: •Rocky finally drops the album •Includes the same Drake diss tracks previewed years earlier •Then goes on podcasts claiming Drake dissed him “out of nowhere” 🎯 Final Take This wasn’t: ❌ sudden ❌ unprovoked ❌ one sided It was: ✔️ long term ✔️ strategic ✔️ mutually escalated ASAP Rocky has been sending shots through music, fashion, relationships, timing, and optics. Drake has been responding consistently and directly. That’s hip hop Trying to reframe it as“I stayed quiet and Drake attacked me”
0:19

🧵 ASAP Rocky vs Drake — A DEEPER LOOK (Receipts, Not Revisionism) ASAP Rocky recently went on The Joe Budden Podcast and claimed the reason he dissed Drake on “Stole My Flow” and other songs on the (Don’t Be Dumb) project is because Drake has been “taking shots at him for years” while he stayed silent. That narrative doesn’t hold up when you look at the full history. This has been back and forth tension for nearly half a decade, with Rocky repeatedly firing first musically, visually, and symbolically and Drake responding in kind. 📌 The Real Starting Point (2021) •May 2021: ASAP Rocky & Rihanna confirm their relationship in GQ •June 2021: Rocky previews “D.M.B (Dat’s My B*tch)” in a Klarna ad •Extended version leaks shortly after •The intro and bars clearly frame Rihanna as a “prize won,” widely interpreted as a Drake sub •Video rollout goes viral with Rihanna as the love interest, doubling down on the flex September 3, 2021 •Drake drops Certified Lover Boy •Multiple bars are read as indirect responses to Rocky’s rollout September 13, 2021 •ASAP Rocky & Rihanna attend the Met Gala •Rocky wears a quilted blanket outfit, which many saw as a calculated visual jab toward Drake 2022 •Pregnancy announcement 4 months later first child is born •8 days later, Rocky officially drops the D.M.B video, once again starring Rihanna •Drake responds months later on Her Loss, continuing the subliminal exchange 📌 Escalation Era (2023) •Rihanna performs at the Super Bowl, visibly pregnant again •Shortly after: •ASAP Rocky previews “Stole My Flow” at Rolling Loud •The clip goes viral immediately •Rocky then drops “Riot”, another track interpreted as a Drake jab Drake Responds •October 6, 2023: Drake releases For All The Dogs •Tracks like “Fear of Heights” and “Another Late Night” contain clear subs •Drake even trolls Rocky’s Rolling Loud appearance by wearing colorful hair clips, mirroring Rocky’s look Rocky’s Counter •Puma x F1 partnership rollout featuring Rocky and Rihanna •Rocky positions himself as a fashion forward mogul while taking subtle cultural shots 📌 Diss Cycle Goes Public (2024) •Rocky jumps on Future & Metro Boomin’s Drake diss project •Track: “Show of Hands” •Drake fires back on “Family Matters”: “Rakim talkin’ shit again…” •Drake follows with 100 Gigs for Your Head Top •Rocky responds with “Tailor Swif” and “Hijack” •Drake answers again with: •No Face •SOD •Circadian Rhythm •Rocky doubles down with another Puma F1 campaign, leaning into optics instead of direct records 📌 Optics, Timing & Strategy (2025) •Rolling Loud: Rocky performs multiple Drake sub tracks like Helicopter •Met Gala 2025: •ASAP & Rihanna announce another pregnancy • Rocky does late night appearance with Anna wintour on Seth meyers •Rihanna drops a Smurfs soundtrack song produced by the same producer behind Drake’s “Nokia” •Lyrics hint at déjà vu 👀 Drake’s Response •Headlines Wireless Festival solo •Sends an unspoken message: I don’t need Rolling Loud or a stacked lineup •July 4, 2025: Drake drops “What Did I Miss?” •Same day: Rocky drops “Pray4DaGang” •July 25, 2025: Drake drops “Which One” viewed as a Rihanna centered response 📌 The Album Delay & Final Drop (2026) •Rocky teases Don’t Be Dumb for nearly three years •Avoids direct release windows where Drake might step on the moment •January 2026: •Rocky finally drops the album •Includes the same Drake diss tracks previewed years earlier •Then goes on podcasts claiming Drake dissed him “out of nowhere” 🎯 Final Take This wasn’t: ❌ sudden ❌ unprovoked ❌ one sided It was: ✔️ long term ✔️ strategic ✔️ mutually escalated ASAP Rocky has been sending shots through music, fashion, relationships, timing, and optics. Drake has been responding consistently and directly. That’s hip hop Trying to reframe it as“I stayed quiet and Drake attacked me”

Cousin Tino ™️

42,850 Aufrufe • vor 7 Monaten

August 2nd, 2025 •the day LP planned to perform a synchronised long distance duet where; Tian Lei sings “I Can” on the Hi6 episode which was supposed to air on Aug 2nd (filmed on July 6th) and Ziyu also sings “I Can” in Guiyang stage on the same day (would've been his first big music festival. he was announced in Yancheng later) •the song has "star(xing) gazing" in the lyrics; connecting to their Xuelang mountain visit, which is the best spot to watch meteor showers (liuxing yu), on July 30 (it was the season of fireflies and meteor showers in Wuxi) –ZY wore a star themed outfit and initially TL's representative emoji was also a star⭐️ (ZY calls TL "Xiong Da" from Boonie Bears who is also referred to as a star⭐️ in that anime) –ZY also imitated TL's nose bridge moles in his makeup. •they even colour coordinated their outfits to be pink🩷 and blue🩵 –the photoshoot for his “I Can” cover release (9.13.25) was done in Guiyang on 1st August. there ZY wore pink n blue makeup and pink n blue star pins, on a shirt from a brand named "Song For The Mute" —TL's nickname was "Mute" in July 2025 bc of his lack of public appearance due to black waters, and cut the sleeves of the shirt making a ‘cut sleeve’ reference—a euphemism for male homosexuality. making it more than obvious who this song is about through all of this. •the hi6 episode didn't air, but TL gave a surprise piano accompaniment to ZY's “I Can”: it was amateur compared to the professional one that played in rehearsals as reported by fans. there were errors at the beginning, evident from ZY's expression which then shifted to delight when he realised who it was and started matching his pace with the piano. many said: "first time seeing a singer waiting for the accompaniment and intentionally slowing down to match the piano" 😭 •ZY did a shoot with paper windmills, three days before TL posted the windmills that were on his way to Yancheng. •After receiving the crushed ice blue bouquet ZY hugged the flowers and told himself, "Don't cry. You didn't cry when Tian Xuning was here", immediately followed by a reaction that indicates he said something he shouldn't have—so he ended up muting this entire segment in his Guiyang vlog. the bouquet had 99 roses which is only given by lovers or special people because it means: "I will love you until the end of time", representing eternal love, lifelong devotion and grand commitment. note: both the bouquet and piano accompaniment is unclaimed to this date (just like the wobbly leaning tower cake with ZY's zodiac sign🐎 on it for TL's birthday) 🙂‍↕️ (+the outrageously expensive set of customised blue and sunset mics (400k rmb) that was timed to arrive just before Guiyang but i'll zip it here🤐)
0:07

August 2nd, 2025 •the day LP planned to perform a synchronised long distance duet where; Tian Lei sings “I Can” on the Hi6 episode which was supposed to air on Aug 2nd (filmed on July 6th) and Ziyu also sings “I Can” in Guiyang stage on the same day (would've been his first big music festival. he was announced in Yancheng later) •the song has "star(xing) gazing" in the lyrics; connecting to their Xuelang mountain visit, which is the best spot to watch meteor showers (liuxing yu), on July 30 (it was the season of fireflies and meteor showers in Wuxi) –ZY wore a star themed outfit and initially TL's representative emoji was also a star⭐️ (ZY calls TL "Xiong Da" from Boonie Bears who is also referred to as a star⭐️ in that anime) –ZY also imitated TL's nose bridge moles in his makeup. •they even colour coordinated their outfits to be pink🩷 and blue🩵 –the photoshoot for his “I Can” cover release (9.13.25) was done in Guiyang on 1st August. there ZY wore pink n blue makeup and pink n blue star pins, on a shirt from a brand named "Song For The Mute" —TL's nickname was "Mute" in July 2025 bc of his lack of public appearance due to black waters, and cut the sleeves of the shirt making a ‘cut sleeve’ reference—a euphemism for male homosexuality. making it more than obvious who this song is about through all of this. •the hi6 episode didn't air, but TL gave a surprise piano accompaniment to ZY's “I Can”: it was amateur compared to the professional one that played in rehearsals as reported by fans. there were errors at the beginning, evident from ZY's expression which then shifted to delight when he realised who it was and started matching his pace with the piano. many said: "first time seeing a singer waiting for the accompaniment and intentionally slowing down to match the piano" 😭 •ZY did a shoot with paper windmills, three days before TL posted the windmills that were on his way to Yancheng. •After receiving the crushed ice blue bouquet ZY hugged the flowers and told himself, "Don't cry. You didn't cry when Tian Xuning was here", immediately followed by a reaction that indicates he said something he shouldn't have—so he ended up muting this entire segment in his Guiyang vlog. the bouquet had 99 roses which is only given by lovers or special people because it means: "I will love you until the end of time", representing eternal love, lifelong devotion and grand commitment. note: both the bouquet and piano accompaniment is unclaimed to this date (just like the wobbly leaning tower cake with ZY's zodiac sign🐎 on it for TL's birthday) 🙂‍↕️ (+the outrageously expensive set of customised blue and sunset mics (400k rmb) that was timed to arrive just before Guiyang but i'll zip it here🤐)

𝑹𝒆𝒆🌷

22,244 Aufrufe • vor 1 Monat

Tried Minimax H3 on DomoAI official Prompt Here’s a production-ready prompt rewritten for **the girl in your image**, with a **different graphic language** and **different typography**. Her look stays locked to the picture. Structure stays 13 cuts / 16:9 / 24fps. --- **PROMPT** Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps, total 15.00s. CHARACTER (lock this design; never redesign): Anime streetwear girl from the reference still. Twin high buns of vivid mint-teal hair with long flowing tails and warm orange/gold streaks. Messy side-swept bangs. Large orange over-ear headphones with mint accents and a small logo plate. Sharp amber-orange eyes, one eye winking. Playful open-mouth grin. Oversized color-block windbreaker: navy body, vivid orange sleeves, white ribbed cuffs, silver zippers, circular teal tech buttons, a teal utility pocket on the sleeve. Orange cropped turtleneck under the open jacket. Light-wash ripped denim shorts, thick orange belt with a silver buckle. Navy thigh-high socks with orange ribbed cuffs and an orange X stitch on the left shin. Chunky white sneakers with orange details. Preserve exact face, proportions, hairstyle, outfit, materials, accessories and colors in every frame. This film is 80% bold graphic design in motion and 20% character action. Graphic language is **retro OS chrome + music-player UI**, not ice/frost/barcode-lock. Use slamming window frames, title bars, close/minimize widgets, equalizer bars, waveforms, progress ticks, folder tiles, cursor arrows, CRT scanlines, pixel shatter, vinyl-ring stamps, music-note particles, media-player transport icons. Palette: mint teal, vivid orange, navy, cream-white, silver. Style: premium AAA motion-graphics title sequence × streetwear campaign film × Windows-era media player. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00–1.00s — Pure graphics: a mint title-bar slams onto a cream field, an orange CLOSE widget punches the corner, two navy window borders wipe in. Tiny equalizer ticks and a progress strip flicker. The letters **P** then **LAY** punch in one after another with heavy impact shake. CUT 02 | 1.00–2.00s — The **A** becomes a headphone cup: extreme close-up of her amber eye inside the orange earcup, glancing up; RGB split flash, then the cup shatters into flat mint/orange tiles. CUT 03 | 2.00–3.10s — Navy frame with enormous cream **PLAY**. She sprints in from frame left and power-slides across the baseline of the type, speed lines and orange streaks trailing, shards of the letters kicked up like sparks. Whip-pan out. CUT 04 | 3.10–4.00s — A giant retro media-player waveform explodes across the frame as a thick mint-and-orange audio spectrum bends into a tunnel. She bursts through the center of the waveform at full speed, briefly breaking into three stroboscopic motion trails behind her. Each trail leaves behind chunky navy equalizer blocks that rise and collapse to the beat. The camera rapidly pushes through the waveform tunnel with her, while huge vertical text **TRACK 01** scrolls continuously in the background. The waveform suddenly compresses into a single horizontal line and snaps shut behind her on the final beat. CUT 05 | 4.00–5.10s — She leaps through a giant rotating ring of typography reading **MAX VOLUME**. Camera tracks her mid-air spin in slow motion as the letters scatter, then snap-zoom on her wink. CUT 06 | 5.10–6.00s — Hard cut: cream editorial card, huge navy **DROP** with an orange slash. She vaults over the word itself, palm planted on the D, legs whipping across frame; the word compresses like a spring under her hand and rebounds. CUT 07 | 6.00–7.00s — Mint field with a navy diagonal window-bar. She back-flips along the bar in three stroboscopic ghost frames, each ghost tinted mint, orange, or navy. Giant outlined text **LOOP** rotates 180 degrees in sync with her rotation. CUT 08 | 7.00–8.00s — Kinetic type barrage: the words **LOUD / WILD / TEAL / HEAT** slam in one per beat with shutter flashes and camera shake, while she slides on her knees across the foreground, jacket flaring, music-note particles bursting from her sneakers. CUT 09 | 8.00–9.00s — Navy frame, giant cream wireframe window-grid tilting in 3D. She runs up the grid like a wall, kicks off, and hangs in the air as everything freezes. An orange circular stamp locks around her pose like a media-player target, with transport icons and EQ ticks. CUT 10 | 9.00–10.10s — Freeze releases into a burst: she dives toward camera through layered flat-color window panes that shatter one by one like glass shutters, each pane revealing a bigger letter of **P-L-A-Y**. Foreground wipe with her sneaker. CUT 11 | 10.10–11.10s — Rapid-fire poster montage: four full-screen graphic posters of her in different action poses (mid-flip, sliding, landing, headphones-up wink) snap past with hard cuts. Each has a different bold layout, oversized numbers **01–04**, equalizer strips and slashes. CUT 12 | 11.10–13.00s — Hero moment on a clean cream cyclorama: she lands a final backflip dead center in slow motion, straightens with one hand on her headphones, and a shockwave of concentric mint rings, wind streaks and shattered typography blasts outward from her landing. Brief iconic freeze on her wink, overexpose to white. CUT 13 | 13.00–15.00s — Final identity card: enormous navy **PLAY** dominates a pale cream field with translucent mint rings, technical arcs, scanlines, and a rough orange circular emblem containing a ghosted headphone / waveform motif. She stands relaxed overlapping the letters, wind rippling her jacket. One last orange pulse sweeps through the typography and a window-chrome flash punctuates the end. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps. Every cut must feel compositionally different. Typography is always fully readable before the character overlaps it. No weapons, no combat, no fire. All energy comes from motion design, wind, glass, UI chrome and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut. Sneaker impacts, whooshes, glass shatters, window-slam hits and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts. #DomoAI #DomoAICPP
0:15

Tried Minimax H3 on DomoAI official Prompt Here’s a production-ready prompt rewritten for **the girl in your image**, with a **different graphic language** and **different typography**. Her look stays locked to the picture. Structure stays 13 cuts / 16:9 / 24fps. --- **PROMPT** Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps, total 15.00s. CHARACTER (lock this design; never redesign): Anime streetwear girl from the reference still. Twin high buns of vivid mint-teal hair with long flowing tails and warm orange/gold streaks. Messy side-swept bangs. Large orange over-ear headphones with mint accents and a small logo plate. Sharp amber-orange eyes, one eye winking. Playful open-mouth grin. Oversized color-block windbreaker: navy body, vivid orange sleeves, white ribbed cuffs, silver zippers, circular teal tech buttons, a teal utility pocket on the sleeve. Orange cropped turtleneck under the open jacket. Light-wash ripped denim shorts, thick orange belt with a silver buckle. Navy thigh-high socks with orange ribbed cuffs and an orange X stitch on the left shin. Chunky white sneakers with orange details. Preserve exact face, proportions, hairstyle, outfit, materials, accessories and colors in every frame. This film is 80% bold graphic design in motion and 20% character action. Graphic language is **retro OS chrome + music-player UI**, not ice/frost/barcode-lock. Use slamming window frames, title bars, close/minimize widgets, equalizer bars, waveforms, progress ticks, folder tiles, cursor arrows, CRT scanlines, pixel shatter, vinyl-ring stamps, music-note particles, media-player transport icons. Palette: mint teal, vivid orange, navy, cream-white, silver. Style: premium AAA motion-graphics title sequence × streetwear campaign film × Windows-era media player. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00–1.00s — Pure graphics: a mint title-bar slams onto a cream field, an orange CLOSE widget punches the corner, two navy window borders wipe in. Tiny equalizer ticks and a progress strip flicker. The letters **P** then **LAY** punch in one after another with heavy impact shake. CUT 02 | 1.00–2.00s — The **A** becomes a headphone cup: extreme close-up of her amber eye inside the orange earcup, glancing up; RGB split flash, then the cup shatters into flat mint/orange tiles. CUT 03 | 2.00–3.10s — Navy frame with enormous cream **PLAY**. She sprints in from frame left and power-slides across the baseline of the type, speed lines and orange streaks trailing, shards of the letters kicked up like sparks. Whip-pan out. CUT 04 | 3.10–4.00s — A giant retro media-player waveform explodes across the frame as a thick mint-and-orange audio spectrum bends into a tunnel. She bursts through the center of the waveform at full speed, briefly breaking into three stroboscopic motion trails behind her. Each trail leaves behind chunky navy equalizer blocks that rise and collapse to the beat. The camera rapidly pushes through the waveform tunnel with her, while huge vertical text **TRACK 01** scrolls continuously in the background. The waveform suddenly compresses into a single horizontal line and snaps shut behind her on the final beat. CUT 05 | 4.00–5.10s — She leaps through a giant rotating ring of typography reading **MAX VOLUME**. Camera tracks her mid-air spin in slow motion as the letters scatter, then snap-zoom on her wink. CUT 06 | 5.10–6.00s — Hard cut: cream editorial card, huge navy **DROP** with an orange slash. She vaults over the word itself, palm planted on the D, legs whipping across frame; the word compresses like a spring under her hand and rebounds. CUT 07 | 6.00–7.00s — Mint field with a navy diagonal window-bar. She back-flips along the bar in three stroboscopic ghost frames, each ghost tinted mint, orange, or navy. Giant outlined text **LOOP** rotates 180 degrees in sync with her rotation. CUT 08 | 7.00–8.00s — Kinetic type barrage: the words **LOUD / WILD / TEAL / HEAT** slam in one per beat with shutter flashes and camera shake, while she slides on her knees across the foreground, jacket flaring, music-note particles bursting from her sneakers. CUT 09 | 8.00–9.00s — Navy frame, giant cream wireframe window-grid tilting in 3D. She runs up the grid like a wall, kicks off, and hangs in the air as everything freezes. An orange circular stamp locks around her pose like a media-player target, with transport icons and EQ ticks. CUT 10 | 9.00–10.10s — Freeze releases into a burst: she dives toward camera through layered flat-color window panes that shatter one by one like glass shutters, each pane revealing a bigger letter of **P-L-A-Y**. Foreground wipe with her sneaker. CUT 11 | 10.10–11.10s — Rapid-fire poster montage: four full-screen graphic posters of her in different action poses (mid-flip, sliding, landing, headphones-up wink) snap past with hard cuts. Each has a different bold layout, oversized numbers **01–04**, equalizer strips and slashes. CUT 12 | 11.10–13.00s — Hero moment on a clean cream cyclorama: she lands a final backflip dead center in slow motion, straightens with one hand on her headphones, and a shockwave of concentric mint rings, wind streaks and shattered typography blasts outward from her landing. Brief iconic freeze on her wink, overexpose to white. CUT 13 | 13.00–15.00s — Final identity card: enormous navy **PLAY** dominates a pale cream field with translucent mint rings, technical arcs, scanlines, and a rough orange circular emblem containing a ghosted headphone / waveform motif. She stands relaxed overlapping the letters, wind rippling her jacket. One last orange pulse sweeps through the typography and a window-chrome flash punctuates the end. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps. Every cut must feel compositionally different. Typography is always fully readable before the character overlaps it. No weapons, no combat, no fire. All energy comes from motion design, wind, glass, UI chrome and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut. Sneaker impacts, whooshes, glass shatters, window-slam hits and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts. #DomoAI #DomoAICPP

Sharon Riley

16,537 Aufrufe • vor 19 Tagen

Ice hits, can slams. Fizz explodes. Zero story, pure product. SOLA — sparkling yuzu, hard cuts only. Made with Minimax H3 on Fish Creative Prompt: Flat 2D vector motion graphics commercial advertisement, 15 seconds, 16:9 widescreen, high energy product-focused ad style, zero storytelling, zero narrative arc, pure fast paced product hero showcase. Inspired by Pinterest botanical sparkling-can packaging (clean fruit-soda cans, Twist-style fruit fizz, Petali botanical soda, tropical mocktail cans) but fully original. Tokyo modern editorial pop with risograph print sensibility, refined premium energy, non-stop motion in every single frame, hard cuts only, no dissolves, no static holds until the final end card. Subtle paper grain and risograph ink texture throughout. Cool porcelain background base color hex F4F1EA, generous negative space, grid-aligned composition. Locked palette of three colors only: deep ink teal hex 123C3A, luminous citron hex E8F06A, pure white, plus faint ice-mint highlights. No other colors anywhere in frame. The product is a fictional sparkling yuzu soda brand called SOLA, a sleek deep teal can with a minimal white sun-burst yuzu slice emblem and a thin citron ring accent, consistent in every scene. AUDIO LAYER, drives the cut timing: warm punchy French-house-flavored electronic commercial track, four on the floor kick starting at 0.0s, bass drop synced to the can launch at 4.0s, whoosh sound effect on every camera whip pan, sharp crack sound effect on the can opening, fizzy sustained sparkle sound during the fizz explosion, deep sub bass thud on every impact and squash landing, glass clink sound effect on every ice cube landing, citrus peel snap on fruit slice hits, rising riser sound effect building into the logo lock, satisfying snap sound effect on the logo lock, music hits a full stop exactly on the final frame. SCENE 1, 0.0s to 1.0s: bold editorial open, a sweeping citron light ray wipes diagonally across the clean porcelain background in one confident motion, revealing a rising deep teal silhouette taking shape behind it, sharp and deliberate, zero clutter, premium controlled energy, a thin hairline teal rule draws itself across the lower third, kick drum hits exactly on the wipe. SCENE 2, 1.0s to 2.0s: hard cut, the silhouette snaps into full color and detail as the SOLA soda can in a single confident beat, condensation already gleaming on its surface as flat white crescent shapes, soft upward white rays radiating behind it, camera holds a slow deliberate push in, poised and polished rather than chaotic. SCENE 3, 2.0s to 3.0s: hard cut, the circular white yuzu-slice sun emblem with a citron ring flashes onto the can face with a sharp lens flare burst and a satisfying mechanical snap, one clean ring of citron light pulses outward once and fades, tiny white small-caps microtype arcs around the emblem, confident and premium. SCENE 4, 3.0s to 4.0s: quick controlled zoom out, the can now fully formed hangs centered and commanding in frame over vast porcelain negative space, camera whip reframes to hero angle, tension builds for one beat, bass drop hits exactly as the can launches. SCENE 5, 4.0s to 5.2s: hard cut, the can launches downward from its hover like a meteor, trailing a white ice crystal comet tail and curved teal speed lines, slams into center frame with heavy squash and stretch, ground cracks outward in a starburst pattern, radial citron and teal shockwave ring bursts from the impact point, sub bass thud lands on impact. SCENE 6, 5.2s to 6.2s: hard cut, six chunky white ice cubes cannonball into frame from both left and right edges in a fast alternating rhythm, each landing throws flat white splash droplets outward in a fan burst, glass clink sound effect on every landing, camera whip pans following the rhythm left then right. SCENE 7, 6.2s to 7.4s: hard cut, extreme close push into the can top, the tab cracks open in one sharp motion, crack sound effect syncs exactly to the open, a vertical explosion of white fizz and faint ice-mint sparkling soda rockets straight up past the top of frame, camera shakes once on the burst. SCENE 8, 7.4s to 8.8s: hard cut, three flat white yuzu wheels slice in from the top edge and pin themselves around the can in a tight orbit, each slice throws a thin citron juice arc, citrus peel snap on every hit, camera orbits 20 degrees around the hero can, still locked to 16:9 center. SCENE 9, 8.8s to 10.2s: hard cut, the can tilts and pours a graphic stream of white sparkling liquid into a waiting teal-outlined glass at lower right, liquid fills in stepped beats, ice cubes already inside bounce once, fizz beads climb the glass wall as small white dots, whoosh on the pour start. SCENE 10, 10.2s to 11.6s: hard cut, three matching SOLA cans slam into a tight diagonal product stack from off-frame, each lands with squash and a teal shock ring, middle can stays hero-size, condensation crescents multiply, camera whip to a low 16:9 product-shelf angle. SCENE 11, 11.6s to 13.2s: hard cut, bold teal wordmark SOLA slams on from the left as oversized editorial type, citron underline draws itself in one stroke beneath it, micro line YUZU SPARKLING snaps under in tiny white small-caps, riser builds hard. SCENE 12, 13.2s to 15.0s: hard cut to end card, single centered SOLA can, emblem locked, vast porcelain negative space, teal wordmark and citron ring lock into final position with a snap, one last white fizz sparkle flickers once at the can rim then freezes. Hold only on the last frame. Music stops dead on 15.0s.
0:15

Ice hits, can slams. Fizz explodes. Zero story, pure product. SOLA — sparkling yuzu, hard cuts only. Made with Minimax H3 on Fish Creative Prompt: Flat 2D vector motion graphics commercial advertisement, 15 seconds, 16:9 widescreen, high energy product-focused ad style, zero storytelling, zero narrative arc, pure fast paced product hero showcase. Inspired by Pinterest botanical sparkling-can packaging (clean fruit-soda cans, Twist-style fruit fizz, Petali botanical soda, tropical mocktail cans) but fully original. Tokyo modern editorial pop with risograph print sensibility, refined premium energy, non-stop motion in every single frame, hard cuts only, no dissolves, no static holds until the final end card. Subtle paper grain and risograph ink texture throughout. Cool porcelain background base color hex F4F1EA, generous negative space, grid-aligned composition. Locked palette of three colors only: deep ink teal hex 123C3A, luminous citron hex E8F06A, pure white, plus faint ice-mint highlights. No other colors anywhere in frame. The product is a fictional sparkling yuzu soda brand called SOLA, a sleek deep teal can with a minimal white sun-burst yuzu slice emblem and a thin citron ring accent, consistent in every scene. AUDIO LAYER, drives the cut timing: warm punchy French-house-flavored electronic commercial track, four on the floor kick starting at 0.0s, bass drop synced to the can launch at 4.0s, whoosh sound effect on every camera whip pan, sharp crack sound effect on the can opening, fizzy sustained sparkle sound during the fizz explosion, deep sub bass thud on every impact and squash landing, glass clink sound effect on every ice cube landing, citrus peel snap on fruit slice hits, rising riser sound effect building into the logo lock, satisfying snap sound effect on the logo lock, music hits a full stop exactly on the final frame. SCENE 1, 0.0s to 1.0s: bold editorial open, a sweeping citron light ray wipes diagonally across the clean porcelain background in one confident motion, revealing a rising deep teal silhouette taking shape behind it, sharp and deliberate, zero clutter, premium controlled energy, a thin hairline teal rule draws itself across the lower third, kick drum hits exactly on the wipe. SCENE 2, 1.0s to 2.0s: hard cut, the silhouette snaps into full color and detail as the SOLA soda can in a single confident beat, condensation already gleaming on its surface as flat white crescent shapes, soft upward white rays radiating behind it, camera holds a slow deliberate push in, poised and polished rather than chaotic. SCENE 3, 2.0s to 3.0s: hard cut, the circular white yuzu-slice sun emblem with a citron ring flashes onto the can face with a sharp lens flare burst and a satisfying mechanical snap, one clean ring of citron light pulses outward once and fades, tiny white small-caps microtype arcs around the emblem, confident and premium. SCENE 4, 3.0s to 4.0s: quick controlled zoom out, the can now fully formed hangs centered and commanding in frame over vast porcelain negative space, camera whip reframes to hero angle, tension builds for one beat, bass drop hits exactly as the can launches. SCENE 5, 4.0s to 5.2s: hard cut, the can launches downward from its hover like a meteor, trailing a white ice crystal comet tail and curved teal speed lines, slams into center frame with heavy squash and stretch, ground cracks outward in a starburst pattern, radial citron and teal shockwave ring bursts from the impact point, sub bass thud lands on impact. SCENE 6, 5.2s to 6.2s: hard cut, six chunky white ice cubes cannonball into frame from both left and right edges in a fast alternating rhythm, each landing throws flat white splash droplets outward in a fan burst, glass clink sound effect on every landing, camera whip pans following the rhythm left then right. SCENE 7, 6.2s to 7.4s: hard cut, extreme close push into the can top, the tab cracks open in one sharp motion, crack sound effect syncs exactly to the open, a vertical explosion of white fizz and faint ice-mint sparkling soda rockets straight up past the top of frame, camera shakes once on the burst. SCENE 8, 7.4s to 8.8s: hard cut, three flat white yuzu wheels slice in from the top edge and pin themselves around the can in a tight orbit, each slice throws a thin citron juice arc, citrus peel snap on every hit, camera orbits 20 degrees around the hero can, still locked to 16:9 center. SCENE 9, 8.8s to 10.2s: hard cut, the can tilts and pours a graphic stream of white sparkling liquid into a waiting teal-outlined glass at lower right, liquid fills in stepped beats, ice cubes already inside bounce once, fizz beads climb the glass wall as small white dots, whoosh on the pour start. SCENE 10, 10.2s to 11.6s: hard cut, three matching SOLA cans slam into a tight diagonal product stack from off-frame, each lands with squash and a teal shock ring, middle can stays hero-size, condensation crescents multiply, camera whip to a low 16:9 product-shelf angle. SCENE 11, 11.6s to 13.2s: hard cut, bold teal wordmark SOLA slams on from the left as oversized editorial type, citron underline draws itself in one stroke beneath it, micro line YUZU SPARKLING snaps under in tiny white small-caps, riser builds hard. SCENE 12, 13.2s to 15.0s: hard cut to end card, single centered SOLA can, emblem locked, vast porcelain negative space, teal wordmark and citron ring lock into final position with a snap, one last white fizz sparkle flickers once at the can rim then freezes. Hold only on the last frame. Music stops dead on 15.0s.

Jessica Collins

12,337 Aufrufe • vor 17 Tagen

How cinematic can pure motorcycle speed actually become on-screen? GPT Image 2 + Seedance 2.0 on Fish Creative prompt Create an explosive, high-speed motorcycle action sequence in 16:9, 24fps, exactly 16 distinct cuts, total runtime ≈ 16–17 seconds. A lone rider in a light green helmet and dark riding gear pilots a babypink sportbike along a narrow, winding paved mountain road that cuts through rolling green hills under a brilliant sunny sky with scattered white clouds and distant blue mountain ranges and water visible on the horizon. Preserve the exact bike color, rider silhouette, road markings, green landscape, fencing and lighting throughout — never redesign them. This film is 90 % pure kinetic camera motion and 10 % environmental beauty: aggressive low-to-high tracking shots, continuous forward motion with heavy speed blur, whip pans, snap zooms, sun flares and impact shakes. No text, no graphics, no logos — pure cinematic speed. ### CUT LIST CUT 01 | 0.00–1.00s Dynamic low-side tracking shot: red motorcycle accelerates away from a small parking area onto the winding asphalt road; lush green grass and fence posts streak past with heavy motion blur; bright sun flares at the top of the frame. **CUT 02 | 1.00–2.00s** Camera rises and locks behind the rider as the bike climbs the first gentle incline; green hills roll on both sides, a lone tree appears ahead, distant mountains and water visible on the right. **CUT 03 | 2.00–3.00s** Tight rear tracking; rider leans into a smooth left curve; the road surface and white dashed lines blur heavily; sun remains high and intense. **CUT 04 | 3.00–4.00s** Bike powers up a steeper section of road; camera stays low and centered, grass and fence posts racing past on both sides; distant valley opens on the right. **CUT 05 | 4.00–5.00s** High-speed straight section; camera drops even lower, almost road-level, capturing the red bike centered against the climbing green hillside and bright blue sky. **CUT 06 | 5.00–6.00s** Rider continues the climb; camera rises slightly and banks with the road; lush green slopes fill the left and right frame edges with strong motion blur. **CUT 07 | 6.00–7.00s** Bike approaches a crest; camera pulls back a fraction to reveal more of the endless green hills and the road stretching ahead under the bright sun. **CUT 08 | 7.00–8.00s** Rider leans into the next curve; camera swings wide then snaps back, capturing the red bike against the steep green embankment and metal guardrail. **CUT 09 | 8.00–9.00s** Tight following shot as the motorcycle accelerates past the guardrail; heavy speed blur on the grass and road surface; sun flare intensifies. **CUT 10 | 9.00–10.00s** Camera tilts upward dramatically, almost looking straight up the road; the red bike becomes smaller against the vast blue sky and white clouds while still racing forward. **CUT 11 | 10.00–11.00s** Sweeping aerial-style arc as the bike enters a wide left-hand hairpin; camera orbits slightly, revealing the full curve of the road, green slopes and distant mountains. **CUT 12 | 11.00–12.00s** High-angle tracking shot looking down on the red motorcycle as it carves the long sweeping curve; the road and guardrail form a perfect arc against the green hillside. **CUT 13 | 12.00–13.00s** Camera pulls higher still, showing the bike as a small red shape on the winding road that snakes across the vast green landscape toward distant valleys and peaks. **CUT 14 | 13.00–14.00s** Rider continues through the open hillside section; camera descends slightly and tracks from a higher three-quarter rear angle, capturing the bike, road and rolling green terrain. **CUT 15 | 14.00–15.00s** Wide high-angle shot of the motorcycle navigating the next gentle S-curve; a second distant vehicle appears briefly on the road ahead; lush green fields and scattered trees fill the frame. **CUT 16 | 15.00–16.65s Final high-speed tracking shot as the red bike continues along the open mountain road; camera gradually rises and the frame fills with bright green hills, blue sky and soft sun flare; the sequence ends on a sense of endless forward motion. ### Editing & Sound Extremely aggressive rhythm — continuous forward tracking with occasional whip pans, snap zooms and speed ramps, heavy motion blur on every surface, strong sun flares and subtle impact shakes on every crest or curve. No text, no graphics, no slow-motion. BGM / Audio: electronic / indie-pop beat with driving drums, bright synths and rising energy that matches the speed of the bike. Engine roar, wind whooshes and tire sound on asphalt are locked to the picture as rhythmic elements. Peak energy in the middle curves and end with a bright, open sonic release. Premium AAA quality, photorealistic cinematic rendering, pure speed and freedom aesthetic, consistent red sportbike and rider design, exactly 16 cuts.
0:17

How cinematic can pure motorcycle speed actually become on-screen? GPT Image 2 + Seedance 2.0 on Fish Creative prompt Create an explosive, high-speed motorcycle action sequence in 16:9, 24fps, exactly 16 distinct cuts, total runtime ≈ 16–17 seconds. A lone rider in a light green helmet and dark riding gear pilots a babypink sportbike along a narrow, winding paved mountain road that cuts through rolling green hills under a brilliant sunny sky with scattered white clouds and distant blue mountain ranges and water visible on the horizon. Preserve the exact bike color, rider silhouette, road markings, green landscape, fencing and lighting throughout — never redesign them. This film is 90 % pure kinetic camera motion and 10 % environmental beauty: aggressive low-to-high tracking shots, continuous forward motion with heavy speed blur, whip pans, snap zooms, sun flares and impact shakes. No text, no graphics, no logos — pure cinematic speed. ### CUT LIST CUT 01 | 0.00–1.00s Dynamic low-side tracking shot: red motorcycle accelerates away from a small parking area onto the winding asphalt road; lush green grass and fence posts streak past with heavy motion blur; bright sun flares at the top of the frame. **CUT 02 | 1.00–2.00s** Camera rises and locks behind the rider as the bike climbs the first gentle incline; green hills roll on both sides, a lone tree appears ahead, distant mountains and water visible on the right. **CUT 03 | 2.00–3.00s** Tight rear tracking; rider leans into a smooth left curve; the road surface and white dashed lines blur heavily; sun remains high and intense. **CUT 04 | 3.00–4.00s** Bike powers up a steeper section of road; camera stays low and centered, grass and fence posts racing past on both sides; distant valley opens on the right. **CUT 05 | 4.00–5.00s** High-speed straight section; camera drops even lower, almost road-level, capturing the red bike centered against the climbing green hillside and bright blue sky. **CUT 06 | 5.00–6.00s** Rider continues the climb; camera rises slightly and banks with the road; lush green slopes fill the left and right frame edges with strong motion blur. **CUT 07 | 6.00–7.00s** Bike approaches a crest; camera pulls back a fraction to reveal more of the endless green hills and the road stretching ahead under the bright sun. **CUT 08 | 7.00–8.00s** Rider leans into the next curve; camera swings wide then snaps back, capturing the red bike against the steep green embankment and metal guardrail. **CUT 09 | 8.00–9.00s** Tight following shot as the motorcycle accelerates past the guardrail; heavy speed blur on the grass and road surface; sun flare intensifies. **CUT 10 | 9.00–10.00s** Camera tilts upward dramatically, almost looking straight up the road; the red bike becomes smaller against the vast blue sky and white clouds while still racing forward. **CUT 11 | 10.00–11.00s** Sweeping aerial-style arc as the bike enters a wide left-hand hairpin; camera orbits slightly, revealing the full curve of the road, green slopes and distant mountains. **CUT 12 | 11.00–12.00s** High-angle tracking shot looking down on the red motorcycle as it carves the long sweeping curve; the road and guardrail form a perfect arc against the green hillside. **CUT 13 | 12.00–13.00s** Camera pulls higher still, showing the bike as a small red shape on the winding road that snakes across the vast green landscape toward distant valleys and peaks. **CUT 14 | 13.00–14.00s** Rider continues through the open hillside section; camera descends slightly and tracks from a higher three-quarter rear angle, capturing the bike, road and rolling green terrain. **CUT 15 | 14.00–15.00s** Wide high-angle shot of the motorcycle navigating the next gentle S-curve; a second distant vehicle appears briefly on the road ahead; lush green fields and scattered trees fill the frame. **CUT 16 | 15.00–16.65s Final high-speed tracking shot as the red bike continues along the open mountain road; camera gradually rises and the frame fills with bright green hills, blue sky and soft sun flare; the sequence ends on a sense of endless forward motion. ### Editing & Sound Extremely aggressive rhythm — continuous forward tracking with occasional whip pans, snap zooms and speed ramps, heavy motion blur on every surface, strong sun flares and subtle impact shakes on every crest or curve. No text, no graphics, no slow-motion. BGM / Audio: electronic / indie-pop beat with driving drums, bright synths and rising energy that matches the speed of the bike. Engine roar, wind whooshes and tire sound on asphalt are locked to the picture as rhythmic elements. Peak energy in the middle curves and end with a bright, open sonic release. Premium AAA quality, photorealistic cinematic rendering, pure speed and freedom aesthetic, consistent red sportbike and rider design, exactly 16 cuts.

Sharon Riley

38,216 Aufrufe • vor 26 Tagen