Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Keep pushing queen ❤️‍🔥Lwazzy_SA #Aşure #FinoTheFirstDropWithTeeTeePor #WEIRDO101Series #FONDnatticha #FONDnatticha #IntiRaymi2026 #music #girls #work

Lwazzy9's profile picture

Lwazzy_SA

8,061 subscribers

10,665 görüntüleme • 3 ay önce •via X (Twitter)

Müzik#Aşure#FinoTheFirstDropWithTeeTeePor#WEIRDO101Series#FONDnatticha#FONDnatticha#IntiRaymi2026#music#girls#work
LIVE

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Na this kind Erigga motivation wey dey give street boys high spirits and ginger them to grind harder Davido say na “useless motivation”? 😂🔥 Omo, na street we dey talk about here! Erigga music dey give people hope, energy and motivation to keep pushing. ❤️‍🔥
2:55

Na this kind Erigga motivation wey dey give street boys high spirits and ginger them to grind harder Davido say na “useless motivation”? 😂🔥 Omo, na street we dey talk about here! Erigga music dey give people hope, energy and motivation to keep pushing. ❤️‍🔥

BIG TEe Gentle Stubborn

16,698 görüntüleme • 1 ay önce

Lex P and Drea Nicole talked about how crazy it is now for people to come online and start teaching girls to get them a rich ngga that will trick on them and Lex P blames women for pushing the tradwife life and she says even if a girls man is earning $100,000 she’s still meant to work👀 Drea Nicole says women are too wrapped up in the culture of men are supposed to be doing everything and they get easily influenced by the lifestyle they see other girls living which make them start to request for things that’s beyond their boyfriends means so that they can keep up with other women he has men providing these lifestyles for them😳 “If you have a good men and he can’t provide that for you, or he can’t do that for you on a regular basis, are you really willing to leave your good man so that you can keep up a certain aesthetic online?”
6:29

Lex P and Drea Nicole talked about how crazy it is now for people to come online and start teaching girls to get them a rich ngga that will trick on them and Lex P blames women for pushing the tradwife life and she says even if a girls man is earning $100,000 she’s still meant to work👀 Drea Nicole says women are too wrapped up in the culture of men are supposed to be doing everything and they get easily influenced by the lifestyle they see other girls living which make them start to request for things that’s beyond their boyfriends means so that they can keep up with other women he has men providing these lifestyles for them😳 “If you have a good men and he can’t provide that for you, or he can’t do that for you on a regular basis, are you really willing to leave your good man so that you can keep up a certain aesthetic online?”

flame

966,188 görüntüleme • 2 ay önce

Astra built this three.js game with gorgeous graphics, then recreated every scene in Blender and made the trailer too. It feels like a massive upgrade from Sol for 3D graphics and front-end design. The UI feels way more polished and less like AI slop. The rocks, trees, monuments, and characters are all procedural code, keeping the game under 2 MB before the image and music assets. The level of autonomy is unbelievable. It needed very little steering, though I still had to keep pushing it to work harder on the details. The UI icons, buttons, and ornaments were made as transparent PNGs with GPT Image 2.
1:13

Astra built this three.js game with gorgeous graphics, then recreated every scene in Blender and made the trailer too. It feels like a massive upgrade from Sol for 3D graphics and front-end design. The UI feels way more polished and less like AI slop. The rocks, trees, monuments, and characters are all procedural code, keeping the game under 2 MB before the image and music assets. The level of autonomy is unbelievable. It needed very little steering, though I still had to keep pushing it to work harder on the details. The UI icons, buttons, and ornaments were made as transparent PNGs with GPT Image 2.

Meng To

137,306 görüntüleme • 1 ay önce

Before all of this, I was making music every single day using my art to talk about real life, real pain, real truth. That was my activism. Now, I’m speaking directly to women, to young people, and to the people of this country. If you took two seconds to look at my history, you’d see I’ve always spoken life through music. This isn’t a pivot it’s a continuation. This is exactly what I was called to do. If you want to support me, grab a copy of my song Bad Vibes on EVEN and pay what you want. Every dollar helps me keep pushing forward doing this work for myself and for the people. I truly appreciate the support. S/o Amy E. Sousa, MA Depth Psychology that’s her speaking in the beginning she has become one of my favorite woman voices and my shero. Link in bio!
0:55

Before all of this, I was making music every single day using my art to talk about real life, real pain, real truth. That was my activism. Now, I’m speaking directly to women, to young people, and to the people of this country. If you took two seconds to look at my history, you’d see I’ve always spoken life through music. This isn’t a pivot it’s a continuation. This is exactly what I was called to do. If you want to support me, grab a copy of my song Bad Vibes on EVEN and pay what you want. Every dollar helps me keep pushing forward doing this work for myself and for the people. I truly appreciate the support. S/o Amy E. Sousa, MA Depth Psychology that’s her speaking in the beginning she has become one of my favorite woman voices and my shero. Link in bio!

Tish Hyman

21,855 görüntüleme • 8 ay önce

I represented at the AFRIMA 2025 WORLD MEDIA CALENDAR UNVEILING & MUSIC CONFERENCE in Addis Ababa Ethiopia. And this what I have for my fellow creatives. Africa is a continent bursting with vibrant rhythms, soulful melodies, and unparalleled creativity. Our artists, producers, songwriter, and innovators are crafting sounds that resonate across borders yet, despite owning the art and the culture, we often find ourselves fighting for space in the global market. Why? Because we don’t fully own or control the platforms that showcase our music. We lack the infrastructure, the investment, and the unified voice needed to truly capitalize on our rich heritage. The biggest challenge isn’t just about competing it’s about collaboration. We need to shift our mindset from scarcity to abundance. Instead of fighting for limited space, we should be working together as Africans to build our own streaming platforms, protect our rights, and invest in our craft. When we own the channels, we own the narrative. When we tell our story, it’s authentic, powerful, and unmistakably African. Our originality and roots are our greatest assets. We must celebrate and preserve our unique arts, culture, and languages. Let’s encourage each other to stay true to our identity, because no one else can tell our story the way we must and know it. Our music is more than entertainment it’s a reflection of our history, resilience, and future. To the global audience Africa’s story is waiting to be heard, understood, and appreciated. It’s time we sell our narrative, showcase our talent, and let the world see Africa through our eyes. A special thank you to ALL AFRICA MUSIC AWARDS(AFRIMA) for providing a consistent platform where Africa comes together to celebrate our music, culture, and creativity. Your work inspires us all to keep pushing boundaries and to keep our roots alive. Let’s build an ecosystem that’s owned by us, for us. The world is ready for Africa’s voice. Are we ready to own it? ✊🏿🎤🌟 #AfricanMusic #MusicOwnership #CelebrateAfrica #AFRIMA #UnityInMusic #AfricanCreatives
1:59

I represented at the AFRIMA 2025 WORLD MEDIA CALENDAR UNVEILING & MUSIC CONFERENCE in Addis Ababa Ethiopia. And this what I have for my fellow creatives. Africa is a continent bursting with vibrant rhythms, soulful melodies, and unparalleled creativity. Our artists, producers, songwriter, and innovators are crafting sounds that resonate across borders yet, despite owning the art and the culture, we often find ourselves fighting for space in the global market. Why? Because we don’t fully own or control the platforms that showcase our music. We lack the infrastructure, the investment, and the unified voice needed to truly capitalize on our rich heritage. The biggest challenge isn’t just about competing it’s about collaboration. We need to shift our mindset from scarcity to abundance. Instead of fighting for limited space, we should be working together as Africans to build our own streaming platforms, protect our rights, and invest in our craft. When we own the channels, we own the narrative. When we tell our story, it’s authentic, powerful, and unmistakably African. Our originality and roots are our greatest assets. We must celebrate and preserve our unique arts, culture, and languages. Let’s encourage each other to stay true to our identity, because no one else can tell our story the way we must and know it. Our music is more than entertainment it’s a reflection of our history, resilience, and future. To the global audience Africa’s story is waiting to be heard, understood, and appreciated. It’s time we sell our narrative, showcase our talent, and let the world see Africa through our eyes. A special thank you to ALL AFRICA MUSIC AWARDS(AFRIMA) for providing a consistent platform where Africa comes together to celebrate our music, culture, and creativity. Your work inspires us all to keep pushing boundaries and to keep our roots alive. Let’s build an ecosystem that’s owned by us, for us. The world is ready for Africa’s voice. Are we ready to own it? ✊🏿🎤🌟 #AfricanMusic #MusicOwnership #CelebrateAfrica #AFRIMA #UnityInMusic #AfricanCreatives

Eddy Kenzo

30,540 görüntüleme • 1 yıl önce

CALLING ALL FANDOMS/ Lovers of Girl groups Please vote for Dreamcatcher on Idol Champ! As y'all know we're the biggest Insomnias around. We love Dreamcatcher, they're the reason why we got back into K-pop as hard as we did and really the reason why we started to take reacting seriously. These girls have truly outstanding songs, vocals, choreo, visuals and yet they only have 4 wins, which genuinely should be a crime. This is probably their only chance of winning during this comeback period. These girls resigned their contract and have been working their as*es off for 7+ years in a small company. They HAVEN'T given up. They keep dreaming and pursuing their passion. Dreamcatcher is the group that every small company group probably looks up to. Because Dreamcatcher is still fighting. And they are putting out PHENOMENAL music. (Justice is an amazing song and you all should check it out if you haven’t.) Please let's show them that their hard work is paying off. This is a call to any fan/fandom that loves their group and wants them to keep promoting after that 7 year curse. Show your favorite group that it’s possible to keep going even if there’s hurdles, even if they're struggling, even if they’re not the biggest group. Let’s make Dreamcatcher someone they can continue to look up to. (Also if you want to send proofs to show what fandom you are from we’ll make sure to try to support them in their next comeback in some way :)) P.S We know this isn’t something we usually do. They might not even win even if we win this, but they’re our girls and we just want them to be happy. We don’t know who we would be without DC :)
0:43

CALLING ALL FANDOMS/ Lovers of Girl groups Please vote for Dreamcatcher on Idol Champ! As y'all know we're the biggest Insomnias around. We love Dreamcatcher, they're the reason why we got back into K-pop as hard as we did and really the reason why we started to take reacting seriously. These girls have truly outstanding songs, vocals, choreo, visuals and yet they only have 4 wins, which genuinely should be a crime. This is probably their only chance of winning during this comeback period. These girls resigned their contract and have been working their as*es off for 7+ years in a small company. They HAVEN'T given up. They keep dreaming and pursuing their passion. Dreamcatcher is the group that every small company group probably looks up to. Because Dreamcatcher is still fighting. And they are putting out PHENOMENAL music. (Justice is an amazing song and you all should check it out if you haven’t.) Please let's show them that their hard work is paying off. This is a call to any fan/fandom that loves their group and wants them to keep promoting after that 7 year curse. Show your favorite group that it’s possible to keep going even if there’s hurdles, even if they're struggling, even if they’re not the biggest group. Let’s make Dreamcatcher someone they can continue to look up to. (Also if you want to send proofs to show what fandom you are from we’ll make sure to try to support them in their next comeback in some way :)) P.S We know this isn’t something we usually do. They might not even win even if we win this, but they’re our girls and we just want them to be happy. We don’t know who we would be without DC :)

Kess and Han

50,911 görüntüleme • 2 yıl önce

Exactly 63 Years a go a journey of self management started for Uganda. Today we celebrate not just a date but the resilience of our people, the power of culture, and the heartbeat of our nation. From our rich histories in every corner of Uganda to the vibrant streets where music and art fuel ambition, Uganda stands strong. As President of the Uganda National Musicians Federation and Senior Presidential Advisor on Creatives, I see daily how creativity fuels growth, unity, and hope. Our future is bright when every artist, musician, and creator has a fair stage, protection for their work, and a stronger voice at the table. I honor the courage, visionary leadership, and steadfast resolve of President Yoweri Kaguta Museveni, whose long journey with Uganda has steered us through many challenges towards opportunity and growth. May his continued commitment inspire us all to build a more prosperous, peaceful, and an INCLUSIVE nation. Let’s invest in studios, schools, and corridors of collaboration. Let’s patronize local art, defend our IP, and build an Uganda where culture leads sustainable prosperity. Let’s Celebrate our diversity, champion our artists, and keep the rhythm of Uganda alive and pushing it to the world stage. #Uganda #IndependenceDay #Creatives #TogetherForTheMusic #EddyKenzo #UNMF #CultureLeader #NationBuilding
0:32

Exactly 63 Years a go a journey of self management started for Uganda. Today we celebrate not just a date but the resilience of our people, the power of culture, and the heartbeat of our nation. From our rich histories in every corner of Uganda to the vibrant streets where music and art fuel ambition, Uganda stands strong. As President of the Uganda National Musicians Federation and Senior Presidential Advisor on Creatives, I see daily how creativity fuels growth, unity, and hope. Our future is bright when every artist, musician, and creator has a fair stage, protection for their work, and a stronger voice at the table. I honor the courage, visionary leadership, and steadfast resolve of President Yoweri Kaguta Museveni, whose long journey with Uganda has steered us through many challenges towards opportunity and growth. May his continued commitment inspire us all to build a more prosperous, peaceful, and an INCLUSIVE nation. Let’s invest in studios, schools, and corridors of collaboration. Let’s patronize local art, defend our IP, and build an Uganda where culture leads sustainable prosperity. Let’s Celebrate our diversity, champion our artists, and keep the rhythm of Uganda alive and pushing it to the world stage. #Uganda #IndependenceDay #Creatives #TogetherForTheMusic #EddyKenzo #UNMF #CultureLeader #NationBuilding

Eddy Kenzo

28,671 görüntüleme • 1 yıl önce

👤: fromis_9 wasn't a team that received a lot of love in the beginning and became an instant success right? I guess that's why even in their 9th year like this, they're still being very grateful being invited to a show and going "please show us lots of love". What kind of ups and down have you had? 🐿️: I'm sure a lot of new artists experience it too but it's very hard to perform on music shows. And you perform in front of your fans during music shows right? But there were a lot of times when only 1 of our fans were able to enter. Because we were performing with other teams who are popular, a lot of our fans can't come in 👤: Because there are quotas right? 🐿️: That's right. And only 1 of our fan was allowed in and they did the work of a 100 people and that's when your heart really aches even more 👤: You girls have really hung in there well 🍯: That's why we have made it all the way here 👤: You have to persevere, no matter what 🐿️: The seniors used to tell us, "In this industry, you just have to persevere" 👤: But that's something I hear a lot from idols, if you manage to persevere, your chance will come eventually. As you keep improving, your fandom grows along with you
1:00

👤: fromis_9 wasn't a team that received a lot of love in the beginning and became an instant success right? I guess that's why even in their 9th year like this, they're still being very grateful being invited to a show and going "please show us lots of love". What kind of ups and down have you had? 🐿️: I'm sure a lot of new artists experience it too but it's very hard to perform on music shows. And you perform in front of your fans during music shows right? But there were a lot of times when only 1 of our fans were able to enter. Because we were performing with other teams who are popular, a lot of our fans can't come in 👤: Because there are quotas right? 🐿️: That's right. And only 1 of our fan was allowed in and they did the work of a 100 people and that's when your heart really aches even more 👤: You girls have really hung in there well 🍯: That's why we have made it all the way here 👤: You have to persevere, no matter what 🐿️: The seniors used to tell us, "In this industry, you just have to persevere" 👤: But that's something I hear a lot from idols, if you manage to persevere, your chance will come eventually. As you keep improving, your fandom grows along with you

Ponyo 🍀🍊

42,212 görüntüleme • 2 ay önce

Boycotting NewJeans’ music hurts NewJeans far more than it hurts HYBE, because of how royalties, contracts, and public perception work in the K-pop industry. —- You also have to consider this… NewJeans’ numbers is not heavily “fandom based.” As much as you think you all are the source of their massive streaming numbers, you’re wrong. The general public, and non K-pop fans love NewJeans music and they will keep on listening to it even if you convinced Bunnies to boycott. —- HYBE’s revenue base is massive and diversified. HYBE earns from dozens of sources… multiple groups, Weverse, concerts, merch, and even U.S. subsidiaries. Even if NewJeans’ streaming or album sales drop, HYBE can easily offset that loss through its other labels. HYBE doesn’t depend on NewJeans alone. Their system is built to survive the loss of any one group’s income. —- NewJeans’ streaming and sales are their only active revenue right now. Since they’re in hiatus, no tours, no fan meetings, no new releases… the only money that still trickles down to them comes from: - Streaming royalties - Physical album sales still circulating - Brand contracts still running If Bunnies boycott their music, those residual royalties shrink. That means less income to the girls themselves, not HYBE. —- HYBE already collected most of the upfront revenue. HYBE, as the parent company, has already: - Collected bulk profits from the initial album releases - Recouped production and distribution costs Future streaming revenue is a small portion of total income, mostly going to artists. So cutting that stream primarily hurts the artists, not HYBE’s bottom line. —- Public metrics matter for NewJeans’ reputation. Charts, YouTube views, and streaming numbers determine public perception, endorsement value, and global relevance. If Bunnies and casual fans intentionally stop listening, the data will show some sort of decline, which media will spin as “fandom fatigue” or “loss of popularity.” HYBE can use that narrative to undermine NewJeans position, claiming the group has “lost public interest” and was highly dependent on them. —- Supporting NewJeans ≠ Supporting HYBE. When fans stream NewJeans, the signal that matters most isn’t the money, it’s the visibility and demand. Every listen, stream, or social trend proves: “People care about NewJeans themselves and their music.”
0:48

Boycotting NewJeans’ music hurts NewJeans far more than it hurts HYBE, because of how royalties, contracts, and public perception work in the K-pop industry. —- You also have to consider this… NewJeans’ numbers is not heavily “fandom based.” As much as you think you all are the source of their massive streaming numbers, you’re wrong. The general public, and non K-pop fans love NewJeans music and they will keep on listening to it even if you convinced Bunnies to boycott. —- HYBE’s revenue base is massive and diversified. HYBE earns from dozens of sources… multiple groups, Weverse, concerts, merch, and even U.S. subsidiaries. Even if NewJeans’ streaming or album sales drop, HYBE can easily offset that loss through its other labels. HYBE doesn’t depend on NewJeans alone. Their system is built to survive the loss of any one group’s income. —- NewJeans’ streaming and sales are their only active revenue right now. Since they’re in hiatus, no tours, no fan meetings, no new releases… the only money that still trickles down to them comes from: - Streaming royalties - Physical album sales still circulating - Brand contracts still running If Bunnies boycott their music, those residual royalties shrink. That means less income to the girls themselves, not HYBE. —- HYBE already collected most of the upfront revenue. HYBE, as the parent company, has already: - Collected bulk profits from the initial album releases - Recouped production and distribution costs Future streaming revenue is a small portion of total income, mostly going to artists. So cutting that stream primarily hurts the artists, not HYBE’s bottom line. —- Public metrics matter for NewJeans’ reputation. Charts, YouTube views, and streaming numbers determine public perception, endorsement value, and global relevance. If Bunnies and casual fans intentionally stop listening, the data will show some sort of decline, which media will spin as “fandom fatigue” or “loss of popularity.” HYBE can use that narrative to undermine NewJeans position, claiming the group has “lost public interest” and was highly dependent on them. —- Supporting NewJeans ≠ Supporting HYBE. When fans stream NewJeans, the signal that matters most isn’t the money, it’s the visibility and demand. Every listen, stream, or social trend proves: “People care about NewJeans themselves and their music.”

1tokki

35,372 görüntüleme • 11 ay önce

Sayonara 2024!! I know I’m a little late buttt… man, that one really flew by! I did a lot last year that I’m proud of. I released 4 songs independently that I love (Tripped, Raw, HTWWY & Down🥰), I filmed 3 music videos (2 of my own, the other with Remi Wolf who is a queen), I was on the cover of Marie Claire’s music issue (say whaaaat?! 🎵♥️), I got to sing Big Girls Don’t Cry on the Kelly Clarkson show 🥹 (honored) , I made new friends, I traveled ! I went to the Cannes film festival for the first time which has always been a dream of mine. I went to PFW for the first time!! (Unreal experience 😍) I dressed up,I dressed down. I spent time with my amazing fam. I wrote more music which I can’t wait to share with you all. I had a brand new movie come out (Depravity🩸) and gave a performance I’m proud of. I laughed, I cried. I loved,I lost. I danced more than ever. I sang my heart out. I stepped out of my comfort zone. I met a lot of really amazing people & had some incredible experiences. And most importantly, I ate A LOT of really good food. ✨ And above all else my friends, I TRIED. I didn’t always live up to my own expectations & things didn’t always work out the way I wanted to. But I TRIED, and I’m proud of myself for that. You should be too 🫂 Here’s to more of that in the new year!! Happy 2025 my friends, thank you for coming along for the ride. And thank you as always for your support & love. Beyond beyond grateful🙏🏼 Can’t wait to see what this year has in store for us all. Whatever it is, I know we can handle it 💪🏼Let’s make this year our bitch!!!! ✨ With LOVE, Vic 💋
0:42

Sayonara 2024!! I know I’m a little late buttt… man, that one really flew by! I did a lot last year that I’m proud of. I released 4 songs independently that I love (Tripped, Raw, HTWWY & Down🥰), I filmed 3 music videos (2 of my own, the other with Remi Wolf who is a queen), I was on the cover of Marie Claire’s music issue (say whaaaat?! 🎵♥️), I got to sing Big Girls Don’t Cry on the Kelly Clarkson show 🥹 (honored) , I made new friends, I traveled ! I went to the Cannes film festival for the first time which has always been a dream of mine. I went to PFW for the first time!! (Unreal experience 😍) I dressed up,I dressed down. I spent time with my amazing fam. I wrote more music which I can’t wait to share with you all. I had a brand new movie come out (Depravity🩸) and gave a performance I’m proud of. I laughed, I cried. I loved,I lost. I danced more than ever. I sang my heart out. I stepped out of my comfort zone. I met a lot of really amazing people & had some incredible experiences. And most importantly, I ate A LOT of really good food. ✨ And above all else my friends, I TRIED. I didn’t always live up to my own expectations & things didn’t always work out the way I wanted to. But I TRIED, and I’m proud of myself for that. You should be too 🫂 Here’s to more of that in the new year!! Happy 2025 my friends, thank you for coming along for the ride. And thank you as always for your support & love. Beyond beyond grateful🙏🏼 Can’t wait to see what this year has in store for us all. Whatever it is, I know we can handle it 💪🏼Let’s make this year our bitch!!!! ✨ With LOVE, Vic 💋

Victoria Justice

89,263 görüntüleme • 1 yıl önce

Snoop Dogg says he charges $250,000 for a verse and another $250,000 for the music video “About $250,000. You get 16 bars. And when it's time to do the video, I need to get another $250,000 and you only got an hour to film it” “Some people get it lower, some people get it on the house. Because if you family, how I look like sticking you up for $250,000, and you a new artist and you just coming out” “It’s either personal or it’s business. If it's family, then it's personal. Then that means I can give you a, ‘How much you got. Don't even worry about it. We're gonna work that out’” “But if it's business, I ain't talking to you. I'm talking to your business. Who's the one putting up all that real money. I ain't talking to you, so it ain't gonna be no disrespect. Get me to the boss so we can have a boss to boss talk. You dealing with a fucking boss. Give me what I want, and let's keep it pushing. Me and you maintain our relationship because it had nothing to do with you. So it keeps our relationship clean and cut” “Now, if you don't have a boss and you're financially doing it yourself, now it's for me and you. How much you got on me. ‘I only got’... matter of fact, I ain't got nothing, dog. Don't even worry about it. When you blow up, just get back at me”
1:42

Snoop Dogg says he charges $250,000 for a verse and another $250,000 for the music video “About $250,000. You get 16 bars. And when it's time to do the video, I need to get another $250,000 and you only got an hour to film it” “Some people get it lower, some people get it on the house. Because if you family, how I look like sticking you up for $250,000, and you a new artist and you just coming out” “It’s either personal or it’s business. If it's family, then it's personal. Then that means I can give you a, ‘How much you got. Don't even worry about it. We're gonna work that out’” “But if it's business, I ain't talking to you. I'm talking to your business. Who's the one putting up all that real money. I ain't talking to you, so it ain't gonna be no disrespect. Get me to the boss so we can have a boss to boss talk. You dealing with a fucking boss. Give me what I want, and let's keep it pushing. Me and you maintain our relationship because it had nothing to do with you. So it keeps our relationship clean and cut” “Now, if you don't have a boss and you're financially doing it yourself, now it's for me and you. How much you got on me. ‘I only got’... matter of fact, I ain't got nothing, dog. Don't even worry about it. When you blow up, just get back at me”

dank

1,046,781 görüntüleme • 2 ay önce

MASSIVE news: In the US, Constellation Brands owns Corona, Modelo and Pacifico beer. Last week I did a story exposing their woke DEI policies. In response they engaged with me and decided to make big changes. I can now exclusively tell you what’s changing: • Constellation Brands will no longer practice DEI • They will no longer work with Human Rights Campaign Rapid Response and they’ll no longer participate in their woke CEI social credit system known for pushing the trans agenda • They will no longer use the term Latinx • They will not engage in lobbying for legislation that isn’t core to their business anymore like they previously did with the so called Equality Act which would have legalized men who say they’re trans playing in girls sports • Supplier engagement will be focused on ALL small businesses instead of diverse suppliers • They will provide guidance to employees on not injecting personal activism while representing the company brand Their employees were just notified moments ago. AT&T has around 11,000 employees and a market cap of around $50 BILLION dollars. Those employees will now have a better workplace because of the changes we inspired. We’ve now changed policy at companies worth well over $4 Trillion dollars and millions of employees now have better work environments as a result of our reports. We’de winning and one by one we WILL bring sanity back to corporate America. If you love what we’re doing, subscribe to my X page for $5 a month to help fund our growing team! You can also support our work by sending any amount once at this link: If you want to expose your woke workplace, send tips at Companies can see that America wants sanity back. The era of wokeness is dying right in front of our eyes. The landscape of corporate America is quickly shifting to sanity and neutrality. We are the trend, not the anomaly. So far you’ve helped me change corporate policy at Tractor Supply, John Deere, Harley Davidson, Polaris, Indian Motorcycle, Lowe’s, Ford, Coors, Stanley Black & Decker, Jack Daniels, DeWalt tools, Craftsman, Caterpillar, Boeing, Toyota, Walmart, McDonald’s, META, Target, Accenture, Pepsi, Gatorade, Rockstar Energy, AT&T and now Constellation Brands Cerveza Modelo Corona Pacifico Beer! We’re a force to be reckoned with and we won’t stop until wokeness is extinct. Share to make sure everyone knows this is happening so we keep this movement growing!
2:58

MASSIVE news: In the US, Constellation Brands owns Corona, Modelo and Pacifico beer. Last week I did a story exposing their woke DEI policies. In response they engaged with me and decided to make big changes. I can now exclusively tell you what’s changing: • Constellation Brands will no longer practice DEI • They will no longer work with Human Rights Campaign Rapid Response and they’ll no longer participate in their woke CEI social credit system known for pushing the trans agenda • They will no longer use the term Latinx • They will not engage in lobbying for legislation that isn’t core to their business anymore like they previously did with the so called Equality Act which would have legalized men who say they’re trans playing in girls sports • Supplier engagement will be focused on ALL small businesses instead of diverse suppliers • They will provide guidance to employees on not injecting personal activism while representing the company brand Their employees were just notified moments ago. AT&T has around 11,000 employees and a market cap of around $50 BILLION dollars. Those employees will now have a better workplace because of the changes we inspired. We’ve now changed policy at companies worth well over $4 Trillion dollars and millions of employees now have better work environments as a result of our reports. We’de winning and one by one we WILL bring sanity back to corporate America. If you love what we’re doing, subscribe to my X page for $5 a month to help fund our growing team! You can also support our work by sending any amount once at this link: If you want to expose your woke workplace, send tips at Companies can see that America wants sanity back. The era of wokeness is dying right in front of our eyes. The landscape of corporate America is quickly shifting to sanity and neutrality. We are the trend, not the anomaly. So far you’ve helped me change corporate policy at Tractor Supply, John Deere, Harley Davidson, Polaris, Indian Motorcycle, Lowe’s, Ford, Coors, Stanley Black & Decker, Jack Daniels, DeWalt tools, Craftsman, Caterpillar, Boeing, Toyota, Walmart, McDonald’s, META, Target, Accenture, Pepsi, Gatorade, Rockstar Energy, AT&T and now Constellation Brands Cerveza Modelo Corona Pacifico Beer! We’re a force to be reckoned with and we won’t stop until wokeness is extinct. Share to make sure everyone knows this is happening so we keep this movement growing!

Robby Starbuck

629,275 görüntüleme • 1 yıl önce

‼️EXPOSED: Erika Kirk's Latest PSYOP—Using Her Children & Bible Verses As EMOTIONAL Blackmail Shields 👀 Erika Kirk does not like us exposing the deep inconsistencies in her life… so what does she do? She floods Instagram with videos of her children — soft lighting, Bible verses, emotional music — all designed to pull on your heartstrings and shame anyone asking legitimate questions. The message is crystal clear: “Look at these precious kids who just lost their father.” “How dare you question a grieving widow and mother?” “If you criticize me, you’re attacking innocent children and attacking faith itself.” This isn’t organic grieving. This is calculated emotional manipulation. Every time scrutiny ramps up — whether it’s the Fort Huachuca alibi photo, the Aspen “appointment” video, the deepfake meetings, or the White House Military Office psyop pushing her narrative — out come the kids and Bible verses. It’s the ultimate shield: Using your children as human props and scripture as moral armor so no one dares look into her past, her rapid power grab, or the mountain of unanswered questions surrounding Charlie’s assassination. This is textbook Machiavellian tactics — weaponizing sympathy and faith to silence dissent. Erika isn’t the only one doing this. The entire inner circle knows the playbook: flood the feed with emotional content so the public feels guilty for asking basic questions. We can have compassion for children who lost their father. That doesn’t mean we stop demanding transparency from the woman now running a multi-hundred-million-dollar organization. Stop letting them use kids and the Bible as get-out-of-scrutiny-free cards. What do you think — genuine grieving or calculated psyop? Drop your thoughts below. ⚠️My channel is under attack, and they are trying to bankrupt me to shut down my investigation into the Charlie Kirk assassination and silence the truth. If you value independent journalism and want to keep this investigation alive, please support my work here: 🔗 💪
0:44

‼️EXPOSED: Erika Kirk's Latest PSYOP—Using Her Children & Bible Verses As EMOTIONAL Blackmail Shields 👀 Erika Kirk does not like us exposing the deep inconsistencies in her life… so what does she do? She floods Instagram with videos of her children — soft lighting, Bible verses, emotional music — all designed to pull on your heartstrings and shame anyone asking legitimate questions. The message is crystal clear: “Look at these precious kids who just lost their father.” “How dare you question a grieving widow and mother?” “If you criticize me, you’re attacking innocent children and attacking faith itself.” This isn’t organic grieving. This is calculated emotional manipulation. Every time scrutiny ramps up — whether it’s the Fort Huachuca alibi photo, the Aspen “appointment” video, the deepfake meetings, or the White House Military Office psyop pushing her narrative — out come the kids and Bible verses. It’s the ultimate shield: Using your children as human props and scripture as moral armor so no one dares look into her past, her rapid power grab, or the mountain of unanswered questions surrounding Charlie’s assassination. This is textbook Machiavellian tactics — weaponizing sympathy and faith to silence dissent. Erika isn’t the only one doing this. The entire inner circle knows the playbook: flood the feed with emotional content so the public feels guilty for asking basic questions. We can have compassion for children who lost their father. That doesn’t mean we stop demanding transparency from the woman now running a multi-hundred-million-dollar organization. Stop letting them use kids and the Bible as get-out-of-scrutiny-free cards. What do you think — genuine grieving or calculated psyop? Drop your thoughts below. ⚠️My channel is under attack, and they are trying to bankrupt me to shut down my investigation into the Charlie Kirk assassination and silence the truth. If you value independent journalism and want to keep this investigation alive, please support my work here: 🔗 💪

Project Constitution

159,310 görüntüleme • 4 ay önce

That company has done so much evil shit to Manon,since 2023. We remember when Mitra purposely tried to ruin Manon's reputation after the DA trailer dropped after they realized she was the fan favorite. After she debut they continued with that narrative,drop that dirty documentary,blocked her in choreo. Purposely excluded her from promotions. Purposely excluded her from content.Put awful demeaning stuff on official merch about her and sent it to fans. They used her to help popularize the group then coldly forced her out and discarded her when the group became popular. After forcing her out....they actively started erasing her from everything and pretending like the group is five. They teamed with the members to lie that she is sick and she has to come out multiple times to clarify she is not sick. They have the girls collecting an award and thanking others but not mention Manon at all. They all pretended like she does not exist all and only brought her up in interviews just to lie on her name. Daniela's father came online to purposely hate on her ,even though he is a parent and a grown old man. They had her spent weeks, maybe months learning and rehearsing new choreos and recording music for new songs....only to re record and removed her from everything... flushing all that hard work down the drain. She was looking forward to 2026,to Coachella,to everything. She was happy and excited for it all.....only for them to take it away last minute and the only thing she did.... ....was to like a post calling out racism (as she should),correct that she is healthy and not sick and live her life being happy and having fun. However it seems this maga fandom wants her locked away in a dungeon crying while the other five gets to live out their dreams. That will Never happen. Manon is very strong willed. She will shine with or without that group. So y'all can keep fucking crying. She will work with a lot of important people and reach very far in her life and career. Bad Karma will hit anyone that has treated her badly and unfairly. Just wait. And we hope she doesn't go back to that group and eventually remove everything that reminds. people of MANON of katseye..and start completely over by just being Manon. In our opinion Manon is not doing enough....if it was one of us...we would drag every one in that company straight to hell and happily fight it all in court....but she has been classy and graceful with all of this. Lucky them. KATSEYE IS FIVE FREEMANON HYBE OFFICIAL Geffen Records
1:29

That company has done so much evil shit to Manon,since 2023. We remember when Mitra purposely tried to ruin Manon's reputation after the DA trailer dropped after they realized she was the fan favorite. After she debut they continued with that narrative,drop that dirty documentary,blocked her in choreo. Purposely excluded her from promotions. Purposely excluded her from content.Put awful demeaning stuff on official merch about her and sent it to fans. They used her to help popularize the group then coldly forced her out and discarded her when the group became popular. After forcing her out....they actively started erasing her from everything and pretending like the group is five. They teamed with the members to lie that she is sick and she has to come out multiple times to clarify she is not sick. They have the girls collecting an award and thanking others but not mention Manon at all. They all pretended like she does not exist all and only brought her up in interviews just to lie on her name. Daniela's father came online to purposely hate on her ,even though he is a parent and a grown old man. They had her spent weeks, maybe months learning and rehearsing new choreos and recording music for new songs....only to re record and removed her from everything... flushing all that hard work down the drain. She was looking forward to 2026,to Coachella,to everything. She was happy and excited for it all.....only for them to take it away last minute and the only thing she did.... ....was to like a post calling out racism (as she should),correct that she is healthy and not sick and live her life being happy and having fun. However it seems this maga fandom wants her locked away in a dungeon crying while the other five gets to live out their dreams. That will Never happen. Manon is very strong willed. She will shine with or without that group. So y'all can keep fucking crying. She will work with a lot of important people and reach very far in her life and career. Bad Karma will hit anyone that has treated her badly and unfairly. Just wait. And we hope she doesn't go back to that group and eventually remove everything that reminds. people of MANON of katseye..and start completely over by just being Manon. In our opinion Manon is not doing enough....if it was one of us...we would drag every one in that company straight to hell and happily fight it all in court....but she has been classy and graceful with all of this. Lucky them. KATSEYE IS FIVE FREEMANON HYBE OFFICIAL Geffen Records

Meret Manon Team

14,391 görüntüleme • 3 ay önce

Happy 91st Birthday JULIE ANDREWS. Born | October 1, 1935 in Walton-on-Thames, Surrey, England, UK. Video | Julie Andrews in The Sound of Music (1965), directed by Robert Wise. English actress, singer, author and theatre director Dame Julie Andrews (born Julia Elizabeth Wells) accolades include an Academy Award, a British Academy Film Award, two Grammy Awards, four Emmy Awards, seven Golden Globe Awards and nominations for three Tony Awards. One of the biggest box office draws of the 1960s, Andrews has been honoured with the Kennedy Centre Honors in 2001, the Screen Actors Guild Life Achievement Award in 2007, and the AFI Life Achievement Award in 2022. She was made a Dame (DBE) by Queen Elizabeth II in the 2000 New Year Honours. A child actress and singer, Andrews appeared in the West End in 1948 and from 1950 to 1952 on the radio programme Educating Archie. She made her Broadway debut in The Boy Friend (1954). Billed as “Britain's youngest prima donna”, she rose to prominence in Broadway musicals starring as Eliza Doolittle in My Fair Lady (1956) and Queen Guinevere in Camelot (1960). She also starred in the Rodgers and Hammerstein television musical Cinderella (1957). She made her film debut playing Mary Poppins in Walt Disney's Mary Poppins (1964) and won the Academy Award for Best Actress. The following year, she starred in the musical film The Sound of Music (1965), playing Maria von Trapp and winning the Golden Globe Award for Best Actress ― Motion Picture Comedy or Musical. Andrews starred in various films, working with directors including her husband Blake Edwards, George Roy Hill, and Alfred Hitchcock. Films she starred in include The Americanization of Emily (1964), Hawaii (1966), Torn Curtain (1966), Thoroughly Modern Millie (1967), Star! (1968), The Tamarind Seed (1974), 10 (1979), S.O.B. (1981), Victor/Victoria (1982), That's Life! (1986), and Duet for One (1986). She later returned to films, acting in The Princess Diaries (2001), The Princess Diaries 2: Royal Engagement (2004), as well as Eloise at the Plaza and Eloise at Christmastime (both 2003). She also has voiced roles in the Shrek franchise (2001–2010) and the Despicable Me franchise (2010–present). Andrews is also known for her collaborations with Carol Burnett, including television specials in 1962, 1971, and 1989. She starred in her variety special, The Julie Andrews Hour (1973), for which she received the Primetime Emmy Award. She co-created and hosted Julie's Greenroom (2008, 2017), and voiced Lady Whistledown in the Netflix series Bridgerton (2020–present). Andrews has co-authored numerous children's books with her daughter Emma and two autobiographies, Home: A Memoir of My Early Years (2008) and Home Work: A Memoir of My Hollywood Years (2019). PERSONAL LIFE Andrews married set designer Tony Walton on 10 May 1959 in Weybridge, Surrey. Maggie Smith was a guest. Andrews and Walton first met in 1948 when Andrews was appearing at the London Casino in the show Humpty Dumpty. In 1962, their daughter, Emma Walton Hamilton, was born. Andrews filed for divorce in 1967 because their careers and the obligations of parenthood were straining their marriage. Their divorce was finalised the next year, but they remained friends until Walton's death in 2022. In November 1969, Andrews married director Blake Edwards, who had been her companion for two years, becoming stepmother to his two children, including Jennifer. In the 1970s, Edwards and Andrews adopted two Vietnamese girls. They were married for 41 years, until Edwards's death at the age of 88 on December 15, 2010 at the Saint John's Health Centre in Santa Monica, California, from complications of pneumonia. Andrews was by her husband's side when he died. Andrews is a grandmother to nine and a great-grandmother to three. Andrews lives in Sag Harbor, New York, where the Bay Street Theatre was co-founded by her daughter Emma.
2:13

Happy 91st Birthday JULIE ANDREWS. Born | October 1, 1935 in Walton-on-Thames, Surrey, England, UK. Video | Julie Andrews in The Sound of Music (1965), directed by Robert Wise. English actress, singer, author and theatre director Dame Julie Andrews (born Julia Elizabeth Wells) accolades include an Academy Award, a British Academy Film Award, two Grammy Awards, four Emmy Awards, seven Golden Globe Awards and nominations for three Tony Awards. One of the biggest box office draws of the 1960s, Andrews has been honoured with the Kennedy Centre Honors in 2001, the Screen Actors Guild Life Achievement Award in 2007, and the AFI Life Achievement Award in 2022. She was made a Dame (DBE) by Queen Elizabeth II in the 2000 New Year Honours. A child actress and singer, Andrews appeared in the West End in 1948 and from 1950 to 1952 on the radio programme Educating Archie. She made her Broadway debut in The Boy Friend (1954). Billed as “Britain's youngest prima donna”, she rose to prominence in Broadway musicals starring as Eliza Doolittle in My Fair Lady (1956) and Queen Guinevere in Camelot (1960). She also starred in the Rodgers and Hammerstein television musical Cinderella (1957). She made her film debut playing Mary Poppins in Walt Disney's Mary Poppins (1964) and won the Academy Award for Best Actress. The following year, she starred in the musical film The Sound of Music (1965), playing Maria von Trapp and winning the Golden Globe Award for Best Actress ― Motion Picture Comedy or Musical. Andrews starred in various films, working with directors including her husband Blake Edwards, George Roy Hill, and Alfred Hitchcock. Films she starred in include The Americanization of Emily (1964), Hawaii (1966), Torn Curtain (1966), Thoroughly Modern Millie (1967), Star! (1968), The Tamarind Seed (1974), 10 (1979), S.O.B. (1981), Victor/Victoria (1982), That's Life! (1986), and Duet for One (1986). She later returned to films, acting in The Princess Diaries (2001), The Princess Diaries 2: Royal Engagement (2004), as well as Eloise at the Plaza and Eloise at Christmastime (both 2003). She also has voiced roles in the Shrek franchise (2001–2010) and the Despicable Me franchise (2010–present). Andrews is also known for her collaborations with Carol Burnett, including television specials in 1962, 1971, and 1989. She starred in her variety special, The Julie Andrews Hour (1973), for which she received the Primetime Emmy Award. She co-created and hosted Julie's Greenroom (2008, 2017), and voiced Lady Whistledown in the Netflix series Bridgerton (2020–present). Andrews has co-authored numerous children's books with her daughter Emma and two autobiographies, Home: A Memoir of My Early Years (2008) and Home Work: A Memoir of My Hollywood Years (2019). PERSONAL LIFE Andrews married set designer Tony Walton on 10 May 1959 in Weybridge, Surrey. Maggie Smith was a guest. Andrews and Walton first met in 1948 when Andrews was appearing at the London Casino in the show Humpty Dumpty. In 1962, their daughter, Emma Walton Hamilton, was born. Andrews filed for divorce in 1967 because their careers and the obligations of parenthood were straining their marriage. Their divorce was finalised the next year, but they remained friends until Walton's death in 2022. In November 1969, Andrews married director Blake Edwards, who had been her companion for two years, becoming stepmother to his two children, including Jennifer. In the 1970s, Edwards and Andrews adopted two Vietnamese girls. They were married for 41 years, until Edwards's death at the age of 88 on December 15, 2010 at the Saint John's Health Centre in Santa Monica, California, from complications of pneumonia. Andrews was by her husband's side when he died. Andrews is a grandmother to nine and a great-grandmother to three. Andrews lives in Sag Harbor, New York, where the Bay Street Theatre was co-founded by her daughter Emma.

HGA | Hollywood Golden Age

13,264 görüntüleme • 4 gün önce

Tonight I was deemed Legendary. Aja Miyake Mugler. I am still gagged. I am still floating. I am still a little high and I have not eaten all day, but my heart is so full right now that I do not even care ❤️‍🔥 First, thank you to my runway divas Aoki Donyale Luna, and Lolita Miyake Mugler. Y’all believed in me, poured into me, analyzed my every step, every angle, every personality quirk, and pushed me to keep going even when I doubted myself. I love you all so much. A huge thank you to Dominique Miyake Mugler for always seeing me. Thank you to my son Zenith for always riding for me. Thank you to my father Arturo for being my voice of reason and keeping me grounded when my mind spirals. And thank you to our founder David, one of the kindest and most selfless souls I have ever met. Every conversation with you brings me deeper into the history and magic of this house. I love my Muglers more than I can ever explain. When I first came to ballroom, I was 12 years old. I discovered this world on the pier and on MySpace. I never imagined that the little kid who used to sneak to Escos would one day actually be Legendary. I never imagined I would end up with an undefeated 30 grand prize streak, ten of the years, teaching classes worldwide, and speaking on ballroom in media and television. My runway was born from watching Londyn Miyake Mugler, Nadine Milan, and Tyra Maison Margiela. Three completely different flavors, but all dangerous and beautiful. I started in performance. Runway was something I picked up just to prove to myself that I could do it. I never expected any of this to happen. I never did it for a title. I did it because I love pushing myself. I did it because I wanted to show the world that I could. Tonight hit me hard because I was not expecting it. I was literally in the kitchen cooking oxtail for the Muglers all day, running on fumes, and I showed up five minutes before Grand March. I was not even thinking about a deem. So when my name was called, my imposter syndrome tried to jump out. For a second, I told myself there was no way. Then I stopped and said, no. I deserve this. I worked for this. I bled for this. I stayed up stitching effects when I could not afford it. I walked balls tired, stressed, broke, emotional, and still gave my all. I let myself have my moment. I keep replaying my biggest memories. Processing the entire female figure lineup back to back at West Coast Awards. Being the only fem queen who did not get chopped at Crimes of the Century and almost taking the whole thing. Being listed for Female Figure Runway at the Garçon Ball and coming in to battle after Jonovia had just sent every single legend on the way, and then beating her. That night was insane. I was the only non legend left standing and I made it all the way to the second to last battle. I will never forget that feeling. Countless last battles for one thousand dollars OTA. Winning Tag Team Legendary Runway with an Understudy as the groom and bride with Aoki. Winning Tag Team again for one $1250. Winning Latex Ball 2023 for $750. My debut night as a Miyake Mugler, winning $2000 at the Lanvin House Ball dressed as the Tin Man. Winning $2,500 in Toronto the next month. Winning and winning and winning because no matter how tired I was, I refused to give up. Tonight felt full circle. It felt like every stitch, every flight, every bruise, every tear, every dollar spent on effects, every failure, every almost, every win, all aligned in one moment. I am so grateful. I am so proud. I am so emotional. And I hope my journey shows anybody watching that if you aim for something and you commit to the work, you will get there. I am LEGENDARY. And I earned it. Thank you, House of Miyake Mugler. I love you so deeply 💛✨🌙
0:46

Tonight I was deemed Legendary. Aja Miyake Mugler. I am still gagged. I am still floating. I am still a little high and I have not eaten all day, but my heart is so full right now that I do not even care ❤️‍🔥 First, thank you to my runway divas Aoki Donyale Luna, and Lolita Miyake Mugler. Y’all believed in me, poured into me, analyzed my every step, every angle, every personality quirk, and pushed me to keep going even when I doubted myself. I love you all so much. A huge thank you to Dominique Miyake Mugler for always seeing me. Thank you to my son Zenith for always riding for me. Thank you to my father Arturo for being my voice of reason and keeping me grounded when my mind spirals. And thank you to our founder David, one of the kindest and most selfless souls I have ever met. Every conversation with you brings me deeper into the history and magic of this house. I love my Muglers more than I can ever explain. When I first came to ballroom, I was 12 years old. I discovered this world on the pier and on MySpace. I never imagined that the little kid who used to sneak to Escos would one day actually be Legendary. I never imagined I would end up with an undefeated 30 grand prize streak, ten of the years, teaching classes worldwide, and speaking on ballroom in media and television. My runway was born from watching Londyn Miyake Mugler, Nadine Milan, and Tyra Maison Margiela. Three completely different flavors, but all dangerous and beautiful. I started in performance. Runway was something I picked up just to prove to myself that I could do it. I never expected any of this to happen. I never did it for a title. I did it because I love pushing myself. I did it because I wanted to show the world that I could. Tonight hit me hard because I was not expecting it. I was literally in the kitchen cooking oxtail for the Muglers all day, running on fumes, and I showed up five minutes before Grand March. I was not even thinking about a deem. So when my name was called, my imposter syndrome tried to jump out. For a second, I told myself there was no way. Then I stopped and said, no. I deserve this. I worked for this. I bled for this. I stayed up stitching effects when I could not afford it. I walked balls tired, stressed, broke, emotional, and still gave my all. I let myself have my moment. I keep replaying my biggest memories. Processing the entire female figure lineup back to back at West Coast Awards. Being the only fem queen who did not get chopped at Crimes of the Century and almost taking the whole thing. Being listed for Female Figure Runway at the Garçon Ball and coming in to battle after Jonovia had just sent every single legend on the way, and then beating her. That night was insane. I was the only non legend left standing and I made it all the way to the second to last battle. I will never forget that feeling. Countless last battles for one thousand dollars OTA. Winning Tag Team Legendary Runway with an Understudy as the groom and bride with Aoki. Winning Tag Team again for one $1250. Winning Latex Ball 2023 for $750. My debut night as a Miyake Mugler, winning $2000 at the Lanvin House Ball dressed as the Tin Man. Winning $2,500 in Toronto the next month. Winning and winning and winning because no matter how tired I was, I refused to give up. Tonight felt full circle. It felt like every stitch, every flight, every bruise, every tear, every dollar spent on effects, every failure, every almost, every win, all aligned in one moment. I am so grateful. I am so proud. I am so emotional. And I hope my journey shows anybody watching that if you aim for something and you commit to the work, you will get there. I am LEGENDARY. And I earned it. Thank you, House of Miyake Mugler. I love you so deeply 💛✨🌙

✨ Aja Miyake Mugler ✨

19,305 görüntüleme • 11 ay önce