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Kenji Mizoguchi

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FilmoteCanet Cinema

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14,614 просмотров • 7 месяцев назад •via X (Twitter)

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UGETSU (1953) Kenji Mizoguchi Source: Criterion Blu-ray
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Mr. Thank You (1936, Shimizu) "People like me and Ozu get films made by hard work, but Shimizu is a genius." --- Kenji Mizoguchi
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Remembering the legendary Japanese director Kenji Mizoguchi (溝口 健二) on his 128th birthday! Ari Aster on the greatness of Kenji Mizoguchi: "Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced 'Ugetsu' (1953). I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. 'Sansho the Bailiff' (1954) is just one of the most devastating melodramas I’ve ever seen, and 'Ugetsu' (1953) is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did." (From Ari Aster's top 10, Criterion, 2018)
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Remembering the legendary Japanese director Kenji Mizoguchi (溝口 健二) on his 128th birthday! Ari Aster on the greatness of Kenji Mizoguchi: "Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced 'Ugetsu' (1953). I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. 'Sansho the Bailiff' (1954) is just one of the most devastating melodramas I’ve ever seen, and 'Ugetsu' (1953) is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did." (From Ari Aster's top 10, Criterion, 2018)

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