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Kerr Black Hole – Rendered in Blender Here’s my latest creation: a fully realized Kerr (rotating) black hole, complete with its warped accretion disk, photon ring, and the eerie ergosphere where space itself is dragged along with the black hole’s spin. I modeled and animated this in Blender using...

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Black Hole

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39,287 views • 2 months ago •via X (Twitter)

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This animation shows the binary black hole system of OJ 287. Every 12 years, the smaller black hole punches through the accretion disk of the larger black hole and results in a flash of light that is over a trillion times brighter than the sun. By KFRMAN
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This animation shows the binary black hole system of OJ 287. Every 12 years, the smaller black hole punches through the accretion disk of the larger black hole and results in a flash of light that is over a trillion times brighter than the sun. By KFRMAN

Black Hole

44,756 views • 2 years ago

🚨 SCIENTISTS MAY HAVE FINALLY SOLVED ONE OF THE BIGGEST UNSOLVED PROBLEMS IN BLACK HOLE PHYSICS. For years, astrophysicists have struggled with the “final parsec problem”: even after two supermassive black holes get relatively close, they struggle to shed enough angular momentum to merge within the age of the universe. New 3D simulations reveal that magnetic fields in the gas disk surrounding a binary system can solve this. The fields trigger powerful outflows and jets that efficiently carry away angular momentum, allowing the two objects to spiral much closer together. The same mechanism also explains how some binary stars end up in extremely tight orbits. In the simulations, binaries without magnetic fields actually moved farther apart. With magnetic fields present, they rapidly lost angular momentum and migrated inward. Why this matters: • It provides a physically motivated solution to one of the biggest open problems in black hole astrophysics • Magnetic fields appear to be far more effective at removing angular momentum than previously modeled effects • The mechanism works for both star formation and black hole mergers • It shows that the environment around binaries (not just the objects themselves) plays a decisive role in their evolution The deeper implication: We often think of black holes and stars as isolated objects governed purely by gravity. But these simulations show that the magnetic fields threading the gas around them can fundamentally change their fate. By removing angular momentum through jets and outflows, magnetic fields act like a cosmic brake, allowing binaries to reach the tight configurations we observe. This doesn’t just help explain star formation it may finally tell us how the universe’s most massive black holes manage to merge and create the gravitational wave signals we’re now detecting. Sometimes the key to cosmic mergers isn’t gravity alone. It’s magnetism. How important do you think magnetic fields are in shaping the final stages of black hole mergers and binary star evolution? Follow for more frontier astrophysics and the hidden forces that govern the universe.
0:10

🚨 SCIENTISTS MAY HAVE FINALLY SOLVED ONE OF THE BIGGEST UNSOLVED PROBLEMS IN BLACK HOLE PHYSICS. For years, astrophysicists have struggled with the “final parsec problem”: even after two supermassive black holes get relatively close, they struggle to shed enough angular momentum to merge within the age of the universe. New 3D simulations reveal that magnetic fields in the gas disk surrounding a binary system can solve this. The fields trigger powerful outflows and jets that efficiently carry away angular momentum, allowing the two objects to spiral much closer together. The same mechanism also explains how some binary stars end up in extremely tight orbits. In the simulations, binaries without magnetic fields actually moved farther apart. With magnetic fields present, they rapidly lost angular momentum and migrated inward. Why this matters: • It provides a physically motivated solution to one of the biggest open problems in black hole astrophysics • Magnetic fields appear to be far more effective at removing angular momentum than previously modeled effects • The mechanism works for both star formation and black hole mergers • It shows that the environment around binaries (not just the objects themselves) plays a decisive role in their evolution The deeper implication: We often think of black holes and stars as isolated objects governed purely by gravity. But these simulations show that the magnetic fields threading the gas around them can fundamentally change their fate. By removing angular momentum through jets and outflows, magnetic fields act like a cosmic brake, allowing binaries to reach the tight configurations we observe. This doesn’t just help explain star formation it may finally tell us how the universe’s most massive black holes manage to merge and create the gravitational wave signals we’re now detecting. Sometimes the key to cosmic mergers isn’t gravity alone. It’s magnetism. How important do you think magnetic fields are in shaping the final stages of black hole mergers and binary star evolution? Follow for more frontier astrophysics and the hidden forces that govern the universe.

TheNewPhysics

18,359 views • 3 months ago

YOU DON'T NEED TO KNOW BLENDER TO MAKE THIS ANYMORE. GPT-5.6 drives it through MCP. you just describe the shot. a chrome figure carving a wave off an accretion disk. filaments of plasma raking across the frame. a car catching the same light on its way into the vortex. this is a viewport, not a render farm. the model never touched a menu. MCP hands it a socket into Blender, it writes python against bpy, it builds the emission shader, places the volumetrics, sets the camera roll. the hard part was never the picture. it was the ten thousand hotkeys standing between you and the picture. that toll booth just closed. it still can't see what it made unless you show it. you screenshot, you say the plasma's washing out the left third, it fixes, you screenshot again. the skill stopped being the software. the skill is now knowing what a good frame looks like and being able to say it out loud.
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YOU DON'T NEED TO KNOW BLENDER TO MAKE THIS ANYMORE. GPT-5.6 drives it through MCP. you just describe the shot. a chrome figure carving a wave off an accretion disk. filaments of plasma raking across the frame. a car catching the same light on its way into the vortex. this is a viewport, not a render farm. the model never touched a menu. MCP hands it a socket into Blender, it writes python against bpy, it builds the emission shader, places the volumetrics, sets the camera roll. the hard part was never the picture. it was the ten thousand hotkeys standing between you and the picture. that toll booth just closed. it still can't see what it made unless you show it. you screenshot, you say the plasma's washing out the left third, it fixes, you screenshot again. the skill stopped being the software. the skill is now knowing what a good frame looks like and being able to say it out loud.

explos1ve

56,334 views • 2 months ago

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.
0:13

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,389 views • 4 months ago

Here we go again… Christopher C. Cuomo’s comments in this video regarding Kamala Harris, where he demeaningly referred to her as “Black female Jesus” and condescendingly referred to Black people as “you people,” reflect a pattern of racist rhetoric by the former anchor fired by CNN. He previously made a claim about being “Black on the inside” and even equated the term “Fredo” with the N-word. His reckless banter showcases a disturbing ignorance of the weight that racial language carries in America. His attempt to diminish the significance of Black leadership by mocking Harris as though her rise to become the vice president and nomination for president are superficial phenomenoms, rather than the result of hard-earned success in a country built on systemic racial inequities, is unacceptable. His thoughtless comments perpetuate harmful stereotypes about Black leaders, dehumanize their achievements, and trivialize the faith and support the Black community places in its representatives. For Cuomo to reduce Kamala Harris’ historic role to a caricature demonstrates his continued lack of respect for the Black community and its struggles. It is this kind of casual racism, cloaked in so-called political commentary, that fans the flames of division and undermines the progress we are fighting for. We cannot allow prominent voices to diminish the significance of Black leadership, nor can we stay silent when racially insensitive rhetoric is used to belittle our community. Chris Cuomo needs to recognize the damage his words cause and issue a public apology, not only to Kamala Harris but to the Black community as a whole. There is no room for this kind of racism—overt or subtle—in public discourse. By the way Christopher C. Cuomo, Jesus was BLACK, so we don’t have to create a Black one like you all created a ficticious white one.
0:11

Here we go again… Christopher C. Cuomo’s comments in this video regarding Kamala Harris, where he demeaningly referred to her as “Black female Jesus” and condescendingly referred to Black people as “you people,” reflect a pattern of racist rhetoric by the former anchor fired by CNN. He previously made a claim about being “Black on the inside” and even equated the term “Fredo” with the N-word. His reckless banter showcases a disturbing ignorance of the weight that racial language carries in America. His attempt to diminish the significance of Black leadership by mocking Harris as though her rise to become the vice president and nomination for president are superficial phenomenoms, rather than the result of hard-earned success in a country built on systemic racial inequities, is unacceptable. His thoughtless comments perpetuate harmful stereotypes about Black leaders, dehumanize their achievements, and trivialize the faith and support the Black community places in its representatives. For Cuomo to reduce Kamala Harris’ historic role to a caricature demonstrates his continued lack of respect for the Black community and its struggles. It is this kind of casual racism, cloaked in so-called political commentary, that fans the flames of division and undermines the progress we are fighting for. We cannot allow prominent voices to diminish the significance of Black leadership, nor can we stay silent when racially insensitive rhetoric is used to belittle our community. Chris Cuomo needs to recognize the damage his words cause and issue a public apology, not only to Kamala Harris but to the Black community as a whole. There is no room for this kind of racism—overt or subtle—in public discourse. By the way Christopher C. Cuomo, Jesus was BLACK, so we don’t have to create a Black one like you all created a ficticious white one.

Bishop Talbert Swan

43,826 views • 1 year ago

Low IQ or Ragebait? The guy is using the color yellow as in terms of "yellow paint" when in fact it only appears when you're using focus mode to highlight clues, footprints and important you can find in this game as you can see in my gameplay here. The setting is not on by default, so the player can still choose not to use the vision. Adding to this the game is open world, where the player can easily get lost, unlike linear games which are much easier to follow a path forward
0:18

Low IQ or Ragebait? The guy is using the color yellow as in terms of "yellow paint" when in fact it only appears when you're using focus mode to highlight clues, footprints and important you can find in this game as you can see in my gameplay here. The setting is not on by default, so the player can still choose not to use the vision. Adding to this the game is open world, where the player can easily get lost, unlike linear games which are much easier to follow a path forward

NikTek

12,133 views • 10 days ago

Walking home from the pub now. The start of my video is looking back towards the pub and it finishes looking in the direction I’m walking back to my boat, with the towpath on the left. So you walk along the towpath, with pitch black woods to your left and the canal to your right. Bear in mind that my phone makes it look lighter than it actually is. My advice if you want to live on a boat, is to not be afraid of the dark.
0:10

Walking home from the pub now. The start of my video is looking back towards the pub and it finishes looking in the direction I’m walking back to my boat, with the towpath on the left. So you walk along the towpath, with pitch black woods to your left and the canal to your right. Bear in mind that my phone makes it look lighter than it actually is. My advice if you want to live on a boat, is to not be afraid of the dark.

Alastair Hilton

11,861 views • 8 months ago

Mostly peaceful my ass. These people are given the green light to treat law enforcement like this and they would do the same to you or me if given the opportunity. I want to see every single one of these anarchists overwhelmed by law enforcement and thrown in prison where they belong!
0:16

Mostly peaceful my ass. These people are given the green light to treat law enforcement like this and they would do the same to you or me if given the opportunity. I want to see every single one of these anarchists overwhelmed by law enforcement and thrown in prison where they belong!

One Bad Dude

11,184 views • 7 months ago

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron
0:12

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 views • 2 years ago

Magnific 'Structure Reference' + RunwayML "Restyle video" to colorize old movies ... I think one might run this in a way you use this to help to determine the color layer and then apply the colors on top of the original black and white image... ... would work best if you would do a separate init frame for each cut...
0:12

Magnific 'Structure Reference' + RunwayML "Restyle video" to colorize old movies ... I think one might run this in a way you use this to help to determine the color layer and then apply the colors on top of the original black and white image... ... would work best if you would do a separate init frame for each cut...

Roope Rainisto

55,725 views • 1 year ago

🚨UNIPHICS NEWS🚨: Light doesn’t slow down in glass — time does. And that explains every rainbow you’ve ever seen 🧨 For centuries, we’ve been taught that light slows down when it enters glass, water, or any transparent material, and that this slowing causes refraction and the splitting of colors in rainbows and prisms. The refractive index is treated as a material property, and photons are pictured as particles mysteriously changing speed inside matter. Uniphics offers a much cleaner and more fundamental picture. Light is a propagating spin-wave mode in the ξM-field. When this wave enters a material like glass, the material increases the local energy density. Because time flow is directly tied to energy density (t_flow = k / E_d), time flows more slowly inside the glass than in air. The spin-wave pattern of light therefore takes longer to advance through the region of slower time flow. This change in the rate of time progression across the boundary causes the wave to bend — exactly what we observe as refraction. Different wavelengths (colors) interact slightly differently with the energy-density environment, so they bend by different amounts, creating rainbows. Nothing actually slows down in the classical sense. The wave simply experiences a different rate of time flow inside the material. The same principle that explains gravitational lensing also explains ordinary lenses and rainbows. This turns one of the most familiar phenomena in optics into a direct consequence of variable time flow caused by energy density gradients. How might realizing that refraction and rainbows are caused by local changes in time flow rather than photons slowing down change the way we think about light, materials, or the design of new optical technologies? A Theory of Everything should be able to answer everything. Uniphics Explained Simply PDF: Chapters 1–10 free: Grokipedia #Uniphics #Refraction #Rainbows #TimeFlow #Light Grok xAI
0:10

🚨UNIPHICS NEWS🚨: Light doesn’t slow down in glass — time does. And that explains every rainbow you’ve ever seen 🧨 For centuries, we’ve been taught that light slows down when it enters glass, water, or any transparent material, and that this slowing causes refraction and the splitting of colors in rainbows and prisms. The refractive index is treated as a material property, and photons are pictured as particles mysteriously changing speed inside matter. Uniphics offers a much cleaner and more fundamental picture. Light is a propagating spin-wave mode in the ξM-field. When this wave enters a material like glass, the material increases the local energy density. Because time flow is directly tied to energy density (t_flow = k / E_d), time flows more slowly inside the glass than in air. The spin-wave pattern of light therefore takes longer to advance through the region of slower time flow. This change in the rate of time progression across the boundary causes the wave to bend — exactly what we observe as refraction. Different wavelengths (colors) interact slightly differently with the energy-density environment, so they bend by different amounts, creating rainbows. Nothing actually slows down in the classical sense. The wave simply experiences a different rate of time flow inside the material. The same principle that explains gravitational lensing also explains ordinary lenses and rainbows. This turns one of the most familiar phenomena in optics into a direct consequence of variable time flow caused by energy density gradients. How might realizing that refraction and rainbows are caused by local changes in time flow rather than photons slowing down change the way we think about light, materials, or the design of new optical technologies? A Theory of Everything should be able to answer everything. Uniphics Explained Simply PDF: Chapters 1–10 free: Grokipedia #Uniphics #Refraction #Rainbows #TimeFlow #Light Grok xAI

Paul Maley

26,426 views • 3 months ago

one of my favorite ways to use claude code skills right now - combining remotion with claude-in-chrome for motion video creation. the workflow is addictive. the clip you see here was produced with minimal prompting effort let me know if you would like me to write a full break down of this process. you describe to claude code what you want, claude code writes the remotion components, opens the remotion studio (via browser) with claude-in-chrome, sees the actual rendered output, and iterates on it in real time. need the arrows pointing to the center of the bubbles instead of the edge? just say it. need the layout shifted to the center? say it. claude sees the preview, adjusts the code, re-renders. then when you're happy you tell claude code to render the final video. but skills are what make this possible. remotion knowledge + browser automation + the taste to iterate visually. no copy pasting screenshots back and forth. no "can you try moving it 10px to the right" over chat. it just looks and fixes. this is the kind of workflow that makes you realize how much further claude code can go beyond just writing code in a terminal. i didn't touch any code while working on the clip you see if you haven't tried combining skills together like this - start experimenting. the skills combos is where the magic is at.
0:16

one of my favorite ways to use claude code skills right now - combining remotion with claude-in-chrome for motion video creation. the workflow is addictive. the clip you see here was produced with minimal prompting effort let me know if you would like me to write a full break down of this process. you describe to claude code what you want, claude code writes the remotion components, opens the remotion studio (via browser) with claude-in-chrome, sees the actual rendered output, and iterates on it in real time. need the arrows pointing to the center of the bubbles instead of the edge? just say it. need the layout shifted to the center? say it. claude sees the preview, adjusts the code, re-renders. then when you're happy you tell claude code to render the final video. but skills are what make this possible. remotion knowledge + browser automation + the taste to iterate visually. no copy pasting screenshots back and forth. no "can you try moving it 10px to the right" over chat. it just looks and fixes. this is the kind of workflow that makes you realize how much further claude code can go beyond just writing code in a terminal. i didn't touch any code while working on the clip you see if you haven't tried combining skills together like this - start experimenting. the skills combos is where the magic is at.

elvis

46,533 views • 7 months ago

Realizing people might not have realized that by "flower game" I mean this end screen is a DIRECT reference to the book of unveiling in Destiny 2, which itself refers to a modified version of John Horton Conway's Game of Life; the book refers to this as The Flower Game, a zero-player game where the only move is the initial set up of the pieces and their behaviors. I think if this Durandal is the one from the end of Marathon Infinity, then perhaps he's found a way to influence the Flower Game, and is using that influence to re-write the universe to create a reality that allows his escape from reality itself.
0:12

Realizing people might not have realized that by "flower game" I mean this end screen is a DIRECT reference to the book of unveiling in Destiny 2, which itself refers to a modified version of John Horton Conway's Game of Life; the book refers to this as The Flower Game, a zero-player game where the only move is the initial set up of the pieces and their behaviors. I think if this Durandal is the one from the end of Marathon Infinity, then perhaps he's found a way to influence the Flower Game, and is using that influence to re-write the universe to create a reality that allows his escape from reality itself.

John Titor, Timewalker.

49,083 views • 6 months ago

If you think this is just another silly demo made with AI, read this post. You might change your mind, because this demo is about MATH. What you see on the screen is not a render from Blender (obviously, it’s not that good). It’s a three.js app built with Toolcraft. Available on the web and rendered in real time(link in the comments). But Blender still has a lot to do with it. Blender has Geometry Nodes - a powerful node-based system for creating and manipulating procedural geometry. In other words, it’s math. And math is a universal language. And who do you think is pretty good at math? >>> AI. Now you can download or buy Blender files from marketplaces, and when they contain Geometry Nodes for procedural animations, objects, surfaces, or effects, you can transfer that logic to the web. Make it real-time, make it interactive. Materials are a separate story, of course. They can still suck unless you use the right tricks: PBR, HDRIs, material blending, displacement, and faked surface relief. So why is Blender important here? Blender is open source, and many tools around it are open source too. An AI trained on their code. That means it can translate the math from one environment to another quite accurately. If you’ve been struggling to reproduce some idea with AI that you had in your head or seen in some references, and it has something to do with Geometry Nodes, and you can find that idea or a close one in the Blender ecosystem - it means you can transfer it to the web. Thank me later.
0:11

If you think this is just another silly demo made with AI, read this post. You might change your mind, because this demo is about MATH. What you see on the screen is not a render from Blender (obviously, it’s not that good). It’s a three.js app built with Toolcraft. Available on the web and rendered in real time(link in the comments). But Blender still has a lot to do with it. Blender has Geometry Nodes - a powerful node-based system for creating and manipulating procedural geometry. In other words, it’s math. And math is a universal language. And who do you think is pretty good at math? >>> AI. Now you can download or buy Blender files from marketplaces, and when they contain Geometry Nodes for procedural animations, objects, surfaces, or effects, you can transfer that logic to the web. Make it real-time, make it interactive. Materials are a separate story, of course. They can still suck unless you use the right tricks: PBR, HDRIs, material blending, displacement, and faked surface relief. So why is Blender important here? Blender is open source, and many tools around it are open source too. An AI trained on their code. That means it can translate the math from one environment to another quite accurately. If you’ve been struggling to reproduce some idea with AI that you had in your head or seen in some references, and it has something to do with Geometry Nodes, and you can find that idea or a close one in the Blender ecosystem - it means you can transfer it to the web. Thank me later.

Alex Barashkov

28,300 views • 2 months ago

🚨 So the newest slop on X is "THE RING DISAPPEARS" 🤦‍♂️😂 So, the ring does not... if you keep playing the video, you can see the camera angle, color, lighting, and filters makes it seem this way. As someone who has seen this in my own videos I have edited (particularly outside in sunlight) - specifically with a Bokeh filter - I promise it isn't "AI" doing it. This is simply a filter, or (as you see with high end cameras that focus center) a focus and compression of the uploaded video. As you can see at the end of the video, the ring is quite thin and similar to his skin color. The reason people are noticing this vs other videos is because they're putting a weird, hyper-focus on his newest videos. Does anyone even know where the original "proof/evidence" that Netanyahu was dead came from? You first have to answer that before we determine what is true or debunked. People just took that for granted without explanation lol
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🚨 So the newest slop on X is "THE RING DISAPPEARS" 🤦‍♂️😂 So, the ring does not... if you keep playing the video, you can see the camera angle, color, lighting, and filters makes it seem this way. As someone who has seen this in my own videos I have edited (particularly outside in sunlight) - specifically with a Bokeh filter - I promise it isn't "AI" doing it. This is simply a filter, or (as you see with high end cameras that focus center) a focus and compression of the uploaded video. As you can see at the end of the video, the ring is quite thin and similar to his skin color. The reason people are noticing this vs other videos is because they're putting a weird, hyper-focus on his newest videos. Does anyone even know where the original "proof/evidence" that Netanyahu was dead came from? You first have to answer that before we determine what is true or debunked. People just took that for granted without explanation lol

Nick Matau

23,761 views • 6 months ago

A rare close-up encounter with the magnificent Malabar Giant Squirrel (Ratufa indica) High in the forest canopy lives one of the world’s most colorful squirrels. Endemic to India, this remarkable species is instantly recognizable by its striking coat, which can combine shades of deep maroon, brown, black, cream, and orange.. Its coloration varies between individuals and populations, helping the squirrel blend into the complex patterns of light and shadow found in the forest canopy
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A rare close-up encounter with the magnificent Malabar Giant Squirrel (Ratufa indica) High in the forest canopy lives one of the world’s most colorful squirrels. Endemic to India, this remarkable species is instantly recognizable by its striking coat, which can combine shades of deep maroon, brown, black, cream, and orange.. Its coloration varies between individuals and populations, helping the squirrel blend into the complex patterns of light and shadow found in the forest canopy

Amazing Things

31,462 views • 2 months ago

OWLMAXXING for the Neck One of the most Underrated muscle groups to train: the neck supports the brain, and being strong in it means less neck pain, better athletic movement, and a thicker neck enhancing aesthetics. I like to OWLMAXX with this simple dumbbell rotation exercise done on both sides of the head, the front of the head, and the back of the head as well. The aim of the game is to take the neck through extended ranges of motion in a controlled manner with added weight. You can also use a small weight plate if you're just starting with this exercise, or just the weight of the head itself hanging off the bench is a great place to start.
0:16

OWLMAXXING for the Neck One of the most Underrated muscle groups to train: the neck supports the brain, and being strong in it means less neck pain, better athletic movement, and a thicker neck enhancing aesthetics. I like to OWLMAXX with this simple dumbbell rotation exercise done on both sides of the head, the front of the head, and the back of the head as well. The aim of the game is to take the neck through extended ranges of motion in a controlled manner with added weight. You can also use a small weight plate if you're just starting with this exercise, or just the weight of the head itself hanging off the bench is a great place to start.

⚡️🌞 Sol Brah 🌞🐬

63,915 views • 3 months ago