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Kim Yerim on OBS TV โ€œ๐‰๐ฎ๐ง๐  ๐‚๐ก๐š๐ž๐ฒ๐ž๐จ๐ง, ๐Š๐ข๐ฆ ๐˜๐ž๐ซ๐ข๐ฆ, ๐‰๐จ ๐˜๐ฎ๐ซ๐ขโ€ฆ ๐…๐ซ๐จ๐ฆ ๐“๐จ๐ฉ ๐†๐ข๐ซ๐ฅ ๐†๐ซ๐จ๐ฎ๐ฉ๐ฌ ๐ญ๐จ ๐„๐ฌ๐ญ๐š๐›๐ฅ๐ข๐ฌ๐ก๐ž๐ ๐€๐œ๐ญ๐จ๐ซ๐ฌโ€ For six years, Yeri, the youngest member of the top-tier group Red Velvet, was active as an idol. Since making her first appearance in a 2021 one-act drama, she has begun...

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Hello everyone! This is Team Afra โ˜บ๏ธ A few days ago, on August 28th, Afra celebrated 10 years since her debut in the world of cinema. Weโ€™ve been gathering some of her works and collaborations, and in the process, weโ€™ve been reminded of how beautifully she has grown in every way. Over these years, her dedication and effort have brought her to where she is now and weโ€™re certain she will continue to shine even brighter. As fans, we are so proud of the amazing person and artist she has become. Watching her journey inspires us, and weโ€™ll always be here to support her with love and admiration. We wish her all the happiness and success in the world, always. ๐Ÿงฟ๐Ÿค Afra SaraรงoฤŸlu: A Journey of Light on Screen and Stage Since her first steps into cinema in 2015, Afra has become one of the most beloved and respected names in Turkish entertainment. With each role, she has not only proven her range and depth as an actress but also shown how naturally she carries stories that stay with audiences long after the credits roll. Her debut came in the film En Gรผzeli (2015), followed by a supporting role in ร–zcan Denizโ€™s ฤฐkinci ลžans (2016). But it was 2017 that truly marked her breakthrough: as Kayla in Kรถtรผ ร‡ocuk, she took on her first leading film role, and that same year she entered millions of homes as Ece ร‡amkฤฑran in the hit series Fazilet Hanฤฑm ve Kฤฑzlarฤฑ. Audiences were captivated by her emotional honesty on screen, and critics quickly recognized her as one of the brightest rising stars of her generation. From then on, Afraโ€™s career unfolded with remarkable versatility. In KardeลŸ ร‡ocuklarฤฑ (2019), she embodied the sensitive yet determined Hayat ร‡etin, and in ร–ฤŸretmen (2020), she carried the intensity of Gizem Bozkurt in a story that questioned morality, truth, and responsibility. Her performances resonated not just because of her beauty but because she poured sincerity into every gesture, every word. Her foray into digital platforms came with YeลŸilรงam (2021), a nostalgic period drama where she played Tรผlin Saygฤฑ, an ambitious young actress navigating the golden age of Turkish cinema. The series brought her critical acclaim, cementing her as a leading actress who could shine just as brightly in modern stories as in historical ones. And then came Yalฤฑ ร‡apkฤฑnฤฑ (2022โ€“2025), the role of Seyran ลžanlฤฑ one that would define an era of television. As Seyran, Afra has carried a story of love, resistance, and transformation, drawing viewers across Turkey and beyond into a world of family, tradition, and longing. Week after week, her performance has trended on social media, sparking conversations and cementing her place as one of the most influential actresses of her generation. Her achievements extend beyond the screen. Afra has graced the stage with Bir Barda Bir Gece, acting alongside Nurgรผl YeลŸilรงay, proving her talent translates powerfully to live theater. #AfraSaraรงoฤŸlu #10YearsOfAfra

Afra SaraรงoฤŸlu World Fan Club

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During an Interview with Tencent Video Golden Penguin Awards 2025, #LovesAmbition's Director Chen Chang commends #ZhaoLusi's Passion for Acting โค๏ธโ€๐Ÿ”ฅ โ I first worked with Lusi in 2019 for Dating In The Kitchen. She was very young back then, only 18/19 years old, and she has become a very matured actress now. Firstly, she has a huge passion for acting and dramas. That's what really touches me. Some people might only treat acting as their job and (feel that) they only need to treat their work seriously. But when you have a passion for acting and dramas, the camera will be able to capture that in your eyes and gaze. Your love for dramas can't ever be concealed. That passion is what touches me. After filming for many years, many actors have possessed the ability to act effortlessly and with ease. But Lusi still managed to bring a new kind of feeling to me, through this drama. It's a completely new kind of role, that is so different from her past "sweet girl" roles. She even actively participated in the styling of her character. She was deeply involved in the designing of her character. When she called me on the phone at 3 AM, just to discuss with me about the outfit that she was wearing for the next day, I was very surprised! I realised that this is why some people succeed in life. She often messaged me, even at 3 AM, just to discuss with me her thoughts about the script or her character's outfit. Even as the Director, I felt ashamed. I asked her, "You're still not asleep?" With her family background, since she also grew up with her grandma, she was very good at interacting with the elderlies. Her love for her family in real life has been injected into her character. I think that was what she has added to the character, because of how she is as a person in real life. For her evolution from a "sweet girl" to a "mature woman", she has done so much homework to compensate for what she hasn't experienced in real life. She has done so much research just to allow her character to appear natural. That's all the hard work and homework that the actor has to do."

jov

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๐Ÿ‡ฌ๐Ÿ‡ง Queen Elizabeth II at 100 โ€” Day #20/21 Our Platinum Queen. In 2022, Her Majesty reached the milestone of her 70th Anniversary of Accession. This was a historic achievement in many ways โ€” one that no monarch in British history had ever reached. As we touched upon in yesterdayโ€™s post, this was not something Her Majesty personally desired; for her Accession came about as a result of the death of her father so young. The reign of Queen Elizabeth II can almost certainly be characterised by the sense of stability she provided. Amidst the pandemic, in 2020, the figure to whom people looked to as a source of solace was none other than Her Majesty herself. The situation had reached a critical point โ€” one grave enough to warrant a special address to the nation. From Windsor Castle โ€” just as she had done 82 years earlier, when she was 14 years old โ€” Her Majesty spoke to her people, offering reassurance that things would take a turn for the better, & that we would, indeed, โ€œmeet again.โ€ Following the pandemic, The Queen suffered the most painful loss of her reign in losing her โ€œstrength & stayโ€, Prince Philip. The late Duke of Edinburgh had been ill for a while with Her Majesty deeply worried the entire period & various episodes. Sadly, The Queen was not at his side the moment he died on 9 April, 2021 at Windsor. It has since emerged that The Queen was upset the Duke had left, as he so often did in life, without saying goodbye. The Queen carried on with duties as much as possible. By this point, it was her body catching up to her age. Although she was as competent as ever, she needed a stick to walk & started to slow her usual daily engagements โ€” she had already given up overseas travel in 2015. In the summer of 2022, having privately marked the 70th Anniversary of her Accession in February, Her Majesty received congratulations from the nation & the world through several days of celebrations & commemorations. After the separation of the pandemic, the Platinum Party at the Palace served as an opportunity for everyone to gather together, throughout the country, once again & to pay tribute to Her Majesty. On this occasion, Her Majesty appeared on the Balcony of Buckingham Palace for what would be her final appearance. The Queenโ€™s health continued to gradually decline over that summer. For todayโ€™s โ€˜Queen Elizabeth II at 100โ€™ is Her Majesty with Paddington Bear for tea marking The Queenโ€™s Platinum Jubilee. In his words, โ€œThank you, for everything.โ€

Imperial Material โ™š

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Humphrey Bogart and Martha Vickers in The Big Sleep (1946). In 1946, Martha Vickers delivered one of the most memorable performances of her career in Howard Hawksโ€™ legendary film noir The Big Sleep. Starring Humphrey Bogart as private detective Philip Marlowe and Lauren Bacall as Vivian Rutledge, the film was adapted from Raymond Chandlerโ€™s 1939 novel and became one of the defining examples of classic Hollywood noir. Vickers played Carmen Sternwood, Vivianโ€™s younger sister and the troubled daughter of wealthy General Sternwood. From her very first appearance, Carmen is unpredictable, flirtatious and dangerous, drawing Marlowe deeper into a complicated world of blackmail, murder and deception. Only in her early twenties when the film was released, Vickers managed to make a striking impression despite sharing the screen with the already formidable pairing of Bogart and Bacall. Her performance gives Carmen an unsettling mixture of innocence and instability, making it difficult to know whether she is vulnerable, manipulative or considerably more dangerous than she initially appears. Directed by Howard Hawks, The Big Sleep became famous not only for its shadowy atmosphere and rapid-fire dialogue, but also for its notoriously complicated plot. Yet the mystery is almost secondary to the filmโ€™s characters, chemistry and unmistakable style. For Vickers, Carmen Sternwood would remain her most celebrated screen role. Although her Hollywood career never reached the heights many expected after The Big Sleep, her performance ensured her a permanent place in the history of film noir. Martha Vickers as Carmen Sternwood: beautiful, unpredictable and quietly dangerous. TRIVIA: โ–บ Novelist Raymond Chandler claimed that Martha Vickers gave such an intense performance as Carmen Sternwood that she completely overshadowed Lauren Bacall, and that much of Vickers' performance ended up on the cutting room floor as a result. โ–บ While casting the film, Howard Hawks was impressed by a glamorous photo of model-turned-actress Martha Vickers. She had started acting in horror films at Universal, so he had Warner Bros. buy up her contract and then taught her how to exploit her sexuality to the maximum as the nymphomaniacal Carmen.

Hollywood Golden Age of Cinema

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In Remembrance of Suzanne Pleshette. Born | January 31, 1937 in New York City, New York, USA. Died | January 19, 2008 aged 70 in Los Angeles, California, USA. Suzanne Pleshette achieved television immortality in her role as Bob Newhart's wife in the 1970s classic situation comedy, The Bob Newhart Show (1972). For her role as โ€œEmily Hartleyโ€ wife of psychologist โ€œBob Hartleyโ€ (played by Bob Newhart), Pleshette was nominated for the Emmy Award twice, in 1977 and 1978. She was also nominated for an Emmy in 1962 for a guest appearance on the TV series, Dr. Kildare (1961) and, in 1991, for playing the title role in Leona Helmsley: The Queen of Mean (1990) in a 1990 TV movie. Her acting career lasted almost 50 years. Suzanne Pleshette was born on January 31, 1937 in New York to Gene Pleshette, a TV network executive who had managed the Paramount Theatres in Manhattan and Brooklyn during the Big Band era, and the former Geraldine Kaplan, a dancer who performed under the pseudonym Geraldine Rivers. Pleshette claims that she was not an acting natural, but just โ€œfoundโ€ herself attending New York City's High School of the Performing Arts. After graduating high school, she attended Syracuse University for a semester before returning to NYC to go to Finch College, an elite finishing school for well-to-do young ladies. After a semester at Finch, Pleshette dropped out of college to take lessons from famed acting teacher Sanford Meisner at the Neighborhood Playhouse. She made her Broadway debut in 1957 as part of the supporting cast for the play Compulsion (1959). Initially cast as โ€œThe Fourth Girlโ€, she eventually took over the ingรฉnue role during the play's run. Blessed with beauty, a fine figure, and a husky voice that made her seem older than her years, she quickly achieved success on both the small and big screens. She made her TV debut, at age 20, in Harbourmaster (1957), then was chosen as the female lead opposite superstar Jerry Lewis in his 1958 comedy, The Geisha Boy (1958). On Broadway, she replaced Anne Bancroft in the Broadway hit The Miracle Worker (1962). Once Pleshette started acting, her career never lagged until she was afflicted with cancer. Her most famous cinematic role was in Alfred Hitchcock's classic, The Birds (1963), as the brunette schoolteacher jilted by the hero of the film, โ€œMitch Brennerโ€ (played by Rod Taylor). Pleshette's warm, earthy character was a perfect contrast to the icy blonde beauty, โ€œMelanie Danielsโ€ (Tippi Hedren). Frankly, it is hard to understand how Taylor's Mitch would jilt Pleshette's Annie, other than to work out Hitchcock's dark vision of society and psychosexual relations between the sexes, in which amoral blondes triumph for aesthetic rather than moral reasons. Still, it is for Emily Hartley she will always be remembered, for both the original show and her part in another show that had the most clever sign-off episode in TV series history. Bob Newhart had enjoyed a second success during the 1980s with his TV sitcom Newhart (1982), and when he decided to end that series, he asked Suzanne Pleshette to come back. She did, reprising her tole of Emily in a final episode of Newhart, where Newhart woke up as Bob Hartley from โ€œThe Bob Newhart Showโ€ in the bedroom of the Hartley's Chicago apartment, Pleshette's Emily at his side. Bob Hartley then told his wife Emily of a crazy dream he'd just had, where he was the proprietor of a Vermont inn overrun with eccentrics, the premise of the second show. After โ€œThe Bob Newhart Showโ€ ceased production, Suzanne Pleshette worked regularly on television, mostly in TV movies. Although she was a talented dramatic actress, she had a flair for comedy and, in 1984, she headlined her own series at CBS. She helped develop the half-hour sitcom, and even had the rare honor of having her name in the title. Suzanne Pleshette Is Maggie Briggs (1984), however, was not a success. She co-starred with Hal Linden in another short-lived CBS TV series, The Boys Are Back (1994), in the 1994-95 season, then had recurring roles in the TV series Good Morning, Miami (2002) and 8 Simple Rules... for Dating My Teenage Daughter (2002). Pleshette was married three times: In 1964, she wed teen idol Troy Donahue, her co-star in the 1962 film Rome Adventure (1962) and in 1964's A Distant Trumpet (1964), but the marriage lasted less than a year. She was far more successful in her 1968 nuptials to Texas oil millionaire Tommy Gallagher, whom she remained married to until his death in 2000. After becoming a widow, she and widower Tom Poston (a Newhart regular) rekindled an old romance they had enjoyed when appearing together in โ€œThe Golden Fleecingโ€, a 1959 Broadway comedy. They were married from 2001 until Poston's death, in April 2007. Pleshette was diagnosed with lung cancer and underwent chemotherapy in the summer of 2006; she rallied, but in late 2007, she barely survived a bout of pneumonia. She died of respiratory failure on January 19, 2008, a few days shy of her 71st birthday. Suzanne Pleshette was remembered as a gregarious, down-to-earth person who loved to talk and often would regale her co-stars with a naughty story. Newhart and his producers had picked her for the role of Emily in โ€œThe Bob Newhart Showโ€ after watching her appearances with Johnny Carson on Late Night with Johnny Carson (1962), where she showed herself to be a first-rate raconteuse. Because she could hold her own with Newhart's friend Carson, it was felt she would be a perfect foil as Newhart's TV wife. She accepted the part, and TV history was made.

Hollywood Golden Age of Cinema

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Kenyan actress Wanjiku Mburu, widely recognized for her role as 'Mama Baha' on Citizen TVโ€™s nostalgic family drama 'Machachari' has once again appealed to the government to intervene in finding her brother who went missing ten years ago in Somalia. George, an engineer, was abducted while working in Mogadishu in January 2014. The Mburu family has lived with uncertainty for a decade, searching for answers without any communication from him since the day of his disappearance. In 2017, Wanjiku wrote a letter to President Uhuru Kenyatta, hoping to draw attention to the case. The letter described the pain her family had endured and the lack of assistance they had received. She expressed her frustration over unfulfilled promises and meetings that led nowhere, with officials promising action but failing to deliver. Years passed with no progress, leaving the family in a state of despair. Fast forward to October 2024 and Wanjiku has now released another video where she shares an interesting development in her brotherโ€™s case. In the TikTok clip, she reveals that she recently received a phone call from a Somali-registered line. Upon answering, Wanjiku claims she spoke to a man who identified himself as her brother George. She says the conversation left her both shocked and emotional as George described the grim conditions he had lived under for the past ten years. According to her, George explained that he has been imprisoned in a confined space for the entirety of his captivity with his hands often handcuffed. The emotional plea has once again drawn attention to the family's decade-long ordeal as they hope for answers and closure.

Cyprian, Is Nyakundi

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In Remembrance of Carole Lombard Born | October 6, 1908 in Fort Wayne, Indiana, USA Died | January 16, 1942 aged 33 at Potosi Mountain, Nevada, USA Video | Carole Lombard Tribute Carole Lombard was born Jane Alice Peters in Fort Wayne, Indiana, on October 6, 1908. Her parents divorced in 1916 and her mother took the family on a trip out West. While there they decided to settle down in the Los Angeles area. After being spotted playing baseball in the street with the neighborhood boys by a film director, Carole was signed to a one-picture contract in 1921 when she was 12. The film in question was A Perfect Crime (1921). Although she tried for other acting jobs, she would not be seen onscreen again for four years. She returned to a normal life, going to school and participating in athletics, excelling in track and field. By age 15 she had had enough of school, though, and quit. She joined a theatre troupe and played in several stage shows, which were for the most part nothing to write home about. In 1925 she passed a screen test and was signed to a contract with Fox Films. Her first role as a Fox player was Hearts and Spurs (1925), in which she had the lead. Right after that film she appeared in a western called Durand of the Bad Lands (1925). She rounded out 1925 in the comedy Marriage in Transit (1925) (she also appeared in a number of two-reel shorts). In 1926 Carole was seriously injured in an automobile accident that resulted in the left side of her face being scarred. Once she had recovered, Fox canceled her contract. She did find work in a number of shorts during 1928 (13 of them, many for slapstick comedy director Mack Sennett), but did go back for a one-time shot with Fox called Me, Gangster (1928). By now the film industry was moving from the silent era to โ€œtalkiesโ€. While some stars' careers ended because of heavy accents, poor diction or a voice unsuitable to sound, Carole's light, breezy, sexy voice enabled her to transition smoothly during this period. Her first sound film was High Voltage (1929) at Pathe (her new studio) in 1929. In 1931 she was teamed with William Powell in Man of the World (1931). She and Powell hit it off and soon married, but the marriage didn't work out and they divorced in 1933. No Man of Her Own (1932) put Carole opposite Clark Gable for the first and only time (they married seven years later in 1939). By now she was with Paramount Pictures and was one of its top stars. However, it was Twentieth Century (1934) that showed her true comedic talents and proved to the world what a fine actress she really was. In 1936 Carole received her only Oscar nomination for Best Actress for My Man Godfrey (1936). She was superb as ditzy heiress Irene Bullock. Unfortunately, the coveted award went to Luise Rainer in The Great Ziegfeld (1936), which also won for Best Picture. Carole was now putting out about one film a year of her own choosing, because she wanted whatever role she picked to be a good one. She was adept at picking just the right part, which wasn't surprising as she was smart enough to see through the good-ol'-boy syndrome of the studio moguls. She commanded and received what was one of the top salaries in the business โ€• at one time it was reported she was making $35,000 a week. She made but one film in 1941, Mr. & Mrs. Smith (1941). Her last film was in 1942, when she played Maria Tura opposite Jack Benny in To Be or Not to Be (1942). Tragically, she didn't live to see its release. The film was completed in 1941 just at the time the US entered World War II, and was subsequently held back for release until 1942. Meanwhile, Carole went home to Indiana for a war bond rally. On January 16, 1942, Carole, her mother, and 20 other people were flying back to California when the plane went down outside of Las Vegas, Nevada. All aboard perished. The highly acclaimed actress was dead at the age of 33 and few have been able to match her talents since. โ€• IMDb mini biography by: Denny Jackson Video footage courtesy of Saxon Brack Music | Dances with Wolves [1990] โ€• โ€œThe John Dunbar Themeโ€

Hollywood Golden Age of Cinema

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Alfred Hitchcock on why 'Vertigo' (1958) flopped & how Kim Novak feels about not wearing a brassiere: "Truffaut: I understand that the picture was neither a hit nor a failure. Hitchcock: It has made money by now. Truffaut: In your terms, wouldn't that be considered a flop? Hitchcock: I suppose so. One of our whimsies when a picture isn't doing too well is to blame it on the faulty exploitation. So let's live up to the tradition and say they just didn't handle the sales properly! Do you know that I had Vera Miles in mind for 'Vertigo', and we had done the whole wardrobe and the final tests with her? Truffaut: Didn't Paramount want her? Hitchcock: Paramount was perfectly willing to have her, but she became pregnant just before the part that was going to turn her into a star. After that I lost interest; I couldn't get the rhythm going with her again. Truffaut: I take it, from some of your interviews, that you weren't too happy with Kim Novak, but I thought she was perfect for the picture. There was a passive, animal quality about her that was exactly right for the part. Hitchcock: Miss Novak arrived on the set with all sorts of preconceived notions that I couldn't possibly go along with. You know, I don't like to argue with a performer on the set; there's no reason to bring the electricians in on our troubles. I went to Kim Novak's dressing room and told her about the dresses and hairdos that I had been planning for several months. I also explained that the story was of less importance to me than the over-all visual impact on the screen, once the picture is completed. Truffaut: It seems to me these unpleasant formalities make you unfair in assessing the whole picture. I can assure you that those who admire 'Vertigo' like Kim Novak in it. Very few American actresses are quite as carnal on the screen. When you see Judy walking on the street, the tawny hair and make-up convey an animal-like sensuality. That quality is accentuated, I suppose, by the fact that she wears no brassiere. Hitchcock: That's right, she doesn't wear a brassiere. As a matter of fact, she is particularly proud of that!" ("Hitchcock/Truffaut", 1983) P.S: On this day, 68 years ago, "Vertigo" (1958) premiered at San Francisco, USA.

DepressedBergman

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[READ] #KimSoohyun Cleared of โ€˜Groomingโ€™ Allegations, Now Itโ€™s Time to See Him as an Actor Again With the police deciding not to refer the case to prosecutors and the prosecution also choosing not to request a reinvestigation, the โ€˜groomingโ€™ allegations that had weighed heavily on Kim Soohyun have effectively come to an end. After spending about a year and a half under the โ€˜perpetratorโ€™ label, Kim Soohyun has finally moved away from that frame. What the public should now focus on is not unverified allegations, but โ€˜actor Kim Soohyunโ€™ himself. On September 3, prosecutors returned to the police the investigation records in the case against Kim Soohyun for alleged violations of the Child Welfare Act (child abuse, coercion into lewd acts, etc.) and false accusation, which had been sent to them by Seongdong Police Station. Earlier, on July 29, the police decided not to refer the case to prosecutors, citing โ€˜insufficient evidence.โ€™ Since prosecutors reviewed the records and did not request a reinvestigation or supplementary investigation, it is understood that they found no need for further investigation that could overturn the policeโ€™s decision not to refer the case. According to the case inquiry records, the police decided โ€˜not to refer the case, no charges (insufficient evidence)โ€™ for all allegations of violating the Child Welfare Act (child abuse), false accusation, and violating the Child Welfare Act (coercion into lewd acts, facilitating such acts, sexual harassment, etc. against a child). After investigating the allegations that had been raised, they determined that there was not enough evidence to establish Kim Soohyunโ€™s alleged offenses. The policeโ€™s decision not to refer the case was subsequently maintained when prosecutors returned the records. With the criminal case effectively coming to an end, the labels of โ€˜groomingโ€™ and โ€˜perpetratorโ€™ that had followed Kim Soohyun for about a year and a half have also lost their force. He has finally taken a step away from the frame he had spent a long time trying to escape. The case began in May last year. The family of the late Kim Saeron and Kim Seui, head of the YouTube channel Garo Sero Research Institute, filed a complaint against Kim Soohyun for violating the Child Welfare Act and false accusation. They claimed that Kim Soohyun had been in a relationship with Kim Saeron since she was a minor and that so-called โ€˜groomingโ€™ abuse had taken place during that time, referring to the act of building intimacy with a minor or vulnerable person, psychologically conditioning them, and then sexually or emotionally exploiting them. The allegations raised at the time dealt a direct blow to Kim Soohyunโ€™s image as an actor. In particular, the claim that he had been in a relationship with a minor, combined with the term โ€˜grooming,โ€™ expanded the issue beyond a simple controversy over his private life into a question of whether he had been an abuser. The fallout also affected Kim Soohyunโ€™s activities, including advertisements and acting projects, while the trust and career he had built over the years were overshadowed by the allegations. Kim Soohyunโ€™s side strongly denied the allegations from the beginning. Since the controversy first arose in March last year, they have consistently maintained that his relationship with Kim Saeron began only after she became an adult. They then filed a countersuit against the family and Kim Seui, accusing them of defamation through false information for making claims that were not true. Eventually, the dispute between the two sides moved into legal proceedings, and Kim Soohyun was labeled as โ€˜groomingโ€™ and a โ€˜perpetratorโ€™ for about a year and a half.

soohyunupdates

10,367 Aufrufe โ€ข vor 12 Tagen

#Kwibuka32 Mimi TESTIMONY โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€” Her name is Mimi. She survived the 1994 Genocide against the Tutsi in Rwanda because of the courage and humanity of a man named Ndahigwa. During those dark days, Mimi was found as an infant, still breastfeeding from her motherโ€”who had been brutally killed and lay among piles of bodies at Saint Famille, on the primary school football field. It was a heartbreaking and unimaginable scene, one that no child should ever be part of. Yet, from that tragedy, a life was saved. Ndahigwa, who was not himself targeted during the genocide and worked with the Red Cross, chose compassion over fear. In a time when many turned away, he stepped forward. He rescued Mimi and raised her as his own, caring for her from infancy through adulthood. He gave her not only a chance to live, but a chance to grow, to be loved, and to belong. He stood by her side through the years, supporting her until she eventually got married. However, her marriage did not last, as her husband constantly pressured and mistreated her, questioning her about a family she never had the chance to know. Today, Mimi is alive, but she lives with a deep and painful absenceโ€”she does not know her biological family, nor does she have any known relatives. She carries unanswered questions about her identity and her roots. With hope in her heart, she is reaching out to anyone who might recognize her story or have any information about her family, asking for help in reconnecting with her origins. At the same time, Mimi is a mother, doing her best to raise her children under difficult circumstances. She is struggling financially and humbly asks for support from anyone who is able to help, no matter how small the contribution. Her story is one of survival, loss, love, and resilience. And today, she is not only searching for her pastโ€”but also fighting to build a better future for her children.

Sniper

13,497 Aufrufe โ€ข vor 5 Monaten

A woman won $127,000 at a casino she'd gambled at every week for eight years. As she celebrated with the dealer and the whole table, a pit boss pulled her aside and said she couldn't have the money. She'd technically been trespassing the entire time, and hadn't known it. โ€“ Denise Ezell, 65, had been a regular at MGM Grand Detroit for about eight years, gambling there weekly without a single issue. โ€“ On October 30, 2023, on what she described as her last bet of the night, she played a side bet at the progressive blackjack table and was dealt a four-card straight flush. โ€“ The dealer, the table, and everyone around her erupted, congratulating her on what turned out to be a $127,000 jackpot. โ€“ This won't happen with prediction markets โ€“ A pit boss then approached and asked for her ID, which she assumed was routine. โ€“ Minutes later, casino staff told her she couldn't be paid. She was, according to them, trespassing. โ€“ A prediction market doesn't work that way. There's no house, you're matched peer-to-peer, and your payout comes from the person who took the other side, not a company deciding whether to honor the number on your screen โ€“ The reasoning traced back to a single incident from 2015, when Ezell got into an argument with her cousin over shared betting money, and a security guard told her to leave for "panhandling." โ€“ She says she was never formally notified of any ban after that night, and continued gambling regularly at the same casino for the next eight years without incident. โ€“ "Do you think I would have gone down there and spent my money for eight years, knowing I was trespassing?" she asked reporters. โ€“ After months of trying to resolve it directly with MGM and the Michigan Gaming Control Board, she filed a federal lawsuit in June 2024, seeking the $127,000 jackpot plus an additional $75,000 in damages. She spent eight years and thousands of dollars as a welcomed regular. The one night she actually won big, the casino remembered a decade-old excuse it had never bothered to tell her about.

Aisar

3,541,204 Aufrufe โ€ข vor 1 Monat

EXCLUSIVE: Young Ontario woman's life becomes a living hell after Moderna booster shot leaves her paralyzed. Doctors confirm vaccine connection and offer Medical Assistance in Dying (MAID). Kayla Pollock is a 37-year-old mother from Ontario whose life took a drastic turn after receiving a Moderna Covid-19 booster shot. She experienced paralysis from the neck down and has been enduring a challenging ordeal ever since. Kayla's early years were marked by unspeakable cruelty and suffering. As an infant, she endured the horrors of severe abuse, including broken bones, cigarette burns, and bruises inflicted upon her helpless body by her parents. Her distressing situation prompted the intervention of family and children services, ultimately leading to her placement in a caring, loving and supportive home. As she grew older, Kayla dedicated the majority of her younger adult years to behavioral training of exotic animals. However, she eventually made the decision to resign from this profession after having her son, recognizing the inherent risks of the job. Kayla eventually ended up in the small town of Mount Albert, Ontario, where she co-raised her son after a separation. She worked as a casual educational assistant at Robert Munsch Public School, assisting kindergarten children. Her home was conveniently located right next to the school. Kayla's son attended the same school where she worked, and she expressed her love for her job and the positive direction her life was heading. Describing herself as fit, healthy, and very active, Kayla enjoyed hiking, being outdoors, gardening, and going places with her son. When the pandemic struck, Kayla recalls the mainstream media, politicians, and public health officials emphasizing the severity of the virus and urging everyone to get vaccinated. She remembers health officials specifically advising that those at highest risk should prioritize getting vaccinated. Being immunocompromised and a type one diabetic, Kayla heeded the advice of health officials and received the first two Pfizer shots in the middle of 2021 and didnโ€™t experience any issues. Additionally, she mentions another reason for getting vaccinated was because her father resided in a long-term care facility with dementia, and vaccination was going to be a requirement for entry into the care home. Kayla then decided to take a booster, but this time it was a Moderna booster shot. She recounts going to a vaccination drive and the police being there. She found that odd and questioned why the police were present. According to Kayla, people were upset that Moderna was being given out instead of Pfizer, and that was the reason for the police presence. Kayla says that something didnโ€™t sit right in her gut, but she went ahead with the Moderna booster shot anyway. She explains her reasoning for getting the third shot was because she felt like a third one would be mandated at some point to get access into her dads long term care home. She received the Moderna booster shot on January 11, 2022. Four days later, Kayla described a situation where her legs just gave out, and she collapsed, but all seemed fine a short time later. Then, nine days later, she experienced a similar event, and at that time, she called her doctor, asking to see a neurologist because she suspected something wasnโ€™t right. On the morning of February 22, 2022, Kayla's life took an irreversible turn. As she awoke, opened her eyes, a sudden realization struck her โ€“ she couldn't move her body. Despite the shock, she says she remained calm and started yelling for help. Fortunately, her boyfriend who spent the night, was in the driveway preparing to leave for work, and heard her cries for help. Her boyfriend called 911 and Kayla was transported to Southlake Regional Health Centre in Newmarket, Ontario. While in the emergency department Kayla recounts that the attending physician initially dismissed her symptoms, suggesting that it was all in her head and portrayed her as a "crazy person," and ordered a psychiatric consult. All of what Kayla describes happening is evident in her medical records which we obtained and reviewed. Eventually, an MRI was conducted, revealing that Kayla had a very large lesion on her spinal cord. A neurologist followed up with Kayla and recommended a course of steroids in an attempt to decrease the size of the lesion. Kayla questioned the neurologist and asked if the lesion could be a tumor. In an audio recording taken by Kaylaโ€™s boyfriend, the neurologist responds, saying, โ€œit's less likely a tumorโ€ and that it is his โ€œgut impression it was caused by the vaccine.โ€ When Kayla questions the doctor as to whether many people have had something similar happen to them, the doctor responds, saying โ€œmany people have had it.โ€ Later, Kayla would learn that she had developed transverse myelitis, a condition that interrupts the transmission of messages along the spinal cord nerves throughout the body. She would go on to spend several months in the hospital, where she says she was offered medical assistance in dying (MAID) on two occasions but rejected the offer. During Kayla's hospital stay, she received steroids, which she claims helped to some extent, allowing her to regain very slight movement in her arms, hands, and fingers. However, she still has absolutely no feeling from the neck down. Visually examining her fingernails reveals decay due to the lack of nerve function. Kayla believes that if the initial doctor had taken her concerns seriously, rather than dismissing her as a "crazy person," and promptly ordered an MRI, she might have been able to walk again or experience sensation in some parts of her body that she doesnโ€™t have today. After her initial treatment at the local hospital, Kayla was subsequently transferred to Lyndhurst Rehabilitation Centre in Toronto to undergo several months of intensive rehabilitation aimed at attempting to restore her physical capabilities and adapting to her new reality. Unfortunately, Kayla says that rehab did not help her. Following her discharge from the hospital, she now takes a long list of drugs daily. She ended up losing everything she worked hard forโ€”her home, the ability to co-raise her son, and her job, essentially losing everything. Kayla was placed on provincial disability and was forced to move away from Mount Albert, where her son lives, into an apartment that could accommodate her wheelchair accessibility needs. Kayla has faced challenges in obtaining the promised hours of in-home care after leaving the hospital. Kayla relies on a personal support worker to help her get out of bed each morning, another organization assists with meal preparation, and in the evenings, a friend comes over to manually extract feces from her bowel and aid her in getting into bed. Securing compensation through the federal governmentโ€™s Vaccine Injury Support Program (VISP) has been difficult for Kayla. She initiated the application process in July of 2022, following up with the program six months later. However, according to Kayla, her application was still under review at that time. Another six months elapsed, and when she sought an update, the program informed her that they had never received her initial application. In response, Kayla reapplied to the program and was recently assigned a case worker. Uncertainty looms over whether she will be approved and, if approved, when she will receive any form of compensation. Kayla faces challenges in performing simple tasks both at home and in the community. She is in a difficult financial situation and desperately seeks a service dog. According to her, having a service dog would not only assist her with daily tasks but also offer companionship, providing her with much-needed company. An organization called Veterans 4 Freedom has stepped in to help Kayla and has set up a GiveSendGo campaign to help her raise funds for a service dog. A link to that fundraising campaign is below.

The Canadian Independent

1,423,528 Aufrufe โ€ข vor 2 Jahren

In a dreadful event a Hindu girl has been missing since 2019 in Pune, Maharashtra. Keep in mind that the girl was in 10th standard back then, only 16 years old! She was returning from her final SSC exams when she was abducted by an 'unidentified person' as stated by her father in a missing person complaint. Years passed and despite the continuous pleading of the girl's family, Police failed in finding the girl, after a while the family discovered that their daughter was abducted by Javed Sheikh. The family in fear of shame did not tell anyone about the abduction but were actively trying to search for the girl, In this quest the girl's brother with the help of his friend discovered that Javed was a resident of their town Manchar, after which they located his house and observed it for weeks. Later, after inquiring the neighbors, they found out there was a new girl that had joined Javed's home recently and that she was a newly added 'family member'. The family figured that their girl had been forcefully married against their will, so they decided to barge into the house on 16 May. They spotted their girl in a Hijab in one of the rooms, the girl was scared of her core!The family's earlier speculation was that the girl is scared of them and their fury of her marrying against their will. But the truth will baffle you. The girl was not scared of her family, she was scared of people, each and every person around her, because she was in trauma, in depression, after the family rescued her she revealed that- After she was abducted by Javed, she was brutally tortured and assaulted by Javed and his family members. She also said that she was raped and kept hostage for months in the apartment. She has been diagnosed with severe depression and, as said earlier, is even scared of everyone around her, including her own family members, due to trauma. She was married forcefully against her will, was raped, forced to go through conversion, marks of cigarettes were all over her body, allegation is also that she was thrown into a racket of prostitution for 6 months! Now tell me, how can a human being do this? What possible hate could they have against Hindus to fall to such a level?

BALA

2,703,262 Aufrufe โ€ข vor 3 Jahren