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Kishore da!😍 Kishore Kumar, even while talking, used to sound so musical!🙏 Here, he is talking about his guru SD Burman and his association with Dev Anand, at a time, when other music directors were not taking his singing seriously! He was extremely close to the Burmans!

32,415 次观看 • 23 天前 •via X (Twitter)

8 条评论

ankit jain 的头像
ankit jain23 天前

Legend... Once in a lifetime talent.... :)

ankit jain 的头像
ankit jain23 天前

lesser known facts he was very careful with Money... and has faced some time tax scrutiny and raids... Anti establishment leading to his songs banned on AIR for sometime

sourabh mookherjee 的头像
sourabh mookherjee23 天前

When SD Burman asked Kishore Kumar to sing 'Dukhi Man Mere' everyone opposed him. Even Dev Anand wasn't sure that Kishore Kumar would do justice to the song. But SD insisted and we got this gem...

Bitter Truth 的头像
Bitter Truth23 天前

Abhas Kumar Ganguly the Genius

Sudhanshu 的头像
Sudhanshu23 天前

Being musical even in casual conversation is a different tier of talent - most of us just sound musical when we're humming along badly in the shower. #KishoreKumar

Vasudha Hallan 的头像
Vasudha Hallan22 天前

Thank you so much for sharing.

Nick 的头像
Nick23 天前

yes dev sir tomany kishore da songs at that time…am diehard fan of dev sir, even am not that era… i almost watched all of his movies in utube, to me his style and movies are very unique somehow his screen presence mesmerizes me…

Sapna Kathpal 的头像
Sapna Kathpal23 天前

His hmm ha ha, ha ha hmm is pure magical l. 🎶🎶🎶💙

相关视频

Khawab ho tum ya koi Haqiqat ——- This is one of the sweetest comeback stories in Hindi film music. "Khwab Ho Tum Ya Koi Haqeeqat" from Teen Deviyan, 1965, was the song that patched up S.D. Burman and Kishore Kumar. They had been close — Burman Dada is actually the man who discovered Kishore the singer in the 50s in films like Munimji, Taxi Driver, Nau Do Gyarah, Paying Guest. But in 1958 after Chalti Ka Naam Gaadi, they had a fallout and Dada stopped calling him. For almost 7 years Kishore barely sang for Burman. He was going through flops, income tax troubles. In 1965, Dada decided to forgive. He had two Dev Anand films Guide and Teen Deviyan. For both he called Kishore back. In one studio week he made him sing "Gaata Rahe Mera Dil" for Guide and "Khwab Ho Tum" for Teen Deviyan. Both became historic and relaunched Kishore as Dev Anand's voice. The song itself was pure SD Burman magic. Majrooh Sultanpuri wrote those dreamlike lines — "Subah pe jis tarah shaam ka ho guman" that evening mistaken for morning, like a face half seen in hair. Dada kept the orchestration whisper-soft, just guitars, brushed drums and violins, so Kishore could almost speak the song, not sing it loudly. That's why it feels so intimate. Little trivia inside trivia R.D. Burman was the assistant on this film. He was sitting behind his father in the recording. Same year Pancham would get his first big hits with Teesra Kaun and Teesri Manzil. And Dev Anand loved the film's music so much he shot an English version of the whole film called "Oh Boy and Three Girls" with 5 English songs written by Harindranath Chattopadhyay and tuned by R.D. Burman. The print was never released. On screen, Dev Anand just walks around Nanda in a garden in Darjeeling, where much of the film was shot, hands in pockets, that famous nod, asking her — are you a dream or real? Come closer. It was a question the audience answered — the song became one of the most romantic ever, and Kishore Kumar became immortal. Yashovardhan Jha Azad Vinod Sharma Avi (A Vishwamitra)

RAKESH VAID

12,430 次观看 • 19 天前