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.Kovalenko Sergey creates 3D environments for his survival horror game M.I.N.S.K. in VR, using Meta Quest 3, Adobe Medium, Blender, and Unreal Engine 5. It's pretty comfortable:

80 LEVEL

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87,090 views • 1 year ago •via X (Twitter)

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Jon Barron

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mtvmald

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okay! my whole pipeline for getting fable and sol to be able to 3d model good topology hard surface game models without using any additional paid services is WORKING... we just need to dial in their lowpoly geometry and baking techniques some more, the pipeline is images > trellis > model creates the lowpoly themselves with direct headless blender interaction > bake ... this will work with both of them because you can replace sol's gptimage2 imagegen in fable's version with z-image-turbo or another quality local image model

okay! my whole pipeline for getting fable and sol to be able to 3d model good topology hard surface game models without using any additional paid services is WORKING... we just need to dial in their lowpoly geometry and baking techniques some more, the pipeline is images > trellis > model creates the lowpoly themselves with direct headless blender interaction > bake ... this will work with both of them because you can replace sol's gptimage2 imagegen in fable's version with z-image-turbo or another quality local image model

Utah teapot 🫖

11,905 views • 2 months ago

ALCH-A-THON: Gaming Edition 👾 This round of ALCH-A-THON is dedicated to gaming. We’re putting the spotlight on Game Engine 1.0, giving you the perfect opportunity to test its full potential while competing in four exciting categories. Whether you're making a high-speed arcade game, a classic pixel adventure, an action-packed shooter, or a multiplayer showdown, now’s the time to bring your ideas to life and compete for the top spot! Categories & Prizes 🏆 Best 3D Arcade Game (5 SOL) Best 3D Shooter Game (5 SOL) Best Pixel Game (5 SOL) Best Multiplayer Game (5 SOL) How to Join? 1️⃣ Build your game using Alchemist AI V3 2️⃣ Post a video entry of your app with the ticker $ALCH & #ALCHATHON 3️⃣ Tag ALCHEMIST AI 🔮 4️⃣ Submit your app under this post Contest ends 8th March 12PM UTC

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ALCHEMIST AI 🔮

122,597 views • 1 year ago

Check out this Stereo4D paper from Google DeepMind. It's a pretty clever approach to a persistent problem in computer vision -- getting good training data for how things move in 3D. The key insight is using VR180 videos -- those stereo fisheye videos we launched back in 2017 for YouTubeVR. It was always clear that structured stereo datasets would be valuable for computer vision -- and we launched some powerful VR tools with it back in 2017 (link below). But what's the game changer now in 2024 is the scale -- they're providing 110K high quality clips :-) That's the kind of massive, real-world AI dataset that was just a dream back then! They're using it to train this model called DynaDUSt3R that can predict both 3D structure and motion from video frames. Which means it tracks how objects move between frames while simultaneously reconstructing their 3D shape. And given we're dealing with real stereoscopic content, results are notably better than synthetic data, giving you a faithful rendition of the real-world with a diverse set of subject matter. It's one of those through lines when tackling a timeless mission like mapping the world or spatial computing -- VR content created for immersion becoming the foundation for teaching machines to understand how the world moves. Sometimes innovation chains together in unexpected ways! Links to projects below⛓️

Check out this Stereo4D paper from Google DeepMind. It's a pretty clever approach to a persistent problem in computer vision -- getting good training data for how things move in 3D. The key insight is using VR180 videos -- those stereo fisheye videos we launched back in 2017 for YouTubeVR. It was always clear that structured stereo datasets would be valuable for computer vision -- and we launched some powerful VR tools with it back in 2017 (link below). But what's the game changer now in 2024 is the scale -- they're providing 110K high quality clips :-) That's the kind of massive, real-world AI dataset that was just a dream back then! They're using it to train this model called DynaDUSt3R that can predict both 3D structure and motion from video frames. Which means it tracks how objects move between frames while simultaneously reconstructing their 3D shape. And given we're dealing with real stereoscopic content, results are notably better than synthetic data, giving you a faithful rendition of the real-world with a diverse set of subject matter. It's one of those through lines when tackling a timeless mission like mapping the world or spatial computing -- VR content created for immersion becoming the foundation for teaching machines to understand how the world moves. Sometimes innovation chains together in unexpected ways! Links to projects below⛓️

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How a 22-year-old developer built a full 3D Jet Ski racing game in just 40 minutes with zero manual coding He used Claude Opus 5 to generate physics, WebGL 3D graphics, HUD, and audio in a single prompt and turned single-prompt gamedev into a high-margin income stream. Costs: $423 He launched a single-prompt generation workflow that built the entire HTML5 project from scratch: Top layer: A Three.js and WebGL rendering pipeline dynamically creates 3D water physics, real-time wave dynamics, dynamic lighting, and jet ski fluid mechanics, all written autonomously inside one output file without external frameworks. Bottom layer: The Claude Opus 5 engine processed a massive 690-million-token context window to generate the complete gameplay logic, collision handling, dynamic sound generation, controls, and UI layout directly from a detailed initial system prompt. The trend of single-prompt 3D game creation is rapidly exploding across media and indie development. The author monetizes this tech stack through three main channels: 1. Viral Content & Media Systems: Short-form breakdown videos driving massive reach, monetized via promo placements, prompt-pack access, and private developer communities. 2. Rapid Hypercasual Prototyping: Testing 10+ WebGL mechanics per day, flipping fully functional browser games on itch io or CodeCanyon, and licensing prototypes directly to casual game portals. 3. Interactive WebGL Client Solutions: Delivering custom 3D promotional browser games and interactive brand experiences for clients in 48 hours instead of weeks. First month results: > WebGL games generated: 24 > Viral impressions generated: 3.8M+ > Total revenue across licensing & content: $21,400 The AI completely automated the core development lifecycle: Claude Opus 5 built the physics engine, rendered 3D graphics in WebGL, hooked up audio controllers, and generated interactive browser logic with zero manual line-by-line coding. Bookmark it and check article 👇

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‼️ MUST ADD FOR PRACTICE ‼️ Olympic style 3x3 is quickly becoming one of the best 'SSGs' for overall development. It's really fast paced, and every possession is played with a ton of purpose. Players play with maximum spacing, build endurance WITH THE BALL and, if done properly, SHOT QUALITY is the games' biggest emphasis. In the Olympics 👇🏼 The analytics behind the actions they deploy are much different than standard 5 on 5, as well. Shooting 25% from 3 is the equivalent of 50% from 2 so there is a HEAVY emphasis on making and defending the 3. This means there is a ton of switching and coverage solutions/counters to switching defenses with NO TAG AT THE HOOP. The game translates BEAUTIFULLY to 5 on 5. 3x3 rules are a simple constraint to make and defend the 3 ball at a much higher level using '3 man' actions. IMO, a must add to our 5 on 5 teams. Team USA: Get | Stagger Screen 👇

‼️ MUST ADD FOR PRACTICE ‼️ Olympic style 3x3 is quickly becoming one of the best 'SSGs' for overall development. It's really fast paced, and every possession is played with a ton of purpose. Players play with maximum spacing, build endurance WITH THE BALL and, if done properly, SHOT QUALITY is the games' biggest emphasis. In the Olympics 👇🏼 The analytics behind the actions they deploy are much different than standard 5 on 5, as well. Shooting 25% from 3 is the equivalent of 50% from 2 so there is a HEAVY emphasis on making and defending the 3. This means there is a ton of switching and coverage solutions/counters to switching defenses with NO TAG AT THE HOOP. The game translates BEAUTIFULLY to 5 on 5. 3x3 rules are a simple constraint to make and defend the 3 ball at a much higher level using '3 man' actions. IMO, a must add to our 5 on 5 teams. Team USA: Get | Stagger Screen 👇

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34,564 views • 1 year ago

Claude + Meta + GPT Image 2 = AI UGC FACTORY Here's the free workflow Real UGC creators charge $150-$500 per video. 5-7 day turnaround. By the time you get 12 variants, your winning angle is already dead. We built a system that does 12 unique video ads in under an hour. Cost per video? Less than your coffee. The stack: • HeyOz (product import + export hub) • Claude (creative director + prompt engine) • GPT Image 2 (photorealistic starting frames) • Seedance 2.0 (animation) Broke down the entire thing in a step-by-step guide. What you'll get: → The exact 5-step workflow from URL to finished ad → 3 copy-paste image prompts (Stanley Quencher example) → 3 matching motion prompts for Seedance → The prompt framework that fixes 90% of bad AI outputs → Why grip specificity is the make-or-break variable most people miss → The 70/30 strategy for scaling (AI for testing, humans for winners) No design skills needed. No Canva. No CapCut. No Adobe. Just paste your product URL. Generate. Export. Launch. If you're running Meta or TikTok ads and your creative rotation is slower than your ad spend, this is for you. Comment "factory" to get access (must be following)

Claude + Meta + GPT Image 2 = AI UGC FACTORY Here's the free workflow Real UGC creators charge $150-$500 per video. 5-7 day turnaround. By the time you get 12 variants, your winning angle is already dead. We built a system that does 12 unique video ads in under an hour. Cost per video? Less than your coffee. The stack: • HeyOz (product import + export hub) • Claude (creative director + prompt engine) • GPT Image 2 (photorealistic starting frames) • Seedance 2.0 (animation) Broke down the entire thing in a step-by-step guide. What you'll get: → The exact 5-step workflow from URL to finished ad → 3 copy-paste image prompts (Stanley Quencher example) → 3 matching motion prompts for Seedance → The prompt framework that fixes 90% of bad AI outputs → Why grip specificity is the make-or-break variable most people miss → The 70/30 strategy for scaling (AI for testing, humans for winners) No design skills needed. No Canva. No CapCut. No Adobe. Just paste your product URL. Generate. Export. Launch. If you're running Meta or TikTok ads and your creative rotation is slower than your ad spend, this is for you. Comment "factory" to get access (must be following)

HeyOz

43,291 views • 4 months ago

MARVEL JUST PLUCKED $5,000,000 OUT OF THEIR VFX BUDGET TO BUY OUT A 20-YEAR-OLD WHO REBUILT SPIDER-MAN IN 120 HOURS Disney spent $250,000,000 and forced 400 animators into crunch to render a masked, miserable hero. A broke student booted a single neural engine and built a maskless, overjoyed superhero in 5 days with zero render software. Marvel panicked, realized his pipeline beat their internal renders, and dropped a $5M buyout. Here is the exact technical stack that forced a $150B studio to write the check: > ZERO MOCAP HARDWARE - Driven by open-source spatial pose estimators. No physical tracking suits or clean plates required. > MID-AIR FACIAL LOCK - Locked consistent face features across high-speed lighting using a hyper-focused ControlNet depth harness. > LIQUIDATED CGI PIPELINES - Replaced 3D environments, manual keyframes, and render farms with real-time latent frame interpolation.

MARVEL JUST PLUCKED $5,000,000 OUT OF THEIR VFX BUDGET TO BUY OUT A 20-YEAR-OLD WHO REBUILT SPIDER-MAN IN 120 HOURS Disney spent $250,000,000 and forced 400 animators into crunch to render a masked, miserable hero. A broke student booted a single neural engine and built a maskless, overjoyed superhero in 5 days with zero render software. Marvel panicked, realized his pipeline beat their internal renders, and dropped a $5M buyout. Here is the exact technical stack that forced a $150B studio to write the check: > ZERO MOCAP HARDWARE - Driven by open-source spatial pose estimators. No physical tracking suits or clean plates required. > MID-AIR FACIAL LOCK - Locked consistent face features across high-speed lighting using a hyper-focused ControlNet depth harness. > LIQUIDATED CGI PIPELINES - Replaced 3D environments, manual keyframes, and render farms with real-time latent frame interpolation.

Shadow Nick

186,772 views • 1 month ago

My experience as a Defenders fan going to STL America's Center & The Dome for an away game. This was a solo trip, did not bring my family on this one. The St. Louis Battlehawks home games truly are one of the special environments for United Football League. I’ve been to 4 AWAY games for DC Defenders over the last 12 months and the environment for this one was fired up! They definitely should NOT move STL to a soccer stadium if they keep showing out like they did yesterday. I got to my hotel at 1AM on game day after a late flight from the west coast. I woke up 6 hours later, walked towards the stadium and randomly caught the STL player walk-ins. Then, I walked over to the tailgate and met up with The Bottom Line and enjoyed some mimosas and breakfast burritos with Ed Ploeger and his gang. Thanks for the hospitality! I was able to get him a signed Sam Kidd jersey as a thanks for all he does for the UFL community! After the tailgate, got in for gate drop at 0930, and went straight down to the field. I was able to say hi to a few players and talk with Steven McCrane as his son was nailing 50+ yard field goals with ease. Chatted up and made peace with a few STL fans around me. Once the game started, they had the place LOUD, and my watch kept alerting me that my hearing was getting damaged 🤣 . Being there for the first ever 4 point field goal by Matt McCrane made the travel worth it. After the home fans had a few rounds of beers, the heckling began (which was expected), but I had to pop about 6 beach balls/🎈 as I became the 🎯 for drunk fans as the only DC fan in the section. I tossed the balls back a few times until I immediately got hit with about 3 balls in a row. So that part was a bit of a let down, as I was just trying to enjoy a game. The halftime show was great. Overall, the game experience itself left something to be desired with the penalties and getting harassed by fans who were clearly recording trying to get rage bait engagement on 🎥. Probably won’t be going back to a STL game again, but I’m glad got to check it out! Pregame/Tailgate: 5/5 Halftime: 5/5 Game experience: 3/5 Getting to/from stadium: 5/5

My experience as a Defenders fan going to STL America's Center & The Dome for an away game. This was a solo trip, did not bring my family on this one. The St. Louis Battlehawks home games truly are one of the special environments for United Football League. I’ve been to 4 AWAY games for DC Defenders over the last 12 months and the environment for this one was fired up! They definitely should NOT move STL to a soccer stadium if they keep showing out like they did yesterday. I got to my hotel at 1AM on game day after a late flight from the west coast. I woke up 6 hours later, walked towards the stadium and randomly caught the STL player walk-ins. Then, I walked over to the tailgate and met up with The Bottom Line and enjoyed some mimosas and breakfast burritos with Ed Ploeger and his gang. Thanks for the hospitality! I was able to get him a signed Sam Kidd jersey as a thanks for all he does for the UFL community! After the tailgate, got in for gate drop at 0930, and went straight down to the field. I was able to say hi to a few players and talk with Steven McCrane as his son was nailing 50+ yard field goals with ease. Chatted up and made peace with a few STL fans around me. Once the game started, they had the place LOUD, and my watch kept alerting me that my hearing was getting damaged 🤣 . Being there for the first ever 4 point field goal by Matt McCrane made the travel worth it. After the home fans had a few rounds of beers, the heckling began (which was expected), but I had to pop about 6 beach balls/🎈 as I became the 🎯 for drunk fans as the only DC fan in the section. I tossed the balls back a few times until I immediately got hit with about 3 balls in a row. So that part was a bit of a let down, as I was just trying to enjoy a game. The halftime show was great. Overall, the game experience itself left something to be desired with the penalties and getting harassed by fans who were clearly recording trying to get rage bait engagement on 🎥. Probably won’t be going back to a STL game again, but I’m glad got to check it out! Pregame/Tailgate: 5/5 Halftime: 5/5 Game experience: 3/5 Getting to/from stadium: 5/5

UFL T1SDALE

17,534 views • 6 months ago

$KNDX 🤖 Theres 3 big narratives that are sending coins left right and centre rn. 🚀 #AI, #Gamefi, & #NFTs 🔹Theres 50% mindshare for #AI. 🤖 🔹#GameFi mcap is hitting ATH's with #OfftheGrid, $XBG and $SUPER making spectacular moves. 🎮 🔹NFTs and the #Metaverse are making a strong comeback with $APE up 100% over the weekend. 🐵 What if there's a project that touches all these trending narratives with groundbreaking technology to disrupt all 3 of them? 🔥 💡- That's where $KNDX comes in. -💡 Kondux is a cutting-edge Web3 SaaS platform, combining NVIDIA’s Omniverse, AI, Blockchain, and dynamic NFTs to revolutionize secure asset management across industries. 👏 Their flagship product, kNFTs, are 3D digital assets usable across Metaverse and Gaming platforms, AR/VR/XR environments, and manufacturing applications. Kondux’s scalable model opens new revenue streams by enabling effective digital asset monetization. 💰 Kondux is the first Web3 project to integrate VFX pipelines with NVIDIA’s Omniverse and bringing it onto the Blockchain. ⛓️ It is also the only Web3 project with a *Select Status Partnership* with NVIDIA, operating under NVIDIA NDAs and working with them directly for more than 2 years. About their NVIDIA Integrations: 🤖 🔹There are three areas of the Kondux tech stack that coincide with three divisions of NVIDIA: 📡GDN (Graphics Delivery Network, the backbone of GeForce Now) 💡Omniverse for 3D aspects such as, geospatial data, real world physics, lighting, and raytracing 🤖NVIDIA AI Foundation, which covers many aspects of #AI, including inference and deployment scaling. The convergence of all these components lie within .USD file format . 🔹 They are the first blockchain project to integrate NVIDIA’s Omniverse Cloud and Graphics Delivery Network (GDN) to provide high-quality 3D content accessible on any device without requiring high-end hardware. 🔹 This setup streamlines content management, democratises access to resource-intensive 3D content, and enables real-time interaction with 3D NFTs. Now, I haven’t seen any crypto project so deeply connected with NVIDIA and NVIDIA technology. GDN is a HUGE competitive advantage. With it, the need for #GPU’s basically goes out the window. 🤯 Now lets take a look at some of the other main features... 👀 OpenUSD (Universal Scene Description): 📽️ 🔹 Kondux is leveraging USD technology, developed by Pixar and used by Meta, Apple, Microsoft and other industry leaders to enhance 3D graphics and interoperability within its creative ecosystem. 🔹 Originally created for high-end film production, USD now supports a variety of applications, including gaming and virtual reality, making it a key asset for Kondux. kNFT's: 🎨 🔹 Kondux is pioneering a new category of NFTs known as kNFTs, which aim to redefine NFT utility through innovative features. 🔹 A standout feature is the upgradeable aspect provided by Kondux DNA, allowing kNFTs to transform and combine with other NFTs, creating limitless possibilities in art, gaming, and music. 🔹Through the Kondux AI portal it will be possible to communicate with kNFTs. They can learn and adapt. This AI technology is revolutionary because it makes human to kNFT interaction possible, turning it into a unique, personalized experience. Check out the clip of kNFTs in Unreal Engine 5 gameplay below. 👇 Kondux is a very obvious utility play with huge upside because it’s multi narrative. 📈 It's seriously groundbreaking stuff that they’re about to launch. 🚀 After speaking with the team there’s no doubt in my mind this will do crazy big numbers in the next months. 🤑

$KNDX 🤖 Theres 3 big narratives that are sending coins left right and centre rn. 🚀 #AI, #Gamefi, & #NFTs 🔹Theres 50% mindshare for #AI. 🤖 🔹#GameFi mcap is hitting ATH's with #OfftheGrid, $XBG and $SUPER making spectacular moves. 🎮 🔹NFTs and the #Metaverse are making a strong comeback with $APE up 100% over the weekend. 🐵 What if there's a project that touches all these trending narratives with groundbreaking technology to disrupt all 3 of them? 🔥 💡- That's where $KNDX comes in. -💡 Kondux is a cutting-edge Web3 SaaS platform, combining NVIDIA’s Omniverse, AI, Blockchain, and dynamic NFTs to revolutionize secure asset management across industries. 👏 Their flagship product, kNFTs, are 3D digital assets usable across Metaverse and Gaming platforms, AR/VR/XR environments, and manufacturing applications. Kondux’s scalable model opens new revenue streams by enabling effective digital asset monetization. 💰 Kondux is the first Web3 project to integrate VFX pipelines with NVIDIA’s Omniverse and bringing it onto the Blockchain. ⛓️ It is also the only Web3 project with a Select Status Partnership with NVIDIA, operating under NVIDIA NDAs and working with them directly for more than 2 years. About their NVIDIA Integrations: 🤖 🔹There are three areas of the Kondux tech stack that coincide with three divisions of NVIDIA: 📡GDN (Graphics Delivery Network, the backbone of GeForce Now) 💡Omniverse for 3D aspects such as, geospatial data, real world physics, lighting, and raytracing 🤖NVIDIA AI Foundation, which covers many aspects of #AI, including inference and deployment scaling. The convergence of all these components lie within .USD file format . 🔹 They are the first blockchain project to integrate NVIDIA’s Omniverse Cloud and Graphics Delivery Network (GDN) to provide high-quality 3D content accessible on any device without requiring high-end hardware. 🔹 This setup streamlines content management, democratises access to resource-intensive 3D content, and enables real-time interaction with 3D NFTs. Now, I haven’t seen any crypto project so deeply connected with NVIDIA and NVIDIA technology. GDN is a HUGE competitive advantage. With it, the need for #GPU’s basically goes out the window. 🤯 Now lets take a look at some of the other main features... 👀 OpenUSD (Universal Scene Description): 📽️ 🔹 Kondux is leveraging USD technology, developed by Pixar and used by Meta, Apple, Microsoft and other industry leaders to enhance 3D graphics and interoperability within its creative ecosystem. 🔹 Originally created for high-end film production, USD now supports a variety of applications, including gaming and virtual reality, making it a key asset for Kondux. kNFT's: 🎨 🔹 Kondux is pioneering a new category of NFTs known as kNFTs, which aim to redefine NFT utility through innovative features. 🔹 A standout feature is the upgradeable aspect provided by Kondux DNA, allowing kNFTs to transform and combine with other NFTs, creating limitless possibilities in art, gaming, and music. 🔹Through the Kondux AI portal it will be possible to communicate with kNFTs. They can learn and adapt. This AI technology is revolutionary because it makes human to kNFT interaction possible, turning it into a unique, personalized experience. Check out the clip of kNFTs in Unreal Engine 5 gameplay below. 👇 Kondux is a very obvious utility play with huge upside because it’s multi narrative. 📈 It's seriously groundbreaking stuff that they’re about to launch. 🚀 After speaking with the team there’s no doubt in my mind this will do crazy big numbers in the next months. 🤑

Altcoin Miyagi🇯🇵

17,323 views • 1 year ago