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Kylian Mbappe 🆚 Athletic Bilbao 🎥 Every Single Action 📊 10.00 SofaScore Rating #RealMadridBilbao

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Mbappe Out Of Context 🐢

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15,167 просмотров • 8 месяцев назад •via X (Twitter)

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richroll

442,096 просмотров • 4 месяцев назад

🚨🐊 SWAMP CREATURE OF THE WEEK ALERT!! 🐊🚨 🦟 Something gross is slithering out of the Georgia swamp… 🦟 🎥 Watch the video ⬇️ 🐊 Fulton County Commissioner Dana Barrett has officially surfaced and this rising swamp creature must be stopped before she does permanent damage to fair and free elections. 📼 TALE OF THE TAPE 📼 ➡️ She’s running for Georgia Secretary of State (GA Secretary of State Brad Raffensperger) ➡️ The single most powerful election office in the state ➡️ Controls voter rolls 🧾 ➡️ Sets election rules ⚙️ ➡️ Oversees counties 🕶️ ➡️ Certifies results 🖊️ ⚠️ That’s not symbolic power - that’s TOTAL CONTROL. ➡️ Barrett brands herself the anti–“election denier” candidate ➡️ Translation: 🐊 Ask questions? DENIER 🐊 Want audits? EXTREMIST 🐊 Demand records? THREAT ...if you shine a light into the swamp, she hisses. 🐊 Last week, the swamp was disturbed by a lawful FBI raid ➡️ Court-authorized FBI raid ➡️ Valid warrant ➡️ Lawful investigation into Fulton County elections Barrett’s reaction? A full-blown swamp tantrum. ➡️ Screamed “political theater” 🎭 ➡️ Attacked President Donald J. Trump Trump ➡️ Defended secrecy instead of transparency 📊 Reality check: ➡️ Donald J. Trump won the presidency in 2024 by 115,000 votes 🇺🇸 ➡️ That margin is a LOT harder to manipulate than 11,779 votes in 2020 🧮 ➡️ Especially when one controversial county holds the lever 🕹️ ❓ So ask yourself: If elections are clean… If systems are secure… If nothing is hiding in the reeds… 👉 WHY PANIC WHEN INVESTIGATORS STEP INTO THE SWAMP? ➡️ Here’s why this matters to EVERY American: ➡️ Georgia is a swing state ⚖️ ➡️ Swing states decide the Electoral College 🗳️ ➡️ Fulton County alone can flip the entire outcome 🧨 ➡️ The real danger isn’t chaos - it’s CONTROL. ➡️ Centralized power ➡️ Locked-down records ➡️ Audits smeared as “extreme” ➡️ Transparency drowned in murk 🐍 Dana Barrett isn’t anti–“election denial.” She’s anti-transparency. She’s anti-verification. She’s anti-you knowing your vote actually counted. ➡️ When swamp creatures run elections: ➡️ Confidence dies ➡️ Secrecy thrives ➡️ Accountability sinks 🐊 For attacking oversight 🐊 For defending secrecy 🐊For panicking when lawful investigators show up Follow @LindellTV's White House Correspondent Cara Castronuova 🇺🇸
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LindellTV

253,383 просмотров • 5 месяцев назад

🚨 EXCLUSIVE - ALERT OKLAHOMA! YOU HAVE BEEN SELECTED, OKLAHOMA. AND YOUR LEGISLATORS ARE HELPING CAIR DIG INTO YOUR GOVERNMENT. While real red-state leaders in Texas and Florida are exposing CAIR’s networks and taking action, Oklahoma’s lawmakers are doing the exact opposite. They are platforming CAIR. They are legitimizing CAIR. They are handing CAIR the political access it has spent decades trying to build. Here is the latest example I have found.... On May 13, 2024, Democrat Senator Julia Kirt stood on the Oklahoma Senate Floor and proudly recognized: Peace Academy Mercy School CAIR Oklahoma She did this during CAIR’s own political lobbying day, the 10th Annual Muslim Day at the Capitol. Oklahoma didn’t resist CAIR. Oklahoma didn’t question CAIR. Oklahoma celebrated CAIR inside the highest chamber of state government. 🎥 WHAT SENATOR KIRT SAID ON CAMERA She told every lawmaker in the chamber to look up and applaud the Islamic schools brought in for CAIR’s Capitol Day. She praised them as “balanced” and “excellent citizens.” She publicly thanked CAIR Oklahoma for its “work” and its “civil rights efforts.” She endorsed CAIR as a partner in state governance. She treated CAIR as a civic authority rather than the documented extremist-aligned network it is. CAIR could not have scripted a better moment. Oklahoma gave them everything they wanted: Visibility Legitimacy Access Political validation And not one Oklahoma Republican stood up and said a word. ⚠️ THIS IS EXACTLY HOW CAIR INFILTRATES A RED STATE They host “Muslim Day at the Capitol.” They train activists on lobbying and political pressure. They meet with lawmakers. They push policy agendas. They build relationships. And eventually, they shape the legislative environment itself. Texas is exposing them. Florida is exposing them. Red leaders across the country are calling out CAIR’s networks. But Oklahoma? Oklahoma is rolling out the red carpet. It appears that Peace Academy and Mercy School were promoted without any due diligence. Peace Academy and Mercy School sit directly inside REPUBLICAN Senator Rader’s and Pro Tem Treat’s districts, and it appears that instead of investigating what these schools teach or who they are tied to, these lawmakers allowed them to be elevated on the Senate Floor without a single question. Total dereliction of duty. Your lawmakers have not seemed to review them. BUT I have - and my investigation is coming. Oklahoma, where are your leaders? Where is your backbone? Why are you allowing CAIR to integrate itself into your state institutions while other red states are fighting to shut them down? Your Capitol has been opened. Your lawmakers are applauding. CAIR is expanding its foothold in your government. And your leadership remains silent. Wake up, Oklahoma. You have been selected. Contact your legislators ASAP - Demand Action!
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🚨 EXCLUSIVE - ALERT OKLAHOMA! YOU HAVE BEEN SELECTED, OKLAHOMA. AND YOUR LEGISLATORS ARE HELPING CAIR DIG INTO YOUR GOVERNMENT. While real red-state leaders in Texas and Florida are exposing CAIR’s networks and taking action, Oklahoma’s lawmakers are doing the exact opposite. They are platforming CAIR. They are legitimizing CAIR. They are handing CAIR the political access it has spent decades trying to build. Here is the latest example I have found.... On May 13, 2024, Democrat Senator Julia Kirt stood on the Oklahoma Senate Floor and proudly recognized: Peace Academy Mercy School CAIR Oklahoma She did this during CAIR’s own political lobbying day, the 10th Annual Muslim Day at the Capitol. Oklahoma didn’t resist CAIR. Oklahoma didn’t question CAIR. Oklahoma celebrated CAIR inside the highest chamber of state government. 🎥 WHAT SENATOR KIRT SAID ON CAMERA She told every lawmaker in the chamber to look up and applaud the Islamic schools brought in for CAIR’s Capitol Day. She praised them as “balanced” and “excellent citizens.” She publicly thanked CAIR Oklahoma for its “work” and its “civil rights efforts.” She endorsed CAIR as a partner in state governance. She treated CAIR as a civic authority rather than the documented extremist-aligned network it is. CAIR could not have scripted a better moment. Oklahoma gave them everything they wanted: Visibility Legitimacy Access Political validation And not one Oklahoma Republican stood up and said a word. ⚠️ THIS IS EXACTLY HOW CAIR INFILTRATES A RED STATE They host “Muslim Day at the Capitol.” They train activists on lobbying and political pressure. They meet with lawmakers. They push policy agendas. They build relationships. And eventually, they shape the legislative environment itself. Texas is exposing them. Florida is exposing them. Red leaders across the country are calling out CAIR’s networks. But Oklahoma? Oklahoma is rolling out the red carpet. It appears that Peace Academy and Mercy School were promoted without any due diligence. Peace Academy and Mercy School sit directly inside REPUBLICAN Senator Rader’s and Pro Tem Treat’s districts, and it appears that instead of investigating what these schools teach or who they are tied to, these lawmakers allowed them to be elevated on the Senate Floor without a single question. Total dereliction of duty. Your lawmakers have not seemed to review them. BUT I have - and my investigation is coming. Oklahoma, where are your leaders? Where is your backbone? Why are you allowing CAIR to integrate itself into your state institutions while other red states are fighting to shut them down? Your Capitol has been opened. Your lawmakers are applauding. CAIR is expanding its foothold in your government. And your leadership remains silent. Wake up, Oklahoma. You have been selected. Contact your legislators ASAP - Demand Action!

Amy Mek

136,558 просмотров • 7 месяцев назад

Although music existed in prehistoric Egypt, the evidence for it becomes secure only in the historical (or "dynastic" or "pharaonic") period after 3100 BC. Music formed an important part of Egyptian life, and musicians occupied a variety of positions in Egyptian society. Music found its way into many contexts in Egypt: temples, palaces, workshops, farms, battlefields and the tomb. Music was an integral part of religious worship in ancient Egypt, so it is not surprising that there were gods specifically associated with music, such as Hathor and Bes (both were also associated with dance, fertility and childbirth). All the major categories of musical instruments (percussion, wind, stringed) were represented in pharaonic Egypt. Percussion instruments included hand-held drums, rattles, castanets, bells, and the sistrum, a highly important rattle used in religious worship. Hand clapping too was used as a rhythmic accompaniment. Wind instruments included flutes (double and single, with reeds and without) and trumpets. Stringed instruments included harps, lyres, and lutes-plucked rather than bowed. Instruments were frequently inscribed with the name of the owner and decorated with representations of the goddess (Hathor) or god (Bes) of music. Both male and female voices were also frequently used in Egyptian music. Professional musicians existed on a number of social levels in ancient Egypt. Perhaps the highest status belonged to temple musicians; the office of "musician" (shemayet) to a particular god or goddess was a position of high status frequently held by women. Musicians connected with royal household were held in high esteem, as were certain gifted singers and harp players. Somewhat lower on the social scale were musicians who acted as entertainers for parties and festivals, frequently accompanied by dancers. Informal singing is suggested by scenes of workers in action; captions to many of these pictures have been interpreted as words of songs. Otherwise there is little evidence for the amateur musician in pharaonic Egypt, and it is unlikely that musical achievement was seen as a desirable goal for individuals who were not professionals. Ancient Egyptians have long valued music much in their daily life. Performing musicians and vocalists are frequently seen alongside the tunes they played or sang along to in wall reliefs and paintings found in temples and tombs. In addition to musical instruments, a wide range of items decorated with images of musical sceneries have persisted to this day. There are many statues and statuettes of musicians, and the abundance of textual material enables us to determine the performers’ names, the names of their instruments, their repertoires, and the playing styles they employed. The singer Kahay, who was praised for his lovely voice, was one of the artists whose names were also well-known. The harp was not only the most popular musical instrument in ancient Egypt, but it was also shown as one of the sacrifices made to the gods during rituals and processions. Texts indicate that it was decorated with priceless materials. An ebony, gold, and silver harp belonged to King Ahmose. A step farther was taken by Thutmose III, who ordered “a superb harp made with silver, gold, lapis lazuli, malachite, and every splendid precious stone.” Perhaps the easiest method to create music is to sing, clap your hands, or snap your fingers. However, a range of musical instruments, including idiophones and membraphones, as well as wind and stringed instruments, were already in use throughout the ancient Egypt. All of instruments used in ancient Egypt are being used today. There were wind instruments such the shepherd’s pipe, double-pipe, clarinet, flute, oboe, and trumpet, as well as percussion instruments including drums, the sistrum, rattles, tambourines, and later, bells and cymbals. Similar to today, musicians performed them individually or in an ensemble. 🎥© TikTok #archaeohistories
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Although music existed in prehistoric Egypt, the evidence for it becomes secure only in the historical (or "dynastic" or "pharaonic") period after 3100 BC. Music formed an important part of Egyptian life, and musicians occupied a variety of positions in Egyptian society. Music found its way into many contexts in Egypt: temples, palaces, workshops, farms, battlefields and the tomb. Music was an integral part of religious worship in ancient Egypt, so it is not surprising that there were gods specifically associated with music, such as Hathor and Bes (both were also associated with dance, fertility and childbirth). All the major categories of musical instruments (percussion, wind, stringed) were represented in pharaonic Egypt. Percussion instruments included hand-held drums, rattles, castanets, bells, and the sistrum, a highly important rattle used in religious worship. Hand clapping too was used as a rhythmic accompaniment. Wind instruments included flutes (double and single, with reeds and without) and trumpets. Stringed instruments included harps, lyres, and lutes-plucked rather than bowed. Instruments were frequently inscribed with the name of the owner and decorated with representations of the goddess (Hathor) or god (Bes) of music. Both male and female voices were also frequently used in Egyptian music. Professional musicians existed on a number of social levels in ancient Egypt. Perhaps the highest status belonged to temple musicians; the office of "musician" (shemayet) to a particular god or goddess was a position of high status frequently held by women. Musicians connected with royal household were held in high esteem, as were certain gifted singers and harp players. Somewhat lower on the social scale were musicians who acted as entertainers for parties and festivals, frequently accompanied by dancers. Informal singing is suggested by scenes of workers in action; captions to many of these pictures have been interpreted as words of songs. Otherwise there is little evidence for the amateur musician in pharaonic Egypt, and it is unlikely that musical achievement was seen as a desirable goal for individuals who were not professionals. Ancient Egyptians have long valued music much in their daily life. Performing musicians and vocalists are frequently seen alongside the tunes they played or sang along to in wall reliefs and paintings found in temples and tombs. In addition to musical instruments, a wide range of items decorated with images of musical sceneries have persisted to this day. There are many statues and statuettes of musicians, and the abundance of textual material enables us to determine the performers’ names, the names of their instruments, their repertoires, and the playing styles they employed. The singer Kahay, who was praised for his lovely voice, was one of the artists whose names were also well-known. The harp was not only the most popular musical instrument in ancient Egypt, but it was also shown as one of the sacrifices made to the gods during rituals and processions. Texts indicate that it was decorated with priceless materials. An ebony, gold, and silver harp belonged to King Ahmose. A step farther was taken by Thutmose III, who ordered “a superb harp made with silver, gold, lapis lazuli, malachite, and every splendid precious stone.” Perhaps the easiest method to create music is to sing, clap your hands, or snap your fingers. However, a range of musical instruments, including idiophones and membraphones, as well as wind and stringed instruments, were already in use throughout the ancient Egypt. All of instruments used in ancient Egypt are being used today. There were wind instruments such the shepherd’s pipe, double-pipe, clarinet, flute, oboe, and trumpet, as well as percussion instruments including drums, the sistrum, rattles, tambourines, and later, bells and cymbals. Similar to today, musicians performed them individually or in an ensemble. 🎥© TikTok #archaeohistories

Archaeo - Histories

135,167 просмотров • 1 год назад