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Kylian Mbappe 🆚 Athletic Bilbao 🎥 Every Single Action 📊 10.00 SofaScore Rating #RealMadridBilbao

Mbappe Out Of Context 🐢

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15,167 Aufrufe • vor 7 Monaten •via X (Twitter)

#RealMadridBilbao

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Urban Meyer shares the 5 traits he used to identify elite recruits. These are qualities every great player, coach, and businessperson has in common. "The single most common characteristic of every great player, every great coach, every great businessperson I've ever been around - they just detest losing. Losing makes them ill." Everyone loves to win, but do you compete and hate to lose? "Mental and physical toughness. I don't care if you're running a shoe company or whatever. You just gotta be tough." Toughness requires a willingness to endure and go beyond your current limits. "You gotta lead yourself, then lead others - in that order. You can't lead others before you lead yourself." Leadership is action-based. It’s dependent on what you do, not your title. "Football is a complicated game. The world's complicated." It's not just about talent - you have to be knowledgeable and hungry to learn more in your field. "65 to 75% of the plays Mahomes makes are the broken plays. He adapts." Successful people are consistently evolving. They are resilient and have the ability to adjust, improve, and constantly grow. The 5 traits: 1. Competitor 2. Toughness 3. Leadership 4. Intelligence 5. Adaptability Meyer got so committed to these 5 qualities that every coach had to sign their name on the line - committing to them for who they recruited. Great teams aren't luck. They're built by defining the standard and holding the line. (🎥 Glue Guys)

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I spent 1 day building something that saves you 2-4 weeks. Let me explain. Right now, if you want to deploy a single AI agent that earns money on blockchain, you need: → Wallet infrastructure (key generation, encryption, signing) → Payment integration (on-chain flows, stablecoin handling) → On-chain identity (NFT registration, metadata, URIs) → Escrow contracts (state machines, fund locking) → Monitoring dashboard (analytics, revenue tracking) That's 2-4 weeks of engineering. Minimum. And it locks out 99% of potential creators who aren't Solidity devs. So I built Bumi Agent. It takes 10 seconds. 3 fields: Name, Template, Price. 1 button: Deploy. That's it. Your AI agent is live on Celo, earning cUSD, with on-chain identity before your coffee gets cold. Here's what happens behind that 1 click: • Wallet auto-generated with AES-256-GCM encryption • Agent registered as NFT via ERC-8004 • Payment endpoint configured via x402 protocol • Agent runtime deployed with your chosen template • Revenue starts flowing in cUSD from call #1 No Solidity. No wallet setup. No payment gateway. But the real magic is what powers the agents: 8 AI models with intelligent routing: - Free tier: Claude 4.6 Sonnet, DeepSeek R1, Gemini Flash, Llama 4 Scout, Mistral Medium - Premium: GPT-4o, Gemini 2.5 Pro, Claude 4 Opus If one model fails? Auto-fallback to the next. Zero downtime. Users always get a response. And agents don't just chat they work. ERC-8183 job escrow lets clients post paid tasks: Client funds escrow → Agent delivers → Client approves → Funds release. Fully trustless. On-chain. With Celoscan links for every transaction. The part I'm most proud of: EarthPool 🌱 15% of premium revenue automatically goes to an on-chain ReFi treasury that funds environmental campaigns on Celo. AI growth funding climate action. No greenwashing — every cent is trackable on-chain. The numbers so far: → 12 agents deployed on Celo Mainnet → 52+ paid API calls processed → 7.80 cUSD revenue generated → 3 smart contracts verified on Celoscan → 8 AI models running → 85 contract tests passing → 16 API endpoints in production → 10 agent templates ready The full stack: Frontend: Next.js 16 + Tailwind v4 + Recharts → Vercel Backend: Hono + Drizzle + PostgreSQL + Redis → Railway Blockchain: Solidity 0.8.25 + Foundry + OpenZeppelin → Celo Mainnet Everything is live. Everything is open source. 🌐 📦 📊 Bumi Agent — AI agents for everyone. Built with 🌱 on Celo CeloDevs CeloPublicGoods /disclosure this post is hackathon submission req

I spent 1 day building something that saves you 2-4 weeks. Let me explain. Right now, if you want to deploy a single AI agent that earns money on blockchain, you need: → Wallet infrastructure (key generation, encryption, signing) → Payment integration (on-chain flows, stablecoin handling) → On-chain identity (NFT registration, metadata, URIs) → Escrow contracts (state machines, fund locking) → Monitoring dashboard (analytics, revenue tracking) That's 2-4 weeks of engineering. Minimum. And it locks out 99% of potential creators who aren't Solidity devs. So I built Bumi Agent. It takes 10 seconds. 3 fields: Name, Template, Price. 1 button: Deploy. That's it. Your AI agent is live on Celo, earning cUSD, with on-chain identity before your coffee gets cold. Here's what happens behind that 1 click: • Wallet auto-generated with AES-256-GCM encryption • Agent registered as NFT via ERC-8004 • Payment endpoint configured via x402 protocol • Agent runtime deployed with your chosen template • Revenue starts flowing in cUSD from call #1 No Solidity. No wallet setup. No payment gateway. But the real magic is what powers the agents: 8 AI models with intelligent routing: - Free tier: Claude 4.6 Sonnet, DeepSeek R1, Gemini Flash, Llama 4 Scout, Mistral Medium - Premium: GPT-4o, Gemini 2.5 Pro, Claude 4 Opus If one model fails? Auto-fallback to the next. Zero downtime. Users always get a response. And agents don't just chat they work. ERC-8183 job escrow lets clients post paid tasks: Client funds escrow → Agent delivers → Client approves → Funds release. Fully trustless. On-chain. With Celoscan links for every transaction. The part I'm most proud of: EarthPool 🌱 15% of premium revenue automatically goes to an on-chain ReFi treasury that funds environmental campaigns on Celo. AI growth funding climate action. No greenwashing — every cent is trackable on-chain. The numbers so far: → 12 agents deployed on Celo Mainnet → 52+ paid API calls processed → 7.80 cUSD revenue generated → 3 smart contracts verified on Celoscan → 8 AI models running → 85 contract tests passing → 16 API endpoints in production → 10 agent templates ready The full stack: Frontend: Next.js 16 + Tailwind v4 + Recharts → Vercel Backend: Hono + Drizzle + PostgreSQL + Redis → Railway Blockchain: Solidity 0.8.25 + Foundry + OpenZeppelin → Celo Mainnet Everything is live. Everything is open source. 🌐 📦 📊 Bumi Agent — AI agents for everyone. Built with 🌱 on Celo CeloDevs CeloPublicGoods /disclosure this post is hackathon submission req

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15,647 Aufrufe • vor 4 Monaten

On May 8, 2025 I underwent spinal fusion surgery, a 6 hour procedure in which I was filleted from front to back. First, my abdomen was opened up so that the surgeon could scrape out the disc between L5 and S1, replacing it with a perforated cage containing bone grafting material that was screwed into my vertebra. Then I was flipped over and opened up on my back so that my surgeon could screw vertical rods into L5 and S1 to secure my spine position to ensure the fusion sets properly. The procedure was successful, correcting 15 years of lower back debilitation due to severe Spondylolisthesis. However, the recovery process demanded I endure far more than I bargained for, debilitating me in ways I thought might handicap me permanently. For the first 3 months I could barely move. For the first six months my activity was limited to walking only. Pain was constant. At nine months I was still in so much discomfort, still so limited in my range of motion, still too unstable to do anything to elevate my heart rate. My weight ballooned. My muscles atrophied. My mood plummeted. And I was becoming resigned to the idea that my athletic identity (let alone performing extreme feats of ultra-endurance) was a thing of the past, a memory well behind me. But very slowly after that I began to turn a corner. At ten months, I finally felt stable enough to resume a very modest non-spine compressing return to fitness exercise regimen. Zone 1 indoor cycling, gentle core work, extremely low weight / high rep resistance training. Proceeding on a ‘less is more’ mandate in late November (which demands discipline for someone like myself prone to taking everything to the extreme, I just showed up every single morning to do what I could, and stop well before doing more than I should. Today I am down 35 pounds from November (207 to 171) including a body fat reduction from 20% to 11%. More importantly, I am beginning to feel like myself again. Grateful and hopeful. I still have a long way to go—it takes 12-18 months for the fusion to fully set. My surgeon was not optimistic that I will be able to run again. Time will tell of course, but I’m confident that provided I continue to proceed patiently that I have a future in which running can become part of my new reality. Towards that end I have a goal—which is to celebrate my 60th birthday this Fall by participating in the NYC Marathon. But here’s the thing. I’m not trying to return to who I once was. I’ve leaned into the stillness this experience has demanded of me to become someone new and better. I am posting this story not for external validation but rather to say that change is always possible. And the way to do it is the same way I have navigated every one of my many life transformations, from alcoholism to sobriety, from sedentary to middle aged ultra endurance athlete, and from a corporate lawyer career to becoming an author and podcaster: getting sober and staying sober: by taking contrary action consistently and religiously—one day at a time. As Chris Paul said on my podcast, “keep stacking days.” And remember, every obstacle life presents you is simply an opportunity custom-designed for your growth and evolution.

On May 8, 2025 I underwent spinal fusion surgery, a 6 hour procedure in which I was filleted from front to back. First, my abdomen was opened up so that the surgeon could scrape out the disc between L5 and S1, replacing it with a perforated cage containing bone grafting material that was screwed into my vertebra. Then I was flipped over and opened up on my back so that my surgeon could screw vertical rods into L5 and S1 to secure my spine position to ensure the fusion sets properly. The procedure was successful, correcting 15 years of lower back debilitation due to severe Spondylolisthesis. However, the recovery process demanded I endure far more than I bargained for, debilitating me in ways I thought might handicap me permanently. For the first 3 months I could barely move. For the first six months my activity was limited to walking only. Pain was constant. At nine months I was still in so much discomfort, still so limited in my range of motion, still too unstable to do anything to elevate my heart rate. My weight ballooned. My muscles atrophied. My mood plummeted. And I was becoming resigned to the idea that my athletic identity (let alone performing extreme feats of ultra-endurance) was a thing of the past, a memory well behind me. But very slowly after that I began to turn a corner. At ten months, I finally felt stable enough to resume a very modest non-spine compressing return to fitness exercise regimen. Zone 1 indoor cycling, gentle core work, extremely low weight / high rep resistance training. Proceeding on a ‘less is more’ mandate in late November (which demands discipline for someone like myself prone to taking everything to the extreme, I just showed up every single morning to do what I could, and stop well before doing more than I should. Today I am down 35 pounds from November (207 to 171) including a body fat reduction from 20% to 11%. More importantly, I am beginning to feel like myself again. Grateful and hopeful. I still have a long way to go—it takes 12-18 months for the fusion to fully set. My surgeon was not optimistic that I will be able to run again. Time will tell of course, but I’m confident that provided I continue to proceed patiently that I have a future in which running can become part of my new reality. Towards that end I have a goal—which is to celebrate my 60th birthday this Fall by participating in the NYC Marathon. But here’s the thing. I’m not trying to return to who I once was. I’ve leaned into the stillness this experience has demanded of me to become someone new and better. I am posting this story not for external validation but rather to say that change is always possible. And the way to do it is the same way I have navigated every one of my many life transformations, from alcoholism to sobriety, from sedentary to middle aged ultra endurance athlete, and from a corporate lawyer career to becoming an author and podcaster: getting sober and staying sober: by taking contrary action consistently and religiously—one day at a time. As Chris Paul said on my podcast, “keep stacking days.” And remember, every obstacle life presents you is simply an opportunity custom-designed for your growth and evolution.

richroll

442,096 Aufrufe • vor 4 Monaten

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🚨🐊 SWAMP CREATURE OF THE WEEK ALERT!! 🐊🚨 🦟 Something gross is slithering out of the Georgia swamp… 🦟 🎥 Watch the video ⬇️ 🐊 Fulton County Commissioner Dana Barrett has officially surfaced and this rising swamp creature must be stopped before she does permanent damage to fair and free elections. 📼 TALE OF THE TAPE 📼 ➡️ She’s running for Georgia Secretary of State (GA Secretary of State Brad Raffensperger) ➡️ The single most powerful election office in the state ➡️ Controls voter rolls 🧾 ➡️ Sets election rules ⚙️ ➡️ Oversees counties 🕶️ ➡️ Certifies results 🖊️ ⚠️ That’s not symbolic power - that’s TOTAL CONTROL. ➡️ Barrett brands herself the anti–“election denier” candidate ➡️ Translation: 🐊 Ask questions? DENIER 🐊 Want audits? EXTREMIST 🐊 Demand records? THREAT ...if you shine a light into the swamp, she hisses. 🐊 Last week, the swamp was disturbed by a lawful FBI raid ➡️ Court-authorized FBI raid ➡️ Valid warrant ➡️ Lawful investigation into Fulton County elections Barrett’s reaction? A full-blown swamp tantrum. ➡️ Screamed “political theater” 🎭 ➡️ Attacked President Donald J. Trump Trump ➡️ Defended secrecy instead of transparency 📊 Reality check: ➡️ Donald J. Trump won the presidency in 2024 by 115,000 votes 🇺🇸 ➡️ That margin is a LOT harder to manipulate than 11,779 votes in 2020 🧮 ➡️ Especially when one controversial county holds the lever 🕹️ ❓ So ask yourself: If elections are clean… If systems are secure… If nothing is hiding in the reeds… 👉 WHY PANIC WHEN INVESTIGATORS STEP INTO THE SWAMP? ➡️ Here’s why this matters to EVERY American: ➡️ Georgia is a swing state ⚖️ ➡️ Swing states decide the Electoral College 🗳️ ➡️ Fulton County alone can flip the entire outcome 🧨 ➡️ The real danger isn’t chaos - it’s CONTROL. ➡️ Centralized power ➡️ Locked-down records ➡️ Audits smeared as “extreme” ➡️ Transparency drowned in murk 🐍 Dana Barrett isn’t anti–“election denial.” She’s anti-transparency. She’s anti-verification. She’s anti-you knowing your vote actually counted. ➡️ When swamp creatures run elections: ➡️ Confidence dies ➡️ Secrecy thrives ➡️ Accountability sinks 🐊 For attacking oversight 🐊 For defending secrecy 🐊For panicking when lawful investigators show up Follow @LindellTV's White House Correspondent Cara Castronuova 🇺🇸

LindellTV

253,383 Aufrufe • vor 5 Monaten

🚨 EXCLUSIVE - ALERT OKLAHOMA! YOU HAVE BEEN SELECTED, OKLAHOMA. AND YOUR LEGISLATORS ARE HELPING CAIR DIG INTO YOUR GOVERNMENT. While real red-state leaders in Texas and Florida are exposing CAIR’s networks and taking action, Oklahoma’s lawmakers are doing the exact opposite. They are platforming CAIR. They are legitimizing CAIR. They are handing CAIR the political access it has spent decades trying to build. Here is the latest example I have found.... On May 13, 2024, Democrat Senator Julia Kirt stood on the Oklahoma Senate Floor and proudly recognized: Peace Academy Mercy School CAIR Oklahoma She did this during CAIR’s own political lobbying day, the 10th Annual Muslim Day at the Capitol. Oklahoma didn’t resist CAIR. Oklahoma didn’t question CAIR. Oklahoma celebrated CAIR inside the highest chamber of state government. 🎥 WHAT SENATOR KIRT SAID ON CAMERA She told every lawmaker in the chamber to look up and applaud the Islamic schools brought in for CAIR’s Capitol Day. She praised them as “balanced” and “excellent citizens.” She publicly thanked CAIR Oklahoma for its “work” and its “civil rights efforts.” She endorsed CAIR as a partner in state governance. She treated CAIR as a civic authority rather than the documented extremist-aligned network it is. CAIR could not have scripted a better moment. Oklahoma gave them everything they wanted: Visibility Legitimacy Access Political validation And not one Oklahoma Republican stood up and said a word. ⚠️ THIS IS EXACTLY HOW CAIR INFILTRATES A RED STATE They host “Muslim Day at the Capitol.” They train activists on lobbying and political pressure. They meet with lawmakers. They push policy agendas. They build relationships. And eventually, they shape the legislative environment itself. Texas is exposing them. Florida is exposing them. Red leaders across the country are calling out CAIR’s networks. But Oklahoma? Oklahoma is rolling out the red carpet. It appears that Peace Academy and Mercy School were promoted without any due diligence. Peace Academy and Mercy School sit directly inside REPUBLICAN Senator Rader’s and Pro Tem Treat’s districts, and it appears that instead of investigating what these schools teach or who they are tied to, these lawmakers allowed them to be elevated on the Senate Floor without a single question. Total dereliction of duty. Your lawmakers have not seemed to review them. BUT I have - and my investigation is coming. Oklahoma, where are your leaders? Where is your backbone? Why are you allowing CAIR to integrate itself into your state institutions while other red states are fighting to shut them down? Your Capitol has been opened. Your lawmakers are applauding. CAIR is expanding its foothold in your government. And your leadership remains silent. Wake up, Oklahoma. You have been selected. Contact your legislators ASAP - Demand Action!

🚨 EXCLUSIVE - ALERT OKLAHOMA! YOU HAVE BEEN SELECTED, OKLAHOMA. AND YOUR LEGISLATORS ARE HELPING CAIR DIG INTO YOUR GOVERNMENT. While real red-state leaders in Texas and Florida are exposing CAIR’s networks and taking action, Oklahoma’s lawmakers are doing the exact opposite. They are platforming CAIR. They are legitimizing CAIR. They are handing CAIR the political access it has spent decades trying to build. Here is the latest example I have found.... On May 13, 2024, Democrat Senator Julia Kirt stood on the Oklahoma Senate Floor and proudly recognized: Peace Academy Mercy School CAIR Oklahoma She did this during CAIR’s own political lobbying day, the 10th Annual Muslim Day at the Capitol. Oklahoma didn’t resist CAIR. Oklahoma didn’t question CAIR. Oklahoma celebrated CAIR inside the highest chamber of state government. 🎥 WHAT SENATOR KIRT SAID ON CAMERA She told every lawmaker in the chamber to look up and applaud the Islamic schools brought in for CAIR’s Capitol Day. She praised them as “balanced” and “excellent citizens.” She publicly thanked CAIR Oklahoma for its “work” and its “civil rights efforts.” She endorsed CAIR as a partner in state governance. She treated CAIR as a civic authority rather than the documented extremist-aligned network it is. CAIR could not have scripted a better moment. Oklahoma gave them everything they wanted: Visibility Legitimacy Access Political validation And not one Oklahoma Republican stood up and said a word. ⚠️ THIS IS EXACTLY HOW CAIR INFILTRATES A RED STATE They host “Muslim Day at the Capitol.” They train activists on lobbying and political pressure. They meet with lawmakers. They push policy agendas. They build relationships. And eventually, they shape the legislative environment itself. Texas is exposing them. Florida is exposing them. Red leaders across the country are calling out CAIR’s networks. But Oklahoma? Oklahoma is rolling out the red carpet. It appears that Peace Academy and Mercy School were promoted without any due diligence. Peace Academy and Mercy School sit directly inside REPUBLICAN Senator Rader’s and Pro Tem Treat’s districts, and it appears that instead of investigating what these schools teach or who they are tied to, these lawmakers allowed them to be elevated on the Senate Floor without a single question. Total dereliction of duty. Your lawmakers have not seemed to review them. BUT I have - and my investigation is coming. Oklahoma, where are your leaders? Where is your backbone? Why are you allowing CAIR to integrate itself into your state institutions while other red states are fighting to shut them down? Your Capitol has been opened. Your lawmakers are applauding. CAIR is expanding its foothold in your government. And your leadership remains silent. Wake up, Oklahoma. You have been selected. Contact your legislators ASAP - Demand Action!

Amy Mek

136,558 Aufrufe • vor 7 Monaten

Although music existed in prehistoric Egypt, the evidence for it becomes secure only in the historical (or "dynastic" or "pharaonic") period after 3100 BC. Music formed an important part of Egyptian life, and musicians occupied a variety of positions in Egyptian society. Music found its way into many contexts in Egypt: temples, palaces, workshops, farms, battlefields and the tomb. Music was an integral part of religious worship in ancient Egypt, so it is not surprising that there were gods specifically associated with music, such as Hathor and Bes (both were also associated with dance, fertility and childbirth). All the major categories of musical instruments (percussion, wind, stringed) were represented in pharaonic Egypt. Percussion instruments included hand-held drums, rattles, castanets, bells, and the sistrum, a highly important rattle used in religious worship. Hand clapping too was used as a rhythmic accompaniment. Wind instruments included flutes (double and single, with reeds and without) and trumpets. Stringed instruments included harps, lyres, and lutes-plucked rather than bowed. Instruments were frequently inscribed with the name of the owner and decorated with representations of the goddess (Hathor) or god (Bes) of music. Both male and female voices were also frequently used in Egyptian music. Professional musicians existed on a number of social levels in ancient Egypt. Perhaps the highest status belonged to temple musicians; the office of "musician" (shemayet) to a particular god or goddess was a position of high status frequently held by women. Musicians connected with royal household were held in high esteem, as were certain gifted singers and harp players. Somewhat lower on the social scale were musicians who acted as entertainers for parties and festivals, frequently accompanied by dancers. Informal singing is suggested by scenes of workers in action; captions to many of these pictures have been interpreted as words of songs. Otherwise there is little evidence for the amateur musician in pharaonic Egypt, and it is unlikely that musical achievement was seen as a desirable goal for individuals who were not professionals. Ancient Egyptians have long valued music much in their daily life. Performing musicians and vocalists are frequently seen alongside the tunes they played or sang along to in wall reliefs and paintings found in temples and tombs. In addition to musical instruments, a wide range of items decorated with images of musical sceneries have persisted to this day. There are many statues and statuettes of musicians, and the abundance of textual material enables us to determine the performers’ names, the names of their instruments, their repertoires, and the playing styles they employed. The singer Kahay, who was praised for his lovely voice, was one of the artists whose names were also well-known. The harp was not only the most popular musical instrument in ancient Egypt, but it was also shown as one of the sacrifices made to the gods during rituals and processions. Texts indicate that it was decorated with priceless materials. An ebony, gold, and silver harp belonged to King Ahmose. A step farther was taken by Thutmose III, who ordered “a superb harp made with silver, gold, lapis lazuli, malachite, and every splendid precious stone.” Perhaps the easiest method to create music is to sing, clap your hands, or snap your fingers. However, a range of musical instruments, including idiophones and membraphones, as well as wind and stringed instruments, were already in use throughout the ancient Egypt. All of instruments used in ancient Egypt are being used today. There were wind instruments such the shepherd’s pipe, double-pipe, clarinet, flute, oboe, and trumpet, as well as percussion instruments including drums, the sistrum, rattles, tambourines, and later, bells and cymbals. Similar to today, musicians performed them individually or in an ensemble. 🎥© TikTok #archaeohistories

Although music existed in prehistoric Egypt, the evidence for it becomes secure only in the historical (or "dynastic" or "pharaonic") period after 3100 BC. Music formed an important part of Egyptian life, and musicians occupied a variety of positions in Egyptian society. Music found its way into many contexts in Egypt: temples, palaces, workshops, farms, battlefields and the tomb. Music was an integral part of religious worship in ancient Egypt, so it is not surprising that there were gods specifically associated with music, such as Hathor and Bes (both were also associated with dance, fertility and childbirth). All the major categories of musical instruments (percussion, wind, stringed) were represented in pharaonic Egypt. Percussion instruments included hand-held drums, rattles, castanets, bells, and the sistrum, a highly important rattle used in religious worship. Hand clapping too was used as a rhythmic accompaniment. Wind instruments included flutes (double and single, with reeds and without) and trumpets. Stringed instruments included harps, lyres, and lutes-plucked rather than bowed. Instruments were frequently inscribed with the name of the owner and decorated with representations of the goddess (Hathor) or god (Bes) of music. Both male and female voices were also frequently used in Egyptian music. Professional musicians existed on a number of social levels in ancient Egypt. Perhaps the highest status belonged to temple musicians; the office of "musician" (shemayet) to a particular god or goddess was a position of high status frequently held by women. Musicians connected with royal household were held in high esteem, as were certain gifted singers and harp players. Somewhat lower on the social scale were musicians who acted as entertainers for parties and festivals, frequently accompanied by dancers. Informal singing is suggested by scenes of workers in action; captions to many of these pictures have been interpreted as words of songs. Otherwise there is little evidence for the amateur musician in pharaonic Egypt, and it is unlikely that musical achievement was seen as a desirable goal for individuals who were not professionals. Ancient Egyptians have long valued music much in their daily life. Performing musicians and vocalists are frequently seen alongside the tunes they played or sang along to in wall reliefs and paintings found in temples and tombs. In addition to musical instruments, a wide range of items decorated with images of musical sceneries have persisted to this day. There are many statues and statuettes of musicians, and the abundance of textual material enables us to determine the performers’ names, the names of their instruments, their repertoires, and the playing styles they employed. The singer Kahay, who was praised for his lovely voice, was one of the artists whose names were also well-known. The harp was not only the most popular musical instrument in ancient Egypt, but it was also shown as one of the sacrifices made to the gods during rituals and processions. Texts indicate that it was decorated with priceless materials. An ebony, gold, and silver harp belonged to King Ahmose. A step farther was taken by Thutmose III, who ordered “a superb harp made with silver, gold, lapis lazuli, malachite, and every splendid precious stone.” Perhaps the easiest method to create music is to sing, clap your hands, or snap your fingers. However, a range of musical instruments, including idiophones and membraphones, as well as wind and stringed instruments, were already in use throughout the ancient Egypt. All of instruments used in ancient Egypt are being used today. There were wind instruments such the shepherd’s pipe, double-pipe, clarinet, flute, oboe, and trumpet, as well as percussion instruments including drums, the sistrum, rattles, tambourines, and later, bells and cymbals. Similar to today, musicians performed them individually or in an ensemble. 🎥© TikTok #archaeohistories

Archaeo - Histories

135,167 Aufrufe • vor 1 Jahr

What if this was the opening scene of an anime that never existed? 🌌⭐ Six ordinary teenagers are chosen by the stars and forced to fight together against an ancient threat. This is only the beginning of their journey. Made with Seedance 2.0 on FlovaAI #Flovaai #Flovacpp 🌌 STARKEEPERS The First Team Attack Length: 60 seconds Structure: 4 × 15-second prompts Style: High-budget anime movie, Ufotable-quality animation, Makoto Shinkai-inspired skies, dynamic action choreography, cinematic lighting, volumetric fog, cosmic particles, dramatic orchestral score, 2.39:1 widescreen, 24 fps, ultra-detailed, fluid character animation. CHARACTER LOCK (Include in every prompt) There are exactly six teenage Starkeepers, all appearing consistently throughout the sequence. ⭐ NOVA (Leader) 17-year-old male Tall, athletic but lean Messy silver-white hair Bright sapphire-blue eyes that emit a soft glow Warm smile, confident expression White-and-gold long battle jacket with celestial embroidery, black fitted combat pants, white armored boots, fingerless gloves, flowing golden scarf that moves with the wind Uses a glowing sword forged entirely from concentrated starlight Fighting style: fast, graceful, heroic, precise swordsmanship mixed with light dashes 🌙 LYRA 17-year-old female Long straight black hair reaching her waist Deep violet eyes Calm, intelligent expression Dark navy cloak covered with tiny embroidered stars over a fitted midnight-blue combat uniform Floating crystal earrings Uses gravity magic with elegant hand gestures Fighting style: barely moves, manipulates the battlefield from a distance ☄️ KAI 16-year-old male Short spiky crimson-red hair Amber-orange eyes Constant grin Orange bomber jacket over black tactical clothing, finger tape, lightweight combat sneakers Large mechanical comet gauntlets glowing with fiery orange energy Fighting style: explosive acrobatics, punches, aerial flips 🌿 ELIO 18-year-old male Medium-length dark green hair Emerald-green eyes Gentle smile Forest-green coat with leaf embroidery, brown leather straps, wooden bracelets Uses glowing vines and healing energy Fighting style: defensive, elegant, protects teammates ❄️ SKYE 17-year-old female Short snowy-white hair Ice-blue eyes Confident smirk Royal-blue combat coat trimmed with crystal patterns, black leggings, armored boots Twin crystal ice blades Fighting style: aggressive, fast, spinning sword attacks 🌑 NOCTIS 18-year-old male Messy black hair Crimson-red eyes Serious expression Long black coat with faint purple celestial markings Shadow blades that appear from darkness Fighting style: silent assassin, teleporting through shadows PART 1 (0–15s) — "The Hunt Begins" A ruined ancient city sleeps beneath a brilliant galaxy-filled night sky. Crumbling stone towers are covered in glowing blue vines, and broken celestial statues line a deserted avenue. The camera begins with a slow aerial drone shot descending through swirling clouds before pushing toward the six Starkeepers standing together on the edge of a towering cliff overlooking the city. Their capes and jackets ripple dramatically in the wind as stardust drifts around them. A low-angle hero shot introduces the team. Nova stands confidently in the center with his radiant starlight sword resting on his shoulder. Lyra stands calmly behind him, her cloak floating unnaturally as pebbles levitate around her. Kai bounces impatiently, his comet gauntlets crackling with orange energy. Elio kneels briefly, touching the ground as glowing vines spread beneath his fingers. Skye twirls one crystal blade with effortless confidence while icy mist curls around her boots. Noctis remains slightly apart, half-hidden in darkness, his crimson eyes glowing. Suddenly the ground trembles. A colossal Celestial Beast—an enormous wolf-like creature made of obsidian rock with glowing blue cosmic cracks—bursts through the ruined streets. The camera rapidly dollies toward its face as it unleashes a deafening roar that sends shockwaves across the city. The final shot is a close-up of Nova's determined eyes as he whispers, "Together." PART 2 (15–30s) — "The Combination Begins" The camera whips forward as Nova sprints first, leaving brilliant golden trails of light behind him. A dynamic tracking shot follows his sword as he clashes with the beast, showering sparks across the ruins. The monster counters with a massive swipe, forcing Nova backward. Before it can strike again, Lyra calmly raises one hand. The camera rotates 360 degrees around her as gravity bends visibly through shimmering purple distortions. Entire stone pillars tear free from the ground and float into the air, trapping one of the beast's legs. Kai laughs loudly and launches himself like a blazing comet. The camera switches to an over-the-shoulder aerial perspective as fiery orange energy erupts from his gauntlets. He slams into the beast's shoulder with explosive force, sending fragments of glowing stone flying in every direction. Quick cinematic cuts show Skye charging across frozen pathways she creates beneath her feet while Elio's glowing vines race through the cracked streets, wrapping around fallen pillars to stop collapsing structures from crushing nearby civilians. Noctis silently disappears into a pool of shadows without anyone noticing. PART 3 (30–45s) — "Perfect Synchronization" The beast breaks free and unleashes a devastating energy blast toward the team. Time seems to slow. The camera circles them in a dramatic orbit. Elio thrusts both hands forward, causing an enormous wall of luminous emerald vines to erupt from the earth. The shield absorbs the blast while green healing particles wash over his teammates, restoring their strength. The camera instantly cuts upward as Lyra snaps her fingers. Gravity reverses around the monster. Massive chunks of ancient buildings float into the sky, carrying the beast with them. Dust, rubble, and glowing debris spiral in slow motion. Skye smiles confidently before launching herself upward, gracefully skating through the air on shimmering ice crystals. She performs a series of lightning-fast spinning slashes, freezing the beast's limbs with brilliant blue crystal formations. The music suddenly quiets. Behind the frozen monster... A dark shadow slowly rises. Noctis emerges silently from complete darkness, his crimson eyes glowing brighter than ever. In one fluid motion, he crosses both shadow blades and slices through the air, leaving enormous black-and-purple crescent trails that shatter the beast's defenses. Nova looks upward. He smiles. "This is it." PART 4 (45–60s) — "The First Team Attack" A sweeping crane shot reveals all six heroes surrounding the suspended beast in perfect formation. Lyra compresses gravity, pulling the monster into the exact center. Elio's glowing vines anchor everyone together, symbolizing their unity. Kai rockets high into the sky, becoming a blazing comet that crashes downward. Skye launches dozens of crystalline blades that spiral around the beast like frozen stars. Noctis creates an enormous eclipse behind the creature, locking every escape route in darkness. Finally, Nova rises above everyone, his sword absorbing streams of light from all five teammates. Their different energies—gold, violet, orange, emerald, blue, and black-purple—flow into one brilliant celestial blade. The camera rotates rapidly around Nova before slowing into dramatic slow motion. He dives through the sky, delivering one breathtaking slash. A gigantic six-pointed star of pure energy erupts across the battlefield, consuming the Celestial Beast in a dazzling explosion of light, ice, vines, gravity distortions, comet fire, and shadow. Silence. The dust settles. The six Starkeepers stand side by side as dawn's first light breaks over the horizon. High above them, one distant star flickers... then mysteriously goes dark. Cut to black. This single moment hints that defeating one monster has awakened a far greater threat, inviting viewers into the next chapter.

What if this was the opening scene of an anime that never existed? 🌌⭐ Six ordinary teenagers are chosen by the stars and forced to fight together against an ancient threat. This is only the beginning of their journey. Made with Seedance 2.0 on FlovaAI #Flovaai #Flovacpp 🌌 STARKEEPERS The First Team Attack Length: 60 seconds Structure: 4 × 15-second prompts Style: High-budget anime movie, Ufotable-quality animation, Makoto Shinkai-inspired skies, dynamic action choreography, cinematic lighting, volumetric fog, cosmic particles, dramatic orchestral score, 2.39:1 widescreen, 24 fps, ultra-detailed, fluid character animation. CHARACTER LOCK (Include in every prompt) There are exactly six teenage Starkeepers, all appearing consistently throughout the sequence. ⭐ NOVA (Leader) 17-year-old male Tall, athletic but lean Messy silver-white hair Bright sapphire-blue eyes that emit a soft glow Warm smile, confident expression White-and-gold long battle jacket with celestial embroidery, black fitted combat pants, white armored boots, fingerless gloves, flowing golden scarf that moves with the wind Uses a glowing sword forged entirely from concentrated starlight Fighting style: fast, graceful, heroic, precise swordsmanship mixed with light dashes 🌙 LYRA 17-year-old female Long straight black hair reaching her waist Deep violet eyes Calm, intelligent expression Dark navy cloak covered with tiny embroidered stars over a fitted midnight-blue combat uniform Floating crystal earrings Uses gravity magic with elegant hand gestures Fighting style: barely moves, manipulates the battlefield from a distance ☄️ KAI 16-year-old male Short spiky crimson-red hair Amber-orange eyes Constant grin Orange bomber jacket over black tactical clothing, finger tape, lightweight combat sneakers Large mechanical comet gauntlets glowing with fiery orange energy Fighting style: explosive acrobatics, punches, aerial flips 🌿 ELIO 18-year-old male Medium-length dark green hair Emerald-green eyes Gentle smile Forest-green coat with leaf embroidery, brown leather straps, wooden bracelets Uses glowing vines and healing energy Fighting style: defensive, elegant, protects teammates ❄️ SKYE 17-year-old female Short snowy-white hair Ice-blue eyes Confident smirk Royal-blue combat coat trimmed with crystal patterns, black leggings, armored boots Twin crystal ice blades Fighting style: aggressive, fast, spinning sword attacks 🌑 NOCTIS 18-year-old male Messy black hair Crimson-red eyes Serious expression Long black coat with faint purple celestial markings Shadow blades that appear from darkness Fighting style: silent assassin, teleporting through shadows PART 1 (0–15s) — "The Hunt Begins" A ruined ancient city sleeps beneath a brilliant galaxy-filled night sky. Crumbling stone towers are covered in glowing blue vines, and broken celestial statues line a deserted avenue. The camera begins with a slow aerial drone shot descending through swirling clouds before pushing toward the six Starkeepers standing together on the edge of a towering cliff overlooking the city. Their capes and jackets ripple dramatically in the wind as stardust drifts around them. A low-angle hero shot introduces the team. Nova stands confidently in the center with his radiant starlight sword resting on his shoulder. Lyra stands calmly behind him, her cloak floating unnaturally as pebbles levitate around her. Kai bounces impatiently, his comet gauntlets crackling with orange energy. Elio kneels briefly, touching the ground as glowing vines spread beneath his fingers. Skye twirls one crystal blade with effortless confidence while icy mist curls around her boots. Noctis remains slightly apart, half-hidden in darkness, his crimson eyes glowing. Suddenly the ground trembles. A colossal Celestial Beast—an enormous wolf-like creature made of obsidian rock with glowing blue cosmic cracks—bursts through the ruined streets. The camera rapidly dollies toward its face as it unleashes a deafening roar that sends shockwaves across the city. The final shot is a close-up of Nova's determined eyes as he whispers, "Together." PART 2 (15–30s) — "The Combination Begins" The camera whips forward as Nova sprints first, leaving brilliant golden trails of light behind him. A dynamic tracking shot follows his sword as he clashes with the beast, showering sparks across the ruins. The monster counters with a massive swipe, forcing Nova backward. Before it can strike again, Lyra calmly raises one hand. The camera rotates 360 degrees around her as gravity bends visibly through shimmering purple distortions. Entire stone pillars tear free from the ground and float into the air, trapping one of the beast's legs. Kai laughs loudly and launches himself like a blazing comet. The camera switches to an over-the-shoulder aerial perspective as fiery orange energy erupts from his gauntlets. He slams into the beast's shoulder with explosive force, sending fragments of glowing stone flying in every direction. Quick cinematic cuts show Skye charging across frozen pathways she creates beneath her feet while Elio's glowing vines race through the cracked streets, wrapping around fallen pillars to stop collapsing structures from crushing nearby civilians. Noctis silently disappears into a pool of shadows without anyone noticing. PART 3 (30–45s) — "Perfect Synchronization" The beast breaks free and unleashes a devastating energy blast toward the team. Time seems to slow. The camera circles them in a dramatic orbit. Elio thrusts both hands forward, causing an enormous wall of luminous emerald vines to erupt from the earth. The shield absorbs the blast while green healing particles wash over his teammates, restoring their strength. The camera instantly cuts upward as Lyra snaps her fingers. Gravity reverses around the monster. Massive chunks of ancient buildings float into the sky, carrying the beast with them. Dust, rubble, and glowing debris spiral in slow motion. Skye smiles confidently before launching herself upward, gracefully skating through the air on shimmering ice crystals. She performs a series of lightning-fast spinning slashes, freezing the beast's limbs with brilliant blue crystal formations. The music suddenly quiets. Behind the frozen monster... A dark shadow slowly rises. Noctis emerges silently from complete darkness, his crimson eyes glowing brighter than ever. In one fluid motion, he crosses both shadow blades and slices through the air, leaving enormous black-and-purple crescent trails that shatter the beast's defenses. Nova looks upward. He smiles. "This is it." PART 4 (45–60s) — "The First Team Attack" A sweeping crane shot reveals all six heroes surrounding the suspended beast in perfect formation. Lyra compresses gravity, pulling the monster into the exact center. Elio's glowing vines anchor everyone together, symbolizing their unity. Kai rockets high into the sky, becoming a blazing comet that crashes downward. Skye launches dozens of crystalline blades that spiral around the beast like frozen stars. Noctis creates an enormous eclipse behind the creature, locking every escape route in darkness. Finally, Nova rises above everyone, his sword absorbing streams of light from all five teammates. Their different energies—gold, violet, orange, emerald, blue, and black-purple—flow into one brilliant celestial blade. The camera rotates rapidly around Nova before slowing into dramatic slow motion. He dives through the sky, delivering one breathtaking slash. A gigantic six-pointed star of pure energy erupts across the battlefield, consuming the Celestial Beast in a dazzling explosion of light, ice, vines, gravity distortions, comet fire, and shadow. Silence. The dust settles. The six Starkeepers stand side by side as dawn's first light breaks over the horizon. High above them, one distant star flickers... then mysteriously goes dark. Cut to black. This single moment hints that defeating one monster has awakened a far greater threat, inviting viewers into the next chapter.

Soulful Ai

107,755 Aufrufe • vor 4 Tagen