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L.A. Takedown (1989). Later remade as Heat (1995), Michael Mann initially wrote the script in 1979 before pitching it as a TV pilot to NBC in the 1980s. Eventually it was released as a TV movie. TV stalwart Scott Plank plays Sergeant Vincent Hanna, on the trail of a... show more

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Heat is one of the best films ever. Directed by Michael Mann, the 1995 crime classic has a truly “one-of-a-kind” moment: Al Pacino and Robert De Niro in the same scene for the first time. To make it happen, Mann actually created the *same film* twice. It’s an awesome story of creative dedication… …that begins in the mid-1970s, when Mann met a Chicago police detective named Chuck Adamson. Adamson was retired and consulting on Hollywood projects. He told Mann about his years chasing a bank robber named Neil McCauley, including a time they shared a coffee at a diner. In 1979, Mann wrote a 180-page script called “Heat” about Adamson and McCauley. After success producing the TV show “Miami Vice”, Mann was given an opportunity to make his script. However, it ended up as a low budget direct-to-TV film called “LA Takedown”. The film took ~3 weeks to make and — while reviews were OK — Mann’s vision was unfulfilled. After directing the critical and commercial hit “The Last of the Mohicans” in 1992, Mann could basically do any new project he wanted. And he chose to redo “LA Takedown”, but this time with a $60m budget and the biggest stars (Pacino, De Niro, Val Kilmer, Ashley Judd, Tom Sizemore, Jon Voight). After six months of filming, “Heat” came out in 1995. At 165 minutes, it was twice the length of “LA Takedown” (Mann layered on lots of narrative left out of the original). It was an instant classic and made ~$190m at the box office. Meanwhile, the much-anticipated coffee diner scene with Pacino and De Niro delivered the goods (compare it to the original below). After 2 decades and 2 films, Mann finally saw his vision through. The unwavering commitment to his original idea created a true masterpiece.

Heat is one of the best films ever. Directed by Michael Mann, the 1995 crime classic has a truly “one-of-a-kind” moment: Al Pacino and Robert De Niro in the same scene for the first time. To make it happen, Mann actually created the same film twice. It’s an awesome story of creative dedication… …that begins in the mid-1970s, when Mann met a Chicago police detective named Chuck Adamson. Adamson was retired and consulting on Hollywood projects. He told Mann about his years chasing a bank robber named Neil McCauley, including a time they shared a coffee at a diner. In 1979, Mann wrote a 180-page script called “Heat” about Adamson and McCauley. After success producing the TV show “Miami Vice”, Mann was given an opportunity to make his script. However, it ended up as a low budget direct-to-TV film called “LA Takedown”. The film took ~3 weeks to make and — while reviews were OK — Mann’s vision was unfulfilled. After directing the critical and commercial hit “The Last of the Mohicans” in 1992, Mann could basically do any new project he wanted. And he chose to redo “LA Takedown”, but this time with a $60m budget and the biggest stars (Pacino, De Niro, Val Kilmer, Ashley Judd, Tom Sizemore, Jon Voight). After six months of filming, “Heat” came out in 1995. At 165 minutes, it was twice the length of “LA Takedown” (Mann layered on lots of narrative left out of the original). It was an instant classic and made ~$190m at the box office. Meanwhile, the much-anticipated coffee diner scene with Pacino and De Niro delivered the goods (compare it to the original below). After 2 decades and 2 films, Mann finally saw his vision through. The unwavering commitment to his original idea created a true masterpiece.

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Fargo's loss was The Sopranos gain. Following the success of the 1996 movie "Fargo", an attempt was made to turn it into a TV series with Edie Falco as Marge Gunderson. The TV pilot was filmed but never aired. (A Fargo series did air on FX, but that was 20 years later.)

Fargo's loss was The Sopranos gain. Following the success of the 1996 movie "Fargo", an attempt was made to turn it into a TV series with Edie Falco as Marge Gunderson. The TV pilot was filmed but never aired. (A Fargo series did air on FX, but that was 20 years later.)

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This scene marks my first on‑screen appearance as an actress, where I played a mental health expert on Hum TV in the drama serial Tum Ladke Bhi Na of Yasir Nawaz Productions. The clip is from the 8th March episode, and the scene was filmed in my own clinic. The role felt especially meaningful as it reflects my own professional field. HUM TV Hum Tv Dramas

This scene marks my first on‑screen appearance as an actress, where I played a mental health expert on Hum TV in the drama serial Tum Ladke Bhi Na of Yasir Nawaz Productions. The clip is from the 8th March episode, and the scene was filmed in my own clinic. The role felt especially meaningful as it reflects my own professional field. HUM TV Hum Tv Dramas

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Bram Stoker's Dracula (1974). Jack Palance plays the Count in this TV movie from Dark Shadows creator Dan Curtis. It was meant to air in October 1973, but it had to be bumped as Richard Nixon needed to make a TV address about the resignation of Spiro Agnew.

Bram Stoker's Dracula (1974). Jack Palance plays the Count in this TV movie from Dark Shadows creator Dan Curtis. It was meant to air in October 1973, but it had to be bumped as Richard Nixon needed to make a TV address about the resignation of Spiro Agnew.

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The Boys pilot is one of the best openings to any TV show. In a single scene, it flips the superhero genre on its head and never looks back.

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"I was a lot happier before I watched the fight than I was after. Not necessarily the fight itself... the commentary, watching it on TV compared to being in the arena. Watching it on TV wasn't as appealing to me." Michael Chandler reflects on his fight at UFC 309.

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⚠️CHILDREN RAPED. THE END OF THE SILENCE? The documentary aired in France in early 2000 once and never re-appeared again. It was kept in the TV channel's archives and later put out on the internet, and eventually used as a means of demonstrating that there is such a thing as Satanism, that it is organized, etc.

⚠️CHILDREN RAPED. THE END OF THE SILENCE? The documentary aired in France in early 2000 once and never re-appeared again. It was kept in the TV channel's archives and later put out on the internet, and eventually used as a means of demonstrating that there is such a thing as Satanism, that it is organized, etc.

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The coffee shop scene in Heat (1995) is one of cinema’s most iconic dialogue moments. It was the first time Al Pacino and Robert De Niro shared the screen, creating unforgettable tension. Director Michael Mann staged a simple diner conversation that revealed mutual respect between cop and criminal, turning it into a classic scene that rivals any action sequence.

The coffee shop scene in Heat (1995) is one of cinema’s most iconic dialogue moments. It was the first time Al Pacino and Robert De Niro shared the screen, creating unforgettable tension. Director Michael Mann staged a simple diner conversation that revealed mutual respect between cop and criminal, turning it into a classic scene that rivals any action sequence.

Love Classical Music and Movies 🎺🎻💖🎥🎬

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Thief is a 1981 neo-noir, heist action thriller film written directed by Michael Mann. It stars James Caan as Frank, an expert, high-end thief with a troubled past. This scene, 40 min in, explains who Frank really is. The film reminds me of Mann's later masterpiece, Heat (1995).

Thief is a 1981 neo-noir, heist action thriller film written directed by Michael Mann. It stars James Caan as Frank, an expert, high-end thief with a troubled past. This scene, 40 min in, explains who Frank really is. The film reminds me of Mann's later masterpiece, Heat (1995).

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The Dark Knight has a deleted scene where Harvey Dent gives a full TV interview about his war on crime in Gotham Nolan filmed it as if it was a real news broadcast He’s charming. He’s confident. He believes in the system completely Then you remember what happens to him 45 minutes later Warner Bros never released it

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The Japanese only anime Mutant Turtles: Superman Legend was a two-part OVA released in 1996 It used the same voice actors as the Japanese dub of the TV show

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In Heat, much of Al Pacino’s off the wall performance comes from Vincent Hanna being a high functioning cocaine user. Offscreen he’s secretly “chipping cocaine” - taking small, intermittent hits to stay sharp and on the ball, as Pacino explains in his autobiography Sonny Boy. “Hanna had problems as a human being, problems in his life. He was volatile and edgy and apt to go crazy. He was also chipping cocaine, and I sort of based my entire character on that. We shot a scene where I went into a club, and you actually saw my character taking a hit of coke before he enters. For some reason, Michael kept that scene out of the film.” And Michael Mann had good reason for cutting it. In the scene (which take place within the sequence below), Hanna snorts coke off the blade of a dagger; a highly charged, symbolic image. The dagger is a primitive, lethal tool that fits Hanna’s self-image as a hunter of men. It suggests that the cocaine use isn’t recreational, but tactical; a technique he uses to sharpen his senses for the hunt. Mann felt this image would send “too strong a message” and draw attention to the drug use itself, rather than Hanna’s drive and the professional rivalry between him and McCauley. However, the cocaine use is still hinted at in the film…(1/3)

In Heat, much of Al Pacino’s off the wall performance comes from Vincent Hanna being a high functioning cocaine user. Offscreen he’s secretly “chipping cocaine” - taking small, intermittent hits to stay sharp and on the ball, as Pacino explains in his autobiography Sonny Boy. “Hanna had problems as a human being, problems in his life. He was volatile and edgy and apt to go crazy. He was also chipping cocaine, and I sort of based my entire character on that. We shot a scene where I went into a club, and you actually saw my character taking a hit of coke before he enters. For some reason, Michael kept that scene out of the film.” And Michael Mann had good reason for cutting it. In the scene (which take place within the sequence below), Hanna snorts coke off the blade of a dagger; a highly charged, symbolic image. The dagger is a primitive, lethal tool that fits Hanna’s self-image as a hunter of men. It suggests that the cocaine use isn’t recreational, but tactical; a technique he uses to sharpen his senses for the hunt. Mann felt this image would send “too strong a message” and draw attention to the drug use itself, rather than Hanna’s drive and the professional rivalry between him and McCauley. However, the cocaine use is still hinted at in the film…(1/3)

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“Heat 2” is moving forward, 30+ years after the original. Michael Mann’s 1995 classic itself took 20+ years to make with all-timer moments: bank shootout and 1st time Al Pacino and Robert De Niro acted in the same scene. He actually made the *exact same film* twice. It’s an awesome story of creative dedication that begins in the mid-1970s when Mann met a Chicago police detective named Chuck Adamson. Adamson was retired and consulting on Hollywood projects. He told Mann about his years chasing a bank robber named Neil McCauley, including a time they shared a coffee at a diner. In 1979, Mann wrote a 180-page script called “Heat” about Adamson and McCauley. After success producing the TV show “Miami Vice” in the 80s, Mann was given an opportunity to make his script. However, it ended up as a low budget direct-to-TV film in 1989 called “LA Takedown”. The film took ~3 weeks to make and — while reviews were OK — Mann’s vision was unfulfilled. After directing the critical and commercial hit “The Last of the Mohicans” in 1992, Mann could basically do any new project he wanted. And he chose to redo “LA Takedown”, but this time with a $60m budget and the biggest stars (Pacino, De Niro, Val Kilmer, Ashley Judd, Tom Sizemore, Jon Voight). After six months of filming, “Heat” came out in 1995. At 165 minutes, it was twice the length of “LA Takedown”, with Mann layering on lots of narrative left out of the original. It was an instant crime and action classic and made ~$190m at the box office. Meanwhile, the much-anticipated scene with Pacino and De Niro chatting in a diner delivered the goods (I made the clip below to compare the bank shootout and diner scenes from “LA Takedown” and “Heat”) After 2 decades and 2 films, Mann finally saw his vision through. The unwavering commitment to his original idea created a true masterpiece. … and Mann’s still not done with the story. 31 years later (and at 82-years old) he’s slated to start filming a sequel with a cast of Christian Bale, Leonardo DiCaprio, Al Pacino, Adam Driver, Ana de Armas, Austin Butler and Bradley Cooper. *** Nerdstalig has a good YT vid: Michael Mann talked about the history on Rewatchables:

“Heat 2” is moving forward, 30+ years after the original. Michael Mann’s 1995 classic itself took 20+ years to make with all-timer moments: bank shootout and 1st time Al Pacino and Robert De Niro acted in the same scene. He actually made the exact same film twice. It’s an awesome story of creative dedication that begins in the mid-1970s when Mann met a Chicago police detective named Chuck Adamson. Adamson was retired and consulting on Hollywood projects. He told Mann about his years chasing a bank robber named Neil McCauley, including a time they shared a coffee at a diner. In 1979, Mann wrote a 180-page script called “Heat” about Adamson and McCauley. After success producing the TV show “Miami Vice” in the 80s, Mann was given an opportunity to make his script. However, it ended up as a low budget direct-to-TV film in 1989 called “LA Takedown”. The film took ~3 weeks to make and — while reviews were OK — Mann’s vision was unfulfilled. After directing the critical and commercial hit “The Last of the Mohicans” in 1992, Mann could basically do any new project he wanted. And he chose to redo “LA Takedown”, but this time with a $60m budget and the biggest stars (Pacino, De Niro, Val Kilmer, Ashley Judd, Tom Sizemore, Jon Voight). After six months of filming, “Heat” came out in 1995. At 165 minutes, it was twice the length of “LA Takedown”, with Mann layering on lots of narrative left out of the original. It was an instant crime and action classic and made ~$190m at the box office. Meanwhile, the much-anticipated scene with Pacino and De Niro chatting in a diner delivered the goods (I made the clip below to compare the bank shootout and diner scenes from “LA Takedown” and “Heat”) After 2 decades and 2 films, Mann finally saw his vision through. The unwavering commitment to his original idea created a true masterpiece. … and Mann’s still not done with the story. 31 years later (and at 82-years old) he’s slated to start filming a sequel with a cast of Christian Bale, Leonardo DiCaprio, Al Pacino, Adam Driver, Ana de Armas, Austin Butler and Bradley Cooper. *** Nerdstalig has a good YT vid: Michael Mann talked about the history on Rewatchables:

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This is the pivotal scene in the TV series V when the masks come off, exposing the creatures as reptilian shapeshifters hidden in plain sight. It tells you to question who is human and who wears a disguise.🦎

This is the pivotal scene in the TV series V when the masks come off, exposing the creatures as reptilian shapeshifters hidden in plain sight. It tells you to question who is human and who wears a disguise.🦎

FLAT OUT TRUTH

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When I came on board at Hanna Barbera, the priority was THE REAL ADVENTURES JONNY QUEST (1996). The series is credited as one of the first animated television series to use motion capture technology for the CGI sequences in "QuestWorld," the virtual reality environment featured in the show. It was a novel approach at the time for an animated series. Because it was so ambitious, we had two separate teams working to keep up with the schedule. As crude as this might look, it was groundbreaking given the fact that it was done on a TV schedule and budget.

When I came on board at Hanna Barbera, the priority was THE REAL ADVENTURES JONNY QUEST (1996). The series is credited as one of the first animated television series to use motion capture technology for the CGI sequences in "QuestWorld," the virtual reality environment featured in the show. It was a novel approach at the time for an animated series. Because it was so ambitious, we had two separate teams working to keep up with the schedule. As crude as this might look, it was groundbreaking given the fact that it was done on a TV schedule and budget.

Brian A. Miller

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"Your Bunny or Your Life" This animatic was initially meant to be a PG-13-rated theatrical short played in front of The LEGO Movie before serving as a "pilot" to what eventually became Wabbit

"Your Bunny or Your Life" This animatic was initially meant to be a PG-13-rated theatrical short played in front of The LEGO Movie before serving as a "pilot" to what eventually became Wabbit

Zac

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A video of a cat appearing to play a keyboard was recorded in the early 1980s by Charlie Schmidt Decades later, the footage was uploaded to the internet and began circulating as a reaction clip It became known as Keyboard Cat, one of the earliest recurring internet memes

A video of a cat appearing to play a keyboard was recorded in the early 1980s by Charlie Schmidt Decades later, the footage was uploaded to the internet and began circulating as a reaction clip It became known as Keyboard Cat, one of the earliest recurring internet memes

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The Peanuts Movie was basically made as the swan song for Peanuts as a franchise and to celebrate Charles Schulz as a whole. It was the last major project before WildBrain/Sony Music Japan got joint ownership of the franchise, and all the new stuff gets sent to Apple TV+ hell.

The Peanuts Movie was basically made as the swan song for Peanuts as a franchise and to celebrate Charles Schulz as a whole. It was the last major project before WildBrain/Sony Music Japan got joint ownership of the franchise, and all the new stuff gets sent to Apple TV+ hell.

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