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“Last Resort” is the breakthrough single from Papa Roach’s 2000 major-label debut album Infest. The aggressive nu metal anthem became the band's breakthrough hit, peaking at #57 on the Billboard Hot 100 and spending seven consecutive weeks at #1 on the Billboard Modern Rock Tracks chart. Despite label fears... show more

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Written by original lead singer Adam Gontier, “I Hate Everything About You” laid the foundation for Three Days Grace to become one of the most successful acts in the history of Billboard's Mainstream Rock Airplay chart. The intense post-grunge track became the band's breakthrough hit, peaking at #2 on the Billboard Mainstream Rock chart, #4 on Alternative Airplay, and #55 on the Billboard Hot 100.

Written by original lead singer Adam Gontier, “I Hate Everything About You” laid the foundation for Three Days Grace to become one of the most successful acts in the history of Billboard's Mainstream Rock Airplay chart. The intense post-grunge track became the band's breakthrough hit, peaking at #2 on the Billboard Mainstream Rock chart, #4 on Alternative Airplay, and #55 on the Billboard Hot 100.

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On This Day— “Vasoline” was officially released as a single on July 18, 1994. It was the lead single from the band’s 2nd album, “Purple.” The song reached #1 on the Billboard Mainstream Rock Tracks chart for 2 weeks and peaked at #2 on the Billboard Modern Rock Tracks chart.

On This Day— “Vasoline” was officially released as a single on July 18, 1994. It was the lead single from the band’s 2nd album, “Purple.” The song reached #1 on the Billboard Mainstream Rock Tracks chart for 2 weeks and peaked at #2 on the Billboard Modern Rock Tracks chart.

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Recorded in 1993, “Cannonball” was released as the lead single from Last Splash and became The Breeders’ breakthrough hit. The song peaked at number 40 on the US Billboard Hot 100 and topped the US Modern Rock Tracks chart, driven by its instantly recognisable bass intro and Kim Deal’s loose, playful delivery. Live performances around this era, including MTV 120 Minutes, captured the band at their raw, offbeat peak, helping cement “Cannonball” as one of the defining alternative anthems of the 1990s.

Recorded in 1993, “Cannonball” was released as the lead single from Last Splash and became The Breeders’ breakthrough hit. The song peaked at number 40 on the US Billboard Hot 100 and topped the US Modern Rock Tracks chart, driven by its instantly recognisable bass intro and Kim Deal’s loose, playful delivery. Live performances around this era, including MTV 120 Minutes, captured the band at their raw, offbeat peak, helping cement “Cannonball” as one of the defining alternative anthems of the 1990s.

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"Walking on Sunshine" was first released on Katrina & the Waves' 1983 album of the same name before being re-recorded for the band's 1985 self-titled album. Written by guitarist Kimberley Rew, the ultra-upbeat pop-rock anthem became a worldwide hit peaking at #9 on the US Billboard Hot 100 and #8 on the UK Singles Chart. With its bright horns, joyful chorus and Katrina Leskanich's energetic vocals, it's widely regarded as one of the happiest and most feel-good songs ever recorded. Although the original 1983 release attracted little attention the 1985 re-recording became the band's breakthrough hit

"Walking on Sunshine" was first released on Katrina & the Waves' 1983 album of the same name before being re-recorded for the band's 1985 self-titled album. Written by guitarist Kimberley Rew, the ultra-upbeat pop-rock anthem became a worldwide hit peaking at #9 on the US Billboard Hot 100 and #8 on the UK Singles Chart. With its bright horns, joyful chorus and Katrina Leskanich's energetic vocals, it's widely regarded as one of the happiest and most feel-good songs ever recorded. Although the original 1983 release attracted little attention the 1985 re-recording became the band's breakthrough hit

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“The Pretender” is the lead single from Foo Fighters’ 2007 album Echoes, Silence, Patience & Grace. Written by Dave Grohl, Taylor Hawkins, Nate Mendel, and Chris Shiflett, the explosive alternative-rock anthem became one of the band's biggest hits, reaching #37 on the Billboard Hot 100 and #8 on the UK Singles Chart. It also topped the Billboard Modern Rock Tracks chart, becoming one of Foo Fighters' most successful songs on American rock radio. The track spent 18 weeks at #1 on the Billboard Alternative Songs chart, making it one of the longest-running chart-toppers in the history of the alternative-rock format. In 2008 “The Pretender” also won the Grammy Award for Best Hard Rock Performance.

“The Pretender” is the lead single from Foo Fighters’ 2007 album Echoes, Silence, Patience & Grace. Written by Dave Grohl, Taylor Hawkins, Nate Mendel, and Chris Shiflett, the explosive alternative-rock anthem became one of the band's biggest hits, reaching #37 on the Billboard Hot 100 and #8 on the UK Singles Chart. It also topped the Billboard Modern Rock Tracks chart, becoming one of Foo Fighters' most successful songs on American rock radio. The track spent 18 weeks at #1 on the Billboard Alternative Songs chart, making it one of the longest-running chart-toppers in the history of the alternative-rock format. In 2008 “The Pretender” also won the Grammy Award for Best Hard Rock Performance.

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22 years ago, Natasha Bedingfield released "Single" as the lead single of her debut album "Unwritten". The song became a hit in the UK, peaking at #3 on the UK Singles Chart and selling 27,413 copies during its first week. In the US, the song reached #57 on Hot 100.

22 years ago, Natasha Bedingfield released "Single" as the lead single of her debut album "Unwritten". The song became a hit in the UK, peaking at #3 on the UK Singles Chart and selling 27,413 copies during its first week. In the US, the song reached #57 on Hot 100.

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“What You Want” is the lead single from Evanescence’s 2011 self-titled album. The track marked the band's return after a lengthy hiatus, featuring Amy Lee's signature powerful vocals blended with heavier production. It peaked at #7 on the US Billboard Alternative Airplay chart and helped propel the album to debut at #1 on the Billboard 200. The five-year gap between studio albums was influenced by lineup changes, legal disputes with the band's record label, and a serious accident suffered by Amy Lee during the writing process. Lee deliberately chose "What You Want" as the lead single to move away from Evanescence's familiar "piano ballad to heavy chorus" formula.

“What You Want” is the lead single from Evanescence’s 2011 self-titled album. The track marked the band's return after a lengthy hiatus, featuring Amy Lee's signature powerful vocals blended with heavier production. It peaked at #7 on the US Billboard Alternative Airplay chart and helped propel the album to debut at #1 on the Billboard 200. The five-year gap between studio albums was influenced by lineup changes, legal disputes with the band's record label, and a serious accident suffered by Amy Lee during the writing process. Lee deliberately chose "What You Want" as the lead single to move away from Evanescence's familiar "piano ballad to heavy chorus" formula.

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"Dammit" is from Blink-182's 1997 album Dude Ranch. The fast-paced pop-punk anthem became the band's breakthrough hit, reaching #11 on the Billboard Modern Rock Tracks chart and helping define the late '90s pop-punk explosion. Written by Mark Hoppus after a breakup with his girlfriend, the song perfectly captures the awkwardness of young adulthood. Its original title was "Dammit (Growing Up)", but the subtitle was later dropped, and the catchy line "Well, I guess this is growing up" became one of Blink-182's most iconic lyrics.

"Dammit" is from Blink-182's 1997 album Dude Ranch. The fast-paced pop-punk anthem became the band's breakthrough hit, reaching #11 on the Billboard Modern Rock Tracks chart and helping define the late '90s pop-punk explosion. Written by Mark Hoppus after a breakup with his girlfriend, the song perfectly captures the awkwardness of young adulthood. Its original title was "Dammit (Growing Up)", but the subtitle was later dropped, and the catchy line "Well, I guess this is growing up" became one of Blink-182's most iconic lyrics.

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"All That She Wants" is the biggest debut hit by Ace of Base, featured on the album Happy Nation (1992) released as The Sign in the United States. The track became a worldwide hit, peaking at #1 in several European countries and #2 on the Billboard Hot 100.

"All That She Wants" is the biggest debut hit by Ace of Base, featured on the album Happy Nation (1992) released as The Sign in the United States. The track became a worldwide hit, peaking at #1 in several European countries and #2 on the Billboard Hot 100.

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“I Wanna Rock” - Twisted Sister U.S. charts: peaked at #68 on the Billboard Hot 100 and #35 on the Mainstream Rock chart. It became a major rock radio and MTV staple and one of the band’s signature songs.

“I Wanna Rock” - Twisted Sister U.S. charts: peaked at #68 on the Billboard Hot 100 and #35 on the Mainstream Rock chart. It became a major rock radio and MTV staple and one of the band’s signature songs.

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“Fat Lip” is the lead single from Sum 41’s 2001 debut album All Killer No Filler. Blending pop-punk, skate punk, hip-hop, and heavy metal influences, the song became the band's breakthrough hit, reaching #1 on Billboard's Modern Rock Tracks chart and the Top 10 in the UK. It also became the first song by a Canadian band to top Billboard's Modern Rock Tracks chart. The song is actually a mashup of three separate, unfinished demos the band had been working on, which producer Greig Nori helped stitch together. The famous rap section is a trade-off between vocalist Deryck Whibley and drummer Steve Jocz, serving as a direct homage to the Beastie Boys.

“Fat Lip” is the lead single from Sum 41’s 2001 debut album All Killer No Filler. Blending pop-punk, skate punk, hip-hop, and heavy metal influences, the song became the band's breakthrough hit, reaching #1 on Billboard's Modern Rock Tracks chart and the Top 10 in the UK. It also became the first song by a Canadian band to top Billboard's Modern Rock Tracks chart. The song is actually a mashup of three separate, unfinished demos the band had been working on, which producer Greig Nori helped stitch together. The famous rap section is a trade-off between vocalist Deryck Whibley and drummer Steve Jocz, serving as a direct homage to the Beastie Boys.

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Bassist Tim Commerford confessed that at first he thought "Like a Stone" was a romantic song and only understood the real meaning when Cornell explained it! It was the second single from Audioslave's debut album and became the band's biggest hit: #1 on the Billboard Mainstream Rock and Modern Rock charts, #31 on the Hot 100 and is to date the most streamed track of Chris Cornell's entire career.

Bassist Tim Commerford confessed that at first he thought "Like a Stone" was a romantic song and only understood the real meaning when Cornell explained it! It was the second single from Audioslave's debut album and became the band's biggest hit: #1 on the Billboard Mainstream Rock and Modern Rock charts, #31 on the Hot 100 and is to date the most streamed track of Chris Cornell's entire career.

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Gwen Stefani wrote the lyrics to "Don't Speak" about the painful end of her seven-year relationship with bassist Tony Kanal. She initially struggled with releasing such a deeply personal song, but it became No Doubt's biggest hit, spending 16 consecutive weeks at #1 on the Billboard Hot 100 Airplay chart. Because it was never released as a commercial single in the US, it was ineligible to chart on the Billboard Hot 100 under Billboard's rules at the time.

Gwen Stefani wrote the lyrics to "Don't Speak" about the painful end of her seven-year relationship with bassist Tony Kanal. She initially struggled with releasing such a deeply personal song, but it became No Doubt's biggest hit, spending 16 consecutive weeks at #1 on the Billboard Hot 100 Airplay chart. Because it was never released as a commercial single in the US, it was ineligible to chart on the Billboard Hot 100 under Billboard's rules at the time.

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"Your Love" is from The Outfield's 1985 debut album Play Deep. Singer Tony Lewis said he was inspired by Sting's vocal phrasing, while producer William Wittman gave the song a more energetic rock sound influenced by The Who. It became the band's biggest hit, peaking at #6 on the US Billboard Hot 100, #7 on the Mainstream Rock (Album Rock Tracks) chart, while Play Deep reached #9 on the Billboard 200. Despite The Outfield being an English band, "Your Love" reached only #83 on the UK Singles Chart, with the group finding far greater success in the United States than in their home country.

"Your Love" is from The Outfield's 1985 debut album Play Deep. Singer Tony Lewis said he was inspired by Sting's vocal phrasing, while producer William Wittman gave the song a more energetic rock sound influenced by The Who. It became the band's biggest hit, peaking at #6 on the US Billboard Hot 100, #7 on the Mainstream Rock (Album Rock Tracks) chart, while Play Deep reached #9 on the Billboard 200. Despite The Outfield being an English band, "Your Love" reached only #83 on the UK Singles Chart, with the group finding far greater success in the United States than in their home country.

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“My Sacrifice” is from Creed’s 2001 album Weathered. The track became one of the band's signature songs, reaching #18 on the Billboard Hot 100. It also topped the Mainstream Rock Tracks chart for nine consecutive weeks, reached #4 on the Mainstream Top 40, and became a major international hit, reaching the Top 10 in Australia and the Top 20 in the UK. Written by frontman Scott Stapp, the song became even more memorable for many fans when WWE used it in its acclaimed 2002 "Desire" promotional video packages.

“My Sacrifice” is from Creed’s 2001 album Weathered. The track became one of the band's signature songs, reaching #18 on the Billboard Hot 100. It also topped the Mainstream Rock Tracks chart for nine consecutive weeks, reached #4 on the Mainstream Top 40, and became a major international hit, reaching the Top 10 in Australia and the Top 20 in the UK. Written by frontman Scott Stapp, the song became even more memorable for many fans when WWE used it in its acclaimed 2002 "Desire" promotional video packages.

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"Just What I Needed" is from The Cars' 1978 self-titled debut album. It became one of the band's biggest hits, reaching #27 on the US Billboard Hot 100, #17 in Canada, and #17 in New Zealand. Although it wasn't released as a single in the UK at the time, the song received heavy radio airplay.

"Just What I Needed" is from The Cars' 1978 self-titled debut album. It became one of the band's biggest hits, reaching #27 on the US Billboard Hot 100, #17 in Canada, and #17 in New Zealand. Although it wasn't released as a single in the UK at the time, the song received heavy radio airplay.

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“Learn to Fly” is the lead single from Foo Fighters’s 1999 album There Is Nothing Left to Lose. The track became the band's first Billboard Hot 100 hit, peaking at #19 while also reaching #1 on the Modern Rock Tracks chart. It earned Foo Fighters their first Grammy Award, winning Best Short Form Music Video at the 2001 Grammy Awards. Its hilarious music video, directed by Jesse Peretz, features every member of the band playing multiple characters aboard an airplane, alongside actors Jack Black and Kyle Gass, the clip became one of the most iconic rock videos of the MTV era.

“Learn to Fly” is the lead single from Foo Fighters’s 1999 album There Is Nothing Left to Lose. The track became the band's first Billboard Hot 100 hit, peaking at #19 while also reaching #1 on the Modern Rock Tracks chart. It earned Foo Fighters their first Grammy Award, winning Best Short Form Music Video at the 2001 Grammy Awards. Its hilarious music video, directed by Jesse Peretz, features every member of the band playing multiple characters aboard an airplane, alongside actors Jack Black and Kyle Gass, the clip became one of the most iconic rock videos of the MTV era.

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“Bring Me to Life” is the debut single from Evanescence’s 2003 album Fallen. Featuring guest vocals by Paul McCoy of 12 Stones, the dramatic fusion of gothic rock, nu metal and orchestral elements became the band's breakthrough hit. It reached #5 on the Billboard Hot 100, #1 in the UK, #1 in Australia, #1 in Italy and topped the charts in several other countries, helping Fallen become one of the best-selling debut albums of the 21st century. Amy Lee originally envisioned the song as a solo vocal performance, but the record label insisted on adding a male singer because they believed rock radio needed a male voice to market the track. Although Lee later expressed frustration with that decision, the song became an international phenomenon after its prominent use in the 2003 film Daredevil, earning Evanescence the Grammy Award for Best Hard Rock Performance in 2004.

“Bring Me to Life” is the debut single from Evanescence’s 2003 album Fallen. Featuring guest vocals by Paul McCoy of 12 Stones, the dramatic fusion of gothic rock, nu metal and orchestral elements became the band's breakthrough hit. It reached #5 on the Billboard Hot 100, #1 in the UK, #1 in Australia, #1 in Italy and topped the charts in several other countries, helping Fallen become one of the best-selling debut albums of the 21st century. Amy Lee originally envisioned the song as a solo vocal performance, but the record label insisted on adding a male singer because they believed rock radio needed a male voice to market the track. Although Lee later expressed frustration with that decision, the song became an international phenomenon after its prominent use in the 2003 film Daredevil, earning Evanescence the Grammy Award for Best Hard Rock Performance in 2004.

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“Shout” is from Tears for Fears’s 1985 album Songs from the Big Chair. Co-written by Roland Orzabal and Ian Stanley, the track became the band's biggest international hit, spending three weeks at #1 on the Billboard Hot 100 and topping the charts in Canada, Australia, Germany, and several other countries. Its powerful chorus and themes of emotional release and resistance to oppression made it one of the defining songs of the 80s. The song's concept was directly inspired by Arthur Janov's Primal Therapy, which proposed that repressed childhood trauma could be released through primal screaming (the same theory that inspired the band's name). Initially considered too long and too dark by their record label to be released as a single, the band insisted on it, and an epic 8-minute 12-inch remix helped propel the song to worldwide success. Beyond its psychological themes, Roland Orzabal also described the lyrics as a broader protest against Cold War-era tensions, oppression, and authoritarianism.

“Shout” is from Tears for Fears’s 1985 album Songs from the Big Chair. Co-written by Roland Orzabal and Ian Stanley, the track became the band's biggest international hit, spending three weeks at #1 on the Billboard Hot 100 and topping the charts in Canada, Australia, Germany, and several other countries. Its powerful chorus and themes of emotional release and resistance to oppression made it one of the defining songs of the 80s. The song's concept was directly inspired by Arthur Janov's Primal Therapy, which proposed that repressed childhood trauma could be released through primal screaming (the same theory that inspired the band's name). Initially considered too long and too dark by their record label to be released as a single, the band insisted on it, and an epic 8-minute 12-inch remix helped propel the song to worldwide success. Beyond its psychological themes, Roland Orzabal also described the lyrics as a broader protest against Cold War-era tensions, oppression, and authoritarianism.

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“Separate Ways (Worlds Apart)” is the lead single from Journey’s 1983 album Frontiers. Written by Steve Perry and Jonathan Cain, the track became one of the band's biggest hits, reaching #8 on the Billboard Hot 100 and spending four weeks at #1 on the Billboard Top Tracks chart. Its music video, directed by Tom Buckholtz and filmed at the Louisa Street Wharf in New Orleans, is notoriously remembered as one of the most delightfully cheesy videos of the MTV era. The band performs the song on the waterfront while famously pretending to play invisible instruments, including Jonathan Cain's unforgettable “air keyboard.” The deliberately awkward performance style has since turned the video into a beloved cult classic, even though the song itself remains one of Journey's most enduring rock anthems.

“Separate Ways (Worlds Apart)” is the lead single from Journey’s 1983 album Frontiers. Written by Steve Perry and Jonathan Cain, the track became one of the band's biggest hits, reaching #8 on the Billboard Hot 100 and spending four weeks at #1 on the Billboard Top Tracks chart. Its music video, directed by Tom Buckholtz and filmed at the Louisa Street Wharf in New Orleans, is notoriously remembered as one of the most delightfully cheesy videos of the MTV era. The band performs the song on the waterfront while famously pretending to play invisible instruments, including Jonathan Cain's unforgettable “air keyboard.” The deliberately awkward performance style has since turned the video into a beloved cult classic, even though the song itself remains one of Journey's most enduring rock anthems.

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