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“Last Resort” is the breakthrough single from Papa Roach’s 2000 major-label debut album Infest. The aggressive nu metal anthem became the band's breakthrough hit, peaking at #57 on the Billboard Hot 100 and spending seven consecutive weeks at #1 on the Billboard Modern Rock Tracks chart. Despite label fears... show more

Ladytron Fan Account

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34,242 次观看 • 5 天前 •via X (Twitter)

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R&RForever1814 的头像

R&RForever18145 天前

Loyalty from their fan base.

人生何求的头像

人生何求5 天前

Good morning 🌹🌹🌹

Ladytron Fan Account 的头像

Ladytron Fan Account4 天前

gn

Ali D | علي محمد 的头像

Ali D | علي محمد4 天前

👍

Lord Timothy J Kalki 的头像

Lord Timothy J Kalki5 天前

Only album they had with an original sound All of the rest of their albums sound like Nickelback trying to channel Linkin Park

HillCountrySquatch🇺🇸 的头像

HillCountrySquatch🇺🇸5 天前

Grew up listening to this loving it and then Falling In Reverse (Ronnie) released their version that really hits different.

Gergely Bartok 的头像

Gergely Bartok5 天前

ez klasssz..nagyon szeretem ezt

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"Kryptonite" was written by Brad Arnold when he was just 15 years old during a high school math class. Released as the lead single from 3 Doors Down's 2000 debut album The Better Life, it became the band's breakthrough hit, peaking at #3 on the US Billboard Hot 100 and spending nine consecutive weeks at #1 on the Billboard Alternative Airplay chart.

"Kryptonite" was written by Brad Arnold when he was just 15 years old during a high school math class. Released as the lead single from 3 Doors Down's 2000 debut album The Better Life, it became the band's breakthrough hit, peaking at #3 on the US Billboard Hot 100 and spending nine consecutive weeks at #1 on the Billboard Alternative Airplay chart.

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On This Day— “Vasoline” was officially released as a single on July 18, 1994. It was the lead single from the band’s 2nd album, “Purple.” The song reached #1 on the Billboard Mainstream Rock Tracks chart for 2 weeks and peaked at #2 on the Billboard Modern Rock Tracks chart.

On This Day— “Vasoline” was officially released as a single on July 18, 1994. It was the lead single from the band’s 2nd album, “Purple.” The song reached #1 on the Billboard Mainstream Rock Tracks chart for 2 weeks and peaked at #2 on the Billboard Modern Rock Tracks chart.

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Recorded in 1993, “Cannonball” was released as the lead single from Last Splash and became The Breeders’ breakthrough hit. The song peaked at number 40 on the US Billboard Hot 100 and topped the US Modern Rock Tracks chart, driven by its instantly recognisable bass intro and Kim Deal’s loose, playful delivery. Live performances around this era, including MTV 120 Minutes, captured the band at their raw, offbeat peak, helping cement “Cannonball” as one of the defining alternative anthems of the 1990s.

Recorded in 1993, “Cannonball” was released as the lead single from Last Splash and became The Breeders’ breakthrough hit. The song peaked at number 40 on the US Billboard Hot 100 and topped the US Modern Rock Tracks chart, driven by its instantly recognisable bass intro and Kim Deal’s loose, playful delivery. Live performances around this era, including MTV 120 Minutes, captured the band at their raw, offbeat peak, helping cement “Cannonball” as one of the defining alternative anthems of the 1990s.

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"Walking on Sunshine" was first released on Katrina & the Waves' 1983 album of the same name before being re-recorded for the band's 1985 self-titled album. Written by guitarist Kimberley Rew, the ultra-upbeat pop-rock anthem became a worldwide hit peaking at #9 on the US Billboard Hot 100 and #8 on the UK Singles Chart. With its bright horns, joyful chorus and Katrina Leskanich's energetic vocals, it's widely regarded as one of the happiest and most feel-good songs ever recorded. Although the original 1983 release attracted little attention the 1985 re-recording became the band's breakthrough hit

"Walking on Sunshine" was first released on Katrina & the Waves' 1983 album of the same name before being re-recorded for the band's 1985 self-titled album. Written by guitarist Kimberley Rew, the ultra-upbeat pop-rock anthem became a worldwide hit peaking at #9 on the US Billboard Hot 100 and #8 on the UK Singles Chart. With its bright horns, joyful chorus and Katrina Leskanich's energetic vocals, it's widely regarded as one of the happiest and most feel-good songs ever recorded. Although the original 1983 release attracted little attention the 1985 re-recording became the band's breakthrough hit

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22 years ago, Natasha Bedingfield released "Single" as the lead single of her debut album "Unwritten". The song became a hit in the UK, peaking at #3 on the UK Singles Chart and selling 27,413 copies during its first week. In the US, the song reached #57 on Hot 100.

22 years ago, Natasha Bedingfield released "Single" as the lead single of her debut album "Unwritten". The song became a hit in the UK, peaking at #3 on the UK Singles Chart and selling 27,413 copies during its first week. In the US, the song reached #57 on Hot 100.

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“What You Want” is the lead single from Evanescence’s 2011 self-titled album. The track marked the band's return after a lengthy hiatus, featuring Amy Lee's signature powerful vocals blended with heavier production. It peaked at #7 on the US Billboard Alternative Airplay chart and helped propel the album to debut at #1 on the Billboard 200. The five-year gap between studio albums was influenced by lineup changes, legal disputes with the band's record label, and a serious accident suffered by Amy Lee during the writing process. Lee deliberately chose "What You Want" as the lead single to move away from Evanescence's familiar "piano ballad to heavy chorus" formula.

“What You Want” is the lead single from Evanescence’s 2011 self-titled album. The track marked the band's return after a lengthy hiatus, featuring Amy Lee's signature powerful vocals blended with heavier production. It peaked at #7 on the US Billboard Alternative Airplay chart and helped propel the album to debut at #1 on the Billboard 200. The five-year gap between studio albums was influenced by lineup changes, legal disputes with the band's record label, and a serious accident suffered by Amy Lee during the writing process. Lee deliberately chose "What You Want" as the lead single to move away from Evanescence's familiar "piano ballad to heavy chorus" formula.

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"All That She Wants" is the biggest debut hit by Ace of Base, featured on the album Happy Nation (1992) released as The Sign in the United States. The track became a worldwide hit, peaking at #1 in several European countries and #2 on the Billboard Hot 100.

"All That She Wants" is the biggest debut hit by Ace of Base, featured on the album Happy Nation (1992) released as The Sign in the United States. The track became a worldwide hit, peaking at #1 in several European countries and #2 on the Billboard Hot 100.

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42,353 次观看 • 2 个月前

"Dammit" is from Blink-182's 1997 album Dude Ranch. The fast-paced pop-punk anthem became the band's breakthrough hit, reaching #11 on the Billboard Modern Rock Tracks chart and helping define the late '90s pop-punk explosion. Written by Mark Hoppus after a breakup with his girlfriend, the song perfectly captures the awkwardness of young adulthood. Its original title was "Dammit (Growing Up)", but the subtitle was later dropped, and the catchy line "Well, I guess this is growing up" became one of Blink-182's most iconic lyrics.

"Dammit" is from Blink-182's 1997 album Dude Ranch. The fast-paced pop-punk anthem became the band's breakthrough hit, reaching #11 on the Billboard Modern Rock Tracks chart and helping define the late '90s pop-punk explosion. Written by Mark Hoppus after a breakup with his girlfriend, the song perfectly captures the awkwardness of young adulthood. Its original title was "Dammit (Growing Up)", but the subtitle was later dropped, and the catchy line "Well, I guess this is growing up" became one of Blink-182's most iconic lyrics.

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644,651 次观看 • 19 天前

Originally intended for Ace of Base's second album, "The Sign" was instead added to the American release of the band's debut, Happy Nation, which was retitled The Sign for the U.S. market. The album was reworked with several new tracks to give it greater appeal to American audiences, and the song ultimately became its title track. Its distinctive techno-reggae sound helped turn it into a worldwide pop phenomenon. "The Sign" topped the Billboard Hot 100 for six non-consecutive weeks in 1994 becoming Ace of Base's biggest hit in the United States. The success also made the group the first Swedish act to have a No. 1 single and album on the Billboard Hot 100 and Billboard 200, respectively. The song became one of the defining pop singles of the 1990s and was later named the best-selling single of 1994 in the United States.

Originally intended for Ace of Base's second album, "The Sign" was instead added to the American release of the band's debut, Happy Nation, which was retitled The Sign for the U.S. market. The album was reworked with several new tracks to give it greater appeal to American audiences, and the song ultimately became its title track. Its distinctive techno-reggae sound helped turn it into a worldwide pop phenomenon. "The Sign" topped the Billboard Hot 100 for six non-consecutive weeks in 1994 becoming Ace of Base's biggest hit in the United States. The success also made the group the first Swedish act to have a No. 1 single and album on the Billboard Hot 100 and Billboard 200, respectively. The song became one of the defining pop singles of the 1990s and was later named the best-selling single of 1994 in the United States.

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Gwen Stefani wrote the lyrics to "Don't Speak" about the painful end of her seven-year relationship with bassist Tony Kanal. She initially struggled with releasing such a deeply personal song, but it became No Doubt's biggest hit, spending 16 consecutive weeks at #1 on the Billboard Hot 100 Airplay chart. Because it was never released as a commercial single in the US, it was ineligible to chart on the Billboard Hot 100under Billboard's rules at the time.

Gwen Stefani wrote the lyrics to "Don't Speak" about the painful end of her seven-year relationship with bassist Tony Kanal. She initially struggled with releasing such a deeply personal song, but it became No Doubt's biggest hit, spending 16 consecutive weeks at #1 on the Billboard Hot 100 Airplay chart. Because it was never released as a commercial single in the US, it was ineligible to chart on the Billboard Hot 100under Billboard's rules at the time.

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Bassist Tim Commerford confessed that at first he thought "Like a Stone" was a romantic song and only understood the real meaning when Cornell explained it! It was the second single from Audioslave's debut album and became the band's biggest hit: #1 on the Billboard Mainstream Rock and Modern Rock charts, #31 on the Hot 100 and is to date the most streamed track of Chris Cornell's entire career.

Bassist Tim Commerford confessed that at first he thought "Like a Stone" was a romantic song and only understood the real meaning when Cornell explained it! It was the second single from Audioslave's debut album and became the band's biggest hit: #1 on the Billboard Mainstream Rock and Modern Rock charts, #31 on the Hot 100 and is to date the most streamed track of Chris Cornell's entire career.

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"Your Love" is from The Outfield's 1985 debut album Play Deep. Singer Tony Lewis said he was inspired by Sting's vocal phrasing, while producer William Wittman gave the song a more energetic rock sound influenced by The Who. It became the band's biggest hit, peaking at #6 on the US Billboard Hot 100, #7 on the Mainstream Rock (Album Rock Tracks) chart, while Play Deep reached #9 on the Billboard 200. Despite The Outfield being an English band, "Your Love" reached only #83 on the UK Singles Chart, with the group finding far greater success in the United States than in their home country.

"Your Love" is from The Outfield's 1985 debut album Play Deep. Singer Tony Lewis said he was inspired by Sting's vocal phrasing, while producer William Wittman gave the song a more energetic rock sound influenced by The Who. It became the band's biggest hit, peaking at #6 on the US Billboard Hot 100, #7 on the Mainstream Rock (Album Rock Tracks) chart, while Play Deep reached #9 on the Billboard 200. Despite The Outfield being an English band, "Your Love" reached only #83 on the UK Singles Chart, with the group finding far greater success in the United States than in their home country.

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"Ordinary World" is from the album Duran Duran (1993), also known as The Wedding Album. The song marked Duran Duran's return to the top of the charts in the 90s and became one of the band's biggest hits, proving that they could evolve without losing the emotional essence. Released as a single, it was a major hit: #3 on the Billboard Hot 100 and #6 on the UK Singles Chart.

"Ordinary World" is from the album Duran Duran (1993), also known as The Wedding Album. The song marked Duran Duran's return to the top of the charts in the 90s and became one of the band's biggest hits, proving that they could evolve without losing the emotional essence. Released as a single, it was a major hit: #3 on the Billboard Hot 100 and #6 on the UK Singles Chart.

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"Just What I Needed" is from The Cars' 1978 self-titled debut album. It became one of the band's biggest hits, reaching #27 on the US Billboard Hot 100, #17 in Canada, and #17 in New Zealand. Although it wasn't released as a single in the UK at the time, the song received heavy radio airplay.

"Just What I Needed" is from The Cars' 1978 self-titled debut album. It became one of the band's biggest hits, reaching #27 on the US Billboard Hot 100, #17 in Canada, and #17 in New Zealand. Although it wasn't released as a single in the UK at the time, the song received heavy radio airplay.

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“My Sacrifice” is from Creed’s 2001 album Weathered. The track became one of the band's signature songs, reaching #18 on the Billboard Hot 100. It also topped the Mainstream Rock Tracks chart for nine consecutive weeks, reached #4 on the Mainstream Top 40, and became a major international hit, reaching the Top 10 in Australia and the Top 20 in the UK. Written by frontman Scott Stapp, the song became even more memorable for many fans when WWE used it in its acclaimed 2002 "Desire" promotional video packages.

“My Sacrifice” is from Creed’s 2001 album Weathered. The track became one of the band's signature songs, reaching #18 on the Billboard Hot 100. It also topped the Mainstream Rock Tracks chart for nine consecutive weeks, reached #4 on the Mainstream Top 40, and became a major international hit, reaching the Top 10 in Australia and the Top 20 in the UK. Written by frontman Scott Stapp, the song became even more memorable for many fans when WWE used it in its acclaimed 2002 "Desire" promotional video packages.

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“Bring Me to Life” is the debut single from Evanescence’s 2003 album Fallen. Featuring guest vocals by Paul McCoy of 12 Stones, the dramatic fusion of gothic rock, nu metal and orchestral elements became the band's breakthrough hit. It reached #5 on the Billboard Hot 100, #1 in the UK, #1 in Australia, #1 in Italy and topped the charts in several other countries, helping Fallen become one of the best-selling debut albums of the 21st century. Amy Lee originally envisioned the song as a solo vocal performance, but the record label insisted on adding a male singer because they believed rock radio needed a male voice to market the track. Although Lee later expressed frustration with that decision, the song became an international phenomenon after its prominent use in the 2003 film Daredevil, earning Evanescence the Grammy Award for Best Hard Rock Performance in 2004.

“Bring Me to Life” is the debut single from Evanescence’s 2003 album Fallen. Featuring guest vocals by Paul McCoy of 12 Stones, the dramatic fusion of gothic rock, nu metal and orchestral elements became the band's breakthrough hit. It reached #5 on the Billboard Hot 100, #1 in the UK, #1 in Australia, #1 in Italy and topped the charts in several other countries, helping Fallen become one of the best-selling debut albums of the 21st century. Amy Lee originally envisioned the song as a solo vocal performance, but the record label insisted on adding a male singer because they believed rock radio needed a male voice to market the track. Although Lee later expressed frustration with that decision, the song became an international phenomenon after its prominent use in the 2003 film Daredevil, earning Evanescence the Grammy Award for Best Hard Rock Performance in 2004.

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“Shout” is from Tears for Fears’s 1985 album Songs from the Big Chair. Co-written by Roland Orzabal and Ian Stanley, the track became the band's biggest international hit, spending three weeks at #1 on the Billboard Hot 100 and topping the charts in Canada, Australia, Germany, and several other countries. Its powerful chorus and themes of emotional release and resistance to oppression made it one of the defining songs of the 80s. The song's concept was directly inspired by Arthur Janov's Primal Therapy, which proposed that repressed childhood trauma could be released through primal screaming (the same theory that inspired the band's name). Initially considered too long and too dark by their record label to be released as a single, the band insisted on it, and an epic 8-minute 12-inch remix helped propel the song to worldwide success. Beyond its psychological themes, Roland Orzabal also described the lyrics as a broader protest against Cold War-era tensions, oppression, and authoritarianism.

“Shout” is from Tears for Fears’s 1985 album Songs from the Big Chair. Co-written by Roland Orzabal and Ian Stanley, the track became the band's biggest international hit, spending three weeks at #1 on the Billboard Hot 100 and topping the charts in Canada, Australia, Germany, and several other countries. Its powerful chorus and themes of emotional release and resistance to oppression made it one of the defining songs of the 80s. The song's concept was directly inspired by Arthur Janov's Primal Therapy, which proposed that repressed childhood trauma could be released through primal screaming (the same theory that inspired the band's name). Initially considered too long and too dark by their record label to be released as a single, the band insisted on it, and an epic 8-minute 12-inch remix helped propel the song to worldwide success. Beyond its psychological themes, Roland Orzabal also described the lyrics as a broader protest against Cold War-era tensions, oppression, and authoritarianism.

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23,452 次观看 • 14 天前

"Black Hole Sun" is from Soundgarden's 1994 album Superunknown. Written by Chris Cornell in about 15 minutes after mishearing a phrase on a TV news report, it peaked at #1 on the Billboard Modern Rock Tracks chart and #2 on the Mainstream Rock Tracks chart, becoming the band's signature song. The surreal music video, directed by Howard Greenhalgh, won the 1995 MTV Video Music Award for Best Metal/Hard Rock Video and earned a Grammy Award for Best Hard Rock Performance. Its distorted suburban imagery and unsettling visuals helped make it one of the most iconicvideos of the 90s.

"Black Hole Sun" is from Soundgarden's 1994 album Superunknown. Written by Chris Cornell in about 15 minutes after mishearing a phrase on a TV news report, it peaked at #1 on the Billboard Modern Rock Tracks chart and #2 on the Mainstream Rock Tracks chart, becoming the band's signature song. The surreal music video, directed by Howard Greenhalgh, won the 1995 MTV Video Music Award for Best Metal/Hard Rock Video and earned a Grammy Award for Best Hard Rock Performance. Its distorted suburban imagery and unsettling visuals helped make it one of the most iconicvideos of the 90s.

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“Separate Ways (Worlds Apart)” is the lead single from Journey’s 1983 album Frontiers. Written by Steve Perry and Jonathan Cain, the track became one of the band's biggest hits, reaching #8 on the Billboard Hot 100 and spending four weeks at #1 on the Billboard Top Tracks chart. Its music video, directed by Tom Buckholtz and filmed at the Louisa Street Wharf in New Orleans, is notoriously remembered as one of the most delightfully cheesy videos of the MTV era. The band performs the song on the waterfront while famously pretending to play invisible instruments, including Jonathan Cain's unforgettable “air keyboard.” The deliberately awkward performance style has since turned the video into a beloved cult classic, even though the song itself remains one of Journey's most enduring rock anthems.

“Separate Ways (Worlds Apart)” is the lead single from Journey’s 1983 album Frontiers. Written by Steve Perry and Jonathan Cain, the track became one of the band's biggest hits, reaching #8 on the Billboard Hot 100 and spending four weeks at #1 on the Billboard Top Tracks chart. Its music video, directed by Tom Buckholtz and filmed at the Louisa Street Wharf in New Orleans, is notoriously remembered as one of the most delightfully cheesy videos of the MTV era. The band performs the song on the waterfront while famously pretending to play invisible instruments, including Jonathan Cain's unforgettable “air keyboard.” The deliberately awkward performance style has since turned the video into a beloved cult classic, even though the song itself remains one of Journey's most enduring rock anthems.

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“Push It” was originally released in 1987 as the B-side to "Tramp" before becoming an unexpected smash hit, following its success, it was added to later editions of Salt-N-Pepa's 1986 debut album Hot, Cool & Vicious. The track peaked at #19 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in the Netherland, earning the group their first Grammy nomination and helping establish female rap as a commercial force in the mainstream. Radio DJs began playing "Push It" instead of its intended A-side, prompting the group's label to quickly reissue the single with the song as the main attraction.

“Push It” was originally released in 1987 as the B-side to "Tramp" before becoming an unexpected smash hit, following its success, it was added to later editions of Salt-N-Pepa's 1986 debut album Hot, Cool & Vicious. The track peaked at #19 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in the Netherland, earning the group their first Grammy nomination and helping establish female rap as a commercial force in the mainstream. Radio DJs began playing "Push It" instead of its intended A-side, prompting the group's label to quickly reissue the single with the song as the main attraction.

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19,114 次观看 • 24 天前