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Layer by layer, simple stamps create an amazing complex image. This interactive Korean installation illustrates the principle of multi-color block printing.

Massimo

4,381,351 subscribers

965,509 просмотров • 3 месяцев назад •via X (Twitter)

Искусство Музыка

Anya Rossi• Live Now

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🌌Create multi-layered Membership Cards or collections with Galaxis. 🌌How do you create amazing cards with 3 layers? Here’s a quick guide: 🖼️Design 3 unique layers ✨Layers with higher numbers are placed on top of the layers with lower numbers. ☝️Layer 1 will be the background, ☝️Layer 2 will be in the middle, and ☝️Layer 3 will be on the top of the card. ☝️Remember: use a transparent background when creating layer 2 and layer 3 files. 🌌Launch your multi-layered Membership Card masterpiece on Galaxis.

🌌Create multi-layered Membership Cards or collections with Galaxis. 🌌How do you create amazing cards with 3 layers? Here’s a quick guide: 🖼️Design 3 unique layers ✨Layers with higher numbers are placed on top of the layers with lower numbers. ☝️Layer 1 will be the background, ☝️Layer 2 will be in the middle, and ☝️Layer 3 will be on the top of the card. ☝️Remember: use a transparent background when creating layer 2 and layer 3 files. 🌌Launch your multi-layered Membership Card masterpiece on Galaxis.

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These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

Suiika Customizable Model OUT NOW!

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🇸🇪 Meanwhile this week in Sweden It’s the same absolutely everywhere and absolutely everyone is finally realising it ‼️ Sprayed metallic particulates, manipulated by frequencies in the atmosphere, to create an artificial layer of cloud, in order to block out the Sun’s rays.

🇸🇪 Meanwhile this week in Sweden It’s the same absolutely everywhere and absolutely everyone is finally realising it ‼️ Sprayed metallic particulates, manipulated by frequencies in the atmosphere, to create an artificial layer of cloud, in order to block out the Sun’s rays.

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🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

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