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Layer by layer, simple stamps create an amazing complex image. This interactive Korean installation illustrates the principle of multi-color block printing.

Massimo

4,381,351 subscribers

965,509 次观看 • 3 个月前 •via X (Twitter)

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🌌Create multi-layered Membership Cards or collections with Galaxis. 🌌How do you create amazing cards with 3 layers? Here’s a quick guide: 🖼️Design 3 unique layers ✨Layers with higher numbers are placed on top of the layers with lower numbers. ☝️Layer 1 will be the background, ☝️Layer 2 will be in the middle, and ☝️Layer 3 will be on the top of the card. ☝️Remember: use a transparent background when creating layer 2 and layer 3 files. 🌌Launch your multi-layered Membership Card masterpiece on Galaxis.

🌌Create multi-layered Membership Cards or collections with Galaxis. 🌌How do you create amazing cards with 3 layers? Here’s a quick guide: 🖼️Design 3 unique layers ✨Layers with higher numbers are placed on top of the layers with lower numbers. ☝️Layer 1 will be the background, ☝️Layer 2 will be in the middle, and ☝️Layer 3 will be on the top of the card. ☝️Remember: use a transparent background when creating layer 2 and layer 3 files. 🌌Launch your multi-layered Membership Card masterpiece on Galaxis.

Galaxis

26,575 次观看 • 2 年前

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

Suiika Customizable Model OUT NOW!

529,994 次观看 • 2 年前

🇸🇪 Meanwhile this week in Sweden It’s the same absolutely everywhere and absolutely everyone is finally realising it ‼️ Sprayed metallic particulates, manipulated by frequencies in the atmosphere, to create an artificial layer of cloud, in order to block out the Sun’s rays.

🇸🇪 Meanwhile this week in Sweden It’s the same absolutely everywhere and absolutely everyone is finally realising it ‼️ Sprayed metallic particulates, manipulated by frequencies in the atmosphere, to create an artificial layer of cloud, in order to block out the Sun’s rays.

Concerned Citizen

10,609 次观看 • 6 个月前

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,070 次观看 • 2 年前

How annoying is it when you can't find a company's logo in SVG format? I use a quick hack in Figma that lets me easily change the logo's color to whatever I need. 1. Add a rectangle layer on top of the logo layer. 2. Right-click and create a mask for the logo layer. 3. Voilà.

James McDonald

28,033 次观看 • 1 年前

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

🎓Learn how to create a powerful Worn Leather smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a fill layer with a black mask applied. Inside its mask paint a simple pill shape and use a blur slope filter to introduce some random shapes. Apply a marble veins fill layer on top with its blending mode set to color burn. Apply a warp filter as well to introduce some randomness followed by an anchorpoint. 2. Create another fill layer using the same technique to apply some dirt in the crevices of the wear. 3. Next, Inside the main fill layer apply a tiling raw leather texture to its Color and roughness channel 4. Create an additional fill layer up top and apply a black mask to it.Inside this mask retrieve the anchorpoint information followed by a blur filter with a value of 6. Use a levels to increase the spread of the mask. Apply another marble veins matching the values of the marble veins fill layer that we previously added and set its blending mode to multiply. Lastly retrieve the anchorpoint information from the previous fill layer again but this time set its blending mode to subtract. This fill layers properties should have a dark diffuse color and a matte roughness. 5. Add another fill layer with a bright diffuse and height properties with a black mask applied to it. Inside its mask retrieve the anchorpoint information again followed by a blur slope. Apply the anchorpoint information again but this time set its blending mode to subtract. Now we have a worn leather effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #3dartist #texturing #UE5 #unity #artstation

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88,726 次观看 • 2 年前

Ever wondered what it takes to create a #Starship launch animation from Pad 39A? Over 2 years of: modeling, simulating large-scale smoke plumes, compositing, refining, and solving complex software and hardware challenges behind every frame. Deconstructed layer by layer in a full VFX breakdown of the #Starship launch animation. #SpaceX #Starship #Pad39A

Ever wondered what it takes to create a #Starship launch animation from Pad 39A? Over 2 years of: modeling, simulating large-scale smoke plumes, compositing, refining, and solving complex software and hardware challenges behind every frame. Deconstructed layer by layer in a full VFX breakdown of the #Starship launch animation. #SpaceX #Starship #Pad39A

3DDaniel

15,841 次观看 • 6 个月前

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

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78,842 次观看 • 2 年前

How do we enable single-layer PCBs to support the routing complexity of multi-layer PCBs? We're making a "Bridge-Programmable Interconnect" chip. This chip is "programmed" by traces etched on the top layer of the PCB, it allows any configurable pin to connect to any other configurable pin Why is this a big deal? Single-layer PCB etching can be done in minutes on a UV laser, but because they don't have vias it is impossible to change layers. Using an interconnect chip, you are guaranteed to be able to route any signal over any other signal. By placing these on your single-layer PCB, you can reconfigure wiring such that you don't need any vias!

How do we enable single-layer PCBs to support the routing complexity of multi-layer PCBs? We're making a "Bridge-Programmable Interconnect" chip. This chip is "programmed" by traces etched on the top layer of the PCB, it allows any configurable pin to connect to any other configurable pin Why is this a big deal? Single-layer PCB etching can be done in minutes on a UV laser, but because they don't have vias it is impossible to change layers. Using an interconnect chip, you are guaranteed to be able to route any signal over any other signal. By placing these on your single-layer PCB, you can reconfigure wiring such that you don't need any vias!

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30,046 次观看 • 9 个月前

BREAKING: Self, the identity layer for 14M+ users w/ partners incl. Google and @Opera, acquired Loam Loam, founded by Birju Shah (ex-Uber Head of AI), builds multi-agent systems to automate complex, high-stakes transactions, backed by @PackyM, @Lessin’s @Slow, and Accomplice

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This is a new flyover in Mumbai. The top layer of the road was made by an Ahmedabad Sandwich maker armed with cheese.

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Gabbar

617,243 次观看 • 3 年前

no way this is real Gauth: AI Study Companion just dropped multi-modal AI that transforms any subject into hand-drawn, interactive visual stories.. tap a figure, a route, an artifact -> and it unfolds an entire new layer of knowledge students are never reading a textbook again Try yourself:

no way this is real Gauth: AI Study Companion just dropped multi-modal AI that transforms any subject into hand-drawn, interactive visual stories.. tap a figure, a route, an artifact -> and it unfolds an entire new layer of knowledge students are never reading a textbook again Try yourself:

Robin Delta

129,600 次观看 • 4 个月前

Splines instead of Gaussians 😉 Introducing Neural Spline Fields, which can see through occlusions! We learn to represent a stack of misaligned captures as a multi-layer image sandwich. Then you can extract your favorite layer to remove occlusions, reflections, or even your own shadows from the scene! Paper and Code: Fun work by Ilya Chugunov , David Shustin , Ruyu Yan, and Chenyang Lei.

Splines instead of Gaussians 😉 Introducing Neural Spline Fields, which can see through occlusions! We learn to represent a stack of misaligned captures as a multi-layer image sandwich. Then you can extract your favorite layer to remove occlusions, reflections, or even your own shadows from the scene! Paper and Code: Fun work by Ilya Chugunov , David Shustin , Ruyu Yan, and Chenyang Lei.

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137,337 次观看 • 2 年前

How to use MagicaCloth2 to create characters with multiple layers of clothing, conduct real-time multi-layer cloth physics simulation.👌 #unity3d #realtime Come and subscribe to my Fanbox to download this project

How to use MagicaCloth2 to create characters with multiple layers of clothing, conduct real-time multi-layer cloth physics simulation.👌 #unity3d #realtime Come and subscribe to my Fanbox to download this project

Sakura Rabbit 樱花兔

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Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from the selected parts. 2. Next, fill the inside with a dark color and move the lineart behind the base hair layer Repeat the same steps for the other bang strands. After adjusting the layer order, Place all hull lineart layers behind all base hair layers. 3. Export the PSD to Live2D and rig the hair motions. The result looks just like anime! Sound video⬇️

Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from the selected parts. 2. Next, fill the inside with a dark color and move the lineart behind the base hair layer Repeat the same steps for the other bang strands. After adjusting the layer order, Place all hull lineart layers behind all base hair layers. 3. Export the PSD to Live2D and rig the hair motions. The result looks just like anime! Sound video⬇️

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This is the Meltio Engine, a 3D printer that creates metal parts with high precision. It uses laser-based technology with wire and powder together to build complex parts layer by layer. It is faster than traditional methods and can also repair or upgrade existing metal parts.

This is the Meltio Engine, a 3D printer that creates metal parts with high precision. It uses laser-based technology with wire and powder together to build complex parts layer by layer. It is faster than traditional methods and can also repair or upgrade existing metal parts.

Space and Technology

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The sweat, effort, and emotion behind this poster were worth every second and you guys took it to another level! ♥️ Here’s a sneak peek into the layer by layer breakdown of one of my favourite posters from the #OG campaign!!!

The sweat, effort, and emotion behind this poster were worth every second and you guys took it to another level! ♥️ Here’s a sneak peek into the layer by layer breakdown of one of my favourite posters from the #OG campaign!!!

Suryahhh

21,244 次观看 • 9 个月前