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Leader's Night | Release Hey...I know that reference... Models Yinyama3D🔞 Commissions Closed(2/2) @TheBlackBirdCalls Audio OpenNSFW (SFX Pack) HentAudio 🇺🇦 🟢COMMS OPEN🟢 (SFX Pack) LewdHeart (Soundpack)

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MarcoV4🔞 (Comm Cleanup)

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How to Identify Agents with Sound Alone: Audio Profiles Each agent in VALORANT has a unique walk sound. We can use this to identify who is moving around without seeing them AND without them using abilities. Each agent has unique tells, here's Proof: Key: (How Easy it is to Identify who is running) 🟢 - Extremely Easy to identify without trying 🟡 - Somewhat difficult until you know what to listen for 🔴 - Difficult, and needs practice In order of their names Alphabetically (up to Miks in release date) Astra - 🟢. Astra has golden, loose jewelry. This makes it easy to identify her because she is one of the only agents that you can hear it, and of those agents, it's the most consistent. She also has lighter steps as she is meant to be smaller than the other agents 5'6 (170cm) Breach - 🟢. Breach is easily identifiable by the heavy boots that he wears. He is one of the loudest agents in terms of walking as his boots as well as his radianite arms that are also quite loud, being made of metal. Brimstone - 🟢. Similar to Breach, Brim is also easily identifiable due to how heavy his footsteps are. What separates him from Breach is his boots are leather but stomps, likely coming from his military background. Chamber - 🟡. Chamber is what started this entire thing for me. You can identify chamber by his loose gold watch, which chimes as he walks. The reason this is yellow circle and not green is because it is not as frequent as Astra and he wears sneakers, which the majority of the cast wear. So besides the watch it can be somewhat difficult to identify, if you're not actively listening for it. Clove - 🟡. Clove is somewhat difficult, but what makes them unique is how soft / quiet they walk. They are very light, wears shoes that have a lot of cushion and is meant to feel like a smaller character, canonically 5'6 / 168cm. Cypher 🔴 - Despite playing a lot of Cypher, I have a really hard time differentiating him from other characters with similar patterns like Viper and Fade. Comapred to Fade, I would say his have more bass. Deadlock 🟢 - The only person you could mix Deadlock up with is Sova. However, Deadlock's walk has a much more "wet" sound to it, as if she were crushing in soft snow with her snow boots. Fade 🔴 - Too similar to other agents, especially Cypher makes it very hard to tell. The only thing that makes her unique is her consistency, the decibel spread is almost nothing. Gekko 🟡- Also pretty hard, as he is one of the many average weight sneaker users. He is very similar to Killjoy, but with more bass which is how i remember. He's wearing vans, it sounds like rubber. Harbor 🟢 - Extremely easy. You can hear his braclet from a mile away. One of the more unique ones. Iso 🔴- Another middleweight flat shoe wearer. I think he is meant to be heavier than agents like Gekko and Miks who sound similar. This is one wear you have to look at who is alive to differentiate between him and other agents. Jett 🟢- Extremely easy, maybe because I've heard it so much with the Jetts in my games, but I think the idea is she is meant to feel light and dainty, as if the wind is carrying her. That's why she walks so soft. She is also meant to be quite small at 5'4 / 164cm which corroborates the quiet steps. KAY/O 🟢- The easiest. Even people who don't play VALORANT could tell you that's the sound of a robot. The metal makes it very easy to tell. Killjoy 🟡 - Somewhat difficult, I think the giveaway are the boots. Like I said about Gekko, hers in comparison create softer sounds. Miks 🔴 - Really disappointed that Miks, the sound guy doesn't have anything unique to his walk. It is similar to Gekkos, in that it is rubbery but also muddy. Neon 🟢- Iconic. Being a runner, she is wearing running shoes. Not much said, I think anyone could hear the difference. Omen 🟡 - Somewhat difficult. You are listening for a "wet" sound when he walks. He has been out for long enough where I can hear it distinctly enough. Phoenix 🟡 - Somewhat difficult. You are listening for the same rubbery sound as Miks, but with a lot more bass, he drags his feet somewhat. Raze 🟡 - Hard to hear at first, but you are listening for a "mud" / squish sound. Similar to Omen, but not "stompy" Reyna 🟢- Maybe just me but I have an easy time hearing Reyna's. This is the one I can identify the quickest in game. I listen for a lot of bass towards the front of her step, as she has raised shoes which put more impact on her toes / balls of her feet. The sound is unique enough where you can her pretty clearly. Sage 🟡 - Somewhat difficult. Can be confused with Raze sometimes, as you are also listening for a "muddy sound" Skye 🟢- Very easy, she has trail shoes. Makes sense, she's from Australia. Sova 🟢- Again, similar to deadlock, Sova has boots made for winter, and there are feint sounds of him walking on ice. This one is somewhat similar to Skye, but not enough to mistakes the two. His has more bass. Tejo 🟡 - I didn't play as much when Tejo was popular, and this could be why I don't hear much differences in Gekko and Miks as well, but I find Tejo easier because of his heavty duty boots. Veto 🟡 - Somewhat hard to hear, only because I haven't played enough but there is dampness and a muddy sound to his walk similar to Raze, Omen etc. with that rubbery sound Viper 🟡 - somewhat hard to hear. Again, I think she sounds very similar to Fade and Cypher. But I think she is easier to identify because of the bass in each step. Vyse 🟢 - Very easy once you start listening. She has a lot of metal attached to her, which you can hear. Waylay 🔴 - Another middleweight rubber user. Hard to hear, but I haven't played with/against enough Waylay to really know her pattern. Yoru 🟢 - Iconic sound, you have been conditioned to hear this sound over and over with the Fake Footsteps and the reworked Yoru Clone + his fake clone of himself, he is most commonly walking around rather than sneaking, so you will probably become very accustom to him. Things to note: 1. These noises are NOT client / team sided. At the end of this video I show my friend walking as Chamber and Phoenix, you can hear a clear difference. He is on the ENEMY team, not mine. 2. You are NOT relying on audio alone. Agents all have their unique abilities which are significantly more telling of who is nearby compared to footsteps. The point of this exercise is to help identify WHO is there if there is no other way of knowing. 3. It is not meant to be used every round, hell even every game. I have really good hearing, so I can make good use of it. But as you can see by the red circles, it is not universal. Again, there are other more obvious ways of telling who is nearby. 4. 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How to Identify Agents with Sound Alone: Audio Profiles Each agent in VALORANT has a unique walk sound. We can use this to identify who is moving around without seeing them AND without them using abilities. Each agent has unique tells, here's Proof: Key: (How Easy it is to Identify who is running) 🟢 - Extremely Easy to identify without trying 🟡 - Somewhat difficult until you know what to listen for 🔴 - Difficult, and needs practice In order of their names Alphabetically (up to Miks in release date) Astra - 🟢. Astra has golden, loose jewelry. This makes it easy to identify her because she is one of the only agents that you can hear it, and of those agents, it's the most consistent. She also has lighter steps as she is meant to be smaller than the other agents 5'6 (170cm) Breach - 🟢. Breach is easily identifiable by the heavy boots that he wears. He is one of the loudest agents in terms of walking as his boots as well as his radianite arms that are also quite loud, being made of metal. Brimstone - 🟢. Similar to Breach, Brim is also easily identifiable due to how heavy his footsteps are. What separates him from Breach is his boots are leather but stomps, likely coming from his military background. Chamber - 🟡. Chamber is what started this entire thing for me. You can identify chamber by his loose gold watch, which chimes as he walks. The reason this is yellow circle and not green is because it is not as frequent as Astra and he wears sneakers, which the majority of the cast wear. So besides the watch it can be somewhat difficult to identify, if you're not actively listening for it. Clove - 🟡. Clove is somewhat difficult, but what makes them unique is how soft / quiet they walk. They are very light, wears shoes that have a lot of cushion and is meant to feel like a smaller character, canonically 5'6 / 168cm. Cypher 🔴 - Despite playing a lot of Cypher, I have a really hard time differentiating him from other characters with similar patterns like Viper and Fade. Comapred to Fade, I would say his have more bass. Deadlock 🟢 - The only person you could mix Deadlock up with is Sova. However, Deadlock's walk has a much more "wet" sound to it, as if she were crushing in soft snow with her snow boots. Fade 🔴 - Too similar to other agents, especially Cypher makes it very hard to tell. The only thing that makes her unique is her consistency, the decibel spread is almost nothing. Gekko 🟡- Also pretty hard, as he is one of the many average weight sneaker users. He is very similar to Killjoy, but with more bass which is how i remember. He's wearing vans, it sounds like rubber. Harbor 🟢 - Extremely easy. You can hear his braclet from a mile away. One of the more unique ones. Iso 🔴- Another middleweight flat shoe wearer. I think he is meant to be heavier than agents like Gekko and Miks who sound similar. This is one wear you have to look at who is alive to differentiate between him and other agents. 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He has been out for long enough where I can hear it distinctly enough. Phoenix 🟡 - Somewhat difficult. You are listening for the same rubbery sound as Miks, but with a lot more bass, he drags his feet somewhat. Raze 🟡 - Hard to hear at first, but you are listening for a "mud" / squish sound. Similar to Omen, but not "stompy" Reyna 🟢- Maybe just me but I have an easy time hearing Reyna's. This is the one I can identify the quickest in game. I listen for a lot of bass towards the front of her step, as she has raised shoes which put more impact on her toes / balls of her feet. The sound is unique enough where you can her pretty clearly. Sage 🟡 - Somewhat difficult. Can be confused with Raze sometimes, as you are also listening for a "muddy sound" Skye 🟢- Very easy, she has trail shoes. Makes sense, she's from Australia. Sova 🟢- Again, similar to deadlock, Sova has boots made for winter, and there are feint sounds of him walking on ice. This one is somewhat similar to Skye, but not enough to mistakes the two. His has more bass. Tejo 🟡 - I didn't play as much when Tejo was popular, and this could be why I don't hear much differences in Gekko and Miks as well, but I find Tejo easier because of his heavty duty boots. Veto 🟡 - Somewhat hard to hear, only because I haven't played enough but there is dampness and a muddy sound to his walk similar to Raze, Omen etc. with that rubbery sound Viper 🟡 - somewhat hard to hear. Again, I think she sounds very similar to Fade and Cypher. But I think she is easier to identify because of the bass in each step. Vyse 🟢 - Very easy once you start listening. She has a lot of metal attached to her, which you can hear. Waylay 🔴 - Another middleweight rubber user. Hard to hear, but I haven't played with/against enough Waylay to really know her pattern. 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But how is this useful? Well for me, I like to memorize the Controllers the most, because if I can identify that the sound of a controller's footsteps. I know they are not lurking, which allows for a little more peace of mind for my teammates rotating onto my site. 5. I used the same spot on purpose to show that they have different sound profiles. HOWEVER, it is important to note that with the different surfaces that you can run across, some of the noises that I described could sound different or harder to hear.

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BREAKING: Introducing All Access from Every 📧, our new membership tier for the best builders in AI All Access subs get the Builder Pack which includes $7,000 in credits and free usage to the models + tool stack we use Every 📧. All Access subscribers get: - $1,000 in Codex / @ChatGPTapp for Work credits - 12 months free of Cursor Pro+ - $4,000 in PostHog credits including self-driving to automatically fix bugs and identify issues in your production app - 1 year free of Framer - 6 months free of Notion And much more! (Did I mention $1,000 in Codex credits? It's time to build!) Get all access: Why All Access and the Builder Pack This is the best time in history to build something. For a long time, it’s been possible to one-shot impressive demos, but they’d fall flat the minute they hit production. But the release of GPT-5.6-Sol and Fable 5 heralds a new era: Everyone can build, launch, and maintain the software that they’ve always dreamed of. Everyone is a builder now. There’s just one catch: Building with AI is very expensive. (Ask me how I know.) (Alright, I’ll tell you. I accidentally used 2 billion tokens overnight this week on a big GPT-5.6-Sol run. Worth it.) This is unique in the history of technology. For most of the personal computing era, a billionaire and a solo builder could buy essentially the same top-of-the-line Mac. AI changes that: The more tokens you can afford, the more you can make. And we want to make that accessible to more people. That’s why the main feature of our new All Access plan is the Builder Pack: more than $7,000 in credits and discounts on the full stack we use to run Every, from idea to production—Codex, Claude, PostHog, Render, Gemini, FLORA, and more. Early-bird membership is only $500/year for the next 24 hours—and the Codex credits alone are worth $1,000. (I could’ve used it for my overnight run this week.) Now we’re handing it to you. Get all access: Meet the Builder Pack It's got more than $7,000 in offers from 10 of the AI products we use to write, design, build, and run Every 📧: BUILD - $1,000 in Codex credits plus one month of ChatGPT for business - Twelve months free of Cursor Pro+ - One month free of Claude Max - Three months free of Google AI Pro DESIGN - One year free of Framer Pro - One month free of FLORA © Max HOST - $300 in Render credits IMPROVE - $4,000 in PostHog credits - Six months free of Notion Business - Six months free of AgentMail We rely on these every day, and we tried to put together a package that helps you comprehensively for each part of the process of building and running software in AI. What comes with All Access - Everything in an existing paid Every membership: our daily writing, guides, camps, and software like Monologue, Cora, Sparkle, and Spiral - The Builder Pack, with more than $7,000 in partner offers - Unlimited email accounts use of Cora and unlimited Spiral usage - Members-only programming with me and the Every team and me Get All Access:
2:14

BREAKING: Introducing All Access from Every 📧, our new membership tier for the best builders in AI All Access subs get the Builder Pack which includes $7,000 in credits and free usage to the models + tool stack we use Every 📧. All Access subscribers get: - $1,000 in Codex / @ChatGPTapp for Work credits - 12 months free of Cursor Pro+ - $4,000 in PostHog credits including self-driving to automatically fix bugs and identify issues in your production app - 1 year free of Framer - 6 months free of Notion And much more! (Did I mention $1,000 in Codex credits? It's time to build!) Get all access: Why All Access and the Builder Pack This is the best time in history to build something. For a long time, it’s been possible to one-shot impressive demos, but they’d fall flat the minute they hit production. But the release of GPT-5.6-Sol and Fable 5 heralds a new era: Everyone can build, launch, and maintain the software that they’ve always dreamed of. Everyone is a builder now. There’s just one catch: Building with AI is very expensive. (Ask me how I know.) (Alright, I’ll tell you. I accidentally used 2 billion tokens overnight this week on a big GPT-5.6-Sol run. Worth it.) This is unique in the history of technology. For most of the personal computing era, a billionaire and a solo builder could buy essentially the same top-of-the-line Mac. AI changes that: The more tokens you can afford, the more you can make. And we want to make that accessible to more people. That’s why the main feature of our new All Access plan is the Builder Pack: more than $7,000 in credits and discounts on the full stack we use to run Every, from idea to production—Codex, Claude, PostHog, Render, Gemini, FLORA, and more. Early-bird membership is only $500/year for the next 24 hours—and the Codex credits alone are worth $1,000. (I could’ve used it for my overnight run this week.) Now we’re handing it to you. Get all access: Meet the Builder Pack It's got more than $7,000 in offers from 10 of the AI products we use to write, design, build, and run Every 📧: BUILD - $1,000 in Codex credits plus one month of ChatGPT for business - Twelve months free of Cursor Pro+ - One month free of Claude Max - Three months free of Google AI Pro DESIGN - One year free of Framer Pro - One month free of FLORA © Max HOST - $300 in Render credits IMPROVE - $4,000 in PostHog credits - Six months free of Notion Business - Six months free of AgentMail We rely on these every day, and we tried to put together a package that helps you comprehensively for each part of the process of building and running software in AI. What comes with All Access - Everything in an existing paid Every membership: our daily writing, guides, camps, and software like Monologue, Cora, Sparkle, and Spiral - The Builder Pack, with more than $7,000 in partner offers - Unlimited email accounts use of Cora and unlimited Spiral usage - Members-only programming with me and the Every team and me Get All Access:

Dan Shipper

183,419 Aufrufe • vor 2 Monaten

You guys asked for a deeper sim and that's what 2.9 is. Submitted. Rebuilt Avatars: Player avatars completely redone. 14 hairstyles, 8 skin tones, 6 hair colors, beard options, all at higher resolution. Over 50,000 combinations across the 4,700+ players the game generates. Coach avatars got the same revamp. Player Cards: Cards rebuilt from scratch to feel like a broadcast graphic. Team-color gradient hero that pulls each program's actual colors, oversized OVR display, archetype line, headline stat strip, and tabs for stats, ratings, game logs, and bio. Coaching Systems: Biggest gameplay shift in this build. You pick an offensive scheme and a defensive scheme and they change how your team plays. 6 offensive options (Run & Gun, Motion, Pick & Roll, Princeton, Post-Centric, Balanced) and 6 defensive options (Man, 2-3, 3-2, 1-3-1, Press/Trap, Pack Line). Run & Gun teams shoot more threes and turn the ball over more. Pack Line teams give up fewer paint points but allow more open looks. Same modifiers run in live games and background sims so your scheme matters either way. Scout Cards: Tap any team and you can now see their offensive and defensive playstyle laid out in full. Real game-planning is finally possible. Facing a Press team, you can scheme around it. Facing a 2-3 zone, you can prep your shooters. Pull up an opponent before tipoff and actually know what you're up against. Recruiting Pipelines: Recruit generation now mirrors real basketball geography. Top talent clusters in real hotbeds. Class rank, position rank, and state rank show on every recruit. All-American badges flag elite prospects and State Player of the Year badges call out standouts in smaller states, but neither is an auto cheat code. An All-American is a strong prospect on paper, development still matters, and not every one pans out. State POY varies a lot by state. The real edge is taking a job in a strong pipeline state. Better states produce better players more often, and coaching in a hotbed gives you home state advantage on recruits everyone else is fighting over. Smarter Rankings + Bug Fixes: Rankings rebuilt to reflect who's actually playing the best. Quality wins matter, strength of schedule matters, bad losses hurt. Plus a long list of bug fixes from your Discord reports. If you posted a bug, it's been looked at even if I didn't reply directly. Android: Thank you for everyone who has been testing! We have finally got aversion that is ready for release and I am submitting it right now! I will keep you guys updated on when it drops❤️
0:35

You guys asked for a deeper sim and that's what 2.9 is. Submitted. Rebuilt Avatars: Player avatars completely redone. 14 hairstyles, 8 skin tones, 6 hair colors, beard options, all at higher resolution. Over 50,000 combinations across the 4,700+ players the game generates. Coach avatars got the same revamp. Player Cards: Cards rebuilt from scratch to feel like a broadcast graphic. Team-color gradient hero that pulls each program's actual colors, oversized OVR display, archetype line, headline stat strip, and tabs for stats, ratings, game logs, and bio. Coaching Systems: Biggest gameplay shift in this build. You pick an offensive scheme and a defensive scheme and they change how your team plays. 6 offensive options (Run & Gun, Motion, Pick & Roll, Princeton, Post-Centric, Balanced) and 6 defensive options (Man, 2-3, 3-2, 1-3-1, Press/Trap, Pack Line). Run & Gun teams shoot more threes and turn the ball over more. Pack Line teams give up fewer paint points but allow more open looks. Same modifiers run in live games and background sims so your scheme matters either way. Scout Cards: Tap any team and you can now see their offensive and defensive playstyle laid out in full. Real game-planning is finally possible. Facing a Press team, you can scheme around it. Facing a 2-3 zone, you can prep your shooters. Pull up an opponent before tipoff and actually know what you're up against. Recruiting Pipelines: Recruit generation now mirrors real basketball geography. Top talent clusters in real hotbeds. Class rank, position rank, and state rank show on every recruit. All-American badges flag elite prospects and State Player of the Year badges call out standouts in smaller states, but neither is an auto cheat code. An All-American is a strong prospect on paper, development still matters, and not every one pans out. State POY varies a lot by state. The real edge is taking a job in a strong pipeline state. Better states produce better players more often, and coaching in a hotbed gives you home state advantage on recruits everyone else is fighting over. Smarter Rankings + Bug Fixes: Rankings rebuilt to reflect who's actually playing the best. Quality wins matter, strength of schedule matters, bad losses hurt. Plus a long list of bug fixes from your Discord reports. If you posted a bug, it's been looked at even if I didn't reply directly. Android: Thank you for everyone who has been testing! We have finally got aversion that is ready for release and I am submitting it right now! I will keep you guys updated on when it drops❤️

Hardwood Empire

33,594 Aufrufe • vor 4 Monaten

⚡️SSJ2 Goku vs SSJ2 Majin Vegeta (Part 2) [HD]💥1080Pee🔥 Original Funimation w/ Bruce Faulconer Audio ✅ (Good Version) ✅ (Not KAI) 🤮FANMADE EDIT 🎬 🚨 Copyrights ©️Akira Toriyama, Toei Animation, and Bruce Faulconer. ⚠️ 🔫👮 All 291 episodes of DragonBall Z are available to stream in [HD] quality on Crunchyroll.🐉🟠 / Subscriptions start at $9.99/mo 💻🖱️ Visit for more details. 🖥️ Bruce Faulconer's #DBZ discography is available on Spotify. 🎵🟢 (on Mobile, it may bring to a screen to hit play, then 'Get the App'. If Spotify is Installed, 'Get the App' should automatically load both for you.) 📱 ⚠️These [HD]💥1080Pee🔥 edits as they are presented are not available for Television currently.🚫📺 This is a FANMADE re-imagination of what our childhood 'could be' today. 🤔 Our 'DragonBall Z' has not existed for almost 20 years, we are forced to rely on old physical media and internet archives to watch it.😭 👈 In the Pee Universe, #DBZ never peaked, it's still going strong in 2026 too! 🏁 Bruce Faulconer officially became canon in the Pee Universe on 08/08/2026. See The Daily Juice of Bruce 🥃 below if joining the Pee Warriors, might be for You. 👊 I'm just a fan like you are. 🫵 (🚫NO AFFILIATIONS🚫) 🛑NEW! [HD]💥1080Pee🔥! Here's the final conclusion to one of if not the most hyped fights in ALL of DBZ. I took the last bit with "Hyperbolic Time Chamber" from (Part 1) and felt it 100% necessary to include it to set the mood for (Part 2). I tried to edit it where it the story feels cohesive. This one took probably 4x the usual editing time, so if you enjoyed these . Please give me a like 😭 Just wanted to say thanks again everyone for being here, and showing your love and support for the Golden Era of DragonBall Z! Let me know in the comments what iconic moments you would like to see! I typically won't upload a video in 2 parts like this. I am curious to anybody who saw (Part 1) already. Did me trying to promote it generate any hype for you? Did it leave you craving more at all or genuinely gave you something to push forward through to look forward to today? I suspect even some might have wanted to wait for both parts to release. I know that sounds cheesy, but if it's a way to successfully capture nostalgia I'd like to try to advertise what's coming more, albeit not spammy. Whenever you see something from me, I hope you can also escape back to your younger self, and just enjoy bein the kid u once were, and forget about real life for a few moments. Love you guys again. -Pee ❤️ This is the only exception that I am doing a full fight that isn't involving minor characters. 🚨IF YOU MISSED (PART 1) 🚨 I have added it in the comments below for you also. I hope ya'll enjoy the hell out of this and your weekends! The current schedule is 2 edits per day. One before Noon EST, the other around 7PM EST. 12 replays - 2 new. *NEW* edits are on Tuesdays / Fridays at 5:00PM EST, a little earlier because you might not have as much time as free time as when you were 12. This is the DragonBall Z we grew up with. ✅💯
8:57

⚡️SSJ2 Goku vs SSJ2 Majin Vegeta (Part 2) [HD]💥1080Pee🔥 Original Funimation w/ Bruce Faulconer Audio ✅ (Good Version) ✅ (Not KAI) 🤮FANMADE EDIT 🎬 🚨 Copyrights ©️Akira Toriyama, Toei Animation, and Bruce Faulconer. ⚠️ 🔫👮 All 291 episodes of DragonBall Z are available to stream in [HD] quality on Crunchyroll.🐉🟠 / Subscriptions start at $9.99/mo 💻🖱️ Visit for more details. 🖥️ Bruce Faulconer's #DBZ discography is available on Spotify. 🎵🟢 (on Mobile, it may bring to a screen to hit play, then 'Get the App'. If Spotify is Installed, 'Get the App' should automatically load both for you.) 📱 ⚠️These [HD]💥1080Pee🔥 edits as they are presented are not available for Television currently.🚫📺 This is a FANMADE re-imagination of what our childhood 'could be' today. 🤔 Our 'DragonBall Z' has not existed for almost 20 years, we are forced to rely on old physical media and internet archives to watch it.😭 👈 In the Pee Universe, #DBZ never peaked, it's still going strong in 2026 too! 🏁 Bruce Faulconer officially became canon in the Pee Universe on 08/08/2026. See The Daily Juice of Bruce 🥃 below if joining the Pee Warriors, might be for You. 👊 I'm just a fan like you are. 🫵 (🚫NO AFFILIATIONS🚫) 🛑NEW! [HD]💥1080Pee🔥! Here's the final conclusion to one of if not the most hyped fights in ALL of DBZ. I took the last bit with "Hyperbolic Time Chamber" from (Part 1) and felt it 100% necessary to include it to set the mood for (Part 2). I tried to edit it where it the story feels cohesive. This one took probably 4x the usual editing time, so if you enjoyed these . Please give me a like 😭 Just wanted to say thanks again everyone for being here, and showing your love and support for the Golden Era of DragonBall Z! Let me know in the comments what iconic moments you would like to see! I typically won't upload a video in 2 parts like this. I am curious to anybody who saw (Part 1) already. Did me trying to promote it generate any hype for you? Did it leave you craving more at all or genuinely gave you something to push forward through to look forward to today? I suspect even some might have wanted to wait for both parts to release. I know that sounds cheesy, but if it's a way to successfully capture nostalgia I'd like to try to advertise what's coming more, albeit not spammy. Whenever you see something from me, I hope you can also escape back to your younger self, and just enjoy bein the kid u once were, and forget about real life for a few moments. Love you guys again. -Pee ❤️ This is the only exception that I am doing a full fight that isn't involving minor characters. 🚨IF YOU MISSED (PART 1) 🚨 I have added it in the comments below for you also. I hope ya'll enjoy the hell out of this and your weekends! The current schedule is 2 edits per day. One before Noon EST, the other around 7PM EST. 12 replays - 2 new. *NEW* edits are on Tuesdays / Fridays at 5:00PM EST, a little earlier because you might not have as much time as free time as when you were 12. This is the DragonBall Z we grew up with. ✅💯

DragonBallPee

10,498 Aufrufe • vor 1 Monat

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)
0:55

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

Lovis Odin

58,841 Aufrufe • vor 1 Jahr

This is the REAL STORY of how COVID started in the U.S.—Don't let Deep State shills like Kash Patel gaslight you (1/17 - supporting evidence in thread) "[COVID wasn't] a pandemic. It [was] a military attack. It [was] a deployment of chemical [and] maybe radiological weapons." Retired pharma R&D executive Sasha Latypova (sashalatypova.substack.com "Due Diligence and Art") describes for Mic Meow (@MicMeowed) how the COVID "pandemic" was actually pulled off in the U.S., highlighting the U.S. military's involvement in the release of a biological (and potentially radiological) weapon, the lack of evidence supporting the existence of a patient zero in the U.S. (or even China), and the rollout of "hospital murder protocols," which were used to generate the deaths needed to make it look like there was a "pandemic" occurring. "The Department of Defense quickly took over the response to the supposed public health event [i.e., the COVID-19 'pandemic']," Latypova notes at the beginning of the clip, before delving into the timeline of events—which is strongly supported by the available evidence. "The [supposed SARS-CoV-2 'virus'] sequence was posted into GenBank on January 9th, 2020, ostensibly from a Chinese patient[, for whom there is no evidence supporting their existence]." (See tweet 5/17 for supporting evidence of Latypova's claim here.) "The [supposed SARS-CoV-2 'virus'] sequence was posted into GenBank on January 9th [2020]. On January 30th [2020], the CDC claimed that we have a first person in the United States, in Washington State, who was, again, infected with this virus. Again, [there was no] evidence of this person ever existing." (See tweet 4/17 for supporting evidence of this claim.) (For reference, GenBank is a comprehensive public database that contains annotated collections of all publicly available nucleotide and DNA sequences.) "On February 4th, there's a phone call—and this is...leaked audio from AstraZeneca executives. There was a phone call placed from the Department of Defense. I believe the person making the phone call was Colonel Matt Hepburn from DARPA," Latypova says. "And he called the consortium of pharmaceutical companies telling them to switch from previously funded pan-influenza ['vaccine'] models to COVID ['vaccine'] models because, and I'm quoting him, 'COVID was declared a national security threat.'" (See tweet 16/17 for supporting evidence.) "So my question is," Latypova says, "[from] January 30th [2020] to February 4th [2020], we only have one ostensible patient having COVID. [But it's not] clear. Are they ill? Did they die? What happened?" Latypova goes on to ask rhetorically: "We have maybe 11 cases—PCR cases—of COVID in the United States [but] somehow, Colonel Matt Hepburn decides to...to say to the entire pharmaceutical consortium, which is over 300 companies, to start working on COVID products because it's a national security threat. Based on what? That's my question: How do you know that?" Latypova goes on to note: "What's more interesting...we have a whole series—hours—of Department of Defense press conferences at the Pentagon with media, over the 2020/2021 timeframe, when they were working on Operation Warp Speed. And so they would do these periodic press updates, and they're hilarious and very interesting....I don't recall the date exactly right now, but it was somewhere [in] February, early March, there [was] a press event where, there's Colonel Wendy Sammons-Jackson and a few others. So there's General [Michael J.] Talley, who leads the presentation from the DOD, and there are two or three [other] participants from Fort Detrick, the biolab and, the US Army infectious disease research. And they're all discussing this stuff. And so she [Sammons-Jackson] says specifically, 'Oh, we've received...the pathogen, meaning the COVID virus... and we [meaning the DOD] are growing the stocks of it." (See tweet 2/17 for supporting evidence.) "At that time...I remind you," Latypova adds, "we only had maybe one case; maybe 10 cases or 20 [PCR] cases of this, meaning there was no COVID virus in the US. Yet Colonel Wendy Sammons-Jackson is growing stocks of it. And guess what happens after she's growing stocks of it? We have an explosion of cases and illness in the United States. So how is this a pandemic when nothing happens before they announce it, after they announce it, and tell you we're growing stocks of it, we have a pandemic?" Latypova concludes: "So it's [COVID] not a pandemic. It's a military attack. It's a deployment of chemical, maybe radiological weapons. I don't know what they deployed, but they deployed something. There was some weird illness that was going around. [But] it's a deployment. And a majority of the deaths...were caused by, we know, hospital murder protocols—killing people in the hospitals with the protocol that I can walk you through because they tried it on my on my mother-in-law, unsuccessfully. We rescued her." (See tweets 9/17 and 10/17 for supporting evidence of the "hospital murder protocols.") "And, so I can walk you through that protocol....[I've been] with people testifying [as to] how their loved ones were killed in the exact same manner...[with] remdesivir and with ventilators and, dehydration, starvation, cruelty...Isolation...So those are the deaths. That's how they caused the deaths. They simulated illness with something [else]—some chemical weapon or something. And, the main point of this was to deploy these biological weapons, which are the shots [the COVID injections]."
6:07

This is the REAL STORY of how COVID started in the U.S.—Don't let Deep State shills like Kash Patel gaslight you (1/17 - supporting evidence in thread) "[COVID wasn't] a pandemic. It [was] a military attack. It [was] a deployment of chemical [and] maybe radiological weapons." Retired pharma R&D executive Sasha Latypova (sashalatypova.substack.com "Due Diligence and Art") describes for Mic Meow (@MicMeowed) how the COVID "pandemic" was actually pulled off in the U.S., highlighting the U.S. military's involvement in the release of a biological (and potentially radiological) weapon, the lack of evidence supporting the existence of a patient zero in the U.S. (or even China), and the rollout of "hospital murder protocols," which were used to generate the deaths needed to make it look like there was a "pandemic" occurring. "The Department of Defense quickly took over the response to the supposed public health event [i.e., the COVID-19 'pandemic']," Latypova notes at the beginning of the clip, before delving into the timeline of events—which is strongly supported by the available evidence. "The [supposed SARS-CoV-2 'virus'] sequence was posted into GenBank on January 9th, 2020, ostensibly from a Chinese patient[, for whom there is no evidence supporting their existence]." (See tweet 5/17 for supporting evidence of Latypova's claim here.) "The [supposed SARS-CoV-2 'virus'] sequence was posted into GenBank on January 9th [2020]. On January 30th [2020], the CDC claimed that we have a first person in the United States, in Washington State, who was, again, infected with this virus. Again, [there was no] evidence of this person ever existing." (See tweet 4/17 for supporting evidence of this claim.) (For reference, GenBank is a comprehensive public database that contains annotated collections of all publicly available nucleotide and DNA sequences.) "On February 4th, there's a phone call—and this is...leaked audio from AstraZeneca executives. There was a phone call placed from the Department of Defense. I believe the person making the phone call was Colonel Matt Hepburn from DARPA," Latypova says. "And he called the consortium of pharmaceutical companies telling them to switch from previously funded pan-influenza ['vaccine'] models to COVID ['vaccine'] models because, and I'm quoting him, 'COVID was declared a national security threat.'" (See tweet 16/17 for supporting evidence.) "So my question is," Latypova says, "[from] January 30th [2020] to February 4th [2020], we only have one ostensible patient having COVID. [But it's not] clear. Are they ill? Did they die? What happened?" Latypova goes on to ask rhetorically: "We have maybe 11 cases—PCR cases—of COVID in the United States [but] somehow, Colonel Matt Hepburn decides to...to say to the entire pharmaceutical consortium, which is over 300 companies, to start working on COVID products because it's a national security threat. Based on what? That's my question: How do you know that?" Latypova goes on to note: "What's more interesting...we have a whole series—hours—of Department of Defense press conferences at the Pentagon with media, over the 2020/2021 timeframe, when they were working on Operation Warp Speed. And so they would do these periodic press updates, and they're hilarious and very interesting....I don't recall the date exactly right now, but it was somewhere [in] February, early March, there [was] a press event where, there's Colonel Wendy Sammons-Jackson and a few others. So there's General [Michael J.] Talley, who leads the presentation from the DOD, and there are two or three [other] participants from Fort Detrick, the biolab and, the US Army infectious disease research. And they're all discussing this stuff. And so she [Sammons-Jackson] says specifically, 'Oh, we've received...the pathogen, meaning the COVID virus... and we [meaning the DOD] are growing the stocks of it." (See tweet 2/17 for supporting evidence.) "At that time...I remind you," Latypova adds, "we only had maybe one case; maybe 10 cases or 20 [PCR] cases of this, meaning there was no COVID virus in the US. Yet Colonel Wendy Sammons-Jackson is growing stocks of it. And guess what happens after she's growing stocks of it? We have an explosion of cases and illness in the United States. So how is this a pandemic when nothing happens before they announce it, after they announce it, and tell you we're growing stocks of it, we have a pandemic?" Latypova concludes: "So it's [COVID] not a pandemic. It's a military attack. It's a deployment of chemical, maybe radiological weapons. I don't know what they deployed, but they deployed something. There was some weird illness that was going around. [But] it's a deployment. And a majority of the deaths...were caused by, we know, hospital murder protocols—killing people in the hospitals with the protocol that I can walk you through because they tried it on my on my mother-in-law, unsuccessfully. We rescued her." (See tweets 9/17 and 10/17 for supporting evidence of the "hospital murder protocols.") "And, so I can walk you through that protocol....[I've been] with people testifying [as to] how their loved ones were killed in the exact same manner...[with] remdesivir and with ventilators and, dehydration, starvation, cruelty...Isolation...So those are the deaths. That's how they caused the deaths. They simulated illness with something [else]—some chemical weapon or something. And, the main point of this was to deploy these biological weapons, which are the shots [the COVID injections]."

Sense Receptor

52,103 Aufrufe • vor 1 Jahr

The Mary Sheffield Scandal Lights Detroit City Hall on Fire The hallmarks of her short tenure are dirty money and dirty cops By Charlie LeDuff Charlie LeDuff It’s fascinating to watch Detroit Mayor Mary Sheffield bury herself while trying to dig herself out of quicksand. And take it from me, the authorities are circling. Sheffield told on herself last week. She said she took the cash. She admitted as much in a grammar-mangled statement before running away from TV cameras. The scandal only grew larger. “During the course of our relationship, I personally loaned him tens of thousands of dollars,” she wrote. “Any funds he provided me was (sic) repayment for money he owed me.” All that on a city council salary. Her former lover, Marvin Walker, would bring the cash in the middle of the night. We know that because Walker made videos of himself fanning wads of cash before depositing them in her mailbox. Sheffield admitted as much. The money was druggie looking, wrinkled and weathered. The bills were not bundled with paper bank bands, but rubber bands. Walker told me they were kickbacks from local businessmen, and that he acted as the middleman. Emails exist memorializing the relationships. Walker told me this, and then Walker told the languishing local papers that they were not kickbacks, and that he hadn’t seen Mary Sheffield in years. Maybe we should release some audio tape, Marvin? It’ll give you a hot minute to pack your bags and get gone. Sheffield and her crisis handlers declined to provide bank statements documenting the unusually large deposits and withdrawals. There’s no going back on the story now. Sheffield is stuck with the Fani Willis defense. Then there are the claims Walker shopped around that he was being paid by Sheffield for doing nothing and kicking back the money to her. Sheffield’s statement addressed that accusation, too. “I want to be crystal clear,” she wrote. “NO city funds were ever provided to Mr. Walker, nor has he ever received any city contract. In 2019, he received a total of $1,800 from a non-profit for services he provided for community events like all others.” That nonprofit is a 501(c)(3)—the kind of political charity account that Kwame Kilpatrick used as a personal slush fund to pay for spa treatments, yoga lessons, and a Cadillac DeVille. Because of that, he spent seven years in federal prison and still owes the government nearly a million dollars in restitution. For her part, Sheffield’s charity “Detroit Donates” was awarded tax-exempt status in 2019. One of the directors for “Detroit Donates” in 2019 was Paris Blessman, a longtime political aide for Sheffield. Blessman listed Sheffield's City Hall office suite as her address on Detroit Donates’ tax filings that year. Today, Blessman is listed as the charity’s president, and the office has relocated to a community center operated by Rev. Horace Sheffield, the mayor’s father. “Detroit Donates” raised about $10,000 in 2019, and its revenues exploded to more than $180,000 by 2024. It still managed to run a deficit of $20,000 that year. Walker estimated that he got at least $7,000 in checks from Sheffield’s charity, but did not work for it. She’d give him the check, he’d cash it and give her the money. Sometimes he wouldn’t cash the check, he said. He’d just give her the money. “It ended up in her pocket,” Walker said. Walker showed me a string of text messages outlining the scam. One text comes from Mary Sheffield’s cell phone and carries the time stamp April 9, 2023: “I have a 2k check as well I’ll give you that and you give me 2k back” Then a few minutes later: “Do you have the 2k cash? I can meet you and give check before I leave” Again, Sheffield and her handlers have refused to provide copies of the checks or open the charity’s books. Then there are the cops. In her statement, Sheffield claimed she had nothing to do with Police Chief Todd Bettison’s freelance antics trying to tamp down the growing scandal. Tactical police were used to detain a man. Surveillance was used to track him. Rape charges were cooked up against Walker but later dropped. Phone calls were made by Bettison asking people to remove risqué photos of Sheffield and Walker posted online. Those videos and photographs were leaked by Walker himself. “I have never used the power of my office to instigate any action or inaction involving Mr. Walker, including through the Detroit Police Department,” Sheffield wrote. If that is true, then how does Bettison still have a job? That kind of policing is precisely what ignited the riots in 1967. In his zeal to protect the boss and teach Walker a lesson, Bettison sent a platoon of cops to shutter one of Walker’s rental properties using building code violations as the excuse. The residents at the property were kicked out without warning and were not allowed to gather their belongings. A 67-year-old Army veteran came home that evening to find his door and windows boarded up. Locked inside were his walker and medications. With no place to go, our veteran was forced to sleep in his car. It took two days to get his door opened by city officials. But the place is so hot, one Sheffield aide actually suggested we break in and get his belongings ourselves.
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The Mary Sheffield Scandal Lights Detroit City Hall on Fire The hallmarks of her short tenure are dirty money and dirty cops By Charlie LeDuff Charlie LeDuff It’s fascinating to watch Detroit Mayor Mary Sheffield bury herself while trying to dig herself out of quicksand. And take it from me, the authorities are circling. Sheffield told on herself last week. She said she took the cash. She admitted as much in a grammar-mangled statement before running away from TV cameras. The scandal only grew larger. “During the course of our relationship, I personally loaned him tens of thousands of dollars,” she wrote. “Any funds he provided me was (sic) repayment for money he owed me.” All that on a city council salary. Her former lover, Marvin Walker, would bring the cash in the middle of the night. We know that because Walker made videos of himself fanning wads of cash before depositing them in her mailbox. Sheffield admitted as much. The money was druggie looking, wrinkled and weathered. The bills were not bundled with paper bank bands, but rubber bands. Walker told me they were kickbacks from local businessmen, and that he acted as the middleman. Emails exist memorializing the relationships. Walker told me this, and then Walker told the languishing local papers that they were not kickbacks, and that he hadn’t seen Mary Sheffield in years. Maybe we should release some audio tape, Marvin? It’ll give you a hot minute to pack your bags and get gone. Sheffield and her crisis handlers declined to provide bank statements documenting the unusually large deposits and withdrawals. There’s no going back on the story now. Sheffield is stuck with the Fani Willis defense. Then there are the claims Walker shopped around that he was being paid by Sheffield for doing nothing and kicking back the money to her. Sheffield’s statement addressed that accusation, too. “I want to be crystal clear,” she wrote. “NO city funds were ever provided to Mr. Walker, nor has he ever received any city contract. In 2019, he received a total of $1,800 from a non-profit for services he provided for community events like all others.” That nonprofit is a 501(c)(3)—the kind of political charity account that Kwame Kilpatrick used as a personal slush fund to pay for spa treatments, yoga lessons, and a Cadillac DeVille. Because of that, he spent seven years in federal prison and still owes the government nearly a million dollars in restitution. For her part, Sheffield’s charity “Detroit Donates” was awarded tax-exempt status in 2019. One of the directors for “Detroit Donates” in 2019 was Paris Blessman, a longtime political aide for Sheffield. Blessman listed Sheffield's City Hall office suite as her address on Detroit Donates’ tax filings that year. Today, Blessman is listed as the charity’s president, and the office has relocated to a community center operated by Rev. Horace Sheffield, the mayor’s father. “Detroit Donates” raised about $10,000 in 2019, and its revenues exploded to more than $180,000 by 2024. It still managed to run a deficit of $20,000 that year. Walker estimated that he got at least $7,000 in checks from Sheffield’s charity, but did not work for it. She’d give him the check, he’d cash it and give her the money. Sometimes he wouldn’t cash the check, he said. He’d just give her the money. “It ended up in her pocket,” Walker said. Walker showed me a string of text messages outlining the scam. One text comes from Mary Sheffield’s cell phone and carries the time stamp April 9, 2023: “I have a 2k check as well I’ll give you that and you give me 2k back” Then a few minutes later: “Do you have the 2k cash? I can meet you and give check before I leave” Again, Sheffield and her handlers have refused to provide copies of the checks or open the charity’s books. Then there are the cops. In her statement, Sheffield claimed she had nothing to do with Police Chief Todd Bettison’s freelance antics trying to tamp down the growing scandal. Tactical police were used to detain a man. Surveillance was used to track him. Rape charges were cooked up against Walker but later dropped. Phone calls were made by Bettison asking people to remove risqué photos of Sheffield and Walker posted online. Those videos and photographs were leaked by Walker himself. “I have never used the power of my office to instigate any action or inaction involving Mr. Walker, including through the Detroit Police Department,” Sheffield wrote. If that is true, then how does Bettison still have a job? That kind of policing is precisely what ignited the riots in 1967. In his zeal to protect the boss and teach Walker a lesson, Bettison sent a platoon of cops to shutter one of Walker’s rental properties using building code violations as the excuse. The residents at the property were kicked out without warning and were not allowed to gather their belongings. A 67-year-old Army veteran came home that evening to find his door and windows boarded up. Locked inside were his walker and medications. With no place to go, our veteran was forced to sleep in his car. It took two days to get his door opened by city officials. But the place is so hot, one Sheffield aide actually suggested we break in and get his belongings ourselves.

Michigan Enjoyer

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