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LeBron James says one reason he lost the finals in 2011 was because he was playing the ‘villian’ role after joining Miami: “It was real bad. I took the Villian role. I let the media, I was young. I was 25 and a lot of people don’t understand that...

839,560 görüntüleme • 3 ay önce •via X (Twitter)

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I really, really, really wanted to drop this song last year. When I first put out the snippet, I was so excited - but it was hard to finish it on time because everything was a blur. I was sick and weak and nauseous and tired and my body just wouldn't do what I wanted it to. Even in the snippet video, I wasn't feeling great. I was just trying my best. I adore Chike's voice and I knew it was him that had to be on the song with me. When I asked him to give me a verse, he was so ready to go, but he was out of town. As soon as he came back, he came over to my studio the next day 🥹. I got a lotta respect for him. He didn't know I was pregnant and suffering 😅 Watching this video back now, I can't even understand where the energy came from. When the song was done, I struggled to mix it. Even so, I decided to master it myself. I hate mastering, so I don't know what I thinking. I was so disappointed that I couldn't meet the deadline. Everyone had fallen in love with the song and was asking me to put it out. I didn't have the energy to make content. I don't even remember them recording this video. Given how much I love this song, I'm a little bummed I couldn't give it energy it deserves. But please, know that a lot of love and resilience went into this song. I hope that you can let less be more for this one. I hope you can give it the energy that I couldn't. That I can't. PS: This is a chance for those of you that say I gave up my career for marriage to fight(?) for my uhm...rights? That or stfu. WHERE YOU DEY > Simi ft Chiké out everywhere now 🩵🩵 produced by Niphkeys mixed/mastered by Simi

Simi

393,105 görüntüleme • 5 ay önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 6 ay önce