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Leonardo DiCaprio shares what Jennifer Lawrence should know before working with Martin Scorsese. "Is there anything I should absolutely know about Martin Scorsese before we start?" - Jennifer "He's going to give you a lot of film references, usually in the form of a DVD. Get a DVD player....

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Jonah Hill says Martin Scorsese used a genius psychological trick to help him nail a scene in The Wolf of Wall Street. “The first scene I auditioned with was Donnie’s intro scene at the diner. I had been preparing for it for almost an entire year.” “We shot it, did a few takes, and Scorsese was happy. I was so relieved.” “Then we had to shoot the next scene, which wasn't even really scripted. It was just one or two lines of me quitting my job.” “We did it again, and again, and again. We ended up doing it about 20 times.” “Scorsese wasn't saying anything to me, and Leonardo DiCaprio was looking away, acting uncomfortable.” “Obviously, something wasn't working, or else we would have moved on ages ago.” “We did it about 10 more times. I was sweating and absolutely freaking out.” “Finally, Scorsese called a break, sent everyone out, and told me to come sit with him at the monitors.” “For about 20 minutes, he just read the newspaper in total silence while I stared at the wall.” “After a few minutes of sitting there, I just naturally started to relax and get out of my own head.” “Then he looked at me and said, ‘Kid, you want to try it again?’ Everyone came back in, we did it twice, and he loved it.”
3:03

Jonah Hill says Martin Scorsese used a genius psychological trick to help him nail a scene in The Wolf of Wall Street. “The first scene I auditioned with was Donnie’s intro scene at the diner. I had been preparing for it for almost an entire year.” “We shot it, did a few takes, and Scorsese was happy. I was so relieved.” “Then we had to shoot the next scene, which wasn't even really scripted. It was just one or two lines of me quitting my job.” “We did it again, and again, and again. We ended up doing it about 20 times.” “Scorsese wasn't saying anything to me, and Leonardo DiCaprio was looking away, acting uncomfortable.” “Obviously, something wasn't working, or else we would have moved on ages ago.” “We did it about 10 more times. I was sweating and absolutely freaking out.” “Finally, Scorsese called a break, sent everyone out, and told me to come sit with him at the monitors.” “For about 20 minutes, he just read the newspaper in total silence while I stared at the wall.” “After a few minutes of sitting there, I just naturally started to relax and get out of my own head.” “Then he looked at me and said, ‘Kid, you want to try it again?’ Everyone came back in, we did it twice, and he loved it.”

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SRK talking about the first time Atlee came to narrate Jawan: "Atlee just came to see me in and he said you know I have a film, and I found it very interesting because the first line he told me for the film was that it's you sir with five girls and that's my film because my wife Priya and myself we really feel that you look the nicest when you have a bunch of ladies with you in a film. So I said okay a lot of action yeah it's lots of high speed shots he said yeah there's lots of dancing he said yeah lots of good dialogues he said yeah, so that's how jawan started"
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SRK talking about the first time Atlee came to narrate Jawan: "Atlee just came to see me in and he said you know I have a film, and I found it very interesting because the first line he told me for the film was that it's you sir with five girls and that's my film because my wife Priya and myself we really feel that you look the nicest when you have a bunch of ladies with you in a film. So I said okay a lot of action yeah it's lots of high speed shots he said yeah there's lots of dancing he said yeah lots of good dialogues he said yeah, so that's how jawan started"

Raj

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For anyone who missed the halftime segment, Kenny, Charles and Shaq had a great discussion on Jarrett Allen. "If you don't get him involved, he kind of just hangs around and just plays." "If I'm Donovan Mitchell, I say "you know, what I'm going to get Jarrett Allen going to start every game. It's going to be intentional." "He just a nice guy, he's a really good player, but he's just a nice guy. I've never met a great player who wasn't kind of a jackass, mean mentality." "He just one of those players that's just caught up in the system. He is a great player but you have to get him the ball. When you get him involved, he's very, very active."
2:02

For anyone who missed the halftime segment, Kenny, Charles and Shaq had a great discussion on Jarrett Allen. "If you don't get him involved, he kind of just hangs around and just plays." "If I'm Donovan Mitchell, I say "you know, what I'm going to get Jarrett Allen going to start every game. It's going to be intentional." "He just a nice guy, he's a really good player, but he's just a nice guy. I've never met a great player who wasn't kind of a jackass, mean mentality." "He just one of those players that's just caught up in the system. He is a great player but you have to get him the ball. When you get him involved, he's very, very active."

RealCavsFans.com

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0:48

"At this point he's lucky he doesn't get a ball right away. We all should know about the rules. The whole league should know who I am, what I do in the box. For you to get mad about something the league implements, you should be mad at someone else" - Jose Caballero

SNY Yankees

180,038 Aufrufe • vor 16 Tagen

“I still believe in this belief that there is really something different from you know others that you know we only the team called #BTS just only has still you know it's been 12 years i believe this speciality in the original of our team I can't explain what it is If you guys have that experience, you guys saw our going to stage we are not the Best best we are not technically the best , you know there is some kind of energy in this kind of feeling well can't see we can just feel it” - #RM about BTS
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“I still believe in this belief that there is really something different from you know others that you know we only the team called #BTS just only has still you know it's been 12 years i believe this speciality in the original of our team I can't explain what it is If you guys have that experience, you guys saw our going to stage we are not the Best best we are not technically the best , you know there is some kind of energy in this kind of feeling well can't see we can just feel it” - #RM about BTS

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This eerie 10-minute sequence in "Cape Fear" (1991), where Robert De Niro's 'Max Cady' tricks Juliette Lewis' 'Danielle' into meeting with him at the high school is what convinced Martin Scorsese to do the movie. He considers it "the crux" of the entire film and said, “It was the scene that made me make the movie. I realized if I can pull off that scene, with the actors and the writer, it'd be great." De Niro explained that he wanted Max Cady to have the ability perform Charles Manson-like “mind trips” on his victims. So, he felt the necessity to have this scene. Lewis said, "When [the scene] was over, it was like I had to come down. I just went straight to [De Niro] and said, 'God, that was fun.'” The sequence became one of the film's most talked-about moments and helped Lewis nab an Academy Award nomination for Best Supporting Actress. When Spielberg and De Niro were trying to convince Scorsese to direct the picture over dinner, he rejected it as he "didn't want to get involved in remakes. It's a really difficult thing to do, especially if [the original film] is a good picture.” To convince him somehow, Spielberg said to him, "Listen, if you don't like the script, you can rewrite it." Scorsese, who was suffering from fatigue after post-production work on "Goodfellas" (1990) jokingly said that he had forgotten about that part (Screenwriting) of the process. Martin Scorsese said high-energy chase sequences like this weren’t in his filmmaking wheelhouse, and he praised Spielberg for doing scenes like that “so beautifully,” while claiming his approach would have “become a cliche. I couldn't even bring myself to think about doing that sort of thing.” There wasn't any preparation for the scene. It was done in one take. About filming the scene, Scorsese said, "We froze and it was like magic." ("'Cape Fear' at 30: Why Martin Scorsese Needed Convincing to Direct Iconic Thriller (Flashback)", Joe Bergren, ET, 2021)
1:36

This eerie 10-minute sequence in "Cape Fear" (1991), where Robert De Niro's 'Max Cady' tricks Juliette Lewis' 'Danielle' into meeting with him at the high school is what convinced Martin Scorsese to do the movie. He considers it "the crux" of the entire film and said, “It was the scene that made me make the movie. I realized if I can pull off that scene, with the actors and the writer, it'd be great." De Niro explained that he wanted Max Cady to have the ability perform Charles Manson-like “mind trips” on his victims. So, he felt the necessity to have this scene. Lewis said, "When [the scene] was over, it was like I had to come down. I just went straight to [De Niro] and said, 'God, that was fun.'” The sequence became one of the film's most talked-about moments and helped Lewis nab an Academy Award nomination for Best Supporting Actress. When Spielberg and De Niro were trying to convince Scorsese to direct the picture over dinner, he rejected it as he "didn't want to get involved in remakes. It's a really difficult thing to do, especially if [the original film] is a good picture.” To convince him somehow, Spielberg said to him, "Listen, if you don't like the script, you can rewrite it." Scorsese, who was suffering from fatigue after post-production work on "Goodfellas" (1990) jokingly said that he had forgotten about that part (Screenwriting) of the process. Martin Scorsese said high-energy chase sequences like this weren’t in his filmmaking wheelhouse, and he praised Spielberg for doing scenes like that “so beautifully,” while claiming his approach would have “become a cliche. I couldn't even bring myself to think about doing that sort of thing.” There wasn't any preparation for the scene. It was done in one take. About filming the scene, Scorsese said, "We froze and it was like magic." ("'Cape Fear' at 30: Why Martin Scorsese Needed Convincing to Direct Iconic Thriller (Flashback)", Joe Bergren, ET, 2021)

DepressedBergman

147,878 Aufrufe • vor 17 Tagen

Martin Scorsese explains why money doesn't mean anything to him: "When I’m dealing with a Hollywood film, that means I have to do a certain kind of subject matter that will make a certain amount of money. If I decide to make less money, that means I can take a risk on subject matter. So the only criterion on the films I’m willing to take risks on is that it be truthful, that it be honest about your own feelings and truthful to what you know to be the reality around you or the reality of the human condition of the characters. If it’s something that’s not honest, not truthful, then it’s a problem. If you don’t believe in it, why are you making it? You’re going to offend people to make some money? What for? It doesn’t mean anything. The money doesn’t mean anything. All that matters is the work, just what’s up on the screen. So that’s it. I’m not like some great person who’s out there undaunted, fighting off all these people." (From Scorsese's interview with Anthony Decurtis, 1990) Clip from: After Hours (1985) Director: Martin Scorsese
1:22

Martin Scorsese explains why money doesn't mean anything to him: "When I’m dealing with a Hollywood film, that means I have to do a certain kind of subject matter that will make a certain amount of money. If I decide to make less money, that means I can take a risk on subject matter. So the only criterion on the films I’m willing to take risks on is that it be truthful, that it be honest about your own feelings and truthful to what you know to be the reality around you or the reality of the human condition of the characters. If it’s something that’s not honest, not truthful, then it’s a problem. If you don’t believe in it, why are you making it? You’re going to offend people to make some money? What for? It doesn’t mean anything. The money doesn’t mean anything. All that matters is the work, just what’s up on the screen. So that’s it. I’m not like some great person who’s out there undaunted, fighting off all these people." (From Scorsese's interview with Anthony Decurtis, 1990) Clip from: After Hours (1985) Director: Martin Scorsese

DepressedBergman

21,602 Aufrufe • vor 1 Jahr

So many of you reaching out, just wanted to give a quick update.... It's been very hard to say the least. #heartfailure is something I pray you never have to endure. It is draining physically but more mentally.... But we have an incredible God who can work miracles and he did it before, I know he will do it again. Thank you for all the support and just know.. YOUR PRAYERS ARE ENOUGH! LOVE YALL!🫡✝️
2:58

So many of you reaching out, just wanted to give a quick update.... It's been very hard to say the least. #heartfailure is something I pray you never have to endure. It is draining physically but more mentally.... But we have an incredible God who can work miracles and he did it before, I know he will do it again. Thank you for all the support and just know.. YOUR PRAYERS ARE ENOUGH! LOVE YALL!🫡✝️

Jordan Clark

58,985 Aufrufe • vor 11 Monaten

Leonardo DiCaprio explains how the foot-opening-the-car-door scene in Wolf of Wall Street actually happened “That sequence, funnily enough, I thought was going to be very short. And when I did it with Marty, he had 50 shots set up. And I said, 'We're working on this for 2 days of me crawling from the telephone booth to the car.'” “He was like, 'Yeah, I'm going to do overhead shot, side shot. I'm going to make the stairs bigger. I want this to be like a dream sequence where you can't get to the car.'” “So I looked at Leo and I said, 'What are we going to do? You still have to open the door.' He says, 'I'll use my foot.' If anything, it was just the sheer exhaustion of doing that for hours and hours on end. Suddenly the foot felt like a good idea.”
1:18

Leonardo DiCaprio explains how the foot-opening-the-car-door scene in Wolf of Wall Street actually happened “That sequence, funnily enough, I thought was going to be very short. And when I did it with Marty, he had 50 shots set up. And I said, 'We're working on this for 2 days of me crawling from the telephone booth to the car.'” “He was like, 'Yeah, I'm going to do overhead shot, side shot. I'm going to make the stairs bigger. I want this to be like a dream sequence where you can't get to the car.'” “So I looked at Leo and I said, 'What are we going to do? You still have to open the door.' He says, 'I'll use my foot.' If anything, it was just the sheer exhaustion of doing that for hours and hours on end. Suddenly the foot felt like a good idea.”

ramagazzi

23,818 Aufrufe • vor 5 Tagen

Leonardo DiCaprio says Jonah Hill is the greatest improvisational actor he's ever worked with "You have to adapt to different actors and their styles of working. Some people stick closely to the script, but Jonah Hill is probably the greatest improvisational actor I've ever worked with. “He'll take a scene completely into left field, and somehow you have to reel it back in while still making sure the character gets from point A to point B." "Jonah will just start talking about whatever he wants, and you can't plan for it. You just have to react in the moment and stay on your toes. That's what's fascinating about working with different actors. Every film brings a completely different approach to performance."
0:32

Leonardo DiCaprio says Jonah Hill is the greatest improvisational actor he's ever worked with "You have to adapt to different actors and their styles of working. Some people stick closely to the script, but Jonah Hill is probably the greatest improvisational actor I've ever worked with. “He'll take a scene completely into left field, and somehow you have to reel it back in while still making sure the character gets from point A to point B." "Jonah will just start talking about whatever he wants, and you can't plan for it. You just have to react in the moment and stay on your toes. That's what's fascinating about working with different actors. Every film brings a completely different approach to performance."

Emir Han

193,671 Aufrufe • vor 19 Tagen

Jonah Hill says that Martin Scorsese delivered one line that reshaped his understanding of his own main character "And There's a line... 'Can I ask you something, Reef? What are you sorry for?' And that kind of unlocked what the movie became to me." "He's so far from being healthy that he actually apologizes for the wrong things." "He's so off the target of health that he can't even know what hurt the person sitting across from him."
0:41

Jonah Hill says that Martin Scorsese delivered one line that reshaped his understanding of his own main character "And There's a line... 'Can I ask you something, Reef? What are you sorry for?' And that kind of unlocked what the movie became to me." "He's so far from being healthy that he actually apologizes for the wrong things." "He's so off the target of health that he can't even know what hurt the person sitting across from him."

ABDCHAIN

20,865 Aufrufe • vor 4 Tagen

Martin Scorsese said critics were divided over The Wolf of Wall Street. One camp loved it, while the other was furious that he didn’t take a moral stand on Jordan Belfort. Martin Scorsese: Well, Wolf of Wall Street, for example, I only learned the other day from, um, an interviewer who said, "You're not aware of the war of Wolf of Wall Street?" I said, "What are you talking about?" So he said, "Well, there was a big screening at Paramount of the picture, for the critics in New York. Apparently, I was told this, there were two camps: one camp that loved the picture, and the other camp that was furious saying I didn't take a moral stand on Jordan Belfort." Timothée Chalamet: Mh-hmm. Martin Scorsese: And one of the critics from the other group that liked the picture said, "Do you really need Martin Scorsese to tell you that that's wrong?" Timothée Chalamet: (Laughs) Well said. Well said. Well said. Martin Scorsese: You really need him to tell you that it's wrong?
1:07

Martin Scorsese said critics were divided over The Wolf of Wall Street. One camp loved it, while the other was furious that he didn’t take a moral stand on Jordan Belfort. Martin Scorsese: Well, Wolf of Wall Street, for example, I only learned the other day from, um, an interviewer who said, "You're not aware of the war of Wolf of Wall Street?" I said, "What are you talking about?" So he said, "Well, there was a big screening at Paramount of the picture, for the critics in New York. Apparently, I was told this, there were two camps: one camp that loved the picture, and the other camp that was furious saying I didn't take a moral stand on Jordan Belfort." Timothée Chalamet: Mh-hmm. Martin Scorsese: And one of the critics from the other group that liked the picture said, "Do you really need Martin Scorsese to tell you that that's wrong?" Timothée Chalamet: (Laughs) Well said. Well said. Well said. Martin Scorsese: You really need him to tell you that it's wrong?

Ruzy.hl

163,432 Aufrufe • vor 1 Monat

“Sir, I just want to clarify what you're saying is if they believe he committed a crime, they should not go forward with an indictment? You just talked before about committing to the rule of law.”
1:35

“Sir, I just want to clarify what you're saying is if they believe he committed a crime, they should not go forward with an indictment? You just talked before about committing to the rule of law.”

Acyn

7,002,058 Aufrufe • vor 3 Jahren

Anne Hathaway reveals film footprints were not fixed in post-production because everything was shot in-camera Anne: "I said, 'Yeah, but on the sand, how are they going to get rid of everybody's footprints in time?' And this person goes, 'Well, they're going to fix it in post.' And I went, 'No, that's the thing, they're not.'" Anne: "So that's one of the things I'm excited about for young people who are so used to the idea that so much of what movies are created in a computer." Anne: "I think it's so exciting for young people in particular to understand that this was all created in a camera." Matt: "And also to know that the reason for that is that when you do a special effect, you film on this film and you get the negative. If you do a special effect, you have to run the film through another stage in order to and so there's a slight degradation of the film." Matt: "And Chris wants every single film print that you see to be a direct print right from the negative, a positive print right from that negative, so that there's nothing separating you and this experience that we all had."
1:51

Anne Hathaway reveals film footprints were not fixed in post-production because everything was shot in-camera Anne: "I said, 'Yeah, but on the sand, how are they going to get rid of everybody's footprints in time?' And this person goes, 'Well, they're going to fix it in post.' And I went, 'No, that's the thing, they're not.'" Anne: "So that's one of the things I'm excited about for young people who are so used to the idea that so much of what movies are created in a computer." Anne: "I think it's so exciting for young people in particular to understand that this was all created in a camera." Matt: "And also to know that the reason for that is that when you do a special effect, you film on this film and you get the negative. If you do a special effect, you have to run the film through another stage in order to and so there's a slight degradation of the film." Matt: "And Chris wants every single film print that you see to be a direct print right from the negative, a positive print right from that negative, so that there's nothing separating you and this experience that we all had."

Moyhin 🤍

227,892 Aufrufe • vor 13 Tagen

The Hunt for Red October is one of those films that if you get started- if you just watch a few minutes- you can’t move. Forget the rest of your plans for the next 1.5-2 hours, you have to finish this film. Sean Connery and Alec Baldwin were a strange but excellent duo. Good film
1:50

The Hunt for Red October is one of those films that if you get started- if you just watch a few minutes- you can’t move. Forget the rest of your plans for the next 1.5-2 hours, you have to finish this film. Sean Connery and Alec Baldwin were a strange but excellent duo. Good film

Cinema Tweets

420,005 Aufrufe • vor 5 Monaten

This was the 1st ever movie I did,with just a phone and a dream(wawa🤣🤣🤣). Fast forward 7 years later, tomorrow we will be premiering MY NAME IS OMOSH the first feature film in my career. I will do 100 more movies before I retire, and one or two will win an OSCAR. This should be a motivation to anyone doing anything,one day, you will get there, and there is no specific path to the success you want. DO IT YOUR WAY. See you tomorrow for the premier.
1:30

This was the 1st ever movie I did,with just a phone and a dream(wawa🤣🤣🤣). Fast forward 7 years later, tomorrow we will be premiering MY NAME IS OMOSH the first feature film in my career. I will do 100 more movies before I retire, and one or two will win an OSCAR. This should be a motivation to anyone doing anything,one day, you will get there, and there is no specific path to the success you want. DO IT YOUR WAY. See you tomorrow for the premier.

Crazy Kennar

31,794 Aufrufe • vor 1 Jahr

🗣️: “The car that is performing at the moment is maybe the Mercedes. Just thinking about your championship, you really came out and stamped your authority at Brawn. I was talking to Nigel Mansell the other day. He was saying, well, that's what I did in 1992. It's kind of what George Russell wants to do. How concerned will he be that Kimmi has won the last two?” Jenson Button: “I actually saw George a couple of days ago, just in passing, weirdly. He seems very calm, collected. You know, it won't phase George. He knows his speed and he knows it hasn't gone his way. He's been very unlucky, but you got to take the rough with the smooth and you understand that sometimes you do get unlucky. Next race, he might not be. He might get the luck. So, who knows? But, yeah, for me, it's an exciting championship to have those two fighting out. Such a youngster. You know, Kimi's so young. George, he's a real powerhouse, I have to say. You know, I'm a big fan of George. [..]”
1:15

🗣️: “The car that is performing at the moment is maybe the Mercedes. Just thinking about your championship, you really came out and stamped your authority at Brawn. I was talking to Nigel Mansell the other day. He was saying, well, that's what I did in 1992. It's kind of what George Russell wants to do. How concerned will he be that Kimmi has won the last two?” Jenson Button: “I actually saw George a couple of days ago, just in passing, weirdly. He seems very calm, collected. You know, it won't phase George. He knows his speed and he knows it hasn't gone his way. He's been very unlucky, but you got to take the rough with the smooth and you understand that sometimes you do get unlucky. Next race, he might not be. He might get the luck. So, who knows? But, yeah, for me, it's an exciting championship to have those two fighting out. Such a youngster. You know, Kimi's so young. George, he's a real powerhouse, I have to say. You know, I'm a big fan of George. [..]”

naenia ¹ ⁶³

12,299 Aufrufe • vor 3 Monaten

Was farming first encounter of ghosts to get the helmet I was missing (yeah I know it sucked) and I noticed that there are actually A LOT of details and stuff I just never bothered to notice in these play spaces. For example. Did you you know you can actually SEE Ahsa in this area before dropping down into the methane ocean for the first time? It honestly wants me to go back through all the dungeons in the game and take proper time to look through all the stuff in the world. Is that something you guys would be interested in?
0:39

Was farming first encounter of ghosts to get the helmet I was missing (yeah I know it sucked) and I noticed that there are actually A LOT of details and stuff I just never bothered to notice in these play spaces. For example. Did you you know you can actually SEE Ahsa in this area before dropping down into the methane ocean for the first time? It honestly wants me to go back through all the dungeons in the game and take proper time to look through all the stuff in the world. Is that something you guys would be interested in?

NAPainter_ GCX 2026 ✈️

154,528 Aufrufe • vor 2 Monaten

This Guy Purav jha 🤡 I don't know about you guys, but I'm getting really irritated with this guy. I have no idea what he thinks of himself. Every time there's a hot topic, he just wants to milk it for attention. He's been going on and on about this protest. Bro, just stick to acting, earn your money, and stay quiet. If you don't even know the facts properly, stop pretending to be an expert.
0:48

This Guy Purav jha 🤡 I don't know about you guys, but I'm getting really irritated with this guy. I have no idea what he thinks of himself. Every time there's a hot topic, he just wants to milk it for attention. He's been going on and on about this protest. Bro, just stick to acting, earn your money, and stay quiet. If you don't even know the facts properly, stop pretending to be an expert.

Govtmemes

230,559 Aufrufe • vor 15 Tagen

Gangs of New York is such a misunderstood film by so many people. I think the doc Mr. Scorsese shined a light on just how important this film is to Marty. He fought his entire career to make this & for good reason. Bill the Butcher is an all-time great character. #ScorseseSundays
2:06

Gangs of New York is such a misunderstood film by so many people. I think the doc Mr. Scorsese shined a light on just how important this film is to Marty. He fought his entire career to make this & for good reason. Bill the Butcher is an all-time great character. #ScorseseSundays

Cinema Tweets

276,122 Aufrufe • vor 9 Monaten