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Light 'em up Coleman Willis 😤 Middle 6️⃣ 🔵 2 🐶 2 📺 (SECN+) 🎧 📈 #GoDawgs

Georgia Baseball

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12,406 просмотров • 2 лет назад •via X (Twitter)

Спорт Новости и политика #GoDawgs

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OFFICIAL: EASTER EGG GUIDE FOR TOTENREICH: Wonder Weapon: 1. Head to The Drydocks and lower The Crane, this will allow you to wall jump and interact with the tip of the ship to pick up the Chain Link 2. Next, Head to Storm Bridge and pick up Chili Chunks behind the truck next to Deadshot 3. Place Chili Chunks on the table in the middle of the Skalen Market 4. Next, Head to Burial Grounds left-side door and interact with the keyhole. 5. Interact with the door again and hold it to open the door and to unlock the underground area. 6. This will spawn a Zursa Bear during a special round (starting the second special round) you need to kill him and he will drop The Lantern 7. Place The Lantern in the center of the Underground Room in Burial Grounds. 8. Constellations will appear around the wall. Interact with them as they’re shown on the table in this order: left, right, back, front. 9. Once completed, Astrid will appear and talk, she will then travel to different areas of the map. She will occasionally stop and you will need to kill frost zombies next to her. 10. Once all the Soulboxes are completed an Obstacle Course will form on the outside of The Lighthouse, climb to the top by Jumping / Wall Jumping up 11. Once you reach the top, Listen to the Astrid talk and pick up The Jotunn Star Wundersignal: 1. After completing Jotun Star Quest Head to The Lighthouse and inside on a shelf there will be a Crowbar 2. There are Multiple Wooden Boxes around the map with red IDs on the bottom right corner of the front of the box in red (for example III-6) use The Crowbar on the Wooden Box that has the Roboterteile ID (the IDs are on the shipping manifest in the War Factory Admin Room), this will give Flak Gun Round War Factory Core Foundry Fjord Road Dry Dock 3. Head to Turret Gun beside The Lighthouse and place Flak Gun Round then melee with Jotunn Star 4. Next, Head to The Robot Head in spawn and interact with it to search broken piece to get The Transmitter 5. Go to Tyr’s Head and place it inside the Wall Machine thingy at the top of the Ladder 6. Next, whilst inside of Tyr’s Head underneath the balcony there are 3 white lights, 2 of these lights will blink, count how many times it blinks -Both lights will remain on, There is the sound of a light turning on to indicate the start of a new light flashing cycle where both lights will flash at the same time to a certain count (for example left 2, right 5). Both lights will be on and then it will flash another set (for example left 6, right 4). (Unsure if these 2 combos have to be put into console in order but correct entry will give two different voicelines.) After entering one correctly you will be kicked out to hear voiceline and can re-enter console to input the 2nd shortly afterwards. 7. Now head to Core Foundry, and use a molotov to burn the ascender to access the consoles. 8. Ascend and interact with the consoles, The next part is timed and has a cooldown if you fail - you need to Calibrate the Amplitude and Frequency using the flashing light code. 9. Once this has been done head to the room Next to the Radio Tower and pick up The Wunderbarrage Controller Atomkraft Core 1. Find three uraniums: Uranium #1 Find the Fishing Rod (Olaf’s Personal Item) locations: - Dry Dock - Storm Bridge - Fishery Island - Beacon island Look for a Glowing Green Fish jumping around the water at each Fishing Location and use the Fishing Rod at that location once you see it Fishing Locations: Eidskallen Landing x2 Beacon Island x2 Eidskallen Square x2 Dry Dock (found one so far) Fishery Island x2 Tyr’s Foot (found one so far) Once the fish is caught it will spawn an Irradiated Ravager (HVT) that will disappear and respawn somewhere else, chase it down and kill it (check your map to see its location, it shows up as an HVT). It will drop a Uranium. Uranium #2 Next, Craft an ARC-XD (there is one for free in Eidskallen Square on top of a box near the flame trap, you can get it by fishing as well) and melee the vent at Core Foundry to the left of the zipline to open the Secret ARC-XD Course. Blow up the boat full of barrels. Once the course is completed the 935 Genetic Lab room will be open and another Uranium x2 will be inside a Prison Cell There are several Jars with Heads inside in this room, all labelled A,B,C,D,E Look down the Hallway inside the Lab and note which numbered rooms have Nuclear Symbols 1 = A, 2 = B, 3 = C, 4 = D and 5 = E Take one Jar at a time that corresponds with the Numbers next to Nuclear Symbols and place them on the machine to the right of the cell door, once the correct jars are placed the Jar on the left side of the machine will glow purple and you can pick up acid There is a Big Chunk of Meat on a desk next to multiple drawings in the same Room, interact with it, then Pick up The Necrospike Once you have The Necrospike, use it on the Prison Cell Door, this will trigger a lockpick mini game. Spin the lockpick until the lock turns white 3x to unlock the cell, then pick up the second Uranium. Uranium #3 Next you need to craft or obtain the Glocke Drop, once you have one call it in, then shoot 20 mid-air zombies it throws up. This will drop the third and final Uranium. 2. At the Dry Dock, you need to call a WunderBarrage (unlocked by completing Wundersignal steps) in on the “02 Building” at Dry Dock (where there’s debris on the stairs), this will open the stairs to the Machine Workshop. 3. Inside The Workshop there is a Claw Machine which you can place all of The Uranium inside of and play a mini-game. -Have a big group of 7 cores and a small group of 2 cores. 4. Once you complete the Mini-game you will be able to pick up The Atomkraft Core (Note: you drop if you zipline, and cant sprint with it) 5. Head to Quick Revive and place The Atomkraft Core on generator next to quick revive. Go into the shed behind quick revive and turn on the generator. You must now defend the The Atomkraft Core until it’s charged. In interrupted you must turn on the generator again to continue. 6. Take the The Atomkraft Core to the barrel on the Storm Bridge and a Mini-Cutscene will play between the Giant and The Robot. Vegvisir 1. After the cutscene finishes, The Dravakar Shard will spawn at Tyr’s Foot, pick it up 2. Pick it up and place the Shard inside the Bloodheim Hall on the bonfire 3. Use WW range attack to light the fire 4. Use Disciple Injection (there should be a free one around the map) and throw zombies into the bonfire (I only had to throw four) 5. A lockdown will start. Kill the boss zombie and pick up the Sunstone from the bonfire 6. Put the Sunstone in the church and do a range WW attack on it. 7. Around the map, there will now be floating rocks and runes. Above the church there will now be a compass with runes and arrows. -Shoot the floating rune rocks with the ranged WW in the order of the arrow lines. If an arrow has 1 line, then that's the first one. If an arrow has 2 lines, that's the second one, etc. 8. Go into Tyr's Head and interact with the console to start the boss fight. Credit to Callum and the ZoneX discord

OFFICIAL: EASTER EGG GUIDE FOR TOTENREICH: Wonder Weapon: 1. Head to The Drydocks and lower The Crane, this will allow you to wall jump and interact with the tip of the ship to pick up the Chain Link 2. Next, Head to Storm Bridge and pick up Chili Chunks behind the truck next to Deadshot 3. Place Chili Chunks on the table in the middle of the Skalen Market 4. Next, Head to Burial Grounds left-side door and interact with the keyhole. 5. Interact with the door again and hold it to open the door and to unlock the underground area. 6. This will spawn a Zursa Bear during a special round (starting the second special round) you need to kill him and he will drop The Lantern 7. Place The Lantern in the center of the Underground Room in Burial Grounds. 8. Constellations will appear around the wall. Interact with them as they’re shown on the table in this order: left, right, back, front. 9. Once completed, Astrid will appear and talk, she will then travel to different areas of the map. She will occasionally stop and you will need to kill frost zombies next to her. 10. Once all the Soulboxes are completed an Obstacle Course will form on the outside of The Lighthouse, climb to the top by Jumping / Wall Jumping up 11. Once you reach the top, Listen to the Astrid talk and pick up The Jotunn Star Wundersignal: 1. After completing Jotun Star Quest Head to The Lighthouse and inside on a shelf there will be a Crowbar 2. There are Multiple Wooden Boxes around the map with red IDs on the bottom right corner of the front of the box in red (for example III-6) use The Crowbar on the Wooden Box that has the Roboterteile ID (the IDs are on the shipping manifest in the War Factory Admin Room), this will give Flak Gun Round War Factory Core Foundry Fjord Road Dry Dock 3. Head to Turret Gun beside The Lighthouse and place Flak Gun Round then melee with Jotunn Star 4. Next, Head to The Robot Head in spawn and interact with it to search broken piece to get The Transmitter 5. Go to Tyr’s Head and place it inside the Wall Machine thingy at the top of the Ladder 6. Next, whilst inside of Tyr’s Head underneath the balcony there are 3 white lights, 2 of these lights will blink, count how many times it blinks -Both lights will remain on, There is the sound of a light turning on to indicate the start of a new light flashing cycle where both lights will flash at the same time to a certain count (for example left 2, right 5). Both lights will be on and then it will flash another set (for example left 6, right 4). (Unsure if these 2 combos have to be put into console in order but correct entry will give two different voicelines.) After entering one correctly you will be kicked out to hear voiceline and can re-enter console to input the 2nd shortly afterwards. 7. Now head to Core Foundry, and use a molotov to burn the ascender to access the consoles. 8. Ascend and interact with the consoles, The next part is timed and has a cooldown if you fail - you need to Calibrate the Amplitude and Frequency using the flashing light code. 9. Once this has been done head to the room Next to the Radio Tower and pick up The Wunderbarrage Controller Atomkraft Core 1. Find three uraniums: Uranium #1 Find the Fishing Rod (Olaf’s Personal Item) locations: - Dry Dock - Storm Bridge - Fishery Island - Beacon island Look for a Glowing Green Fish jumping around the water at each Fishing Location and use the Fishing Rod at that location once you see it Fishing Locations: Eidskallen Landing x2 Beacon Island x2 Eidskallen Square x2 Dry Dock (found one so far) Fishery Island x2 Tyr’s Foot (found one so far) Once the fish is caught it will spawn an Irradiated Ravager (HVT) that will disappear and respawn somewhere else, chase it down and kill it (check your map to see its location, it shows up as an HVT). It will drop a Uranium. Uranium #2 Next, Craft an ARC-XD (there is one for free in Eidskallen Square on top of a box near the flame trap, you can get it by fishing as well) and melee the vent at Core Foundry to the left of the zipline to open the Secret ARC-XD Course. Blow up the boat full of barrels. Once the course is completed the 935 Genetic Lab room will be open and another Uranium x2 will be inside a Prison Cell There are several Jars with Heads inside in this room, all labelled A,B,C,D,E Look down the Hallway inside the Lab and note which numbered rooms have Nuclear Symbols 1 = A, 2 = B, 3 = C, 4 = D and 5 = E Take one Jar at a time that corresponds with the Numbers next to Nuclear Symbols and place them on the machine to the right of the cell door, once the correct jars are placed the Jar on the left side of the machine will glow purple and you can pick up acid There is a Big Chunk of Meat on a desk next to multiple drawings in the same Room, interact with it, then Pick up The Necrospike Once you have The Necrospike, use it on the Prison Cell Door, this will trigger a lockpick mini game. Spin the lockpick until the lock turns white 3x to unlock the cell, then pick up the second Uranium. Uranium #3 Next you need to craft or obtain the Glocke Drop, once you have one call it in, then shoot 20 mid-air zombies it throws up. This will drop the third and final Uranium. 2. At the Dry Dock, you need to call a WunderBarrage (unlocked by completing Wundersignal steps) in on the “02 Building” at Dry Dock (where there’s debris on the stairs), this will open the stairs to the Machine Workshop. 3. Inside The Workshop there is a Claw Machine which you can place all of The Uranium inside of and play a mini-game. -Have a big group of 7 cores and a small group of 2 cores. 4. Once you complete the Mini-game you will be able to pick up The Atomkraft Core (Note: you drop if you zipline, and cant sprint with it) 5. Head to Quick Revive and place The Atomkraft Core on generator next to quick revive. Go into the shed behind quick revive and turn on the generator. You must now defend the The Atomkraft Core until it’s charged. In interrupted you must turn on the generator again to continue. 6. Take the The Atomkraft Core to the barrel on the Storm Bridge and a Mini-Cutscene will play between the Giant and The Robot. Vegvisir 1. After the cutscene finishes, The Dravakar Shard will spawn at Tyr’s Foot, pick it up 2. Pick it up and place the Shard inside the Bloodheim Hall on the bonfire 3. Use WW range attack to light the fire 4. Use Disciple Injection (there should be a free one around the map) and throw zombies into the bonfire (I only had to throw four) 5. A lockdown will start. Kill the boss zombie and pick up the Sunstone from the bonfire 6. Put the Sunstone in the church and do a range WW attack on it. 7. Around the map, there will now be floating rocks and runes. Above the church there will now be a compass with runes and arrows. -Shoot the floating rune rocks with the ranged WW in the order of the arrow lines. If an arrow has 1 line, then that's the first one. If an arrow has 2 lines, that's the second one, etc. 8. Go into Tyr's Head and interact with the console to start the boss fight. Credit to Callum and the ZoneX discord

COD: Zombies News

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No,it's not. They can be easily detected The Iran–US–Israel war is now a war of missile inventories, not armies. Here are the hard facts about Iran’s arsenal, underground launches, and how the war is evolving. 1️⃣ Iran’s Missile Arsenal (Before War) • ~2,500–3,000 ballistic missiles total • 14+ missile types • Largest missile stockpile in the Middle East • Ranges up to ~2,000 km (enough to strike Israel and US bases) This includes: • Shahab-3 • Ghadr-H • Sejjil-2 • Kheibar-Shekan • Khorramshahr-4 • Fateh-110 • Haj Qasem precision missiles Many travel Mach 10–15 and carry 500–1,500 kg warheads. 2️⃣ How many missiles Iran still has Estimates vary due to active combat: • ~2,000 heavy ballistic missiles may still remain in the arsenal • Some intelligence estimates put total remaining stock around 1,500–2,000 missiles • Western officials say launch rates are dropping due to destroyed launch sites Iran also has thousands of drones which are cheaper and easier to produce. 3️⃣ What weapons Iran is using now Primary strike systems: 🔹 Ballistic missiles • Kheibar-Shekan • Sejjil • Ghadr • Shahab-3 🔹 Hypersonic systems • Fattah-1 / Fattah-2 reportedly used recently 🔹 Cruise missiles • Soumar • Hoveyzeh 🔹 Drone swarms • Shahed-136 • Arash long-range drones The strategy: Overwhelm air defenses with mass launches. 4️⃣ Underground missile cities Iran launches missiles from: • mountain tunnels • underground depots • mobile TEL launchers Missiles roll out, erect, and launch within minutes — making pre-strike detection extremely difficult. This doctrine was built specifically to survive US air superiority. 5️⃣ How the war is going right now Current battlefield situation: • US-Israel strikes hit 2,000+ Iranian targets including missile bases • Iran launched hundreds of missiles and drones across the Gulf and Israel • IRGC continues retaliation despite leadership losses US and Israeli officials say: ➡ Iran’s missile capability may already be reduced by up to 80%+ in some regions due to strikes on launch infrastructure. But Iran still has enough missiles for sustained attacks. 6️⃣ Important reality Iran does NOT have a confirmed operational ICBM force yet. Most missiles are: • SRBM: 300–700 km • MRBM: 1,000–2,500 km Meaning: ✔ Israel ✔ US bases in Middle East ✔ Gulf oil infrastructure are within range. But continental US is not. 7️⃣ What happens next The war is entering a dangerous phase: • US moving air campaign deeper into Iran • Iran conserving remaining missiles • Drone and proxy attacks increasing This is becoming a long attrition war of missiles vs air defense interceptors. The side that runs out of missiles or interceptors first will lose the strategic edge.

No,it's not. They can be easily detected The Iran–US–Israel war is now a war of missile inventories, not armies. Here are the hard facts about Iran’s arsenal, underground launches, and how the war is evolving. 1️⃣ Iran’s Missile Arsenal (Before War) • ~2,500–3,000 ballistic missiles total • 14+ missile types • Largest missile stockpile in the Middle East • Ranges up to ~2,000 km (enough to strike Israel and US bases) This includes: • Shahab-3 • Ghadr-H • Sejjil-2 • Kheibar-Shekan • Khorramshahr-4 • Fateh-110 • Haj Qasem precision missiles Many travel Mach 10–15 and carry 500–1,500 kg warheads. 2️⃣ How many missiles Iran still has Estimates vary due to active combat: • ~2,000 heavy ballistic missiles may still remain in the arsenal • Some intelligence estimates put total remaining stock around 1,500–2,000 missiles • Western officials say launch rates are dropping due to destroyed launch sites Iran also has thousands of drones which are cheaper and easier to produce. 3️⃣ What weapons Iran is using now Primary strike systems: 🔹 Ballistic missiles • Kheibar-Shekan • Sejjil • Ghadr • Shahab-3 🔹 Hypersonic systems • Fattah-1 / Fattah-2 reportedly used recently 🔹 Cruise missiles • Soumar • Hoveyzeh 🔹 Drone swarms • Shahed-136 • Arash long-range drones The strategy: Overwhelm air defenses with mass launches. 4️⃣ Underground missile cities Iran launches missiles from: • mountain tunnels • underground depots • mobile TEL launchers Missiles roll out, erect, and launch within minutes — making pre-strike detection extremely difficult. This doctrine was built specifically to survive US air superiority. 5️⃣ How the war is going right now Current battlefield situation: • US-Israel strikes hit 2,000+ Iranian targets including missile bases • Iran launched hundreds of missiles and drones across the Gulf and Israel • IRGC continues retaliation despite leadership losses US and Israeli officials say: ➡ Iran’s missile capability may already be reduced by up to 80%+ in some regions due to strikes on launch infrastructure. But Iran still has enough missiles for sustained attacks. 6️⃣ Important reality Iran does NOT have a confirmed operational ICBM force yet. Most missiles are: • SRBM: 300–700 km • MRBM: 1,000–2,500 km Meaning: ✔ Israel ✔ US bases in Middle East ✔ Gulf oil infrastructure are within range. But continental US is not. 7️⃣ What happens next The war is entering a dangerous phase: • US moving air campaign deeper into Iran • Iran conserving remaining missiles • Drone and proxy attacks increasing This is becoming a long attrition war of missiles vs air defense interceptors. The side that runs out of missiles or interceptors first will lose the strategic edge.

Cultslinger07

42,652 просмотров • 5 месяцев назад

$Hold up, here is the prompt: works with almost any model. enjoy :) Role & Objective: Act as an Elite UI/UX Front-End Engineer specializing in Apple-tier micro-interactions and advanced CSS. Your task is to program a perfectly centered navigation bar in a strictly SINGLE HTML file containing all HTML, vanilla CSS, and vanilla JavaScript. No external libraries or frameworks (No Tailwind, React, etc.). Design Concept - "True Liquid Glass": CRITICAL INSTRUCTION: Do NOT generate standard, flat "glassmorphism" or basic frosted glass. I require a physically accurate "Liquid Glass" aesthetic. It must look like wet, poured clear resin, combining the high-gloss specular highlights of classic macOS Aqua with the volumetric spatial depth of modern Apple VisionOS. 1. The Liquid Glass Material & Lighting (CSS): - Deep Refraction: Use `backdrop-filter` with extreme blur (e.g., 50px) and over-saturation (200%). - Specular Highlight: Create a curved, semi-transparent white gradient on the top half using a pseudo-element (`::before`) to simulate a hard light reflection on a wet, rounded 3D surface. - Caustics & Volume: Use multi-layered inner and outer `box-shadow` properties to simulate light refracting at the bottom edge and casting a realistic ambient drop shadow. - Interactive Glare: Implement a soft radial-gradient spotlight inside the glass that dynamically tracks the user's mouse cursor (X/Y coordinates) using JavaScript and CSS variables (`mix-blend-mode: overlay`). 2. Navigation Layout & Elements: - Center the pill-shaped navigation bar perfectly in the middle of the viewport. - Include 3 main navigation items with minimalist, inline SVG stroke icons and text labels: "Home", "Call", and "List". - Add a subtle vertical divider line after the main buttons. - Next to the divider, add a Dark/Light Mode toggle button containing inline SVG Sun and Moon icons. 3. Animations & "Apple Magic": - Sliding Active Pill: Create a solid background "pill" that sits *behind* the active navigation item's text/icon. When a different item is clicked, this pill must dynamically recalculate its width and slide to the new position. - Spring Physics: The sliding transition MUST use an exact Apple-style bouncy spring easing curve (e.g., `transition: all 0.5s cubic-bezier(0.34, 1.2, 0.64, 1)`). - Tactile Feedback: Buttons and icons must physically press down slightly (`transform: scale(0.92)`) when clicked (`:active`). - Theme Switch: The Sun and Moon icons must smoothly rotate, scale, and cross-fade during the transition. 4. Background Environment (Crucial): - Glass needs light and color to refract! Create a full-viewport, smoothly animated mesh gradient background using 3 large, heavily blurred, floating color blobs. - Implement full Dark/Light mode logic using CSS variables (`:root` and `[data-theme="dark"]`). Toggling the theme must seamlessly transition the background blob colors, glass opacity, shadow intensity, and text colors. Output ONLY the pristine, production-ready code. Prioritize maximum visual fidelity and silky-smooth 60fps animations.$

Hold up, here is the prompt: works with almost any model. enjoy :) Role & Objective: Act as an Elite UI/UX Front-End Engineer specializing in Apple-tier micro-interactions and advanced CSS. Your task is to program a perfectly centered navigation bar in a strictly SINGLE HTML file containing all HTML, vanilla CSS, and vanilla JavaScript. No external libraries or frameworks (No Tailwind, React, etc.). Design Concept - "True Liquid Glass": CRITICAL INSTRUCTION: Do NOT generate standard, flat "glassmorphism" or basic frosted glass. I require a physically accurate "Liquid Glass" aesthetic. It must look like wet, poured clear resin, combining the high-gloss specular highlights of classic macOS Aqua with the volumetric spatial depth of modern Apple VisionOS. 1. The Liquid Glass Material & Lighting (CSS): - Deep Refraction: Use `backdrop-filter` with extreme blur (e.g., 50px) and over-saturation (200%). - Specular Highlight: Create a curved, semi-transparent white gradient on the top half using a pseudo-element (`::before`) to simulate a hard light reflection on a wet, rounded 3D surface. - Caustics & Volume: Use multi-layered inner and outer `box-shadow` properties to simulate light refracting at the bottom edge and casting a realistic ambient drop shadow. - Interactive Glare: Implement a soft radial-gradient spotlight inside the glass that dynamically tracks the user's mouse cursor (X/Y coordinates) using JavaScript and CSS variables (`mix-blend-mode: overlay`). 2. Navigation Layout & Elements: - Center the pill-shaped navigation bar perfectly in the middle of the viewport. - Include 3 main navigation items with minimalist, inline SVG stroke icons and text labels: "Home", "Call", and "List". - Add a subtle vertical divider line after the main buttons. - Next to the divider, add a Dark/Light Mode toggle button containing inline SVG Sun and Moon icons. 3. Animations & "Apple Magic": - Sliding Active Pill: Create a solid background "pill" that sits behind the active navigation item's text/icon. When a different item is clicked, this pill must dynamically recalculate its width and slide to the new position. - Spring Physics: The sliding transition MUST use an exact Apple-style bouncy spring easing curve (e.g., `transition: all 0.5s cubic-bezier(0.34, 1.2, 0.64, 1)`). - Tactile Feedback: Buttons and icons must physically press down slightly (`transform: scale(0.92)`) when clicked (`:active`). - Theme Switch: The Sun and Moon icons must smoothly rotate, scale, and cross-fade during the transition. 4. Background Environment (Crucial): - Glass needs light and color to refract! Create a full-viewport, smoothly animated mesh gradient background using 3 large, heavily blurred, floating color blobs. - Implement full Dark/Light mode logic using CSS variables (`:root` and `[data-theme="dark"]`). Toggling the theme must seamlessly transition the background blob colors, glass opacity, shadow intensity, and text colors. Output ONLY the pristine, production-ready code. Prioritize maximum visual fidelity and silky-smooth 60fps animations.

Leon Lin

128,501 просмотров • 5 месяцев назад

◠◠◠◠◠◠◠◠◠୨♡୧◠◠◠◠◠◠◠◠◠ FRUITS ZIPPER SPECIAL LIVE 2026 IN TOKYO DOME 「ENERGY」 ◡◡◡◡◡◡◡◡◡୨♡୧◡◡◡◡◡◡◡◡◡ 開催までまであと6️⃣日💛✨ 本日は #早瀬ノエルがカウントダウン！ふるっぱーと一緒に、東京ドーム公演を盛り上げていきましょう🩷💚❤️🩵🧡💛💜 FRUITS ZIPPER SPECIAL LIVE 2026 「ENERGY」🏟️ 🗓️2026年2月1日（日）開場 15:00 / 開演 17:30 📍東京ドーム 🔗イベント詳細はこちら 🛍️グッズ詳細はこちら 💜仲川瑠夏仲川瑠夏(FRUITS ZIPPER) 💛早瀬ノエル早瀬ノエル（FRUITS ZIPPER） 💚櫻井優衣櫻井優衣(FRUITS ZIPPER) 🩵真中まな真中まな(FRUITS ZIPPER) 🩷松本かれん松本かれん( FRUITS ZIPPER ) 🧡鎮西寿々歌鎮西寿々歌(FRUITS ZIPPER) ❤️月足天音月足天音 (FRUITS ZIPPER) 🎧『君と目が合ったとき』を聴く 📺『君と目が合ったとき』MVはこちら #ふるっぱーと東京ドーム #FRUITSZIPPER #ふるっぱー #フルーツジッパー

◠◠◠◠◠◠◠◠◠୨♡୧◠◠◠◠◠◠◠◠◠ FRUITS ZIPPER SPECIAL LIVE 2026 IN TOKYO DOME 「ENERGY」 ◡◡◡◡◡◡◡◡◡୨♡୧◡◡◡◡◡◡◡◡◡ 開催までまであと6️⃣日💛✨ 本日は #早瀬ノエルがカウントダウン！ふるっぱーと一緒に、東京ドーム公演を盛り上げていきましょう🩷💚❤️🩵🧡💛💜 FRUITS ZIPPER SPECIAL LIVE 2026 「ENERGY」🏟️ 🗓️2026年2月1日（日）開場 15:00 / 開演 17:30 📍東京ドーム 🔗イベント詳細はこちら 🛍️グッズ詳細はこちら 💜仲川瑠夏仲川瑠夏(FRUITS ZIPPER) 💛早瀬ノエル早瀬ノエル（FRUITS ZIPPER） 💚櫻井優衣櫻井優衣(FRUITS ZIPPER) 🩵真中まな真中まな(FRUITS ZIPPER) 🩷松本かれん松本かれん( FRUITS ZIPPER ) 🧡鎮西寿々歌鎮西寿々歌(FRUITS ZIPPER) ❤️月足天音月足天音 (FRUITS ZIPPER) 🎧『君と目が合ったとき』を聴く 📺『君と目が合ったとき』MVはこちら #ふるっぱーと東京ドーム #FRUITSZIPPER #ふるっぱー #フルーツジッパー

FRUITS ZIPPER【Official】

74,469 просмотров • 6 месяцев назад

Lots of people are sleeping on Quinn Priester... I have a feeling this dude is going to make an impact with the major league club next year. Let’s talk about it. Adding velo to the sinker (SI) has been a constant emphasis since coming over via trade, and we already saw a minor increase last year. Avg SI velo (2024) 📈 • w/ PIT: 93.0 mph • w/ BOS: 93.8 mph NOTE: Remove his first two appearances where there wasn’t really any changes made, and his avg SI velo now sits at 94.2 mph. Games where SI sat 94+ mph 📈 • w/ PIT: 2 (of 23) • w/ BOS: 5 (of 10) He’s comfortably hit 96 and topped 97 mph for Worcester (seen in video attached), and has been grinding on a velo program this winter as well. Other top velos, just for fun… • FF: 96.3 mph* • SL: 92.3 mph • CU: 83.5 mph* • CH: 92 mph* • FC: 94.4 mph* *indicates top velo was w/ BOS — On top of this, we all know that Bres/Bailey & Co. love their whiff and secondary offerings. Priester took a huge step forward last year in both of these categories. Overall whiff 📈 • w/ PIT: 29.8% • w: BOS: 35.4% Arsenal whiff w/ BOS 📈 • SI: 22% • FF: 30% • FC: 42% • SL: 48% (‼️) • CU: 43%** **hot take: SI/SL combo are his carrying pitches, but his best pitch is his CH — Clearly, there’s something there. I wouldn’t be surprised if we see a major usage change. Here’s what I would propose: • FA (FF/SI/FC): 46.3% ➡️ 30% - SI: 20% (“get me over” or “need it” kind of pitch; needs to be for a strike, low in zone; CH plays off it) - FC: 9% (would love to use it more, but had a limited sample size in 2024; start off as a LHH-exclusive like Garett Whitlock showcased; needs to either be elevated (tunnel w/ FF) or down+out (tunnel w/ SL) - FF: 1% (similar to what we saw Bello implement… only deploy in key situations; must be elevated) • SL: 31.8% ➡️ 35% - emphasis on gloveside target against both LHH/RHH; vs LHH, catcher sets up more middle/out - maybe try some armside vs LHH to dupe batters? • CH: 14% ➡️ 25% - best pitch results in MLB (.167 BAA, .167 SLG, 29% whiff in limited sample size) but can’t be overused - need to tunnel w/ SI… make sure low in/out of zone; see: Whitlock • CU: 8% ➡️ 10% - LHH exclusive offering, tunnels w/ elevated FC/FF - needs to miss low Overall: SI “first” for strikes with a very heavy dosage of SL/CH mixed in vs both LHH/RHH. FC/CB to LHH only. Elevated FF only in certain sequences. I’ve attached some specific videos to further emphasize my points. • Clip #1: Bogaerts whiff on CH • Clip #2: disgusting SLs to RHHs • Clip #3: Priester sinkers (T97 mph) • Clip #4: just pure nastiness Oh, and a friendly reminder: he’s just 24 years old. There is so much potential to tap into here. The stuff, for one, is there and only getting better. My favorite Red Sox pitcher right now is by far Garrett Whitlock. I see a little bit of baby Whitty in Priester’s delivery, frame, and stuff. 👀 — Alrighty, that was a lot lol. I hope everyone enjoyed. If you have questions, comments, or even player requests, feel free to reach out! I am super excited to see what Priester can do in 2025 and beyond. What do you think? ⬇️

Lots of people are sleeping on Quinn Priester... I have a feeling this dude is going to make an impact with the major league club next year. Let’s talk about it. Adding velo to the sinker (SI) has been a constant emphasis since coming over via trade, and we already saw a minor increase last year. Avg SI velo (2024) 📈 • w/ PIT: 93.0 mph • w/ BOS: 93.8 mph NOTE: Remove his first two appearances where there wasn’t really any changes made, and his avg SI velo now sits at 94.2 mph. Games where SI sat 94+ mph 📈 • w/ PIT: 2 (of 23) • w/ BOS: 5 (of 10) He’s comfortably hit 96 and topped 97 mph for Worcester (seen in video attached), and has been grinding on a velo program this winter as well. Other top velos, just for fun… • FF: 96.3 mph* • SL: 92.3 mph • CU: 83.5 mph* • CH: 92 mph* • FC: 94.4 mph* *indicates top velo was w/ BOS — On top of this, we all know that Bres/Bailey & Co. love their whiff and secondary offerings. Priester took a huge step forward last year in both of these categories. Overall whiff 📈 • w/ PIT: 29.8% • w: BOS: 35.4% Arsenal whiff w/ BOS 📈 • SI: 22% • FF: 30% • FC: 42% • SL: 48% (‼️) • CU: 43% hot take: SI/SL combo are his carrying pitches, but his best pitch is his CH — Clearly, there’s something there. I wouldn’t be surprised if we see a major usage change. Here’s what I would propose: • FA (FF/SI/FC): 46.3% ➡️ 30% - SI: 20% (“get me over” or “need it” kind of pitch; needs to be for a strike, low in zone; CH plays off it) - FC: 9% (would love to use it more, but had a limited sample size in 2024; start off as a LHH-exclusive like Garett Whitlock showcased; needs to either be elevated (tunnel w/ FF) or down+out (tunnel w/ SL) - FF: 1% (similar to what we saw Bello implement… only deploy in key situations; must be elevated) • SL: 31.8% ➡️ 35% - emphasis on gloveside target against both LHH/RHH; vs LHH, catcher sets up more middle/out - maybe try some armside vs LHH to dupe batters? • CH: 14% ➡️ 25% - best pitch results in MLB (.167 BAA, .167 SLG, 29% whiff in limited sample size) but can’t be overused - need to tunnel w/ SI… make sure low in/out of zone; see: Whitlock • CU: 8% ➡️ 10% - LHH exclusive offering, tunnels w/ elevated FC/FF - needs to miss low Overall: SI “first” for strikes with a very heavy dosage of SL/CH mixed in vs both LHH/RHH. FC/CB to LHH only. Elevated FF only in certain sequences. I’ve attached some specific videos to further emphasize my points. • Clip #1: Bogaerts whiff on CH • Clip #2: disgusting SLs to RHHs • Clip #3: Priester sinkers (T97 mph) • Clip #4: just pure nastiness Oh, and a friendly reminder: he’s just 24 years old. There is so much potential to tap into here. The stuff, for one, is there and only getting better. My favorite Red Sox pitcher right now is by far Garrett Whitlock. I see a little bit of baby Whitty in Priester’s delivery, frame, and stuff. 👀 — Alrighty, that was a lot lol. I hope everyone enjoyed. If you have questions, comments, or even player requests, feel free to reach out! I am super excited to see what Priester can do in 2025 and beyond. What do you think? ⬇️

G.G.

54,654 просмотров • 1 год назад

SEEDANCE prompt : Presented in a style that resembles real video footage captured with an unprocessed iPhone handheld camera. All camera settings are automated, with no post-processing coloring or special effects applied. The footage features genuine handheld vibrations and the slight movement due to the operator's breathing. Autofocus occasionally experiences delays and brief loss of focus. Automatic white balance switches rapidly between strong lighting from flashlights and ambient classroom light. The image is overall flat, preserving the real-life lens flare, edge blurriness, slight overexposure, and motion blur. Only natural environmental sounds from within the scene are used, including sounds of chalk writing, page turning, student whispers, and recording notifications from the phone. The footage is captured from a first-person handheld perspective from behind the classroom. The camera movement is natural, with slight shaking occurring occasionally due to nervousness. A tall, short-haired Asian female teacher is depicted in the footage. Clothing She stood in front of the classroom blackboard. She had a well-proportioned figure, with a delicate makeup, and wore a pair of black-rimmed glasses. A high-intensity lighting source was placed on the floor in front of the classroom, shining brightly upwards. At 0 seconds, the camera was positioned behind the classroom, focusing on the female teacher as she stood sideways in front of the blackboard, writing with chalk. The high-intensity light from below illuminated her body, creating a strong backlight effect and prominent highlights. At 1 second, the light passed through the semi-transparent fabric of her black net dress, clearly highlighting the contours of her thighs, hips, and body. The autofocus briefly lost focus due to the intense light, but then re-established itself. At 2 seconds, the female teacher continued to write on the blackboard, and the sound of chalk against the blackboard was clearly audible. Fine chalk dust floated in the air of the 3 seconds, the student on the left side of the front row already noticed the bright light around them. Excitedly, she took out her phone and started recording the teacher secretly. The reflection on the screen made a brief flash in the video. At 4 seconds, the female teacher finished writing, put down her chalk, and turned to face the students. At 5 seconds, she picked up the dark red textbook on the table, held it with both hands, and stood up straight. At 6 seconds, the female teacher began teaching, holding the textbook in her hands, with her gaze directed towards the back of the classroom. The bright light from below made her silhouette even more distinct. At 7 seconds, the students in the front row already started talking in low voices. The student on the left continued to record secretly, while the student on the right tilted her head to look at the screen. At 8 seconds, the female teacher suddenly noticed that the back of the classroom was unusually quiet. Her movements paused briefly, and she slowly closed the textbook, with a slight frown on her 9 seconds, she raised her head, her gaze piercing straight through the black frame of her glasses, towards the back of the classroom. Her expression changed from concentration to obvious confusion and seriousness. At 10 seconds, the female teacher looked directly at the camera, speaking in a low but firm voice: “Wait, what’s going on?” Her voice sounded particularly clear in the classroom. At 11 seconds, it could be seen that several students were lowering their heads to avoid her gaze. One student quickly put away his phone. At 12 seconds, the female teacher remained standing in the middle of the classroom. The bright light from below elongated her silhouette. She didn’t press further, but simply stared silently at the back of the classroom, her eyes filled with obvious questioning and dissatisfaction. At 13 seconds, she tilted her head slightly, and the bright light highlighted the outline of her black net-style dress. A tense silence filled the 14 seconds, the female teacher held the book against her chest. Her voice was calm, but there was a sense of pressure in her tone: “Let’s continue with the lesson.” At 15 seconds, she turned back towards the blackboard. The scene ended in a tense and awkward atmosphere. The footage was captured using an unprocessed iPhone, with a natural, unrefined quality, without any post-processing adjustments or special effects. All of the camera movements were consistent with the physical characteristics of real-life classroom snaps. Changes in lighting and focus adjustments were all handled automatically.

SEEDANCE prompt : Presented in a style that resembles real video footage captured with an unprocessed iPhone handheld camera. All camera settings are automated, with no post-processing coloring or special effects applied. The footage features genuine handheld vibrations and the slight movement due to the operator's breathing. Autofocus occasionally experiences delays and brief loss of focus. Automatic white balance switches rapidly between strong lighting from flashlights and ambient classroom light. The image is overall flat, preserving the real-life lens flare, edge blurriness, slight overexposure, and motion blur. Only natural environmental sounds from within the scene are used, including sounds of chalk writing, page turning, student whispers, and recording notifications from the phone. The footage is captured from a first-person handheld perspective from behind the classroom. The camera movement is natural, with slight shaking occurring occasionally due to nervousness. A tall, short-haired Asian female teacher is depicted in the footage. Clothing She stood in front of the classroom blackboard. She had a well-proportioned figure, with a delicate makeup, and wore a pair of black-rimmed glasses. A high-intensity lighting source was placed on the floor in front of the classroom, shining brightly upwards. At 0 seconds, the camera was positioned behind the classroom, focusing on the female teacher as she stood sideways in front of the blackboard, writing with chalk. The high-intensity light from below illuminated her body, creating a strong backlight effect and prominent highlights. At 1 second, the light passed through the semi-transparent fabric of her black net dress, clearly highlighting the contours of her thighs, hips, and body. The autofocus briefly lost focus due to the intense light, but then re-established itself. At 2 seconds, the female teacher continued to write on the blackboard, and the sound of chalk against the blackboard was clearly audible. Fine chalk dust floated in the air of the 3 seconds, the student on the left side of the front row already noticed the bright light around them. Excitedly, she took out her phone and started recording the teacher secretly. The reflection on the screen made a brief flash in the video. At 4 seconds, the female teacher finished writing, put down her chalk, and turned to face the students. At 5 seconds, she picked up the dark red textbook on the table, held it with both hands, and stood up straight. At 6 seconds, the female teacher began teaching, holding the textbook in her hands, with her gaze directed towards the back of the classroom. The bright light from below made her silhouette even more distinct. At 7 seconds, the students in the front row already started talking in low voices. The student on the left continued to record secretly, while the student on the right tilted her head to look at the screen. At 8 seconds, the female teacher suddenly noticed that the back of the classroom was unusually quiet. Her movements paused briefly, and she slowly closed the textbook, with a slight frown on her 9 seconds, she raised her head, her gaze piercing straight through the black frame of her glasses, towards the back of the classroom. Her expression changed from concentration to obvious confusion and seriousness. At 10 seconds, the female teacher looked directly at the camera, speaking in a low but firm voice: “Wait, what’s going on?” Her voice sounded particularly clear in the classroom. At 11 seconds, it could be seen that several students were lowering their heads to avoid her gaze. One student quickly put away his phone. At 12 seconds, the female teacher remained standing in the middle of the classroom. The bright light from below elongated her silhouette. She didn’t press further, but simply stared silently at the back of the classroom, her eyes filled with obvious questioning and dissatisfaction. At 13 seconds, she tilted her head slightly, and the bright light highlighted the outline of her black net-style dress. A tense silence filled the 14 seconds, the female teacher held the book against her chest. Her voice was calm, but there was a sense of pressure in her tone: “Let’s continue with the lesson.” At 15 seconds, she turned back towards the blackboard. The scene ended in a tense and awkward atmosphere. The footage was captured using an unprocessed iPhone, with a natural, unrefined quality, without any post-processing adjustments or special effects. All of the camera movements were consistent with the physical characteristics of real-life classroom snaps. Changes in lighting and focus adjustments were all handled automatically.

John

11,417 просмотров • 2 месяцев назад

GPT image 2 × Seedance 2.0 Prompt - GPT Image 2 Prompt for Storyboard: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark.

𝐌

20,168 просмотров • 29 дней назад