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Long Post!! Why Save Temples?🔱🕉️🪷🚩 When an individual or group shows hate for our temples, they are also directing that hatred towards body, mind and soul of practitioners of Hinduism. A temple is not just a tangible structure of bricks and mortar, it helps us connect our Aatma to...

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RAGHU

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86,097 просмотров • 1 год назад •via X (Twitter)

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Комментарии: 10

Фото профиля Amita Sachdeva, Advocate
Amita Sachdeva, Advocate1 год назад

Beautifully explained! Temples truly embody the connection between our body, mind, and soul with the divine. Protecting them is indeed protecting our own spiritual well-being. Jai Sanatan Dharma 🙏🏻🚩

Фото профиля Saumya Sharma
Saumya Sharma1 год назад

Pranaam didi 🙏🏻 Thank you so much for your kind words and appreciating my small efforts. Have a good day. Jai Sanatan Dharma 🙏🏻🚩

Фото профиля Saffronist Ghost
Saffronist Ghost1 год назад

You have highlighted the history of an old temple of Sanatan Dharma, This post of yours is giving wonderful information about Sanatan Dharma, Please post such posts in future as well. 👏

Фото профиля Saumya Sharma
Saumya Sharma1 год назад

Thank you 😊🙏🏻. Just a small effort to explain 'Why Saving Temples is Important'. Jai Sanatan Dharma 🚩

Фото профиля Sanatanii
Sanatanii1 год назад

बहुत जानकारी साझा की नियमित रूप से अपना ज्ञान साझा करते रहिए सनातन को बड़ाने के लिए छोटी सी छोटी जानकारी बहुमूल्य है।

Фото профиля Saumya Sharma
Saumya Sharma1 год назад

धन्यवाद ☺️🙏🏻...बिल्कुल सही कहा आपने की सनातन को बढ़ाने के लिए छोटी सी छोटी जानकारी महत्त्वपूर्ण और बहुमूल्य है...जैसा कि आप करते हैं अपने सराहनीय प्रयास द्वारा 🚩

Фото профиля संस्कृति
संस्कृति1 год назад

@Sanatanii_ Nice thread

Фото профиля Saumya Sharma
Saumya Sharma1 год назад

@Sanatanii_ Thank you 😊🙏🏻🚩

Фото профиля केसरी
केसरी1 год назад

@Sanatanii_ अच्छा लिखा

Фото профиля Saumya Sharma
Saumya Sharma1 год назад

@Sanatanii_ धन्यवाद 😊🙏🏻🚩

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Temple of Hathor is one of the most well-preserved temples in all of Egypt. There are three temples to view in the complex: the birthing temple at the front, the temple of Isis behind the main temple, and the main temple dedicated to Hathor. There is also a sacred pool. The colors seen throughout the temples are original, and amazingly vibrant considering the inside was once covered in soot from Bedouins and other desert peoples seeking asylum. They would use the temples as shelter, lighting fires for cooking and warmth. Since the temple complex used to be covered halfway in desert sand, it was easy for the soot to accumulate at the top. To show the amount of soot that had to be cleaned, archaeologists chose strips of ceiling in each temple to leave covered in soot as a comparison. The clearing of soot and all the sand burying the temples was tedious work that took years to complete. The ceiling is a symbolic representation of the heavens, featuring the waxing and waning of the moon as it travels across the heavens in the barque of Re. Jackals and birds accompany Re’s barque. This scene is from the east side of the temple and features snakes and various gods including, the falcon god Horus, the ibis headed god Thoth, Hathor and Sekhmet (also Sachmet, Sakmet, Sakhet, Sekmet, Sakhmet, Sekhet, Sachmis), the lion goddess of war and destruction. Dedicated to Hathor, goddess of love, beauty, music and motherhood, the main temple dates from the Graeco-Roman era although a temple stood on the site during the Old Kingdom. Temple complex displays influences from Egyptian, Greek, and Roman rulers. There was also a Coptic Christian church on the premises near the birthing temple at one point. Main temple was built by Ptolemy XII and nearly completed by Queen Cleopatra VII, around 54-20 BC. There is evidence of temples and other structures that date back all the way to 2500 BC. Hathor is the Egyptian sky goddess of sexual love, fertility, music, and dancing. It is also said she is the goddess of birth and motherhood. She is often depicted as the counterpart of Horus. In fact, Hathor translates to “House of Horus.” Inside the underground crypt, on the same relief wall as the famed Dendera light bulb (just to the right of it) is the most detailed depiction of Horus discovered to date. Getting to the crypt requires you to crawl on your hands and knees for a stint, but entrance requires going down a steep staircase. Temple is a wondrous marvel to explore. Each of the rooms is as intricately decorated as the Great Vestibule, the front room at the main entrance fronted by 24 columns. The ceiling in the Great Vestibule is a tribute to Nut (Newt), Goddess of the Sky. Beyond are antechambers with crypts, chapel rooms, and a sanctuary. There is a corridor on each side of second antechamber. Corridor to climb to the top of the temple is a spiral, just as a bird would ascend, while the corridor to leave the roof is a straight path down, just as a bird would dive. This is a tribute to Horus. At the top of the structure, there is a small temple that was used for rituals to greet the rising sun, as well as another antechamber, called the Chapel of Osiris. Inside this chapel, one of the rooms holds a unique ceiling relief, called Dendera Zodiac. It is considered the only complete “map” of the ancient Egyptian sky. The one at Hathor Temple is a replica, however. The real Dendera Zodiac is on display at the Louvre in Paris, France. The birthing temple is also intricately decorated, and reliefs on the side depict the births of gods and Egyptian pharaohs. It is positioned at the front of the complex, across from a display of former statues and partial column pieces found during excavation. Temple of the Goddess Isis is situated behind the main temple near the sacred pool. It is small and not as decorative, but still worth a look. 🎥© nofret_egypt_ (IG) #archaeohistories
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Temple of Hathor is one of the most well-preserved temples in all of Egypt. There are three temples to view in the complex: the birthing temple at the front, the temple of Isis behind the main temple, and the main temple dedicated to Hathor. There is also a sacred pool. The colors seen throughout the temples are original, and amazingly vibrant considering the inside was once covered in soot from Bedouins and other desert peoples seeking asylum. They would use the temples as shelter, lighting fires for cooking and warmth. Since the temple complex used to be covered halfway in desert sand, it was easy for the soot to accumulate at the top. To show the amount of soot that had to be cleaned, archaeologists chose strips of ceiling in each temple to leave covered in soot as a comparison. The clearing of soot and all the sand burying the temples was tedious work that took years to complete. The ceiling is a symbolic representation of the heavens, featuring the waxing and waning of the moon as it travels across the heavens in the barque of Re. Jackals and birds accompany Re’s barque. This scene is from the east side of the temple and features snakes and various gods including, the falcon god Horus, the ibis headed god Thoth, Hathor and Sekhmet (also Sachmet, Sakmet, Sakhet, Sekmet, Sakhmet, Sekhet, Sachmis), the lion goddess of war and destruction. Dedicated to Hathor, goddess of love, beauty, music and motherhood, the main temple dates from the Graeco-Roman era although a temple stood on the site during the Old Kingdom. Temple complex displays influences from Egyptian, Greek, and Roman rulers. There was also a Coptic Christian church on the premises near the birthing temple at one point. Main temple was built by Ptolemy XII and nearly completed by Queen Cleopatra VII, around 54-20 BC. There is evidence of temples and other structures that date back all the way to 2500 BC. Hathor is the Egyptian sky goddess of sexual love, fertility, music, and dancing. It is also said she is the goddess of birth and motherhood. She is often depicted as the counterpart of Horus. In fact, Hathor translates to “House of Horus.” Inside the underground crypt, on the same relief wall as the famed Dendera light bulb (just to the right of it) is the most detailed depiction of Horus discovered to date. Getting to the crypt requires you to crawl on your hands and knees for a stint, but entrance requires going down a steep staircase. Temple is a wondrous marvel to explore. Each of the rooms is as intricately decorated as the Great Vestibule, the front room at the main entrance fronted by 24 columns. The ceiling in the Great Vestibule is a tribute to Nut (Newt), Goddess of the Sky. Beyond are antechambers with crypts, chapel rooms, and a sanctuary. There is a corridor on each side of second antechamber. Corridor to climb to the top of the temple is a spiral, just as a bird would ascend, while the corridor to leave the roof is a straight path down, just as a bird would dive. This is a tribute to Horus. At the top of the structure, there is a small temple that was used for rituals to greet the rising sun, as well as another antechamber, called the Chapel of Osiris. Inside this chapel, one of the rooms holds a unique ceiling relief, called Dendera Zodiac. It is considered the only complete “map” of the ancient Egyptian sky. The one at Hathor Temple is a replica, however. The real Dendera Zodiac is on display at the Louvre in Paris, France. The birthing temple is also intricately decorated, and reliefs on the side depict the births of gods and Egyptian pharaohs. It is positioned at the front of the complex, across from a display of former statues and partial column pieces found during excavation. Temple of the Goddess Isis is situated behind the main temple near the sacred pool. It is small and not as decorative, but still worth a look. 🎥© nofret_egypt_ (IG) #archaeohistories

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Chelloor Mahadeva temple, Malappuram: Update. After death of Chief Priest in temple pond, followed by other omens, the worship at this ancient temple has been stopped temporarily. The police investigation and inquest has concluded that death is by drowning. This is second known death by drowning in the temple pond. The presence of a very powerful and fierce Goddess Bhadrakali is evident in the temple, who is not worshiped now. Also certain vastu errors has been found in earlier restorations done. The temple is thousands of years old and in the category of Mahakshethra. UgraNarasimha Charitable Trust will revive the temple, following all rituals and as per temple vastu shastra. As a first measure Devaprashnam will be held by senior Kerala astrologers. #ReclaimTemples #KL022
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Chelloor Mahadeva temple, Malappuram: Update. After death of Chief Priest in temple pond, followed by other omens, the worship at this ancient temple has been stopped temporarily. The police investigation and inquest has concluded that death is by drowning. This is second known death by drowning in the temple pond. The presence of a very powerful and fierce Goddess Bhadrakali is evident in the temple, who is not worshiped now. Also certain vastu errors has been found in earlier restorations done. The temple is thousands of years old and in the category of Mahakshethra. UgraNarasimha Charitable Trust will revive the temple, following all rituals and as per temple vastu shastra. As a first measure Devaprashnam will be held by senior Kerala astrologers. #ReclaimTemples #KL022

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In Hinduism, the human body is seen as a miniature universe (पिंड), While the cosmos is the greater universe (ब्रह्मांड)—“यत् पिंडे तत् ब्रह्मांडे”, Meaning whatever exists in the universe also exists within the body. The body is not just flesh and bones, but a sacred vessel of cosmic energies, where chakras correspond to universal forces and planets. Similarly, a Hindu temple is designed like a cosmic body: the garbhagriha (sanctum) represents the heart, the shikhara symbolizes the head, and the mandala reflects the order of the universe. Just as prana flows through the human body via nadis, divine energy flows through the temple structure. Worship, therefore, is not outside us—it awakens the same divinity within. In short, body, temple, and universe are three expressions of one cosmic truth, alag-alag dikhte hain par tattva ek hi hai—sab kuchh usi Brahman ka khel hai...
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In Hinduism, the human body is seen as a miniature universe (पिंड), While the cosmos is the greater universe (ब्रह्मांड)—“यत् पिंडे तत् ब्रह्मांडे”, Meaning whatever exists in the universe also exists within the body. The body is not just flesh and bones, but a sacred vessel of cosmic energies, where chakras correspond to universal forces and planets. Similarly, a Hindu temple is designed like a cosmic body: the garbhagriha (sanctum) represents the heart, the shikhara symbolizes the head, and the mandala reflects the order of the universe. Just as prana flows through the human body via nadis, divine energy flows through the temple structure. Worship, therefore, is not outside us—it awakens the same divinity within. In short, body, temple, and universe are three expressions of one cosmic truth, alag-alag dikhte hain par tattva ek hi hai—sab kuchh usi Brahman ka khel hai...

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The Miracle of the Vegetarian Crocodile at Ananthapura Temple Why did a crocodile guard a temple for over 70 years? At the sacred Ananthapura Lake Temple in Kerala, an extraordinary crocodile named Babiya became a living legend. Unlike any other, Babiya was known as a peaceful, vegetarian crocodile who lived in the temple lake, consuming only the prasadam (sacred offerings) and never harming a soul. Devotees believed Babiya was no ordinary creature — she was considered the guardian of Lord Vishnu, protecting the temple and its divine secrets. Her presence was seen as a blessing, a symbol of divine grace and protection. Remarkably, after Babiya passed away, another crocodile mysteriously appeared in the lake — continuing the legacy and deepening the temple's spiritual aura. Was this a miracle, a mystery of nature, or divine intervention? The legend of Babiya continues to inspire wonder and devotion.
1:23

The Miracle of the Vegetarian Crocodile at Ananthapura Temple Why did a crocodile guard a temple for over 70 years? At the sacred Ananthapura Lake Temple in Kerala, an extraordinary crocodile named Babiya became a living legend. Unlike any other, Babiya was known as a peaceful, vegetarian crocodile who lived in the temple lake, consuming only the prasadam (sacred offerings) and never harming a soul. Devotees believed Babiya was no ordinary creature — she was considered the guardian of Lord Vishnu, protecting the temple and its divine secrets. Her presence was seen as a blessing, a symbol of divine grace and protection. Remarkably, after Babiya passed away, another crocodile mysteriously appeared in the lake — continuing the legacy and deepening the temple's spiritual aura. Was this a miracle, a mystery of nature, or divine intervention? The legend of Babiya continues to inspire wonder and devotion.

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Borobudur Temple Compounds, one of the greatest Buddhist monuments in the world, and was built in the 8th-9th Centuries AD, during the reign of Syailendra Dynasty (750-850 AD). The monument is located in the Kedu Valley, in the southern part of Central Java, at the centre of the island of Java, Indonesia. Temple is a Mahayana buddhist site, has 504 Buddha statues. Temple is a combination of both Hindu and Buddhist architecture. Temple is heavily influenced by ancient Indian 'Gupta' era (4th-6th Century AD) art. It has one of greatest buddhist reliefs carved. The main temple is a stupa built in three tiers around a hill which was a natural centre: a pyramidal base with five concentric square terraces, the trunk of a cone with three circular platforms and, at the top, a monumental stupa. The walls and balustrades are decorated with fine low reliefs, covering a total surface area of 2,520 m2. Around the circular platforms are 72 openwork stupas, each containing a statue of the Buddha. The monument was restored with UNESCO's help in the 1970s. The vertical division of Borobudur Temple into base, body and superstructure perfectly accords with the conception of Universe in Buddhist cosmology. It is believed that the universe is divided into three superimposing spheres, kamadhatu, rupadhatu and arupadhatu, representing respectively sphere of desires where we are bound to our desires, the sphere of forms where we abandon our desires but are still bound to name and form, and the sphere of formlessness where there is no longer either name or form. At Borobudur Temple, the kamadhatu is represented by the base, the rupadhatu by the five square terraces and arupadhatu by the three circular platforms as well as the big stupa. The whole structure shows a unique blending of the very central ideas of ancestor worship, related to the idea of a terraced mountain, combined with the Buddhist concept of attaining Nirvana. Temple should also be seen as an outstanding dynastic monument of Syailendra Dynasty that ruled Java for around five centuries until 10th Century AD. Borobudur Temple Compounds, consists of three monuments: those three levels symbolic of Buddhist cosmology: Kāmadhātu (the world of desire), Rūpadhātu (the world of forms) and Arūpadhātu (the world of formlessness). First one, namely the Borobudur Temple and two smaller temples situatued to the east on a straight axis to Borobudur. The two temples are Mendut Temple, whose depiction of Buddha is represented by a formidable monolith accompanied by two Bodhisattvas, and Pawon Temple, a smaller temple whose inner space does not reveal which deity might have been the object of worship. Those three monuments represent phases in the attainment of Nirvana. Temple was used as a Buddhist temple from its construction until sometime between 10th-15th Centuries AD, when it was abandoned. Since its re-discovery in 19th Century AD, and restoration in 20th Century AD, it has been brought back into a Buddhist archaeological site. © Indonesia Travel #archaeohistories
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Borobudur Temple Compounds, one of the greatest Buddhist monuments in the world, and was built in the 8th-9th Centuries AD, during the reign of Syailendra Dynasty (750-850 AD). The monument is located in the Kedu Valley, in the southern part of Central Java, at the centre of the island of Java, Indonesia. Temple is a Mahayana buddhist site, has 504 Buddha statues. Temple is a combination of both Hindu and Buddhist architecture. Temple is heavily influenced by ancient Indian 'Gupta' era (4th-6th Century AD) art. It has one of greatest buddhist reliefs carved. The main temple is a stupa built in three tiers around a hill which was a natural centre: a pyramidal base with five concentric square terraces, the trunk of a cone with three circular platforms and, at the top, a monumental stupa. The walls and balustrades are decorated with fine low reliefs, covering a total surface area of 2,520 m2. Around the circular platforms are 72 openwork stupas, each containing a statue of the Buddha. The monument was restored with UNESCO's help in the 1970s. The vertical division of Borobudur Temple into base, body and superstructure perfectly accords with the conception of Universe in Buddhist cosmology. It is believed that the universe is divided into three superimposing spheres, kamadhatu, rupadhatu and arupadhatu, representing respectively sphere of desires where we are bound to our desires, the sphere of forms where we abandon our desires but are still bound to name and form, and the sphere of formlessness where there is no longer either name or form. At Borobudur Temple, the kamadhatu is represented by the base, the rupadhatu by the five square terraces and arupadhatu by the three circular platforms as well as the big stupa. The whole structure shows a unique blending of the very central ideas of ancestor worship, related to the idea of a terraced mountain, combined with the Buddhist concept of attaining Nirvana. Temple should also be seen as an outstanding dynastic monument of Syailendra Dynasty that ruled Java for around five centuries until 10th Century AD. Borobudur Temple Compounds, consists of three monuments: those three levels symbolic of Buddhist cosmology: Kāmadhātu (the world of desire), Rūpadhātu (the world of forms) and Arūpadhātu (the world of formlessness). First one, namely the Borobudur Temple and two smaller temples situatued to the east on a straight axis to Borobudur. The two temples are Mendut Temple, whose depiction of Buddha is represented by a formidable monolith accompanied by two Bodhisattvas, and Pawon Temple, a smaller temple whose inner space does not reveal which deity might have been the object of worship. Those three monuments represent phases in the attainment of Nirvana. Temple was used as a Buddhist temple from its construction until sometime between 10th-15th Centuries AD, when it was abandoned. Since its re-discovery in 19th Century AD, and restoration in 20th Century AD, it has been brought back into a Buddhist archaeological site. © Indonesia Travel #archaeohistories

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17,664 просмотров • 1 год назад

This video highlights a shocking historical injustice at the Jogulamba Devi Temple complex in Alampur, Telangana. It is clearly visible that a mosque has been built directly over an ancient Hindu temple, completely disregarding its sacredness. To further diminish the temple’s sanctity, a graveyard was also established within the complex. The most heart-wrenching detail is that the very walls and sacred Vigrahas (idols) of the temple were used as the foundation and building materials for the mosque. You can still see the ancient temple Gopura on the mosque structure itself. Historically, in 1390 CE, the Bahmani Sultan ruthlessly destroyed these magnificent temples and villages, showing immense cruelty toward the local people. Even today, many local Mu£lims choose not to enter this specific mosque as it sits within the temple complex, preferring a newer one nearby. It is deeply concerning why the government has not yet taken steps to redevelop the temple and remove the graveyard from the complex. This video is a plea to the officials and the public to recognize this historical wrong and hope for a restoration of the temple's glory.
0:53

This video highlights a shocking historical injustice at the Jogulamba Devi Temple complex in Alampur, Telangana. It is clearly visible that a mosque has been built directly over an ancient Hindu temple, completely disregarding its sacredness. To further diminish the temple’s sanctity, a graveyard was also established within the complex. The most heart-wrenching detail is that the very walls and sacred Vigrahas (idols) of the temple were used as the foundation and building materials for the mosque. You can still see the ancient temple Gopura on the mosque structure itself. Historically, in 1390 CE, the Bahmani Sultan ruthlessly destroyed these magnificent temples and villages, showing immense cruelty toward the local people. Even today, many local Mu£lims choose not to enter this specific mosque as it sits within the temple complex, preferring a newer one nearby. It is deeply concerning why the government has not yet taken steps to redevelop the temple and remove the graveyard from the complex. This video is a plea to the officials and the public to recognize this historical wrong and hope for a restoration of the temple's glory.

Arpit

17,866 просмотров • 4 месяцев назад

This is one of the six #Ganapati temples of ancient Tulunadu. 👍 This is in Northern Kerala. I read that the temple also offers #Veda classes to young vatus. 🙂 The accommodation and food for the vatus are arranged by the temple authorities. 🛕 Originally it was a Shiva temple, but its said that a boy drew pic of Ganesha on the southern wall one day. And then the Ganesha kept growing chubbier with each passing day. So Ganesha Vigraham here is South-facing. The temple apparently also survived Tipu Sultan’s attack. 👍
0:44

This is one of the six #Ganapati temples of ancient Tulunadu. 👍 This is in Northern Kerala. I read that the temple also offers #Veda classes to young vatus. 🙂 The accommodation and food for the vatus are arranged by the temple authorities. 🛕 Originally it was a Shiva temple, but its said that a boy drew pic of Ganesha on the southern wall one day. And then the Ganesha kept growing chubbier with each passing day. So Ganesha Vigraham here is South-facing. The temple apparently also survived Tipu Sultan’s attack. 👍

Levina🇮🇳

15,876 просмотров • 10 месяцев назад

This is what is left in Pakistan. Don't know when our Indian dream will be fulfilled and puja aarti will start in the temple.🙏 PARNAMI TEMPLE IN MALKA HANS, PUNJAB, PAKISTAN The dilapidated relics of the Parnami temple used to be one of the central ashrams of the Parnami faction of Hindus. Mahant Darbara Singh had constructed this five-story majestic building of the temple over 200 years ago. Dust of ages has settled in deep layers on the pedestal where Samadhi of Dya Ram - the founder of the Parnami sect used to rest in the main chamber of the temple. "A large number of Hindus had been visiting here before partition and there use to be a big annual Mela in the month of Chetar," informed a Painde Khan is using this place as a house. "I am paying rent to Auqaf for living in this Khandar," he complained a little wistfully. This grand monument of the past with sold masonry and ornate designs wrought by artisans and artists centuries ago was one of the fine specimens of Hindu architecture. Termite is eating Wood but exquisite quality of woodwork on windows, doors and murals on the battered walls can still be seen. The thin red bricks excavated from this monument have been used in adjacent houses in the compound. And, sadly, the temple cannot be defined in the images. Auqaf does not appear to have any idea about what to do with these splendid remains of the Hindu architectural legacy, except perhaps recovering the rent from the tenants. "Last time Auqaf got the place cleaned was when Indian dignitaries visited the temple", told Painde Khan. Legend has it that there was a tunnel from this temple to Pakpattan,
0:41

This is what is left in Pakistan. Don't know when our Indian dream will be fulfilled and puja aarti will start in the temple.🙏 PARNAMI TEMPLE IN MALKA HANS, PUNJAB, PAKISTAN The dilapidated relics of the Parnami temple used to be one of the central ashrams of the Parnami faction of Hindus. Mahant Darbara Singh had constructed this five-story majestic building of the temple over 200 years ago. Dust of ages has settled in deep layers on the pedestal where Samadhi of Dya Ram - the founder of the Parnami sect used to rest in the main chamber of the temple. "A large number of Hindus had been visiting here before partition and there use to be a big annual Mela in the month of Chetar," informed a Painde Khan is using this place as a house. "I am paying rent to Auqaf for living in this Khandar," he complained a little wistfully. This grand monument of the past with sold masonry and ornate designs wrought by artisans and artists centuries ago was one of the fine specimens of Hindu architecture. Termite is eating Wood but exquisite quality of woodwork on windows, doors and murals on the battered walls can still be seen. The thin red bricks excavated from this monument have been used in adjacent houses in the compound. And, sadly, the temple cannot be defined in the images. Auqaf does not appear to have any idea about what to do with these splendid remains of the Hindu architectural legacy, except perhaps recovering the rent from the tenants. "Last time Auqaf got the place cleaned was when Indian dignitaries visited the temple", told Painde Khan. Legend has it that there was a tunnel from this temple to Pakpattan,

Sarpanch Mika Gill

53,517 просмотров • 5 месяцев назад

There is nothing more important than honoring the covenants you have made or may make in the temple. Trials, challenges, and heartaches will surely come to all of us. Yet, as we attend the temple and remember our covenants, we can prepare to receive personal direction from the Lord. We can be reminded of the eternal nature of our spirits, our relationship with the Father and His Divine Son, and our ultimate desire to return to our heavenly home. All will be well because of temple covenants.
1:56

Sensitive content

There is nothing more important than honoring the covenants you have made or may make in the temple. Trials, challenges, and heartaches will surely come to all of us. Yet, as we attend the temple and remember our covenants, we can prepare to receive personal direction from the Lord. We can be reminded of the eternal nature of our spirits, our relationship with the Father and His Divine Son, and our ultimate desire to return to our heavenly home. All will be well because of temple covenants.

Henry B. Eyring

34,252 просмотров • 9 месяцев назад

I visited the Tara Tarini Temple in Odisha today. Even though it is one of the four Aadi Shaktipeethas, Tara Tarini was a small temple built in brick and mortar till a few years ago. The state govt of Odisha has renovated it as a cost of more than 100 crores. What is heartening is that the temple has been renovated keeping in mind traditional Odia aesthetics, sculpture and the glorious Kalinga style of temple architecture. Kudos to the Naveen Patnaik govt for this! The renovation work took 20 long years and was spearheaded by noted Odia sculptor, Padmavibhushan late Shri Raghunath Mahapatra and a team of expert sculptors and traditional sthapatis from Odisha. The result is spectacular. Today, a typical Kalinga style temple stands atop the Kumari hill, complete with a bhog mandapa, a jagamohana and a tall Kalinga style shikhara with an amalaka on top. The external devakoshthas have exquisitely carved Alasa Kanyas or sursundaris in various vibhramas. The big niches around the garbhgriha feature stunning life-size Murtis of Varahi, Narsimhi and Chamunda, three of the seven Matrikas. The craftsmanship is exceptional. As the work on surrounding mandapas is not yet complete, I got to see sculptors at work in-situ, like how the sculptors must have worked in the glory days of temple building in India! #hindutemple #odishaodyssey #taratarini #shaktipeeth #templetrails #incredibleindia #templearchitecture #dharma
1:28

I visited the Tara Tarini Temple in Odisha today. Even though it is one of the four Aadi Shaktipeethas, Tara Tarini was a small temple built in brick and mortar till a few years ago. The state govt of Odisha has renovated it as a cost of more than 100 crores. What is heartening is that the temple has been renovated keeping in mind traditional Odia aesthetics, sculpture and the glorious Kalinga style of temple architecture. Kudos to the Naveen Patnaik govt for this! The renovation work took 20 long years and was spearheaded by noted Odia sculptor, Padmavibhushan late Shri Raghunath Mahapatra and a team of expert sculptors and traditional sthapatis from Odisha. The result is spectacular. Today, a typical Kalinga style temple stands atop the Kumari hill, complete with a bhog mandapa, a jagamohana and a tall Kalinga style shikhara with an amalaka on top. The external devakoshthas have exquisitely carved Alasa Kanyas or sursundaris in various vibhramas. The big niches around the garbhgriha feature stunning life-size Murtis of Varahi, Narsimhi and Chamunda, three of the seven Matrikas. The craftsmanship is exceptional. As the work on surrounding mandapas is not yet complete, I got to see sculptors at work in-situ, like how the sculptors must have worked in the glory days of temple building in India! #hindutemple #odishaodyssey #taratarini #shaktipeeth #templetrails #incredibleindia #templearchitecture #dharma

Shefali Vaidya. 🇮🇳

303,963 просмотров • 2 лет назад

A muslim man in Maharashtra visits a Mandir and says its a mosque!! They have the balls to do it cause they know Police wear bangles Hemadpanthi temples are not one single temple, but a style of temple architecture found mainly in Maharashtra, Karnataka, and parts of Madhya Pradesh, linked to the 13th-century minister Hemadri Pandit of the Yadava dynasty. Maharashtra Police Do you do something or time pass
0:44

A muslim man in Maharashtra visits a Mandir and says its a mosque!! They have the balls to do it cause they know Police wear bangles Hemadpanthi temples are not one single temple, but a style of temple architecture found mainly in Maharashtra, Karnataka, and parts of Madhya Pradesh, linked to the 13th-century minister Hemadri Pandit of the Yadava dynasty. Maharashtra Police Do you do something or time pass

Comman Man

61,249 просмотров • 3 месяцев назад

Everyone has an idea of the Kerala temple issues and how Ambedkarists, left dogs, blue Buddhists, anti Hindus women's cry over not allowing women in the temple. Facts: Only women of menstrual age are not allowed; women of other ages are allowed. Here, in a Buddhist silver temple in Thailand, women of all ages are completely banned from entering the temple. Not a single b*stard has spoken about it. Why can’t we fight for women to enter the Buddhist temple?
0:26

Everyone has an idea of the Kerala temple issues and how Ambedkarists, left dogs, blue Buddhists, anti Hindus women's cry over not allowing women in the temple. Facts: Only women of menstrual age are not allowed; women of other ages are allowed. Here, in a Buddhist silver temple in Thailand, women of all ages are completely banned from entering the temple. Not a single b*stard has spoken about it. Why can’t we fight for women to enter the Buddhist temple?

Indian 🚩

16,622 просмотров • 2 месяцев назад

Patriots, Very soon, we look forward to welcoming you to the sacred land of Balochistan for the blessed darshan of Hinglaj Mata Temple where faith meets history, and where the soul finds peace beneath the eternal skies of Balochistan. A breathtaking and emotional moment unfolded at the sacred Hinglaj Mata Temple as the new flag rose proudly into the skies of Balochistan, fluttering with dignity, faith, and centuries of spiritual heritage. This was not merely the raising of a flag it was the awakening of history, culture, and an unbreakable bond of devotion. Hinglaj Mata Temple, nestled in the timeless mountains of Balochistan, stands as one of the holiest spiritual sanctuaries for Hindus and a powerful symbol of the deep cultural and spiritual connection between Balochistan and India. For generations, pilgrims have carried their prayers, hopes, and faith to this sacred land. The people of the Republic of Balochistan extend their hearts with warmth, respect, and brotherhood to Hindu devotees across the world. Hyrbyair Marri Narendra Modi #BalochistanIsNotPakistan #HinglajMataMandir
1:05

Patriots, Very soon, we look forward to welcoming you to the sacred land of Balochistan for the blessed darshan of Hinglaj Mata Temple where faith meets history, and where the soul finds peace beneath the eternal skies of Balochistan. A breathtaking and emotional moment unfolded at the sacred Hinglaj Mata Temple as the new flag rose proudly into the skies of Balochistan, fluttering with dignity, faith, and centuries of spiritual heritage. This was not merely the raising of a flag it was the awakening of history, culture, and an unbreakable bond of devotion. Hinglaj Mata Temple, nestled in the timeless mountains of Balochistan, stands as one of the holiest spiritual sanctuaries for Hindus and a powerful symbol of the deep cultural and spiritual connection between Balochistan and India. For generations, pilgrims have carried their prayers, hopes, and faith to this sacred land. The people of the Republic of Balochistan extend their hearts with warmth, respect, and brotherhood to Hindu devotees across the world. Hyrbyair Marri Narendra Modi #BalochistanIsNotPakistan #HinglajMataMandir

Mir Yar Baloch

46,240 просмотров • 2 месяцев назад

Ian Carroll shares a clip of a Rabbi, and what he says in this video should make everyone’s stomachs turn. This “Rabbi” goes on to say that the deadline for the redemption is at the end of the Jewish year 5787, which is October 2, 2027. That means they have a year and a half to rebuild the Third Temple on the Temple Mount. In order to accomplish that, the Al-Aqsa Mosque, which is currently sitting where the temple would go, would need to be destroyed. There are many antichrists in the earth, but the one who will sit in that temple and declare himself as the Messiah will be a marker to all!
3:36

Ian Carroll shares a clip of a Rabbi, and what he says in this video should make everyone’s stomachs turn. This “Rabbi” goes on to say that the deadline for the redemption is at the end of the Jewish year 5787, which is October 2, 2027. That means they have a year and a half to rebuild the Third Temple on the Temple Mount. In order to accomplish that, the Al-Aqsa Mosque, which is currently sitting where the temple would go, would need to be destroyed. There are many antichrists in the earth, but the one who will sit in that temple and declare himself as the Messiah will be a marker to all!

FromConvict2Conservative

291,572 просмотров • 4 месяцев назад