Sensitive content

This media may contain sensitive content.

Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Look easily she throwing it back on that long ass fat dick 😍 #LoosePussy #SizeQueen #BigCock #BucketCunt #Gape #LooseSlut #BigPussy #SizeKink #LooseHole #GapedPussy #LoosePussyLovers #BBC #Hotwife #Cuckold #NSFW #Cuck

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Devens cam talks about Taylor...LONG quote incoming: "The prevailing thought about Taylor is that she's actively not participating in the game. I like Taylor. I think she's a very cool person, but she stays in the bed the majority of the day. [...] We both got to bed early, but when I'm not in bed, I'm out and about. [...] Taylor just stays back in her pod all day. She doesn't get up in the morning until she's forced. She goes to bed right at 10pm." "Even at the noms ceremony, what she was yelling at us, if you look through it, was 'I'm actively not participating in the game. I don't say anyone's name. I don't do anything.' I don't want to vote for anyone that does that. I don't want someone like that to win the game. I want people who are excited to be here and want to be a part of this. And I don't want her on the jury, I don't think I could get Taylor's vote." "So, of the three up there now, I'd want to vote Taylor off, even though Lala is like actively after me, I'm more worried about Taylor. And honestly at least Lala is playing man. She's up in the morning, yeah she goes to bed early too, so do I, but she's out all day." "Whereas Taylor is just...literally it's frustrating. It's like other people would love to be here Taylor and love to be doing this. Why aren't you participating? And she never has. It's not like she's reached a state of [being] depressed and away from home too long. She has always stayed in her bed, all day." "And maybe that's a strategy. I know she's whispering stuff behind the scenes, like she is playing, I get that, but it's not a strategy I respect. You know I don't even like people throwing comps and I think throwing comps can make all the sense in the world. I play to win everything, that's kinda dumb, I get that. But staying in your bed, like I gotta vote you out. I don't want you on that jury." #BB28 #BBBitez

Big Brother Bitez 🔊

356,948 görüntüleme • 1 ay önce

Bitch, I do not play about eighth grade star aka opinions based girl….. yeah everybody’s laughing now, but it literally does not take away the fact that you are so fucking ugly like I had his ass blocked on my old account before I even saw this because every time he pops up on my for you page I just have to scroll because he’s so fucking ugly that it pisses me off he looks like he could be casted on Netflix and not in a good way. He seriously needs to find a new haircut because what the fuck is that middle part? and of course he’s a Nepo baby, and the best part is I just found out that he used to be fat, I bet he’s an anorexic asf lowkey all shade and that’s the only way his pathetic ass could lose weight and I know he didn’t use laxatives cause he’s definitely a bottom, the type that one bitch from White Lotus would say as a fem and NOT a butch. You can tell he wants to be Matthew from big mouth but he’s more of a Charlie from heartstopper, you can also tell that he’s never got his ass beat, well maybe once in middle school and then his white ass republican parents freaked the fuck out and got the kid suspended or some shit. Of course he’s obsessed with Diet Coke, he’s so obviously wants to be a white woman that it is embarrassing. Middle schoolers definitely go up to him and be like “oh my God you’re famous on TikTok” and he thinks he’s the shit but the rest of the population don’t give a fuck and the way his mom is a teacher…… I know that she probably yells at the fucking class for everything but really she’s just taking it out on these kids because she knows deep down that she wishes her son was like them instead of a fucking loser who makes strawberry bagels on TikTok not to mention everybody praised him for doing angel tree, bitch that’s nothing he probably just used some of his allowance money to look like a good person so y’all bitches would suck his dick. Omg in all of his fucking videos he tries to sound cute with that feminine ass voice and it gives me a secondhand embarrassment down. he thinks he’s Troye Sivan, but he will never admit that he probably listens to fucking country music and Taylor Swift so he can fit in with all of his Christian girl friends and that’s it. You can tell he peaked in high school. He was definitely the “token gay” and the homophobic straight boys loved him because he was “funny“ but it was all surface level, TikTok humor that seems funny to them. of course he reposted something about drinking on antidepressants. Just because you had a white claw and some lexapro(which explains why he used to be fat as fuck) doesn’t make you whatever a fucking vibe you’re trying to go for. He looks like he jerks off to the Lululemon maternity catalog while pretending he’s Harry Styles. I saw on TikTok that he has a girlfriend and I can’t tell if it’s just for attention or if he’s actually still dl so that his parents don’t freak the fuck out on him and he has to get a real job. This one girl posted him on TikTok, shaking his hips and drinking wine…… like who do you think you fucking are bro? like genuinely who the fuck do you think you are?🔑 he also reposted a TikTok about Lorde “looking a mess” I really don’t give a fuck if it was a joke. You have no place to be talking about somebody’s looks when he looks like that……. and y’all know what I mean, the type of guy who fucks all the dl in the room because he has zero confidence. The type of guy who has all the latest Apple products for no reason. I mean seriously he looks like he eats fucking rocks. Apparently he caused a lot of drama on TikTok (of course) and blamed his OCD like what kind of dumb ass excuse is that but then again he probably asked his mom what to say and then she sent him a script and he went with it. Somebody keeps on copying his videos and it’s pissing him off. I think it’s so hilarious…… you realize you’re just another copy and paste of every other wanna be “ influencer”. Don’t ever try coming for eighth grade start again.🔑🔑
0:25

Sensitive content

Bitch, I do not play about eighth grade star aka opinions based girl….. yeah everybody’s laughing now, but it literally does not take away the fact that you are so fucking ugly like I had his ass blocked on my old account before I even saw this because every time he pops up on my for you page I just have to scroll because he’s so fucking ugly that it pisses me off he looks like he could be casted on Netflix and not in a good way. He seriously needs to find a new haircut because what the fuck is that middle part? and of course he’s a Nepo baby, and the best part is I just found out that he used to be fat, I bet he’s an anorexic asf lowkey all shade and that’s the only way his pathetic ass could lose weight and I know he didn’t use laxatives cause he’s definitely a bottom, the type that one bitch from White Lotus would say as a fem and NOT a butch. You can tell he wants to be Matthew from big mouth but he’s more of a Charlie from heartstopper, you can also tell that he’s never got his ass beat, well maybe once in middle school and then his white ass republican parents freaked the fuck out and got the kid suspended or some shit. Of course he’s obsessed with Diet Coke, he’s so obviously wants to be a white woman that it is embarrassing. Middle schoolers definitely go up to him and be like “oh my God you’re famous on TikTok” and he thinks he’s the shit but the rest of the population don’t give a fuck and the way his mom is a teacher…… I know that she probably yells at the fucking class for everything but really she’s just taking it out on these kids because she knows deep down that she wishes her son was like them instead of a fucking loser who makes strawberry bagels on TikTok not to mention everybody praised him for doing angel tree, bitch that’s nothing he probably just used some of his allowance money to look like a good person so y’all bitches would suck his dick. Omg in all of his fucking videos he tries to sound cute with that feminine ass voice and it gives me a secondhand embarrassment down. he thinks he’s Troye Sivan, but he will never admit that he probably listens to fucking country music and Taylor Swift so he can fit in with all of his Christian girl friends and that’s it. You can tell he peaked in high school. He was definitely the “token gay” and the homophobic straight boys loved him because he was “funny“ but it was all surface level, TikTok humor that seems funny to them. of course he reposted something about drinking on antidepressants. Just because you had a white claw and some lexapro(which explains why he used to be fat as fuck) doesn’t make you whatever a fucking vibe you’re trying to go for. He looks like he jerks off to the Lululemon maternity catalog while pretending he’s Harry Styles. I saw on TikTok that he has a girlfriend and I can’t tell if it’s just for attention or if he’s actually still dl so that his parents don’t freak the fuck out on him and he has to get a real job. This one girl posted him on TikTok, shaking his hips and drinking wine…… like who do you think you fucking are bro? like genuinely who the fuck do you think you are?🔑 he also reposted a TikTok about Lorde “looking a mess” I really don’t give a fuck if it was a joke. You have no place to be talking about somebody’s looks when he looks like that……. and y’all know what I mean, the type of guy who fucks all the dl in the room because he has zero confidence. The type of guy who has all the latest Apple products for no reason. I mean seriously he looks like he eats fucking rocks. Apparently he caused a lot of drama on TikTok (of course) and blamed his OCD like what kind of dumb ass excuse is that but then again he probably asked his mom what to say and then she sent him a script and he went with it. Somebody keeps on copying his videos and it’s pissing him off. I think it’s so hilarious…… you realize you’re just another copy and paste of every other wanna be “ influencer”. Don’t ever try coming for eighth grade start again.🔑🔑

Travis🦋

93,592 görüntüleme • 5 ay önce

In a December 2016 Breakfast Club" interview (promoting "The Return of East Atlanta Santa"), Gucci Mane claimed Angela Yee had previously pursued him sexually; she strongly denied it on air, and the exchange created lasting tension that flared up again in 2019‼️. During the interview, Charlamagne Tha God asked if Gucci had “smashed” Angela‼️. Gucci replied along the lines of “Hell nah‼️ She done tried… She was on my dick back then,”‼️ adding that she used to text him asking what hotel he was at (after an earlier interview he recalled with her and Melyssa Ford)‼️. Angela denied it repeatedly, saying he must have her confused with someone else, that she never had his number, and that no such texts or pursuit happened‼️. Gucci insisted on the details; the male hosts laughed while the moment grew awkward and confrontational‼️. Angela later clarified that Gucci had appeared on her earlier Shade 45 show "The Morning After" (not her nighttime "Lip Service" show), where conversations could get explicit, but she maintained there was never any personal pursuit or hotel texts‼️. Clips and reactions circulated widely‼️💯. The issue stayed relatively quiet for years‼️. In October 2019 Gucci posted an Instagram clip of the 2016 exchange, claiming "The Breakfast Club" had banned him over it (“#TruthHurts #Getoffmydick”)‼️. The hosts addressed it on air (including a “Breakfast Club Court” segment), denied any formal ban, and said interview requests had simply been declined because of discomfort after the earlier comments‼️. Angela presented her side and said Gucci had reached out privately about apologizing but she wanted it public‼️. Gucci then sat for a lengthy interview with Charlamagne (separate from the regular show)‼️. He blamed “that punk-ass bitch” (Angela) for the ban talk, called DJ Envy a “pussy” as well, and said he would confront Envy in person about what he and Angela had done‼️if Envy came at him wrong, he would “slap the shit out of him.”‼️ Envy responded on Instagram that Gucci was never banned, that he had simply said he wouldn’t do an interview without clearing it with his co-host (supporting his team), and that the threats were nothing new‼️. Angela also shaded Gucci (including a jab about his 2009 look) and reiterated her denial‼️. In short: the core story is Gucci’s on-air claim that Angela had tried to sleep with him years earlier (texts about hotels after an old interview), her firm denial, years of residual tension, Gucci’s 2019 claim of being effectively shut out of the show, the hosts’ public pushback, and Gucci escalating with personal insults and a physical threat toward Envy‼️. Both sides stuck to their versions; no resolution or physical confrontation followed in the public record of that period‼️.

(st_ides)

156,712 görüntüleme • 1 ay önce

This pieced together video is very scary. From my point of view I will explain why. You may have already seen it.But first, listen to how many things get debunked or exposed here. Her little cocaine use which is actually a habitual addiction. Her claim that Johnny isolated her, when she actually had the whole Shady Bunch living in the penthouses with her. Johnny's wine drinking when it was her 3 glasses a day. Her anger, her rage.But Johnny was the monster? She said Johnny was the jealous one. In his case his doubts came true. But look at all she projected onto Johnny that she actually did herself. But here is what I want to highlight. When professionals like a doctor or therapist record or annotate. The language they use tends to minimize actions and they will write in a conservative way. Mostly shorthand and they summarize. I can have a hacking cough with blood and nurse will write, "patient reports cough." You can imagine the fits of rage that she had on those appointments. I bet she had wild, immature adult tantrums, expressing how jealous she was. Like for example: "look at the whores that Johnny is around every day! Those sluts climb all over him!" But how will the therapist write it? "patient expressed concern over the availability of women and his ability to interact with them often." When she's a jealous fucking maniac! We know Amber is narcissistic and craves attention. We know it irks her when on a Red Carpet, Johnny gets all the shine and not her. He is not around to cater to her. But what is written? "client reports difficulty with issues surrounding husbands fame". How calm do you think Amber "expressed" that? And What do you think Johnny hears from her when he gets home? Do you think the words that she yells and screams at him are as calm and professional as what nurses or doctors write? What they write masks the tip of that Abusive Iceberg. Do you think maybe these words of rage, jealousy and anger are accompanied by fists, hitting, and thrown objects? That is the scary part. I can see Amber acting out in that doctor's office. Uncontrolled. In that nurses office. Her childish tantrums, insecurities and rage flying out. But they calmly write down "has issues with..." No shit, she has issues! JD comes home after a long shoot, or is about to travel to another one, and what does he have to put up with from her every time? He's a stronger man than me. How many of you reading this have had a jealous partner who made you feel like shit just because they had their own insecurities, and they wanted to dump them onto you to make themselves feel better? Did Amber detail exactly how she "expresses anger and concern" when saying this to Johnny? Did she admit to punches and flying bottles? She was a ticking, fucking time bomb, that exploded multiple times. This video is scary to me, because what the nurse is reading, is probably 10% of the actual severity of what Johnny had to deal with. I hear and read those words, and I can see the abuse behind them. I apologize if this sounds like an exaggeration. But that is what I get when I hear those words. I have never been a victim of abuse, and I give the shortest leash possible to either a controlling or insecure woman. I walk away from the wrong girls, very easily. I am glad that finally, Johnny did the same. Thank you God for saving him or for Johnny getting himself out. The best thing that Johnny could have done is go through with that Virginia Trial. He was eventually freed and gave himself back to us. In freeing himself, he gave himself back to us. And I Love him for it.

Wyno Forever

12,515 görüntüleme • 3 yıl önce

Talk segments 🖇️ Jessica: Do you all know what song this is? Audience: YES! Jessica: What song is it? Audience: cheers Jessica: Alright, then… Oh, what’s this?! Park Myung-soo: Hey, wait! You scared me! I already said hi earlier. Jessica: Yeah. Park Myung-soo: Everyone already knows I’m coming out by myself. Jessica: Well, I was trying to introduce you! Park Myung-soo: No, no, I’ve already been introduced. We don’t have time for that. I’ve got a lot to do too. It’s been a long time since I’ve seen Jessica. I saw her on Infinite Challenge and Halmyungsoo, but seeing her today… she’s so prepared and professional. Look at me, I’m already sweating. Jessica: Should I just wing it then? Park Myung-soo: Huh? Jessica: Should I just phone it in? Park Myung-soo: What? Why would you do that after working so hard? I saw how thoroughly you prepared and practiced, and I was really moved. She worked so hard because she wanted to give everyone who loves her a great performance. This stage isn’t easy, especially since it’s been such a long time. So let’s give Jessica a big hand! I mean it. I’m not usually someone who gives compliments, but Sica really worked hard. And since time is running out… Jessica, after today, please be more active with your promotions, okay? Jessica: Ah, okay. Park Myung-soo: Don’t just stay quiet like that. Jessica: What did I do? Park Myung-soo: I’m saying you should show up more! Jessica: Okay, sounds good. Summer is almost over, but this song is basically the ultimate summer song, right? Audience: YES! Jessica: But I feel like we need to practice a little. Park Myung-soo: Practice? Jessica: Yeah. Park Myung-soo: Sorry, but can you just hurry up and tell me when my part comes in? Jessica: Hey, you know you have to do the heart move, right? Park Myung-soo: “Still, I love you~” Of course I know! Make sure you film this and post it online, okay? Audience: YES! Park Myung-soo: We just need to get that part right, right? Jessica: You’re probably going to wing the rest anyway. Park Myung-soo: Yeah, that was the plan. Just go with it. Don’t expect too much from me, but I’ll do my best. Performing on stage together again after 17 years… Wow, Jessica looks exactly the same. I’m the one who looks like a mess. Jessica: No way! We both look the same! Park Myung-soo: No, Jessica spends a lot of money maintaining herself. I don’t spend anything—I save my money. Jessica: You should spend some on yourself! Park Myung-soo: That’s why I look like this. Jessica: But it looks like you spent money too! Park Myung-soo: I didn’t! I just got some fat-dissolving shots once, that’s all. Anyway, she really hasn’t changed at all. Honestly, she came out today just for me. I’m so thankful that she showed up like this, and I really want to say thank you. Jessica: Wow… seeing you this genuine feels so weird. I don’t know how to react! Park Myung-soo: What do you mean? What were you going to do? Jessica: Aww, thank you! Park Myung-soo: Performing with Jessica again after 17 years is really touching. If we meet again in another 17 years… how old will I be? Jessica: Don’t even contact me then! Park Myung-soo: Would I even be in my right mind to call you by then? Everyone, it’s been 17 years since we performed on this stage. Back then, Jessica was doing so well…

309_ss • 418.syj 🦋✨

43,031 görüntüleme • 4 gün önce

Parrots care for their chicks in a remarkable way, you know. They do not spoon-feed them. They also have no mammary glands the way mammals do. And yet a chick still grows from a naked, blind, soft-beaked creature into a bird that can fly, mimic, and live a very long life. The secret lies in an organ that seems, at first, to be nothing more than a food pouch: the crop at the base of the neck. A newly hatched parrot belongs to the group of helpless young. It cannot keep itself warm, cannot find food, and certainly cannot crack a seed. If the parents merely brought whole seeds back to the nest, the chick would starve before their eyes. Evolution chose another path: the parents eat first, process the food inside their own bodies, and then regurgitate it. The process begins away from the nest. The father, and later the mother as well, searches for seeds, fruit, flowers, and sometimes insects. The food is swallowed into the crop, an elastic muscular sac in the esophagus. There, saliva, mucus, and body heat turn hard seeds into a warm, mash-like mixture. Cells lining the crop also slough off and mix into the food, adding a thick substance rich in protein and fat, rather like the “crop milk” of pigeons. It is not milk in the mammalian sense, but it is enough for a still-developing digestive system to absorb. Back at the nest, the scene changes completely. The chicks stretch their necks, gape, and call without pause. A parent locks its beak into the chick’s mouth in a crosswise grip, then contracts the crop in rhythm. Food is pumped in bursts. The chick answers with a pumping reflex, opening its throat at the right moment to swallow and closing the glottis so it does not choke. The motion looks rough, but it is extremely precise. This is not vomiting. Vomiting forces stomach contents outward without control. Regurgitation delivers a prepared portion, aimed and timed. In the first days, the work is clearly divided. The mother hardly leaves the nest because she must brood. The father forages, returns, and feeds the mother; she then feeds the chicks. Once the young can regulate their own temperature, both parents go out to forage and both feed the chicks directly. Each return to the nest is not a ceremony. It is a work shift, repeated through the day and, in the earliest stage, sometimes through the night. This way of feeding also explains why parrots lay so few eggs. A clutch is usually only a few. The eggs hatch on different days, so one nest always holds larger chicks with wider gapes. The first-hatched are easily favored. In some species, such as macaws, if a youngest chick hatches several days too late, the parents may feed it less, or even abandon it. That is the cold side of an expensive strategy: invest heavily in each individual, rather than spread care evenly across the brood. As the chicks grow, the meals change. The thick mash of the first days becomes coarser, with pieces of fruit and softened seeds. Near weaning, the parents deliberately space out the feedings. They do not indulge. They push the young to eat on their own, to fly, and to recognize what can be eaten in the wild. This stage lasts weeks to months, depending on the species. Large parrots may still be guided long after they have left the nest.

Nature 🦜and Music 🎶

42,984 görüntüleme • 23 gün önce

On the invasion in Cueta: THEY ALWAYS TELL YOU Today this film that has lived in my head for over 30 years comes to life in front of my eyes. 'The March' is a 1990 film shaped after 'Camp of the Saints' - A group of several thousand Africans migrate westward across northern Africa and sail across the Strait of Gibraltar to Europe. Their message is: "We are poor because you are rich." Why do I remember it? I was a child when I saw it. But some of the images were haunting in a way I cannot describe. For over 30 years - THIRTY YEARS - I have thought of this scene...the migrants slowly moving into quaint British towns, peering through windows at unsuspecting families, invading homes, demanding what those fat, rich Westerners have. When I tell you not a week goes by where I haven't thought of it, I mean it. Not. One. Week. Watching those Muslim men pouring into Cueta brought it to mind, although I had no idea what it was called. The magic of modern AI led me back to it and I have chills watching this again. Listen to the tv host as he says, "It's a publicly stated attempt to come into our streets, our homes, and shame us into helping them. Or, as they say...WATCH US DIE." They always tell you what their intentions are. They always tell you what they're going to do. And look at the studio audience in this film. Completely white. Is there anywhere in the UK you can see that anymore? From 1990 to today...that's how long it took to bring the magic of the movies to life. But it's here now. Yes, they always tell you. In 1990 I would have been 15 years old. 15yo me was hardly conservative. Still, this scene in particular stuck with me and has been locked away in my brain since that moment. Frankly, it's almost a relief to spill it out onto the page finally. I think this flag planted in 15yo me because that little girl was way more intuitive then I've ever given her credit for. 15yo me knew there was something ominous in the presentation, and she filed it away for a time when she wasn't completely submerged in a socialist household. 15yo me saw something dastardly, a warning. I couldn't articulate that at the time. I probably even felt an affinity for the migrants at the time. And yet, this scene has never left me. Today, I understand. Today I finally see. This was a projection...an announcement. 36 years... These globalists are patient. They don't mind moving slowly. They've been executing the reality of this film for that long, and now they have arrived. A full scale invasion, much like the premise of this film. They always tell you. We need to recognize the long game, and understand that the incremental changes are not to be ignored. They are part of the plan. It may be too late for Spain, for Europe. They did not heed the warnings given by the globalist elites themselves. They are overwhelmed and disarmed. America: I believe the Lord tattooed my heart with that movie and this scene for this very day - for me to tell you - THIS IS US. WE ARE NEXT. The invasion is coming and it will look exactly as they planned and exactly as they told us. We have already experienced a bit of this during Biden, but that was a fraction of what is to come. Heed these warnings. It is time to close ranks and protect what is ours. They have already announced themselves. We can no longer be so foolish as to believe they didn't really mean it. They always tell you.

Kira

18,928 görüntüleme • 1 ay önce

Made with Seedance 2.5 Prompt: VIDEO CONCEPT: A completely natural 30-second personal home-video recording of a young woman doing something ordinary on a quiet apartment rooftop during a breezy afternoon. She hangs freshly washed clothes, discovers that one sock has blown away, and casually runs after it. The moment feels spontaneous, funny, and completely unplanned. FORMAT: 30 seconds • 16:9 • 1080p • photorealistic live-action • raw consumer camcorder footage MAIN SUBJECT A young Turkish woman in her early 20s with long dark-brown hair tied loosely in a low ponytail. She wears a faded white T-shirt, loose olive-green trousers, simple house slippers, and a thin silver bracelet. Keep her face, hairstyle, clothing, body proportions, and accessories completely consistent throughout the entire video. SETTING A modest apartment rooftop in Izmir, Turkey, on a warm breezy afternoon. The rooftop has concrete flooring, metal railings, water tanks, plastic buckets, a simple clothesline, neighboring apartment buildings, satellite dishes, potted plants, and laundry moving in the wind. The environment should feel lived-in and ordinary. No famous landmarks, recognizable brands, advertisements, or tourist imagery. CAMERA / VISUAL AESTHETIC Shot on an inexpensive early-2000s consumer digital camcorder. Handheld and slightly shaky Occasional uneven framing Natural autofocus hunting Slight exposure changes when pointing toward the bright sky Mild digital compression Subtle image noise Natural motion blur Slightly faded colors No stabilization No cinematic lens effects No artificial bokeh No polished commercial look The camera operator should behave like a friend casually filming from a few feet away. TIMELINE 0–5 SECONDS — ROOFTOP The camera steps onto the rooftop. The woman is already standing beside the clothesline with a small plastic basket full of freshly washed clothes. Wind moves several shirts hanging nearby. She looks toward the camera and says casually: “It’s really windy today.” 5–12 SECONDS — HANGING CLOTHES She takes a white shirt from the basket and clips it onto the clothesline. The fabric immediately catches the wind and flutters strongly. She laughs quietly and uses both hands to secure it with another clothespin. The camera moves slightly closer. Natural sunlight reflects off the metal clips. 12–18 SECONDS — THE SOCK She pulls out a small sock from the basket. Before she can attach it, a sudden gust catches it from her hand. The sock flies across the rooftop. She freezes for half a second. Then says: “Oh, come on!” She quickly starts walking after it. 18–24 SECONDS — CHASING IT The camera operator follows her with slightly shaky movement. The sock slides across the concrete floor, pushed by the wind. She reaches down but misses it. The sock moves toward a rooftop corner. She laughs while chasing it. Her ponytail and loose shirt move naturally in the wind. 24–30 SECONDS — CAUGHT She finally catches the sock near the railing. She holds it up toward the camera with an amused expression. She shakes her head and says: “Got you.” She walks back toward the clothesline. The camera remains handheld and slightly imperfect as the recording ends mid-action. AUDIO Only natural location sound: Strong but realistic wind Clothes flapping Plastic basket movement Clothespins clicking Distant city traffic Birds Footsteps on concrete Her natural laughter Quiet neighborhood ambience NO MUSIC. Dialogue should sound spontaneous, slightly imperfect, and naturally recorded from several feet away. REALISM / PHYSICS Wind must affect the environment consistently. Clothes should flutter according to their size and weight. The lightweight sock should move more easily than the heavier clothing. Hair and loose fabric should respond naturally to gusts. The plastic basket should remain grounded unless physically moved. Hands must interact correctly with clothespins and clothing. No impossible wind direction changes, floating objects, duplicated clothes, or objects appearing/disappearing. Maintain perfect continuity of the woman’s face, hairstyle, outfit, bracelet, and slippers. NEGATIVE PROMPT CGI, 3D render, animation, game graphics, plastic skin, beauty filter, AI face, face morphing, identity drift, extra fingers, malformed hands, duplicated people, floating objects, impossible physics, fake wind, excessive slow motion, HDR, oversaturation, cinematic color grading, artificial bokeh, dramatic lighting, studio lighting, perfect stabilization, drone footage, commercial advertisement aesthetic, staged acting, exaggerated expressions, subtitles, captions, logos, watermarks, recognizable brands, background music, wardrobe changes, hairstyle changes, continuity errors. FINAL LOOK The footage should feel like a random afternoon memory captured by a friend on an old family camcorder. The camera should not behave like a professional filmmaker. Small shakes, missed framing, autofocus adjustments, imperfect exposure, ordinary rooftop clutter, and spontaneous reactions should remain visible. Make it feel like a real moment that happened once—not a scene created for a camera.

K

28,921 görüntüleme • 10 gün önce

A teeny tiny notice before I proceed with my analysis. If you have a problem with either Cihan or Alya, don't bother reading. Because I don't take sides. I don't watch or think or write through the lens of Alya vs Cihan. Both characters are dear to me. And, if that's the way you roll, by all means, proceed. Analyzing Episode 36. Season 2 aka Of Strengths, Weaknesses, and The Last Nail in the Coffin Evvveeettt. Another episode, another meltdown. Just another day in the CihAl fandom. Ngl, it took me two days to even think about writing my regular analysis post, because the negativity was more potent than usual. Or maybe my resistance is waning, who knows? But that's not what we're gonna focus on today. This day, we analyze the words and actions of the heart and soul of Uzak Sehir, aka Alya and Cihan Albora. But we'll do so within the framework of strengths and weaknesses, because to me, that's what really comes to the fore in ep36. Alya Albora Alya Albora was especially heartbreaking this episode. And coming from someone who gets their heartbroken regularly because of Alya, that's saying something. The episode starts with the zombie-man opening his eyes (I think this PoS is just lying there pretending to be a vegetable, but that's for another time). And the look Alya has on her face when she looks at Cihan is indescribable. Almost as if everything inside her is pleading, 'Please don't regress back to where we just came from.' Because she fears, even as she tries to check on the zombie, that the closer Frankenboran gets to waking up, the further Cihan will drift from her. And, to an extent, her fears are proven right when Sadakat brings up divorce again. See, Alya doesn't come from strong family roots. She believes her biological mother abandoned her for most of her adult life. Then she has Caroline, who tries to fill all the empty spaces abandonment leaves in little Alya, but doesn't manage to succeed too much. As I've said before, Alya's primary fears stem from being abandoned and being a burden. That's what she tries to protect herself from. Those walls around her heart are in place to keep her from suffering that same pain again. That's both her strength and her weakness. While the fear pushes Alya to love harder, to push past difficulties, to rise from the ashes over and over, it also makes her more aloof. She doesn't find it as difficult as Cihan to leave behind 'family' ties because she's never experienced just how forceful those bonds can be. When it falls to her to choose between her love for Cihan and whatever she had with Boran, she picks the former without much guilt. But there's another factor that helps keep her from feeling much remorse for Boran, and that's the way her former husband treats her. Before Alya finds out about the will, her anger at Cihan is at an all-time high, and there's no question of any relationship developing between the two. After the will, however, that's a different story. So, when it falls to her to choose, she can do so easily, with her conscience at rest. And we see that so clearly in the way she announces she won't return to Boran even when he wakes up. Now, let's focus on the tricky bit. The weaknesses. Because Alya fears being a burden, being imposed on someone, adding to their strain, anything other than clarity can't help but raise doubts. When Cihan doesn't answer her question of 'Where will you stand?' with a clear with you or with you, distrust raises its ugly head. She starts asking herself if their relationship is what Cihan really wants now that Boran is back in the picture. She starts wondering whether Cihan will be able to shoulder the burden their relationship will add to his already weighed-down shoulders. It's harrowing to watch her be drawn to Cihan one instant, and pull back the next. Not because she doesn't love him, but because she can't bear to be another weight on Cihan's existence. That's what we see when she's shivering with fever. She wants him close, but she also doesn't want him to suffer. She keeps asking Cihan to leave, but he refuses to budge. And, that cures and hurts at the same time. For some reason, when she says, 'I'm also trying to find a way,' I couldn't help but feel that a part of her is already reverting back to the old Alya. The longer Cihan refrains from giving Alya a clear answer, the more her doubts grow. The more their 'impossibility' takes over her love. The closer she grows to wanting to leave. This time, if she attempts to leave, it won't be because her feelings overwhelm her. It'll be because she can't bear to see Cihan hurt anymore. Cihan Albora Oh boy. I can already hear the jeers of 'coward' and 'gavat' (which, by the way, I find to be a really ugly word) ringing in my ears. Well, fcuk that. Let's get back to our analysis. I talked about how Cihan seems to be stuck between suppression and surrender when it comes to his guilt. And, I did think that almost losing Alya would break that spell. But, clearly, that's not the road that Gulizar wants to take. Perhaps she does want it to come down to conflict. I'm not sure yet. What I am sure of is that Cihan is already aware of what he wants. And it's not wanting to be BFFs with Boran at the expense of Alya, guilt be damned. You can see it in the way his answers get bolder every time Sadakat asks him about a divorce. This episode is the first time Cihan states outright that the burden of 'conscience' isn't his to bear because he merely did what Boran asked of him. In other words, he didn't plan on falling in love with Alya, but it happened, and if there's any blame in that, it's not on him or Alya. Here's what irks most people. He doesn't ever talk about what he wants. It's always 'What if Boran wants this' or 'What if Boran wants that.' In other words, it's a form of misdirection on his part. He knows what's in his heart, but he doesn't want to say it out loud. Another scene where you can clearly see what his choice will be is when he's taking care of Alya during her fever. The more Alya insists that he leave, the more he digs in his heels. Until finally, he says, 'I won't allow anyone to hurt you, I won't allow anyone to harm you, and that's how it will be until I draw my last breath.' People don't say things like. 'That's how it'll be as long as I live,' if they're not sure about what they want. This is Cihan's strength. His love, protective instincts, and his code of sticking up for the people he loves. Unfortunately, like Alya, that's also his weakness. Cihan's been trained to fight for his family and his people to his very last. And, that's one HUGE reason why he can't verbalize what's already screaming inside his mind and his heart. We know he can't live without Alya, he says as much in the last episode. He keeps buying time because he knows once he states those words - there's no turning back. And he knows exactly how ugly things could go because dealing with ugly has been his entire existence. People won't be kind to him or Alya in the place where they live (think back to how Demir sends his goons to insult Alya's mom). And besides all that, what if Boran doesn't want to let go? That's when shit will truly hit the fan, because once Cihan says he's with Alya, he'll be fighting his brother, standing up to his mother, breaking his family apart, endangering Albora with internal strife, and worst of all, risking Alya and Deniz's safety. And remember, unlike Alya, who can control her conscience because of an extenuating factor, Cihan has no such relief. So, what you see is a man trying to survive an impending hurricane in a straw hut. He knows when that storm hits, and it will, things will go to hell. Besides all that, there is his stupid conscience that just won't shut the hell up because of that code of his. To me, that's not cowardice. That's a man standing at the edge of a life-changing truth, and being undone by the gravity of it. It's almost as if his soul is negotiating with reality, hoping to avoid collateral damage, while grieving for the version of himself he knows won't survive after he states his truth. As we can see in the scene where he and Alya are saying goodbye, they're already a family. His heart has already made the choice, so much so that in that scene, even Sadakat and Nare see the invisible bonds tying Cihan to Alya and vice versa. It's not a question of if, merely when. The Last Nail in the Coffin The question on everyone's mind is, what will it be? The last nail in the coffin of Cihan and Boran's brotherhood. The point of no return. To me, the way things are shaping up, there will be a clash. Will the showdown happen when Boran wakes up, or will Cihan learn the truth about his brother and finally be set free? I don't know. I've always had the inkling that Boran isn't what he claims to be. I guess we'll find out soon. But until then, I'll be watching. Gladly. For both my babies. Till next time, happy reading, y'all. #CihAl #UzakŞehir

CocoLoco

51,143 görüntüleme • 10 ay önce

F-ck the police ... Ain’t no violence out here… you’re writing tickets Late night at Douglas Park. CPD shuts it down. Crime Report | Sept 6, 2026 Roosevelt & Albany, Chicago Officers moved on a late gathering at Douglas Park and told the crowd they were done for the night, not banned, gone until tomorrow. Tickets came out. A woman on the tape says there is no violence and she wants to pay now. The argument gets ugly. Someone yells, “Fuck the police.” Someone else: “Do the CPD stand for Chicago public dick suckers?” People on the tape say officers are “too aggressive.” Officers keep repeating the same order: pack up, party’s over, come back tomorrow. Video circulated on Anonymous Chicago. That page does not name who recorded it. --- Transcript Woman: How to get this shit? Ain’t no violence out here. Go somewhere where some fucking violence is. It ain’t getting tickets. You tell me where it’s at. Run me no fucking ticket, bro. Thirty years, Joe. Yeah, bro. Your coworkers laughed at you. I got the laughter. I’m finna pay that motherfucker right now. That’s good — about 24 hours. You a clown-ass nigga, bro. That’s some fuck shit, man. Just give me the one. Write that ticket. I’m gonna pay right now. What’s your [unclear]? Crowd: She’s so little. She’s chewing the fuck out of here. [unclear; small dog on the tape] Woman: Go get your walk-up, bro. I tried to grow. Let’s go somewhere. I’ll find you. I hope you drive so you’re lying. You’re a goofy ass. I’m not even driving, bitch. Someone: Treat it. That’s what we say. He’s gonna mail it. Crowd: [unclear] Hey — we got action over here too. Officer: Jason. Jason. Jason. Start walking. Start walking slowly. Everybody get out. Get out. Let’s go. We’re done. You guys gotta go. You guys gotta go. Pack up and go. That’s it. You guys are done for the night. You guys gotta go. I’m not saying you can never come back. Just right now, you can’t be here right now. No, no. For the night. For the entire night, you guys are done. You can come back tomorrow. Crowd: [unclear] He snatched a bottle out of his hand and threw it out. I’m missing the action. Someone: You saying drinking? I ain’t drinking. I don’t even drink. Officer: This party is over. Whether you like it or not, this party’s over. So it’s time to get in the car. Someone: Who poured his drink out? Which one? Where’d you go? They over there. Why y’all check the drink? Officer: It’s time to go. Where’s your car? It’s time to go. Woman: I don’t drive. Officer: Okay, we’ll find a ride. It’s time to go. Woman: What you mean, find a ride? I got two [unclear]. Officer: Now you talking about patience with you? A lot of patience? What’d I say to you? I explained it to you the first time. It is time to go. We’re shutting down. Woman: You didn’t explain nothing, because I ain’t saying nothing. Officer: You were just with your people. Woman: I was standing here, but you weren’t saying we were talking. Officer: We’re shutting it down. Woman: Y’all police also get too aggressive. I recorded everything because y’all get too aggressive. They don’t understand nothing. Y’all getting too aggressive, right? Come on, guys, ’cause they get too aggressive. Y’all think too aggressive. Come on, ’cause y’all get too aggressive. Officer: Ma’am. Ma’am. You’re going the wrong way, ma’am. Now you’re going that way, ma’am. Sorry. Now you going that way, ma’am? Woman: I’m going home. Crowd: Lost their fucking clowns. And then got the cameraman out here. Who you work for? Yeah, you see how they picking with us? Make sure you catch it all on camera. They got all this going on for nothing. They just love fucking with people. Who they got in a huddle like that? What they said — they was gonna wait on the bus again? Look how they all in these people’s cars, though. This is shit that’s blowing me. For real. Y’all want somebody to pull off, or y’all gonna be in that car? Which one is it? Somebody should pull off in one of their fucking cars. Who know how to drive a police car? Pull off with they shit. Someone: No, no. I ain’t driving. Fuck the police. Uh-uh. Crowd: Do the CPD stand for Chicago Public Dick Suckers? Do the CPD stand for Chicago Public Dick Suppers? I’m about ready to go ask them for real though. Like, what do CPD stand for? I really think it’s Chicago Public Dick Suckers. They out here trying to shut the movie down. Rocky [unclear], where you come from? Hey, birthday girl. Hey, birthday girl. Your birthday today? Your birthday — hey yeah, you ain’t gotta have it every day. Just hit my paper. That’s what chicks say. It was a red list. #ChicagoScanner #CrimeNews #LaborDay

SubX.News®

29,515 görüntüleme • 17 gün önce

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

Grant Smith Ellis

85,913 görüntüleme • 1 yıl önce

🎵My Dolly Parton Story🎶 - (Video and additional photos in 🧵 below) Exactly one year before the government shut down the world because of the #CommieVirus — especially killing the live entertainment industry — my bands were firing on all cylinders. My private event band, Bull City Syndicate, was doing especially well. We’d been the headlining entertainment for the past two North Carolina Governor’s Inaugural Balls, and played hundreds of high-end corporate events, charity balls, and top-shelf weddings. On March 2, 2019, we were especially excited to be hired as the featured entertainment for a charity event where Dolly Parton would be the main attraction. Not as a musical performer herself, but to promote her own charity, Imagination Library (Imagination Library), and to do a live poetry reading from her own work. The event was the 25th Anniversary Smart Start Gala. Raleigh’s mayor, the governor of NC, and many other VIPs would be in attendance. While the event planner never suggested that we perform or back up Dolly on any of her tunes, it was, in the back of my mind, something I thought would have been really cool. But not something I’d dare suggest or insinuate on my own. My only preshow contact with Dolly’s organization was with her head of security. The Marble’s Kids Museum in Raleigh, NC is a fabulous venue for fun charity events, but it has only one “green room” next to the staging area. Security informed me that the band would have to completely evacuate that shared space at least 30-minutes before Dolly arrived for her portion of the evening’s proceedings. (Not an unusual or inappropriate request, given her enormous superstar status.) The entire 10-piece band was on stage when Dolly was escorted through the back entrance and into the green room. There was some back-and-forth between VIP speeches and live music, so the band stayed in place throughout. Since the event was completely sold out and standing room only, we knew we’d have the best vantage of Dolly if we just stayed on the stage. Dolly’s presentation was scheduled to be only about 10-15 minutes. While the governor and mayor were delivering remarks just in advance of Dolly taking the stage, I looked back at the green room door, off stage left, and I saw my son, Duncan, in full-on, intense conversation with Dolly! (WHAT?!) Duncan, who was only 20 years old at the time and already a freak-of-nature musician himself, was working on my stage crew that night. I’m the band leader, so I’m having to give full attention to the event host and what’s happening on the speaker’s side of the stage … but only 20 feet away, Duncan and Dolly are chatting away like long-lost friends. Finally, at one of my many glances in their direction, Dolly and Duncan catch my eye and both start waving me over to them. I silently point at my chest, then mouth, “Me?” They both nod, say yes, and wave more insistently. I dart off the stage, over to the dimly lit green room entrance corridor. Duncan, who is much taller than I am, puts his hand on my shoulder and introduces me to “Dolly Parton.” (You can imagine the look on my face. Ha!) He tells me that Dolly has a request. I lean down to put my ear close to Dolly, so that she wouldn’t have to speak too loudly while the governor was talking to the audience. (I can imitate her voice, and I wish you could hear it in her voice and Tennessee mountain accent right now.) She says to me: “I didn’t know there was going to be a band here tonight. If I’d known there would be a band, I’d have had you learn some of my songs.” Then she came right out with it. “Do y’all know any of my songs?” I straightened back up, and over the course of less than five seconds my mind raced through every Top-40 solo and duet hit single of hers I’d ever heard on the radio. Country, pop, and otherwise. I made an immediate band leader decision … and lied my ass off. “Yes, we can play ‘Jolene.’” We’d never performed or rehearsed “Jolene,” or any other Dolly Parton tune, in the 20 years I’d led that band. The conversation continued: DOLLY: “Y’all know ‘Jolene?!’” ME: “Yes, ma’am.” DOLLY: “That’s great! When I finish reading my poem, I’ll tell everyone we’re going to sing ‘Jolene.’” ME: “We’ll be ready. What key do you do ‘Jolene’ in?” DOLLY: “I don’t know.” Dolly’s personal assistant leaned over to me and whispered in my ear, “C minor.” (Cm) The original key for “Jolene” was C-sharp minor (C#m), but I assume at 73 years old she might be lowering keys, as many aging vocalists tend to do. I gave Dolly an assuring look and said, “Thank you.” I looked at Duncan with an eye-raised, “Oh, sh-t” look on my face, then ran to the stage and called an emergency huddle of my rhythm section as Governor Cooper droned on in the background. In whispered, panicked tones, I told them, “Guys, you have 10 minutes to learn ‘Jolene’ … Key of C minor … GO!” The guys immediately took out their phones and pulled up the song, each listening privately through their in-ear monitors or holding the phone speaker close to their heads. They started silently fingering around on the guitar and bass guitar frets, and the keyboards. Our drummer sat quietly and listened to the track on his phone. I darted over to our female lead singer, Danie Ward, and asked her if she knew the words and background harmonies to “Jolene.” She gave me “The Look.” Back story … Danie was with my band for over ten years. She was my all-time favorite female lead vocalist, and we became great friends. She and her husband were very active in their church as pastor and she as worship leader. She and her sisters also performed for many years as a family Gospel group. But Danie, as a Black gospel artist, was immensely versatile, able to sing anything from Aretha Franklin to Lady Gaga and leaving you wanting more. And although a Black Gospel artist, her secret desire and ambition was to be a Country music artist. (I kid you not.) So, when I asked her if she knew the words and harmonies to “Jolene,” THE LOOK she gave me was … “Seriously? You dare ask ME that question?” All I needed in response from Danie was “The Look.” No words spoken, and I slinked away appropriately chastised. My band members were all world-class pros, at every position. Especially that rhythm section. Most of whom had been with me for many years at this point. They ended up with more than 10 minutes to quietly and individually—with no rehearsal—learn “Jolene.” A few more minutes passed before Dolly was introduced and brought onstage; then she took another 20 minutes to deliver her remarks and poetry reading. The guys were ready. Dolly finished her poem to a round of applause and immediately announced she’d be performing “Jolene” for them. They cheered in approval. My drummer clicked a four count with his drumsticks, and they were off. As soon as Dolly began to sing the first words of the song, you can see me — in the video below — walking across the front of the stage with a huge smile on my face. Danie then got the thrill of her life. As soon as she’d finished singing the first round of harmonies behind Dolly’s lead, Dolly turned and looked toward Danie and said loudly into the mic, “Good job!” No one knew how or when Dolly wanted to end the song, so there was no real conclusion. They all just kinda stopped. But the audience was enthusiastically grateful they’d gotten more than what they paid for that night. I do wish the event planner had informed Dolly and her team that a band was at the event. I’d have loved to have learned a handful of her songs for the show. Maybe I’d have even been able to sing with her one of her chart-topping duets that she recorded with Kenny Rogers. Even though I never personally sang or performed a single musical note with Dolly, I’ll always be able to say “My band” performed with Dolly Parton. —— Postscript: A few days after that event, I received a call from Dolly’s personal assistant. (The same guy who whispered “C minor” into my ear.) He said he needed my son's address because Dolly had a gift she wanted to send him. Dolly’s PA explained that Duncan reminded her so much of her late brother, Floyd, when he was Duncan’s age. She wanted to send Duncan something special. For whatever reason, the package never arrived. Whether lost in the shuffle of Dolly’s or her staff’s busy life, or because some porch pirate pilfered it, Duncan never received that gift. But the very thought that was conveyed shows you what kind of person Dolly was. (Photos in thread below.) —— Post Postscript: Later that same year, I was attending the W.C. Handy Music Festival in Muscle Shoals, Alabama. At the time, I was managing a renowned Shoals songwriter and his band, James LeBlanc & The Winchesters. Some members of James’ band were performing a lunchtime show at one of the local Shoals area eateries as part of the 10-day festival’s scheduled events. I arrived a few minutes late, and the place was packed. Seated alone at a table near the stage was a woman with bleached Big Hair. She saw me looking for a spot and waved me over. Before I got to the table, I knew she had to be related to Dolly. Sure enough, it was Stella Parton, Dolly’s sister. Stella has had her own far less notable career in music, so I made sure not to gush over Dolly (just in case, and not knowing the family dynamics), but I did tell her about my band performing with Dolly earlier that year. I will forever and always have that story to tell. ⬇️

Steve Baker

50,752 görüntüleme • 27 gün önce

It's over. In this video, Abroad in Japan flat out admits that he had been living in Japan for 10 years and does not speak Japanese. So after defaming a friend of mine (Oriental Pearl) and talking about how he is so in tune with the Japanese because he is a local, the whole time, his Japanese was so bad that he could not even understand the local news. This smug asshat had the audacity to call Oriental Pearl a lying grifter who is misrepresenting Japan when he doesn't even know enough Japanese to fact check her. Oh and then he cut the audio out of a moment where she was laughing uncomfortably because she was being sexually harassed and then pasted it with different footage to make it look like she was laughing at the homeless. By the way, this moment where he admits his Japanese is beginner level is at the end of the video where less than half the viewers will see it. You know, so that way he can go around masquerading as someone who can handle complex conversations with Ken Watanabe or Hyde followed by not showing the parts where he is having someone translate for him because he can't understand what they are saying. This guy is a massive fraud and I know he is intentionally hiding it because everyone and their grandmother thought he was fluent until I said something on my YouTube channel. Now he will use this term "conversationally fluent" which I think a lot of people believe means he can handle basically any conversation that you would see in your normal life. I think he purposefully says that to misrepresent his actual skill level to people who don't know anything about language learning. He even openly admitted in this video that he regularly misrepresents how long he has been in Japan so that people won't judge him negatively for not learning their language. S when Chris says "conversationally fluent" what he actually means is he has the language ability of a 7 year. Sure he'll understand you when you talk but if you say ANYTHING complex, he can't understand you. Also when he says, "I'm conversationally fluent" he is saying that he is illiterate. You know all of those videos of Kai Cenat humbling himself to become a better reader? That level of reading is vastly better than Chris's reading level in Japanese. I mean this absolute liar while go out there and pretend he is prepping for the JLPT N1 like he is a master of Japanese yet 2 years after that video comes out, here he is saying his Japanese is ass and he's basically a beginner and hasn't studied in 8 years. Then this year he says, "Actually I completely failed the JLPT N2 when I tried to take it 11 years ago but it was because someone's cellphone went off in the middle of the test. That magically made me forget all of my Japanese." Well, it's not like he's the only one in that friend group who can't speak Japanese. His terrorist supporting friend Connor can't speak Japanese either. Neither can Garnt. After 6 years. None of these people in this group outside of Joey, who grew up speaking the language, actually respects Japan enough to do the most basic thing which is learn the language. Yet they'll be like, "Yeah, I wouldn't go back to England. That place sucks."

Think Before You Sleep

143,724 görüntüleme • 8 ay önce

Raquel Welch on the terrible experience she had while filming 'One Million Years B.C' (1966) & the "Political agenda" of the feminists towards sex symbols like her: "Since the ’60s, sexy girls always seem to end up in sci-fi features; and they’re still doing it. Look at Jessica Alba and Megan Fox. Since I was still unproven at the time, I was hoping that Fox would groom me for more challenging roles. But as fate would have it, the studio had a completely different plan for me. My first starring role was to be in a dinosaur epic called 'One Million Years B.C' (1966). Fox’s studio head, Dick Zanuck, called to tell me that I would be playing the part of Loana in this remake of the 1940 caveman classic. Although I thanked him for my “big break,” all I could think was, A dinosaur movie? You've got to be kidding me! I figured my performance would disappear without a trace. (...) When that famous photo [poster of the movie] was snapped on location, my little ones were miles away, playing by the hotel pool with their nanny at the bottom of a mountain, while Mom was atop a smoking volcano . . . and it was snowing! In fact, it was soooo cold that the entire crew was bundled up in nice cozy parkas. Even the cameras froze. So they hung pots of hot coals underneath the camera boxes, to keep the motors warm. But nobody seemed to care about my motor. Why didn’t I have a parka? “Cave girls don’t have parkas,” I was told. Not surprisingly, I came down with a severe case of tonsillitis. It was so not how I had pictured it. On the first day of shooting, I went straight up to the director, Don Chaffey, and said quite seriously, “Listen Don, I’ve been studying the script, and I was thinking .. .” He turned to me in amazement and said, “You were thinking? Don’t.” Then he said, “You see that rock over there?” I was all ears. “That’s Rock A. When I call action, you start running all the way over to Rock B, which is over there. When you get about midway between the two, pretend you see a giant turtle coming over that hill. You scream... and we break for lunch. Got it?” I got it all right. He was just the first in a long line of producers and directors who didn’t give a rat's ass what I thought. For years I felt like the Rodney Dangerfield of sex symbols. I got no respect. I'm glad those days are over. But I was wrong about the dinosaur movie; it wasn't a leap into obscurity. By the time we wrapped and I boarded a flight for London, unbeknownst to me, my life was already changing. When I stepped off the plane in Heathrow Airport, I was greeted by a swarm of press and paparazzi. What was the deal? No one could be more surprised by this than I was! Suddenly, I had become famous! I had to pinch myself. Was it really happening? It was a once- in-a-lifetime break for me and my kids. So Mommy became the reigning sex symbol of the swingin’ ’60s and ’70s, at the height of the sexual revolution—with one hitch." A sex symbol in the Age of Flower Children didn’t sit very well with the hardline feminists of the time. They dismissed me as nothing more than a sex object. They didn’t look beyond the poster image to see what I was made of. It felt like a slap, until I realized that official feminism had a political agenda that is not inclusive of all women. It’s only for those who fit a criterion, which does not include a bikini. So be it."" ('Raquel-Beyond the Cleavage', 2010)

DepressedBergman

35,851 görüntüleme • 7 ay önce

"I may be wrong about Elizondo...but I think that the rush to condemn him strikes me as premature [and], potentially, damaging to the community and to the disclosure effort." ~Dolan (This is WAY too long, and I probably should have spent my time on something else. But here it is. The video clips give you a taste of Richard Dolan's excellent 31-minute video.) "The theory that's been put out (by Gerb) contains, at least in my view, substantial problems of evidence, of chronology, and, at times, I just have to say, basic logic." ~Dolan "I am suggesting that Elizondo probably helped to create the opening that allowed Grusch to go even further." ~Dolan ~~~ Gerb in March: "When did Lue Elizondo start talking about crash retrievals? That was after David Grusch went public. You will not find him speaking about it beforehand." (As I've shown before, that's just not true. Did Gerb not do his research on that? I'll share A LOT of quotes from this Richard Dolan (Richard Dolan Intelligent Disclosure) podcast, and from my previous posts detailing the various times Lue has addressed crash retrievals. Plus, my take on various points. Dolan starts out by praising Gerb's research. I agree. Then he moves on to the Lue-was-brought-in-by Clapper claim.) Dolan: "The theory that's been put out (by Gerb) contains, at least in my view, substantial problems of evidence, of chronology, and, at times, I just have to say, basic logic." Dolan: Gerb claims Elizondo had to adapt his public position on crash retrievals because Grusch coming forward changed the game. "Gerb called this, adapt or die. "I think I understand what [Gerb] means by the controlled narrative and what it was intended to reveal and what it was supposed to hide (crash retrievals). What I still do NOT understand is why anyone protecting a retrieval program would initiate this type of a strategy." Dolan: Before 2017, one of the most significant protections for any alleged Legacy program was ridicule, silence and ignoring. "As long as UFOs remained culturally disreputable, any claims of crash retrievals were easily just brushed aside without any bother to investigate. That didn't change until December of 2017," and the two NYT articles. "That kickstarted a major, mainstream, national-security discussion. "So, if this was a controlled-disclosure program, my question simply is: You get the government, eventually admitting, that non-human intelligence seem to be operating advanced craft here, who could not know that the next questions would be inevitable? Like, have any of these crashed? Were any of these recovered? Where did the material go? Who's been studying it? In other words, this would, obviously, increase pressure on the retrieval secret. It would not protect it in any logical way. The most safest option would have to be continued silence. "Maybe this strategy could become plausible if insiders believed that something was about to emerge beyond their control, right? Some kind of trigger. Maybe there would be an imminent whistleblower that we do not know about 'til this day, that they were afraid of and they wanted to get out ahead of the narrative. Or some kind of foreign disclosure. Some other reason, some other cause that would prompt the secret keepers to think, 'Okay, we need to get out a controlled disclosure.' But, there really is no evidence that's presented, in any of Gerb's analysis, for such a triggering event. Why would the custodians of this secret, voluntarily, weaken the whole system that had protected them for decades and decades?" (Agree. I've had this convo with friends over the years about the theory that TTSA was created to get ahead of a disclosure effort that was coming from someone/somewhere else. But it never made sense because we could never find anything (disclosure-wise) that was happening before 2017 that would force the hand of the gatekeepers into starting some type of controlled disclosure such as what TTSA was allegedly doing. Except maybe... Dolan talks about how, when Hillary Clinton was running for President in 2015 and 2016, she mentioned UFOs and UAP in various interviews on the campaign trail. Dolan: That was gradually making UFOs, "slightly, and I would say, very slightly, becoming more acceptable to discuss." Plus, John Podesta (her campaign manager) was pushing for declassification of UFO files. "There were people at that time who really did believe that Hillary Clinton would become the Disclosure president." (I wanted to vote 3rd party in 2016 and didn't want to vote for Hillary, but did so, in part, in the hopes (slim hopes) that she would engage in some sort of disclosure, if she won.) Dolan: "I've always interpreted [Hillary talking UFOs during her campaign] as a much more, just pragmatic, you could almost say, cynical, if you want, treatment of the [UFO] subject, just to win some votes. The most that she ever said as a candidate, I think was, she would try to get to the bottom of this, whatever that means." (Well, she said more than that... ⬇️⬇️⬇️ “I think we may have been (visited already). We don’t know for sure.” ~Hillary Clinton That was covered in the NYT in 2015 My full post on that Hillary quote is here. ⬇️⬇️⬇️ And let's not forget the photo of Hillary from August 1995 where she's with Laurance Rockefeller on his ranch and holding Paul Davies' book, "Are We Alone? Philosophical Implications of the Discovery of Extraterrestrial Life." She and President Clinton have an interest in this subject.) ~~~ Dolan: "I just think that the leap from a political opportunity - talking about UFOs during the campaign - to a kind of, James Clapper-managed disclosure operation? I just don't think that's been demonstrated and I don't find it very persuasive." ~~~ Dolan then gets back to this claim by Gerb... Gerb in March: "When did Lue Elizondo start talking about crash retrievals? That was after David Grusch went public (in 2023). You will not find him speaking about it beforehand." Dolan: Gerb said that, "Elizondo, essentially, avoided discussing crash retrievals, except for Roswell, And that is just not accurate." (The Lue-avoided-crash-retrievals-until-Grusch quote from Gerb in March didn't include an exception about Roswell so maybe Gerb saw my posts on that and updated his claim? But it's still wrong. Dolan brought up Lue's comments on Tucker Carlson in May of 2019, but no other comments from Lue. I covered that and much more in various posts, which I'll share here.) Did Lue Avoid Talking About Crash Retrievals Before Grusch Went Public in 2023? From the 12/16/17 NYT article that started it all. "Under Mr. Bigelow’s direction, [BAASS] modified buildings in Las Vegas for the storage of metal alloys and other materials that Mr. Elizondo and program contractors said had been recovered from unidentified aerial phenomena." (Not a direct quote, and not exactly "crash retrievals of vehicles" but the seed had been planted in that first article. We know now (allegedly) that at least one of those buildings was supposed to store exotic materials that Lockheed was going to divest itself from, but the CIA nixed it all. Again, allegedly.) ~May of 2019~ Tucker Carlson: "Do you believe, based on your decade of serving in the U.S. government, on this question, that the U.S. government has in its possession any material from one of these aircrafts?" Lue: "Whoa. Umm…I do, yes." Tucker Carlson: "You think the U.S. government has debris from a UFO in its possession right now?" Lue: "Unfortunately, Tucker, I really have to be careful of my NDA. I really can’t go into a lot of…more detail than that." Tucker Carlson: "Okay." (And that could have been the end of the interview. But Lue decided to add this.) Lue: "But…simply put, yes." ~ NYT article in July of 2020... "Mr. Elizondo is among a small group of former government officials and scientists with security clearances who, without presenting physical proof, say they are convinced that objects of undetermined origin have crashed on earth with materials retrieved for study." ~ "My personal belief in Roswell? 100%. But I cannot speak officially and I cannot discuss about anything else that may or may not have transcribed." ~Lue on "Disclosure Tonight in Feb. 2021 Source: ~ Lue on Clubhouse in July of 2021 Lue: "Am I aware of the notion that there was some sort of retrieval of biological samples? Yes, I am aware of that notion. Am I aware that there may have been some U.S. government involvement in that? Yes, I am aware of that as well. I am aware that people have talked about it and I have heard it as well...regarding, anecdotally, of biological recovery." Source and longer transcript... ~ Lue on Dossier X in April of 2021 Lue: "You said something...that (Roswell) was the 1st time the U.S. gov't was engaged, and I'll share with you, that may not necessarily be true. There may be anecdotal information that indicates that perhaps the U.S. government was involved even before that, in purported, recovery-type activities." Host: "You mean probably 1942, in Los Angeles or something?" Lue: "I don't wanna elaborate, yet. I think some information's gonna come to light here, probably pretty soon, about some interesting incidents. Again, it's not up to me...there are some people out there are willing to come forward, I think. I'm just providing you the information that was indicated to me. I think we need to be careful jumping to presumptions or assumptions that Roswell was the first event similar to what we're thinking about." Source: ~ "I think people would be surprised to know there's more to Roswell than I think most people are aware of. Some people are aware of it. But, you know, there's more to Roswell and there's other similar incidents that are equally compelling." ~Lue on UFO Garage in 2022 Source: ~~~ March of 2022 - My Interview with Lue Murgia: "You said you believe Roswell was real. Are you as confident in other incidents as you are with Roswell?" Lue: "Yeah." Murgia: "Yes?" Lue: "Yeah." Murgia: "Okay." Lue: "Yeah." Murgia: After you were on Tucker and said you believed the U.S. government had material and debris from a UFO, "Eric Davis came out and said, '100%!' And he said landed craft, too. Did you see that when that came out?" Lue: "I'm aware of that." Murgia: "(laughs) Okay." (Probably an inappropriate laugh by me as Lue was dead serious and probably pushing the limits of what he was allowed to say in public about crash retrievals. He later said this in his November 2024 congressional testimony.) Lue in 2024: "I signed documentation three years ago that restricts my ability to discuss, specifically, crash retrievals." (I wonder what would have happened if he had refused to sign that?) ~~~ Dolan: "Grusch definitely went further (than Lue), much further, yes. That's a lot different from claiming that Elizondo kept retrievals outside the public narrative until Grusch forced his hand. And you really have to ask, if Elizondo's job was NOT to reveal the crash retrieval program, why, in 2019 - again, four years before David Grusch, is he going on and putting it out there? It just seems like there's a chronology problem there." (1000%, Richard! Makes no sense. My June 29th post was entitled... If Elizondo Was Brought in to Control the UFO Narrative Away from Crash Retrievals, He Did a Poor Job 🛸 Nice to see Richard and I on the same page with that. Richard speculates how the disclosure effort would look like right now if Lue hadn't gone public. Would we have several UAP hearings in the books by now? Would David Grusch had come forward? No way to know.) Dolan: "But I will say, or suggest, that it's entirely reasonable to think that Elizondo helped to create the institutional and cultural conditions that made someone like David Grusch possible. Elizondo did not keep retrieval out of the discussion." (In July of 2023, I directed this tweet to Lue.) "None of this would be happening without you." ~Murgia (Over the top and a bit fan-boyish? Probably. But... Knapp talking with Senator Harry Reid about Lazar and UFOs in 1989 - in a limo headed to the airport that would later bear Reid’s name - was a vital part of getting this whole thing started. Lacatski and Stratton launching the more recent effort around 2005, which eventually led to AAWSAP, AATIP and the UAPTF, was also REALLY important. But Lue going public in 2017 was MASSIVE. The media coverage that followed brought a ton of new people into the topic, and I’m not sure where we’d be today without it. Dolan goes on to talk about Clapper and how it's conceivable he would be on top of any alleged Legacy UAP/crash retrieval program. But he failed to note what Grusch said this past January on "The Megyn Kelly Show." Grusch: "General Clapper was well aware of the crash retrieval issue, managed the crash retrieval issue, and...he placed people in critical roles to manage this issue." (Is Lue one of the people Grusch was referring to? Does he have proof of that? From my own information, I have no doubt that Clapper was instrumental in Lue being connected to the UFO topic. But exactly how that went down and what did it entail? I don't know. I hope Clapper speaks to all of this in detail one day soon.) ~ Dolan: "Gerb has stated that Clapper gave cover to AATIP and, basically, directed the National Security Council retrieval activities. And that he selected Elizondo as the front man. Gerb described Clapper as the mob boss of the NSC crash-retrieval portfolio. "Those are very, very powerful allegations. I'm not saying they're NOT true, but that interview with Ross Coulthart, I would say, did not produce anything in the way that anyone would actually call evidence. Like, there was no documents...or firsthand witnesses that were named, or anything like that. "So you have this, basically, a link from Clapper, to the NSC operation, to AATIP, to Elizondo, to controlled disclosure. This could be true, but no one's seen any receipts on this, and I would like to. "And there's more things that I think raise questions about this whole scenario, frankly. I mean, I think of the Pentagon campaign against Lue Elizondo, which lasted for many years. Any theory that has Elizondo as a controlled-disclosure frontman, I think has to account for the documented, institutional effort by the Pentagon to undermine Lue Elizondo." (When the Pentagon spokespeople said that Lue had no assigned responsibilities for AATIP, it's not so clear cut to say they were trying to undermine Lue, since AAWSAP also had the nickname of AATIP, which I'll call AATIP 1. So, if we're talking about AATIP 1 (AAWSAP), Lue did NOT have any assigned responsibilities, except early on when he did some counter-intelligence. And if we're talking AATIP 2, which Stratton said he created in 2015, Knapp explained in 2019 that it was, "not so much a program as it was a loose network of intelligence officials in different agencies." And on April 8th of this year, Lacatski told Knapp that, "they started using AATIP in 2015-16 to describe their uh...what would you describe that as, more lunchtime get togethers? And George Knapp is laughing. I don't know how else to describe it." That tells me Lacatski felt AATIP was REALLY informal, and that could explain why Lue's role wasn't clear cut in the minds of those spokespeople, and why so many of my contacts told me he wasn't the director of AATIP. But those same folks also told me Lue played in an important role in that effort. My guess is that, since AATIP was so informal, there really was NO official director, but that should be clarified when Stratton's book comes out. Semantics? Maybe.) Dolan: Gerb's hypothesis featuring, "the management of an approved public representative (Lue) of a controlled-disclosure narrative...just doesn't make sense to me. What does make sense to me is something like a factional conflict. I think [that's] much more of a logical explanation for everything that we have seen. You have one group that may have supported some kind of opening - not even necessarily a complete opening - while another fought to preserve the secrecy as much as possible. "But that's a bureaucratic struggle. That's not, necessarily, a unified, controlled-disclosure operation. So I think that is a contradiction that was not really adequately discussed in this hypothesis. "I may be wrong about Elizondo, and I'm not here, again, to be his defense attorney. But I think that the rush to condemn him strikes me as premature. It strikes me also as, potentially, damaging to the community and to the disclosure effort, frankly. We can investigate serious allegations without first assigning everyone the role of either hero or villain. "So, I guess I would say that Gerb may have genuinely identified some real relationships and hidden activity. In fact, knowing his excellent research track record, I would be surprised if he didn't. "Elizondo - probably - does have undisclosed elements in his background, and I have no doubt he knows much more than he has said. When I look at the this idea of, like. you look at TTSA coming out at the end of 2016, and you see, basically, a kind of faction that had a very managed narrative indeed. Like, they did not come out and talk about crash retrievals. They did not at all. They talked about these military encounters and sensor readings and this type of thing. And that's a lot less interesting than crash retrievals. "But I try to look at it from, let's say you're a Pentagon insider and you are trying to fight for an opening in the public conversation. You're not gonna start with crash retrievals. First of all, you may not have the receipts on them yourself, to provide to the public. And also you're gonna know, right off the bat, that that's going to be a bigger hill to climb than just trying to get Congress to look at some of the more easily-verifiable reports that you probably have available. So, you're probably going to take it in a very tactical, strategic way. "That's not the same thing as saying that they're lying. It could simply be that was a strategy that was decided upon by these insiders. It's also possible they may not have believed in an uncontrolled, catastrophic disclosure. We can disagree with them on that, or you can agree with them on that. But again, I don't know that that's the same thing as saying that they're actually being dishonest. "If the factional thesis that I believe in is correct, then you'd have to assume that these people have to have their strategies and tactics in this broader struggle. Like, it would be ridiculous not to assume that. "So, I think, you know, it's entirely possible that someone like Elizondo has elements in his background that we would want to know about that are not there. It is very intriguing, and even plausible, perhaps, that someone like Clapper belongs somewhere in this deeper history. I would like to know what that is myself, and I would like to see something, you know, in the way of what we would call genuine evidence for that. Not saying it's not there. "I'm just suggesting that the current theory on Elizondo and controlled disclosure is asking us to accept several unsupported links, and, essentially, I would say a disclosure strategy that appears self-defeating and really illogical. Again, like, why initiate a disclosure program? Especially if you go back to the beginning of the AATIP era, like 2009-ish, 2010. Where was there any perceived need that we have to do disclosure?" (Not sure why Richard is not calling the 2009-ish, 2010-era, AAWSAP. I wonder if he knows that Stratton says he created AATIP in 2015? Could be relevant to this controversy.) Dolan: "Like, I look back at the situation at that time, and again, I was very, very on top of the scene at that time during those years, and I just was not aware of any public pressure, whatsoever, that would cause someone to say, 'We have to initiate a controlled disclosure of this, in order to protect crash retrievals.' "There's no logic there, it seems to me. It's, in fact, the exact opposite. "Also, the the current hypothesis, I think, really understates Elizondo's 2019 acknowledgement of recovered UFO material. That really has got to be understood. And it leaves the whole Pentagon campaign against Elizondo, in my view, anyway, largely unresolved and unexplained, and really not making sense. "And, I would just add, now that I'm thinking of it, this current hypothesis about Lue Elizondo, I think, actually reverses the the genuine historical sequence. In other words, I am suggesting that Elizondo probably helped to create the opening that allowed Grusch to go even further. "So, these are just logical questions that I have. You may have different questions. You may have rebuttals to what I have to say here. By all means, put them in a comment, I will read them. And again, I'm not here to defend Lue Elizondo, I am just questioning an account that does not yet, in my view, explain its own logic, or match the full chronology. "It is entirely possible that some of this story is well-known to researchers, including Gerb. I think, however, what has been presented so far does not show how all the pieces actually fit together, and I would like to see that. "And again, I say this with total respect to UAP Gerb and to Ross Coulthart, and in fairness to Lue Elizondo, who I think, if nothing else, this aspect of the history really needs to be understood by the broader community. So that is my statement. "And that doesn't mean that I'm right here, but I do think from time-to-time, it's okay to take a stand on a topic where I can see many people are going to disagree with this, but certain things I think need to be understood on this, and I hope that we can have a reasoned dialogue and discussion about this as we move forward with it, because it is a topic that we do need to understand. "My hypothesis has, pretty much, from the beginning, always been that what we are seeing and what we have been seeing since 2017 is, essentially, the result of a factional battle." (I believe Lue spoke about factions early on when he first went public.) "You go back through the history of this phenomenon, and if you read the old books going back to the 1950s, you see it then, too. You see that there were always factions within the Pentagon who did actually support some level of openness on the UFO subject. "You read the books of Donald Keyhoe, read the book by Edward Ruppelt from 1956: 'Report on Unidentified Flying Objects.' A lot of this is in there. And I think that's really never gone away. And so to somehow assume that there are no more factions in a massive labyrinthian structure as large as the U.S. military industrial complex, I think that's kind of ridiculous. There's always going to be factions. And I think that what we are seeing has always struck me as the result of a factional war that is taking place. "And that doesn't mean, by the way, that, you know, the two sides are just white hats and black hats. Everyone's got their own angle, everyone's got their own motivations. But I, nevertheless, tend to think that that is what we are looking at."

Joe Murgia

24,710 görüntüleme • 1 ay önce