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🎥| Looking back on your time in One Direction, what experience or lesson has been the most valuable in shaping you as a solo artist? “I suppose One Direction, at least for me, no, for all of us, was like the definition of jumping in the deep end, you...

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World Tomlinson

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22,658 görüntüleme • 1 ay önce •via X (Twitter)

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🗨️| “Absolutely beautiful place. I'd spent a bit of time there on tour, but not enough time, you know, not working. Um, and I just wanted to surround myself with the kind of atmosphere and feelings that I wanted from the records. And, you know, the more you surround yourself by that, it, that those feelings are infectious completely. Um, there was a lovely kind of tempo to where we were in Costa Rica, place called Santa Teresa. It's like really kind of slow and like lovely like way of living. So the kind of tranquility that you'd hope for when making a record, it's often the other way and pressure, pressure, pressure. It was really nice to kind of, lay back on that. And in terms of the honesty on the record, I almost meant that in a slightly less literal sense. I've always been a quite a motive and honest songwriter, but I think this is the first time that I've been willing to embrace things that I was maybe a little bit scared of at first. It was really important to me post One Direction to kind of show who I was as an artist. So I resisted anything that was too close to centre. All the while forgetting that's what created me, you know, and that's the reason I'm sat in this chair. So I think it's, this record comes from a braver and more Honest standpoint. Yeah, I just, I deserve melodic songs like, Lemonade, you know, and like Palaces where in the past I might have kind of ignored melodies like that. So yeah, that's kind of what I meant by the record that I always deserve to make.” — Louis Tomlinson via #MostRequestedLive
1:28

🗨️| “Absolutely beautiful place. I'd spent a bit of time there on tour, but not enough time, you know, not working. Um, and I just wanted to surround myself with the kind of atmosphere and feelings that I wanted from the records. And, you know, the more you surround yourself by that, it, that those feelings are infectious completely. Um, there was a lovely kind of tempo to where we were in Costa Rica, place called Santa Teresa. It's like really kind of slow and like lovely like way of living. So the kind of tranquility that you'd hope for when making a record, it's often the other way and pressure, pressure, pressure. It was really nice to kind of, lay back on that. And in terms of the honesty on the record, I almost meant that in a slightly less literal sense. I've always been a quite a motive and honest songwriter, but I think this is the first time that I've been willing to embrace things that I was maybe a little bit scared of at first. It was really important to me post One Direction to kind of show who I was as an artist. So I resisted anything that was too close to centre. All the while forgetting that's what created me, you know, and that's the reason I'm sat in this chair. So I think it's, this record comes from a braver and more Honest standpoint. Yeah, I just, I deserve melodic songs like, Lemonade, you know, and like Palaces where in the past I might have kind of ignored melodies like that. So yeah, that's kind of what I meant by the record that I always deserve to make.” — Louis Tomlinson via #MostRequestedLive

World Tomlinson

11,606 görüntüleme • 9 ay önce

“The last time that we were touring and stuff, I think touring is quite an isolating experience. And on top of that, when we started touring, it was 2021, so it was kind of like still depths of the pandemic. We were like one of the first tours to go back out. So I think that tour started in that way where it was like, I was really bubbled up even kind of within the tour. And then staying on that tour, we put an album out and it ended up being like two and a half years type time. It's just a long time to be in like a bubble where you're not really spending that much time like in the world around you, other than shows and hotels and stuff. And when I finished, I kind of went off and was spending a lot of time in Italy, and was kind of like having this quiet time, and I was just feeling a lot of my life as I was kind of like, craving like quiet and kind of like private spaces. I was just feeling myself kind of like shut out a lot of the world, “I think, and I think the last couple of years for me was about, you know, there's a lot of things that I think I got used to saying no to, like invites from friends and like maybe a weekend trip or like a birthday party or something. I think I just got used to, you know, if I have a week at home, I don't want to go somewhere else for three days. I just want to stay home, you know. And I think when I got to Italy and was kind of out in this quiet place, I felt like, okay, if I'm going to spend all this time out here and I'm going to keep saying no to everything, I'm just going to like shut myself off from the world. And while parts of that sound appealing, I also like, I love people and I love like being in the world, you know, so it was kind of, I think for me, like there's been both the thing of like learning to set boundaries and stuff is a large part of that has also been learning when not to set boundaries and when to open up. Being intentional with the things that you don't do and being intentional with the things that you do do. So, you know, as a message in the album sleeve, where I said like thanks to all the people who helped me know when to say no and when to say yes. I think both of those have like greatly enriched my life.” - Harry about feeling isolated during his last tour and opening himself up to the world again on Q
3:02

“The last time that we were touring and stuff, I think touring is quite an isolating experience. And on top of that, when we started touring, it was 2021, so it was kind of like still depths of the pandemic. We were like one of the first tours to go back out. So I think that tour started in that way where it was like, I was really bubbled up even kind of within the tour. And then staying on that tour, we put an album out and it ended up being like two and a half years type time. It's just a long time to be in like a bubble where you're not really spending that much time like in the world around you, other than shows and hotels and stuff. And when I finished, I kind of went off and was spending a lot of time in Italy, and was kind of like having this quiet time, and I was just feeling a lot of my life as I was kind of like, craving like quiet and kind of like private spaces. I was just feeling myself kind of like shut out a lot of the world, “I think, and I think the last couple of years for me was about, you know, there's a lot of things that I think I got used to saying no to, like invites from friends and like maybe a weekend trip or like a birthday party or something. I think I just got used to, you know, if I have a week at home, I don't want to go somewhere else for three days. I just want to stay home, you know. And I think when I got to Italy and was kind of out in this quiet place, I felt like, okay, if I'm going to spend all this time out here and I'm going to keep saying no to everything, I'm just going to like shut myself off from the world. And while parts of that sound appealing, I also like, I love people and I love like being in the world, you know, so it was kind of, I think for me, like there's been both the thing of like learning to set boundaries and stuff is a large part of that has also been learning when not to set boundaries and when to open up. Being intentional with the things that you don't do and being intentional with the things that you do do. So, you know, as a message in the album sleeve, where I said like thanks to all the people who helped me know when to say no and when to say yes. I think both of those have like greatly enriched my life.” - Harry about feeling isolated during his last tour and opening himself up to the world again on Q

HSNews

90,121 görüntüleme • 5 ay önce

George Soros’ son Alex Soros, in Davos: "When we talked about things in The United States like, you know, like, checks and balances, which aren't written anywhere, but our customs. And one man, Donald Trump, literally came in and just took that, you know, took that took that all away." "You know, so, you know, so, you know, but when I see this, you know, when I look at this, you know, you know, more globally regarding regarding, you know, regarding democracy, I also say to myself, when was this great time that everybody got along so well and, you know, things were going so so great?" "I mean, I think, you know, you know, the, I think that we really have to be careful here in, you know, in this nostalgia, for a time, you know, for a time past. Because a lot of the reactions we're seeing in society are actually reactions to positive, to positive things like, you know, like equality, for women."
1:00

George Soros’ son Alex Soros, in Davos: "When we talked about things in The United States like, you know, like, checks and balances, which aren't written anywhere, but our customs. And one man, Donald Trump, literally came in and just took that, you know, took that took that all away." "You know, so, you know, so, you know, but when I see this, you know, when I look at this, you know, you know, more globally regarding regarding, you know, regarding democracy, I also say to myself, when was this great time that everybody got along so well and, you know, things were going so so great?" "I mean, I think, you know, you know, the, I think that we really have to be careful here in, you know, in this nostalgia, for a time, you know, for a time past. Because a lot of the reactions we're seeing in society are actually reactions to positive, to positive things like, you know, like equality, for women."

JOSH DUNLAP

2,272,410 görüntüleme • 1 yıl önce

Zack Snyder on his dyslexia: "It was a challenge for me when I was, you know, young in school, and all I wanted to do was make movies because that was the thing that I got great pleasure from and reward from. I love books, and I'm an avid reader, but I just have a hard time because of the way that I perceive. "I've had a great sort of - one side of me anyways - was really satisfied by art and drawing and sculpture and sort of visual expression. And I think that that started to, you know, was the thing that kind of made me feel un-frustrated. And also the way the system was designed, sort of not to support me when I was in high school at that time. "It was very difficult, you know, there was a lot of, you know, just, difficulty. My English teacher in high school was worried about what my career would be, and I'm like. He would be happy to know that I'm in the Writers Guild of America now. "But, I think that that all those things are, they're all... you can transcend all those things with perseverance and with interest and with with help. And I think that that's an important part of it. "And I just think I've had to adapt, and sort of... I have my own style of the way I write, I write all, you know, but I'm pretty prolific. And I love- I listen to tons of audio books on tape, unabridged hours and hours and hours. That's all I do when I'm driving in the car or wherever I'm doing. And it's helped me a lot. "And yeah, I mean, I just hope that anyone who is- feels trapped or frustrated by the world in general. You know, they need to just, I think that we all have like a magic spark, and you need to just find the thing that makes you, you know, inspires you and, and gets you excited and pursue it as hard as you can find your passion in the world. That's a, that's a great motivator."
2:59

Zack Snyder on his dyslexia: "It was a challenge for me when I was, you know, young in school, and all I wanted to do was make movies because that was the thing that I got great pleasure from and reward from. I love books, and I'm an avid reader, but I just have a hard time because of the way that I perceive. "I've had a great sort of - one side of me anyways - was really satisfied by art and drawing and sculpture and sort of visual expression. And I think that that started to, you know, was the thing that kind of made me feel un-frustrated. And also the way the system was designed, sort of not to support me when I was in high school at that time. "It was very difficult, you know, there was a lot of, you know, just, difficulty. My English teacher in high school was worried about what my career would be, and I'm like. He would be happy to know that I'm in the Writers Guild of America now. "But, I think that that all those things are, they're all... you can transcend all those things with perseverance and with interest and with with help. And I think that that's an important part of it. "And I just think I've had to adapt, and sort of... I have my own style of the way I write, I write all, you know, but I'm pretty prolific. And I love- I listen to tons of audio books on tape, unabridged hours and hours and hours. That's all I do when I'm driving in the car or wherever I'm doing. And it's helped me a lot. "And yeah, I mean, I just hope that anyone who is- feels trapped or frustrated by the world in general. You know, they need to just, I think that we all have like a magic spark, and you need to just find the thing that makes you, you know, inspires you and, and gets you excited and pursue it as hard as you can find your passion in the world. That's a, that's a great motivator."

Zack Snyder Film

11,128 görüntüleme • 7 ay önce

Carney "And we inherited a situation or I inherited a situation where the planes literally had come to the end of their lives." "So sometimes you inherit things that, you know, you move as fast as you can but you know at the center." Mark Carney
1:13

Carney "And we inherited a situation or I inherited a situation where the planes literally had come to the end of their lives." "So sometimes you inherit things that, you know, you move as fast as you can but you know at the center." Mark Carney

cbcwatcher

85,103 görüntüleme • 3 ay önce

DeMarcus Cousins says he doesn’t like the way LeBron James was treated LA: “And you know we in this era now that you can’t really, you know speak on his behalf or it’s considered glazing or we paid by Klutch all this goofy sh*t but for the most part, you know, I grow up in the era of watching Bron like create the blueprint for the next guys coming up. So, I think he’s a legend in this game hands down. I just, I don’t know we kind of getting to a point where you know when it comes to our legends in the game, I don’t think they going out gracefully the way they should. I mean, from Melo to how CP was handled. We kind of watching how the Lakers just kind of act like Bron ain’t LeBron, like, you know what I mean? So, Kevin Durant, like, you know? So, I want him to go whenever he’s going to be appreciated and where he’s going to get the flowers he deserves.” (Via Road Trippin’ Show)
1:07

DeMarcus Cousins says he doesn’t like the way LeBron James was treated LA: “And you know we in this era now that you can’t really, you know speak on his behalf or it’s considered glazing or we paid by Klutch all this goofy sh*t but for the most part, you know, I grow up in the era of watching Bron like create the blueprint for the next guys coming up. So, I think he’s a legend in this game hands down. I just, I don’t know we kind of getting to a point where you know when it comes to our legends in the game, I don’t think they going out gracefully the way they should. I mean, from Melo to how CP was handled. We kind of watching how the Lakers just kind of act like Bron ain’t LeBron, like, you know what I mean? So, Kevin Durant, like, you know? So, I want him to go whenever he’s going to be appreciated and where he’s going to get the flowers he deserves.” (Via Road Trippin’ Show)

NBA Courtside

392,879 görüntüleme • 1 ay önce

🎥| “Well, for starters, it's not the first time I've heard a story like that, you know, of people kind of being inspired to work in the industry. Um, and I think that's really cool, you know. I've always been a big believer that the more fans that work in the music industry, the better for the music and the better for everyone, really. You know, they're definitely the most passionate people. Um, you know, especially the likes of like managements or record labels, these kind of opinions are vital. [Fan: We live it, like, quite literally.] Absolutely, absolutely, yeah. There's not really, you know, it's not about kind of guessing, it's, like you say, you guys kind of live that life. So, I think it's really, really important, it's really cool that it seems to be happening more and more, um, which I think is great. Um, in terms of the relationship with the fans, something I really, really cherish. it's a really funny thing, you know, when you've grown up together, but that ‘together’ to me is, you know, a decent chunk of people. It's a funny concept to me, really, in general. But I feel very, very lucky to have it, and I feel really—I think I've always felt quite protective over my fans as well, and I think... that is a nature of kind of growing up together, you know? I feel like we've got each other's back like that. [Fan: I feel like you have a unique relationship with your fans that is not common amongst artists today, so we really appreciate that, the effort you put in and the care.] I like to, yeah, I like to think so. I mean, I feel very, very blessed that wherever I am, you know, wherever I am, there's a certain kind of level of support and passion, you know? And that... there's a friend, exactly, that's lovely.” via Jesslyn Downey
2:21

🎥| “Well, for starters, it's not the first time I've heard a story like that, you know, of people kind of being inspired to work in the industry. Um, and I think that's really cool, you know. I've always been a big believer that the more fans that work in the music industry, the better for the music and the better for everyone, really. You know, they're definitely the most passionate people. Um, you know, especially the likes of like managements or record labels, these kind of opinions are vital. [Fan: We live it, like, quite literally.] Absolutely, absolutely, yeah. There's not really, you know, it's not about kind of guessing, it's, like you say, you guys kind of live that life. So, I think it's really, really important, it's really cool that it seems to be happening more and more, um, which I think is great. Um, in terms of the relationship with the fans, something I really, really cherish. it's a really funny thing, you know, when you've grown up together, but that ‘together’ to me is, you know, a decent chunk of people. It's a funny concept to me, really, in general. But I feel very, very lucky to have it, and I feel really—I think I've always felt quite protective over my fans as well, and I think... that is a nature of kind of growing up together, you know? I feel like we've got each other's back like that. [Fan: I feel like you have a unique relationship with your fans that is not common amongst artists today, so we really appreciate that, the effort you put in and the care.] I like to, yeah, I like to think so. I mean, I feel very, very blessed that wherever I am, you know, wherever I am, there's a certain kind of level of support and passion, you know? And that... there's a friend, exactly, that's lovely.” via Jesslyn Downey

World Tomlinson

18,346 görüntüleme • 1 ay önce

Yunjin talked about the significance of slowness in a world that moves so fast & virtue of patience ❤️‍🩹 “What I've been thinking about lately is the importance of being deliberately slow about things and allowing yourself a pocket of time in your day to not be rushed by anyone or anything, not even yourself. When we had our show in Shizuoka, we got on, we took the train there, the Shinkansen, instead of taking a flight like we would normally and it was really really nice because we were allotted an amount of time in our day to basically just sit with ourselves. You know, that's what I love about being on a plane or just in any vehicle, because you are not driving it or you could be driving it, but you can’t travel in a split second. There's time. There's a time of arrival that you can't control and you just kind of have to wait and sit with yourself. But I feel this need to be on airplane mode when I do have those opportunities to be off my phone and just, like, disconnected from the world, but also not disconnected from the world. You know what I mean? Like, when you're on a plane, you're still part of the world. You're just, like, not on the stratosphere, like, physically. And it kind of like, forces you to be, like. To, like, separate yourself for a second, like a couple hours or a couple days, if you're like a layover or something. I found myself looking out the window of the train and just, like, enjoying myself. Because everything is so fast, and I think everything. Ever since then, I've been deliberately, like, making an effort to do one thing very slowly, and it's very nice. It’s good. It's a good way to kind of put your feet back on the ground and remind yourself that not everything has to be you know, it's okay to take a breather and just wait. It's a virtue. Patience is a virtue, you know, but it's also virtue to enjoy it and gift yourself that time. It's kind of rebellious in a way, because no one can take that right from you. To do something with less urgency when everybody around you is like, of course, if it's an urgent manner, you should or urgent matter, you should do things accordingly but, you know, if it's like you don't need to wash your hair, like, in three minutes. Like, you can take your time to really think about. You know, sometimes we just live on. Autopilot so much, I think it's important to remind ourselves we're not AI.”
4:39

Yunjin talked about the significance of slowness in a world that moves so fast & virtue of patience ❤️‍🩹 “What I've been thinking about lately is the importance of being deliberately slow about things and allowing yourself a pocket of time in your day to not be rushed by anyone or anything, not even yourself. When we had our show in Shizuoka, we got on, we took the train there, the Shinkansen, instead of taking a flight like we would normally and it was really really nice because we were allotted an amount of time in our day to basically just sit with ourselves. You know, that's what I love about being on a plane or just in any vehicle, because you are not driving it or you could be driving it, but you can’t travel in a split second. There's time. There's a time of arrival that you can't control and you just kind of have to wait and sit with yourself. But I feel this need to be on airplane mode when I do have those opportunities to be off my phone and just, like, disconnected from the world, but also not disconnected from the world. You know what I mean? Like, when you're on a plane, you're still part of the world. You're just, like, not on the stratosphere, like, physically. And it kind of like, forces you to be, like. To, like, separate yourself for a second, like a couple hours or a couple days, if you're like a layover or something. I found myself looking out the window of the train and just, like, enjoying myself. Because everything is so fast, and I think everything. Ever since then, I've been deliberately, like, making an effort to do one thing very slowly, and it's very nice. It’s good. It's a good way to kind of put your feet back on the ground and remind yourself that not everything has to be you know, it's okay to take a breather and just wait. It's a virtue. Patience is a virtue, you know, but it's also virtue to enjoy it and gift yourself that time. It's kind of rebellious in a way, because no one can take that right from you. To do something with less urgency when everybody around you is like, of course, if it's an urgent manner, you should or urgent matter, you should do things accordingly but, you know, if it's like you don't need to wash your hair, like, in three minutes. Like, you can take your time to really think about. You know, sometimes we just live on. Autopilot so much, I think it's important to remind ourselves we're not AI.”

nat ☆彡

16,861 görüntüleme • 15 gün önce

Garry Nolan says there are more groups doing what skywatcher is doing right now “we know how to call them” “Skywatcher is one group of several that I'm aware of that are doing it independently.” Source -Sol Foundation 🔗 in comments Garry -“The, the information's out there, we, you know, it's already pretty well understood. I mean, look, there's been enough whistleblower types where the information of how to do this has leaked out. You know, we know how to call them. Whether you believe in psionics or not, it seems to be part of the process. So we know how to call them. The question is not can you video them? Skywatcher has already shown that you can video them and there'll be more of that kind of stuff, I think coming in the future, you know, so Skywatcher is one group of several that I'm aware of that are doing it independently. So that's citizen science. I mean, I think the answer is you don't wait for the government to do it, for you. Don't wait for daddy or mommy to tell you what's going on. You just do it yourself. Because as long as you're not going out there with, with guns or energy, weapons, trying to pull something down and, you know, get yourself in a bad situation, there's no reason people can't do it themselves and organize. So, you know, that's, that I think is the threat in a way that one needs to use against the governmental authorities who think that they hold all the, all the, all the marbles at this point, they don't anymore because the people who've been in the program, like Jake and others who've, you know, made that statement publicly, have basically made their knowledge and ability public. So do it.”
1:31

Garry Nolan says there are more groups doing what skywatcher is doing right now “we know how to call them” “Skywatcher is one group of several that I'm aware of that are doing it independently.” Source -Sol Foundation 🔗 in comments Garry -“The, the information's out there, we, you know, it's already pretty well understood. I mean, look, there's been enough whistleblower types where the information of how to do this has leaked out. You know, we know how to call them. Whether you believe in psionics or not, it seems to be part of the process. So we know how to call them. The question is not can you video them? Skywatcher has already shown that you can video them and there'll be more of that kind of stuff, I think coming in the future, you know, so Skywatcher is one group of several that I'm aware of that are doing it independently. So that's citizen science. I mean, I think the answer is you don't wait for the government to do it, for you. Don't wait for daddy or mommy to tell you what's going on. You just do it yourself. Because as long as you're not going out there with, with guns or energy, weapons, trying to pull something down and, you know, get yourself in a bad situation, there's no reason people can't do it themselves and organize. So, you know, that's, that I think is the threat in a way that one needs to use against the governmental authorities who think that they hold all the, all the, all the marbles at this point, they don't anymore because the people who've been in the program, like Jake and others who've, you know, made that statement publicly, have basically made their knowledge and ability public. So do it.”

neandrewthal

74,654 görüntüleme • 1 yıl önce

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'
3:56

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

23,149 görüntüleme • 7 ay önce

Christian Kirk explained the process of how he ended up signing with the #49ers this offseason: “I was in a position where I could be a little more picky on where I wanted to go at this point in my career. It just all depended on being in the right situation.……You know a lot of respect for that organization and the more I started thinking about it I’m like yes, that’s a great fit and you know I fit into that locker room really well and you know I want to be a part of what they’re doing.” Via: In Good Company with Mitch Morse
1:23

Christian Kirk explained the process of how he ended up signing with the #49ers this offseason: “I was in a position where I could be a little more picky on where I wanted to go at this point in my career. It just all depended on being in the right situation.……You know a lot of respect for that organization and the more I started thinking about it I’m like yes, that’s a great fit and you know I fit into that locker room really well and you know I want to be a part of what they’re doing.” Via: In Good Company with Mitch Morse

OurSF49ers

70,858 görüntüleme • 4 ay önce

🎥| “I think this is maybe just starting to happen, but I find it really interesting that sport psychology coaches are prevalent now throughout sport. They're a vital part of sport. It'd be interesting to see something similar in the music industry and especially people like us at young ages that were dealing with a lot of pressure at a lot a young age, but also to perform at a, you know, really good level. Um because often those kind of psych psychologists will be, you know, like um performance-based. Well, this is a performance-based job for sure. I do think something like that would have helped. It's only really in hindsight cuz like for my I can only speak on my own journey, but you're so young and it's so exciting and every day is so different. I didn't really have too much time to to really take it all in. So I think that having just remember having those conversations that would definitely help some kind of voice to chat to but not just in the name of like therapy also performance-based people that can bring out the best in you because you know I can remember that as an 18-year-old lad you literally get brought out thrown in the lies and go deal with it you know and you you have people are there to help you craft your skill but things like inner confidence you're just expected to have those things you know and that's something that definitely takes takes uh especially as a young person, it takes a bit of direction, I think.” Louis Tomlinson via Billboard.
1:23

🎥| “I think this is maybe just starting to happen, but I find it really interesting that sport psychology coaches are prevalent now throughout sport. They're a vital part of sport. It'd be interesting to see something similar in the music industry and especially people like us at young ages that were dealing with a lot of pressure at a lot a young age, but also to perform at a, you know, really good level. Um because often those kind of psych psychologists will be, you know, like um performance-based. Well, this is a performance-based job for sure. I do think something like that would have helped. It's only really in hindsight cuz like for my I can only speak on my own journey, but you're so young and it's so exciting and every day is so different. I didn't really have too much time to to really take it all in. So I think that having just remember having those conversations that would definitely help some kind of voice to chat to but not just in the name of like therapy also performance-based people that can bring out the best in you because you know I can remember that as an 18-year-old lad you literally get brought out thrown in the lies and go deal with it you know and you you have people are there to help you craft your skill but things like inner confidence you're just expected to have those things you know and that's something that definitely takes takes uh especially as a young person, it takes a bit of direction, I think.” Louis Tomlinson via Billboard.

World Tomlinson

21,362 görüntüleme • 7 ay önce

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM
1:42

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

HSNews

39,591 görüntüleme • 7 ay önce

Sigourney Weaver on what she loved about her character in "Alien" (1979): "Interviewer: Ripley is now seen as this feminist action hero. Did you think about that or the politics of your representation at the time? Weaver: What I loved about Ripley in the first one, thanks to [producers] Walter [Hill] and David [Giler], and in the second one, thanks to Jim Cameron, was that I didn't really feel like a badass heroine ever. What I felt was like you or me in this situation, [wondering] what the f**k you were going to do. It was an everyman character that could be any of us. That was very unusual at the time that a character, a woman character, went through a whole film, doing difficult things by herself, a lot of the time, and didn't have some scene where she bursts into tears and cries in a corner for a while. Because I'm telling you, in those days, they really wanted women to be sympathetic. And that meant that either you had to be in a little skirt and run around, or you had to have these scenes where you cried and broke down because they thought if you didn't that you would seem unfeminine. So I was so lucky that I avoided all of that because I was doing science fiction, because I was in the future. And I was just playing this character who was put in this situation. And it was written like a man. It wasn't written like the way they wrote women in those days." ("At 28, Sigourney Weaver Was Thrust Into An Alien World", Zosha Millman, Bustle, 2021) P.S: On this day, 47 years ago, "Alien" (1979) had its limited release in the USA.
1:44

Sigourney Weaver on what she loved about her character in "Alien" (1979): "Interviewer: Ripley is now seen as this feminist action hero. Did you think about that or the politics of your representation at the time? Weaver: What I loved about Ripley in the first one, thanks to [producers] Walter [Hill] and David [Giler], and in the second one, thanks to Jim Cameron, was that I didn't really feel like a badass heroine ever. What I felt was like you or me in this situation, [wondering] what the f**k you were going to do. It was an everyman character that could be any of us. That was very unusual at the time that a character, a woman character, went through a whole film, doing difficult things by herself, a lot of the time, and didn't have some scene where she bursts into tears and cries in a corner for a while. Because I'm telling you, in those days, they really wanted women to be sympathetic. And that meant that either you had to be in a little skirt and run around, or you had to have these scenes where you cried and broke down because they thought if you didn't that you would seem unfeminine. So I was so lucky that I avoided all of that because I was doing science fiction, because I was in the future. And I was just playing this character who was put in this situation. And it was written like a man. It wasn't written like the way they wrote women in those days." ("At 28, Sigourney Weaver Was Thrust Into An Alien World", Zosha Millman, Bustle, 2021) P.S: On this day, 47 years ago, "Alien" (1979) had its limited release in the USA.

DepressedBergman

20,477 görüntüleme • 3 ay önce

ROSALÍA speaking to the public in Barcelona in Catalan, visibly emotional and on the verge of tears by the end of speech: "Good night everyone! How are you today? I'm delighted to see you. I have to admit that... I'm usually a little nervous, you know? Before I perform I get a little dumb or dizzy, right? And I can't stop, but today I think my heart was going to me, but for a very specific reason. And because I'm singing in my city. I suppose there are artists and artists, like people and people, from his mother and father. And I remember that once I met Peret, an amazing artist, the father of rumba, and we were both going to sing that same night, I remember, here in Barcelona, and I went in with girls, he saw me, I mean, he was like there in a corner like that watching, and he saw that I was nervous, and he said to me, but why are you getting nervous? I said to myself, I have never been so nervous in my entire career and there I understood that he loved his city and celebrated it so much that with that invasion with that joy that invaded it he had no energy left to get nervous for anything and who knows if one day I will reach that level of calm, without resistance, but one thing you can be sure Barcelona is that I love you madly and you don't know how much I wanted to come back here. And probably as a singer, in front of your city or for your city is the most intense experience, I think, or most rewarding that you can live. But sometimes also the one that imposes itself on you the most, maybe. And I think that... I think it hits you in a way because it is the place that has seen you grow and that has seen you start from the bottom and run away on a path, you know? It is the place that confronts who you were and who you are now, you know? And what you have become. And the place where I believe you cannot escape yourself and you cannot be anyone but yourself. And that is precisely why this stage is not just any stage, you know? Tonight is not just any night. So thank you Barcelona, I love you so much. Thank you for supporting me." Source: 3CatInfo
4:33

ROSALÍA speaking to the public in Barcelona in Catalan, visibly emotional and on the verge of tears by the end of speech: "Good night everyone! How are you today? I'm delighted to see you. I have to admit that... I'm usually a little nervous, you know? Before I perform I get a little dumb or dizzy, right? And I can't stop, but today I think my heart was going to me, but for a very specific reason. And because I'm singing in my city. I suppose there are artists and artists, like people and people, from his mother and father. And I remember that once I met Peret, an amazing artist, the father of rumba, and we were both going to sing that same night, I remember, here in Barcelona, and I went in with girls, he saw me, I mean, he was like there in a corner like that watching, and he saw that I was nervous, and he said to me, but why are you getting nervous? I said to myself, I have never been so nervous in my entire career and there I understood that he loved his city and celebrated it so much that with that invasion with that joy that invaded it he had no energy left to get nervous for anything and who knows if one day I will reach that level of calm, without resistance, but one thing you can be sure Barcelona is that I love you madly and you don't know how much I wanted to come back here. And probably as a singer, in front of your city or for your city is the most intense experience, I think, or most rewarding that you can live. But sometimes also the one that imposes itself on you the most, maybe. And I think that... I think it hits you in a way because it is the place that has seen you grow and that has seen you start from the bottom and run away on a path, you know? It is the place that confronts who you were and who you are now, you know? And what you have become. And the place where I believe you cannot escape yourself and you cannot be anyone but yourself. And that is precisely why this stage is not just any stage, you know? Tonight is not just any night. So thank you Barcelona, I love you so much. Thank you for supporting me." Source: 3CatInfo

ROSALÍA archive

84,513 görüntüleme • 4 ay önce

Lewis Hamilton speaking about Santi (his race engineer) 🫂 What was the feeling with your new Italian Bono beside you? Lewis: "Ah yeah, um, it was, it was great to have him up there. I think, you know, him kind of substituting this year, jumping in and diving in deep with me. Um, we didn't know each other, we've never spoken and, uh, I didn't really know much, I didn't know anything about him. And we met and, you know, I think got on straight away." "But, uh, it's, it's, it's, it's great to be able to connect with an engineer other than what I used to have, you know. I had it for such a long time, and then you kind of lose that feeling because Bono's now doing it with Kimi. And, um, it's really great to be able to share that experience with him on, on that stage." "Um, and also probably like, he's very, very quiet. Um, you could tell it's hard for him to, to express his emotions. He's just smiley and, you know. So, I'm giving him these big hugs and like pulling him in, you know, saying thank you. And, um, I, I like to think that this has probably re, reignited the, the love that he has as being an engineer, and, um, as he has done for me as a driver."
1:27

Lewis Hamilton speaking about Santi (his race engineer) 🫂 What was the feeling with your new Italian Bono beside you? Lewis: "Ah yeah, um, it was, it was great to have him up there. I think, you know, him kind of substituting this year, jumping in and diving in deep with me. Um, we didn't know each other, we've never spoken and, uh, I didn't really know much, I didn't know anything about him. And we met and, you know, I think got on straight away." "But, uh, it's, it's, it's, it's great to be able to connect with an engineer other than what I used to have, you know. I had it for such a long time, and then you kind of lose that feeling because Bono's now doing it with Kimi. And, um, it's really great to be able to share that experience with him on, on that stage." "Um, and also probably like, he's very, very quiet. Um, you could tell it's hard for him to, to express his emotions. He's just smiley and, you know. So, I'm giving him these big hugs and like pulling him in, you know, saying thank you. And, um, I, I like to think that this has probably re, reignited the, the love that he has as being an engineer, and, um, as he has done for me as a driver."

LH44(A)

151,790 görüntüleme • 2 ay önce

🎥| “You know, over the time I've written, I've written a couple of like pretty more personal songs, right? You know, it takes a bit of confidence to do that, it takes a bit of bravery to do that. But I also need people that, you know, I feel really comfortable. I also knew people that, you know, I feel really comfortable to be able to share those kind of moments with. It's one thing writing the song. It's another thing performing those kind of songs, you know, in these spaces. [...] So I just wanna say thank you.” Louis Tomlinson on stage at #HDWGHWTVienna (Via loutomlinking)
1:04

🎥| “You know, over the time I've written, I've written a couple of like pretty more personal songs, right? You know, it takes a bit of confidence to do that, it takes a bit of bravery to do that. But I also need people that, you know, I feel really comfortable. I also knew people that, you know, I feel really comfortable to be able to share those kind of moments with. It's one thing writing the song. It's another thing performing those kind of songs, you know, in these spaces. [...] So I just wanna say thank you.” Louis Tomlinson on stage at #HDWGHWTVienna (Via loutomlinking)

World Tomlinson

16,168 görüntüleme • 4 ay önce