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Loose lips….

Santa Trump.. 🇺🇸🇺🇸🇺🇸

321,998 subscribers

110,190 просмотров • 5 месяцев назад •via X (Twitter)

Юмор Новости и политика

Anya Rossi• Live Now

Private livecam show

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🚨 Locker Diaries: Descendants Season 1 Finale ‘Loose Lips’

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Before you overshare, remember loose lips destroy their own lives‼️‼️

Before you overshare, remember loose lips destroy their own lives‼️‼️

Fem Mindset

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Former SEAL Rep. Zinke warns, "Loose lips sink ships" Watch the full video here:

Former SEAL Rep. Zinke warns, "Loose lips sink ships" Watch the full video here:

The Lead CNN

25,512 просмотров • 1 год назад

He who talks too much is bound to make mistakes.. Loose lips sink ships ain’t it? One of many examples where mike took a half-measure and it backfired!

He who talks too much is bound to make mistakes.. Loose lips sink ships ain’t it? One of many examples where mike took a half-measure and it backfired!

Ikemefuna

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‘DON’T KNOW S---‘: Democrats’ desperate strategy to see what sticks with the American people reaches new low as lawmakers let their lips loose in vulgar tirades against President Trump and DOGE boss Elon Musk.

‘DON’T KNOW S---‘: Democrats’ desperate strategy to see what sticks with the American people reaches new low as lawmakers let their lips loose in vulgar tirades against President Trump and DOGE boss Elon Musk.

Fox News

112,932 просмотров • 1 год назад

The former Denver Nuggets mascot is FINALLY speaking out on what it was like to get knocked unconscious by Charles Barkley. 😭😂 "My nose is bleeding, my tooth is loose, my lips are bleeding. He hit me." More:

The former Denver Nuggets mascot is FINALLY speaking out on what it was like to get knocked unconscious by Charles Barkley. 😭😂 "My nose is bleeding, my tooth is loose, my lips are bleeding. He hit me." More:

Pablo Torre Finds Out

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Attorney Mark Garrigos was at the Popular restaurant Joes Stone Crab a restaurant in D.C getting ready to do a podcast with TMZ’s Harvey Levin when he heard Government officials talking about their Top Secret plans to strike Iran minutes before it happened! Loose lips sink ships!

Attorney Mark Garrigos was at the Popular restaurant Joes Stone Crab a restaurant in D.C getting ready to do a podcast with TMZ’s Harvey Levin when he heard Government officials talking about their Top Secret plans to strike Iran minutes before it happened! Loose lips sink ships!

Suzie rizzio

96,542 просмотров • 6 месяцев назад

We spend billions training soldiers to protect national security…and they’re allegedly talking deployments in strip clubs. If this is even half true, it’s not just sad—it’s reckless. Young guys about to ship out, 'blowing' their pay and running their mouths? Loose lips get people killed. Either this is exaggerated…or we’ve got a discipline problem nobody wants to admit.

We spend billions training soldiers to protect national security…and they’re allegedly talking deployments in strip clubs. If this is even half true, it’s not just sad—it’s reckless. Young guys about to ship out, 'blowing' their pay and running their mouths? Loose lips get people killed. Either this is exaggerated…or we’ve got a discipline problem nobody wants to admit.

German Shepherd Dad 🇺🇸 & 🔥

10,152 просмотров • 5 месяцев назад

.Ned Price: "Was this the only Signal chat? Was there a China Signal chat? Was there a Russia Signal chat? Was there an Iran Signal chat? What has this group of individuals, who displayed rank incompetence not to mention laziness... divulged on other scores, whether it's communicating through Signal, whether it's speaking through open phone lines, whether it's by having loose lips with those around them?"

.Ned Price: "Was this the only Signal chat? Was there a China Signal chat? Was there a Russia Signal chat? Was there an Iran Signal chat? What has this group of individuals, who displayed rank incompetence not to mention laziness... divulged on other scores, whether it's communicating through Signal, whether it's speaking through open phone lines, whether it's by having loose lips with those around them?"

Brian Tyler Cohen

13,440 просмотров • 1 год назад

Drea Nicole talked about how some women have a looser c—chi6 lips and how some have a smaller c—chi6 lips but it’s just natural anatomy as it doesn’t have anything to do with how much s-x you have as it’s just that some women’s v-gin- are tighter than other women’s v-gin- 👀 She added that it’s some bullshit when nggas are thinking a woman is being ran through and already f-ck6d by other nggas because her c—chie is loose meanwhile her c—chie being lose might be hereditary👀

Sensitive content

Drea Nicole talked about how some women have a looser c—chi6 lips and how some have a smaller c—chi6 lips but it’s just natural anatomy as it doesn’t have anything to do with how much s-x you have as it’s just that some women’s v-gin- are tighter than other women’s v-gin- 👀 She added that it’s some bullshit when nggas are thinking a woman is being ran through and already f-ck6d by other nggas because her c—chie is loose meanwhile her c—chie being lose might be hereditary👀

flame⛧

47,346 просмотров • 4 месяцев назад

I need to talk about it, a little explicit analysis ahead ⚠️ I don’t think I’ll ever get over the way Anil pulls Khun Pin against her while she’s between her legs, Pin holding her neck to kiss it, dragging her lips and teeth across her skin and finishing with a gentle suck. What does it for me is that Khun Pin’s eyes never leave her lovers face, as she wanted to engrave every single gesture that Anil makes. Oh but the way Anil makes sure Khun Pin is watching her like “look how you make me feel” in every breath, every thrust, every moan. They imitate their head movements while smiling and licking their lips. The amount of strength seen on Anil’s tied hands but never once she tried to get loose, she’s enjoying being “punished”. It’s insane for me how “drunk in lust” is shown in Anil’s gaze when she turns her face away from Khun Pin. It’s the only time she looks away and it mostly has to do with the feeling of not being able to contain herself. Once again, she has Khun Pin’s gaze stuck to her. It drives me crazy how close they are to each other, how hard Pin is breathing and that she’s having trouble swallowing when she sees Anil’s “this is what I wanted” smirk. The grip she has on Anil to hold her in place and is not until Anil is pushed to the very edge of pleasure that she lets her go and goes back to be Anil’s little baby. TLP HOT WRIST INTERTWINED #ปิ่นภักดิ์EP8

Sensitive content

I need to talk about it, a little explicit analysis ahead ⚠️ I don’t think I’ll ever get over the way Anil pulls Khun Pin against her while she’s between her legs, Pin holding her neck to kiss it, dragging her lips and teeth across her skin and finishing with a gentle suck. What does it for me is that Khun Pin’s eyes never leave her lovers face, as she wanted to engrave every single gesture that Anil makes. Oh but the way Anil makes sure Khun Pin is watching her like “look how you make me feel” in every breath, every thrust, every moan. They imitate their head movements while smiling and licking their lips. The amount of strength seen on Anil’s tied hands but never once she tried to get loose, she’s enjoying being “punished”. It’s insane for me how “drunk in lust” is shown in Anil’s gaze when she turns her face away from Khun Pin. It’s the only time she looks away and it mostly has to do with the feeling of not being able to contain herself. Once again, she has Khun Pin’s gaze stuck to her. It drives me crazy how close they are to each other, how hard Pin is breathing and that she’s having trouble swallowing when she sees Anil’s “this is what I wanted” smirk. The grip she has on Anil to hold her in place and is not until Anil is pushed to the very edge of pleasure that she lets her go and goes back to be Anil’s little baby. TLP HOT WRIST INTERTWINED #ปิ่นภักดิ์EP8

Nino-sama🌪️

156,619 просмотров • 1 год назад

Natural ini. Seedance 2.5 di FlovaAI. Prompt: [HEADER LOCK STACK] Duration: 30.0s | Aspect Ratio: 16:9 | Frame Rate: 24fps | Shutter: 180° (1/48s) | Style Mode: Grounded Live-Action STAGE MAP (§D-ROOMLOCK): Grassy earthen bank sloping gently upward from the calm lake shore. Camera positioned in the North quadrant floating just above the lake water surface, looking South-Southwest toward the shoreline bank. Meli seated at world coordinate (-0.35m, 0.0m) [Frame-Left], facing East-Northeast. Rendi seated at world coordinate (+0.35m, 0.0m) [Frame-Right], facing West-Northwest. Separation distance: 70cm. Foreground: gently lapping water surface reflecting the golden sky. Midground: Meli and Rendi seated on the natural turf. Background: grassy slope with wild green shrubs and warm 3100K afternoon sunlight filtering through leaves behind them. [CHARACTER PASSPORT & WARDROBE] RENDI: 25-year-old Indonesian working-class young man, 175cm, handsome natural grounded features, sun-kissed tan skin with authentic pores, unstyled textured dark hair swaying slightly in the breeze. Wardrobe: faded washed-out oversized black cotton t-shirt with soft collar wear, simple worn cream drawstring cotton shorts, barefoot on the grass with a pair of weathered blue rubber flip-flops resting on the turf beside his foot. Voice Persona: Indonesian Jakarta casual dialect, native fluent, calm warm baritone, fundamental pitch 115Hz, speech rate 1.4 wps. MELI: 25-year-old Indonesian working-class young woman, 163cm, pretty natural grounded features, fair smooth skin with bare natural look, dark hair held with a simple plastic claw clip with loose strands framing her neck. Wardrobe: faded mustard-yellow loose oversized boxy cotton t-shirt, holding a slim white burning cigarette between index and middle fingers of her right hand, seated side-saddle with left knee raised on the turf. Voice Persona: Indonesian Jakarta casual dialect, native fluent, bright expressive feminine timbre, fundamental pitch 210Hz, speech rate 1.6 wps. [PROSE CHRONOLOGY & CUTS] At 0.0s Meli takes a slow drag from the slim white cigarette between her right fingers (pensive relaxed gaze, gentle finger hold, resting left forearm on raised knee, low water-level camera floating steadily). At 0.8s Meli blows a thin plume of translucent smoke toward the rippling water surface (calm half-lidded eyes, lips pursing gently, shoulders dropping in relaxation, slow gentle camera drift). At 1.6s Rendi sits cross-legged on the dry grass slope, twirling a stalk of wild grass between his fingers (quiet pensive smile, gentle thumb spin, leaning weight on right palm, static hold). At 2.4s Meli turns her head toward Rendi, resting her chin on her raised left palm (quizzical warm eyes, slight head tilt, body angled toward him, steady frame). At 2.8s Meli speaks candidly, "Ren, lu napa gak nikah-nikah?" (raised eyebrows, slight playful smirk, relaxed posture, camera holds dirty two-shot from water). At 4.2s Rendi pauses his grass twirling and lets out a soft wry exhale through his nose (sheepish candid smirk, eyes dropping to his folded legs, shoulders shifting, subtle pan right). At 5.2s Rendi turns his gaze to Meli and replies frankly, "Ah, idup gua masih susah, Mel." (honest self-aware expression, open left hand gesture, head tilting sideways, gentle camera breathing). At 6.2s Meli lowers her hand as her eyes light up with spirited banter (attentive sharp gaze, lips parting, posture straightening, camera holds). [HARD CUT: 6.5s | 50mm, Medium Close-Up OTS dirty over Rendi's shoulder on Meli] At 6.5s Meli fills screen-left against the sunlit grass bank background (spirited argumentative eyes, direct gaze, seated on turf, low-angle 50mm framing). At 7.2s Meli gestures with two open fingers holding her cigarette away (feisty emphatic expression, small hand pump, leaning forward slightly, steady lens hold). Lanjut 👇 masih ada..

Natural ini. Seedance 2.5 di FlovaAI. Prompt: [HEADER LOCK STACK] Duration: 30.0s | Aspect Ratio: 16:9 | Frame Rate: 24fps | Shutter: 180° (1/48s) | Style Mode: Grounded Live-Action STAGE MAP (§D-ROOMLOCK): Grassy earthen bank sloping gently upward from the calm lake shore. Camera positioned in the North quadrant floating just above the lake water surface, looking South-Southwest toward the shoreline bank. Meli seated at world coordinate (-0.35m, 0.0m) [Frame-Left], facing East-Northeast. Rendi seated at world coordinate (+0.35m, 0.0m) [Frame-Right], facing West-Northwest. Separation distance: 70cm. Foreground: gently lapping water surface reflecting the golden sky. Midground: Meli and Rendi seated on the natural turf. Background: grassy slope with wild green shrubs and warm 3100K afternoon sunlight filtering through leaves behind them. [CHARACTER PASSPORT & WARDROBE] RENDI: 25-year-old Indonesian working-class young man, 175cm, handsome natural grounded features, sun-kissed tan skin with authentic pores, unstyled textured dark hair swaying slightly in the breeze. Wardrobe: faded washed-out oversized black cotton t-shirt with soft collar wear, simple worn cream drawstring cotton shorts, barefoot on the grass with a pair of weathered blue rubber flip-flops resting on the turf beside his foot. Voice Persona: Indonesian Jakarta casual dialect, native fluent, calm warm baritone, fundamental pitch 115Hz, speech rate 1.4 wps. MELI: 25-year-old Indonesian working-class young woman, 163cm, pretty natural grounded features, fair smooth skin with bare natural look, dark hair held with a simple plastic claw clip with loose strands framing her neck. Wardrobe: faded mustard-yellow loose oversized boxy cotton t-shirt, holding a slim white burning cigarette between index and middle fingers of her right hand, seated side-saddle with left knee raised on the turf. Voice Persona: Indonesian Jakarta casual dialect, native fluent, bright expressive feminine timbre, fundamental pitch 210Hz, speech rate 1.6 wps. [PROSE CHRONOLOGY & CUTS] At 0.0s Meli takes a slow drag from the slim white cigarette between her right fingers (pensive relaxed gaze, gentle finger hold, resting left forearm on raised knee, low water-level camera floating steadily). At 0.8s Meli blows a thin plume of translucent smoke toward the rippling water surface (calm half-lidded eyes, lips pursing gently, shoulders dropping in relaxation, slow gentle camera drift). At 1.6s Rendi sits cross-legged on the dry grass slope, twirling a stalk of wild grass between his fingers (quiet pensive smile, gentle thumb spin, leaning weight on right palm, static hold). At 2.4s Meli turns her head toward Rendi, resting her chin on her raised left palm (quizzical warm eyes, slight head tilt, body angled toward him, steady frame). At 2.8s Meli speaks candidly, "Ren, lu napa gak nikah-nikah?" (raised eyebrows, slight playful smirk, relaxed posture, camera holds dirty two-shot from water). At 4.2s Rendi pauses his grass twirling and lets out a soft wry exhale through his nose (sheepish candid smirk, eyes dropping to his folded legs, shoulders shifting, subtle pan right). At 5.2s Rendi turns his gaze to Meli and replies frankly, "Ah, idup gua masih susah, Mel." (honest self-aware expression, open left hand gesture, head tilting sideways, gentle camera breathing). At 6.2s Meli lowers her hand as her eyes light up with spirited banter (attentive sharp gaze, lips parting, posture straightening, camera holds). [HARD CUT: 6.5s | 50mm, Medium Close-Up OTS dirty over Rendi's shoulder on Meli] At 6.5s Meli fills screen-left against the sunlit grass bank background (spirited argumentative eyes, direct gaze, seated on turf, low-angle 50mm framing). At 7.2s Meli gestures with two open fingers holding her cigarette away (feisty emphatic expression, small hand pump, leaning forward slightly, steady lens hold). Lanjut 👇 masih ada..

Apil

104,063 просмотров • 16 дней назад

Let's start the Monday now Seedance 2.5 Prompt : Create a 30-second, 1080p ultra-realistic early-2000s DV home video of a young Korean woman starting an ordinary Monday morning in an older Seoul neighborhood. Make it feel candid, spontaneous and slightly funny, like a friend casually filming her morning routine. MAIN SUBJECT Young Korean woman, early 20s, naturally beautiful, realistic skin texture, minimal makeup, black wavy hair in a messy side ponytail, fitted pastel-blue short top, loose cream pajama-style pants, black sneakers and simple silver necklace. Keep her exact facial identity, hairstyle, outfit, body proportions and appearance perfectly consistent throughout the entire video. SCENE She steps out of her house in the morning looking slightly sleepy, with a toothbrush naturally held between her lips. While walking out, she casually reaches behind her head and adjusts her messy side ponytail, tightening it and fixing a few loose strands while keeping the toothbrush in her mouth. She briefly checks her hair, then walks toward an old outdoor water tap located just outside her home. She turns on the tap and rinses her mouth. She takes some water, gargles naturally, then bends slightly toward the tap and splashes water onto her face. She laughs at herself, wipes her face with her hands and starts walking down the residential street. A little farther down, she notices a small neighborhood fruit cart. She stops and buys a fresh banana from the seller. The banana clearly transfers from the seller to her hand. As she takes out a few coins to pay, several coins accidentally fall from her pocket onto the pavement. She immediately notices them, crouches down and picks up every coin. She hands the fallen coins to the cart seller, making sure none are left behind. The seller smiles and accepts them. She peels the banana and continues walking down the quiet street while eating it. She looks toward the camera, starts laughing at the ridiculous way her Monday morning began, and keeps walking casually. Near the end of the street, she turns toward the camera with a playful smile and says: “Just Monday things.” She laughs, turns around and continues walking home. CAMERA / VISUAL STYLE Raw handheld early-2000s DV camcorder footage. Shaky handheld movement, autofocus hunting, occasional imperfect framing, faded colors, exposure shifts, soft digital detail, natural motion blur and occasional accidental zooms. Authentic home-video aesthetic, not polished or cinematic. AUDIO Natural morning neighborhood ambience: birds, distant traffic, bicycles, footsteps, toothbrush sounds, running water, gargling, fruit-cart activity and quiet conversations. No background music. No narration. Dialogue should sound casual and naturally recorded through an old camcorder microphone. CONTINUITY / REALISM Keep all actions physically continuous and easy to follow. The toothbrush remains in her mouth while she adjusts her ponytail and is removed naturally before rinsing. Water flows continuously from the tap. The banana visibly transfers from the seller to her hand. Coins visibly fall from her pocket, remain on the pavement, and are individually picked up before being handed to the seller. She keeps the banana in her hand while walking and eating it. No disappearing, duplicated or teleporting objects. Maintain consistent character identity, clothing, hairstyle and environment throughout. NEGATIVE CGI look, plastic skin, identity drift, outfit changes, disappearing objects, duplicated coins, teleporting objects, distorted hands, extra fingers, unnatural movements, exaggerated expressions, polished commercial cinematography, subtitles, watermark.

Let's start the Monday now Seedance 2.5 Prompt : Create a 30-second, 1080p ultra-realistic early-2000s DV home video of a young Korean woman starting an ordinary Monday morning in an older Seoul neighborhood. Make it feel candid, spontaneous and slightly funny, like a friend casually filming her morning routine. MAIN SUBJECT Young Korean woman, early 20s, naturally beautiful, realistic skin texture, minimal makeup, black wavy hair in a messy side ponytail, fitted pastel-blue short top, loose cream pajama-style pants, black sneakers and simple silver necklace. Keep her exact facial identity, hairstyle, outfit, body proportions and appearance perfectly consistent throughout the entire video. SCENE She steps out of her house in the morning looking slightly sleepy, with a toothbrush naturally held between her lips. While walking out, she casually reaches behind her head and adjusts her messy side ponytail, tightening it and fixing a few loose strands while keeping the toothbrush in her mouth. She briefly checks her hair, then walks toward an old outdoor water tap located just outside her home. She turns on the tap and rinses her mouth. She takes some water, gargles naturally, then bends slightly toward the tap and splashes water onto her face. She laughs at herself, wipes her face with her hands and starts walking down the residential street. A little farther down, she notices a small neighborhood fruit cart. She stops and buys a fresh banana from the seller. The banana clearly transfers from the seller to her hand. As she takes out a few coins to pay, several coins accidentally fall from her pocket onto the pavement. She immediately notices them, crouches down and picks up every coin. She hands the fallen coins to the cart seller, making sure none are left behind. The seller smiles and accepts them. She peels the banana and continues walking down the quiet street while eating it. She looks toward the camera, starts laughing at the ridiculous way her Monday morning began, and keeps walking casually. Near the end of the street, she turns toward the camera with a playful smile and says: “Just Monday things.” She laughs, turns around and continues walking home. CAMERA / VISUAL STYLE Raw handheld early-2000s DV camcorder footage. Shaky handheld movement, autofocus hunting, occasional imperfect framing, faded colors, exposure shifts, soft digital detail, natural motion blur and occasional accidental zooms. Authentic home-video aesthetic, not polished or cinematic. AUDIO Natural morning neighborhood ambience: birds, distant traffic, bicycles, footsteps, toothbrush sounds, running water, gargling, fruit-cart activity and quiet conversations. No background music. No narration. Dialogue should sound casual and naturally recorded through an old camcorder microphone. CONTINUITY / REALISM Keep all actions physically continuous and easy to follow. The toothbrush remains in her mouth while she adjusts her ponytail and is removed naturally before rinsing. Water flows continuously from the tap. The banana visibly transfers from the seller to her hand. Coins visibly fall from her pocket, remain on the pavement, and are individually picked up before being handed to the seller. She keeps the banana in her hand while walking and eating it. No disappearing, duplicated or teleporting objects. Maintain consistent character identity, clothing, hairstyle and environment throughout. NEGATIVE CGI look, plastic skin, identity drift, outfit changes, disappearing objects, duplicated coins, teleporting objects, distorted hands, extra fingers, unnatural movements, exaggerated expressions, polished commercial cinematography, subtitles, watermark.

Smiling Khan

14,855 просмотров • 4 дней назад

Made with seedance 2.5 on Tapnow AI Create a 20-second ultra-realistic casual smartphone travel vlog featuring the same Korean woman in her early 20s throughout. She has a petite oval face, brown eyes, natural coral lips, fair realistic skin and long straight black hair. Maintain identical facial identity, hairstyle, body proportions and appearance with no morphing or identity drift. TRAVEL OUTFIT: Cream oversized knit sweater, dark blue straight-leg jeans, white low-top sneakers and small crossbody bag. Hair in a loose low ponytail with natural strands. TRAINING OUTFIT: Off-white cotton keikogi-style jacket, matching white training pants and plain dark navy beginner belt. No logos, text or patterns. Keep this outfit identical throughout training. STYLE: Genuine handheld smartphone footage, imperfect framing, subtle camera shake, autofocus shifts, natural exposure, slight motion blur, realistic skin, blinking and body movement. No cinematic shots, drones, gimbals, beauty filters or commercial look. LOCATION: Quiet Japanese countryside neighborhood and a small authentic wooden dojo with traditional architecture, wooden floors and natural daylight. No famous landmarks. 0:00–0:04: She walks toward the dojo while filming herself, excited and curious. She says naturally in Korean: “오늘은 일본 무술을 직접 배워볼게요!” She briefly shows the dojo entrance, then returns to selfie mode. 0:04–0:07: Inside the dojo, she is now wearing the training uniform. She adjusts her sleeves. A friendly instructor bows respectfully; she bows back slightly awkwardly and smiles. 0:07–0:11: Instructor demonstrates a simple beginner stance and controlled hand movement. She copies it awkwardly, places one foot incorrectly, then tries again after the instructor calmly corrects her posture. 0:11–0:15: She attempts a slow beginner stance transition with controlled defensive arm movement, briefly loses balance, regains footing and laughs naturally. Instructor smiles encouragingly. Keep movements safe and beginner-friendly. 0:15–0:18: Natural jump cut. Same woman and identical outfit/appearance. She repeats the sequence with noticeably better balance but still looks like a beginner. She smiles proudly. 0:18–0:20: Outside the dojo in soft late-afternoon light, she films herself, slightly out of breath and smiling. She says: “생각보다 어렵지만 정말 재미있어요!” She gives a small wave and lowers the phone. AUDIO: Natural Korean female voice with accurate lip-sync. Footsteps, fabric movement, dojo ambience, distant neighborhood sounds and light wind. No music or dramatic effects. FINAL RULES: Photorealistic, authentic smartphone vlog, believable physics and beginner-level martial arts. No fighting, exaggerated movements, action choreography, famous landmarks, logos, brands, subtitles, text, watermarks or visual effects.

Made with seedance 2.5 on Tapnow AI Create a 20-second ultra-realistic casual smartphone travel vlog featuring the same Korean woman in her early 20s throughout. She has a petite oval face, brown eyes, natural coral lips, fair realistic skin and long straight black hair. Maintain identical facial identity, hairstyle, body proportions and appearance with no morphing or identity drift. TRAVEL OUTFIT: Cream oversized knit sweater, dark blue straight-leg jeans, white low-top sneakers and small crossbody bag. Hair in a loose low ponytail with natural strands. TRAINING OUTFIT: Off-white cotton keikogi-style jacket, matching white training pants and plain dark navy beginner belt. No logos, text or patterns. Keep this outfit identical throughout training. STYLE: Genuine handheld smartphone footage, imperfect framing, subtle camera shake, autofocus shifts, natural exposure, slight motion blur, realistic skin, blinking and body movement. No cinematic shots, drones, gimbals, beauty filters or commercial look. LOCATION: Quiet Japanese countryside neighborhood and a small authentic wooden dojo with traditional architecture, wooden floors and natural daylight. No famous landmarks. 0:00–0:04: She walks toward the dojo while filming herself, excited and curious. She says naturally in Korean: “오늘은 일본 무술을 직접 배워볼게요!” She briefly shows the dojo entrance, then returns to selfie mode. 0:04–0:07: Inside the dojo, she is now wearing the training uniform. She adjusts her sleeves. A friendly instructor bows respectfully; she bows back slightly awkwardly and smiles. 0:07–0:11: Instructor demonstrates a simple beginner stance and controlled hand movement. She copies it awkwardly, places one foot incorrectly, then tries again after the instructor calmly corrects her posture. 0:11–0:15: She attempts a slow beginner stance transition with controlled defensive arm movement, briefly loses balance, regains footing and laughs naturally. Instructor smiles encouragingly. Keep movements safe and beginner-friendly. 0:15–0:18: Natural jump cut. Same woman and identical outfit/appearance. She repeats the sequence with noticeably better balance but still looks like a beginner. She smiles proudly. 0:18–0:20: Outside the dojo in soft late-afternoon light, she films herself, slightly out of breath and smiling. She says: “생각보다 어렵지만 정말 재미있어요!” She gives a small wave and lowers the phone. AUDIO: Natural Korean female voice with accurate lip-sync. Footsteps, fabric movement, dojo ambience, distant neighborhood sounds and light wind. No music or dramatic effects. FINAL RULES: Photorealistic, authentic smartphone vlog, believable physics and beginner-level martial arts. No fighting, exaggerated movements, action choreography, famous landmarks, logos, brands, subtitles, text, watermarks or visual effects.

Anissa

50,319 просмотров • 12 дней назад

My first dragon flight via Seedream 5.0 pro + Seedance 2.5 on TapNow prompt SCENE CONTEXT A first dragon flight. SHARON, a nervous first-time rider in white-silver armor, sits in the saddle of a colossal opalescent dragon perched at the cliff's edge. She barely finishes her nervous little speech before the dragon bolts — a wild, playful joyride: diving low through the village and straight over a scattering flock of sheep, brushing past the willows, slicing a wingtip through the waterfall, rocketing sky-high past the floating islands, and finally spiraling around the great Gothic castle and climbing onto its tallest spire — all experienced from HER saddle. Exactly ONE dragon exists in this world: the one she rides. 30 seconds, two shots, vertical 9:16, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY >>: LOCATION — the fantasy valley: meadow, stream, half-timbered village houses (real 6–8 m scale) and sheep in the foreground; green stone spires and floating rock islands; the pale GOTHIC CASTLE fused into the peaks — rose-window façade ~200 m, spires 400–500+ m into the low clouds, complex ~1 km along the ridge; flanking waterfall; giant translucent moon, towering cumulus. 100% matches the reference; scale ratios preserved in every frame. >>: DRAGON — full identity lock: adult dragon, body ~60 m, wingspan ~65 m, head over 4 m; white-grey opalescent scales; long tapered muzzle, backward-curved horns, layered leaf-crests; vast translucent membrane wings; dark leather saddle at the neck base, reins to the bridle. A real living animal — THE ONLY DRAGON IN THE ENTIRE FILM. Playful temperament: sudden banks, drops, climbing surges, occasional intelligent glances back at its rider. Image : SHARON CHARACTER SHEET — everything except the face: WAVY BLONDE BOB; mirror white-silver plate armor with DEEP V NECK EXAGGERATED BUST, fleur-de-lis engraving; blackened chainmail; brown leather belt; ivory silk cloak. 20, 163 cm, slim. Does NOT control the face. >>; dragon 100% image ; world and scale 100% Image . Full realism — no animated look, no CG sheen, no cartoon. Clean image: no grain, no vignette. No text, no logos, no watermarks. OPTICS STRONG anamorphic lens character: horizontal squeeze and compression, oval elliptical bokeh, horizontally stretched highlights, curved barrel edge distortion, chromatic aberration toward the edges. NO lens flares, NO light streaks, NO floating bokeh circles. Shot A: focus on her face at open, holding both after the zoom-out. Shot B: deep focus down the neck; spray droplets soft on the near plane; castle crisp at the reveal.

My first dragon flight via Seedream 5.0 pro + Seedance 2.5 on TapNow prompt SCENE CONTEXT A first dragon flight. SHARON, a nervous first-time rider in white-silver armor, sits in the saddle of a colossal opalescent dragon perched at the cliff's edge. She barely finishes her nervous little speech before the dragon bolts — a wild, playful joyride: diving low through the village and straight over a scattering flock of sheep, brushing past the willows, slicing a wingtip through the waterfall, rocketing sky-high past the floating islands, and finally spiraling around the great Gothic castle and climbing onto its tallest spire — all experienced from HER saddle. Exactly ONE dragon exists in this world: the one she rides. 30 seconds, two shots, vertical 9:16, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY >>: LOCATION — the fantasy valley: meadow, stream, half-timbered village houses (real 6–8 m scale) and sheep in the foreground; green stone spires and floating rock islands; the pale GOTHIC CASTLE fused into the peaks — rose-window façade ~200 m, spires 400–500+ m into the low clouds, complex ~1 km along the ridge; flanking waterfall; giant translucent moon, towering cumulus. 100% matches the reference; scale ratios preserved in every frame. >>: DRAGON — full identity lock: adult dragon, body ~60 m, wingspan ~65 m, head over 4 m; white-grey opalescent scales; long tapered muzzle, backward-curved horns, layered leaf-crests; vast translucent membrane wings; dark leather saddle at the neck base, reins to the bridle. A real living animal — THE ONLY DRAGON IN THE ENTIRE FILM. Playful temperament: sudden banks, drops, climbing surges, occasional intelligent glances back at its rider. Image : SHARON CHARACTER SHEET — everything except the face: WAVY BLONDE BOB; mirror white-silver plate armor with DEEP V NECK EXAGGERATED BUST, fleur-de-lis engraving; blackened chainmail; brown leather belt; ivory silk cloak. 20, 163 cm, slim. Does NOT control the face. >>; dragon 100% image ; world and scale 100% Image . Full realism — no animated look, no CG sheen, no cartoon. Clean image: no grain, no vignette. No text, no logos, no watermarks. OPTICS STRONG anamorphic lens character: horizontal squeeze and compression, oval elliptical bokeh, horizontally stretched highlights, curved barrel edge distortion, chromatic aberration toward the edges. NO lens flares, NO light streaks, NO floating bokeh circles. Shot A: focus on her face at open, holding both after the zoom-out. Shot B: deep focus down the neck; spray droplets soft on the near plane; castle crisp at the reveal.

Sharon Riley

38,437 просмотров • 27 дней назад

Weather Manipulation Is Happening & It’s Poisoning You 🚨☣️🚨 “Geoengineering is occurring, it's been occurring, it is not new, and your tax dollars are funding this. — Our bodies cannot metabolize these toxins. — Most of the pilots are, quote, hardened to humanity” ‌ “I conducted air sampling, I conducted soil sampling, and I was getting high levels of these contaminants. When I started asking the question again under a new commander, I never in my life thought I would have somebody look me in the face and tell me, is there something wrong with you? You've been looking really depressed lately. You know I can put you under mental evaluation for up to 120 days. Who would take care of your daughter? Because I was divorced at the time. ‌ As soon as I heard that, I knew. It validated everything I ever thought. And I thought, I've spent nine years of my life trying to protect human health, and here we are, violating law after law after law. Just sitting here, instead of protecting the people, we are poisoning the people. And you ask yourself, if this is true and we are spraying the people, where are the pilots? Where are the people? ‌ — People don't come forward because these supposed whistleblower act protections that you have are not enforced, they're not supported, and they really don't exist. — The biggest hurdle that we have is disinformation sites. I never say them, but ‌ —- You have to understand that I have met people who used to be purposeful disinformation trolls as we call them. ‌ These people are paid to get a website or an article. So I just want everyone to know and understand that of all things, of all the freedoms that we are losing, geoengineering is the number one issue that we are facing because you can have guns and money and you can have everything. If you don't have food and water and you are dying of respiratory or neurological illnesses, what does it matter? ‌— Our bodies cannot metabolize these toxins. ‌ December 8th, 2014. My cousin who was fired by our dictator just before making rank withheld, sent me information given to him by a friend who is still an Air Force pilot. This pilot is saying that he flies cam trail flights. This pilot told my cousin that this global geoengineering effort goes by the name of, quote, at least within the circle of pilots and aviation crews that he works with. They are told to fly specific routes and satellite com links controlled aerosol dispersal patterns. He says that they only make course corrections from time to time and perform landings and takeoffs. Pilot navigation and maintenance crews are rotated constantly and only spend about 18 months at one given base. ‌ He states that this is to keep pilots and their families from making too many friends and ending up with loose lips. They are told to simply do their job and shut the F up. First of all, I would like to say, I do not agree with my mission assignments, but what Soldier ever truly does. Several of us have considered bucking the ranks and going AWOL from time to time. We are kept in the dark when it comes to getting honest answers about what we are really spraying. ‌ Should they discover that we or our families... are actively inquiring about your so-called chemtrails term, then automatic and swift disciplinary action will be taken. I would not intentionally spray my children or family with toxic aerosols, but as you must know, 80% or better do not have any family or children. Indigo pilots are chosen from the top ranks within the Air Force, Navy, and Coast Guard. ‌ Most of the pilots are, quote, hardened to humanity and could care less about killing off unwanted or leeching aspects of America and the world. I swear to you, the majority of the pilots are like machines. I call them tanker terminators. We are paid more than any other pilot for our service, other than Air Force One pilots, who make as much or more and are kept in a dark secret world for their own protection.”

Weather Manipulation Is Happening & It’s Poisoning You 🚨☣️🚨 “Geoengineering is occurring, it's been occurring, it is not new, and your tax dollars are funding this. — Our bodies cannot metabolize these toxins. — Most of the pilots are, quote, hardened to humanity” ‌ “I conducted air sampling, I conducted soil sampling, and I was getting high levels of these contaminants. When I started asking the question again under a new commander, I never in my life thought I would have somebody look me in the face and tell me, is there something wrong with you? You've been looking really depressed lately. You know I can put you under mental evaluation for up to 120 days. Who would take care of your daughter? Because I was divorced at the time. ‌ As soon as I heard that, I knew. It validated everything I ever thought. And I thought, I've spent nine years of my life trying to protect human health, and here we are, violating law after law after law. Just sitting here, instead of protecting the people, we are poisoning the people. And you ask yourself, if this is true and we are spraying the people, where are the pilots? Where are the people? ‌ — People don't come forward because these supposed whistleblower act protections that you have are not enforced, they're not supported, and they really don't exist. — The biggest hurdle that we have is disinformation sites. I never say them, but ‌ —- You have to understand that I have met people who used to be purposeful disinformation trolls as we call them. ‌ These people are paid to get a website or an article. So I just want everyone to know and understand that of all things, of all the freedoms that we are losing, geoengineering is the number one issue that we are facing because you can have guns and money and you can have everything. If you don't have food and water and you are dying of respiratory or neurological illnesses, what does it matter? ‌— Our bodies cannot metabolize these toxins. ‌ December 8th, 2014. My cousin who was fired by our dictator just before making rank withheld, sent me information given to him by a friend who is still an Air Force pilot. This pilot is saying that he flies cam trail flights. This pilot told my cousin that this global geoengineering effort goes by the name of, quote, at least within the circle of pilots and aviation crews that he works with. They are told to fly specific routes and satellite com links controlled aerosol dispersal patterns. He says that they only make course corrections from time to time and perform landings and takeoffs. Pilot navigation and maintenance crews are rotated constantly and only spend about 18 months at one given base. ‌ He states that this is to keep pilots and their families from making too many friends and ending up with loose lips. They are told to simply do their job and shut the F up. First of all, I would like to say, I do not agree with my mission assignments, but what Soldier ever truly does. Several of us have considered bucking the ranks and going AWOL from time to time. We are kept in the dark when it comes to getting honest answers about what we are really spraying. ‌ Should they discover that we or our families... are actively inquiring about your so-called chemtrails term, then automatic and swift disciplinary action will be taken. I would not intentionally spray my children or family with toxic aerosols, but as you must know, 80% or better do not have any family or children. Indigo pilots are chosen from the top ranks within the Air Force, Navy, and Coast Guard. ‌ Most of the pilots are, quote, hardened to humanity and could care less about killing off unwanted or leeching aspects of America and the world. I swear to you, the majority of the pilots are like machines. I call them tanker terminators. We are paid more than any other pilot for our service, other than Air Force One pilots, who make as much or more and are kept in a dark secret world for their own protection.”

Wall Street Apes

344,822 просмотров • 3 лет назад