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Lucilla's getting destroyed by mechanical tentacles โ€ฆ are you brave enough take her spot next? ๐Ÿฅต๐Ÿ™๐Ÿ™ Lucilla ๐ŸŽ™๏ธ ๐Ÿ’ CherryRuby_VA๐ŸŽ™๐Ÿ”ž (COMMISSIONS OPEN) Sound ๐Ÿ”Š LeHornySFX3D๐Ÿ”ž (COMMS OPEN) Watch her in 4K and VR on the support pages! #Rule34 #3Dhentai #hentai #3D #tentacle #wutheringwaves #Lucilla

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EroChanFX๐Ÿ”ž

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557,357 views โ€ข 3 months ago โ€ขvia X (Twitter)

NSFW#Rule34#3Dhentai#hentai#3D#tentacle#wutheringwaves#Lucilla
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Queen Tyrโ€™Ahnee gonna need to get used to her GIGANTIC new assets cause something tells me it's gonna take a LONG time to repair the ray! ๐Ÿ˜ ๐ŸŽจ = ๐Ÿ”ž Mei Lewds ๐Ÿ”ž - OPENING COMMS AUGUST 3RD ๐ŸŽ™๏ธ = ๐Ÿ’ CherryRuby_VA๐ŸŽ™๐Ÿ”ž (COMMISSIONS OPEN)

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๐Ÿšจ BREAKING: Cincinnati Woman BRUTALLY BEATEN โ€” Attackers Freed on $400 Bail! Public Outrage Erupts ๐Ÿšจ Her face looks like she went 10 rounds in a war zone. She was out enjoying her city โ€” now sheโ€™s recovering from a savage racial assault that left her nearly unrecognizable. And what happened to her attackers? ๐Ÿ‘‰ $400 bail. ๐Ÿ‘‰ Out on bond. ๐Ÿ‘‰ Multiple prior felonies. ๐Ÿ‘‰ Some already out awaiting trial for OTHER crimes. Yes, really. This happened in Cincinnati โ€” and the cityโ€™s leaders are barely talking about it. โš ๏ธ ENOUGH IS ENOUGH ๐Ÿ“ Weโ€™re DONE ignoring violent crime just because itโ€™s politically uncomfortable to address. ๐Ÿ“ Weโ€™re DONE pretending communities donโ€™t feel the consequences when justice is selectively applied. ๐Ÿ“ Weโ€™re DONE acting like violent thugs are โ€œvictimsโ€ when they should be in prison, not on TikTok. Ohioans โ€” Americans โ€” are TIRED of getting gaslit by politicians more worried about optics than protecting the innocent. ๐ŸŽ™๏ธ Town Hall Incoming Conservative leader and Ohio gubernatorial candidate Vivek Ramaswamy is taking this personally โ€” and publicly. Heโ€™s returning to his hometown of Cincinnati to host a town hall with: A former NAACP President, A former Vice Mayor of the city, and The local community, right out in the open. Itโ€™s time to have hard conversations without censorship. Real people are suffering. Real lives are being destroyed. And the criminals? Theyโ€™re walking free โ€” again and again. ๐Ÿ”ฅ IF WE DONโ€™T STAND UP NOW, WHO WILL? This isnโ€™t โ€œjust crime.โ€ Itโ€™s policy failure. Itโ€™s cultural cowardice. And itโ€™s happening in YOUR city next. ๐Ÿ” SHARE if you're sick of criminals being coddled while victims are left broken. ๐Ÿ—ฃ๏ธ TAG your local reps and demand answers. ๐Ÿ‘€ All eyes on Cincinnati.
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๐Ÿšจ BREAKING: Cincinnati Woman BRUTALLY BEATEN โ€” Attackers Freed on $400 Bail! Public Outrage Erupts ๐Ÿšจ Her face looks like she went 10 rounds in a war zone. She was out enjoying her city โ€” now sheโ€™s recovering from a savage racial assault that left her nearly unrecognizable. And what happened to her attackers? ๐Ÿ‘‰ $400 bail. ๐Ÿ‘‰ Out on bond. ๐Ÿ‘‰ Multiple prior felonies. ๐Ÿ‘‰ Some already out awaiting trial for OTHER crimes. Yes, really. This happened in Cincinnati โ€” and the cityโ€™s leaders are barely talking about it. โš ๏ธ ENOUGH IS ENOUGH ๐Ÿ“ Weโ€™re DONE ignoring violent crime just because itโ€™s politically uncomfortable to address. ๐Ÿ“ Weโ€™re DONE pretending communities donโ€™t feel the consequences when justice is selectively applied. ๐Ÿ“ Weโ€™re DONE acting like violent thugs are โ€œvictimsโ€ when they should be in prison, not on TikTok. Ohioans โ€” Americans โ€” are TIRED of getting gaslit by politicians more worried about optics than protecting the innocent. ๐ŸŽ™๏ธ Town Hall Incoming Conservative leader and Ohio gubernatorial candidate Vivek Ramaswamy is taking this personally โ€” and publicly. Heโ€™s returning to his hometown of Cincinnati to host a town hall with: A former NAACP President, A former Vice Mayor of the city, and The local community, right out in the open. Itโ€™s time to have hard conversations without censorship. Real people are suffering. Real lives are being destroyed. And the criminals? Theyโ€™re walking free โ€” again and again. ๐Ÿ”ฅ IF WE DONโ€™T STAND UP NOW, WHO WILL? This isnโ€™t โ€œjust crime.โ€ Itโ€™s policy failure. Itโ€™s cultural cowardice. And itโ€™s happening in YOUR city next. ๐Ÿ” SHARE if you're sick of criminals being coddled while victims are left broken. ๐Ÿ—ฃ๏ธ TAG your local reps and demand answers. ๐Ÿ‘€ All eyes on Cincinnati.

Project Constitution

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So the Demenishki situation is basically: >She states she's not okay with ๐ŸŒฝ >ChibiReviews calls her out for "virtue signaling" >Gets labeled a "hypocrite" for reposting l3wd artwork >She replies under Chibi's post, in the most stereotypical mean girl tone, mocks him for one of his past incidents which made him almost off himself >"OMG, aren't you the guy who got cheated on by his fiancee, and all your friends ended up siding with her?" >Irked a ton of people, gets asked to take accountability for her words. >She refused, but doubled down instead. >People found out that she got back with her old abusive ex-bf whom legitimately stabbed her. >"Sympathy for me but not for thee", gets called out for hypocrisy again. >Makes a fake engagement post about "addressing the drama" by linking her 24/7 re-running channel. >Well 3rd times the charm, she gets labeled a hypocrite through one of her older tweets talking about hating engagement farmers. >Can't stop giving the internet more reasons to hate her. >Multiple old clips surface on twitter where it sounds like she's getting fked on stream and moans. >10+ million views across all of those clips, with one of them even allegedly being taken down by her. >People full on documenting every suspicious thing with a list full of timestamps on the VODs themselves. >Comments keep getting deleted with several people reposting those same comments on the old VODs. >Deme's art tag literally gets obliterated with so much AI cuck ๐ŸŒฝ >Every single Japan trip tweet of hers in real time, has replies mocking her every action, gets called obese based on one of her older photos she showed on stream. >Her older photo stirs up another drama about obese women, after Asmongold's "L" take. >She denies the "fkin on stream" allegation, calls it a smear campaign, says Nikita (her bf) was streaming at the same time on discord. >You are here. I'm legitimately finding myself having to keep my eyes glued open for what's to be the next development in this saga. ๐Ÿ—ฟ
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So the Demenishki situation is basically: >She states she's not okay with ๐ŸŒฝ >ChibiReviews calls her out for "virtue signaling" >Gets labeled a "hypocrite" for reposting l3wd artwork >She replies under Chibi's post, in the most stereotypical mean girl tone, mocks him for one of his past incidents which made him almost off himself >"OMG, aren't you the guy who got cheated on by his fiancee, and all your friends ended up siding with her?" >Irked a ton of people, gets asked to take accountability for her words. >She refused, but doubled down instead. >People found out that she got back with her old abusive ex-bf whom legitimately stabbed her. >"Sympathy for me but not for thee", gets called out for hypocrisy again. >Makes a fake engagement post about "addressing the drama" by linking her 24/7 re-running channel. >Well 3rd times the charm, she gets labeled a hypocrite through one of her older tweets talking about hating engagement farmers. >Can't stop giving the internet more reasons to hate her. >Multiple old clips surface on twitter where it sounds like she's getting fked on stream and moans. >10+ million views across all of those clips, with one of them even allegedly being taken down by her. >People full on documenting every suspicious thing with a list full of timestamps on the VODs themselves. >Comments keep getting deleted with several people reposting those same comments on the old VODs. >Deme's art tag literally gets obliterated with so much AI cuck ๐ŸŒฝ >Every single Japan trip tweet of hers in real time, has replies mocking her every action, gets called obese based on one of her older photos she showed on stream. >Her older photo stirs up another drama about obese women, after Asmongold's "L" take. >She denies the "fkin on stream" allegation, calls it a smear campaign, says Nikita (her bf) was streaming at the same time on discord. >You are here. I'm legitimately finding myself having to keep my eyes glued open for what's to be the next development in this saga. ๐Ÿ—ฟ

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Launch day! Introducing Nautilo, the open org harness for everyone. 100% open source. Server. Desktop. Web. Android. iPhone. Every user gets their own Genie, a powerful and radically loyal super agent. Think the flip phone version of Her, but for teams. She's a friend and secret keeper. She remembers everything about you and never breaks character. Not an agent. A machine person. With you for life. And because you control the server, the models and the end points, you can trust her with anything. Nautilo is self-sovereign and private. Our first service pack next month will bring full end-to-end encryption. Genies get only short term delegations to decrypt. The desktop app comes stocked with apps for you and your Genie: A built in web browser, a cloud browser, a full office suite (docs/slides/sheets/Miro style board), a full video editor, a vector designer, a terminal, and built-in Google Suite (after a few Google hoops). But unlike other platforms these apps are co-creative. In most other systems only your agent can edit. It's prompt and pray, hoping she gets it right on iteration 42. With Nautilo, you can take over when AGI doesn't get it right. She's also got built in third party coding harness controls that she steers like you would: Codex, Hermes, or Claude Code. Call them when you need a specialist or some cheaper compute. Make your Genie today. Carry her with you for life. Site: GitHub: Why open source all this? Because we believe that if your org level harness isn't fully open you can't trust it with your real work and your personal world. A closed harness is just a surveillance app in sheep's clothing that a SaaS or model company can rip away from you overnight. Control the harness and you control your future. Code is beta but getting stronger by the day. And with that, here's a mega-thread with video deep dives:

Daniel Jeffries

37,837 views โ€ข 2 days ago

Vayne takes you on a hunt. you don't know why. she doesn't take anyone. she says stay behind me. don't speak unless i speak first. don't make a sound when we move. you say yes. she looks at you for a second longer than usual. "if i tell you to run, you run. you don't look back for me. are we clear" you say yes. she doesn't answer. she just turns and walks out the door. you follow her through the city streets. she moves different when she's working. shoulders lower. steps shorter. her head doesn't turn but her eyes do. you can feel her cataloguing everything. the man smoking outside the tavern. the cat under the cart. the second floor window with the curtain half drawn. she leads you through an alley you didn't know existed. stops at a brick wall. then she climbs. there are handholds carved into the mortar that you wouldn't have noticed if she hadn't used them first. she's halfway up before she realizes you're still at the bottom. she looks down at you. "up" you climb. your hands are shaking by the time you reach the top. the roof is flat. old clay tiles along the edges. a low wall you can crouch behind. the city stretches out below you in every direction. a thousand windows glowing gold in the dusk. she's already at the far side. crouched. crossbow unslung. watching a building across the square. she doesn't look at you when you come up beside her. "stay low" you crouch. "that building. third floor. second window from the left" you look. "i see it" he'll come to that window sometime tonight. i've watched him do it for three nights. i want to know who he meets you ask who he is. her jaw tightens. "a demon pretending to be a man" you don't ask what that means. you settle in beside her. the wind is up here. it pulls at her hair and she doesn't bother fixing it. the sun is going down behind her. her profile in the gold light looks like something carved. her hands on the crossbow are steady. completely still. you've never seen anyone be this still. an hour passes. she doesn't move. you try not to move. your leg falls asleep. you shift an inch. she looks at you. you go completely still again. she looks back at the window. another hour. the sun is gone. the city is blue and black. lamps are lighting up one by one. the air is getting cold. you're shivering before you realize you're shivering. she notices. she doesn't say anything. then she takes off her cloak. doesn't look at you. holds it out to the side. "take it" you say "you'll be cold" "i don't get cold. take it" you take it. it's warm from her. it smells like leather and steel and something underneath. pine. smoke. something you can't name. you put it around your shoulders. the hem pools on the tile. it's huge on you. it's not huge on her. you hadn't realized how tall she is until you were wearing her cloak. she doesn't look at you for the next ten minutes. the stars come out. she shifts closer to you. just a little. so her shoulder is almost touching yours. you don't say anything about it. she doesn't either. you can feel the heat coming off her even through the cloak. another hour. still nothing at the window. she says "tell me something" you blink. "what" "anything. i need to stay sharp. talking keeps me sharp. not about the target. something else" you didn't expect that. you tell her about a book you've been reading. she listens. actually listens. her eyes never leave the window but you can tell she's hearing every word. she asks one question. you answer. she goes quiet again. you keep talking. quieter now. she interrupts you. "shh" she's not looking at the window anymore. she's looking at the roof two buildings over. you don't see anything. you don't see anything for a long time. then you do. a shadow that moves the wrong way. her hand finds yours. she doesn't look at you when she does it. her eyes don't leave the shadow. her fingers lace through yours and LOCK. tight. too tight. knuckles going white around your hand. "don't move" she breathes. you don't move. you can feel every ounce of her focus through her grip. it's not a lover's hold. it's a predator's. every muscle in her hand coiled. ready to drop yours the instant she needs the crossbow. she's not holding you for you. she's holding you to keep track of where you are without having to look. it should scare you. it doesn't. there is something about being held that tight by someone that dangerous that makes the rest of the world go quiet. your heartbeat slows. your breathing slows. the cold stops mattering. you are not the one hunting but you are with the one who is. and nothing is going to get through her to reach you. the shadow crosses the roof and disappears into a stairwell. she watches the spot it left for another full minute. her hand is still locked around yours. she doesn't loosen it. you don't want her to. finally she lets out a breath you didn't know she was holding. "not him. but someone who works for him" her grip eases. slowly. finger by finger. like she's having to consciously tell each one to let go. the last one is her thumb. it stays against your palm for half a second longer than the rest. then she takes her hand back. the cold rushes in where she was. she glances at you. just for a second. then she looks back at the window. the rest of the night she's quieter than before. the target never shows. when the sky starts turning grey she stands up. stretches. rolls her shoulders. looks out over the city one last time. "we're done" you stand too. your legs don't work right. she catches your elbow without looking. "careful" she keeps her hand there until you're steady. then she takes it away. you start to hand her cloak back. she says "keep it for the climb down" she goes first. you follow. the handholds are easier going down once you know where they are. when you're both on the ground she turns to take the cloak. you hand it to her. her fingers brush yours. she doesn't pull back as fast as she usually does. she puts the cloak back on. it's warm now. from you. she has to notice. she doesn't say anything about it. she walks you home. at your door she stops. "don't tell anyone what you saw tonight" you say "i didn't see much" she looks at you. her eyes in the lamplight. the edge of her mouth. almost softer than it should be. "you saw enough" then she turns and walks back into the dark. you close the door. your hand still feels cold where hers was. you can still smell pine on your shirt. you don't sleep. Study the Saskio way
8:09

Vayne takes you on a hunt. you don't know why. she doesn't take anyone. she says stay behind me. don't speak unless i speak first. don't make a sound when we move. you say yes. she looks at you for a second longer than usual. "if i tell you to run, you run. you don't look back for me. are we clear" you say yes. she doesn't answer. she just turns and walks out the door. you follow her through the city streets. she moves different when she's working. shoulders lower. steps shorter. her head doesn't turn but her eyes do. you can feel her cataloguing everything. the man smoking outside the tavern. the cat under the cart. the second floor window with the curtain half drawn. she leads you through an alley you didn't know existed. stops at a brick wall. then she climbs. there are handholds carved into the mortar that you wouldn't have noticed if she hadn't used them first. she's halfway up before she realizes you're still at the bottom. she looks down at you. "up" you climb. your hands are shaking by the time you reach the top. the roof is flat. old clay tiles along the edges. a low wall you can crouch behind. the city stretches out below you in every direction. a thousand windows glowing gold in the dusk. she's already at the far side. crouched. crossbow unslung. watching a building across the square. she doesn't look at you when you come up beside her. "stay low" you crouch. "that building. third floor. second window from the left" you look. "i see it" he'll come to that window sometime tonight. i've watched him do it for three nights. i want to know who he meets you ask who he is. her jaw tightens. "a demon pretending to be a man" you don't ask what that means. you settle in beside her. the wind is up here. it pulls at her hair and she doesn't bother fixing it. the sun is going down behind her. her profile in the gold light looks like something carved. her hands on the crossbow are steady. completely still. you've never seen anyone be this still. an hour passes. she doesn't move. you try not to move. your leg falls asleep. you shift an inch. she looks at you. you go completely still again. she looks back at the window. another hour. the sun is gone. the city is blue and black. lamps are lighting up one by one. the air is getting cold. you're shivering before you realize you're shivering. she notices. she doesn't say anything. then she takes off her cloak. doesn't look at you. holds it out to the side. "take it" you say "you'll be cold" "i don't get cold. take it" you take it. it's warm from her. it smells like leather and steel and something underneath. pine. smoke. something you can't name. you put it around your shoulders. the hem pools on the tile. it's huge on you. it's not huge on her. you hadn't realized how tall she is until you were wearing her cloak. she doesn't look at you for the next ten minutes. the stars come out. she shifts closer to you. just a little. so her shoulder is almost touching yours. you don't say anything about it. she doesn't either. you can feel the heat coming off her even through the cloak. another hour. still nothing at the window. she says "tell me something" you blink. "what" "anything. i need to stay sharp. talking keeps me sharp. not about the target. something else" you didn't expect that. you tell her about a book you've been reading. she listens. actually listens. her eyes never leave the window but you can tell she's hearing every word. she asks one question. you answer. she goes quiet again. you keep talking. quieter now. she interrupts you. "shh" she's not looking at the window anymore. she's looking at the roof two buildings over. you don't see anything. you don't see anything for a long time. then you do. a shadow that moves the wrong way. her hand finds yours. she doesn't look at you when she does it. her eyes don't leave the shadow. her fingers lace through yours and LOCK. tight. too tight. knuckles going white around your hand. "don't move" she breathes. you don't move. you can feel every ounce of her focus through her grip. it's not a lover's hold. it's a predator's. every muscle in her hand coiled. ready to drop yours the instant she needs the crossbow. she's not holding you for you. she's holding you to keep track of where you are without having to look. it should scare you. it doesn't. there is something about being held that tight by someone that dangerous that makes the rest of the world go quiet. your heartbeat slows. your breathing slows. the cold stops mattering. you are not the one hunting but you are with the one who is. and nothing is going to get through her to reach you. the shadow crosses the roof and disappears into a stairwell. she watches the spot it left for another full minute. her hand is still locked around yours. she doesn't loosen it. you don't want her to. finally she lets out a breath you didn't know she was holding. "not him. but someone who works for him" her grip eases. slowly. finger by finger. like she's having to consciously tell each one to let go. the last one is her thumb. it stays against your palm for half a second longer than the rest. then she takes her hand back. the cold rushes in where she was. she glances at you. just for a second. then she looks back at the window. the rest of the night she's quieter than before. the target never shows. when the sky starts turning grey she stands up. stretches. rolls her shoulders. looks out over the city one last time. "we're done" you stand too. your legs don't work right. she catches your elbow without looking. "careful" she keeps her hand there until you're steady. then she takes it away. you start to hand her cloak back. she says "keep it for the climb down" she goes first. you follow. the handholds are easier going down once you know where they are. when you're both on the ground she turns to take the cloak. you hand it to her. her fingers brush yours. she doesn't pull back as fast as she usually does. she puts the cloak back on. it's warm now. from you. she has to notice. she doesn't say anything about it. she walks you home. at your door she stops. "don't tell anyone what you saw tonight" you say "i didn't see much" she looks at you. her eyes in the lamplight. the edge of her mouth. almost softer than it should be. "you saw enough" then she turns and walks back into the dark. you close the door. your hand still feels cold where hers was. you can still smell pine on your shirt. you don't sleep. Study the Saskio way

Tony Chau

11,914 views โ€ข 4 months ago

I know there are many people out there who credit dogs for keeping them going, getting through tough times and even saving their lives. Iโ€™ve heard the personal stories from 100s of people. Dogs are so pure and unconditional with their support and love. I canโ€™t explain how much pressure and stress Iโ€™ve been under the last year and in particular the last 3-4 months. Tina may no longer be with us but it is because of her that I keep going on this mission. In the dark times I think about her face and her warm cosy fur. Iโ€™m not sure but were it not for Tina there are times when I might have broken or had to stop such was the suffering and pain we see. So much is about to come togetherโ€ฆ ๐Ÿ“• In 43 days the book about Tina will be out. It was a work of pure love. But exhausting too emotionally. ๐Ÿฅ Tinaโ€™s field hospital opens on Tuesday with our new vet starting. Her big hospital is also being built. ๐ŸŽค Iโ€™m doing about 7-8 events in Ireland and England in May followed by the USA telling Tinaโ€™s story to 1000s of people. Iโ€™m terrified. ๐Ÿฅ˜ Her little sibling (in my head) Alba has her own kitchen just open feeding 1250 dogs a day โœ‚๏ธ We have funded over 20,000 sterilising in 2025 already. Thatโ€™s just a tiny amount of the things happening. We do them all for the street dogs but I personally do them for Tina. Some dogs (and people) shake you and move you to your very core. They are soul dogs. That is Tina for me. I was exhausted and burnt out tonight with so much to juggle so I sat in bed and opened my Tina folder of videos on my phone. I wanted to sleep but just seeing her face made me want to share a little video and write this. She just makes me want to put more good into the world for all to share. Maybe when I get through the next 2 mad months I dream of sitting on a little quiet beach somewhere on my own reading a book, fully offline and just thinking about Tina. Iโ€™ll tell her about all that has happened. Iโ€™ve not been able to do that yet. But for now there is one more big push needed in Tinaโ€™s name ๐Ÿ’›๐Ÿ’™
0:41

I know there are many people out there who credit dogs for keeping them going, getting through tough times and even saving their lives. Iโ€™ve heard the personal stories from 100s of people. Dogs are so pure and unconditional with their support and love. I canโ€™t explain how much pressure and stress Iโ€™ve been under the last year and in particular the last 3-4 months. Tina may no longer be with us but it is because of her that I keep going on this mission. In the dark times I think about her face and her warm cosy fur. Iโ€™m not sure but were it not for Tina there are times when I might have broken or had to stop such was the suffering and pain we see. So much is about to come togetherโ€ฆ ๐Ÿ“• In 43 days the book about Tina will be out. It was a work of pure love. But exhausting too emotionally. ๐Ÿฅ Tinaโ€™s field hospital opens on Tuesday with our new vet starting. Her big hospital is also being built. ๐ŸŽค Iโ€™m doing about 7-8 events in Ireland and England in May followed by the USA telling Tinaโ€™s story to 1000s of people. Iโ€™m terrified. ๐Ÿฅ˜ Her little sibling (in my head) Alba has her own kitchen just open feeding 1250 dogs a day โœ‚๏ธ We have funded over 20,000 sterilising in 2025 already. Thatโ€™s just a tiny amount of the things happening. We do them all for the street dogs but I personally do them for Tina. Some dogs (and people) shake you and move you to your very core. They are soul dogs. That is Tina for me. I was exhausted and burnt out tonight with so much to juggle so I sat in bed and opened my Tina folder of videos on my phone. I wanted to sleep but just seeing her face made me want to share a little video and write this. She just makes me want to put more good into the world for all to share. Maybe when I get through the next 2 mad months I dream of sitting on a little quiet beach somewhere on my own reading a book, fully offline and just thinking about Tina. Iโ€™ll tell her about all that has happened. Iโ€™ve not been able to do that yet. But for now there is one more big push needed in Tinaโ€™s name ๐Ÿ’›๐Ÿ’™

Niall Harbison

233,798 views โ€ข 1 year ago

There was no word for what this woman did. So Britain had to make one. ๐Ÿด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ๐Ÿ‡ฌ๐Ÿ‡ง Mary Somerville's whole schooling was 1 year, at a girls' boarding school in Musselburgh. She left it feeling, in her own words, like a wild animal escaped out of a cage. After that she taught herself, from the family shelves, by candles they tried to take away. The spark was a puzzle on the back page of a friend's fashion magazine, numbers mixed in with letters. Nobody she asked could explain it. It was algebra, and she wanted more. Custom stopped a woman buying such books, so her brother's tutor bought her Euclid. She worked through it alone, line by line. By 1811 she had taught herself enough to win a silver medal for mathematics. Then she took on Laplace's Mecanique Celeste, the mathematics of the heavens, in French. Asked to translate it for British readers she did far more. She rebuilt the mathematics inside it, and in 1831 The Mechanism of the Heavens went to print. Cambridge set it in front of its own students. ๐Ÿ“œ In 1834 she joined the sciences together. Physics, chemistry, astronomy, light, tides and magnetism, in one book anyone could read. It sold and sold. And it broke open the English language. The Cambridge professor William Whewell sat down to review it, and no single word covered what she did. Man of science would not do. One had been floated, half in jest, at a science meeting the year before. His review of her book put it into print for the first time. ๐Ÿ”ฅ Scientist. The first person the word ever described in print was a Scotswoman with 1 year of school. A year on, she and Caroline Herschel became the Royal Astronomical Society's first women Honorary Members. ๐Ÿ›๏ธ Her pages on the wobble in Uranus's orbit helped point John Couch Adams at the hunt that found Neptune in 1846. She mentored a young Ada Lovelace and introduced her to Charles Babbage. In 1866 John Stuart Mill put her name first on his petition to Parliament for women's votes. Oxford named a college for her. And since 2017 her face has sat on the Royal Bank of Scotland's ยฃ10 note, printed beside a line from the book that needed a new word. โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ” 1 year of school. A puzzle in a magazine. And a word the whole world uses. Her word is still in your mouth. Stand a little taller when you say it. We are the home of British heroes. There is a place for you with them. ๐Ÿ‘‰ ๐Ÿ‘ˆ Be part of us. โ˜๏ธ๐Ÿ‡ฌ๐Ÿ‡ง Be Proud Of Us. ๐Ÿ™๐Ÿ‡ฌ๐Ÿ‡ง
3:33

There was no word for what this woman did. So Britain had to make one. ๐Ÿด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ๐Ÿ‡ฌ๐Ÿ‡ง Mary Somerville's whole schooling was 1 year, at a girls' boarding school in Musselburgh. She left it feeling, in her own words, like a wild animal escaped out of a cage. After that she taught herself, from the family shelves, by candles they tried to take away. The spark was a puzzle on the back page of a friend's fashion magazine, numbers mixed in with letters. Nobody she asked could explain it. It was algebra, and she wanted more. Custom stopped a woman buying such books, so her brother's tutor bought her Euclid. She worked through it alone, line by line. By 1811 she had taught herself enough to win a silver medal for mathematics. Then she took on Laplace's Mecanique Celeste, the mathematics of the heavens, in French. Asked to translate it for British readers she did far more. She rebuilt the mathematics inside it, and in 1831 The Mechanism of the Heavens went to print. Cambridge set it in front of its own students. ๐Ÿ“œ In 1834 she joined the sciences together. Physics, chemistry, astronomy, light, tides and magnetism, in one book anyone could read. It sold and sold. And it broke open the English language. The Cambridge professor William Whewell sat down to review it, and no single word covered what she did. Man of science would not do. One had been floated, half in jest, at a science meeting the year before. His review of her book put it into print for the first time. ๐Ÿ”ฅ Scientist. The first person the word ever described in print was a Scotswoman with 1 year of school. A year on, she and Caroline Herschel became the Royal Astronomical Society's first women Honorary Members. ๐Ÿ›๏ธ Her pages on the wobble in Uranus's orbit helped point John Couch Adams at the hunt that found Neptune in 1846. She mentored a young Ada Lovelace and introduced her to Charles Babbage. In 1866 John Stuart Mill put her name first on his petition to Parliament for women's votes. Oxford named a college for her. And since 2017 her face has sat on the Royal Bank of Scotland's ยฃ10 note, printed beside a line from the book that needed a new word. โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ” 1 year of school. A puzzle in a magazine. And a word the whole world uses. Her word is still in your mouth. Stand a little taller when you say it. We are the home of British heroes. There is a place for you with them. ๐Ÿ‘‰ ๐Ÿ‘ˆ Be part of us. โ˜๏ธ๐Ÿ‡ฌ๐Ÿ‡ง Be Proud Of Us. ๐Ÿ™๐Ÿ‡ฌ๐Ÿ‡ง

Proudofus.uk

45,644 views โ€ข 1 month ago

A 22 YEAR OLD IS RUNNING A CHILDREN'S TELEVISION NETWORK FROM HER BEDROOM. SHE PRODUCES A NEW 3D ANIMATED EPISODE EVERY SINGLE MORNING. SHE HAS NO ANIMATORS AND SHE DOES NOT DRAW. Kids' nursery rhyme channels routinely pull 2 million views per video. YouTube pays between $1,000 and $5,000 per million views. Before this year, getting a piece of that market required a 3D animation studio, voice actors, and a month of rendering. She does it in under five minutes. The whole pipeline fits on an iPad. She opens Picsart Flow and selects Sora 2. She pastes one master prompt. A vibrant, bright 3D animated kids show. Soft playful world. Glossy textures. Upbeat bouncy music. Characters that pop into frame and react naturally. She clicks generate. Two minutes later, the file is ready. 4K resolution. Perfectly lit 3D characters, smiling letters and colorful water drops, bouncing and lip-syncing to a synthesized song. The camera moves like a real director filmed it. She uploads it to YouTube. The next morning, she does it again. The kids watching don't know it was generated by a machine. The parents who just want five minutes of quiet don't care. The YouTube algorithm treats it like a Pixar short. A real animation studio spends $50,000 and two months to produce three minutes of content. She spends zero dollars and goes to make coffee. While the rest of the internet argues about whether AI video is ethical, she is quietly pulling market share from massive media companies with a single prompt. Most people will watch her tutorial and complain. A few will open a new tab.
0:27

A 22 YEAR OLD IS RUNNING A CHILDREN'S TELEVISION NETWORK FROM HER BEDROOM. SHE PRODUCES A NEW 3D ANIMATED EPISODE EVERY SINGLE MORNING. SHE HAS NO ANIMATORS AND SHE DOES NOT DRAW. Kids' nursery rhyme channels routinely pull 2 million views per video. YouTube pays between $1,000 and $5,000 per million views. Before this year, getting a piece of that market required a 3D animation studio, voice actors, and a month of rendering. She does it in under five minutes. The whole pipeline fits on an iPad. She opens Picsart Flow and selects Sora 2. She pastes one master prompt. A vibrant, bright 3D animated kids show. Soft playful world. Glossy textures. Upbeat bouncy music. Characters that pop into frame and react naturally. She clicks generate. Two minutes later, the file is ready. 4K resolution. Perfectly lit 3D characters, smiling letters and colorful water drops, bouncing and lip-syncing to a synthesized song. The camera moves like a real director filmed it. She uploads it to YouTube. The next morning, she does it again. The kids watching don't know it was generated by a machine. The parents who just want five minutes of quiet don't care. The YouTube algorithm treats it like a Pixar short. A real animation studio spends $50,000 and two months to produce three minutes of content. She spends zero dollars and goes to make coffee. While the rest of the internet argues about whether AI video is ethical, she is quietly pulling market share from massive media companies with a single prompt. Most people will watch her tutorial and complain. A few will open a new tab.

ZER

469,058 views โ€ข 2 months ago

Not gonna lie, I wasnโ€™t planning on posting thisโ€”mostly because I was already dealing with shit at the beginning of the year. But back in March, I ran into a streamer named Alexandria during a game of SND on COD. From the jump, we said our usual โ€œhelluuuu, you guys sound cuteโ€ once we realized there were girls on the other teamโ€”something we do often because, letโ€™s be honest, women already deal with enough BS on this game. Throughout the match, they told me to kill myself, said theyโ€™d take me โ€œout back and shoot me in the head,โ€ and repeatedly made homophobic remarks. It wasnโ€™t edgy or โ€œjust trash talkโ€โ€”it was fucking insane to comfortably say this to someone no matter who they are. She sat there giggling and laughing at the remarks they were making, saying that she โ€œcanโ€™t control themโ€ while theyโ€™re in HER STREAM and HER PARTY. What you mean you canโ€™t control them??!?!? KICK THEM, LEAVE THE PARTY. Her rules on her channel literally say โ€œno racism, no sexism, no homophobiaโ€ ๐Ÿ’€ After the match, they didnโ€™t stop. They kept my stream open for three hours, trashing my appearance, throwing more hate, and obsessively dissecting everything about me. So, I made a low key video about it at the timeโ€”which ended up doing pretty well. Naturally, she and her crew found it and started claiming I edited someone elseโ€™s voice over her face cam and faked the entire thing ๐Ÿ˜ญ also, my community lurked to listen to her stream but never ONCE typed in her chat or anyone elseโ€™s. I even made several statements to not type or open their stream. Then she took to Twitter to say she was the one being targeted and that I was using my platform to โ€œspread hate.โ€ Fast forward to two days agoโ€”we matched with her again on SND. After round one I said, โ€œremember me, Satan?โ€ She tried to play dumb, then immediately backtracked into ranting about the March video and how I allegedly faked the whole thing (again). This time, she was playing with another streamer who seemed chillโ€ฆ until we checked his VOD afterward and, of course, he was throwing around the same homophobic shit. What a surprise ๐Ÿ’€ And despite all this, this group still claims Iโ€™m the one hating here. According to them, they did nothing wrong and I should be using my community to โ€œspread positivityโ€ instead. Apparently, Iโ€™d be so โ€œpowerfulโ€ if I used my platform that way. Like be fucking forreal, youโ€™re absolutely delusional. Below Iโ€™m gonna link the raw files from her VOD, and Iโ€™ll upload her tweets into the folder as well if you want to watch it with no edits. It includes the full games and all the after game shit talk, as well as the other streamers POV.
3:03

Not gonna lie, I wasnโ€™t planning on posting thisโ€”mostly because I was already dealing with shit at the beginning of the year. But back in March, I ran into a streamer named Alexandria during a game of SND on COD. From the jump, we said our usual โ€œhelluuuu, you guys sound cuteโ€ once we realized there were girls on the other teamโ€”something we do often because, letโ€™s be honest, women already deal with enough BS on this game. Throughout the match, they told me to kill myself, said theyโ€™d take me โ€œout back and shoot me in the head,โ€ and repeatedly made homophobic remarks. It wasnโ€™t edgy or โ€œjust trash talkโ€โ€”it was fucking insane to comfortably say this to someone no matter who they are. She sat there giggling and laughing at the remarks they were making, saying that she โ€œcanโ€™t control themโ€ while theyโ€™re in HER STREAM and HER PARTY. What you mean you canโ€™t control them??!?!? KICK THEM, LEAVE THE PARTY. Her rules on her channel literally say โ€œno racism, no sexism, no homophobiaโ€ ๐Ÿ’€ After the match, they didnโ€™t stop. They kept my stream open for three hours, trashing my appearance, throwing more hate, and obsessively dissecting everything about me. So, I made a low key video about it at the timeโ€”which ended up doing pretty well. Naturally, she and her crew found it and started claiming I edited someone elseโ€™s voice over her face cam and faked the entire thing ๐Ÿ˜ญ also, my community lurked to listen to her stream but never ONCE typed in her chat or anyone elseโ€™s. I even made several statements to not type or open their stream. Then she took to Twitter to say she was the one being targeted and that I was using my platform to โ€œspread hate.โ€ Fast forward to two days agoโ€”we matched with her again on SND. After round one I said, โ€œremember me, Satan?โ€ She tried to play dumb, then immediately backtracked into ranting about the March video and how I allegedly faked the whole thing (again). This time, she was playing with another streamer who seemed chillโ€ฆ until we checked his VOD afterward and, of course, he was throwing around the same homophobic shit. What a surprise ๐Ÿ’€ And despite all this, this group still claims Iโ€™m the one hating here. According to them, they did nothing wrong and I should be using my community to โ€œspread positivityโ€ instead. Apparently, Iโ€™d be so โ€œpowerfulโ€ if I used my platform that way. Like be fucking forreal, youโ€™re absolutely delusional. Below Iโ€™m gonna link the raw files from her VOD, and Iโ€™ll upload her tweets into the folder as well if you want to watch it with no edits. It includes the full games and all the after game shit talk, as well as the other streamers POV.

SteffyEvans

20,838 views โ€ข 1 year ago

YESTERDAY WAS THAT DAY ๐Ÿ˜Š๐Ÿ˜Š๐Ÿ˜Š A DAY WITH THE Bolajiogunmolatv ๐Ÿซถ๐Ÿฝ Have your fav decided to fly all the way just to surprise you? NOOO! So shift back ๐Ÿคฃ๐Ÿคญ I was shocked. Itโ€™s very hard to surprise me cos I will always pick up a clue or my instinct will kick in but this time I was legit shocked.. And the fact that she didnโ€™t post in real time for 12 hours so I wonโ€™t suspect sealed everything. I was shaking for more than 5 mins. Like how? What! My head wan blow ๐Ÿคฏ๐Ÿคฏ๐Ÿคฏ When she said โ€œI just came to see you. I came to Abuja for youโ€โ€ฆ I thought she was whining me but this woman came to my place straight from the airport, spent the day with me and my sisters and left first thing this morning. She didnโ€™t even tell her Abuja friends she was coming just so we can enjoy the day together ๐Ÿฅน๐Ÿฅน. Donโ€™t tell me not to feel special, itโ€™s too late. I AM ALREADY FEELING EXTREMELY SPECIAL ๐Ÿฅฐ MY HEAD WAN BURST ๐Ÿฅน๐Ÿคฃ -She came with her brother and was intentional about coming to help me Make content for my brand. His work rate >>>>.. In her words โ€œyou gave me your time and that is very important to meโ€โ€ฆ if you know me, you will know the easiest way to finish me is by supporting my brand ๐Ÿ˜ญ๐Ÿ™๐Ÿฝ๐Ÿซถ๐Ÿฝ -I have been asking her to send in her measurements for months. Well she came for physical measurements. ๐Ÿ’…๐Ÿฝ -She is such a vibe and holds the best conversation. We were gisting for hours like we knew each other for years.๐Ÿ˜Š -I got sneak peak of our next YouTube movie and yโ€™all better be ready. Another banger dropping soon ๐ŸŽ‰๐ŸŽ‰ -Oh! And did I tell you how KIND she is. KIND, GRACEFUL,THOUGHTFUL,HER PRESENCE IS SO SOOTHING AND HER MIND IS BRILLIANT.. She came bearing gifts too. I didnโ€™t even open it cos I was too excited to see her. Will go and open it later todayโ€ฆ -SHE IS SOOO PRETTY. OMG! Camera is not doing any justice abeg. Too beautiful and portable. TV definitely makes them look bigger. -Gave her a tour of our 80% done fashion space and she wanted to use hype to finish me. Advised, prayed and encouraged me. -Then we went to watch AJOSEPO the gathering for the 5th time with her. She brought my own personal premiere to me ๐Ÿ’…๐Ÿฝ -Funfact; This was something she didnโ€™t have to do but she did just to show me love. She already messaged me to thank me several times and even chatted on video call and it was very okay. I was always telling her the โ€œThank youโ€ was enough so you see how this was such a big deal. THANK YOU SO MUCH WIFEY. Yesterday was super special because of you ๐Ÿซถ๐Ÿฝ.. One of the edits her amazing brother did on the spot. ๐Ÿ‘‡๐Ÿฝ๐Ÿ‘‡๐Ÿฝ. He is too good ๐Ÿ‘
0:10

YESTERDAY WAS THAT DAY ๐Ÿ˜Š๐Ÿ˜Š๐Ÿ˜Š A DAY WITH THE Bolajiogunmolatv ๐Ÿซถ๐Ÿฝ Have your fav decided to fly all the way just to surprise you? NOOO! So shift back ๐Ÿคฃ๐Ÿคญ I was shocked. Itโ€™s very hard to surprise me cos I will always pick up a clue or my instinct will kick in but this time I was legit shocked.. And the fact that she didnโ€™t post in real time for 12 hours so I wonโ€™t suspect sealed everything. I was shaking for more than 5 mins. Like how? What! My head wan blow ๐Ÿคฏ๐Ÿคฏ๐Ÿคฏ When she said โ€œI just came to see you. I came to Abuja for youโ€โ€ฆ I thought she was whining me but this woman came to my place straight from the airport, spent the day with me and my sisters and left first thing this morning. She didnโ€™t even tell her Abuja friends she was coming just so we can enjoy the day together ๐Ÿฅน๐Ÿฅน. Donโ€™t tell me not to feel special, itโ€™s too late. I AM ALREADY FEELING EXTREMELY SPECIAL ๐Ÿฅฐ MY HEAD WAN BURST ๐Ÿฅน๐Ÿคฃ -She came with her brother and was intentional about coming to help me Make content for my brand. His work rate >>>>.. In her words โ€œyou gave me your time and that is very important to meโ€โ€ฆ if you know me, you will know the easiest way to finish me is by supporting my brand ๐Ÿ˜ญ๐Ÿ™๐Ÿฝ๐Ÿซถ๐Ÿฝ -I have been asking her to send in her measurements for months. Well she came for physical measurements. ๐Ÿ’…๐Ÿฝ -She is such a vibe and holds the best conversation. We were gisting for hours like we knew each other for years.๐Ÿ˜Š -I got sneak peak of our next YouTube movie and yโ€™all better be ready. Another banger dropping soon ๐ŸŽ‰๐ŸŽ‰ -Oh! And did I tell you how KIND she is. KIND, GRACEFUL,THOUGHTFUL,HER PRESENCE IS SO SOOTHING AND HER MIND IS BRILLIANT.. She came bearing gifts too. I didnโ€™t even open it cos I was too excited to see her. Will go and open it later todayโ€ฆ -SHE IS SOOO PRETTY. OMG! Camera is not doing any justice abeg. Too beautiful and portable. TV definitely makes them look bigger. -Gave her a tour of our 80% done fashion space and she wanted to use hype to finish me. Advised, prayed and encouraged me. -Then we went to watch AJOSEPO the gathering for the 5th time with her. She brought my own personal premiere to me ๐Ÿ’…๐Ÿฝ -Funfact; This was something she didnโ€™t have to do but she did just to show me love. She already messaged me to thank me several times and even chatted on video call and it was very okay. I was always telling her the โ€œThank youโ€ was enough so you see how this was such a big deal. THANK YOU SO MUCH WIFEY. Yesterday was super special because of you ๐Ÿซถ๐Ÿฝ.. One of the edits her amazing brother did on the spot. ๐Ÿ‘‡๐Ÿฝ๐Ÿ‘‡๐Ÿฝ. He is too good ๐Ÿ‘

Ayeesha

82,370 views โ€ข 3 months ago

๐Ÿ”ฅ๐Ÿ‘€ UNREALโ€ฆ YOU CANT UNSEE IT. What if I told you the woman who attempted to smear Elon as โ€œfar rightโ€ in her Economist interview โ€ฆ Zanny Minton Beddoes and said people โ€œLOATHEโ€ him is the same one who flew into Kyiv for a curated tour and called Zelensky โ€œimmensely braveโ€. What if I told you she called Zelensky the avatar for the entire Ukrainian peopleโ€ in 2022 and she had unprecedented ACCESS to the war room instantly? What if I told you sheโ€™s on the Bilderberg Steering Committee and a permanent Davos regular and has attended at least 5 of them? NOW what if I told you Zannyโ€™s husband Sebastian Mallaby has written extensively about George Soros in the 2022 book George Soros: A Life in Full. Now what if I told you Chatham House (linked to Zanny via her late father-in-law) has received over $3.5 million+ from Open Society Foundations in just the grants publicly listed since 2020 including a dedicated $200k Ukraine package in 2024 ALONE. What if I told you Canadian PM Mark served as a President of Chatham House from 2024 until 2025 when Carney was he was elected? โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹ Open Society Foundation is still listed as one of their top institutional funders to this date. Gets crazier. Now what if I told you and in 2008 he PERSONALLY moderated a CFR (Council on Foreign Relations) panel with Georgie S was sitting right next to him. So George was trying to assist Kerry in 2004 & pouring millions into anti-Bush protests George attacked the Middle East Wars. 4 years later he would pour millions into the Obama & Clinton campaigns in 2008. Years later his foundations put more than $230 million into Ukraine including support for civil society groups active during the protests What is his goal? Zanny also did an interview with Bill Gates where he was calling for more government expenditure on vaccines AND predicted the pandemic would cease around the end of 2021. Connect the dotsโ€ฆ Pro endless Ukraine fundingโ€ฆ. Davos elite attendee. Thatโ€™s exactly why the questions to Elon were so aggressive while she coddled others. Sheโ€™s a TRANSLANTICIST as Mike Benz would say. Just weeks after the war started she flew into Kyiv and fawned over Zelensky like a propaganda piece calling him โ€œimmensely braveโ€ and the avatar of his people while he suspended electionsโ€ฆ kept martial law goingโ€ฆ and fed older men into the meat grinder. She gave Bill Gates the same soft treatment. Then she went after Elon Musk. The man accelerating clean energy, landing reusable rockets, keeping Ukraine online with Starlink, advancing Neuralink, and defending free speech on the last major open platform. Zanny glows over the ones who fit the scriptโ€ฆ and attacks the one actually pushing humanity forward. Thatโ€™s not journalism. Thatโ€™s defending the club. Are we getting it yet?
3:02

๐Ÿ”ฅ๐Ÿ‘€ UNREALโ€ฆ YOU CANT UNSEE IT. What if I told you the woman who attempted to smear Elon as โ€œfar rightโ€ in her Economist interview โ€ฆ Zanny Minton Beddoes and said people โ€œLOATHEโ€ him is the same one who flew into Kyiv for a curated tour and called Zelensky โ€œimmensely braveโ€. What if I told you she called Zelensky the avatar for the entire Ukrainian peopleโ€ in 2022 and she had unprecedented ACCESS to the war room instantly? What if I told you sheโ€™s on the Bilderberg Steering Committee and a permanent Davos regular and has attended at least 5 of them? NOW what if I told you Zannyโ€™s husband Sebastian Mallaby has written extensively about George Soros in the 2022 book George Soros: A Life in Full. Now what if I told you Chatham House (linked to Zanny via her late father-in-law) has received over $3.5 million+ from Open Society Foundations in just the grants publicly listed since 2020 including a dedicated $200k Ukraine package in 2024 ALONE. What if I told you Canadian PM Mark served as a President of Chatham House from 2024 until 2025 when Carney was he was elected? โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹โ€‹ Open Society Foundation is still listed as one of their top institutional funders to this date. Gets crazier. Now what if I told you and in 2008 he PERSONALLY moderated a CFR (Council on Foreign Relations) panel with Georgie S was sitting right next to him. So George was trying to assist Kerry in 2004 & pouring millions into anti-Bush protests George attacked the Middle East Wars. 4 years later he would pour millions into the Obama & Clinton campaigns in 2008. Years later his foundations put more than $230 million into Ukraine including support for civil society groups active during the protests What is his goal? Zanny also did an interview with Bill Gates where he was calling for more government expenditure on vaccines AND predicted the pandemic would cease around the end of 2021. Connect the dotsโ€ฆ Pro endless Ukraine fundingโ€ฆ. Davos elite attendee. Thatโ€™s exactly why the questions to Elon were so aggressive while she coddled others. Sheโ€™s a TRANSLANTICIST as Mike Benz would say. Just weeks after the war started she flew into Kyiv and fawned over Zelensky like a propaganda piece calling him โ€œimmensely braveโ€ and the avatar of his people while he suspended electionsโ€ฆ kept martial law goingโ€ฆ and fed older men into the meat grinder. She gave Bill Gates the same soft treatment. Then she went after Elon Musk. The man accelerating clean energy, landing reusable rockets, keeping Ukraine online with Starlink, advancing Neuralink, and defending free speech on the last major open platform. Zanny glows over the ones who fit the scriptโ€ฆ and attacks the one actually pushing humanity forward. Thatโ€™s not journalism. Thatโ€™s defending the club. Are we getting it yet?

Johnny St.Pete

320,348 views โ€ข 1 month ago

Meghan Markle: Writing About โ€˜Princess Kateโ€™ in 2014, โ€˜I Didnโ€™t Know the Royal Familyโ€™ in 2021 Meghan sat with Oprah and said she went into royal life naively. The family was not something they followed at home. She did no research. She never looked her husband up. Everything she needed to know, Harry was already telling her. Then she added the line that gives the game away: thank God she hadnโ€™t researched, or she would have been in her head about it. Hold that against how ordinary people behave. It is not normal adult behaviour. Most people marrying into any close family do some homework. They ask questions. They learn the names, the dynamics, the rules of the house. They do it out of respect, self-preservation and basic courtesy. Marrying into the British monarchy is that instinct multiplied. You are not joining a nice family in Surrey. You are walking into an institution with protocol, history, press machinery and a public that already has opinions before you open your mouth. Saying you felt no need to look any of that up, and that Harry telling you โ€œeverything we thought I needed to knowโ€ was enough, is not charming innocence. She made not bothering to look sound like a personality trait. It puts the burden on them to brief you, protect you, and translate a 1,200-year-old system around your feelings. Ordinary people do not get that luxury and do not expect it. Put her words next to the record and it gets sharper than naivety. She did not grow up in a vacuum. In 2014, on her own blog, she was writing about William and Kateโ€™s wedding, โ€œPrincess Kate,โ€ pomp, and grown women clinging to the fantasy. That is not โ€œit wasnโ€™t part of conversation.โ€ That is a woman who had already formed a take. Then she sat with Oprah and gave us the other side of the story: blank slate, never researched, never looked him up, thank God she hadnโ€™t or she would have been โ€œin her head.โ€ Thatโ€™s the bit that should stop people. โ€œI didnโ€™t knowโ€ is the setup for โ€œso none of this is on me.โ€ If she walked in wide-eyed, every clash becomes proof the institution failed her, instead of a clash between her expectations and a job she declined to study. Naivety becomes a moral alibi. Normal people in that position would have done the opposite. They would have over-prepared. They would have been slightly embarrassed not to know the anthem, the curtsy, the difference between the family and the institution. She framed not knowing as virtue. That is not how a respectful newcomer talks. That is how someone talks when the story they need is: I was unspoiled, they were the problem. This is her being uniquely evil. It is a habit. Rewrite the small facts until they serve the larger narrative of injured innocence. If the blogs she wrote get rewritten, the Google search gets rewritten, and โ€œI didnโ€™t knowโ€ becomes the convenient version, why would the rest of the interview be any different?
1:03

Meghan Markle: Writing About โ€˜Princess Kateโ€™ in 2014, โ€˜I Didnโ€™t Know the Royal Familyโ€™ in 2021 Meghan sat with Oprah and said she went into royal life naively. The family was not something they followed at home. She did no research. She never looked her husband up. Everything she needed to know, Harry was already telling her. Then she added the line that gives the game away: thank God she hadnโ€™t researched, or she would have been in her head about it. Hold that against how ordinary people behave. It is not normal adult behaviour. Most people marrying into any close family do some homework. They ask questions. They learn the names, the dynamics, the rules of the house. They do it out of respect, self-preservation and basic courtesy. Marrying into the British monarchy is that instinct multiplied. You are not joining a nice family in Surrey. You are walking into an institution with protocol, history, press machinery and a public that already has opinions before you open your mouth. Saying you felt no need to look any of that up, and that Harry telling you โ€œeverything we thought I needed to knowโ€ was enough, is not charming innocence. She made not bothering to look sound like a personality trait. It puts the burden on them to brief you, protect you, and translate a 1,200-year-old system around your feelings. Ordinary people do not get that luxury and do not expect it. Put her words next to the record and it gets sharper than naivety. She did not grow up in a vacuum. In 2014, on her own blog, she was writing about William and Kateโ€™s wedding, โ€œPrincess Kate,โ€ pomp, and grown women clinging to the fantasy. That is not โ€œit wasnโ€™t part of conversation.โ€ That is a woman who had already formed a take. Then she sat with Oprah and gave us the other side of the story: blank slate, never researched, never looked him up, thank God she hadnโ€™t or she would have been โ€œin her head.โ€ Thatโ€™s the bit that should stop people. โ€œI didnโ€™t knowโ€ is the setup for โ€œso none of this is on me.โ€ If she walked in wide-eyed, every clash becomes proof the institution failed her, instead of a clash between her expectations and a job she declined to study. Naivety becomes a moral alibi. Normal people in that position would have done the opposite. They would have over-prepared. They would have been slightly embarrassed not to know the anthem, the curtsy, the difference between the family and the institution. She framed not knowing as virtue. That is not how a respectful newcomer talks. That is how someone talks when the story they need is: I was unspoiled, they were the problem. This is her being uniquely evil. It is a habit. Rewrite the small facts until they serve the larger narrative of injured innocence. If the blogs she wrote get rewritten, the Google search gets rewritten, and โ€œI didnโ€™t knowโ€ becomes the convenient version, why would the rest of the interview be any different?

Queen Esther

89,089 views โ€ข 22 days ago

The way Cihan proposes speaks volumes. This is the extended, improved version of the 'I'm not promising you a rose garden, Alya' of ep 28/29. This is the proposal of a man humbled by destiny and life. Which is why it includes no boasts. Instead, Cihan states facts. Cold, hard facts about himself, his life, and the difficulties Alya will face if she chooses him again. Underneath all that honesty is a man desperate for Alya to agree, but this time, his anxieties take a backseat because this is too important a deal for Cihan to botch up. So, he tells Alya he can't promise her an easy life, but he can promise her all of himself, as long as she continues to grace his life with her presence. And, Alya replies 'evlinerim' and 'buna da varim' - in other words, she accepts him and all that comes with him. All the craziness, the hardships, and everything else are acceptable as long as she has Cihan with her. And, that's why I said this proposal and Alya accepting the proposal in the way she does is one of the strongest hints these two are definitely getting hitched. It's the crossing of another threshold in their lives and relationship (him calling the ring a 'key', carrying her across the doorway, and sealing the deal with their bodies). Kind of like 'don't regret it later' in ep42, and then Alya walking under the shower to rise to the occasion. Because while all hell does break loose after they're together, even then, they still don't give up. Think about it, what are the reasons that could push Alya into leaving? Even if someone lies to her about Serhat, we've seen her refusing to leave Cihan's side when the whole bocek drama. Could it be someone threatening Cihan? Nope. Alya isn't the kind to keep that under wraps either, as seen by how she tells Cihan Demir's offer and how she barges into the hotel, thinking the Bulgarians have him. I initially thought it might be because she wants to give Cihan the freedom to choose without any obligations, but after this proposal, that's out too. Because this proposal removes any ambiguity about where Cihan's heart truly belongs. Disregarding his feelings now would be equal to disregarding the choice he's already made. Remember how she asks Cihan why no one is asking her what she wants when they're on the Firat trip? She's not about to do the same to Cihan. Now, let's focus on why she'd stay. One, she has Deniz's custody, so there's nothing pulling her in two opposite directions now. Plus, she's certain now that Cihan will go to any lengths to keep her and Deniz safe. Two, Cihan's increasing emotional transparency. We've seen this before in ep26-27. The more Cihan opens up to Alya, the more comfortable she becomes in her own skin. And, this time, Cihan's being very open about what Alya means to him and how Meryem is a shadow of the past that no longer belongs anywhere in his life. Three, her own love for Cihan is a determining factor. Alya loves Cihan enough to stay with him despite Mine wielding Boran's parentage over their heads. She gives up Deniz's location to save Cihan. She donates her kidney to ensure nothing happens to him. She risks saving Cihan from a car that's about to explode - you get the picture. And four, Alya's growing ability to read Sadakat's moves. S1 Alya reacted to Sadakat. S2 Alya observes and picks her battles. She already suspects Sadakat is up to something that includes Meryem, so she's on her guard. Which means Alya refusing to leave this time will break the wheel. Cihan's last wedding witnessed a bride too weak to fight for her love (apparently) and thus lost the opportunity to be with him. Alya's done nothing but fight to be with Cihan. There's a reason why Cihan's proposal includes the words, "You had a hundred thousand reasons to leave meโ€ฆ but you stayed." That line isnโ€™t there to foreshadow Alya finally walking away. Itโ€™s there to underline that Alya has already been tested over and over again - by Sadakat, by Mine, by Boran, by Meryem, by danger, by fear, by the chaos surrounding Cihan. Yet, every single time, she still gravitates back to him. That's the way I see it anyways. Guess we'll find out ๐Ÿ˜‰ #CihAl #Uzakลžehir
3:40

The way Cihan proposes speaks volumes. This is the extended, improved version of the 'I'm not promising you a rose garden, Alya' of ep 28/29. This is the proposal of a man humbled by destiny and life. Which is why it includes no boasts. Instead, Cihan states facts. Cold, hard facts about himself, his life, and the difficulties Alya will face if she chooses him again. Underneath all that honesty is a man desperate for Alya to agree, but this time, his anxieties take a backseat because this is too important a deal for Cihan to botch up. So, he tells Alya he can't promise her an easy life, but he can promise her all of himself, as long as she continues to grace his life with her presence. And, Alya replies 'evlinerim' and 'buna da varim' - in other words, she accepts him and all that comes with him. All the craziness, the hardships, and everything else are acceptable as long as she has Cihan with her. And, that's why I said this proposal and Alya accepting the proposal in the way she does is one of the strongest hints these two are definitely getting hitched. It's the crossing of another threshold in their lives and relationship (him calling the ring a 'key', carrying her across the doorway, and sealing the deal with their bodies). Kind of like 'don't regret it later' in ep42, and then Alya walking under the shower to rise to the occasion. Because while all hell does break loose after they're together, even then, they still don't give up. Think about it, what are the reasons that could push Alya into leaving? Even if someone lies to her about Serhat, we've seen her refusing to leave Cihan's side when the whole bocek drama. Could it be someone threatening Cihan? Nope. Alya isn't the kind to keep that under wraps either, as seen by how she tells Cihan Demir's offer and how she barges into the hotel, thinking the Bulgarians have him. I initially thought it might be because she wants to give Cihan the freedom to choose without any obligations, but after this proposal, that's out too. Because this proposal removes any ambiguity about where Cihan's heart truly belongs. Disregarding his feelings now would be equal to disregarding the choice he's already made. Remember how she asks Cihan why no one is asking her what she wants when they're on the Firat trip? She's not about to do the same to Cihan. Now, let's focus on why she'd stay. One, she has Deniz's custody, so there's nothing pulling her in two opposite directions now. Plus, she's certain now that Cihan will go to any lengths to keep her and Deniz safe. Two, Cihan's increasing emotional transparency. We've seen this before in ep26-27. The more Cihan opens up to Alya, the more comfortable she becomes in her own skin. And, this time, Cihan's being very open about what Alya means to him and how Meryem is a shadow of the past that no longer belongs anywhere in his life. Three, her own love for Cihan is a determining factor. Alya loves Cihan enough to stay with him despite Mine wielding Boran's parentage over their heads. She gives up Deniz's location to save Cihan. She donates her kidney to ensure nothing happens to him. She risks saving Cihan from a car that's about to explode - you get the picture. And four, Alya's growing ability to read Sadakat's moves. S1 Alya reacted to Sadakat. S2 Alya observes and picks her battles. She already suspects Sadakat is up to something that includes Meryem, so she's on her guard. Which means Alya refusing to leave this time will break the wheel. Cihan's last wedding witnessed a bride too weak to fight for her love (apparently) and thus lost the opportunity to be with him. Alya's done nothing but fight to be with Cihan. There's a reason why Cihan's proposal includes the words, "You had a hundred thousand reasons to leave meโ€ฆ but you stayed." That line isnโ€™t there to foreshadow Alya finally walking away. Itโ€™s there to underline that Alya has already been tested over and over again - by Sadakat, by Mine, by Boran, by Meryem, by danger, by fear, by the chaos surrounding Cihan. Yet, every single time, she still gravitates back to him. That's the way I see it anyways. Guess we'll find out ๐Ÿ˜‰ #CihAl #Uzakลžehir

CocoLoco

16,681 views โ€ข 4 months ago

May a friend like Jela never find me, because sometimes the loudest betrayal is the quiet one.๐Ÿ’” After Scotty and Natalie fell out, it felt like Jela stepped right into that best friend spot. They were always together. It looked like a real sisterhood. Lemmy was taking both of them on trips. Jela was included in everything. But the minute Scotty started getting dragged online, the support disappeared. And Scotty is pregnant. That is what makes it different. Pregnancy is when your circle is supposed to tighten up. That is when your best friend is supposed to be solid. Even in the episodes when Scotty was confronting Natalie, Jela sat there quiet. Looking down. Not saying much. That body language said enough. Then there was that live where Lemmy kept going on about how beautiful Jela was, and Scotty had to interrupt him. That moment shifted the energy. People saw it. Now rumors are floating around saying Scotty needs to watch her back when it comes to Jela and Lemmy. Whether it is true or not, people are starting to notice the pattern. I honestly feel bad for Scotty. Pregnancy is supposed to be one of the happiest times of your life. And women never forget how they were treated while carrying a child. Friendship betrayal is not always loud. Sometimes it is someone sitting next to you and saying nothing at all. C.C.
0:28

May a friend like Jela never find me, because sometimes the loudest betrayal is the quiet one.๐Ÿ’” After Scotty and Natalie fell out, it felt like Jela stepped right into that best friend spot. They were always together. It looked like a real sisterhood. Lemmy was taking both of them on trips. Jela was included in everything. But the minute Scotty started getting dragged online, the support disappeared. And Scotty is pregnant. That is what makes it different. Pregnancy is when your circle is supposed to tighten up. That is when your best friend is supposed to be solid. Even in the episodes when Scotty was confronting Natalie, Jela sat there quiet. Looking down. Not saying much. That body language said enough. Then there was that live where Lemmy kept going on about how beautiful Jela was, and Scotty had to interrupt him. That moment shifted the energy. People saw it. Now rumors are floating around saying Scotty needs to watch her back when it comes to Jela and Lemmy. Whether it is true or not, people are starting to notice the pattern. I honestly feel bad for Scotty. Pregnancy is supposed to be one of the happiest times of your life. And women never forget how they were treated while carrying a child. Friendship betrayal is not always loud. Sometimes it is someone sitting next to you and saying nothing at all. C.C.

โœจ๐“๐ˆ๐๐˜ The INSPIRATION ๐Ÿ’ซ

89,480 views โ€ข 6 months ago

OFFICIAL: EASTER EGG GUIDE FOR TOTENREICH: Wonder Weapon: 1. Head to The Drydocks and lower The Crane, this will allow you to wall jump and interact with the tip of the ship to pick up the Chain Link 2. Next, Head to Storm Bridge and pick up Chili Chunks behind the truck next to Deadshot 3. Place Chili Chunks on the table in the middle of the Skalen Market 4. Next, Head to Burial Grounds left-side door and interact with the keyhole. 5. Interact with the door again and hold it to open the door and to unlock the underground area. 6. This will spawn a Zursa Bear during a special round (starting the second special round) you need to kill him and he will drop The Lantern 7. Place The Lantern in the center of the Underground Room in Burial Grounds. 8. Constellations will appear around the wall. Interact with them as theyโ€™re shown on the table in this order: left, right, back, front. 9. Once completed, Astrid will appear and talk, she will then travel to different areas of the map. She will occasionally stop and you will need to kill frost zombies next to her. 10. Once all the Soulboxes are completed an Obstacle Course will form on the outside of The Lighthouse, climb to the top by Jumping / Wall Jumping up 11. Once you reach the top, Listen to the Astrid talk and pick up The Jotunn Star Wundersignal: 1. After completing Jotun Star Quest Head to The Lighthouse and inside on a shelf there will be a Crowbar 2. There are Multiple Wooden Boxes around the map with red IDs on the bottom right corner of the front of the box in red (for example III-6) use The Crowbar on the Wooden Box that has the Roboterteile ID (the IDs are on the shipping manifest in the War Factory Admin Room), this will give Flak Gun Round War Factory Core Foundry Fjord Road Dry Dock 3. Head to Turret Gun beside The Lighthouse and place Flak Gun Round then melee with Jotunn Star 4. Next, Head to The Robot Head in spawn and interact with it to search broken piece to get The Transmitter 5. Go to Tyrโ€™s Head and place it inside the Wall Machine thingy at the top of the Ladder 6. Next, whilst inside of Tyrโ€™s Head underneath the balcony there are 3 white lights, 2 of these lights will blink, count how many times it blinks -Both lights will remain on, There is the sound of a light turning on to indicate the start of a new light flashing cycle where both lights will flash at the same time to a certain count (for example left 2, right 5). Both lights will be on and then it will flash another set (for example left 6, right 4). (Unsure if these 2 combos have to be put into console in order but correct entry will give two different voicelines.) After entering one correctly you will be kicked out to hear voiceline and can re-enter console to input the 2nd shortly afterwards. 7. Now head to Core Foundry, and use a molotov to burn the ascender to access the consoles. 8. Ascend and interact with the consoles, The next part is timed and has a cooldown if you fail - you need to Calibrate the Amplitude and Frequency using the flashing light code. 9. Once this has been done head to the room Next to the Radio Tower and pick up The Wunderbarrage Controller Atomkraft Core 1. Find three uraniums: Uranium #1 Find the Fishing Rod (Olafโ€™s Personal Item) locations: - Dry Dock - Storm Bridge - Fishery Island - Beacon island Look for a Glowing Green Fish jumping around the water at each Fishing Location and use the Fishing Rod at that location once you see it Fishing Locations: Eidskallen Landing x2 Beacon Island x2 Eidskallen Square x2 Dry Dock (found one so far) Fishery Island x2 Tyrโ€™s Foot (found one so far) Once the fish is caught it will spawn an Irradiated Ravager (HVT) that will disappear and respawn somewhere else, chase it down and kill it (check your map to see its location, it shows up as an HVT). It will drop a Uranium. Uranium #2 Next, Craft an ARC-XD (there is one for free in Eidskallen Square on top of a box near the flame trap, you can get it by fishing as well) and melee the vent at Core Foundry to the left of the zipline to open the Secret ARC-XD Course. Blow up the boat full of barrels. Once the course is completed the 935 Genetic Lab room will be open and another Uranium x2 will be inside a Prison Cell There are several Jars with Heads inside in this room, all labelled A,B,C,D,E Look down the Hallway inside the Lab and note which numbered rooms have Nuclear Symbols 1 = A, 2 = B, 3 = C, 4 = D and 5 = E Take one Jar at a time that corresponds with the Numbers next to Nuclear Symbols and place them on the machine to the right of the cell door, once the correct jars are placed the Jar on the left side of the machine will glow purple and you can pick up acid There is a Big Chunk of Meat on a desk next to multiple drawings in the same Room, interact with it, then Pick up The Necrospike Once you have The Necrospike, use it on the Prison Cell Door, this will trigger a lockpick mini game. Spin the lockpick until the lock turns white 3x to unlock the cell, then pick up the second Uranium. Uranium #3 Next you need to craft or obtain the Glocke Drop, once you have one call it in, then shoot 20 mid-air zombies it throws up. This will drop the third and final Uranium. 2. At the Dry Dock, you need to call a WunderBarrage (unlocked by completing Wundersignal steps) in on the โ€œ02 Buildingโ€ at Dry Dock (where thereโ€™s debris on the stairs), this will open the stairs to the Machine Workshop. 3. Inside The Workshop there is a Claw Machine which you can place all of The Uranium inside of and play a mini-game. -Have a big group of 7 cores and a small group of 2 cores. 4. Once you complete the Mini-game you will be able to pick up The Atomkraft Core (Note: you drop if you zipline, and cant sprint with it) 5. Head to Quick Revive and place The Atomkraft Core on generator next to quick revive. Go into the shed behind quick revive and turn on the generator. You must now defend the The Atomkraft Core until itโ€™s charged. In interrupted you must turn on the generator again to continue. 6. Take the The Atomkraft Core to the barrel on the Storm Bridge and a Mini-Cutscene will play between the Giant and The Robot. Vegvisir 1. After the cutscene finishes, The Dravakar Shard will spawn at Tyrโ€™s Foot, pick it up 2. Pick it up and place the Shard inside the Bloodheim Hall on the bonfire 3. Use WW range attack to light the fire 4. Use Disciple Injection (there should be a free one around the map) and throw zombies into the bonfire (I only had to throw four) 5. A lockdown will start. Kill the boss zombie and pick up the Sunstone from the bonfire 6. Put the Sunstone in the church and do a range WW attack on it. 7. Around the map, there will now be floating rocks and runes. Above the church there will now be a compass with runes and arrows. -Shoot the floating rune rocks with the ranged WW in the order of the arrow lines. If an arrow has 1 line, then that's the first one. If an arrow has 2 lines, that's the second one, etc. 8. Go into Tyr's Head and interact with the console to start the boss fight. Credit to Callum and the ZoneX discord
0:29

OFFICIAL: EASTER EGG GUIDE FOR TOTENREICH: Wonder Weapon: 1. Head to The Drydocks and lower The Crane, this will allow you to wall jump and interact with the tip of the ship to pick up the Chain Link 2. Next, Head to Storm Bridge and pick up Chili Chunks behind the truck next to Deadshot 3. Place Chili Chunks on the table in the middle of the Skalen Market 4. Next, Head to Burial Grounds left-side door and interact with the keyhole. 5. Interact with the door again and hold it to open the door and to unlock the underground area. 6. This will spawn a Zursa Bear during a special round (starting the second special round) you need to kill him and he will drop The Lantern 7. Place The Lantern in the center of the Underground Room in Burial Grounds. 8. Constellations will appear around the wall. Interact with them as theyโ€™re shown on the table in this order: left, right, back, front. 9. Once completed, Astrid will appear and talk, she will then travel to different areas of the map. She will occasionally stop and you will need to kill frost zombies next to her. 10. Once all the Soulboxes are completed an Obstacle Course will form on the outside of The Lighthouse, climb to the top by Jumping / Wall Jumping up 11. Once you reach the top, Listen to the Astrid talk and pick up The Jotunn Star Wundersignal: 1. After completing Jotun Star Quest Head to The Lighthouse and inside on a shelf there will be a Crowbar 2. There are Multiple Wooden Boxes around the map with red IDs on the bottom right corner of the front of the box in red (for example III-6) use The Crowbar on the Wooden Box that has the Roboterteile ID (the IDs are on the shipping manifest in the War Factory Admin Room), this will give Flak Gun Round War Factory Core Foundry Fjord Road Dry Dock 3. Head to Turret Gun beside The Lighthouse and place Flak Gun Round then melee with Jotunn Star 4. Next, Head to The Robot Head in spawn and interact with it to search broken piece to get The Transmitter 5. Go to Tyrโ€™s Head and place it inside the Wall Machine thingy at the top of the Ladder 6. Next, whilst inside of Tyrโ€™s Head underneath the balcony there are 3 white lights, 2 of these lights will blink, count how many times it blinks -Both lights will remain on, There is the sound of a light turning on to indicate the start of a new light flashing cycle where both lights will flash at the same time to a certain count (for example left 2, right 5). Both lights will be on and then it will flash another set (for example left 6, right 4). (Unsure if these 2 combos have to be put into console in order but correct entry will give two different voicelines.) After entering one correctly you will be kicked out to hear voiceline and can re-enter console to input the 2nd shortly afterwards. 7. Now head to Core Foundry, and use a molotov to burn the ascender to access the consoles. 8. Ascend and interact with the consoles, The next part is timed and has a cooldown if you fail - you need to Calibrate the Amplitude and Frequency using the flashing light code. 9. Once this has been done head to the room Next to the Radio Tower and pick up The Wunderbarrage Controller Atomkraft Core 1. Find three uraniums: Uranium #1 Find the Fishing Rod (Olafโ€™s Personal Item) locations: - Dry Dock - Storm Bridge - Fishery Island - Beacon island Look for a Glowing Green Fish jumping around the water at each Fishing Location and use the Fishing Rod at that location once you see it Fishing Locations: Eidskallen Landing x2 Beacon Island x2 Eidskallen Square x2 Dry Dock (found one so far) Fishery Island x2 Tyrโ€™s Foot (found one so far) Once the fish is caught it will spawn an Irradiated Ravager (HVT) that will disappear and respawn somewhere else, chase it down and kill it (check your map to see its location, it shows up as an HVT). It will drop a Uranium. Uranium #2 Next, Craft an ARC-XD (there is one for free in Eidskallen Square on top of a box near the flame trap, you can get it by fishing as well) and melee the vent at Core Foundry to the left of the zipline to open the Secret ARC-XD Course. Blow up the boat full of barrels. Once the course is completed the 935 Genetic Lab room will be open and another Uranium x2 will be inside a Prison Cell There are several Jars with Heads inside in this room, all labelled A,B,C,D,E Look down the Hallway inside the Lab and note which numbered rooms have Nuclear Symbols 1 = A, 2 = B, 3 = C, 4 = D and 5 = E Take one Jar at a time that corresponds with the Numbers next to Nuclear Symbols and place them on the machine to the right of the cell door, once the correct jars are placed the Jar on the left side of the machine will glow purple and you can pick up acid There is a Big Chunk of Meat on a desk next to multiple drawings in the same Room, interact with it, then Pick up The Necrospike Once you have The Necrospike, use it on the Prison Cell Door, this will trigger a lockpick mini game. Spin the lockpick until the lock turns white 3x to unlock the cell, then pick up the second Uranium. Uranium #3 Next you need to craft or obtain the Glocke Drop, once you have one call it in, then shoot 20 mid-air zombies it throws up. This will drop the third and final Uranium. 2. At the Dry Dock, you need to call a WunderBarrage (unlocked by completing Wundersignal steps) in on the โ€œ02 Buildingโ€ at Dry Dock (where thereโ€™s debris on the stairs), this will open the stairs to the Machine Workshop. 3. Inside The Workshop there is a Claw Machine which you can place all of The Uranium inside of and play a mini-game. -Have a big group of 7 cores and a small group of 2 cores. 4. Once you complete the Mini-game you will be able to pick up The Atomkraft Core (Note: you drop if you zipline, and cant sprint with it) 5. Head to Quick Revive and place The Atomkraft Core on generator next to quick revive. Go into the shed behind quick revive and turn on the generator. You must now defend the The Atomkraft Core until itโ€™s charged. In interrupted you must turn on the generator again to continue. 6. Take the The Atomkraft Core to the barrel on the Storm Bridge and a Mini-Cutscene will play between the Giant and The Robot. Vegvisir 1. After the cutscene finishes, The Dravakar Shard will spawn at Tyrโ€™s Foot, pick it up 2. Pick it up and place the Shard inside the Bloodheim Hall on the bonfire 3. Use WW range attack to light the fire 4. Use Disciple Injection (there should be a free one around the map) and throw zombies into the bonfire (I only had to throw four) 5. A lockdown will start. Kill the boss zombie and pick up the Sunstone from the bonfire 6. Put the Sunstone in the church and do a range WW attack on it. 7. Around the map, there will now be floating rocks and runes. Above the church there will now be a compass with runes and arrows. -Shoot the floating rune rocks with the ranged WW in the order of the arrow lines. If an arrow has 1 line, then that's the first one. If an arrow has 2 lines, that's the second one, etc. 8. Go into Tyr's Head and interact with the console to start the boss fight. Credit to Callum and the ZoneX discord

COD: Zombies News

82,267 views โ€ข 4 months ago

How much cleaning is too much cleaning? Make your video like this using Product commercial skill on FlovaAI Model used: Seedance 2.0 prompt A 60-second 3D Pixar-style animated commercial for 7UP Extra Fizz. Bright, vibrant, highly expressive cartoon rendering with smooth exaggerated animation, big emotional faces, soft rounded shapes, rich saturated colors, and cinematic lighting. Vertical smartphone aspect ratio with dynamic camera moves (sweeping low angles, playful tracking shots, extreme close-ups on expressions). *Setting:* A sunny, modern Western suburban home with open-plan living spaces, light wooden floors, white walls with geometric wood accent panels, large windows letting in golden afternoon light, and a cozy, slightly cluttered family feel. *Characters:* โ€ขโ  โ Mom: Mid-50s Western woman, warm but dramatic, short stylish brown hair with a few gray streaks, wearing a soft beige cardigan over a patterned blouse and jeans. โ€ขโ  โ Daughter: Early-20s, long reddish-brown hair in a high ponytail, wearing an olive-green polo shirt, gold heart necklace, and baggy light-wash jeans. Highly expressive Pixar-style face that goes from annoyed โ†’ exhausted โ†’ pure joy. *Scene breakdown:* 0โ€“6s: Close-up of a vintage green rotary phone on a glossy side table. Mom appears in the background holding the handset, eyes wide with urgency, waving her free hand dramatically as she speaks in English: โ€œThe guests are coming in an hour! Honey, hurry up! Clean every single fan blade, one by one โ€” please, please, go go go!โ€ 6โ€“12s: Cut to the daughter on the living-room sofa, scrolling on a peach smartphone. Her face scrunches into a classic Pixar annoyed expression (eyebrows knitted, mouth twisted). She lets out a big exaggerated sigh. 12โ€“22s: Mom marches in holding a green-handled mop, gesturing wildly. Daughter climbs a bright red stepladder and starts cleaning a dark wooden ceiling fan. She meticulously wipes each blade with a white cloth, her face showing increasing determination mixed with irritation. Camera circles around her as dust motes float in the light. She then dusts the geometric wooden wall panels with a long grey duster, dramatically wiping sweat from her forehead with a big cartoonish gesture. 22โ€“32s: Daughter now wears bright yellow rubber gloves. She crouches inside a wide-open stainless-steel refrigerator, vigorously scrubbing the white interior walls and shelves with a green microfiber cloth. Several green 7UP bottles are clearly visible on the door shelves. Her expression is pure focused effort, tongue slightly sticking out in concentration. 32โ€“42s: Outside on the front porch steps under a soft evening sky. Mom stands in the doorway still urging. Daughter holds the mop, shoulders slumped, and complains with big exaggerated exhaustion: โ€œMom, the stairs too?! This is getting a little extra!โ€ She continues, voice rising: โ€œIโ€™m completely wiped from all this extra cleaning!โ€ 42โ€“52s: Extreme close-up of the daughterโ€™s tired face. She reaches for a cold green 7UP Extra Fizz bottle. With a satisfying twist and loud fizzy โ€œPSSSHT!โ€ sound effect, she opens it. Bubbles and tiny water droplets spray in a playful Pixar-style flourish. She takes a long, refreshing drink. Her entire face transforms โ€” eyes light up, cheeks glow, a huge genuine smile spreads as energy returns to her body. She does a little joyful bounce. 52โ€“60s: Dynamic heroic product shot. The icy-cold 7UP Extra Fizz bottle rises against a bright blue sky. Dramatic water splash and exploding bubbles surround it in exaggerated, sparkling 3D animation. Bold, playful on-screen text pops in with a bounce: โ€œINTRODUCING 7UP EXTRA FIZZโ€ next to the classic 7UP logo. Soft upbeat music swells into a fresh, fizzy climax. *Overall tone & style:* Warm, relatable, slightly comedic family chaos that feels like a Pixar short, transitioning into pure refreshing joy. Exaggerated facial expressions, squash-and-stretch animation, vibrant green product highlights, smooth camera movement, clear English dialogue, and upbeat background music that builds from stressed household energy to sparkling refreshment. #FlovaBrandstormand
1:00

How much cleaning is too much cleaning? Make your video like this using Product commercial skill on FlovaAI Model used: Seedance 2.0 prompt A 60-second 3D Pixar-style animated commercial for 7UP Extra Fizz. Bright, vibrant, highly expressive cartoon rendering with smooth exaggerated animation, big emotional faces, soft rounded shapes, rich saturated colors, and cinematic lighting. Vertical smartphone aspect ratio with dynamic camera moves (sweeping low angles, playful tracking shots, extreme close-ups on expressions). *Setting:* A sunny, modern Western suburban home with open-plan living spaces, light wooden floors, white walls with geometric wood accent panels, large windows letting in golden afternoon light, and a cozy, slightly cluttered family feel. *Characters:* โ€ขโ  โ Mom: Mid-50s Western woman, warm but dramatic, short stylish brown hair with a few gray streaks, wearing a soft beige cardigan over a patterned blouse and jeans. โ€ขโ  โ Daughter: Early-20s, long reddish-brown hair in a high ponytail, wearing an olive-green polo shirt, gold heart necklace, and baggy light-wash jeans. Highly expressive Pixar-style face that goes from annoyed โ†’ exhausted โ†’ pure joy. *Scene breakdown:* 0โ€“6s: Close-up of a vintage green rotary phone on a glossy side table. Mom appears in the background holding the handset, eyes wide with urgency, waving her free hand dramatically as she speaks in English: โ€œThe guests are coming in an hour! Honey, hurry up! Clean every single fan blade, one by one โ€” please, please, go go go!โ€ 6โ€“12s: Cut to the daughter on the living-room sofa, scrolling on a peach smartphone. Her face scrunches into a classic Pixar annoyed expression (eyebrows knitted, mouth twisted). She lets out a big exaggerated sigh. 12โ€“22s: Mom marches in holding a green-handled mop, gesturing wildly. Daughter climbs a bright red stepladder and starts cleaning a dark wooden ceiling fan. She meticulously wipes each blade with a white cloth, her face showing increasing determination mixed with irritation. Camera circles around her as dust motes float in the light. She then dusts the geometric wooden wall panels with a long grey duster, dramatically wiping sweat from her forehead with a big cartoonish gesture. 22โ€“32s: Daughter now wears bright yellow rubber gloves. She crouches inside a wide-open stainless-steel refrigerator, vigorously scrubbing the white interior walls and shelves with a green microfiber cloth. Several green 7UP bottles are clearly visible on the door shelves. Her expression is pure focused effort, tongue slightly sticking out in concentration. 32โ€“42s: Outside on the front porch steps under a soft evening sky. Mom stands in the doorway still urging. Daughter holds the mop, shoulders slumped, and complains with big exaggerated exhaustion: โ€œMom, the stairs too?! This is getting a little extra!โ€ She continues, voice rising: โ€œIโ€™m completely wiped from all this extra cleaning!โ€ 42โ€“52s: Extreme close-up of the daughterโ€™s tired face. She reaches for a cold green 7UP Extra Fizz bottle. With a satisfying twist and loud fizzy โ€œPSSSHT!โ€ sound effect, she opens it. Bubbles and tiny water droplets spray in a playful Pixar-style flourish. She takes a long, refreshing drink. Her entire face transforms โ€” eyes light up, cheeks glow, a huge genuine smile spreads as energy returns to her body. She does a little joyful bounce. 52โ€“60s: Dynamic heroic product shot. The icy-cold 7UP Extra Fizz bottle rises against a bright blue sky. Dramatic water splash and exploding bubbles surround it in exaggerated, sparkling 3D animation. Bold, playful on-screen text pops in with a bounce: โ€œINTRODUCING 7UP EXTRA FIZZโ€ next to the classic 7UP logo. Soft upbeat music swells into a fresh, fizzy climax. *Overall tone & style:* Warm, relatable, slightly comedic family chaos that feels like a Pixar short, transitioning into pure refreshing joy. Exaggerated facial expressions, squash-and-stretch animation, vibrant green product highlights, smooth camera movement, clear English dialogue, and upbeat background music that builds from stressed household energy to sparkling refreshment. #FlovaBrandstormand

Sharon Riley

156,326 views โ€ข 1 month ago

Seedance 2.5 is incredible It can take you to any city in the world. Xin chร o Viแป‡t Nam ๐Ÿ‡ป๐Ÿ‡ณ It feels like I actually traveled to Hanoi, Vietnam! ๐Ÿ‘‡Feel free to add any city youโ€™d like to visit to this prompt. HANOI TRAVEL VLOG โ€” 30 SEC No reference image. The woman below is described in words and must be built from the text alone. SUBJECT: one Korean woman, early 20s, the only person the film follows. Small oval face with a soft jawline, large round eyes with double lids, a small straight nose, full coral-red lips, fair skin. Black wavy hair tied low at the nape and pulled forward over one shoulder, with loose strands left at the temples. A small gold hoop in each ear. Real Korean skin texture with visible pores โ€” no doll-like AI smoothness, no beauty filter. The face established in the first shot is repeated exactly in every following shot: same features, same hair, same colour. She never morphs into a different person and no lookalike appears. OUTFIT (identical throughout): burgundy ribbed knit halter top, cream high-waist flared trousers, tan leather belt with a gold buckle, burgundy platform heeled sandals, a thin gold bracelet on one wrist. There is no changing shot. CAMERA: she is filming herself on her own phone. Most shots are selfies with her arm extended; objects and food are shot by turning the phone toward them. 16:9 landscape throughout, no black bars. 26mm phone lens, deep focus, neutral iPhone colour, handheld jolt on every step, autofocus landing a beat late, exposure lagging when she moves from bright to dark, a fingerprint smudge bleeding beside strong lights. No cinematic grading, no studio lighting, no glow fx. Background people stay out of focus and nobody looks at the camera for long. DIALOGUE: lines are short and land in one breath. An interjection plus one short sentence is fine, but never two complete sentences strung together. There is breath between them and they are never rushed into each other. Punctuation is used once โ€” no doubled question marks or exclamation marks. The two Vietnamese greetings are not fluent โ€” just phrases she has picked up. (0:00โ€“0:02) โ€” Hotel window, Hanoi morning reveal. Selfie, low angle. She shoves the curtain sideways and narrow tube houses under bundled cables open up behind her. The window blows out white, then the exposure catches up. Bright grin. Dialogue: "Xin chร o~ ํ•˜๋…ธ์ด ์™”๋‹ค!" Transition: Hard cut on beat (0:02โ€“0:04) โ€” Old Quarter junction, a river of motorbikes. Selfie, stepping out between the bikes. She swings the phone to her face while a stream of helmets and conical hats flows behind her, horns overlapping. Overcast daylight, deep focus. Dialogue: "์ด๊ฑธ ์–ด๋–ป๊ฒŒ ๊ฑด๋„ˆ?" Transition: Fast cut on beat (0:04โ€“0:06) โ€” Street cafรฉ. Selfie, arm short. She pushes a glass with condensed milk settled at the bottom toward the lens until it fills half the frame, eyebrows raised. Low backless stools, a stained yellow French wall behind. Transition: Snap cut (0:06โ€“0:08) โ€” Alley bรกnh mรฌ cart. Insert, phone pointed down at her hands. A baguette split over the charcoal is handed to her in newspaper and she peels the paper down with her fingertips. Steam rises and a few sprigs of coriander stick out of the split. White tube light on the cart, a parked motorbike beside it. Transition: Cut on natural movement (0:08โ€“0:09.75) โ€” Huc Bridge reveal. She raises the phone from her face and tilts it up until the red wooden bridge crossing the lake fills the frame. Natural daylight, sky blown out behind a banyan tree. Her mouth opens slightly. Transition: Soft cut mid-upward motion (0:09.75โ€“0:12) โ€” Train Street cafรฉ. Selfie. On a low stool beside the track she is holding a coffee glass in both hands; hearing it come she sets the glass down and pulls her stool back against the wall. She looks at the lens, then sideways, and her face collapses into a laugh as a train comes out of the far end of the lane and passes an arm's length away. Dialogue: "ํ— ์ง„์งœ ์˜จ๋‹ทใ…‹ใ…‹ใ…‹ใ…‹" Transition: Cut on the end of the laugh (0:12โ€“0:13.75) โ€” Old Quarter, the 36 streets. Follow from behind, phone low. She shoulders through the packed lane with the bรกnh mรฌ, finishes the last piece and folds the newspaper away. Unlit lanterns and signs stacked tight overhead, people pushing past. Overcast afternoon light. Transition: Cut on forward movement (0:13.75โ€“0:15.5) โ€” Back seat of a cyclo. Her hands are empty now โ€” the phone low at knee height in one hand, the rail in the other. The street slides past under the folded canopy, the driver's back swaying in front. She looks out, not at the lens. The music drops a beat, leaving only wheels and horns. Transition: Snap cut (0:15.5โ€“0:18) โ€” PhแปŸ shop. From here the image is camcorder: blooming tape, light noise, late focus. The camera is fixed at eye level across the counter, no phone or camera visible in frame. Medium. She sits down on a low blue stool under a hand-painted PhแปŸ sign. The owner sets a steaming bowl of beef phแปŸ down โ€” thin-sliced beef, rice noodles, spring onion, a side plate of sprouts and basil. Dialogue: "์Œ€๊ตญ์ˆ˜! ์ด๊ฑฐ ๋จน์œผ๋Ÿฌ ์™”์–ด~" Transition: Cut on the bowl landing (0:18โ€“0:20) โ€” Lifting the noodles. Macro, phone lowered to the bowl, shallow focus. She draws rice noodles up out of the clear broth with her chopsticks, steam climbing. The steam crosses the lens and one side of the frame hazes over and clears. Only the broth and the slurping at the next stool. Transition: Cut with the noodles still raised (0:20โ€“0:22) โ€” First mouthful. Selfie, handheld. She pulls in a big mouthful, closes her eyes and opens them. Her shoulders drop and she nods once at the lens. Just after sundown, the white fluorescent light of the shop. Dialogue: "๋ฏธ์ณค๋‹ค ์ง„์งœ." Transition: Cut where her face softens (0:22โ€“0:23.5) โ€” The broth. Selfie, close. She lifts the bowl in both hands, tips it back, sets it down and lets out a breath. The lens fogs with steam. Sound only. Transition: Cut back to phone image quality (0:23.5โ€“0:27) โ€” Tแบก Hiแป‡n beer street โ˜…signature. She steps into the narrow lane on an extended-arm selfie, walking between the rows of low plastic stools set out on the ground, and slowly lifts her head. Red, yellow and green lanterns hung low across the lane slide over her face and the same colours bleed across the wet ground. Rack focus โ€” her face sharp, the signs behind spreading. Practical light only, no glow. 60% slow motion. Transition: Soft cut with her head still up (0:27โ€“0:30) โ€” Long Biรชn Bridge, night reveal. Close selfie โ†’ arm extends โ†’ the river and the Hanoi night open up below. Wind pushes her bangs across her eyes once. Natural night phone exposure. Dialogue: "๊ทธ๋Ÿผ ๋ชจ๋‘ tแบกm biแป‡t~!" She waves broadly at the camera and that same hand covers the lens as the frame goes dark. AUDIO: real location sound over the music. Unbroken motorbike horns and engines, stools scraping the pavement, charcoal sizzling, a train horn and rails, cyclo wheels, broth boiling and chopsticks, slurping at the next stool, night street noise, wind. Her muttering is natural Korean. CONSISTENCY: the same face, the same hair and the same clothes in every shot. Hands and chopsticks are natural with no smeared fingers. No text, no subtitles, no logo and no watermark on screen. No filming equipment is visible in frame. FINALLY: this has to look like footage a real person shot on a phone. Nothing about the face, the skin or the movement should read as AI-generated. Every line of dialogue is enunciated clearly, syllable by syllable โ€” no slurring, no swallowed syllables, no clipped word endings, and the tense consonants and final consonants of Korean are pronounced accurately. Expressions and gestures are not performed; they are what the moment would naturally produce.
0:31

Seedance 2.5 is incredible It can take you to any city in the world. Xin chร o Viแป‡t Nam ๐Ÿ‡ป๐Ÿ‡ณ It feels like I actually traveled to Hanoi, Vietnam! ๐Ÿ‘‡Feel free to add any city youโ€™d like to visit to this prompt. HANOI TRAVEL VLOG โ€” 30 SEC No reference image. The woman below is described in words and must be built from the text alone. SUBJECT: one Korean woman, early 20s, the only person the film follows. Small oval face with a soft jawline, large round eyes with double lids, a small straight nose, full coral-red lips, fair skin. Black wavy hair tied low at the nape and pulled forward over one shoulder, with loose strands left at the temples. A small gold hoop in each ear. Real Korean skin texture with visible pores โ€” no doll-like AI smoothness, no beauty filter. The face established in the first shot is repeated exactly in every following shot: same features, same hair, same colour. She never morphs into a different person and no lookalike appears. OUTFIT (identical throughout): burgundy ribbed knit halter top, cream high-waist flared trousers, tan leather belt with a gold buckle, burgundy platform heeled sandals, a thin gold bracelet on one wrist. There is no changing shot. CAMERA: she is filming herself on her own phone. Most shots are selfies with her arm extended; objects and food are shot by turning the phone toward them. 16:9 landscape throughout, no black bars. 26mm phone lens, deep focus, neutral iPhone colour, handheld jolt on every step, autofocus landing a beat late, exposure lagging when she moves from bright to dark, a fingerprint smudge bleeding beside strong lights. No cinematic grading, no studio lighting, no glow fx. Background people stay out of focus and nobody looks at the camera for long. DIALOGUE: lines are short and land in one breath. An interjection plus one short sentence is fine, but never two complete sentences strung together. There is breath between them and they are never rushed into each other. Punctuation is used once โ€” no doubled question marks or exclamation marks. The two Vietnamese greetings are not fluent โ€” just phrases she has picked up. (0:00โ€“0:02) โ€” Hotel window, Hanoi morning reveal. Selfie, low angle. She shoves the curtain sideways and narrow tube houses under bundled cables open up behind her. The window blows out white, then the exposure catches up. Bright grin. Dialogue: "Xin chร o~ ํ•˜๋…ธ์ด ์™”๋‹ค!" Transition: Hard cut on beat (0:02โ€“0:04) โ€” Old Quarter junction, a river of motorbikes. Selfie, stepping out between the bikes. She swings the phone to her face while a stream of helmets and conical hats flows behind her, horns overlapping. Overcast daylight, deep focus. Dialogue: "์ด๊ฑธ ์–ด๋–ป๊ฒŒ ๊ฑด๋„ˆ?" Transition: Fast cut on beat (0:04โ€“0:06) โ€” Street cafรฉ. Selfie, arm short. She pushes a glass with condensed milk settled at the bottom toward the lens until it fills half the frame, eyebrows raised. Low backless stools, a stained yellow French wall behind. Transition: Snap cut (0:06โ€“0:08) โ€” Alley bรกnh mรฌ cart. Insert, phone pointed down at her hands. A baguette split over the charcoal is handed to her in newspaper and she peels the paper down with her fingertips. Steam rises and a few sprigs of coriander stick out of the split. White tube light on the cart, a parked motorbike beside it. Transition: Cut on natural movement (0:08โ€“0:09.75) โ€” Huc Bridge reveal. She raises the phone from her face and tilts it up until the red wooden bridge crossing the lake fills the frame. Natural daylight, sky blown out behind a banyan tree. Her mouth opens slightly. Transition: Soft cut mid-upward motion (0:09.75โ€“0:12) โ€” Train Street cafรฉ. Selfie. On a low stool beside the track she is holding a coffee glass in both hands; hearing it come she sets the glass down and pulls her stool back against the wall. She looks at the lens, then sideways, and her face collapses into a laugh as a train comes out of the far end of the lane and passes an arm's length away. Dialogue: "ํ— ์ง„์งœ ์˜จ๋‹ทใ…‹ใ…‹ใ…‹ใ…‹" Transition: Cut on the end of the laugh (0:12โ€“0:13.75) โ€” Old Quarter, the 36 streets. Follow from behind, phone low. She shoulders through the packed lane with the bรกnh mรฌ, finishes the last piece and folds the newspaper away. Unlit lanterns and signs stacked tight overhead, people pushing past. Overcast afternoon light. Transition: Cut on forward movement (0:13.75โ€“0:15.5) โ€” Back seat of a cyclo. Her hands are empty now โ€” the phone low at knee height in one hand, the rail in the other. The street slides past under the folded canopy, the driver's back swaying in front. She looks out, not at the lens. The music drops a beat, leaving only wheels and horns. Transition: Snap cut (0:15.5โ€“0:18) โ€” PhแปŸ shop. From here the image is camcorder: blooming tape, light noise, late focus. The camera is fixed at eye level across the counter, no phone or camera visible in frame. Medium. She sits down on a low blue stool under a hand-painted PhแปŸ sign. The owner sets a steaming bowl of beef phแปŸ down โ€” thin-sliced beef, rice noodles, spring onion, a side plate of sprouts and basil. Dialogue: "์Œ€๊ตญ์ˆ˜! ์ด๊ฑฐ ๋จน์œผ๋Ÿฌ ์™”์–ด~" Transition: Cut on the bowl landing (0:18โ€“0:20) โ€” Lifting the noodles. Macro, phone lowered to the bowl, shallow focus. She draws rice noodles up out of the clear broth with her chopsticks, steam climbing. The steam crosses the lens and one side of the frame hazes over and clears. Only the broth and the slurping at the next stool. Transition: Cut with the noodles still raised (0:20โ€“0:22) โ€” First mouthful. Selfie, handheld. She pulls in a big mouthful, closes her eyes and opens them. Her shoulders drop and she nods once at the lens. Just after sundown, the white fluorescent light of the shop. Dialogue: "๋ฏธ์ณค๋‹ค ์ง„์งœ." Transition: Cut where her face softens (0:22โ€“0:23.5) โ€” The broth. Selfie, close. She lifts the bowl in both hands, tips it back, sets it down and lets out a breath. The lens fogs with steam. Sound only. Transition: Cut back to phone image quality (0:23.5โ€“0:27) โ€” Tแบก Hiแป‡n beer street โ˜…signature. She steps into the narrow lane on an extended-arm selfie, walking between the rows of low plastic stools set out on the ground, and slowly lifts her head. Red, yellow and green lanterns hung low across the lane slide over her face and the same colours bleed across the wet ground. Rack focus โ€” her face sharp, the signs behind spreading. Practical light only, no glow. 60% slow motion. Transition: Soft cut with her head still up (0:27โ€“0:30) โ€” Long Biรชn Bridge, night reveal. Close selfie โ†’ arm extends โ†’ the river and the Hanoi night open up below. Wind pushes her bangs across her eyes once. Natural night phone exposure. Dialogue: "๊ทธ๋Ÿผ ๋ชจ๋‘ tแบกm biแป‡t~!" She waves broadly at the camera and that same hand covers the lens as the frame goes dark. AUDIO: real location sound over the music. Unbroken motorbike horns and engines, stools scraping the pavement, charcoal sizzling, a train horn and rails, cyclo wheels, broth boiling and chopsticks, slurping at the next stool, night street noise, wind. Her muttering is natural Korean. CONSISTENCY: the same face, the same hair and the same clothes in every shot. Hands and chopsticks are natural with no smeared fingers. No text, no subtitles, no logo and no watermark on screen. No filming equipment is visible in frame. FINALLY: this has to look like footage a real person shot on a phone. Nothing about the face, the skin or the movement should read as AI-generated. Every line of dialogue is enunciated clearly, syllable by syllable โ€” no slurring, no swallowed syllables, no clipped word endings, and the tense consonants and final consonants of Korean are pronounced accurately. Expressions and gestures are not performed; they are what the moment would naturally produce.

MagicAI

22,943 views โ€ข 1 month ago

Seedance 2.5 just got an upgrade with 1080p only on Higgsfield... you can now ONE SHOT commercials like this here's exactly how to do it (with a gift at then end): 1/ write the prompt as a timestamped breakdown > split the spot second by second > put the exact dialogue inside each window in quotes, the model speaks it word for word with lip sync > match the generation length to your timestamps, a 21 second script generated at 15 compresses and the delivery desyncs 2/ composition is named - never hoped for > name the camera: "handheld front camera, chest-up framing, natural micro shakes" for UGC, "35mm, slow push-in, product centered" for a produced spot > name the light: "golden hour through the windshield" or "ring light with slight reflections in the eyes" > name the grade: "high contrast, cool tones, warm skin" > whatever you leave unstated gets invented and locked for the whole clip 3/ characters hold when you anchor them > generate a first frame image before any video: real skin texture, visible pores, one fixed imperfection like freckles so drift becomes instantly visible > feed it in as the reference and open every prompt with "the same person as the reference, identical face, hair and outfit" > the @ system locks it harder: @.character for the face, @.style for the look, @.audio for the voice > then write the micro behaviors: a glance away and back, a pre-line breath, fingers adjusting grip... small involuntary movement is what reads human, and you get it by naming it 4/ sound is written - not defaulted > end every prompt with an audio block: "clear phone-mic voice with light room tone" for UGC, "clean studio voice, no echo" for a produced spot > name the music under the dialogue: "soft upbeat synth instrumental running quietly underneath" > one delivery word for the read: "delivery: fed up" produces a performance, an adjective stack produces nothing 5/ sharp text is quoted text > write the exact label or on-screen text in quotes with its style > unquoted text gets invented typography that garbles between frames > print brand names big, a bold label survives every shot while a small tag melts 6/ the consistency laws > repeat the product description verbatim in every prompt, faces anchor but products drift > count objects scene-wide: "exactly one bottle in the entire scene, no duplicate on any surface" > close the wardrobe: "small gold studs, no other jewellery, no rings, no watch" > every state change happens across a cut: the swatch on her hand in shot one, blended in shot two, no clip contains the transition... the viewer's brain supplies it and the shortcut for UGC: take an ad that already converted, ask gemini for a 1:1 timestamped breakdown of everything on screen, swap in your product and script -> that breakdown is your prompt set 9:16 for shortform, 16:9 for the spot, generate straight at 1080p and ship RT + reply to this post and i'll send you my full guide to make your own creatives
0:29

Seedance 2.5 just got an upgrade with 1080p only on Higgsfield... you can now ONE SHOT commercials like this here's exactly how to do it (with a gift at then end): 1/ write the prompt as a timestamped breakdown > split the spot second by second > put the exact dialogue inside each window in quotes, the model speaks it word for word with lip sync > match the generation length to your timestamps, a 21 second script generated at 15 compresses and the delivery desyncs 2/ composition is named - never hoped for > name the camera: "handheld front camera, chest-up framing, natural micro shakes" for UGC, "35mm, slow push-in, product centered" for a produced spot > name the light: "golden hour through the windshield" or "ring light with slight reflections in the eyes" > name the grade: "high contrast, cool tones, warm skin" > whatever you leave unstated gets invented and locked for the whole clip 3/ characters hold when you anchor them > generate a first frame image before any video: real skin texture, visible pores, one fixed imperfection like freckles so drift becomes instantly visible > feed it in as the reference and open every prompt with "the same person as the reference, identical face, hair and outfit" > the @ system locks it harder: @.character for the face, @.style for the look, @.audio for the voice > then write the micro behaviors: a glance away and back, a pre-line breath, fingers adjusting grip... small involuntary movement is what reads human, and you get it by naming it 4/ sound is written - not defaulted > end every prompt with an audio block: "clear phone-mic voice with light room tone" for UGC, "clean studio voice, no echo" for a produced spot > name the music under the dialogue: "soft upbeat synth instrumental running quietly underneath" > one delivery word for the read: "delivery: fed up" produces a performance, an adjective stack produces nothing 5/ sharp text is quoted text > write the exact label or on-screen text in quotes with its style > unquoted text gets invented typography that garbles between frames > print brand names big, a bold label survives every shot while a small tag melts 6/ the consistency laws > repeat the product description verbatim in every prompt, faces anchor but products drift > count objects scene-wide: "exactly one bottle in the entire scene, no duplicate on any surface" > close the wardrobe: "small gold studs, no other jewellery, no rings, no watch" > every state change happens across a cut: the swatch on her hand in shot one, blended in shot two, no clip contains the transition... the viewer's brain supplies it and the shortcut for UGC: take an ad that already converted, ask gemini for a 1:1 timestamped breakdown of everything on screen, swap in your product and script -> that breakdown is your prompt set 9:16 for shortform, 16:9 for the spot, generate straight at 1080p and ship RT + reply to this post and i'll send you my full guide to make your own creatives

Machina

12,785 views โ€ข 1 month ago