Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Luma's start and end keyframes are a game changer. With a sequence of keyframes from the original film, we can seamlessly remaster stop motion classics like "Jason and the Argonauts" as modern single-take action scenes.

jonathanfly's profile picture

Jonathan Fly 👾

5,515 subscribers

5,415,204 görüntüleme • 2 yıl önce •via X (Twitter)

Bilim & Teknoloji
LIVE

Anya Rossi• Live Now

Private livecam show

10 Yorum

Jonathan Fly 👾 profil fotoğrafı
Jonathan Fly 👾2 yıl önce

It's interesting how the uncanny movements of the original stop motion skeletons are preserved in traditional frame interpolation. Maybe it's the lack of motion blur on the skeletons?

Chris Ray Gun profil fotoğrafı
Chris Ray Gun2 yıl önce

wow this looks like fucking garbage

𝙒𝘼𝙍★𝘾𝙃𝘼𝙈𝙋𝟳 profil fotoğrafı
𝙒𝘼𝙍★𝘾𝙃𝘼𝙈𝙋𝟳2 yıl önce

Hi Jonathan this looks like shit thanks for sharing 👍

SDL profil fotoğrafı
SDL2 yıl önce

this is ass

Reid Southen profil fotoğrafı
Reid Southen2 yıl önce

This has got to a joke or rage bait, there's just no other feasible explanation. "Seamlessly remaster" is literally the most comical thing you could have said in relation to what the fuck I just watched.

Josh Boutwell profil fotoğrafı
Josh Boutwell2 yıl önce

Was the idea to make it actively worse?

glark.sol profil fotoğrafı
glark.sol2 yıl önce

seamlessly?

Pilgrim profil fotoğrafı
Pilgrim2 yıl önce

"remaster" "Game changer"

Quinn Nelson profil fotoğrafı
Quinn Nelson2 yıl önce

This was 17 hours ago. Are you still high?

Jonathan Fly 👾 profil fotoğrafı
Jonathan Fly 👾2 yıl önce

Since 2019, apparently:

Benzer Videolar

Keyframes, now open sourced in HyperFrames The system behind pro editing tools, rebuilt as code Comfortable for beginners, deep enough for after effects pros Plus your agent can now see its own motion and fix issues with one command npx hyperframes keyframes Get started ↓
0:46

Keyframes, now open sourced in HyperFrames The system behind pro editing tools, rebuilt as code Comfortable for beginners, deep enough for after effects pros Plus your agent can now see its own motion and fix issues with one command npx hyperframes keyframes Get started ↓

HeyGen

486,664 görüntüleme • 1 ay önce

I wanted to test how far the keyframes I generated with Nano Banana 2 Pro could go. Even out of order, the 9 frames created from a single prompt came together in a surprisingly cohesive way. With keyframes as a guide, professional results are definitely possible 🔥 Tools: Editing in Adobe Photoshop , video with Kling AI 2.5, music by Suno , final montage in After Effects.
0:40

I wanted to test how far the keyframes I generated with Nano Banana 2 Pro could go. Even out of order, the 9 frames created from a single prompt came together in a surprisingly cohesive way. With keyframes as a guide, professional results are definitely possible 🔥 Tools: Editing in Adobe Photoshop , video with Kling AI 2.5, music by Suno , final montage in After Effects.

Firat Bilal

230,517 görüntüleme • 8 ay önce

Our newest tool uses new motion transfer systems for more versatile and powerful control capabilities. You can use as many keyframes as you like so your ability to control a scene really comes down to your ability to drive motion and edit images. Luma Luma | Dream Lab
0:58

Our newest tool uses new motion transfer systems for more versatile and powerful control capabilities. You can use as many keyframes as you like so your ability to control a scene really comes down to your ability to drive motion and edit images. Luma Luma | Dream Lab

Jon Finger

15,930 görüntüleme • 2 ay önce

Jason and the Argonauts (1963): The legendary skeleton battle scene lasts only about three minutes, yet Ray Harryhausen spent four months creating the stop-motion effects. During filming of the Argo off the coast of Italy, a modern ship accidentally drifted into the frame, prompting the crew to shout, “Get that ship out of here! You’re in the wrong century!” And Harryhausen himself considered this film to be the best work of his career.
0:30

Jason and the Argonauts (1963): The legendary skeleton battle scene lasts only about three minutes, yet Ray Harryhausen spent four months creating the stop-motion effects. During filming of the Argo off the coast of Italy, a modern ship accidentally drifted into the frame, prompting the crew to shout, “Get that ship out of here! You’re in the wrong century!” And Harryhausen himself considered this film to be the best work of his career.

Love Classical Music and Movies 🎺🎻💖🎥🎬

37,252 görüntüleme • 1 ay önce

Take a look at this! Gabriele Romagnoli showcased this AI-assisted animation feature from Cascadeur – The Future of Animation. Creating smooth walk cycles with just 2 keyframes—absolutely game-changing for #B3D #Blender3D #Animation enthusiasts!
0:46

Take a look at this! Gabriele Romagnoli showcased this AI-assisted animation feature from Cascadeur – The Future of Animation. Creating smooth walk cycles with just 2 keyframes—absolutely game-changing for #B3D #Blender3D #Animation enthusiasts!

3DxDEV

44,599 görüntüleme • 8 ay önce

This is the BTS from the calligraphy exhibition animation I made with a few months ago in Hong Kong. Most of it was done in Cavalry , and a little bit in After Effects. And yes… I’m still that weirdo who keyframes every single shot by hand.
0:57

This is the BTS from the calligraphy exhibition animation I made with a few months ago in Hong Kong. Most of it was done in Cavalry , and a little bit in After Effects. And yes… I’m still that weirdo who keyframes every single shot by hand.

fafa

45,441 görüntüleme • 9 ay önce

It’s #November And as ever? A message for those with #T1Diabetes and of course all the amazing carers #ClosedLoops? We are in the end game Take a deep breath. Clinicians…Ready? 😊 #gbdoc 💙
2:09

It’s #November And as ever? A message for those with #T1Diabetes and of course all the amazing carers #ClosedLoops? We are in the end game Take a deep breath. Clinicians…Ready? 😊 #gbdoc 💙

Partha S Kar 🇮🇳🇬🇧🏏🎥

31,736 görüntüleme • 2 yıl önce

A message from our friend… JOHN WATERS. Don’t be a “sprocket hole asshole!” This year, support the “coolest film organization in the world,” and the original distributor of early Waters classics like MONDO TRASHO… the Film-Makers’ Cooperative. DONATE:
1:31

A message from our friend… JOHN WATERS. Don’t be a “sprocket hole asshole!” This year, support the “coolest film organization in the world,” and the original distributor of early Waters classics like MONDO TRASHO… the Film-Makers’ Cooperative. DONATE:

The Film-Makers’ Cooperative

23,578 görüntüleme • 1 yıl önce

It’s time to stop kicking the can and time to start digging dirt. Arkansas needs a new prison to end the revolving door of crime. And we need it as soon as possible.
0:28

It’s time to stop kicking the can and time to start digging dirt. Arkansas needs a new prison to end the revolving door of crime. And we need it as soon as possible.

Sarah Huckabee Sanders

49,880 görüntüleme • 10 ay önce

Game developers are making an FPS game where you play as action figures and break out of a toy box at the start of the match
0:23

Game developers are making an FPS game where you play as action figures and break out of a toy box at the start of the match

Dexerto

6,875,777 görüntüleme • 3 yıl önce

With the new scrambleText() feature, you can control reveal direction, create cursor effects, apply perturbation and easing, and chain it in keyframes and timelines like any other Anime.js animation property. It's crazy how just a few lines of code can create such visually complex effects.
0:41

With the new scrambleText() feature, you can control reveal direction, create cursor effects, apply perturbation and easing, and chain it in keyframes and timelines like any other Anime.js animation property. It's crazy how just a few lines of code can create such visually complex effects.

Julian Garnier

132,324 görüntüleme • 3 ay önce

Jason and the Argonauts (1963) is a fantasy-adventure classic, famous for Ray Harryhausen’s groundbreaking stop-motion effects. Jason’s quest for the Golden Fleece brings Talos, Harpies, Hydra, and the legendary skeleton battle — a scene that redefined movie monsters. It inspired filmmakers like Spielberg, Lucas, and Peter Jackson, and remains one of the most influential fantasy films ever made.
0:30

Jason and the Argonauts (1963) is a fantasy-adventure classic, famous for Ray Harryhausen’s groundbreaking stop-motion effects. Jason’s quest for the Golden Fleece brings Talos, Harpies, Hydra, and the legendary skeleton battle — a scene that redefined movie monsters. It inspired filmmakers like Spielberg, Lucas, and Peter Jackson, and remains one of the most influential fantasy films ever made.

Movie Moments Analyst

451,731 görüntüleme • 7 ay önce

Finally taking Kling AI 2.0 for a spin. The motion and physics are a game changer. Here is DOGFIGHT.
0:47

Finally taking Kling AI 2.0 for a spin. The motion and physics are a game changer. Here is DOGFIGHT.

Isaac Rodriguez

75,810 görüntüleme • 1 yıl önce

Classroom of the Elite is out now on Crunchyroll Game Vault, with a Mega or Ultimate Fan Membership! Play as Kiyotaka Ayanokoji and relive scenes from the original anime!
0:30

Classroom of the Elite is out now on Crunchyroll Game Vault, with a Mega or Ultimate Fan Membership! Play as Kiyotaka Ayanokoji and relive scenes from the original anime!

Crunchyroll Games

55,395 görüntüleme • 1 yıl önce

Just realized the entire sequence is a single take. No cuts. No slow motion. Just relentless, raw action that never loses momentum. The choreography, camera movement, and execution is simply extraordinary. International standards.
0:46

Just realized the entire sequence is a single take. No cuts. No slow motion. Just relentless, raw action that never loses momentum. The choreography, camera movement, and execution is simply extraordinary. International standards.

अपना Bollywood🎥

17,008 görüntüleme • 1 ay önce

It is impossible to put into words what that first encounter feels like, as a child, watching the living skeletons in Jason and the Argonauts (1963).
2:20

It is impossible to put into words what that first encounter feels like, as a child, watching the living skeletons in Jason and the Argonauts (1963).

cinesthetic.

367,463 görüntüleme • 7 ay önce

Introducing MULTI-FRAMES — a major step forward in controllable video generation. Define up to 10 keyframes and generate a coherent one-take sequence up to ~54 seconds. Transitions can be set from 1–6 seconds, with prompts to control how each scene evolves between frames. Check our showcase video below👇 #DreaminaMultiFrames
0:58

Introducing MULTI-FRAMES — a major step forward in controllable video generation. Define up to 10 keyframes and generate a coherent one-take sequence up to ~54 seconds. Transitions can be set from 1–6 seconds, with prompts to control how each scene evolves between frames. Check our showcase video below👇 #DreaminaMultiFrames

Dreamina AI

139,742 görüntüleme • 8 ay önce

ATALANTA WIN IT WITH THE FINAL KICK OF THE GAME AND ARE INTO THE CHAMPIONS LEAGUE LAST 16 🤯 A wild sequence to end a wild tie 😰
4:54

ATALANTA WIN IT WITH THE FINAL KICK OF THE GAME AND ARE INTO THE CHAMPIONS LEAGUE LAST 16 🤯 A wild sequence to end a wild tie 😰

Men in Blazers

52,995 görüntüleme • 5 ay önce

Ray Harryhausen, the stop-motion genius who brought myths to life with his hands, was born on this day in 1920. This blink-and-you’ll-miss-it tribute ends with his crowning glory: the legendary skeleton swordfight from Jason and the Argonauts (1963). Absolute cinema sorcery 🔥
2:20

Ray Harryhausen, the stop-motion genius who brought myths to life with his hands, was born on this day in 1920. This blink-and-you’ll-miss-it tribute ends with his crowning glory: the legendary skeleton swordfight from Jason and the Argonauts (1963). Absolute cinema sorcery 🔥

The Sting

234,352 görüntüleme • 1 ay önce

Trying a Oner by overlapping keyframes between chunks of video. Julia Harris cinematography. Tony Hou and Jieyi Lee as robots. Jacob Russo as scientist. Bryan Soegondo as the robot Frankenstein.
1:12

Trying a Oner by overlapping keyframes between chunks of video. Julia Harris cinematography. Tony Hou and Jieyi Lee as robots. Jacob Russo as scientist. Bryan Soegondo as the robot Frankenstein.

Jon Finger

17,012 görüntüleme • 26 gün önce