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Maça gitmeden maça gitmek mi??? Bence çok güzel oldu :) Promtu bırakıyorum aşşağıya. Öncelikl görüntüyü oluşturuyorsunuz. Görüntü Promptu; ESPN'de canlı bir NBA maçı TV yayınından bir ekran görüntüsü. Kamera seyirciye dönüyor — referans görüntümüzdeki kişi, gülümseyerek oturuyor. Doğal bir şekilde gülümsüyor, kamerada olduklarının farkında değil. Konu, saha kenarı koltuklarda...

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Efecim 1 sn

38,359 subscribers

86,325 次观看 • 3 个月前 •via X (Twitter)

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Kiss Cam! Image: GPT Image 2 Video: Seedance in Dreamina Prompt: Style: Hyper-realistic live NBA broadcast footage, authentic televised sports coverage, realistic arena lighting, telephoto broadcast lens compression, shallow depth of field, imperfect live-camera framing, natural crowd reactions, realistic skin textures, subtle compression artifacts, slight interlacing grain, live TV color grading. Duration: 14 seconds Aspect Ratio: 16:9 Camera: Fixed live broadcast camera only, no cinematic cuts, no camera movement. IMPORTANT: The scene must feel EXACTLY like a real NBA live TV Kiss Cam broadcast. The woman: — unbelievably attractive Korean woman in her 20s — long black hair — flawless skin — elegant glamorous makeup — luxurious aura — sophisticated red low-cut summer outfit — subtle jewelry — natural smile and realistic reactions The man: — overweight unattractive man — casual black jacket — glasses — awkward but wholesome energy IMPORTANT AUDIO RULE: ABSOLUTELY NO SOUND OR DIALOGUE FROM THE COUPLE. The couple never speaks. Only arena crowd cheering and distant stadium ambience. Broadcast details: — realistic NBA scoreboard overlay — sports network watermark — live broadcast graphics — crowd in background — realistic arena LEDs — slight motion blur — realistic televised image quality [00:00-00:03] Fixed Kiss Cam shot appears on the arena jumbotron. The woman notices the camera and immediately laughs shyly while casually waving her hand “no” toward the screen. The overweight man beside her looks shocked and confused, then smiles nervously. Crowd begins cheering loudly. No talking from either person. [00:03-00:06] The crowd cheers louder encouraging them. The woman smiles warmly while glancing at the man. He looks overwhelmed and frozen in disbelief. The broadcast camera slightly struggles to keep framing centered realistically like a real live operator. [00:06-00:09] The woman suddenly grabs the man’s cheeks gently and kisses him. The man becomes completely shocked and overjoyed, eyes wide, almost emotionally frozen. Arena crowd erupts cheering and laughing loudly. Realistic shallow depth of field isolates them from crowd. [00:09-00:12] The woman pulls away laughing silently and gives a playful thumbs up directly toward the Kiss Cam. The man still looks stunned and unbelievably happy. Crowd continues cheering loudly while broadcast overlays remain visible. End exactly like a real televised NBA Kiss Cam moment. [00:12-00:14] The man looks in awe and surprise to the camera , the woman smiles with shyness. Audio: ONLY loud NBA arena ambience, crowd cheering, distant announcer echo, stadium reactions, sneaker squeaks, arena music muffled in background. ABSOLUTELY NO dialogue, whispering, laughing audio, or vocal sounds from the couple. Negative prompts: No cinematic movie look, no dialogue, no talking, no subtitles, no unrealistic beauty filter, no anime style, no perfect framing, no dramatic camera movement, no unrealistic reactions, no extra people interacting directly with camera.
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Kiss Cam! Image: GPT Image 2 Video: Seedance in Dreamina Prompt: Style: Hyper-realistic live NBA broadcast footage, authentic televised sports coverage, realistic arena lighting, telephoto broadcast lens compression, shallow depth of field, imperfect live-camera framing, natural crowd reactions, realistic skin textures, subtle compression artifacts, slight interlacing grain, live TV color grading. Duration: 14 seconds Aspect Ratio: 16:9 Camera: Fixed live broadcast camera only, no cinematic cuts, no camera movement. IMPORTANT: The scene must feel EXACTLY like a real NBA live TV Kiss Cam broadcast. The woman: — unbelievably attractive Korean woman in her 20s — long black hair — flawless skin — elegant glamorous makeup — luxurious aura — sophisticated red low-cut summer outfit — subtle jewelry — natural smile and realistic reactions The man: — overweight unattractive man — casual black jacket — glasses — awkward but wholesome energy IMPORTANT AUDIO RULE: ABSOLUTELY NO SOUND OR DIALOGUE FROM THE COUPLE. The couple never speaks. Only arena crowd cheering and distant stadium ambience. Broadcast details: — realistic NBA scoreboard overlay — sports network watermark — live broadcast graphics — crowd in background — realistic arena LEDs — slight motion blur — realistic televised image quality [00:00-00:03] Fixed Kiss Cam shot appears on the arena jumbotron. The woman notices the camera and immediately laughs shyly while casually waving her hand “no” toward the screen. The overweight man beside her looks shocked and confused, then smiles nervously. Crowd begins cheering loudly. No talking from either person. [00:03-00:06] The crowd cheers louder encouraging them. The woman smiles warmly while glancing at the man. He looks overwhelmed and frozen in disbelief. The broadcast camera slightly struggles to keep framing centered realistically like a real live operator. [00:06-00:09] The woman suddenly grabs the man’s cheeks gently and kisses him. The man becomes completely shocked and overjoyed, eyes wide, almost emotionally frozen. Arena crowd erupts cheering and laughing loudly. Realistic shallow depth of field isolates them from crowd. [00:09-00:12] The woman pulls away laughing silently and gives a playful thumbs up directly toward the Kiss Cam. The man still looks stunned and unbelievably happy. Crowd continues cheering loudly while broadcast overlays remain visible. End exactly like a real televised NBA Kiss Cam moment. [00:12-00:14] The man looks in awe and surprise to the camera , the woman smiles with shyness. Audio: ONLY loud NBA arena ambience, crowd cheering, distant announcer echo, stadium reactions, sneaker squeaks, arena music muffled in background. ABSOLUTELY NO dialogue, whispering, laughing audio, or vocal sounds from the couple. Negative prompts: No cinematic movie look, no dialogue, no talking, no subtitles, no unrealistic beauty filter, no anime style, no perfect framing, no dramatic camera movement, no unrealistic reactions, no extra people interacting directly with camera.

Keskin

79,257 次观看 • 3 个月前

Created with GPT image 2 + Kling 3.0 on OpenArt Prompt: Ultra-realistic football broadcast screenshot — slightly soft and naturally compressed quality, as if captured directly from a live TV feed during an Argentina national football team match. The uploaded person is sitting naturally among the crowd, casually watching the game and not looking directly at the camera. Fans are seated closely around her, creating an authentic stadium atmosphere. A realistic live sports broadcast overlay is visible, with Argentina football broadcast-style scoreboard and graphics in the top corners. This must feel like a genuine frame grab from a live football broadcast itself — NOT a photo of a screen, NOT a model shoot, NOT influencer photography, NOT beauty photography. Natural candid posture, subtle facial asymmetry, realistic skin texture, flyaway hair, slight motion blur, visible compression artifacts, interlaced live TV quality, soft zoom-lens focus, uneven stadium lighting, and authentic crowd energy. The person is wearing a casual Argentina national team jersey in sky blue and white, sitting comfortably while reacting to the match, with scarves, drinks, or cheering items nearby. South American football broadcast aesthetic, accidental crowd-cam moment, realistic sports production frame. NO enlarged eyes. Aspect Ratio 4:3. Negative prompt: garbled text, unreadable letters, distorted typography, messy subtitles, broken words, misspelled words. Video Prompt: Use the attached photo as the exact facial reference. Create an ultra realistic 16:9 Argentina football broadcast crowd shot during a summer evening match at Camp Nou. Preserve the original face and hairstyle naturally without over-editing. Wide shot from an eye-level spectator perspective using a super telephoto broadcast zoom lens and then zoom in on her face . The person is sitting comfortably, naturally watching the match.
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Created with GPT image 2 + Kling 3.0 on OpenArt Prompt: Ultra-realistic football broadcast screenshot — slightly soft and naturally compressed quality, as if captured directly from a live TV feed during an Argentina national football team match. The uploaded person is sitting naturally among the crowd, casually watching the game and not looking directly at the camera. Fans are seated closely around her, creating an authentic stadium atmosphere. A realistic live sports broadcast overlay is visible, with Argentina football broadcast-style scoreboard and graphics in the top corners. This must feel like a genuine frame grab from a live football broadcast itself — NOT a photo of a screen, NOT a model shoot, NOT influencer photography, NOT beauty photography. Natural candid posture, subtle facial asymmetry, realistic skin texture, flyaway hair, slight motion blur, visible compression artifacts, interlaced live TV quality, soft zoom-lens focus, uneven stadium lighting, and authentic crowd energy. The person is wearing a casual Argentina national team jersey in sky blue and white, sitting comfortably while reacting to the match, with scarves, drinks, or cheering items nearby. South American football broadcast aesthetic, accidental crowd-cam moment, realistic sports production frame. NO enlarged eyes. Aspect Ratio 4:3. Negative prompt: garbled text, unreadable letters, distorted typography, messy subtitles, broken words, misspelled words. Video Prompt: Use the attached photo as the exact facial reference. Create an ultra realistic 16:9 Argentina football broadcast crowd shot during a summer evening match at Camp Nou. Preserve the original face and hairstyle naturally without over-editing. Wide shot from an eye-level spectator perspective using a super telephoto broadcast zoom lens and then zoom in on her face . The person is sitting comfortably, naturally watching the match.

Zara

22,263 次观看 • 3 个月前

Made with Seedance 2.0 Prompt [Create a fully realistic cinematic 9:16 vertical video from this image, set at the Empire State Building, New York City. Keep the same high-rise urban background, the tall antenna mast, the two people standing on top, and the large black flag with the text clearly visible. The scene should look like a real drone-shot action sequence at the Empire State Building, not CGI. A realistic helicopter slowly circles around the antenna tower from left to right, flying at medium distance behind and beside the flag. The helicopter blades spin fast with natural motion blur, creating strong wind that makes the black flag wave harder. The flag should wave naturally and realistically in the wind, with authentic fabric movement, folds, and flow like a real flag. The people remain balanced on the mast, slightly reacting to the wind, with clothes moving naturally. Camera movement: start with a slow cinematic push-in from a distance, then smoothly orbit around the mast in a dramatic parallax motion. The camera should feel like a professional helicopter/drone camera, handheld but stable, with slight natural vibration from height and wind. Keep the flag as the main focus, with the text “Join Our Free Telegram Chhanel For Exclusive Content” and “Prompt Explore” staying readable as the fabric moves. Make the skyline and architecture feel like midtown Manhattan, with the recognizable setting and atmosphere of the Empire State Building. Lighting should be natural daylight with a premium cinematic tone, slight haze between buildings, realistic shadows, telephoto lens compression, high detail, real-world physics, realistic wind, realistic helicopter movement, no cartoon style, no over-animation, no extra people, no text changes, no distorted flag text, no camera cuts.]
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Made with Seedance 2.0 Prompt [Create a fully realistic cinematic 9:16 vertical video from this image, set at the Empire State Building, New York City. Keep the same high-rise urban background, the tall antenna mast, the two people standing on top, and the large black flag with the text clearly visible. The scene should look like a real drone-shot action sequence at the Empire State Building, not CGI. A realistic helicopter slowly circles around the antenna tower from left to right, flying at medium distance behind and beside the flag. The helicopter blades spin fast with natural motion blur, creating strong wind that makes the black flag wave harder. The flag should wave naturally and realistically in the wind, with authentic fabric movement, folds, and flow like a real flag. The people remain balanced on the mast, slightly reacting to the wind, with clothes moving naturally. Camera movement: start with a slow cinematic push-in from a distance, then smoothly orbit around the mast in a dramatic parallax motion. The camera should feel like a professional helicopter/drone camera, handheld but stable, with slight natural vibration from height and wind. Keep the flag as the main focus, with the text “Join Our Free Telegram Chhanel For Exclusive Content” and “Prompt Explore” staying readable as the fabric moves. Make the skyline and architecture feel like midtown Manhattan, with the recognizable setting and atmosphere of the Empire State Building. Lighting should be natural daylight with a premium cinematic tone, slight haze between buildings, realistic shadows, telephoto lens compression, high detail, real-world physics, realistic wind, realistic helicopter movement, no cartoon style, no over-animation, no extra people, no text changes, no distorted flag text, no camera cuts.]

Prompt Explore

16,779 次观看 • 1 个月前

Real or AI? AI stadium broadcast trend 💛 💙 • Create the video here: 🔗[ ] - How it works? 1. Upload your photo to ChatGPT with this prompt: [PHOTO PROMPT] Realistic sports broadcast screenshot-style documentary photo set in the spectator stands of a [WRITE YOUR TEAM HERE] football match. Analyze the uploaded image and show the person sitting in the stadium seats. The person has delicate facial features and a surprised yet focused expression while looking toward the field. The person is wearing a [WRITE YOUR TEAM HERE] jersey. OUTPUT: ratio: 16:9 broadcast frame, realistic TV capture quality. 2. Open the link above → select “Text to Video” → upload the generated image + use this prompt: [VIDEO PROMPT] Dimage = character identity reference only (face, hairstyle, proportions).Preserve exact face, hairstyle, skin texture, and identity. Do NOT stylize or beautify.Output: single continuous live sports broadcast shot, 4-5s, 16:9, 1080p, no cuts. SUBJECT:A young woman based on Image, sitting in a [WRITE YOUR TEAM HERE] football stadium audience.Hands resting naturally on her lap or lightly placed on the seat.Neutral, slightly distant expression.Natural breathing, minimal movement. ENVIRONMENT: [WRITE YOUR TEAM HERE] stadium crowd during live match.Plastic seats, fans around her wearing [WRITE YOUR TEAM HERE] jerseys. Background slightly out of focus.Realistic stadium lighting - day or night.Slight haze from broadcast compression. MOOD:Unstaged, candid, real broadcast moment No cinematic drama. Pure live TV capture. CAMERA:Telephoto broadcast lens (120-150mm).Long-distance zoom from upper stands camera.Strong compression, shallow depth of field.Eye-level, very slight upward tilt.Subtle micro-shake from broadcast stabilization. ACTION (4-5s):[0-2s] She sits still, blinks once. Hands resting naturally.[2-4s] Subtle weight shift, naturally adjusting posture. Minimal body movement.[4-5s] Small hand reposition on lap or seat. Slight head turn toward the field._ DETAILS:No posing. No eye contact with camera. Skin texture realistic, no smoothing or beautification. Slight motion blur on background crowd.Faint broadcast scoreboard UI visible in corner.
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Real or AI? AI stadium broadcast trend 💛 💙 • Create the video here: 🔗[ ] - How it works? 1. Upload your photo to ChatGPT with this prompt: [PHOTO PROMPT] Realistic sports broadcast screenshot-style documentary photo set in the spectator stands of a [WRITE YOUR TEAM HERE] football match. Analyze the uploaded image and show the person sitting in the stadium seats. The person has delicate facial features and a surprised yet focused expression while looking toward the field. The person is wearing a [WRITE YOUR TEAM HERE] jersey. OUTPUT: ratio: 16:9 broadcast frame, realistic TV capture quality. 2. Open the link above → select “Text to Video” → upload the generated image + use this prompt: [VIDEO PROMPT] Dimage = character identity reference only (face, hairstyle, proportions).Preserve exact face, hairstyle, skin texture, and identity. Do NOT stylize or beautify.Output: single continuous live sports broadcast shot, 4-5s, 16:9, 1080p, no cuts. SUBJECT:A young woman based on Image, sitting in a [WRITE YOUR TEAM HERE] football stadium audience.Hands resting naturally on her lap or lightly placed on the seat.Neutral, slightly distant expression.Natural breathing, minimal movement. ENVIRONMENT: [WRITE YOUR TEAM HERE] stadium crowd during live match.Plastic seats, fans around her wearing [WRITE YOUR TEAM HERE] jerseys. Background slightly out of focus.Realistic stadium lighting - day or night.Slight haze from broadcast compression. MOOD:Unstaged, candid, real broadcast moment No cinematic drama. Pure live TV capture. CAMERA:Telephoto broadcast lens (120-150mm).Long-distance zoom from upper stands camera.Strong compression, shallow depth of field.Eye-level, very slight upward tilt.Subtle micro-shake from broadcast stabilization. ACTION (4-5s):[0-2s] She sits still, blinks once. Hands resting naturally.[2-4s] Subtle weight shift, naturally adjusting posture. Minimal body movement.[4-5s] Small hand reposition on lap or seat. Slight head turn toward the field._ DETAILS:No posing. No eye contact with camera. Skin texture realistic, no smoothing or beautification. Slight motion blur on background crowd.Faint broadcast scoreboard UI visible in corner.

Zaylee

26,495 次观看 • 3 个月前

Wait? Is this Seedance 2 Mini? The mystery Seedance 2 model IS HERE! No wait this time. About 55% of the cost of the 2.0 Fast is about 75% Quality wise they say to expect Fast level output and that seems fair? Thoughts? Left is Seedance 2 Mini Right is Seedance 2.0 Full Prompt Image To Video Use the uploaded images as identity, costume, and lighting reference. Same naturally confident charismatic age 25 woman throughout performing a sold-out arena concert. Real concert documentary feel, handheld camera energy, practical stage lighting only. gritty, real, fun, clean editing, english language high energy modern concert performance 0: 00–0:01 — Open tight on her face mid-performance, eyes bright, genuine laugh breaking through a lyric, hair catching stage light. Crowd noise swells under faint mic hum. 0: 01–0:06 — She steps forward to the edge of the stage, singing into the mic with playful energy, she frowns, sad "Wait! Is this Seedance 2 Mini?" and then smiles and laughs free hand reaching out toward the crowd, fingers brushing toward raised phones and hands. The crowd repeats the lyric back to her as she laughs. Warm stage lights and lens flares in the background, slight handheld camera sway following her movement. 0: 06–0:09 — Wide shot from a low angle near the crowd barrier — she's framed against haze and colored stage lights, band visible in soft focus behind her (guitarist stage left, keyboard player stage right). She throws her free arm out wide, laughing between lines, hair whipping slightly as she turns. 0: 10–0:12 — Cut to a closer three-quarter shot — she playfully points the mic toward the crowd for a sing-along moment, grinning, eyes scanning the audience with real warmth and connection. Visible sweat sheen, natural skin texture, slight camera shake as if shot from the pit. — Final beat: close-up, she looks directly into the lens with a bright, genuine smile Camera: handheld documentary-style movement throughout, natural focus pulls, no perfectly smooth gimbal shots, slight shake and imperfection consistent with a real concert film crew. Practical stage lighting only — no CGI glow, no artificial bloom, no glossy skin, visible natural texture and sweat under hot lights. Audio: live arena ambience — crowd roar, cheering, phone-camera flash pops, her voice carrying clearly over a full live band mix (electric guitar, keys, drums, bass). No studio polish — natural live-mix dynamics, slight room reverb. No on-screen text, no logos, no subtitles, no watermarks, no identity drift, no extra performers beyond the band already in frame, no slideshow stillness, no overly smooth or glossy rendering, no jarring cuts, no akward moments, no jerky moves, no duplicates, no clones
0:12

Wait? Is this Seedance 2 Mini? The mystery Seedance 2 model IS HERE! No wait this time. About 55% of the cost of the 2.0 Fast is about 75% Quality wise they say to expect Fast level output and that seems fair? Thoughts? Left is Seedance 2 Mini Right is Seedance 2.0 Full Prompt Image To Video Use the uploaded images as identity, costume, and lighting reference. Same naturally confident charismatic age 25 woman throughout performing a sold-out arena concert. Real concert documentary feel, handheld camera energy, practical stage lighting only. gritty, real, fun, clean editing, english language high energy modern concert performance 0: 00–0:01 — Open tight on her face mid-performance, eyes bright, genuine laugh breaking through a lyric, hair catching stage light. Crowd noise swells under faint mic hum. 0: 01–0:06 — She steps forward to the edge of the stage, singing into the mic with playful energy, she frowns, sad "Wait! Is this Seedance 2 Mini?" and then smiles and laughs free hand reaching out toward the crowd, fingers brushing toward raised phones and hands. The crowd repeats the lyric back to her as she laughs. Warm stage lights and lens flares in the background, slight handheld camera sway following her movement. 0: 06–0:09 — Wide shot from a low angle near the crowd barrier — she's framed against haze and colored stage lights, band visible in soft focus behind her (guitarist stage left, keyboard player stage right). She throws her free arm out wide, laughing between lines, hair whipping slightly as she turns. 0: 10–0:12 — Cut to a closer three-quarter shot — she playfully points the mic toward the crowd for a sing-along moment, grinning, eyes scanning the audience with real warmth and connection. Visible sweat sheen, natural skin texture, slight camera shake as if shot from the pit. — Final beat: close-up, she looks directly into the lens with a bright, genuine smile Camera: handheld documentary-style movement throughout, natural focus pulls, no perfectly smooth gimbal shots, slight shake and imperfection consistent with a real concert film crew. Practical stage lighting only — no CGI glow, no artificial bloom, no glossy skin, visible natural texture and sweat under hot lights. Audio: live arena ambience — crowd roar, cheering, phone-camera flash pops, her voice carrying clearly over a full live band mix (electric guitar, keys, drums, bass). No studio polish — natural live-mix dynamics, slight room reverb. No on-screen text, no logos, no subtitles, no watermarks, no identity drift, no extra performers beyond the band already in frame, no slideshow stillness, no overly smooth or glossy rendering, no jarring cuts, no akward moments, no jerky moves, no duplicates, no clones

Brent Lynch

12,605 次观看 • 2 个月前

AI video is remarkably good at imagining historical events. This is a one-shot video from Seedance 2 of Pompeii when Mt. Vesuvius erupted. Prompt is below, you can ask an LLM to rewrite it for any other event 👇 This is handheld documentary footage recorded on an early-2000s consumer DV camcorder from the streets of Pompeii at the moment Mount Vesuvius begins erupting. The footage feels like real, imperfect home video of ordinary people witnessing the beginning of a historic disaster. The recording shows a busy street in Pompeii during the daytime, with merchants, families, children, laborers, and townspeople moving through the city. In the distance, Mount Vesuvius is visible above the rooftops. At first, people are going about normal daily life, but then a strange plume of smoke and ash begins rising from the volcano. The crowd gradually notices it. Some people stop and stare, some point toward the mountain, and others begin shouting to one another in confusion. The camera moves through the street like someone in the crowd trying to capture what is happening. It shows frightened townspeople looking up at the sky, parents pulling children closer, merchants abandoning their stalls, and groups of people beginning to run as ash starts falling. The footage captures the shift from curiosity to fear as the eruption becomes impossible to ignore. There are natural cuts between wider views of the street, the mountain in the distance, and closer views of people reacting in panic. The handheld camera shows natural shake, drifting framing, sudden reactive movement, autofocus mistakes as the person filming swings between the crowd and the volcano, slight exposure problems from bright daylight and ash in the air, and the imperfect look of old DV footage. The movement should feel urgent and unplanned, like someone trying to document the disaster while also staying safe. Natural sound only: the noise of the street, footsteps on stone, people murmuring and then shouting, children crying, distant rumbling from the volcano, debris falling, and the panic of the crowd. No cinematic music added. The result must feel like authentic, raw footage of ordinary people in Pompeii experiencing the beginning of the eruption of Mount Vesuvius, captured on an old DV camcorder.”
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AI video is remarkably good at imagining historical events. This is a one-shot video from Seedance 2 of Pompeii when Mt. Vesuvius erupted. Prompt is below, you can ask an LLM to rewrite it for any other event 👇 This is handheld documentary footage recorded on an early-2000s consumer DV camcorder from the streets of Pompeii at the moment Mount Vesuvius begins erupting. The footage feels like real, imperfect home video of ordinary people witnessing the beginning of a historic disaster. The recording shows a busy street in Pompeii during the daytime, with merchants, families, children, laborers, and townspeople moving through the city. In the distance, Mount Vesuvius is visible above the rooftops. At first, people are going about normal daily life, but then a strange plume of smoke and ash begins rising from the volcano. The crowd gradually notices it. Some people stop and stare, some point toward the mountain, and others begin shouting to one another in confusion. The camera moves through the street like someone in the crowd trying to capture what is happening. It shows frightened townspeople looking up at the sky, parents pulling children closer, merchants abandoning their stalls, and groups of people beginning to run as ash starts falling. The footage captures the shift from curiosity to fear as the eruption becomes impossible to ignore. There are natural cuts between wider views of the street, the mountain in the distance, and closer views of people reacting in panic. The handheld camera shows natural shake, drifting framing, sudden reactive movement, autofocus mistakes as the person filming swings between the crowd and the volcano, slight exposure problems from bright daylight and ash in the air, and the imperfect look of old DV footage. The movement should feel urgent and unplanned, like someone trying to document the disaster while also staying safe. Natural sound only: the noise of the street, footsteps on stone, people murmuring and then shouting, children crying, distant rumbling from the volcano, debris falling, and the panic of the crowd. No cinematic music added. The result must feel like authentic, raw footage of ordinary people in Pompeii experiencing the beginning of the eruption of Mount Vesuvius, captured on an old DV camcorder.”

Justine Moore

20,656 次观看 • 1 个月前

Megan Fox really knows how to draw everyone's attention, don't you think?🤩😏 VIdeo by Kling 3.0 via Higgsfield AI (More videos for my subscribers!) Video & Image prompts below👇🏻 🔴 Video Prompt: Subject slowly rises from kneeling position on fluffy white rug — movement begins with a natural, fluid push upward from knees to standing. As she rises, hips sway gently and playfully, body moves naturally with soft feminine energy, not exaggerated. Hair still mid-ponytail, hands finish tying it as she stands. Camera rises simultaneously with her, tracking from chest level up to face level as she reaches full standing height. Full body visible throughout the rise. At 8 seconds: she leans slightly forward toward camera, eyes locked, and softly tongue out to the camera lens. At 9-10 seconds: she pulls back, gives one final direct look into camera, then flashes a peace sign with a slight smirk. Style: Cinematic, smooth camera movement, natural bedroom lighting with soft daylight from window, warm neon glow from "Keor" sign in background. Realistic, no sudden cuts, fluid motion throughout. 10 seconds total. 🔴 Image Prompt: A Megan Fox with fair skin, freckles across her face and shoulders, and striking blue eyes is kneeling on a thick, fluffy white rug in a messy bedroom. She has long, black hair that she is actively gathering with both hands to tie into a high ponytail; her right hand holds the base of the ponytail near the crown of her head while her left hand pulls the length of her hair through. She is wearing a fitted light green lime ribbed tank top with V neckline and fuchsia gym shorts bottoms. Her expression is direct and slightly serious as she looks straight at the camera from a high angle. The bedroom background features an unmade pink bed with rumpled light-colored sheets and pillows, scattered clothes on the floor and bed, a white nightstand with a modern lamp, a stack of books, a big poster of Inuyasha manga characters, a little neon written 'Keor' on wall, and a window with sheer curtains letting in natural daylight. The overall scene has a casual, lived-in atmosphere with soft natural lighting."
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Megan Fox really knows how to draw everyone's attention, don't you think?🤩😏 VIdeo by Kling 3.0 via Higgsfield AI (More videos for my subscribers!) Video & Image prompts below👇🏻 🔴 Video Prompt: Subject slowly rises from kneeling position on fluffy white rug — movement begins with a natural, fluid push upward from knees to standing. As she rises, hips sway gently and playfully, body moves naturally with soft feminine energy, not exaggerated. Hair still mid-ponytail, hands finish tying it as she stands. Camera rises simultaneously with her, tracking from chest level up to face level as she reaches full standing height. Full body visible throughout the rise. At 8 seconds: she leans slightly forward toward camera, eyes locked, and softly tongue out to the camera lens. At 9-10 seconds: she pulls back, gives one final direct look into camera, then flashes a peace sign with a slight smirk. Style: Cinematic, smooth camera movement, natural bedroom lighting with soft daylight from window, warm neon glow from "Keor" sign in background. Realistic, no sudden cuts, fluid motion throughout. 10 seconds total. 🔴 Image Prompt: A Megan Fox with fair skin, freckles across her face and shoulders, and striking blue eyes is kneeling on a thick, fluffy white rug in a messy bedroom. She has long, black hair that she is actively gathering with both hands to tie into a high ponytail; her right hand holds the base of the ponytail near the crown of her head while her left hand pulls the length of her hair through. She is wearing a fitted light green lime ribbed tank top with V neckline and fuchsia gym shorts bottoms. Her expression is direct and slightly serious as she looks straight at the camera from a high angle. The bedroom background features an unmade pink bed with rumpled light-colored sheets and pillows, scattered clothes on the floor and bed, a white nightstand with a modern lamp, a stack of books, a big poster of Inuyasha manga characters, a little neon written 'Keor' on wall, and a window with sheer curtains letting in natural daylight. The overall scene has a casual, lived-in atmosphere with soft natural lighting."

KeorUnreal

103,787 次观看 • 3 个月前

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.
0:10

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

Blaze

38,242 次观看 • 3 个月前

yep, it works for vertical content too seedance 2.5, here's the prompt: CAMERA: Handheld DV 16mm **vertical 9:16** daily vlog footage optimized for TikTok, Instagram Reels, and YouTube Shorts. The video MUST begin with her holding the camera at arm's length in selfie mode, speaking directly to the lens while casually walking through the gym. The framing stays vertical throughout, with natural selfie composition, occasional head cropping, imperfect framing, and realistic phone-like movement. The first 20–30 seconds are entirely handheld. Only later does she occasionally place the camera on a dumbbell rack, adjustable bench, stretching mat, gym bag, or water bottle for wider vertical shots. Keep subtle handheld shake, drifting composition, autofocus hunting, rushed reframing, uneven zooms, exposure breathing, brief accidental face cropping, and imperfect framing throughout. The camera itself is never visible. LOOK: Warm analog tape texture with gentle film grain, slightly softened sharpness, subtle halation around overhead lights, realistic skin tones, low contrast, tiny exposure shifts, and natural motion blur. The footage should feel authentic and completely unstaged, like a real creator documenting her workout on her phone. STYLE: An intimate daily fitness vlog filmed in a mostly empty boutique gym. Casual, relaxed, and conversational. Small laughs, pauses, fixing her ponytail, wiping sweat with her towel, catching her breath, looking away while thinking, and talking naturally to the audience instead of delivering lines. She speaks in short, natural sentences with frequent pauses. Never rush dialogue. Leave quiet moments between lines. CHARACTER: A beautiful white blonde fitness creator in her early 20s. Long blonde hair tied into a loose ponytail, blue eyes, glowing skin, and a slim athletic figure. She wears a fitted black long-sleeve workout top, high-waisted black leggings, white socks, white sneakers, and a white towel loosely resting around her neck. SETTING: A modern boutique gym late in the evening. Dumbbell racks, kettlebells, medicine balls, mirrors, benches, stretching mats, resistance bands, a gym bag, shaker bottle, and warm overhead lighting. The gym is almost empty with only one or two people blurred in the distant background. SCENES: The vlog opens in selfie mode. She is holding the camera at arm's length while slowly walking through the dumbbell area, smiling naturally. "...okay." "I definitely earned dinner." She laughs quietly and adjusts the towel around her neck. "I almost skipped today." She briefly turns the camera toward the nearly empty gym before pointing it back at herself. "Glad I came." Still holding the camera, she walks toward the stretching area. "My legs are done." She places the camera on a nearby bench for a wider vertical angle and sits down on a stretching mat. She stretches one leg and takes a deep breath. "I really need to stretch more." She smiles to herself. She switches sides and rolls one shoulder. "Tomorrow's gonna hurt." She picks the camera back up and walks toward her gym bag. She kneels beside it, pulls out a protein shake, and takes a sip. "...that's actually good." She laughs. The camera sits on top of the gym bag while she packs away her towel, headphones, and lifting straps. "Worth it." She throws the bag over one shoulder and picks the camera back up. Walking toward the exit in selfie mode, she smiles into the lens. "See you next workout." She gives the camera a small wave before ending the recording.
0:16

yep, it works for vertical content too seedance 2.5, here's the prompt: CAMERA: Handheld DV 16mm **vertical 9:16** daily vlog footage optimized for TikTok, Instagram Reels, and YouTube Shorts. The video MUST begin with her holding the camera at arm's length in selfie mode, speaking directly to the lens while casually walking through the gym. The framing stays vertical throughout, with natural selfie composition, occasional head cropping, imperfect framing, and realistic phone-like movement. The first 20–30 seconds are entirely handheld. Only later does she occasionally place the camera on a dumbbell rack, adjustable bench, stretching mat, gym bag, or water bottle for wider vertical shots. Keep subtle handheld shake, drifting composition, autofocus hunting, rushed reframing, uneven zooms, exposure breathing, brief accidental face cropping, and imperfect framing throughout. The camera itself is never visible. LOOK: Warm analog tape texture with gentle film grain, slightly softened sharpness, subtle halation around overhead lights, realistic skin tones, low contrast, tiny exposure shifts, and natural motion blur. The footage should feel authentic and completely unstaged, like a real creator documenting her workout on her phone. STYLE: An intimate daily fitness vlog filmed in a mostly empty boutique gym. Casual, relaxed, and conversational. Small laughs, pauses, fixing her ponytail, wiping sweat with her towel, catching her breath, looking away while thinking, and talking naturally to the audience instead of delivering lines. She speaks in short, natural sentences with frequent pauses. Never rush dialogue. Leave quiet moments between lines. CHARACTER: A beautiful white blonde fitness creator in her early 20s. Long blonde hair tied into a loose ponytail, blue eyes, glowing skin, and a slim athletic figure. She wears a fitted black long-sleeve workout top, high-waisted black leggings, white socks, white sneakers, and a white towel loosely resting around her neck. SETTING: A modern boutique gym late in the evening. Dumbbell racks, kettlebells, medicine balls, mirrors, benches, stretching mats, resistance bands, a gym bag, shaker bottle, and warm overhead lighting. The gym is almost empty with only one or two people blurred in the distant background. SCENES: The vlog opens in selfie mode. She is holding the camera at arm's length while slowly walking through the dumbbell area, smiling naturally. "...okay." "I definitely earned dinner." She laughs quietly and adjusts the towel around her neck. "I almost skipped today." She briefly turns the camera toward the nearly empty gym before pointing it back at herself. "Glad I came." Still holding the camera, she walks toward the stretching area. "My legs are done." She places the camera on a nearby bench for a wider vertical angle and sits down on a stretching mat. She stretches one leg and takes a deep breath. "I really need to stretch more." She smiles to herself. She switches sides and rolls one shoulder. "Tomorrow's gonna hurt." She picks the camera back up and walks toward her gym bag. She kneels beside it, pulls out a protein shake, and takes a sip. "...that's actually good." She laughs. The camera sits on top of the gym bag while she packs away her towel, headphones, and lifting straps. "Worth it." She throws the bag over one shoulder and picks the camera back up. Walking toward the exit in selfie mode, she smiles into the lens. "See you next workout." She gives the camera a small wave before ending the recording.

MAX

43,950 次观看 • 10 天前

What did you do to my friend !! 😡 This is the trending “Fight Prompt” going viral Prompt : Use the first uploaded image as the main reference for the school uniform, body proportions, pose, posture, background, camera angle, framing, and overall composition. Use the second uploaded image as the identity reference for the face and hairstyle. Create a realistic Korean influencer-style school uniform portrait where the person from the second image naturally appears wearing the school uniform from the first image, photographed in the same studio setting. Important: Keep the school uniform, blazer, shirt, tie, skirt or pants, and overall outfit design from the first image. Keep the body proportions, standing pose, hand placement, posture, camera angle, framing, and studio background from the first image. Replace the face with the person from the second image. Also preserve the hairstyle from the second image, including bangs, hairline, hair part, hair length, hair framing around the face, and overall hair silhouette. Do not use the hairstyle from the first image if it differs from the second image. Identity: The face from the second image must remain clearly recognizable. Preserve the second person’s face shape, eyes, nose, lips, skin tone, jawline, and overall facial impression. Do not turn the face into a generic attractive face. Do not beautify too heavily. Preserve the person’s recognizable identity, but do not copy the face too rigidly. Reinterpret it naturally so it looks like a realistic photo of the same person in this new school-uniform scene. Keep the same overall facial impression and identity while allowing natural refinement and seamless adaptation to the lighting, angle, and mood of the target image. Hair: Follow the hairstyle from the second image. Preserve the second person’s bangs, hairline, hair part, hair texture, hair length, and overall hairstyle impression. Only adapt the hair naturally so it fits the pose, lighting, and composition of the first image. Korean influencer mood: clean modern Korean influencer portrait polished but natural beauty soft photogenic expression subtle editorial mood stylish, slightly chic, youthful, and confident atmosphere refined but believable skin texture clear eyes with soft catchlights naturally pretty, not over-retouched avoid stiff ID-photo mood Lighting: soft Korean beauty lighting gentle facial brightness clean skin tone soft natural highlights on the face natural shadow transition subtle glow, but realistic skin texture avoid harsh flash avoid flat passport-photo lighting avoid dramatic studio glamour lighting Style: realistic photography clean studio portrait quality Korean influencer-style school portrait mood natural skin texture high detail seamless face and hair integration polished but believable Negative prompt: no identity loss no generic attractive face no over-beautified face no first-image hairstyle if different no awkward face blending no mismatched skin tone no mismatched hairline no distorted facial features no blurry eyes no deformed hands no extra fingers no change to the school uniform no change to the body pose no change to the background no cartoon style no anime style no text no watermark
0:14

What did you do to my friend !! 😡 This is the trending “Fight Prompt” going viral Prompt : Use the first uploaded image as the main reference for the school uniform, body proportions, pose, posture, background, camera angle, framing, and overall composition. Use the second uploaded image as the identity reference for the face and hairstyle. Create a realistic Korean influencer-style school uniform portrait where the person from the second image naturally appears wearing the school uniform from the first image, photographed in the same studio setting. Important: Keep the school uniform, blazer, shirt, tie, skirt or pants, and overall outfit design from the first image. Keep the body proportions, standing pose, hand placement, posture, camera angle, framing, and studio background from the first image. Replace the face with the person from the second image. Also preserve the hairstyle from the second image, including bangs, hairline, hair part, hair length, hair framing around the face, and overall hair silhouette. Do not use the hairstyle from the first image if it differs from the second image. Identity: The face from the second image must remain clearly recognizable. Preserve the second person’s face shape, eyes, nose, lips, skin tone, jawline, and overall facial impression. Do not turn the face into a generic attractive face. Do not beautify too heavily. Preserve the person’s recognizable identity, but do not copy the face too rigidly. Reinterpret it naturally so it looks like a realistic photo of the same person in this new school-uniform scene. Keep the same overall facial impression and identity while allowing natural refinement and seamless adaptation to the lighting, angle, and mood of the target image. Hair: Follow the hairstyle from the second image. Preserve the second person’s bangs, hairline, hair part, hair texture, hair length, and overall hairstyle impression. Only adapt the hair naturally so it fits the pose, lighting, and composition of the first image. Korean influencer mood: clean modern Korean influencer portrait polished but natural beauty soft photogenic expression subtle editorial mood stylish, slightly chic, youthful, and confident atmosphere refined but believable skin texture clear eyes with soft catchlights naturally pretty, not over-retouched avoid stiff ID-photo mood Lighting: soft Korean beauty lighting gentle facial brightness clean skin tone soft natural highlights on the face natural shadow transition subtle glow, but realistic skin texture avoid harsh flash avoid flat passport-photo lighting avoid dramatic studio glamour lighting Style: realistic photography clean studio portrait quality Korean influencer-style school portrait mood natural skin texture high detail seamless face and hair integration polished but believable Negative prompt: no identity loss no generic attractive face no over-beautified face no first-image hairstyle if different no awkward face blending no mismatched skin tone no mismatched hairline no distorted facial features no blurry eyes no deformed hands no extra fingers no change to the school uniform no change to the body pose no change to the background no cartoon style no anime style no text no watermark

Ai Arainz

104,348 次观看 • 2 个月前

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.
0:25

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

LEE KNOW 리노 GLOBAL ★

21,011 次观看 • 1 年前

A truck driver in Australia once won $250,000 on a scratch card while pretending to win a scratch card for a TV news crew. He didn’t know the ticket was real until he scratched the last panel. He turned to the camera, completely flat, and said, “I just won $250,000. I’m not joking.” Then, holding his chest, “I think I’ll have another heart attack.” The “another” was the part most viewers missed. A year earlier Bill Morgan had been in a serious accident, developed a heart condition from it, had an allergic reaction to the medication that was supposed to fix it, and his heart had stopped for 14 minutes and 38 seconds. Paramedics revived him. He slipped into a coma. His family was told to prepare to turn off life support after 12 days. The day they were going to make the decision, he woke up. Fully himself with no brain damage. Within twelve months he got engaged, found work again, bought a $5 scratch card on a whim, and won a Toyota Corolla worth around $30,000 Australian dollars. That was the win that brought Nine News out to film him. They asked him to re-enact the car-winning moment in the same shop. He picked a fresh ticket off the counter at random for the re-creation. Scratched it. Won the jackpot. The cameraman thought he was acting until he saw the numbers. The shop staff opened champagne. Bill called his fiancée from the counter and told her they could now buy a house. She later said, on camera herself, “I just hope he hasn’t used all his good luck up.” She’s been with him for 27 years. They still live in the house. He’s in his mid-sixties, retired due to ongoing heart issues and arthritis, and he still walks down to the same kind of corner shop every week and buys a $5 scratch ticket. He doesn’t expect to win again. “I’ve had a bonus of 22 years,” he says. “Even if I’m not real well I shuffle down the road and smell the roses, look at the sun, and think about how lucky I am.”
0:15

A truck driver in Australia once won $250,000 on a scratch card while pretending to win a scratch card for a TV news crew. He didn’t know the ticket was real until he scratched the last panel. He turned to the camera, completely flat, and said, “I just won $250,000. I’m not joking.” Then, holding his chest, “I think I’ll have another heart attack.” The “another” was the part most viewers missed. A year earlier Bill Morgan had been in a serious accident, developed a heart condition from it, had an allergic reaction to the medication that was supposed to fix it, and his heart had stopped for 14 minutes and 38 seconds. Paramedics revived him. He slipped into a coma. His family was told to prepare to turn off life support after 12 days. The day they were going to make the decision, he woke up. Fully himself with no brain damage. Within twelve months he got engaged, found work again, bought a $5 scratch card on a whim, and won a Toyota Corolla worth around $30,000 Australian dollars. That was the win that brought Nine News out to film him. They asked him to re-enact the car-winning moment in the same shop. He picked a fresh ticket off the counter at random for the re-creation. Scratched it. Won the jackpot. The cameraman thought he was acting until he saw the numbers. The shop staff opened champagne. Bill called his fiancée from the counter and told her they could now buy a house. She later said, on camera herself, “I just hope he hasn’t used all his good luck up.” She’s been with him for 27 years. They still live in the house. He’s in his mid-sixties, retired due to ongoing heart issues and arthritis, and he still walks down to the same kind of corner shop every week and buys a $5 scratch ticket. He doesn’t expect to win again. “I’ve had a bonus of 22 years,” he says. “Even if I’m not real well I shuffle down the road and smell the roses, look at the sun, and think about how lucky I am.”

Lemma the Optimist

122,513 次观看 • 3 个月前

Sam Altman just went on camera and begged the man suing him not to walk away. Altman: “My fear at this point is he decides to drop the case right before the trial.” The most prolific liar in Silicon Valley history is on television pretending he wants the trial. Performing bravery for an audience he assumes will never read a single filing. This is what panic sounds like when it learns to speak in a calm voice. OpenAI was incorporated as a 501(c)(3) non-profit. They raised billions under one legally binding covenant. Whatever they built would belong to the public. No equity. No dividends. No corporate capture. Then Altman looked at the balance sheet and saw the biggest payday in the history of technology sitting right in front of him. So he gutted the covenant. He wrapped a for-profit shell around a public trust. He handed the equity to Microsoft. He locked the founding charter in a drawer and started selling subscriptions to what he promised would belong to everyone. He didn’t pivot. He looted. And he did it with a smile. The soft voice. The rehearsed humility. The grey crewneck and the headphones. Every pixel of the persona engineered to make you forget you are watching a man who stole a charity. Now Elon Musk is standing in a courtroom with the receipts. And Altman cannot gaslight a judge the way he gaslights a podcast host. If a court allows that conversion to survive, it does not just validate one man’s fraud. It permanently corrupts the American non-profit system. Every venture capitalist on Earth gets a new playbook overnight. Raise your capital tax-free. Promise to save humanity. Fund your R&D with public goodwill. The absolute second you strike gold, flip the paperwork and charge admission. Altman is not brave. He is cornered. He is not afraid Musk will drop the case. He is afraid of what discovery will drag into the light when Musk doesn’t. Because discovery does not care about the soft voice. Discovery does not care about the rehearsed concern. Discovery opens the books. And the books will show exactly how Sam Altman turned a charity built to protect the human race into a $300 billion personal vehicle selling API access to the technology he swore would be free. Elon Musk does not need to win a press cycle. He does not need to perform calm on camera. He needs one thing. The legal authority to open the books. And he is not backing down. They promised to hand humanity the fire. Then Sam Altman quietly built a tollbooth around it and started billing by the token.
0:10

Sam Altman just went on camera and begged the man suing him not to walk away. Altman: “My fear at this point is he decides to drop the case right before the trial.” The most prolific liar in Silicon Valley history is on television pretending he wants the trial. Performing bravery for an audience he assumes will never read a single filing. This is what panic sounds like when it learns to speak in a calm voice. OpenAI was incorporated as a 501(c)(3) non-profit. They raised billions under one legally binding covenant. Whatever they built would belong to the public. No equity. No dividends. No corporate capture. Then Altman looked at the balance sheet and saw the biggest payday in the history of technology sitting right in front of him. So he gutted the covenant. He wrapped a for-profit shell around a public trust. He handed the equity to Microsoft. He locked the founding charter in a drawer and started selling subscriptions to what he promised would belong to everyone. He didn’t pivot. He looted. And he did it with a smile. The soft voice. The rehearsed humility. The grey crewneck and the headphones. Every pixel of the persona engineered to make you forget you are watching a man who stole a charity. Now Elon Musk is standing in a courtroom with the receipts. And Altman cannot gaslight a judge the way he gaslights a podcast host. If a court allows that conversion to survive, it does not just validate one man’s fraud. It permanently corrupts the American non-profit system. Every venture capitalist on Earth gets a new playbook overnight. Raise your capital tax-free. Promise to save humanity. Fund your R&D with public goodwill. The absolute second you strike gold, flip the paperwork and charge admission. Altman is not brave. He is cornered. He is not afraid Musk will drop the case. He is afraid of what discovery will drag into the light when Musk doesn’t. Because discovery does not care about the soft voice. Discovery does not care about the rehearsed concern. Discovery opens the books. And the books will show exactly how Sam Altman turned a charity built to protect the human race into a $300 billion personal vehicle selling API access to the technology he swore would be free. Elon Musk does not need to win a press cycle. He does not need to perform calm on camera. He needs one thing. The legal authority to open the books. And he is not backing down. They promised to hand humanity the fire. Then Sam Altman quietly built a tollbooth around it and started billing by the token.

Dustin

113,001 次观看 • 3 个月前

🚨🗣️New: Thierry Henry reacts to the USA vs Paraguay stoppage for TV commercials: “I’ve spent my entire life in this beautiful game — as a player at the highest level, as a fan, and now as someone who analyses it every week — and what unfolded during that USA versus Paraguay match left me deeply frustrated. The fourth official standing there on the touchline, arm raised high, instructing the referee to hold the restart… not for any injury, not for tactical reasons, and not even primarily for player hydration in that scorching heat. No. It was because the broadcast team hadn’t finished airing all their commercials. That’s not football. That’s a television show pretending to be a World Cup match. The beautiful game is being strangled by greed. Players are out there in the heat, ready to restart, momentum building like a storm about to break — and we pause everything so the sponsors can cash in. It’s like stopping a symphony mid-crescendo because the advertisers want their jingle heard. Football didn’t conquer the world by turning into American sports with endless timeouts and ad breaks. We had rhythm, flow, emotion that flowed like a river. Now? It’s dammed up for dollars. This isn’t about hydration or player welfare anymore — it’s a slippery slope where the soul of the game is sold piece by piece. Fans deserve better. Players deserve better. The referee on that pitch looked like a puppet on strings controlled from some broadcast truck. Enough is enough. We need to protect what made this sport the greatest on Earth before it disappears completely.” The World Cup should be football’s cathedral. Instead, we’re turning it into a shopping mall with a pitch in the middle. And here’s the question nobody wants to answer: if the fourth official is waiting for commercials, then who is really running the game? FIFA? The referee? Or the broadcasters? Because the moment football starts asking advertisers for permission before asking the players, you’ve crossed a line. The World Cup is supposed to be the showcase of football. Not the showcase of who paid the most for airtime.”
0:19

🚨🗣️New: Thierry Henry reacts to the USA vs Paraguay stoppage for TV commercials: “I’ve spent my entire life in this beautiful game — as a player at the highest level, as a fan, and now as someone who analyses it every week — and what unfolded during that USA versus Paraguay match left me deeply frustrated. The fourth official standing there on the touchline, arm raised high, instructing the referee to hold the restart… not for any injury, not for tactical reasons, and not even primarily for player hydration in that scorching heat. No. It was because the broadcast team hadn’t finished airing all their commercials. That’s not football. That’s a television show pretending to be a World Cup match. The beautiful game is being strangled by greed. Players are out there in the heat, ready to restart, momentum building like a storm about to break — and we pause everything so the sponsors can cash in. It’s like stopping a symphony mid-crescendo because the advertisers want their jingle heard. Football didn’t conquer the world by turning into American sports with endless timeouts and ad breaks. We had rhythm, flow, emotion that flowed like a river. Now? It’s dammed up for dollars. This isn’t about hydration or player welfare anymore — it’s a slippery slope where the soul of the game is sold piece by piece. Fans deserve better. Players deserve better. The referee on that pitch looked like a puppet on strings controlled from some broadcast truck. Enough is enough. We need to protect what made this sport the greatest on Earth before it disappears completely.” The World Cup should be football’s cathedral. Instead, we’re turning it into a shopping mall with a pitch in the middle. And here’s the question nobody wants to answer: if the fourth official is waiting for commercials, then who is really running the game? FIFA? The referee? Or the broadcasters? Because the moment football starts asking advertisers for permission before asking the players, you’ve crossed a line. The World Cup is supposed to be the showcase of football. Not the showcase of who paid the most for airtime.”

Vfynn_🥷🏼 𐙚

2,127,356 次观看 • 2 个月前

What would you do if a monster charged at you in the middle of the street? Made with Nano Banana 2 + Seedance 2.0 4k on TapNow prompt Beat 1 - The Calm Opening The reference image character is a Western woman with long wavy blonde hair casually drinking a Coke in the middle of a chaotic urban street. Her outfit and cap match Image 1 exactly. Energy is calm, unfazed, and confident. Camera: grounded, cinematic, medium shot. Beat 2 - The Monster Charges A terrifying monster bull charges toward her at full speed. It smashes through debris and scatters people in panic. The street erupts into chaos around the character. Camera: dynamic tracking, wide angle to capture scale of monster and chaos. Beat 3 - The Transformation The young woman stays calm and completely unfazed. She lowers the Coke. She raises one hand. Her arm begins transforming into solid ice from the fingertips upward. Frost spreads across her skin, glowing with cold blue-white energy. Vapor rolls off the arm as the ice transformation builds. Camera: close-up on the arm transformation, slow and deliberate. Beat 4 - The Touch - Slow Motion As the monster lunges, she calmly reaches forward. She touches the monster with her frozen hand. DRAMATIC SLOW MOTION at the moment of contact. Ice rapidly spreads from the point of contact across the monster's body. The monster panics - thrashing and roaring as frost crawls over its claws, chest, face, and eyes. The monster's movement slows as the freezing effect takes over. Camera: extreme close-up on contact point, then pulls out to reveal the spreading ice. Beat 5 - Full Freeze The creature becomes completely encased in crystal-clear ice, frozen mid-attack. A tense pause holds on the frozen monster. Deep cracks spread through the frozen monster. Cracks split across its icy body with sharp crystalline sounds. Detailed cracking ice - realistic frost and crystal texture throughout. Camera: wide shot of the frozen monster, locked and still for the pause beat. Beat 6 - The Walk-Off The young woman casually takes another sip of Coke. She turns away without looking back. She walks off calmly as the frozen monster cracks behind her. Confident calm hero energy. No celebration. No reaction. Just casual. Camera: low angle tracking shot as she walks away, monster in background. Visual Effects Realistic ice transformation - frost spreading from fingertips upward. Frost vapor rolling off the arm during transformation. Cold blue-white glowing energy across frozen skin. Ice rapidly spreading across monster body from point of contact. Detailed cracking ice with sharp crystalline fracture lines. Crystal-clear ice encasing the entire monster mid-attack. Realistic freeze physics - movement slowing as ice covers the creature. Camera Style Dynamic cinematic camera movement throughout. High-action monster attack framing during the charge. Dramatic slow motion at the exact moment of hand contact. Close-up on ice transformation - fingertips to shoulder. Pull-back reveal as ice spreads across the monster's full body. Low angle walk-off shot to close the scene. One continuous take. No cuts. Camera never stops. Character appearance: a beautiful Western woman with long wavy blonde hair flowing naturally beneath the cap, maintaining the same calm, confident, and unfazed presence throughout the entire sequence.
0:12

What would you do if a monster charged at you in the middle of the street? Made with Nano Banana 2 + Seedance 2.0 4k on TapNow prompt Beat 1 - The Calm Opening The reference image character is a Western woman with long wavy blonde hair casually drinking a Coke in the middle of a chaotic urban street. Her outfit and cap match Image 1 exactly. Energy is calm, unfazed, and confident. Camera: grounded, cinematic, medium shot. Beat 2 - The Monster Charges A terrifying monster bull charges toward her at full speed. It smashes through debris and scatters people in panic. The street erupts into chaos around the character. Camera: dynamic tracking, wide angle to capture scale of monster and chaos. Beat 3 - The Transformation The young woman stays calm and completely unfazed. She lowers the Coke. She raises one hand. Her arm begins transforming into solid ice from the fingertips upward. Frost spreads across her skin, glowing with cold blue-white energy. Vapor rolls off the arm as the ice transformation builds. Camera: close-up on the arm transformation, slow and deliberate. Beat 4 - The Touch - Slow Motion As the monster lunges, she calmly reaches forward. She touches the monster with her frozen hand. DRAMATIC SLOW MOTION at the moment of contact. Ice rapidly spreads from the point of contact across the monster's body. The monster panics - thrashing and roaring as frost crawls over its claws, chest, face, and eyes. The monster's movement slows as the freezing effect takes over. Camera: extreme close-up on contact point, then pulls out to reveal the spreading ice. Beat 5 - Full Freeze The creature becomes completely encased in crystal-clear ice, frozen mid-attack. A tense pause holds on the frozen monster. Deep cracks spread through the frozen monster. Cracks split across its icy body with sharp crystalline sounds. Detailed cracking ice - realistic frost and crystal texture throughout. Camera: wide shot of the frozen monster, locked and still for the pause beat. Beat 6 - The Walk-Off The young woman casually takes another sip of Coke. She turns away without looking back. She walks off calmly as the frozen monster cracks behind her. Confident calm hero energy. No celebration. No reaction. Just casual. Camera: low angle tracking shot as she walks away, monster in background. Visual Effects Realistic ice transformation - frost spreading from fingertips upward. Frost vapor rolling off the arm during transformation. Cold blue-white glowing energy across frozen skin. Ice rapidly spreading across monster body from point of contact. Detailed cracking ice with sharp crystalline fracture lines. Crystal-clear ice encasing the entire monster mid-attack. Realistic freeze physics - movement slowing as ice covers the creature. Camera Style Dynamic cinematic camera movement throughout. High-action monster attack framing during the charge. Dramatic slow motion at the exact moment of hand contact. Close-up on ice transformation - fingertips to shoulder. Pull-back reveal as ice spreads across the monster's full body. Low angle walk-off shot to close the scene. One continuous take. No cuts. Camera never stops. Character appearance: a beautiful Western woman with long wavy blonde hair flowing naturally beneath the cap, maintaining the same calm, confident, and unfazed presence throughout the entire sequence.

Sharon Riley

58,578 次观看 • 1 个月前

Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.
0:13

Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.

Sharon Riley

59,224 次观看 • 12 天前

MR. IG🐻Prescription Play #2🏀 Ja Morant o11.5 Reb+Ast (+100) #GrindCity vs #LakeShow Film. Data. Narratives. What a great play. Show love if you want another play❤️ Lets start with the data because this man is averaging 16.8 Potential Assists across his last 9 games with 25+ minutes. We have also hammered the idea of the Lakers being a horrendous transition defense this season, and we know Ja Morant is at his most fun when he gets out in transition. Expect some easy assists on those plays here. Now as far as the Lakers, they don't hide their strategy of "you are either shooting or passing but you are not driving." While that last matchup was the one that started the drama with his comments about the coaches chewing him out mid-game, it did look like he was figuring out how to read it in the 2nd half. The Grizzlies would put Ja Morant on the wing in an ISO position, with everyone cleared out to the other side. The Lakers would have the big show EARLY help on the near side block. Ja Morant would then read the help of the big man and the weakside corner If the big and corner were helping early, he would drive and find the corner. If the big was helping and the corner wasn't, he would find the big on the opposite block. If the big AND the corner were waiting for him to drive before showing help, he would force the switch onto a lesser defender and put the Lakers into a position where they had to show help. And as far as the rebounding, Ja Morant's defensive role is simple: When there is a corner camper, matchup with the corner camper. With no Reaves, and not matching up on Luka/Lebron, we know this will be the case and should keep him in uncontested weakside rebounding position on any deep shot attempts. This is why he has had 11+ Rebound Chances in 3/4 against the Lakers.
0:10

MR. IG🐻Prescription Play #2🏀 Ja Morant o11.5 Reb+Ast (+100) #GrindCity vs #LakeShow Film. Data. Narratives. What a great play. Show love if you want another play❤️ Lets start with the data because this man is averaging 16.8 Potential Assists across his last 9 games with 25+ minutes. We have also hammered the idea of the Lakers being a horrendous transition defense this season, and we know Ja Morant is at his most fun when he gets out in transition. Expect some easy assists on those plays here. Now as far as the Lakers, they don't hide their strategy of "you are either shooting or passing but you are not driving." While that last matchup was the one that started the drama with his comments about the coaches chewing him out mid-game, it did look like he was figuring out how to read it in the 2nd half. The Grizzlies would put Ja Morant on the wing in an ISO position, with everyone cleared out to the other side. The Lakers would have the big show EARLY help on the near side block. Ja Morant would then read the help of the big man and the weakside corner If the big and corner were helping early, he would drive and find the corner. If the big was helping and the corner wasn't, he would find the big on the opposite block. If the big AND the corner were waiting for him to drive before showing help, he would force the switch onto a lesser defender and put the Lakers into a position where they had to show help. And as far as the rebounding, Ja Morant's defensive role is simple: When there is a corner camper, matchup with the corner camper. With no Reaves, and not matching up on Luka/Lebron, we know this will be the case and should keep him in uncontested weakside rebounding position on any deep shot attempts. This is why he has had 11+ Rebound Chances in 3/4 against the Lakers.

Dr. Profit🩺

49,151 次观看 • 7 个月前

This is real gun camera footage from a P-51 Mustang, chasing a German Bf 109 down to the treetops until it goes down in flames. The American pilot flying it, Lt John Kirla, shot down five enemy planes in a single day, becoming an ace in one mission. This footage captures one of his victories over a Bf 109. This is his story.. From Trainee to the Yoxford Boys John Kirla was not a born fighter ace. He was an ordinary young American who had come up through flight training in Texas, graduating at the start of 1944. He learned his trade on trainers, moved up to fighters, and got just 15 hours in the P-51 Mustang before being sent to England as a replacement pilot. He joined the 362nd Fighter Squadron of the 357th Fighter Group, a unit based at Leiston that was already becoming a legend. The 357th was the first group in the Eighth Air Force fully equipped with the Mustang, and it would go on to produce more aces than any other fighter group in the Eighth, including Chuck Yeager and Bud Anderson. Kirla was the newest pilot in a squadron already filled with experienced aces. His job was to escort American bombers deep into Germany and protect them from the Luftwaffe. On November 27 1944, he got the day that would define him. Five Victories in One Mission That morning the 357th ran headlong into a massive swarm of German fighters trying to get at the bombers. Kirla's flight dropped their fuel tanks and dived straight into the middle of it. Almost immediately, the fight became a swirling, low-level brawl of Mustangs, Messerschmitts, and Focke-Wulfs twisting across the sky. Kirla picked out his first target and opened fire, and from that moment he did not stop hunting. In his own account, he spotted a Bf 109 that was attacking an American bomber. He went after it, closed to just 30 yards, and when the German threw his fighter into a tight barrel roll straight down toward the ground, Kirla stayed glued to his tail and, in his words, clobbered him all over until he went down. An Ace in a Day He kept finding more. Again and again through that wild, sprawling fight, Kirla latched onto an enemy aircraft and did not let go. At one point he watched a German fighter shoot down one of his fellow Mustang pilots right in front of him, and closed in for revenge. As he described it afterward, he opened fire, saw pieces start to fly off the enemy aircraft, and watched it fall out of the sky like a leaf drifting to the ground. Rather than breaking away and climbing back to safety, Kirla chased his targets down low, following them almost to the ground, the fighters weaving over villages and treetops until the enemy aircraft finally went down. By the time the fight was over, John Kirla had shot down five German aircraft in a single mission. He had become an ace in a day, one of the relatively few American fighter pilots to achieve that in a single mission. The Mustang That Changed the Air War The Mustang was the aircraft that made days like Kirla's possible. The P-51 combined long range, high speed, and deadly firepower, and it could follow the bombers all the way to their targets and fight the German fighters on equal or better terms. By the end of the war, P-51 groups had claimed close to 5,000 enemy aircraft shot down, about half of all American air-to-air kills in the European theater. Kirla's own group, the 357th, became the top-scoring Mustang group in the Eighth Air Force. Flying one of the finest escort fighters of the war, men like Kirla helped turn the tide of the air war over Germany. The gun-camera film rolling every time he pressed the trigger captured it all, including the footage you are watching. John Kirla's Legacy John Kirla flew on to the end of his combat tour and finished the war as a double ace, credited with 11 and a half enemy aircraft destroyed in the air. He was awarded the Silver Star and the Distinguished Flying Cross for his courage in the skies over Europe. He had gone from a trainee with a handful of hours in a Mustang to one of the deadliest fighter pilots in one of the deadliest fighter groups of the war, in the span of a single year. The footage of his Mustang chasing a Bf 109 down to the trees is only a few seconds long. But behind those few seconds is a young American who climbed into a fighter, dove into a swarm of the enemy, and shot down five of them before the day was out. This was the story of John Kirla. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.
0:16

This is real gun camera footage from a P-51 Mustang, chasing a German Bf 109 down to the treetops until it goes down in flames. The American pilot flying it, Lt John Kirla, shot down five enemy planes in a single day, becoming an ace in one mission. This footage captures one of his victories over a Bf 109. This is his story.. From Trainee to the Yoxford Boys John Kirla was not a born fighter ace. He was an ordinary young American who had come up through flight training in Texas, graduating at the start of 1944. He learned his trade on trainers, moved up to fighters, and got just 15 hours in the P-51 Mustang before being sent to England as a replacement pilot. He joined the 362nd Fighter Squadron of the 357th Fighter Group, a unit based at Leiston that was already becoming a legend. The 357th was the first group in the Eighth Air Force fully equipped with the Mustang, and it would go on to produce more aces than any other fighter group in the Eighth, including Chuck Yeager and Bud Anderson. Kirla was the newest pilot in a squadron already filled with experienced aces. His job was to escort American bombers deep into Germany and protect them from the Luftwaffe. On November 27 1944, he got the day that would define him. Five Victories in One Mission That morning the 357th ran headlong into a massive swarm of German fighters trying to get at the bombers. Kirla's flight dropped their fuel tanks and dived straight into the middle of it. Almost immediately, the fight became a swirling, low-level brawl of Mustangs, Messerschmitts, and Focke-Wulfs twisting across the sky. Kirla picked out his first target and opened fire, and from that moment he did not stop hunting. In his own account, he spotted a Bf 109 that was attacking an American bomber. He went after it, closed to just 30 yards, and when the German threw his fighter into a tight barrel roll straight down toward the ground, Kirla stayed glued to his tail and, in his words, clobbered him all over until he went down. An Ace in a Day He kept finding more. Again and again through that wild, sprawling fight, Kirla latched onto an enemy aircraft and did not let go. At one point he watched a German fighter shoot down one of his fellow Mustang pilots right in front of him, and closed in for revenge. As he described it afterward, he opened fire, saw pieces start to fly off the enemy aircraft, and watched it fall out of the sky like a leaf drifting to the ground. Rather than breaking away and climbing back to safety, Kirla chased his targets down low, following them almost to the ground, the fighters weaving over villages and treetops until the enemy aircraft finally went down. By the time the fight was over, John Kirla had shot down five German aircraft in a single mission. He had become an ace in a day, one of the relatively few American fighter pilots to achieve that in a single mission. The Mustang That Changed the Air War The Mustang was the aircraft that made days like Kirla's possible. The P-51 combined long range, high speed, and deadly firepower, and it could follow the bombers all the way to their targets and fight the German fighters on equal or better terms. By the end of the war, P-51 groups had claimed close to 5,000 enemy aircraft shot down, about half of all American air-to-air kills in the European theater. Kirla's own group, the 357th, became the top-scoring Mustang group in the Eighth Air Force. Flying one of the finest escort fighters of the war, men like Kirla helped turn the tide of the air war over Germany. The gun-camera film rolling every time he pressed the trigger captured it all, including the footage you are watching. John Kirla's Legacy John Kirla flew on to the end of his combat tour and finished the war as a double ace, credited with 11 and a half enemy aircraft destroyed in the air. He was awarded the Silver Star and the Distinguished Flying Cross for his courage in the skies over Europe. He had gone from a trainee with a handful of hours in a Mustang to one of the deadliest fighter pilots in one of the deadliest fighter groups of the war, in the span of a single year. The footage of his Mustang chasing a Bf 109 down to the trees is only a few seconds long. But behind those few seconds is a young American who climbed into a fighter, dove into a swarm of the enemy, and shot down five of them before the day was out. This was the story of John Kirla. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.

Untold War Stories

156,714 次观看 • 1 个月前

Made with Seedance 2.0 by Yapper Prompt: MASTER CINEMATIC PROMPT — ROOFTOP CHASE (INTENSE VERSION) SUBJECT: image1 Use the first image as the main subject. Maintain consistent face, body shape, hairstyle, clothing, and proportions throughout the entire video. Use the image2 as the primary storyboard reference. The second image strictly defines scene order, framing, and timing. Prioritize matching the second image over any creative interpretation. ⸻ FACE LOCK The face must remain sharp at all times. No blur, no distortion, no flickering. Expression progression: focused → tense → survival instinct → aggressive. ⸻ OUTFIT LOCK (STRICT) White undershirt (lightweight, slightly sweat-soaked, visible fabric texture, natural wrinkles) Red shorts (knee-length, soft fabric, natural folds, slightly loose fit) Barefoot (no footwear, visible natural foot movement and contact with surfaces) Rules: * Outfit must remain identical in all frames * No color change, no design change, no wardrobe switching * Clothing must stay consistent even when wet * Fabric reacts naturally to wind, movement, and water * Feet must remain barefoot at all times (no shoes appearing) ⸻ ENVIRONMENT Jakarta dense urban rooftop (corrugated metal roofs, rough concrete, tightly packed buildings) Golden hour lighting with strong backlight Hazy atmosphere with airborne dust particles Environment feels hot, dense, and visually chaotic ⸻ STYLE CORE Live-action, ultra-realistic, AAA cinematic quality High contrast, gritty, intense tone Natural motion blur (strong during fast movement) Heavy debris interaction and environmental destruction emphasis ⸻ CAMERA SYSTEM Handheld tracking, very close to the subject Micro-shake increases slightly on impact (controlled, not chaotic) Dynamic continuous movement following subject momentum Rule: Camera must feel physically present in the action No teleporting, no glitching Subject remains dominant in frame ⸻ TIMELINE (STRICT — HARD ACTION) 0.0 – 1.2s Wide rooftop view of Jakarta. Subject sprinting. A loud CRACK — bullet hits metal very close. Large sparks burst, slight camera shock reaction. ⸻ 1.2 – 2.5s Tight rear tracking shot. Heavy barefoot footsteps on metal roof (visible contact and impact). Bullet nearly hits the foot — debris flies toward camera. Clothesline hits his face; he forcefully pushes through without slowing. ⸻ 2.5 – 4.0s Fast slide under water tank. Bullet pierces the tank — heavy water burst crashes down. Clothing becomes wetter, sticks slightly to body. Camera partially passes through the water splash. He rolls hard and drops to a lower rooftop with impact weight. ⸻ 4.0 – 5.5s Running along a narrow ledge. Two rapid shots — concrete explodes beside his shoulder. Debris flies past camera. He nearly loses balance but recovers instantly. ⸻ 5.5 – 7.0s Full sprint into a large building gap jump. Slow motion mid-air. Bullet hits the edge behind him — fragments scatter in the air. Landing is unstable but controlled (barefoot impact visible). ⸻ 7.0 – 8.5s Grabs fire escape railing aggressively. Bullet slams into metal right beside his face — intense sparks. Camera swings with the momentum. He pulls himself up with force. ⸻ 8.5 – 9.5s Fast aggressive climb using windows and AC units. Bullet shatters glass right beside his head. Glass shards fall downward. Movement is fast, urgent, controlled panic. ⸻ 9.5 – 10.0s Reaches rooftop. Bullet hits near his feet. He pauses briefly, spots a hidden sniper suitcase under a water tank. Immediately sprints toward it. ⸻ PHYSICS & EFFECTS Bullet impacts create strong sparks, debris bursts, and visible force Water hits with weight and affects clothing behavior Barefoot contact interacts realistically with surfaces Camera reacts subtly to shock impacts Environment responds dynamically ⸻ CONSTRAINT No cuts No gore No additional scenes No timeline changes No mirrored movement No face distortion
0:10

Made with Seedance 2.0 by Yapper Prompt: MASTER CINEMATIC PROMPT — ROOFTOP CHASE (INTENSE VERSION) SUBJECT: image1 Use the first image as the main subject. Maintain consistent face, body shape, hairstyle, clothing, and proportions throughout the entire video. Use the image2 as the primary storyboard reference. The second image strictly defines scene order, framing, and timing. Prioritize matching the second image over any creative interpretation. ⸻ FACE LOCK The face must remain sharp at all times. No blur, no distortion, no flickering. Expression progression: focused → tense → survival instinct → aggressive. ⸻ OUTFIT LOCK (STRICT) White undershirt (lightweight, slightly sweat-soaked, visible fabric texture, natural wrinkles) Red shorts (knee-length, soft fabric, natural folds, slightly loose fit) Barefoot (no footwear, visible natural foot movement and contact with surfaces) Rules: * Outfit must remain identical in all frames * No color change, no design change, no wardrobe switching * Clothing must stay consistent even when wet * Fabric reacts naturally to wind, movement, and water * Feet must remain barefoot at all times (no shoes appearing) ⸻ ENVIRONMENT Jakarta dense urban rooftop (corrugated metal roofs, rough concrete, tightly packed buildings) Golden hour lighting with strong backlight Hazy atmosphere with airborne dust particles Environment feels hot, dense, and visually chaotic ⸻ STYLE CORE Live-action, ultra-realistic, AAA cinematic quality High contrast, gritty, intense tone Natural motion blur (strong during fast movement) Heavy debris interaction and environmental destruction emphasis ⸻ CAMERA SYSTEM Handheld tracking, very close to the subject Micro-shake increases slightly on impact (controlled, not chaotic) Dynamic continuous movement following subject momentum Rule: Camera must feel physically present in the action No teleporting, no glitching Subject remains dominant in frame ⸻ TIMELINE (STRICT — HARD ACTION) 0.0 – 1.2s Wide rooftop view of Jakarta. Subject sprinting. A loud CRACK — bullet hits metal very close. Large sparks burst, slight camera shock reaction. ⸻ 1.2 – 2.5s Tight rear tracking shot. Heavy barefoot footsteps on metal roof (visible contact and impact). Bullet nearly hits the foot — debris flies toward camera. Clothesline hits his face; he forcefully pushes through without slowing. ⸻ 2.5 – 4.0s Fast slide under water tank. Bullet pierces the tank — heavy water burst crashes down. Clothing becomes wetter, sticks slightly to body. Camera partially passes through the water splash. He rolls hard and drops to a lower rooftop with impact weight. ⸻ 4.0 – 5.5s Running along a narrow ledge. Two rapid shots — concrete explodes beside his shoulder. Debris flies past camera. He nearly loses balance but recovers instantly. ⸻ 5.5 – 7.0s Full sprint into a large building gap jump. Slow motion mid-air. Bullet hits the edge behind him — fragments scatter in the air. Landing is unstable but controlled (barefoot impact visible). ⸻ 7.0 – 8.5s Grabs fire escape railing aggressively. Bullet slams into metal right beside his face — intense sparks. Camera swings with the momentum. He pulls himself up with force. ⸻ 8.5 – 9.5s Fast aggressive climb using windows and AC units. Bullet shatters glass right beside his head. Glass shards fall downward. Movement is fast, urgent, controlled panic. ⸻ 9.5 – 10.0s Reaches rooftop. Bullet hits near his feet. He pauses briefly, spots a hidden sniper suitcase under a water tank. Immediately sprints toward it. ⸻ PHYSICS & EFFECTS Bullet impacts create strong sparks, debris bursts, and visible force Water hits with weight and affects clothing behavior Barefoot contact interacts realistically with surfaces Camera reacts subtly to shock impacts Environment responds dynamically ⸻ CONSTRAINT No cuts No gore No additional scenes No timeline changes No mirrored movement No face distortion

Zar⭕on

11,116 次观看 • 3 个月前