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Made with Flow by Fiuza.motion #aftereffects #aescripts #flow Recently, I had the chance to be part of this amazing project for Riot Games. Here are some motion pieces I created for the new Valorant Champions Tour Americas promo video. I had the chance to explore glitch effects and textures...

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21,210 просмотров • 2 месяцев назад •via X (Twitter)

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Made with Tracery, Deep Glow, Cyclops and Flow by @kiuzr #aftereffects #aescripts #tracery Gorillaz BTS Had tons of fun creating this short sequence I made for Gorillaz with the dare song since they recently just dropped the Fortnite skin bundle! Also big shoutout to aescripts+aeplugins and @plugineverything for Deep Glow 2, Tracery, Flow and Cyclops (to be able to make this breakdown/viewport render) #gorillaz #bts #demondays
0:18

Made with Tracery, Deep Glow, Cyclops and Flow by @kiuzr #aftereffects #aescripts #tracery Gorillaz BTS Had tons of fun creating this short sequence I made for Gorillaz with the dare song since they recently just dropped the Fortnite skin bundle! Also big shoutout to aescripts+aeplugins and @plugineverything for Deep Glow 2, Tracery, Flow and Cyclops (to be able to make this breakdown/viewport render) #gorillaz #bts #demondays

aescripts+aeplugins

40,588 просмотров • 8 месяцев назад

For those unfamiliar with it, soundsright.earth is a project led by the Museum for the United Nations, and allows for Nature itself to be credited on collaborative releases with artists and their work. On Friday the 16th of May, a new version of Like Real People Do will be released alongside the anniversary vinyl pressing which features the bird song, cricket song, rain fall and thunder of my beloved home of Wicklow. 50% of the royalties from this version of the track will flow through to conservation efforts around the world. I hope you enjoy and explore their other good works. Thanks and much love.
0:10

For those unfamiliar with it, soundsright.earth is a project led by the Museum for the United Nations, and allows for Nature itself to be credited on collaborative releases with artists and their work. On Friday the 16th of May, a new version of Like Real People Do will be released alongside the anniversary vinyl pressing which features the bird song, cricket song, rain fall and thunder of my beloved home of Wicklow. 50% of the royalties from this version of the track will flow through to conservation efforts around the world. I hope you enjoy and explore their other good works. Thanks and much love.

Hozier

210,345 просмотров • 1 год назад

There's something about design that truly makes me happy. Before I was diagnosed with a complete SCI, I loved building thing with my hands and trying to make them unique and beautiful. The accident didn't just take my mobility, it robbed me of my creative drive. I didn't I would ever get that back that was up until Neuralink came into the picture. I was very serious about applying but just couldn't bring myself to do it. Then Noland Arbaugh comes into the picture and I see his video and I saw how passionate he was toward the whole ide and that was like a switch. I want to thank Noland because if I hadn't seen that video I wouldn't be typing this message with my thoughts. So the day I gained control of the device I had the guys install Autodesk Fusion and the first night I had my first part designed by BCI. I have been designing things non-stop since. Now lets talk tools and the first one is the ArcDroid it is a CNC robot that holds a plasma torch and can cut profiles in sheet metal. I have made numerous signs, letters and parts with this and i love it. I have also had the chance to help the local high school install and setup their CNC plasma table. I love being able to share my knowledge with others and show new technology to kids that want to learn. The next one everybody is more familiar with is the Bambu Lab X1C. It is my first 3D printer and I had no idea how dang handy these things were! I can go from thought, Neuralink, Fusion, X1C and poof! You have your part all in a matter of like a hour. I make everything from parts for my wheelchair or RC ✈ to toys for my nephew. These devices have completely changed my life. I now have my creative outlet back and I'm not done looking for new things to try. I'm thinking a laser next!!!😎 Thank you Elon Musk for the opportunity to showcase my skills, I'm extremely grateful🙏
0:28

There's something about design that truly makes me happy. Before I was diagnosed with a complete SCI, I loved building thing with my hands and trying to make them unique and beautiful. The accident didn't just take my mobility, it robbed me of my creative drive. I didn't I would ever get that back that was up until Neuralink came into the picture. I was very serious about applying but just couldn't bring myself to do it. Then Noland Arbaugh comes into the picture and I see his video and I saw how passionate he was toward the whole ide and that was like a switch. I want to thank Noland because if I hadn't seen that video I wouldn't be typing this message with my thoughts. So the day I gained control of the device I had the guys install Autodesk Fusion and the first night I had my first part designed by BCI. I have been designing things non-stop since. Now lets talk tools and the first one is the ArcDroid it is a CNC robot that holds a plasma torch and can cut profiles in sheet metal. I have made numerous signs, letters and parts with this and i love it. I have also had the chance to help the local high school install and setup their CNC plasma table. I love being able to share my knowledge with others and show new technology to kids that want to learn. The next one everybody is more familiar with is the Bambu Lab X1C. It is my first 3D printer and I had no idea how dang handy these things were! I can go from thought, Neuralink, Fusion, X1C and poof! You have your part all in a matter of like a hour. I make everything from parts for my wheelchair or RC ✈ to toys for my nephew. These devices have completely changed my life. I now have my creative outlet back and I'm not done looking for new things to try. I'm thinking a laser next!!!😎 Thank you Elon Musk for the opportunity to showcase my skills, I'm extremely grateful🙏

Alex Conley

43,135 просмотров • 7 месяцев назад

This weekend I had the opportunity to attend the very first Prop Firm Expo by Prop Firm Match What an incredible event. Yes, it was crowded. Yes, it was hot. And yes, the lines were long. But if anything, that was a testament to just how popular prop trading has become in London, far beyond what many of us expected. It was amazing to see an online community come together in person. Traders had the chance to meet the founders and leaders of some of the biggest prop firms, connect with the streamers and educators they watch every day, and exchange ideas with fellow traders from around the world. It was a great opportunity to learn, network, and pick up new ideas to improve their trading. Having attended trading events around the world for more than two decades, I can honestly say the energy and enthusiasm of the prop community is unmatched. Thank you to Prop Firm Match for inviting me to be a part of it. I’m already looking forward to next year. I have no doubt the venue will need to be even bigger. Grateful to have been part of such a memorable first event.
0:18

This weekend I had the opportunity to attend the very first Prop Firm Expo by Prop Firm Match What an incredible event. Yes, it was crowded. Yes, it was hot. And yes, the lines were long. But if anything, that was a testament to just how popular prop trading has become in London, far beyond what many of us expected. It was amazing to see an online community come together in person. Traders had the chance to meet the founders and leaders of some of the biggest prop firms, connect with the streamers and educators they watch every day, and exchange ideas with fellow traders from around the world. It was a great opportunity to learn, network, and pick up new ideas to improve their trading. Having attended trading events around the world for more than two decades, I can honestly say the energy and enthusiasm of the prop community is unmatched. Thank you to Prop Firm Match for inviting me to be a part of it. I’m already looking forward to next year. I have no doubt the venue will need to be even bigger. Grateful to have been part of such a memorable first event.

Kathy Lien

10,482 просмотров • 21 дней назад

Here it comes Starting out in Australia I never thought things like this were possible. No one from Australia had ever “made it” so the idea that anything like this would ever be a reality seemed so far fetched. This week I got to wrestle in front of over ten thousand, countless friends and family, do interviews with the news outlets I grew up watching, test myself against some of the greatest to ever do it and just so happened to get into the best shape of my life for it. Plus I got to share my beautiful country with my beautiful life partner for the first time (and see Bodhi the golden) This entire week has felt surreal. Overwhelming at times but all worth it for one of the best days of my life. Thank you for being a part of it in any way, it will never be lost on me how blessed I am to live this life. I’m gonna be riding this high for a long time.
0:15

Here it comes Starting out in Australia I never thought things like this were possible. No one from Australia had ever “made it” so the idea that anything like this would ever be a reality seemed so far fetched. This week I got to wrestle in front of over ten thousand, countless friends and family, do interviews with the news outlets I grew up watching, test myself against some of the greatest to ever do it and just so happened to get into the best shape of my life for it. Plus I got to share my beautiful country with my beautiful life partner for the first time (and see Bodhi the golden) This entire week has felt surreal. Overwhelming at times but all worth it for one of the best days of my life. Thank you for being a part of it in any way, it will never be lost on me how blessed I am to live this life. I’m gonna be riding this high for a long time.

“Protostar” Kyle Fletcher

87,779 просмотров • 1 год назад

So much of my time here I have spend dreaming. Dreaming for the day that has now arrived. For years I spend my days grinding to fulfill a promise made by a 25 year old right after having the biggest night of his life. Midnight夏季Breeze sold out in 30 minutes. And for someone who had less then 5000$ in the bank, suddenly making 1.5 million dollars was kind of insane. Euphoric I said "v2 will come for those who hold a breeze" Little did I know how much that single promise would affect my life. I have spend majority of my late 20s painting this world. And been very critical of what this space is about. I wanted to be a voice you could rely on. Someone that shows up, is approachable, but also be the change I'd want to see. Everyday looked the same for me, make coffee, walk dog, turn on pc, paint until dinner, walk the dog again. I sometimes quite literally went insane. The pressure was high. I had to make this project real. And there was always so much to do. Art direct, animate, color grade , composite, 3d , sound effects , music, development, management like countless hats to wear all the time. The Vision however, called me. There was no way I was gonna give up, or quit. Though every vibre in me wanted to. My health , my personal life, they demanded it. But I did not stop. And that persistence has let to today. It has let to an industry that doesn't care. A timeline that can only talk about something if its $ related. And a world that is more chaotic then ever before. And amidst it all, I fulfilled my promise. Fragments of the Lonely Road is here. And I do not think you will ever understand what it means. But, I do know, that this art. This project. This vision. It has been worth it. So now, if you made it all the way down here. I want you to rally. I want you to make noise. I want you to share with the world what this is about. I want you to be the storm that says, "shit can be different". And I will be the wave, and show, why that's the case. GM. STAY BREEZY AND... (you say it in the comments!)
0:19

So much of my time here I have spend dreaming. Dreaming for the day that has now arrived. For years I spend my days grinding to fulfill a promise made by a 25 year old right after having the biggest night of his life. Midnight夏季Breeze sold out in 30 minutes. And for someone who had less then 5000$ in the bank, suddenly making 1.5 million dollars was kind of insane. Euphoric I said "v2 will come for those who hold a breeze" Little did I know how much that single promise would affect my life. I have spend majority of my late 20s painting this world. And been very critical of what this space is about. I wanted to be a voice you could rely on. Someone that shows up, is approachable, but also be the change I'd want to see. Everyday looked the same for me, make coffee, walk dog, turn on pc, paint until dinner, walk the dog again. I sometimes quite literally went insane. The pressure was high. I had to make this project real. And there was always so much to do. Art direct, animate, color grade , composite, 3d , sound effects , music, development, management like countless hats to wear all the time. The Vision however, called me. There was no way I was gonna give up, or quit. Though every vibre in me wanted to. My health , my personal life, they demanded it. But I did not stop. And that persistence has let to today. It has let to an industry that doesn't care. A timeline that can only talk about something if its $ related. And a world that is more chaotic then ever before. And amidst it all, I fulfilled my promise. Fragments of the Lonely Road is here. And I do not think you will ever understand what it means. But, I do know, that this art. This project. This vision. It has been worth it. So now, if you made it all the way down here. I want you to rally. I want you to make noise. I want you to share with the world what this is about. I want you to be the storm that says, "shit can be different". And I will be the wave, and show, why that's the case. GM. STAY BREEZY AND... (you say it in the comments!)

Dutchtide.eth

23,943 просмотров • 9 месяцев назад

Made this commercial demo entirely with Seedance 2.0 via Yapper Everything you see here is done by one single prompt shot, from the cuts, edits, graphic effects, to the voice over. Basically within the prompt I gave detailed instructions on how many shots I wanted, the timestamps, the copywriting, visual and graphic effects, etc. The full prompt sample is available for my subscribers only in the comment section below ⏬ + + + There are so many use cases for Seedance 2.0 instead of just recreating existing IP. I think for me as a copywriter, what I like about it is that I can create a pre-visualization of an ad we're about to make, with its specific tone and style. Like I said before, the AI generated content here wasn't meant to be the final product, but rather a starting point for our creative direction regarding the potential style that will go into our ads. It's just that it's now so much faster to iterate ideas, and to test many different concepts with Gen-AI. Like I've always said, the technology is here, and it's up to you how you want to use it.
0:15

Made this commercial demo entirely with Seedance 2.0 via Yapper Everything you see here is done by one single prompt shot, from the cuts, edits, graphic effects, to the voice over. Basically within the prompt I gave detailed instructions on how many shots I wanted, the timestamps, the copywriting, visual and graphic effects, etc. The full prompt sample is available for my subscribers only in the comment section below ⏬ + + + There are so many use cases for Seedance 2.0 instead of just recreating existing IP. I think for me as a copywriter, what I like about it is that I can create a pre-visualization of an ad we're about to make, with its specific tone and style. Like I said before, the AI generated content here wasn't meant to be the final product, but rather a starting point for our creative direction regarding the potential style that will go into our ads. It's just that it's now so much faster to iterate ideas, and to test many different concepts with Gen-AI. Like I've always said, the technology is here, and it's up to you how you want to use it.

DAN · MXVDXN

17,586 просмотров • 4 месяцев назад

Just delivering flowers to heaven to my old man, Rocky "Soulman" Johnson. My dad, along with "Mr USA", Tony Atlas made pro wrestling history by becoming the first ever Black Heavyweight Tag Team Champions for the WWE. He came up the hard way, and trail-blazed for all of us men of color - in any sport & level of entertainment. But it was also very important to him to pave the way for all men, any color - it didn't matter. My regret in this life is that I never had a chance to say goodbye to him, because he died suddenly. I regret not reconciling our complicated father/son shit before I lost him. Raised me with tough fatherly love and an even tougher hand. The more I live life, the more grateful I am for it. See you down the road, Soulman 🕊️💐 #blackhistorymonth #wwe #tko
0:10

Just delivering flowers to heaven to my old man, Rocky "Soulman" Johnson. My dad, along with "Mr USA", Tony Atlas made pro wrestling history by becoming the first ever Black Heavyweight Tag Team Champions for the WWE. He came up the hard way, and trail-blazed for all of us men of color - in any sport & level of entertainment. But it was also very important to him to pave the way for all men, any color - it didn't matter. My regret in this life is that I never had a chance to say goodbye to him, because he died suddenly. I regret not reconciling our complicated father/son shit before I lost him. Raised me with tough fatherly love and an even tougher hand. The more I live life, the more grateful I am for it. See you down the road, Soulman 🕊️💐 #blackhistorymonth #wwe #tko

Dwayne Johnson

1,355,491 просмотров • 2 лет назад

I regret to inform my iRacing friends that I have been suspended from the iRacing service as well as the upcoming Coke Series race at Iowa for “intentionally causing a caution” during the eNASCAR race at Kansas. This is of course pending an ongoing appeal process that JRM and I are going through while this is still playing out. I’m simply stunned at this ruling and I want to be perfectly clear… I did not, nor would I ever, intentionally spin to bring out a caution. I have far too much respect for the folks I represent and the people I race with to do so. The attached replay clearly shows me trying to gain control of the car after receiving suspension damage from an impact with the wall, and unfortunately I failed to do so. A mistake on my part no doubt, but nothing close to substantiating the claim that I had intent to manipulate the race. My replay is up here and my twitch vod is available for anyone who wants to view it showing my perspective of the incident… I have absolutely nothing to hide. None of those things (my replay, telemetry, or stream view) were utilized by the decision makers before coming to their conclusion. It is my hope that with this information provided in the appeal process, that it will clear my name of any wrongdoing. Regardless of their eventual decision, my conscience is clear on the matter and I take solace in knowing that I did nothing in line with what they have accused me of. I’m grateful to JRM for their continued support and the work they’re doing in attempting to get this ruling overturned. I apologize to them that they had to waste time dealing with this nonsense. I hate that I may not be behind the wheel for them in the #8 at Iowa because it truly is an awesome privilege being in this series, but I look forward to racing whenever that return might be. I reckon I’ll be back on iRacing when my suspension is up or this appeal is rightfully reversed. Hopefully by then I’ll have learned my lesson and be better at saving wrecked cars with unrepairable suspension damage. Maybe with the new build it’ll be easier, who knows. I guess we’ll see! ✌️
0:16

I regret to inform my iRacing friends that I have been suspended from the iRacing service as well as the upcoming Coke Series race at Iowa for “intentionally causing a caution” during the eNASCAR race at Kansas. This is of course pending an ongoing appeal process that JRM and I are going through while this is still playing out. I’m simply stunned at this ruling and I want to be perfectly clear… I did not, nor would I ever, intentionally spin to bring out a caution. I have far too much respect for the folks I represent and the people I race with to do so. The attached replay clearly shows me trying to gain control of the car after receiving suspension damage from an impact with the wall, and unfortunately I failed to do so. A mistake on my part no doubt, but nothing close to substantiating the claim that I had intent to manipulate the race. My replay is up here and my twitch vod is available for anyone who wants to view it showing my perspective of the incident… I have absolutely nothing to hide. None of those things (my replay, telemetry, or stream view) were utilized by the decision makers before coming to their conclusion. It is my hope that with this information provided in the appeal process, that it will clear my name of any wrongdoing. Regardless of their eventual decision, my conscience is clear on the matter and I take solace in knowing that I did nothing in line with what they have accused me of. I’m grateful to JRM for their continued support and the work they’re doing in attempting to get this ruling overturned. I apologize to them that they had to waste time dealing with this nonsense. I hate that I may not be behind the wheel for them in the #8 at Iowa because it truly is an awesome privilege being in this series, but I look forward to racing whenever that return might be. I reckon I’ll be back on iRacing when my suspension is up or this appeal is rightfully reversed. Hopefully by then I’ll have learned my lesson and be better at saving wrecked cars with unrepairable suspension damage. Maybe with the new build it’ll be easier, who knows. I guess we’ll see! ✌️

Blake McCandless

487,696 просмотров • 1 год назад

Updated Fly By of the Tropicana Site Along With A Visit From DHS Got stopped by Department of Homeland Security this morning after flying! There were two officers in all-black uniforms and vests that pulled in front of my vehicle just as I was finishing up and putting all the safety equipment away. They asked if I had just flown a drone and I let them know I did. From there, they met up with me at my car and asked to see my Part 107 Certificate and FAA authorization to fly in zero grid airspace. I always carry a white binder with everything I need and I have never had to show anyone anything until today, but I was ready. After a few minutes of going over my information and documents, they were finished. They also let me know that no one has ever had all of their documents together like I had. If you are going to fly a drone on the Las Vegas strip, you definitely want to have everything in order to do so. So with all that, here is some video of the Tropicana site...
0:17

Updated Fly By of the Tropicana Site Along With A Visit From DHS Got stopped by Department of Homeland Security this morning after flying! There were two officers in all-black uniforms and vests that pulled in front of my vehicle just as I was finishing up and putting all the safety equipment away. They asked if I had just flown a drone and I let them know I did. From there, they met up with me at my car and asked to see my Part 107 Certificate and FAA authorization to fly in zero grid airspace. I always carry a white binder with everything I need and I have never had to show anyone anything until today, but I was ready. After a few minutes of going over my information and documents, they were finished. They also let me know that no one has ever had all of their documents together like I had. If you are going to fly a drone on the Las Vegas strip, you definitely want to have everything in order to do so. So with all that, here is some video of the Tropicana site...

Chris Holmes

78,560 просмотров • 1 год назад

My experience as a Defenders fan going to STL America's Center & The Dome for an away game. This was a solo trip, did not bring my family on this one. The St. Louis Battlehawks home games truly are one of the special environments for United Football League. I’ve been to 4 AWAY games for DC Defenders over the last 12 months and the environment for this one was fired up! They definitely should NOT move STL to a soccer stadium if they keep showing out like they did yesterday. I got to my hotel at 1AM on game day after a late flight from the west coast. I woke up 6 hours later, walked towards the stadium and randomly caught the STL player walk-ins. Then, I walked over to the tailgate and met up with The Bottom Line and enjoyed some mimosas and breakfast burritos with Ed Ploeger and his gang. Thanks for the hospitality! I was able to get him a signed Sam Kidd jersey as a thanks for all he does for the UFL community! After the tailgate, got in for gate drop at 0930, and went straight down to the field. I was able to say hi to a few players and talk with Steven McCrane as his son was nailing 50+ yard field goals with ease. Chatted up and made peace with a few STL fans around me. Once the game started, they had the place LOUD, and my watch kept alerting me that my hearing was getting damaged 🤣 . Being there for the first ever 4 point field goal by Matt McCrane made the travel worth it. After the home fans had a few rounds of beers, the heckling began (which was expected), but I had to pop about 6 beach balls/🎈 as I became the 🎯 for drunk fans as the only DC fan in the section. I tossed the balls back a few times until I immediately got hit with about 3 balls in a row. So that part was a bit of a let down, as I was just trying to enjoy a game. The halftime show was great. Overall, the game experience itself left something to be desired with the penalties and getting harassed by fans who were clearly recording trying to get rage bait engagement on 🎥. Probably won’t be going back to a STL game again, but I’m glad got to check it out! Pregame/Tailgate: 5/5 Halftime: 5/5 Game experience: 3/5 Getting to/from stadium: 5/5
0:29

My experience as a Defenders fan going to STL America's Center & The Dome for an away game. This was a solo trip, did not bring my family on this one. The St. Louis Battlehawks home games truly are one of the special environments for United Football League. I’ve been to 4 AWAY games for DC Defenders over the last 12 months and the environment for this one was fired up! They definitely should NOT move STL to a soccer stadium if they keep showing out like they did yesterday. I got to my hotel at 1AM on game day after a late flight from the west coast. I woke up 6 hours later, walked towards the stadium and randomly caught the STL player walk-ins. Then, I walked over to the tailgate and met up with The Bottom Line and enjoyed some mimosas and breakfast burritos with Ed Ploeger and his gang. Thanks for the hospitality! I was able to get him a signed Sam Kidd jersey as a thanks for all he does for the UFL community! After the tailgate, got in for gate drop at 0930, and went straight down to the field. I was able to say hi to a few players and talk with Steven McCrane as his son was nailing 50+ yard field goals with ease. Chatted up and made peace with a few STL fans around me. Once the game started, they had the place LOUD, and my watch kept alerting me that my hearing was getting damaged 🤣 . Being there for the first ever 4 point field goal by Matt McCrane made the travel worth it. After the home fans had a few rounds of beers, the heckling began (which was expected), but I had to pop about 6 beach balls/🎈 as I became the 🎯 for drunk fans as the only DC fan in the section. I tossed the balls back a few times until I immediately got hit with about 3 balls in a row. So that part was a bit of a let down, as I was just trying to enjoy a game. The halftime show was great. Overall, the game experience itself left something to be desired with the penalties and getting harassed by fans who were clearly recording trying to get rage bait engagement on 🎥. Probably won’t be going back to a STL game again, but I’m glad got to check it out! Pregame/Tailgate: 5/5 Halftime: 5/5 Game experience: 3/5 Getting to/from stadium: 5/5

UFL T1SDALE

17,534 просмотров • 3 месяцев назад

We said goodbye to our beloved Odom last night as it was his time to go. To say I am devastated would be an understatement because that dog has saved my life more times than I could even begin to fathom. To be with him at the end of his amazing life was an honor I do not take for granted. Most of my days and routines over the last few years were centered around him and ensuring that he received what he needed. Whether it was receiving insulin for his diabetes at the same times every day or planning walks and meals to accommodate what worked best for him, my schedule revolved around what he needed. To some, this might seem like a nuisance. For me, it made me better. I made his routines my routines. Walking him twice a day gave me time to reflect and appreciate all of the good in my life. Planning time for his exercise ensured I did the same for myself. Being immediately anchored by his weight on a walk because he wanted to appreciate something he had noticed taught me to slow down and take in moments in a way I wasn’t used to. His routine was my routine, and it made me better. When I first saw him at the Edmonton Humane Society Society, I wasn’t ready for a dog. My brother Alec was there, and he saw me with Odom, and he knew that I was in love immediately. I didn’t find Odom, but Odom found me. I left, not taking him home and immediately knew it was a mistake, and that he was meant to be in my life. I went to the Edmonton Humane Society the next day, 30 minutes before it opened, to ensure that I would be the first person to go through the doors. I headed straight for where Odom was, and he came home with me that day. With all of the ups and downs I have had in my life since, my love and pride in that dog were a constant. I am terribly sad, and I am taking solace in this quote from Andrew Garfield on grief: “This is all the unexpressed love, the grief that will remain with us until we pass because we never get enough time with each other, no matter if someone lives till 60, 15, or 99.” I love that dog because that dog loved me. Bye Odom…You will always be my best friend.
0:14

We said goodbye to our beloved Odom last night as it was his time to go. To say I am devastated would be an understatement because that dog has saved my life more times than I could even begin to fathom. To be with him at the end of his amazing life was an honor I do not take for granted. Most of my days and routines over the last few years were centered around him and ensuring that he received what he needed. Whether it was receiving insulin for his diabetes at the same times every day or planning walks and meals to accommodate what worked best for him, my schedule revolved around what he needed. To some, this might seem like a nuisance. For me, it made me better. I made his routines my routines. Walking him twice a day gave me time to reflect and appreciate all of the good in my life. Planning time for his exercise ensured I did the same for myself. Being immediately anchored by his weight on a walk because he wanted to appreciate something he had noticed taught me to slow down and take in moments in a way I wasn’t used to. His routine was my routine, and it made me better. When I first saw him at the Edmonton Humane Society Society, I wasn’t ready for a dog. My brother Alec was there, and he saw me with Odom, and he knew that I was in love immediately. I didn’t find Odom, but Odom found me. I left, not taking him home and immediately knew it was a mistake, and that he was meant to be in my life. I went to the Edmonton Humane Society the next day, 30 minutes before it opened, to ensure that I would be the first person to go through the doors. I headed straight for where Odom was, and he came home with me that day. With all of the ups and downs I have had in my life since, my love and pride in that dog were a constant. I am terribly sad, and I am taking solace in this quote from Andrew Garfield on grief: “This is all the unexpressed love, the grief that will remain with us until we pass because we never get enough time with each other, no matter if someone lives till 60, 15, or 99.” I love that dog because that dog loved me. Bye Odom…You will always be my best friend.

George Couros

35,316 просмотров • 2 лет назад

The first video only lived on Team Liquid IG stories for the day, so I wanted to post it here to give it a permanent home. What started as simple flat renders turned into a small animations experiment. I used a basic rig and filmed myself as reference (because that’s what animators actually do, reference is everything), and just went for it. The funny part is, once I took that risk, the creative ideas started flowing. Pushing past the safe option is what made this feel more alive and if I hadn’t tried, this videos would never have existed. It’s simple, but I’m genuinely proud of how it turned out, especially since this is far outside my comfort zone. Sometimes the best growth comes from just trying. If you play VALORANT, check out the new TL Classic skin, it looks gorgeous and it supports the team at the same time 💙🤍 2D graphics by the great Stacey
0:11

The first video only lived on Team Liquid IG stories for the day, so I wanted to post it here to give it a permanent home. What started as simple flat renders turned into a small animations experiment. I used a basic rig and filmed myself as reference (because that’s what animators actually do, reference is everything), and just went for it. The funny part is, once I took that risk, the creative ideas started flowing. Pushing past the safe option is what made this feel more alive and if I hadn’t tried, this videos would never have existed. It’s simple, but I’m genuinely proud of how it turned out, especially since this is far outside my comfort zone. Sometimes the best growth comes from just trying. If you play VALORANT, check out the new TL Classic skin, it looks gorgeous and it supports the team at the same time 💙🤍 2D graphics by the great Stacey

Liquid Enigma

64,515 просмотров • 6 месяцев назад

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.
0:18

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,294,404 просмотров • 1 месяц назад

As a graphics engine coder I think when you look at a flickering bug like this one in the video below it’s not immediately obvious what is going on. The key here is observation - to study this flickering/bugged render carefully - what do we see? Firstly for me it was very obvious that nearly all of the scene shadows were flashing on and off - but (but!) there was a secondary issue where some buildings and parts of the sky were also flashing purple. Hmmmm. Interesting. I initially thought then this might be two separate bugs - but because the sky purple element could only based on full screen post fx and not 3D rendering I looked at this first with a few GPU captures to step through all our post processing to find the rendering stage which made these pixels turn purple: When I did this I found the colour 3D texture LUT grading that makes our different biomes have unique colour palettes was going very wrong - colours near 0 or 1 were wrapping and making the purple elements that we see in the said sky and base parts. The only way this could happen was if the texture was corrupt (which it was not) or if the 3D texture sampling was wrapping and not clamped as intended. That was the Eureka moment - because if the post fx had the wrong texture sampler then the disappearing shadows which also require an exact texture sampler for comparing depth might be also wrong because of the same kind of texture sampling issue! So with this idea that the engine was using the wrong texture samplers, but only in very high draw call scenes like the big base here I the looked at some engine limits and found the bug very quickly - a circular dx12 descriptor buffer for samplers running out over multiple frames, reusing the wrong data for new scenes inflight. Hence the flickering, as the GPU randomly got wrong samplers for some post textures or shadow depth. Easy to fix with triple limits for future expansion and also adding an assert/debug spam in case this limit is ever reached again - QA testers would see this message and report if they ever saw a flicker with this style of bug. My bug and my bad from 2017 porting NMS to DX12 without foreseeing how massively complex bases and our game would grow.
0:14

As a graphics engine coder I think when you look at a flickering bug like this one in the video below it’s not immediately obvious what is going on. The key here is observation - to study this flickering/bugged render carefully - what do we see? Firstly for me it was very obvious that nearly all of the scene shadows were flashing on and off - but (but!) there was a secondary issue where some buildings and parts of the sky were also flashing purple. Hmmmm. Interesting. I initially thought then this might be two separate bugs - but because the sky purple element could only based on full screen post fx and not 3D rendering I looked at this first with a few GPU captures to step through all our post processing to find the rendering stage which made these pixels turn purple: When I did this I found the colour 3D texture LUT grading that makes our different biomes have unique colour palettes was going very wrong - colours near 0 or 1 were wrapping and making the purple elements that we see in the said sky and base parts. The only way this could happen was if the texture was corrupt (which it was not) or if the 3D texture sampling was wrapping and not clamped as intended. That was the Eureka moment - because if the post fx had the wrong texture sampler then the disappearing shadows which also require an exact texture sampler for comparing depth might be also wrong because of the same kind of texture sampling issue! So with this idea that the engine was using the wrong texture samplers, but only in very high draw call scenes like the big base here I the looked at some engine limits and found the bug very quickly - a circular dx12 descriptor buffer for samplers running out over multiple frames, reusing the wrong data for new scenes inflight. Hence the flickering, as the GPU randomly got wrong samplers for some post textures or shadow depth. Easy to fix with triple limits for future expansion and also adding an assert/debug spam in case this limit is ever reached again - QA testers would see this message and report if they ever saw a flicker with this style of bug. My bug and my bad from 2017 porting NMS to DX12 without foreseeing how massively complex bases and our game would grow.

Martin Griffiths

72,701 просмотров • 1 год назад

🚨Be wary and Vigilant🙏 A Swiss Tibetan by the name of Dechen Shak-Dagsey who was permitted to travel to Tibet by Beijing, recently took part in an event organised by the “Chinese Society of Human Rights Studies” in Geneva 🇨🇭 Where she can be seen stating “Last but not least I would like to express my wish that this Tibetan students boarding school project in Xizang will be very successful" among many other things. Her unwillingness to use Tibet and instead refer to it as Xizang and praising the Colonial Boarding School System are just some of the many instances in the entirety of her statement where she advocates for 🇨🇳 This incident simply showcases how even someone not residing in occupied Tibet is at play of being brainwashed at the cost of…. Thanking Lhodrak Tharchin for the clip🙏 For full clip and detalied context, follow the link below👇
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🚨Be wary and Vigilant🙏 A Swiss Tibetan by the name of Dechen Shak-Dagsey who was permitted to travel to Tibet by Beijing, recently took part in an event organised by the “Chinese Society of Human Rights Studies” in Geneva 🇨🇭 Where she can be seen stating “Last but not least I would like to express my wish that this Tibetan students boarding school project in Xizang will be very successful" among many other things. Her unwillingness to use Tibet and instead refer to it as Xizang and praising the Colonial Boarding School System are just some of the many instances in the entirety of her statement where she advocates for 🇨🇳 This incident simply showcases how even someone not residing in occupied Tibet is at play of being brainwashed at the cost of…. Thanking Lhodrak Tharchin for the clip🙏 For full clip and detalied context, follow the link below👇

བསྟན་འཛིན་དགྲ་འདུལ། Tenzing Dadul

20,723 просмотров • 2 лет назад

Seeing all of the little details really come together is one of those very special and magical moments of video game creation. I love how this cinematic shot from No Rest for the Wicked's opening really came to life with beautiful stylized hand crafted hair and facial animation, striking visual effects with fluid simulation, beautiful set, ship sails flapping against the wind animated by our custom made cloth solver, painterly golden rim lighting and all of this running in our custom Moonity engine in real-time. And of course there's so much more with our story, sound and music for you all to experience! Couldn’t be more proud to work alongside such a world class team at Moon Studios and stoked to see where our April 18th Early Access launch will go from here!
0:10

Seeing all of the little details really come together is one of those very special and magical moments of video game creation. I love how this cinematic shot from No Rest for the Wicked's opening really came to life with beautiful stylized hand crafted hair and facial animation, striking visual effects with fluid simulation, beautiful set, ship sails flapping against the wind animated by our custom made cloth solver, painterly golden rim lighting and all of this running in our custom Moonity engine in real-time. And of course there's so much more with our story, sound and music for you all to experience! Couldn’t be more proud to work alongside such a world class team at Moon Studios and stoked to see where our April 18th Early Access launch will go from here!

Gennadiy Korol

179,204 просмотров • 2 лет назад

This was officially my last MCS tournament of my career. This play was ruled "play on" because the admin said "we only intervene in critical circumstances, and we decided not to here". For a recap.... Last tournament I legally blocked a kick. Used a designated blocker, got the animation, timed the block, and blocked it. They intervened then and said I had to recreate. Must have been a "critical" moment. Last year I was in quarter 3 of my second round game because my first opponent didn't show up. I was told by an admin my opponent showed up and I had to quit out of my game and replay my first one or I'd be dq'd from the tournament even though my first opponent was 45 minutes late. I have been told by an admin the following... "If its easy to block a fg, just do it again" After I explained my blocked kick was perfectly within the rules, I asked which rule they were abiding by and they said "EA has the right to tell you to recreate, no questions ask" The admins in the MCS tourneys are the most incompetent human beings they could possibly have "running" the tournament. They don't understand the game, they don't interact with people well, they are extremely inconsistent, and they frankly suck at what they do. Madden Championship Series Madden Ultimate Team Madden Ultimate Team
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This was officially my last MCS tournament of my career. This play was ruled "play on" because the admin said "we only intervene in critical circumstances, and we decided not to here". For a recap.... Last tournament I legally blocked a kick. Used a designated blocker, got the animation, timed the block, and blocked it. They intervened then and said I had to recreate. Must have been a "critical" moment. Last year I was in quarter 3 of my second round game because my first opponent didn't show up. I was told by an admin my opponent showed up and I had to quit out of my game and replay my first one or I'd be dq'd from the tournament even though my first opponent was 45 minutes late. I have been told by an admin the following... "If its easy to block a fg, just do it again" After I explained my blocked kick was perfectly within the rules, I asked which rule they were abiding by and they said "EA has the right to tell you to recreate, no questions ask" The admins in the MCS tourneys are the most incompetent human beings they could possibly have "running" the tournament. They don't understand the game, they don't interact with people well, they are extremely inconsistent, and they frankly suck at what they do. Madden Championship Series Madden Ultimate Team Madden Ultimate Team

PIHCAM

189,229 просмотров • 7 месяцев назад