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Mahomes: Devil magic ran out Allen: Choker Lamar: Choker Herbert: Choker Burrow: Can’t stay healthy Maye: Most obvious playoff choker The NFC: has no elite QBs The future of Goodell’s product belongs to Dart

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45,509 просмотров • 6 месяцев назад •via X (Twitter)

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The ONLY QBs I’m taking over Bo Nix rest of season🚨🚨 1. Josh Allen 2. Patrick Mahomes 3. Drake Maye 4. Jalen Hurts 5. Matthew Stafford 6. Dak Prescott 7. Joe Burrow 8. Lamar Jackson 9. Justin Herbert 10. Baker Mayfield 11. Jaxson Dart 12. Daniel Jones 13. Jacoby Brissett 14. Jayden Daniels 15. Caleb Williams 16. Jordan Love 17. Jared Goff 18. Brock Purdy THAT’S IT! That’s the list. BO-LIEVE🔥🔥🔥
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The ONLY QBs I’m taking over Bo Nix rest of season🚨🚨 1. Josh Allen 2. Patrick Mahomes 3. Drake Maye 4. Jalen Hurts 5. Matthew Stafford 6. Dak Prescott 7. Joe Burrow 8. Lamar Jackson 9. Justin Herbert 10. Baker Mayfield 11. Jaxson Dart 12. Daniel Jones 13. Jacoby Brissett 14. Jayden Daniels 15. Caleb Williams 16. Jordan Love 17. Jared Goff 18. Brock Purdy THAT’S IT! That’s the list. BO-LIEVE🔥🔥🔥

Luke Christensen

287,669 просмотров • 8 месяцев назад

I’m quite shocked that Georgia is the favorite over Notre Dame heading into this Sugar Bowl! UGA has no depth, is starting a young QB, & the Irish are the most deep team in the CFB Playoff! Notre Dame will stack the 📦 force Gunner Stockton to stay in the pocket beat them with his arm! Offensively the Irish will run outside zone pulling offensive lineman directly at those ⭐️ edge rushers! This is not the same Georgia team of the last 5 years! #GoIrish will use the same gameplan as Georgia Tech but are deeper & more athletic! If #Georgia turns the 🏈 over this game will get out of hand! Brady Quinn One Foot Down The 4 Horsemen Podcast
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I’m quite shocked that Georgia is the favorite over Notre Dame heading into this Sugar Bowl! UGA has no depth, is starting a young QB, & the Irish are the most deep team in the CFB Playoff! Notre Dame will stack the 📦 force Gunner Stockton to stay in the pocket beat them with his arm! Offensively the Irish will run outside zone pulling offensive lineman directly at those ⭐️ edge rushers! This is not the same Georgia team of the last 5 years! #GoIrish will use the same gameplan as Georgia Tech but are deeper & more athletic! If #Georgia turns the 🏈 over this game will get out of hand! Brady Quinn One Foot Down The 4 Horsemen Podcast

The cfb lliason

491,148 просмотров • 1 год назад

UGC on Seedance 2.5 is just crazy Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text on it
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UGC on Seedance 2.5 is just crazy Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text on it

Synthia

54,462 просмотров • 6 дней назад

UGC on Seedance 2.5 is on another level Awesome Results Prompt 👇 Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text.
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UGC on Seedance 2.5 is on another level Awesome Results Prompt 👇 Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text.

Smiling Khan

15,032 просмотров • 10 дней назад

Show me a model better than Seedance 2.5 and I will wait Prompt 👇 Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded luxury watch and its packaging as locked product references. Maintain perfect product consistency, including the watch face, hands, dial details, case shape, crown, bracelet, materials, colors, proportions, and reflections. Create an ultra-realistic UGC luxury watch review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the watch box. She smiles at the camera and says, "I honestly didn't expect to love this watch this much." She picks up the box, opens it naturally, and reveals the watch. She gently lifts it from the packaging and brings it closer to the camera, saying, "The packaging already feels so premium." She rotates the watch between her fingers, showing the dial, bracelet, crown, and polished details as warm sunlight creates realistic reflections across the metal. She says, "Look at those details... it feels incredibly well made." She puts the watch on her wrist and adjusts the bracelet naturally. Cut to a close-up of her wrist as she moves it through the sunlight, showcasing the watch from different angles. She walks toward a full-length mirror, checks the watch with a confident smile, adjusts her sleeve, and poses naturally while looking at her reflection. She returns to the bed, picks up the watch box, then holds her wrist beside her face for a final lifestyle shot. Looking directly into the camera, she smiles and says, "Definitely one of my favorite accessories." Finish with a cinematic macro push-in on the watch as it rests on the luxury packaging, with warm reflections across the dial and bracelet. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro watch cinematography, realistic metal reflections, detailed dial textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no watermarks, no on-screen text, no unnecessary logos.
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Show me a model better than Seedance 2.5 and I will wait Prompt 👇 Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded luxury watch and its packaging as locked product references. Maintain perfect product consistency, including the watch face, hands, dial details, case shape, crown, bracelet, materials, colors, proportions, and reflections. Create an ultra-realistic UGC luxury watch review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the watch box. She smiles at the camera and says, "I honestly didn't expect to love this watch this much." She picks up the box, opens it naturally, and reveals the watch. She gently lifts it from the packaging and brings it closer to the camera, saying, "The packaging already feels so premium." She rotates the watch between her fingers, showing the dial, bracelet, crown, and polished details as warm sunlight creates realistic reflections across the metal. She says, "Look at those details... it feels incredibly well made." She puts the watch on her wrist and adjusts the bracelet naturally. Cut to a close-up of her wrist as she moves it through the sunlight, showcasing the watch from different angles. She walks toward a full-length mirror, checks the watch with a confident smile, adjusts her sleeve, and poses naturally while looking at her reflection. She returns to the bed, picks up the watch box, then holds her wrist beside her face for a final lifestyle shot. Looking directly into the camera, she smiles and says, "Definitely one of my favorite accessories." Finish with a cinematic macro push-in on the watch as it rests on the luxury packaging, with warm reflections across the dial and bracelet. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro watch cinematography, realistic metal reflections, detailed dial textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no watermarks, no on-screen text, no unnecessary logos.

Smiling Khan

13,740 просмотров • 5 дней назад

I want parents to really think about this. Imagine paying good money for lessons because you care about your daughter’s long-term development… and the first thing you’re told is that “swinging down isn’t correct.” Instead it’s barrel depth, elite path, and swinging up because “that’s what the pros do.” That’s where development goes backwards. Most young athletes aren’t broken they’re underdeveloped in movement. They don’t understand shoulder angles, how to get on top of the ball, situational hitting, or how the body actually organizes a swing. That’s not their fault. That’s instruction skipping steps. In my cage, athletes do not swing up first. They have to earn the right to swing up by first owning the down. We stay at the top of the zone, learn how to find the down, and teach how the shoulders orient the swing. The up isn’t cued or forced it’s a byproduct of correct movement. What floors me is how often kids, especially in softball, are taught to swing up immediately. How do you start middle-down and swing up in a sport where the ball is traveling on an upward plane? It makes no sense. Baseball and softball mechanics are the same the body doesn’t change. But instruction must start differently because pitch plane is different. Baseball breaks down. Softball rise spins up. If a softball hitter can’t control the down out front, they’ll never handle elite rise. Once control is there, the femur turns down, the torso gets pulled up, and the natural up shows itself. No forcing. No manipulation. I can post videos like this all day. I’m not teaching a “style.” I’m teaching how the body is designed to move. I’m demanding because parents invest real time and money, and I won’t waste either. If you want game swings that hold up to velocity and plane find the down!
0:10

I want parents to really think about this. Imagine paying good money for lessons because you care about your daughter’s long-term development… and the first thing you’re told is that “swinging down isn’t correct.” Instead it’s barrel depth, elite path, and swinging up because “that’s what the pros do.” That’s where development goes backwards. Most young athletes aren’t broken they’re underdeveloped in movement. They don’t understand shoulder angles, how to get on top of the ball, situational hitting, or how the body actually organizes a swing. That’s not their fault. That’s instruction skipping steps. In my cage, athletes do not swing up first. They have to earn the right to swing up by first owning the down. We stay at the top of the zone, learn how to find the down, and teach how the shoulders orient the swing. The up isn’t cued or forced it’s a byproduct of correct movement. What floors me is how often kids, especially in softball, are taught to swing up immediately. How do you start middle-down and swing up in a sport where the ball is traveling on an upward plane? It makes no sense. Baseball and softball mechanics are the same the body doesn’t change. But instruction must start differently because pitch plane is different. Baseball breaks down. Softball rise spins up. If a softball hitter can’t control the down out front, they’ll never handle elite rise. Once control is there, the femur turns down, the torso gets pulled up, and the natural up shows itself. No forcing. No manipulation. I can post videos like this all day. I’m not teaching a “style.” I’m teaching how the body is designed to move. I’m demanding because parents invest real time and money, and I won’t waste either. If you want game swings that hold up to velocity and plane find the down!

John Sangillo

47,117 просмотров • 8 месяцев назад

In the summer of 2023, I cold emailed Jensen Huang and asked to capture a NeRF of him at SIGGRAPH. He responded in about an hour and said yes. A radiance field is, in the simplest terms, akin to a 3D photograph. A moment in time, so completely reconstructed that you can move through it and see it from angles the original cameras never occupied. NeRFs were the original method. Gaussian splatting, which debuted at that same SIGGRAPH, has since become the dominant form of radiance field. I called my late friend James, who told me we needed to begin practicing immediately. We ran capture after capture for weeks until we consistently got the capture time down to ~30 seconds with one camera. Later, in a hallway at the LA Convention Center during SIGGRAPH, I captured the portrait you're seeing now, a full 360° gaussian splat of Jensen, rendered here as a 2D flythrough. Afterward, I continued the conversation with him and members of his team to make the case for radiance fields as a foundational representation for imaging. To my surprise, they listened. Three years later, NVIDIA has several works, including NuRec, fVDB, 3DGRUT, and gsplat all utilizing radiance fields. The landscape has evolved enough that the reasoning is obvious. Gaussian splatting has begun to ship across some of the world’s largest industries, including autonomous vehicles, AEC, geospatial, media and entertainment, robotics, e-commerce, hospitality. It’s become clear that lifelike 3D is here to stay. And yet I think we will look back and be disappointed by how late we started taking 3D portraits of the people around us, just like how we have sparse 2D photos of our grandparents and great grandparents. We have billions of photographs of the people we know and love, but almost no radiance fields of them. I'll be returning to SIGGRAPH in LA where this was initially captured three years ago, with the landscape looking significantly different. Radiance fields are more under deployed than ever relative to what they can do. I'm excited for the future of imaging, and for 2D to transition into 3D. I have a few things up my sleeve that I think will make that case plainly.
0:18

In the summer of 2023, I cold emailed Jensen Huang and asked to capture a NeRF of him at SIGGRAPH. He responded in about an hour and said yes. A radiance field is, in the simplest terms, akin to a 3D photograph. A moment in time, so completely reconstructed that you can move through it and see it from angles the original cameras never occupied. NeRFs were the original method. Gaussian splatting, which debuted at that same SIGGRAPH, has since become the dominant form of radiance field. I called my late friend James, who told me we needed to begin practicing immediately. We ran capture after capture for weeks until we consistently got the capture time down to ~30 seconds with one camera. Later, in a hallway at the LA Convention Center during SIGGRAPH, I captured the portrait you're seeing now, a full 360° gaussian splat of Jensen, rendered here as a 2D flythrough. Afterward, I continued the conversation with him and members of his team to make the case for radiance fields as a foundational representation for imaging. To my surprise, they listened. Three years later, NVIDIA has several works, including NuRec, fVDB, 3DGRUT, and gsplat all utilizing radiance fields. The landscape has evolved enough that the reasoning is obvious. Gaussian splatting has begun to ship across some of the world’s largest industries, including autonomous vehicles, AEC, geospatial, media and entertainment, robotics, e-commerce, hospitality. It’s become clear that lifelike 3D is here to stay. And yet I think we will look back and be disappointed by how late we started taking 3D portraits of the people around us, just like how we have sparse 2D photos of our grandparents and great grandparents. We have billions of photographs of the people we know and love, but almost no radiance fields of them. I'll be returning to SIGGRAPH in LA where this was initially captured three years ago, with the landscape looking significantly different. Radiance fields are more under deployed than ever relative to what they can do. I'm excited for the future of imaging, and for 2D to transition into 3D. I have a few things up my sleeve that I think will make that case plainly.

Radiance Fields

18,025 просмотров • 2 месяцев назад

BREAKING: Governor Tim Walz announces he is dropping out of the governor’s race, mentions Nick Shirley in his statement. Read his partial statement here: "I won’t mince words here. Donald Trump and his allies – in Washington, in St. Paul, and online – want to make our state a colder, meaner place…” … "We’ve got Republicans here in the legislature playing hide-and-seek with whistleblowers.” "We’ve got conspiracy theorist right-wing YouTubers breaking into daycare centers and demanding access to our children.” "We’ve got the President of the United States demonizing our Somali neighbors and wrongly confiscating childcare funding that Minnesotans rely on.” … “I cannot abide the actions of the political leadership in Washington – these opportunists who are willing to hurt our people to score a few cheap points. They and their allies have no intention of helping us solve the problem – and every intention of profiting off of it.” "Which brings me to this: 2026 is an election year. And election years have a way of ramping up the politics at a time when we simply can’t afford more politics.” “In September, I announced that I would run for a historic third term as Minnesota’s Governor. And I have every confidence that, if I gave it my all, I would succeed in that effort.” “But as I reflected on this moment with my family and my team over the holidays, I came to the conclusion that I can’t give a political campaign my all.” “Every minute I spend defending my own political interests would be a minute I can’t spend defending the people of Minnesota against the criminals who prey on our generosity and the cynics who prey on our differences.” "So I’ve decided to step out of the race and let others worry about the election while I focus on the work.” "I know this news may come as a surprise. But I’m passing on the race with zero sadness and zero regret. After all, I didn’t run for this job so I could have this job. I ran for this job so I could do this job. Minnesota faces an enormous challenge this year. And I refuse to spend even one minute of 2026 doing anything other than rising to meet the moment. Minnesota has to come first – always.” "That’s what I believe servant leadership demands of me. And as an optimist, I will hold out some hope that my friends on the other side of the aisle will consider what servant leadership demands of them in this moment. We can work together to combat the criminals, rebuild the public’s trust, and make our state stronger. But make no mistake: If Republicans continue down this path of abusing power, smearing entire communities, and running their own fraudulent game at the expense of Minnesotans – we will fight back every step of the way.” "Today, I’m proud of the work we’ve done to make Minnesota America’s best place to live and raise kids – from our new paid leave policy to our child tax credit to our free lunch program.” … "Most of all, I want Minnesotans to know that I’m on the job, 24/7, focused on making sure we stay America’s best place to live and raise kids. No one will take that away from us. Not the fraudsters. And not the President. Not on my watch.”
0:19

BREAKING: Governor Tim Walz announces he is dropping out of the governor’s race, mentions Nick Shirley in his statement. Read his partial statement here: "I won’t mince words here. Donald Trump and his allies – in Washington, in St. Paul, and online – want to make our state a colder, meaner place…” … "We’ve got Republicans here in the legislature playing hide-and-seek with whistleblowers.” "We’ve got conspiracy theorist right-wing YouTubers breaking into daycare centers and demanding access to our children.” "We’ve got the President of the United States demonizing our Somali neighbors and wrongly confiscating childcare funding that Minnesotans rely on.” … “I cannot abide the actions of the political leadership in Washington – these opportunists who are willing to hurt our people to score a few cheap points. They and their allies have no intention of helping us solve the problem – and every intention of profiting off of it.” "Which brings me to this: 2026 is an election year. And election years have a way of ramping up the politics at a time when we simply can’t afford more politics.” “In September, I announced that I would run for a historic third term as Minnesota’s Governor. And I have every confidence that, if I gave it my all, I would succeed in that effort.” “But as I reflected on this moment with my family and my team over the holidays, I came to the conclusion that I can’t give a political campaign my all.” “Every minute I spend defending my own political interests would be a minute I can’t spend defending the people of Minnesota against the criminals who prey on our generosity and the cynics who prey on our differences.” "So I’ve decided to step out of the race and let others worry about the election while I focus on the work.” "I know this news may come as a surprise. But I’m passing on the race with zero sadness and zero regret. After all, I didn’t run for this job so I could have this job. I ran for this job so I could do this job. Minnesota faces an enormous challenge this year. And I refuse to spend even one minute of 2026 doing anything other than rising to meet the moment. Minnesota has to come first – always.” "That’s what I believe servant leadership demands of me. And as an optimist, I will hold out some hope that my friends on the other side of the aisle will consider what servant leadership demands of them in this moment. We can work together to combat the criminals, rebuild the public’s trust, and make our state stronger. But make no mistake: If Republicans continue down this path of abusing power, smearing entire communities, and running their own fraudulent game at the expense of Minnesotans – we will fight back every step of the way.” "Today, I’m proud of the work we’ve done to make Minnesota America’s best place to live and raise kids – from our new paid leave policy to our child tax credit to our free lunch program.” … "Most of all, I want Minnesotans to know that I’m on the job, 24/7, focused on making sure we stay America’s best place to live and raise kids. No one will take that away from us. Not the fraudsters. And not the President. Not on my watch.”

Collin Rugg

21,631,907 просмотров • 7 месяцев назад

When will Linda Reynolds STOP? The Australian Reports "Linda Reynolds launches bankruptcy action on Brittany Higgins" 🐘 THE NOISY TAKE Linda Reynolds was never chasing justice – just blood. She’s now filed bankruptcy proceedings against Brittany Higgins, even after already winning over $1 million in damages and costs. Let’s remember: Before that defamation circus even began, Higgins’ parents offered Reynolds nearly $200,000 to settle - apology and cash on the table. Reynolds said no. Because this was never about closure. It’s about anger and hate. Now she’s trying to claw at the remains of a young woman’s life, even though Brittany’s $2.4m compensation payout was gutted long ago by tax, legal fees, and the price of surviving the media storm Reynolds helped feed. If Reynolds “wins” this, here’s what she gets: A slice of earnings above $87k a year for up to five years. That’s it. No lump sum. No magic money tree. By the time you subtract rent, child expenses, and legal costs, Linda might scrape enough to buy herself a Jenny Craig frozen dinner and call it revenge served cold. And in the public eye? Here’s the plain truth: bankruptcy only bites what’s on paper – the income you can see above about $87k. But in the real world, plenty of people earn through companies, contracts, or future-value setups that keep most of their worth neatly off the PAYG slip. Wages look small, life goes on. Equity here, deferred pay there, a director fee tucked away – all perfectly legitimate, just structured. The books stay clean, the creditor gets crumbs. Linda Reynolds knows this. She’s a Liberal, after all. Brittany walks out looking like a survivor hounded to the end, and Reynolds cements her reputation as the woman who destroyed her own legacy chasing a ghost of vengeance. Even if Reynolds “wins” – she loses. It’s over. All bar the chocolate cake.
0:18

When will Linda Reynolds STOP? The Australian Reports "Linda Reynolds launches bankruptcy action on Brittany Higgins" 🐘 THE NOISY TAKE Linda Reynolds was never chasing justice – just blood. She’s now filed bankruptcy proceedings against Brittany Higgins, even after already winning over $1 million in damages and costs. Let’s remember: Before that defamation circus even began, Higgins’ parents offered Reynolds nearly $200,000 to settle - apology and cash on the table. Reynolds said no. Because this was never about closure. It’s about anger and hate. Now she’s trying to claw at the remains of a young woman’s life, even though Brittany’s $2.4m compensation payout was gutted long ago by tax, legal fees, and the price of surviving the media storm Reynolds helped feed. If Reynolds “wins” this, here’s what she gets: A slice of earnings above $87k a year for up to five years. That’s it. No lump sum. No magic money tree. By the time you subtract rent, child expenses, and legal costs, Linda might scrape enough to buy herself a Jenny Craig frozen dinner and call it revenge served cold. And in the public eye? Here’s the plain truth: bankruptcy only bites what’s on paper – the income you can see above about $87k. But in the real world, plenty of people earn through companies, contracts, or future-value setups that keep most of their worth neatly off the PAYG slip. Wages look small, life goes on. Equity here, deferred pay there, a director fee tucked away – all perfectly legitimate, just structured. The books stay clean, the creditor gets crumbs. Linda Reynolds knows this. She’s a Liberal, after all. Brittany walks out looking like a survivor hounded to the end, and Reynolds cements her reputation as the woman who destroyed her own legacy chasing a ghost of vengeance. Even if Reynolds “wins” – she loses. It’s over. All bar the chocolate cake.

The Noisy Elephant

37,192 просмотров • 10 месяцев назад

Brewing a Better Bite of Meat Here’s why we led the Series A of The Better Meat Co., announced today. I am a meat eater, but I know that eventually, we won't slaughter animals for meat. Although we believe this is inevitable, on Earth and Mars, it takes concerted effort to get us there. And as we saw with electric cars, you have to have a better product to catalyze a change. Saving the world is the byproduct. After investing in some of the pioneers of cellular ag and precision fermentation, we pondered what problem remained unsolved by the mainstream approaches to slaughter-free meat and began a quest for the best cost economics and speed of scaling. For cellular ag and plant-based approaches, cost has been their biggest challenge, and the meat market is highly price elastic. We did a thought experiment: given all of the approaches to alt-protein out there, which will be the lowest cost 50 years from now? We assumed all R&D efforts reach their ultimate end points by then. I think we found the winner: Better Meat goes from seed to harvest in under 17 hours! No plant or animal can compete with that growth rate. The key: growth from cell expansion instead of cell division, part of the magic of the kingdom of fungi. And they have mastered continuous production off simple sugar feedstocks with no waste stream. The only downstream processing is some dehydration. At their current research scale facility, they already beat beef on cost, and soon chicken. Some of the key drivers from their patented process: fastest growth cycle of any organism, continuous production, minimal downstream processing (unlike plant protein isolates, for example, where most of the plant biomass is byproduct), and it’s a nutritious whole food. It’s also shelf stable at room temperature for easy shipping. So, it should scale more rapidly and cost-effectively than other approaches can ever achieve. Oh, and it is delicious and tastes like meat, even better than pure meat in some blended product taste tests (think hamburger or sausage blends). They are a B2B ingredient supplier, and the first to get FDA and USDA approval for blended meat products. The Series A will allow them to scale to tens of millions of pounds of annual production for a number of large food companies. Company: Today’s funding news: • •
0:10

Brewing a Better Bite of Meat Here’s why we led the Series A of The Better Meat Co., announced today. I am a meat eater, but I know that eventually, we won't slaughter animals for meat. Although we believe this is inevitable, on Earth and Mars, it takes concerted effort to get us there. And as we saw with electric cars, you have to have a better product to catalyze a change. Saving the world is the byproduct. After investing in some of the pioneers of cellular ag and precision fermentation, we pondered what problem remained unsolved by the mainstream approaches to slaughter-free meat and began a quest for the best cost economics and speed of scaling. For cellular ag and plant-based approaches, cost has been their biggest challenge, and the meat market is highly price elastic. We did a thought experiment: given all of the approaches to alt-protein out there, which will be the lowest cost 50 years from now? We assumed all R&D efforts reach their ultimate end points by then. I think we found the winner: Better Meat goes from seed to harvest in under 17 hours! No plant or animal can compete with that growth rate. The key: growth from cell expansion instead of cell division, part of the magic of the kingdom of fungi. And they have mastered continuous production off simple sugar feedstocks with no waste stream. The only downstream processing is some dehydration. At their current research scale facility, they already beat beef on cost, and soon chicken. Some of the key drivers from their patented process: fastest growth cycle of any organism, continuous production, minimal downstream processing (unlike plant protein isolates, for example, where most of the plant biomass is byproduct), and it’s a nutritious whole food. It’s also shelf stable at room temperature for easy shipping. So, it should scale more rapidly and cost-effectively than other approaches can ever achieve. Oh, and it is delicious and tastes like meat, even better than pure meat in some blended product taste tests (think hamburger or sausage blends). They are a B2B ingredient supplier, and the first to get FDA and USDA approval for blended meat products. The Series A will allow them to scale to tens of millions of pounds of annual production for a number of large food companies. Company: Today’s funding news: • •

Steve Jurvetson

17,016 просмотров • 1 год назад

Seedance 2.0 on ImagineArt ======================== Prompt: CAMERA: Modern smartphone-style handheld selfie POV, first-person vlog. SEOYUN always holds the camera. Natural hand shake, imperfect framing, quick reframes, occasional face cropping. The camera device is never visible. LOOK: Clean modern digital video, sharp and vibrant, natural skin tones, bright even exposure. Full-frame image filling the entire screen edge to edge, standard flat rectangular frame. No black borders, no rounded corners, no letterboxing, no vignette, no lens distortion, no fisheye, no frame overlay, no retro or tape effect. STYLE: Bright, playful K-pop idol vlog. Genuine smiles, eye contact, candid energy, quick handheld shots with backstage excitement. CHARACTER: SEOYUN, Korean female idol in her early 20s. Long straight jet-black hair with soft face-framing strands, dewy fair skin, large dark brown eyes, natural coral-pink lips, gentle sweet smile. Slim figure. Wearing a futuristic white K-pop stage outfit: an asymmetric white halter-neck crop top with one iridescent holographic sequin panel and a thin silver sparkly shoulder strap, a white pleated mini skirt with holographic sequin pleats and decorative silver zippers, a wide white belt with a large rhinestone buckle, long white gloves, white thigh-high boots, a delicate rhinestone choker necklace, and sparkly drop earrings. Stage glam makeup. SETTING: Backstage hallway of a music show studio with dressing room doors. One dressing room door has a clean printed name plate reading exactly "SEOYUN" in bold uppercase Latin letters. Snack table with an open bowl of small individual snacks, overhead PA speaker, and blurred staff passing by. SEQUENCE: 1. Selfie: peeks into the hallway. "얘들아, 우리 지금 무대 뒤에 있어!" 2. Whip pan down the corridor. "이 복도 진짜 길다!" 3. Stops at her dressing room, points at the name plate that clearly reads "SEOYUN". "이거 나야!" 4. Close-up of the name plate, the text "SEOYUN" sharp and clearly legible in bold uppercase letters as she taps it. Ambient audio only. 5. Quick outfit check with a spin near a mirror. "나 오늘 어때?" 6. At the snack table, picks up one small snack piece from the bowl with her fingers and pops it into her mouth. "이건 못 참지." 7. Mid-bite, PA announcement interrupts. She laughs: "잠깐만—" 8. Selfie ending: hears the countdown, waves, makes a hand heart, then runs toward the stage. "이제 무대 가야 돼—무대 끝나고 보자!" ======================== Made with #ImagineArt
0:15

Seedance 2.0 on ImagineArt ======================== Prompt: CAMERA: Modern smartphone-style handheld selfie POV, first-person vlog. SEOYUN always holds the camera. Natural hand shake, imperfect framing, quick reframes, occasional face cropping. The camera device is never visible. LOOK: Clean modern digital video, sharp and vibrant, natural skin tones, bright even exposure. Full-frame image filling the entire screen edge to edge, standard flat rectangular frame. No black borders, no rounded corners, no letterboxing, no vignette, no lens distortion, no fisheye, no frame overlay, no retro or tape effect. STYLE: Bright, playful K-pop idol vlog. Genuine smiles, eye contact, candid energy, quick handheld shots with backstage excitement. CHARACTER: SEOYUN, Korean female idol in her early 20s. Long straight jet-black hair with soft face-framing strands, dewy fair skin, large dark brown eyes, natural coral-pink lips, gentle sweet smile. Slim figure. Wearing a futuristic white K-pop stage outfit: an asymmetric white halter-neck crop top with one iridescent holographic sequin panel and a thin silver sparkly shoulder strap, a white pleated mini skirt with holographic sequin pleats and decorative silver zippers, a wide white belt with a large rhinestone buckle, long white gloves, white thigh-high boots, a delicate rhinestone choker necklace, and sparkly drop earrings. Stage glam makeup. SETTING: Backstage hallway of a music show studio with dressing room doors. One dressing room door has a clean printed name plate reading exactly "SEOYUN" in bold uppercase Latin letters. Snack table with an open bowl of small individual snacks, overhead PA speaker, and blurred staff passing by. SEQUENCE: 1. Selfie: peeks into the hallway. "얘들아, 우리 지금 무대 뒤에 있어!" 2. Whip pan down the corridor. "이 복도 진짜 길다!" 3. Stops at her dressing room, points at the name plate that clearly reads "SEOYUN". "이거 나야!" 4. Close-up of the name plate, the text "SEOYUN" sharp and clearly legible in bold uppercase letters as she taps it. Ambient audio only. 5. Quick outfit check with a spin near a mirror. "나 오늘 어때?" 6. At the snack table, picks up one small snack piece from the bowl with her fingers and pops it into her mouth. "이건 못 참지." 7. Mid-bite, PA announcement interrupts. She laughs: "잠깐만—" 8. Selfie ending: hears the countdown, waves, makes a hand heart, then runs toward the stage. "이제 무대 가야 돼—무대 끝나고 보자!" ======================== Made with #ImagineArt

TSUBAKI

14,717 просмотров • 25 дней назад

Sadie Sink. Nano Banana Pro → Grok Imagine Prompt: { "aspect_ratio": "4:5", "prompt": { "subject": { "description": "An adult woman Sadie Sink. Fair skin with a warm glow and visible light freckles across the cheeks and chest. Soft glam makeup with defined brows, subtle eyeliner/mascara, and a natural rosy-nude lip. Strawberry-auburn hair pulled into a high ponytail with a few loose face-framing strands. She wears large silver hoop earrings and oversized black rectangular eyeglasses. Expression is playful and confident, giving a flirty side-eye toward the camera.", "clothing": "A fitted deep-green short-sleeve cropped top with a front zipper that’s partially unzipped, ribbed knit texture. A red/orange plaid mini skirt with a structured fit and visible plaid pattern. Layered silver necklaces (one sits like a choker chain). Long pale manicure. She’s holding a large white starbucks coffee cup.", "pose": "She is reclined across the passenger seat of a car, leaning back into the seat with one arm raised behind her head, elbow bent. Her torso angles toward the camera, hips slightly turned. The other hand holds the coffee cup near her lap. Medium shot framed from head to mid-thigh, camera positioned close from the driver-side angle for an intimate in-car perspective." }, "environment": { "location": "Inside a car parked in an indoor parking garage.", "details": "Black leather car seats and door panel, visible stitching, dark interior trim. Through the window, a parking garage corridor is visible with brightly colored wall panels (yellow, teal, and red) and a white door in the background.", "background": "Clean indoor garage setting with geometric color blocks and soft depth; background slightly out of focus to keep attention on the subject." }, "lighting_and_quality": { "lighting": "Direct on-camera flash creating crisp highlights on skin, hair, and the ribbed green fabric; strong subject separation from the darker car interior with mild shadow falloff.", "resolution": "4K HD quality, highly detailed textures on freckles, hair strands, ribbed knit fabric, plaid skirt weave, leather seat grain, eyeglass reflections, and cup surface.", "style": "Realistic candid smartphone photo taken by someone else (not a selfie), reference-faithful composition and pose, sharp subject focus with slightly softer background depth, no text, no watermark, no extra people." } } }
0:10

Sadie Sink. Nano Banana Pro → Grok Imagine Prompt: { "aspect_ratio": "4:5", "prompt": { "subject": { "description": "An adult woman Sadie Sink. Fair skin with a warm glow and visible light freckles across the cheeks and chest. Soft glam makeup with defined brows, subtle eyeliner/mascara, and a natural rosy-nude lip. Strawberry-auburn hair pulled into a high ponytail with a few loose face-framing strands. She wears large silver hoop earrings and oversized black rectangular eyeglasses. Expression is playful and confident, giving a flirty side-eye toward the camera.", "clothing": "A fitted deep-green short-sleeve cropped top with a front zipper that’s partially unzipped, ribbed knit texture. A red/orange plaid mini skirt with a structured fit and visible plaid pattern. Layered silver necklaces (one sits like a choker chain). Long pale manicure. She’s holding a large white starbucks coffee cup.", "pose": "She is reclined across the passenger seat of a car, leaning back into the seat with one arm raised behind her head, elbow bent. Her torso angles toward the camera, hips slightly turned. The other hand holds the coffee cup near her lap. Medium shot framed from head to mid-thigh, camera positioned close from the driver-side angle for an intimate in-car perspective." }, "environment": { "location": "Inside a car parked in an indoor parking garage.", "details": "Black leather car seats and door panel, visible stitching, dark interior trim. Through the window, a parking garage corridor is visible with brightly colored wall panels (yellow, teal, and red) and a white door in the background.", "background": "Clean indoor garage setting with geometric color blocks and soft depth; background slightly out of focus to keep attention on the subject." }, "lighting_and_quality": { "lighting": "Direct on-camera flash creating crisp highlights on skin, hair, and the ribbed green fabric; strong subject separation from the darker car interior with mild shadow falloff.", "resolution": "4K HD quality, highly detailed textures on freckles, hair strands, ribbed knit fabric, plaid skirt weave, leather seat grain, eyeglass reflections, and cup surface.", "style": "Realistic candid smartphone photo taken by someone else (not a selfie), reference-faithful composition and pose, sharp subject focus with slightly softer background depth, no text, no watermark, no extra people." } } }

HighkeySynth

22,098 просмотров • 6 месяцев назад

Brace yourselves & get ready for the upcoming $G3 token airdrop! Let's dive into the details: 👀 What airdrop? We've allocated 50M $G3 tokens (5% of the total supply) towards our airdrop campaigns, which will be broken down into 3 phases. - Phase 1: Rewarding early users & supporters, 15M tokens will be distributed, fully unlocked, with no vesting, on the listing day (keep reading for eligibility criteria) Phases 2 and 3: Focused on upcoming launches, 35M tokens will be allocated to future major features to incentivize new platform users and activations. 🤔 Why airdrop? We wanted to express our appreciation to our dedicated community and partners, who have been integral to our journey over the past two years and will continue to help us build the home of web3 gaming. 🔍 Who airdrop? • Users: Registered users ranked from Iron to Diamond are eligible for the airdrop, which has increasing allocations in ascending order. • GAM3RS NFT Holders: all 333 holders will be eligible for the upcoming $G3 token airdrop. Make sure you apply for the free mint at Magic Eden 🪄 on March 29. • $POLS Holders: To honour our early community days, we're including holders of Polkastarter's token in our upcoming airdrop based on holding tiers. • Partners: Select communities & partners will also be included in our upcoming airdrop. Stay tuned to our socials for official announcements. 📍 Where airdrop? Eligibility checker and claiming portal will both be directly on our official website please stay safe and verify the website domain to avoid fake links or scams. ⌛ Wen airdrop? Phase one will go live on the listing day (April). Each user will be able to check their eligibility directly on our platform and must claim their allocation within 30 days of listing day. For more information, check out our full airdrop breakdown here:
0:12

Brace yourselves & get ready for the upcoming $G3 token airdrop! Let's dive into the details: 👀 What airdrop? We've allocated 50M $G3 tokens (5% of the total supply) towards our airdrop campaigns, which will be broken down into 3 phases. - Phase 1: Rewarding early users & supporters, 15M tokens will be distributed, fully unlocked, with no vesting, on the listing day (keep reading for eligibility criteria) Phases 2 and 3: Focused on upcoming launches, 35M tokens will be allocated to future major features to incentivize new platform users and activations. 🤔 Why airdrop? We wanted to express our appreciation to our dedicated community and partners, who have been integral to our journey over the past two years and will continue to help us build the home of web3 gaming. 🔍 Who airdrop? • Users: Registered users ranked from Iron to Diamond are eligible for the airdrop, which has increasing allocations in ascending order. • GAM3RS NFT Holders: all 333 holders will be eligible for the upcoming $G3 token airdrop. Make sure you apply for the free mint at Magic Eden 🪄 on March 29. • $POLS Holders: To honour our early community days, we're including holders of Polkastarter's token in our upcoming airdrop based on holding tiers. • Partners: Select communities & partners will also be included in our upcoming airdrop. Stay tuned to our socials for official announcements. 📍 Where airdrop? Eligibility checker and claiming portal will both be directly on our official website please stay safe and verify the website domain to avoid fake links or scams. ⌛ Wen airdrop? Phase one will go live on the listing day (April). Each user will be able to check their eligibility directly on our platform and must claim their allocation within 30 days of listing day. For more information, check out our full airdrop breakdown here:

GAMES.GG

287,628 просмотров • 2 лет назад

This morning, Israel withdrew from its first Lebanese village since the invasion in March, and the Lebanese Armed Forces have moved in to fill the void. The question is: Does this signal the beginning of a forced Israeli retreat, or the start of Lebanon’s long road to recovery? The answer is complicated. Israel can continue destroying Hezbollah infrastructure indefinitely, but it will pay massive international costs for doing so, with no way, short of a full invasion, to extinguish the group entirely. The framework agreement gives Israel legitimacy and time to uproot Hezbollah, but what Lebanon gives, it can also take away. If Beirut loses momentum and descends into state collapse, the entire agreement evaporates, and Hezbollah recovers out of Israel’s reach. This is the project President Joseph Aoun carries to Washington, where he meets Trump for the first time. Trump had no direct communication with Aoun during his first year in office—no meetings, calls, or letters. His sole contact has been in the form of inconsistent messaging on Lebanon’s fate: declaring after the June 26 agreement that “Iran is out, Hezbollah is out, and the road to peace between Israel and Lebanon is in,” then pivoting to pressure Netanyahu for unconditional withdrawal in the spirit of the Iran MOU, telling him, “They don’t want you there. You should redeploy,” before abandoning both positions altogether in favor of his own scheme, declaring, “Syria will do the job.” Aoun has already proven his willingness to buck Iran and pursue eventual peace with Israel. That was enough to earn this meeting. But anyone with a functioning memory knows the track record is bleak. Lebanon’s LAF claimed to have cleared Hezbollah infrastructure south of the Litani in late 2025, yet Israel continues finding significant assets there a year since their declaration. More damning still, LAF commander Rodolphe Haykal has explicitly prioritized “civil peace” over confronting Hezbollah—a strange priority for a general with orders to the contrary. The Lebanese military has proven as effective at disarming Hezbollah as UN peacekeepers have been, which is to say, not at all. Lebanese leaders have repeatedly promised and failed to disarm the group over the past 35 years—from the Taif Accord through the 2024 ceasefire. The uncomfortable truth is that throughout Lebanon’s history, only foreign powers—the United States, France, Israel, and Syria—have successfully disarmed Lebanese militias. Before Aoun goes all in on Hezbollah disarmament, he needs ironclad U.S. commitments. That means Delta Force-style training units for elite LAF operations, drones and sensors for border security, organized international fundraising for reconstruction, and business initiatives to rebuild Lebanon’s shattered economy. He also needs assurance that Trump will not abandon him halfway through his push. Trump, for his part, will demand specifics: a detailed plan for Hezbollah disarmament, removal of military officers complicit with the group, suspension of anti-normalization laws blocking Israeli-Lebanese civilian contact, and a clear reaffirmation that peace with Israel is Aoun’s strategic objective. Most critically, Aoun must decisively kill Trump’s recurring fantasy of deploying Syrian troops into Lebanon—a move that would resurrect memories of Assad-era brutality and paradoxically strengthen Hezbollah’s popular support. The circumstances favor success. The U.S.-Iran MOU is in tatters, eliminating easy alternatives to the framework. This week’s Rome talks were productive. Pilot zones are advancing. Trump will likely warm to Aoun personally, provided he takes a note from Zelensky and wears a suit. But this is about far more than personal rapport; the future of Lebanon hangs in the balance.
0:14

This morning, Israel withdrew from its first Lebanese village since the invasion in March, and the Lebanese Armed Forces have moved in to fill the void. The question is: Does this signal the beginning of a forced Israeli retreat, or the start of Lebanon’s long road to recovery? The answer is complicated. Israel can continue destroying Hezbollah infrastructure indefinitely, but it will pay massive international costs for doing so, with no way, short of a full invasion, to extinguish the group entirely. The framework agreement gives Israel legitimacy and time to uproot Hezbollah, but what Lebanon gives, it can also take away. If Beirut loses momentum and descends into state collapse, the entire agreement evaporates, and Hezbollah recovers out of Israel’s reach. This is the project President Joseph Aoun carries to Washington, where he meets Trump for the first time. Trump had no direct communication with Aoun during his first year in office—no meetings, calls, or letters. His sole contact has been in the form of inconsistent messaging on Lebanon’s fate: declaring after the June 26 agreement that “Iran is out, Hezbollah is out, and the road to peace between Israel and Lebanon is in,” then pivoting to pressure Netanyahu for unconditional withdrawal in the spirit of the Iran MOU, telling him, “They don’t want you there. You should redeploy,” before abandoning both positions altogether in favor of his own scheme, declaring, “Syria will do the job.” Aoun has already proven his willingness to buck Iran and pursue eventual peace with Israel. That was enough to earn this meeting. But anyone with a functioning memory knows the track record is bleak. Lebanon’s LAF claimed to have cleared Hezbollah infrastructure south of the Litani in late 2025, yet Israel continues finding significant assets there a year since their declaration. More damning still, LAF commander Rodolphe Haykal has explicitly prioritized “civil peace” over confronting Hezbollah—a strange priority for a general with orders to the contrary. The Lebanese military has proven as effective at disarming Hezbollah as UN peacekeepers have been, which is to say, not at all. Lebanese leaders have repeatedly promised and failed to disarm the group over the past 35 years—from the Taif Accord through the 2024 ceasefire. The uncomfortable truth is that throughout Lebanon’s history, only foreign powers—the United States, France, Israel, and Syria—have successfully disarmed Lebanese militias. Before Aoun goes all in on Hezbollah disarmament, he needs ironclad U.S. commitments. That means Delta Force-style training units for elite LAF operations, drones and sensors for border security, organized international fundraising for reconstruction, and business initiatives to rebuild Lebanon’s shattered economy. He also needs assurance that Trump will not abandon him halfway through his push. Trump, for his part, will demand specifics: a detailed plan for Hezbollah disarmament, removal of military officers complicit with the group, suspension of anti-normalization laws blocking Israeli-Lebanese civilian contact, and a clear reaffirmation that peace with Israel is Aoun’s strategic objective. Most critically, Aoun must decisively kill Trump’s recurring fantasy of deploying Syrian troops into Lebanon—a move that would resurrect memories of Assad-era brutality and paradoxically strengthen Hezbollah’s popular support. The circumstances favor success. The U.S.-Iran MOU is in tatters, eliminating easy alternatives to the framework. This week’s Rome talks were productive. Pilot zones are advancing. Trump will likely warm to Aoun personally, provided he takes a note from Zelensky and wears a suit. But this is about far more than personal rapport; the future of Lebanon hangs in the balance.

Amit Segal

23,298 просмотров • 24 дней назад

Since TermMax V2 rolled out the new Roll feature, I’ve been thinking DeFi lending is finally getting serious about managing time. The worst part of fixed-rate positions was never opening them—it was those brutal few days before expiry. You’re stuck in meetings all day, topping up margin at night, jumping chains for liquidity at 3 a.m., watching rates while praying nothing blows up. A lot of positions didn’t die from volatility; they died right there in that 48-hour window. When I saw what TermMax | Fixed Rate Borrowing & Lending just shipped, my first reaction was that on-chain borrowing finally feels like actual debt management. Besides straight repayment, you can now roll your position two ways: straight into a new fixed-rate term market to lock the rate again, or over to Morpho’s floating market if you want flexibility. A lot of people are calling it “just rolling over,” but it’s really changing how we handle time. Fixed rates used to lock the interest but left time broken—expiry hit and you had to decide everything from scratch again. The real stress wasn’t the APR; it was the panic questions like “what if I don’t have cash that day” or “what if the market flips.” V2 stitches that gap shut. Inside the rollover pop-up you pick the next term—like USDC/wstETH to 30SEP2026—and you see the APY instantly. The real win isn’t the yield; it’s finally being able to plan your next cash flow ahead of time. If you want stability, rolling to the next fixed market is like building your own debt calendar—next due date, cost of funds, everything crystal clear so you don’t scramble at the last second. Want to keep options open? Flip to Morpho and stay flexible if rates move. That’s what makes this update feel mature. It doesn’t decide for you—it hands the duration choice back to the user. The Maturity Watch plus the unified Positions view is the most underrated detail. Expiry pressure used to hit like an alarm clock out of nowhere; now you can actually see your full funding timeline. Lately the community can’t stop talking about “control.” XHUNT’s last 7-day stats show TermMax sitting at 86.7% positive sentiment. People aren’t just chasing APY anymore—they’re praising the certainty of fixed rates, the clean dashboard, Range Orders, and that new feeling of not having to put out fires at the last minute. This shift is bigger than it looks. Most on-chain users used to live in the “today” lane—what’s pumping, what’s the rate, any quick moves? Now with Roll, some are already thinking three months out. That’s not a trading habit anymore; it’s turning into a real money habit. Sure, it’s not perfect yet. We still need more real-world rollover data, rates will keep moving, and there are edge cases like zero-debt positions that can’t roll. The TGE delay frustration is real too, but that’s separate from the product itself. Still, this V2 Roll just turned DeFi’s most ignored stress—from pure expiry panic into something you can actually schedule. With DeFi rotating hard and Bitcoin pulling back a bit, people are craving exactly this kind of certainty. Once users start managing the future properly, fixed-rate lending finally starts feeling like a real credit market. Have you noticed? A lot of us aren’t just asking “is the APY good?” anymore. We’re asking whether this money will still fit in our plans when it comes due.
0:10

Since TermMax V2 rolled out the new Roll feature, I’ve been thinking DeFi lending is finally getting serious about managing time. The worst part of fixed-rate positions was never opening them—it was those brutal few days before expiry. You’re stuck in meetings all day, topping up margin at night, jumping chains for liquidity at 3 a.m., watching rates while praying nothing blows up. A lot of positions didn’t die from volatility; they died right there in that 48-hour window. When I saw what TermMax | Fixed Rate Borrowing & Lending just shipped, my first reaction was that on-chain borrowing finally feels like actual debt management. Besides straight repayment, you can now roll your position two ways: straight into a new fixed-rate term market to lock the rate again, or over to Morpho’s floating market if you want flexibility. A lot of people are calling it “just rolling over,” but it’s really changing how we handle time. Fixed rates used to lock the interest but left time broken—expiry hit and you had to decide everything from scratch again. The real stress wasn’t the APR; it was the panic questions like “what if I don’t have cash that day” or “what if the market flips.” V2 stitches that gap shut. Inside the rollover pop-up you pick the next term—like USDC/wstETH to 30SEP2026—and you see the APY instantly. The real win isn’t the yield; it’s finally being able to plan your next cash flow ahead of time. If you want stability, rolling to the next fixed market is like building your own debt calendar—next due date, cost of funds, everything crystal clear so you don’t scramble at the last second. Want to keep options open? Flip to Morpho and stay flexible if rates move. That’s what makes this update feel mature. It doesn’t decide for you—it hands the duration choice back to the user. The Maturity Watch plus the unified Positions view is the most underrated detail. Expiry pressure used to hit like an alarm clock out of nowhere; now you can actually see your full funding timeline. Lately the community can’t stop talking about “control.” XHUNT’s last 7-day stats show TermMax sitting at 86.7% positive sentiment. People aren’t just chasing APY anymore—they’re praising the certainty of fixed rates, the clean dashboard, Range Orders, and that new feeling of not having to put out fires at the last minute. This shift is bigger than it looks. Most on-chain users used to live in the “today” lane—what’s pumping, what’s the rate, any quick moves? Now with Roll, some are already thinking three months out. That’s not a trading habit anymore; it’s turning into a real money habit. Sure, it’s not perfect yet. We still need more real-world rollover data, rates will keep moving, and there are edge cases like zero-debt positions that can’t roll. The TGE delay frustration is real too, but that’s separate from the product itself. Still, this V2 Roll just turned DeFi’s most ignored stress—from pure expiry panic into something you can actually schedule. With DeFi rotating hard and Bitcoin pulling back a bit, people are craving exactly this kind of certainty. Once users start managing the future properly, fixed-rate lending finally starts feeling like a real credit market. Have you noticed? A lot of us aren’t just asking “is the APY good?” anymore. We’re asking whether this money will still fit in our plans when it comes due.

Domingo_gou | ASHVA🐴| OP_CAT| 🐬TermMax

18,993 просмотров • 2 месяцев назад

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı
0:12

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 просмотров • 4 месяцев назад

AI just hit a wall that no amount of money can move. The planet itself. There is not enough power, water, or land on Earth to build the data centers the AI race now demands. So the most valuable bet in artificial intelligence is no longer a chip company or a model. It is a rocket company. The plan is to leave. In January, SpaceX filed with the FCC to launch up to 1 million solar-powered data center satellites into orbit. In February it bought xAI, the maker of Grok, folding an entire frontier AI lab into a rocket company in the largest corporate merger ever recorded. On June 8 it unveiled the AI1, a compute satellite with a 70-meter wingspan, wider than a Boeing 747, powered by the sun, cooled by the vacuum of space, and wired to the ground through Starlink. Four days later it went public in the largest IPO in history, near 1.77 trillion dollars, touched 2.1 trillion on its first day, raised close to 86 billion, and made one man the first trillionaire alive. Now read the direction of that merger, because it is the whole story. A rocket company bought the AI lab. Not the reverse. For three years everyone assumed the constraint on AI was chips, or data, or talent. It is none of them anymore. It is energy and heat and dirt. The head of Anthropic said his company grew faster than the exponential, 80 times in a single year, and that is exactly why it ran out of compute. The answer was not to build more data centers in Virginia. It was to leave the atmosphere, where the sun never sets and a solar panel does five times the work. The moat in artificial intelligence is no longer the model. It is the launch. And the first rent is already being paid. A rival lab, Anthropic, is reported to be sending roughly 1.25 billion dollars a month to Musk for compute. Google near 920 million. If intelligence moves to orbit, the company that owns the only affordable road there becomes the landlord of the next layer of the internet, the way one bookstore became the landlord of the cloud. The merger is the proof of concept. The IPO is the war chest. Those monthly checks are the lease. Here is the part the price tag does not want you to read. Close to a trillion dollars of that valuation rests on orbital data centers that do not yet exist, and on a chip factory, Terafab, that SpaceX's own public filing calls a general framework with no binding deal, one that may not achieve commercial viability. Musk said it on camera. This is not a promise. The largest IPO ever written is priced on a future the filing itself cannot verify. The other side is just as real. Compute in orbit costs about four times what it costs on the ground today, and the curve may not cross for fifteen years. The machines that print the chips are backordered for years. Shedding heat in a vacuum at this scale has never been done. Musk's timelines have a long history of meaning later. And Bezos is racing the same orbit with a constellation of 51,600 satellites of his own. But strip it all away and the trade underneath is one sentence. Earth has run out of room for intelligence, and whoever owns the road off the planet owns whatever gets built next. Call it the most expensive science fiction ever sold, or the first time the map of the internet pointed up.
0:10

AI just hit a wall that no amount of money can move. The planet itself. There is not enough power, water, or land on Earth to build the data centers the AI race now demands. So the most valuable bet in artificial intelligence is no longer a chip company or a model. It is a rocket company. The plan is to leave. In January, SpaceX filed with the FCC to launch up to 1 million solar-powered data center satellites into orbit. In February it bought xAI, the maker of Grok, folding an entire frontier AI lab into a rocket company in the largest corporate merger ever recorded. On June 8 it unveiled the AI1, a compute satellite with a 70-meter wingspan, wider than a Boeing 747, powered by the sun, cooled by the vacuum of space, and wired to the ground through Starlink. Four days later it went public in the largest IPO in history, near 1.77 trillion dollars, touched 2.1 trillion on its first day, raised close to 86 billion, and made one man the first trillionaire alive. Now read the direction of that merger, because it is the whole story. A rocket company bought the AI lab. Not the reverse. For three years everyone assumed the constraint on AI was chips, or data, or talent. It is none of them anymore. It is energy and heat and dirt. The head of Anthropic said his company grew faster than the exponential, 80 times in a single year, and that is exactly why it ran out of compute. The answer was not to build more data centers in Virginia. It was to leave the atmosphere, where the sun never sets and a solar panel does five times the work. The moat in artificial intelligence is no longer the model. It is the launch. And the first rent is already being paid. A rival lab, Anthropic, is reported to be sending roughly 1.25 billion dollars a month to Musk for compute. Google near 920 million. If intelligence moves to orbit, the company that owns the only affordable road there becomes the landlord of the next layer of the internet, the way one bookstore became the landlord of the cloud. The merger is the proof of concept. The IPO is the war chest. Those monthly checks are the lease. Here is the part the price tag does not want you to read. Close to a trillion dollars of that valuation rests on orbital data centers that do not yet exist, and on a chip factory, Terafab, that SpaceX's own public filing calls a general framework with no binding deal, one that may not achieve commercial viability. Musk said it on camera. This is not a promise. The largest IPO ever written is priced on a future the filing itself cannot verify. The other side is just as real. Compute in orbit costs about four times what it costs on the ground today, and the curve may not cross for fifteen years. The machines that print the chips are backordered for years. Shedding heat in a vacuum at this scale has never been done. Musk's timelines have a long history of meaning later. And Bezos is racing the same orbit with a constellation of 51,600 satellites of his own. But strip it all away and the trade underneath is one sentence. Earth has run out of room for intelligence, and whoever owns the road off the planet owns whatever gets built next. Call it the most expensive science fiction ever sold, or the first time the map of the internet pointed up.

Shanaka Anslem Perera ⚡

54,394 просмотров • 1 месяц назад

They say “America has no culture” and what they mean is that the Constitution and Bill of Rights, English common law, the language itself, Thanksgiving and the 4th of July, the nuclear family, the work ethic, rock n roll, country, plus every innovation that turned this place into the world’s superpower don’t count as real culture. It’s just “whiteness,” this blank or oppressive thing that exists only to be critiqued and replaced. And this line has become so dominant, so institutionalized in schools, media, HR departments, and elite culture that it’s now the standard water everybody swims in. Most people don’t even clock it anymore because it’s treated like obvious truth instead of the radical self-erasure project it actually is. But this isn’t a good faith argument at all, and it carries clear ulterior motives to justify the erasure of America’s historic core and the people who built it. Because once you get Americans to accept that their culture is either nonexistent or evil, then mass demographic change, open borders, and tearing down the old traditions suddenly look like moral progress instead of an existential attack on everything that made the country function in the first place. The reality though is that America has one of the strongest and most distinctive cultures on earth, forged from Western and Christian roots and supercharged by liberty and merit. And the World Cup visitors are reminding us of exactly that right now. Germans are going viral saying if you want to hate America watch the news but drive through it and meet the actual people. Europeans are shocked by how genuinely warm, friendly, and generous Americans are in real life and can’t stop talking about the hospitality and customer service. Japanese fans are writing poetry about unlimited free chips and salsa, while others are losing it over Texas brisket, ranch dressing on everything, Waffle House at 2 am, Buc-ee’s, the ridiculous size of Walmart, and free drink refills that never end. These outsiders are cutting straight through the institutionalized narrative and showing us what we’ve been gaslit into taking for granted, and that is an abundant, open, high trust, high energy culture that actually works. Americans built it, they live it every day, and they are not apologizing for it or handing it over.
0:19

They say “America has no culture” and what they mean is that the Constitution and Bill of Rights, English common law, the language itself, Thanksgiving and the 4th of July, the nuclear family, the work ethic, rock n roll, country, plus every innovation that turned this place into the world’s superpower don’t count as real culture. It’s just “whiteness,” this blank or oppressive thing that exists only to be critiqued and replaced. And this line has become so dominant, so institutionalized in schools, media, HR departments, and elite culture that it’s now the standard water everybody swims in. Most people don’t even clock it anymore because it’s treated like obvious truth instead of the radical self-erasure project it actually is. But this isn’t a good faith argument at all, and it carries clear ulterior motives to justify the erasure of America’s historic core and the people who built it. Because once you get Americans to accept that their culture is either nonexistent or evil, then mass demographic change, open borders, and tearing down the old traditions suddenly look like moral progress instead of an existential attack on everything that made the country function in the first place. The reality though is that America has one of the strongest and most distinctive cultures on earth, forged from Western and Christian roots and supercharged by liberty and merit. And the World Cup visitors are reminding us of exactly that right now. Germans are going viral saying if you want to hate America watch the news but drive through it and meet the actual people. Europeans are shocked by how genuinely warm, friendly, and generous Americans are in real life and can’t stop talking about the hospitality and customer service. Japanese fans are writing poetry about unlimited free chips and salsa, while others are losing it over Texas brisket, ranch dressing on everything, Waffle House at 2 am, Buc-ee’s, the ridiculous size of Walmart, and free drink refills that never end. These outsiders are cutting straight through the institutionalized narrative and showing us what we’ve been gaslit into taking for granted, and that is an abundant, open, high trust, high energy culture that actually works. Americans built it, they live it every day, and they are not apologizing for it or handing it over.

Rothmus 🏴

84,991 просмотров • 1 месяц назад