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🎣 Make every cast count! The motorized Robot Swimming Lure mimics real fish movement to attract more strikes, while non-motorized styles create lifelike action with a simple retrieve. Realistic design, rechargeable motor, and proven fish-catching performance. Get yours today!

Zynelia

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705,151 views • 2 months ago •via X (Twitter)

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This girl catching a fish might be the best thing you see today. She’s out there on the bank, pole in hand, focused like a true American kid doin’ what kids are supposed to do, gettin’ dirty, learnin’ patience, and livin’ that real life. Then… boom. Fish on. You hear her little voice light up, “I got fish!” and watch her battle that thing with everything she’s got while Dad’s right there guidin’ her. The second that fish comes out of the water and she lets out that victory scream? Pure gold. That’s the sound of childhood done right. No tablets. No filters. No nonsense. Just a little girl, a muddy pond, and a memory she’ll carry forever. This is what we fight for, fellas. These moments. These simple American joys. Raising tough, happy kids who know how to bait a hook and celebrate a win. Proud Papa Bear approved. Pass it on.

This girl catching a fish might be the best thing you see today. She’s out there on the bank, pole in hand, focused like a true American kid doin’ what kids are supposed to do, gettin’ dirty, learnin’ patience, and livin’ that real life. Then… boom. Fish on. You hear her little voice light up, “I got fish!” and watch her battle that thing with everything she’s got while Dad’s right there guidin’ her. The second that fish comes out of the water and she lets out that victory scream? Pure gold. That’s the sound of childhood done right. No tablets. No filters. No nonsense. Just a little girl, a muddy pond, and a memory she’ll carry forever. This is what we fight for, fellas. These moments. These simple American joys. Raising tough, happy kids who know how to bait a hook and celebrate a win. Proud Papa Bear approved. Pass it on.

AmericanPapaBear™

43,977 views • 3 months ago

Hello everyone. I've been working every day on my port of Mega Man II SNES 16-BIT. I'd like to showcase the following video, what I have to do in order for the giant BG fish in Bubble Man's stage, to disappear in 16-BIT mode. I like how in Mega Man X, a defeated enemy will have it's image fluctuate from being present on the screen, to not being present on the screen during it's destruction, this happens every other frame. I needed to do something like that in my situation, since I'm using multiple BG layers, and if I simply do what the original 1988 version does, a simple palette fade to blue like the water, the bg image of the fish will still be present. So I've had to create alot of custom asm for the destruction, and non drawing, of the defeated giant bg fish. 1: create new death sequence by modifying the tilemap where the giant fish is located, and alternate it's tileset via a DMA buffer with it's tiles in 1 frame, and blank tiles in another frame 2: at the end of the death sequence, create a flag in ram indicating one of the bg giant fish (there are 2) has been defeated 3: modify the games level construction engine, to read against defeated fish flag to see if it's set, if not, allow the original 16x16 blocks to be drawn, it set, bypass the original 16x16 blocks for bg giant fish and replace with a blank 16x16 block 4: clear defeated bg fish flags when you get a game over, or when bubble man is defeated All of that I've had to code, just for that, heh.

Hello everyone. I've been working every day on my port of Mega Man II SNES 16-BIT. I'd like to showcase the following video, what I have to do in order for the giant BG fish in Bubble Man's stage, to disappear in 16-BIT mode. I like how in Mega Man X, a defeated enemy will have it's image fluctuate from being present on the screen, to not being present on the screen during it's destruction, this happens every other frame. I needed to do something like that in my situation, since I'm using multiple BG layers, and if I simply do what the original 1988 version does, a simple palette fade to blue like the water, the bg image of the fish will still be present. So I've had to create alot of custom asm for the destruction, and non drawing, of the defeated giant bg fish. 1: create new death sequence by modifying the tilemap where the giant fish is located, and alternate it's tileset via a DMA buffer with it's tiles in 1 frame, and blank tiles in another frame 2: at the end of the death sequence, create a flag in ram indicating one of the bg giant fish (there are 2) has been defeated 3: modify the games level construction engine, to read against defeated fish flag to see if it's set, if not, allow the original 16x16 blocks to be drawn, it set, bypass the original 16x16 blocks for bg giant fish and replace with a blank 16x16 block 4: clear defeated bg fish flags when you get a game over, or when bubble man is defeated All of that I've had to code, just for that, heh.

infidelity

24,553 views • 2 months ago

It’s time to shake up government! 💥 And we are starting here in Lincolnshire! We’re bringing in KPIs, targets and real-time performance tracking to make every level of our combined authority run like a business. No more waste, no more excuses – just results and accountability. If you’re an AI innovator ready to help us deliver a lean, mean, business-focused environment that manages and monitors individual and the authorities performance with KPIs in real time, get in touch today! 🚀 #Efficiency

It’s time to shake up government! 💥 And we are starting here in Lincolnshire! We’re bringing in KPIs, targets and real-time performance tracking to make every level of our combined authority run like a business. No more waste, no more excuses – just results and accountability. If you’re an AI innovator ready to help us deliver a lean, mean, business-focused environment that manages and monitors individual and the authorities performance with KPIs in real time, get in touch today! 🚀 #Efficiency

Dame Andrea Jenkyns DBE 🇬🇧

25,095 views • 8 months ago

19-year-old prints $12,000 a month with 100% AI UGC that looks completely real. He went from generic clips to hyper-realistic videos that convert like crazy. Every shot starts in GPT Image 2 with iPhone-style keywords. Then C-Design 2.0 brings them to life with natural speech and movement. No more sloppy AI. No more separate tools. Make UGC combines everything - top models for every purpose, one seamless workflow. This is how creators build scroll-stopping content in 2026. The future isn’t coming. It’s already printing money.

19-year-old prints $12,000 a month with 100% AI UGC that looks completely real. He went from generic clips to hyper-realistic videos that convert like crazy. Every shot starts in GPT Image 2 with iPhone-style keywords. Then C-Design 2.0 brings them to life with natural speech and movement. No more sloppy AI. No more separate tools. Make UGC combines everything - top models for every purpose, one seamless workflow. This is how creators build scroll-stopping content in 2026. The future isn’t coming. It’s already printing money.

Rugikk

195,092 views • 2 months ago

China unveils humanoid robot with lifelike skin and blinking eyes built for daily life | Prabhat Ranjan Mishra, Interesting Engineering Large Language Models (LLMs) and Vision-Language Models (VLMs) help process and interpret complex data from human interactions. A Shanghai-based company has developed humanoid robots that appear as real as humans. The advanced bionic humanoid robot is integrated with self-supervised AI algorithms. Named Elf V1, the robot can perceive the world, communicate, learn, and interact intelligently with its surroundings. Developed by AheadForm Technology, the robot offers up to 30 degrees of freedom, powered by a precise control system and an advanced AI learning algorithm. Robot offers expressive facial features The robot offers expressive facial features, moving eyes, and synchronized speech. It can also convey emotions and understand human non-verbal cues, making interactions more natural and engaging. The robot has highly interactive capabilities and lifelike appearances. AheadForm expects that its robots could soon seamlessly integrate into daily life, providing assistance, companionship, and support across various industries. “We believe that by developing realistic and expressive robot heads, we can bridge the gap between humans and machines, fostering a new era of interactive and intelligent robotics,” said the company in a statement. Reports revealed that to avoid the “uncanny valley” effect and be able to interact with us, they are given lifelike skin and capabilities to read our emotions and respond appropriately using dynamic expression simulation and emotion generation tech. Bionic skin and high-precision control system The Elf V1 series of humanoids features 30 facial muscles animated by brushless micro-motors and managed by a high-precision control system. Paired with an ability to detect their users’ emotions with low latency and bionic skin, their facial expressions are nearly identical to those of humans, reported CGTN. The company claims it’s pioneering the development of realistic humanoid robots designed to revolutionize human-robot interaction. It’s enhancing sophisticated humanoid robot heads that can express emotions, perceive their environment, and interact seamlessly with humans. By combining cutting-edge AI and advanced robotics, AheadForm aims to bring life to machines and transform how humans engage with technology. AI models boost robots’ responsiveness Seamless integration of Large Language Models (LLMs) and Vision-Language Models (VLMs) into the humanoid robots can help them process and interpret complex data from human interactions, enabling the robot to learn and adapt in real-time, achieving human-level understanding and responsiveness. AheadForm uses Brushless Motors that deliver ultra-quiet operation and high responsiveness, specifically designed for precision facial movements in humanoid robots. With its compact size, lightweight design, and energy efficiency, this motor is the ideal choice for next-generation robots that require precise, subtle facial control to create a truly human-like experience. Previously, the company unveiled the Lan Series that features realistic humanoid robots with soft skin and 10 degrees of freedom, offering a lifelike appearance and intuitive movements. This series is designed for cost-efficiency, for applications prioritizing mobility and manipulation.

China unveils humanoid robot with lifelike skin and blinking eyes built for daily life | Prabhat Ranjan Mishra, Interesting Engineering Large Language Models (LLMs) and Vision-Language Models (VLMs) help process and interpret complex data from human interactions. A Shanghai-based company has developed humanoid robots that appear as real as humans. The advanced bionic humanoid robot is integrated with self-supervised AI algorithms. Named Elf V1, the robot can perceive the world, communicate, learn, and interact intelligently with its surroundings. Developed by AheadForm Technology, the robot offers up to 30 degrees of freedom, powered by a precise control system and an advanced AI learning algorithm. Robot offers expressive facial features The robot offers expressive facial features, moving eyes, and synchronized speech. It can also convey emotions and understand human non-verbal cues, making interactions more natural and engaging. The robot has highly interactive capabilities and lifelike appearances. AheadForm expects that its robots could soon seamlessly integrate into daily life, providing assistance, companionship, and support across various industries. “We believe that by developing realistic and expressive robot heads, we can bridge the gap between humans and machines, fostering a new era of interactive and intelligent robotics,” said the company in a statement. Reports revealed that to avoid the “uncanny valley” effect and be able to interact with us, they are given lifelike skin and capabilities to read our emotions and respond appropriately using dynamic expression simulation and emotion generation tech. Bionic skin and high-precision control system The Elf V1 series of humanoids features 30 facial muscles animated by brushless micro-motors and managed by a high-precision control system. Paired with an ability to detect their users’ emotions with low latency and bionic skin, their facial expressions are nearly identical to those of humans, reported CGTN. The company claims it’s pioneering the development of realistic humanoid robots designed to revolutionize human-robot interaction. It’s enhancing sophisticated humanoid robot heads that can express emotions, perceive their environment, and interact seamlessly with humans. By combining cutting-edge AI and advanced robotics, AheadForm aims to bring life to machines and transform how humans engage with technology. AI models boost robots’ responsiveness Seamless integration of Large Language Models (LLMs) and Vision-Language Models (VLMs) into the humanoid robots can help them process and interpret complex data from human interactions, enabling the robot to learn and adapt in real-time, achieving human-level understanding and responsiveness. AheadForm uses Brushless Motors that deliver ultra-quiet operation and high responsiveness, specifically designed for precision facial movements in humanoid robots. With its compact size, lightweight design, and energy efficiency, this motor is the ideal choice for next-generation robots that require precise, subtle facial control to create a truly human-like experience. Previously, the company unveiled the Lan Series that features realistic humanoid robots with soft skin and 10 degrees of freedom, offering a lifelike appearance and intuitive movements. This series is designed for cost-efficiency, for applications prioritizing mobility and manipulation.

Owen Gregorian

179,005 views • 10 months ago

Make your Figma designs more realistic with this simple plugin One thing I always prioritize in my Figma designs is realism— I love to make every design feel like the final product of cos while considering actual user feedback and making sure every detail aligns with how real people would interact with the app after production. But if you’ve ever presented a prototype, you’ve probably heard some funny questions like: ❓ “Why do all the thumbnails have the same image?” ❓ “Why is every name just ‘User’s Name’ or ‘Person’s Name’?” That’s when I discovered the Content Reel plugin in Figma. Instead of manually searching for different images on Unsplash or filling in placeholder names, this plugin lets me generate realistic profile images, names, and other content in seconds. Since then, I’ve cut down on unnecessary design tweaks and saved a ton of time. If you haven’t used it yet, add it to your Figma collection—you’ll thank me later! #UXDesign #UIDesign #Figmatutorial #Figmaplugin

designwithkingsley

41,961 views • 1 year ago

70% of Indians don’t get enough fibre. We talk about protein all the time, but fibre is the nutrient we often forget. And unlike protein, fibre doesn’t come from animal foods like chicken, fish, paneer, or milk. Fibre comes only from plant foods. Fibre helps with digestion, keeps you fuller for longer, and can help manage blood sugar spikes. So I created this Fibre Board as a simple reminder to add fibre-rich foods to your diet and consume 25-30g of fibre every day. Share this video and help me spread the Fibre Board Movement to every school, college, and office in India. Let’s Make India Healthy Again!

70% of Indians don’t get enough fibre. We talk about protein all the time, but fibre is the nutrient we often forget. And unlike protein, fibre doesn’t come from animal foods like chicken, fish, paneer, or milk. Fibre comes only from plant foods. Fibre helps with digestion, keeps you fuller for longer, and can help manage blood sugar spikes. So I created this Fibre Board as a simple reminder to add fibre-rich foods to your diet and consume 25-30g of fibre every day. Share this video and help me spread the Fibre Board Movement to every school, college, and office in India. Let’s Make India Healthy Again!

Revant Himatsingka “Food Pharmer”

88,463 views • 11 days ago

🌐Discover the Gen2 AI App!🌐 ⚡️App that gives you complete control over your website’s design and functionality in just a few steps. App: 🔹Customize your site easily: adjust widgets, colors, and add personal touches. 🔹Connect with your audience by linking to your social media. 🔹Design your site's look with unique fonts and button styles. 🔹Flexible blocks for forms, galleries, and more – all customizable. 🔹AI-Generated Templates – Get a website in seconds, then make it yours. 🔹Track Performance with detailed stats to enhance visitor engagement. Join our social media channels: Telegram: Website: Start now with GEN2AI for a website that's uniquely you! #Gen2 #Innovation #Technology #AI #MobileApp

🌐Discover the Gen2 AI App!🌐 ⚡️App that gives you complete control over your website’s design and functionality in just a few steps. App: 🔹Customize your site easily: adjust widgets, colors, and add personal touches. 🔹Connect with your audience by linking to your social media. 🔹Design your site's look with unique fonts and button styles. 🔹Flexible blocks for forms, galleries, and more – all customizable. 🔹AI-Generated Templates – Get a website in seconds, then make it yours. 🔹Track Performance with detailed stats to enhance visitor engagement. Join our social media channels: Telegram: Website: Start now with GEN2AI for a website that's uniquely you! #Gen2 #Innovation #Technology #AI #MobileApp

GEN2AI⚡️

184,754 views • 1 year ago

This is the Scorpion Hexapod, a six-legged robotic scorpion created at Ghent University UGent Campus Kortrijk in Belgium. It was built by students Stephan Flamand Robbe Terryn and Pieterjan Deconinck as part of an Embedded Prototyping / Mechatronics Design project. What it is • A biomimetic robot inspired by the body and movement of a real scorpion • A hexapod, meaning it walks on six legs • A university prototype, not a commercial robot • Built to test animal-inspired movement, sensors and interactive behavior • Designed more for robotics research and education than real-world work Main hardware • 6 walking legs for crawling movement • 2 front claws for the scorpion look • Moving tail with a stinger-style mechanism • Sensors in the body, legs and claws • Arduino-based electronics for control • Front camera and proximity sensing • Battery pack for mobile operation • 3D-printed modules for legs and tail • Laser-cut ABS body parts • Thermoformed shell for the white outer body What it can do • Walk across the floor using its six legs • Move its tail like a real scorpion • React when a person gets close • Detect when someone covers its front sensors • Strike with its tail in the demo • Leave a red mark using a marker pen attached to the stinger • Operate through remote control • Perform some simple autonomous reactions Why it was created • To explore bio-inspired robotics • To show how digital fabrication can produce complex moving robots • To combine 3D printing, laser cutting, Arduino electronics and sensors • To teach students how to design a complete mechatronic system • To improve on an older robotic ant project that had weak autonomy, short battery life and motor problems • To create an interactive robot that reacts to humans in a visible way Important note • It was not built for combat • It was not made for industrial deployment • It is not a military robot • It is an educational robotics prototype made to demonstrate movement, sensing and interaction

This is the Scorpion Hexapod, a six-legged robotic scorpion created at Ghent University UGent Campus Kortrijk in Belgium. It was built by students Stephan Flamand Robbe Terryn and Pieterjan Deconinck as part of an Embedded Prototyping / Mechatronics Design project. What it is • A biomimetic robot inspired by the body and movement of a real scorpion • A hexapod, meaning it walks on six legs • A university prototype, not a commercial robot • Built to test animal-inspired movement, sensors and interactive behavior • Designed more for robotics research and education than real-world work Main hardware • 6 walking legs for crawling movement • 2 front claws for the scorpion look • Moving tail with a stinger-style mechanism • Sensors in the body, legs and claws • Arduino-based electronics for control • Front camera and proximity sensing • Battery pack for mobile operation • 3D-printed modules for legs and tail • Laser-cut ABS body parts • Thermoformed shell for the white outer body What it can do • Walk across the floor using its six legs • Move its tail like a real scorpion • React when a person gets close • Detect when someone covers its front sensors • Strike with its tail in the demo • Leave a red mark using a marker pen attached to the stinger • Operate through remote control • Perform some simple autonomous reactions Why it was created • To explore bio-inspired robotics • To show how digital fabrication can produce complex moving robots • To combine 3D printing, laser cutting, Arduino electronics and sensors • To teach students how to design a complete mechatronic system • To improve on an older robotic ant project that had weak autonomy, short battery life and motor problems • To create an interactive robot that reacts to humans in a visible way Important note • It was not built for combat • It was not made for industrial deployment • It is not a military robot • It is an educational robotics prototype made to demonstrate movement, sensing and interaction

Techniahqrobot | humanoid robots

28,176 views • 2 months ago

the real UGC industry isn't dying, it already died created this AI UGC in just a few minutes using my brand new system, from first prompt to final video > product stays in frame exactly where it should > few different people in same one video > can be adapted to any script, character, and environment > voice sounds like a real person, not a robot reading a script > movements are smooth and controlable in every shot > no time limit - make it as long as you need with this level of AI UGC, you can create and test 50x more ads than with real creators while saving $300-$500+ per video

MAX

18,229 views • 4 months ago

This tiny soy sauce fish might be one of the smartest sustainability upgrades I’ve seen in packaging lately. It looks small, but the design thinking behind it is anything but. After five years of development, Heliograf created a soy sauce container made from sugarcane bagasse that breaks down in home compost in just 6 weeks. That means a familiar single use format now has a far better ending. What makes this so strong is that it keeps the fish shaped design people already know and the squeeze function they expect. But it improves the experience with a larger 12mL capacity, solving one of the biggest annoyances of the original plastic version. The smartest part is that this is not just a material swap. Restaurants can fill the soy sauce on site, which can mean fresher product and less transport related waste. That is what good sustainable packaging looks like. It does not only reduce harm, it improves the system and the user experience at the same time. Since 2020, Heliograf has reportedly helped eliminate over 32 tonnes of ocean plastic, or about 32 million plastic soy sauce fish. That is a reminder that real change often starts with the smallest overlooked object. The bigger lesson here is simple. Sustainability is not about sacrifice, it is about smarter design choices that make the product better from start to finish. If even the tiny soy sauce fish can be redesigned this well, imagine how many other everyday plastics are ready for a better answer. Follow Paking Duck for more packaging ideas like this.

This tiny soy sauce fish might be one of the smartest sustainability upgrades I’ve seen in packaging lately. It looks small, but the design thinking behind it is anything but. After five years of development, Heliograf created a soy sauce container made from sugarcane bagasse that breaks down in home compost in just 6 weeks. That means a familiar single use format now has a far better ending. What makes this so strong is that it keeps the fish shaped design people already know and the squeeze function they expect. But it improves the experience with a larger 12mL capacity, solving one of the biggest annoyances of the original plastic version. The smartest part is that this is not just a material swap. Restaurants can fill the soy sauce on site, which can mean fresher product and less transport related waste. That is what good sustainable packaging looks like. It does not only reduce harm, it improves the system and the user experience at the same time. Since 2020, Heliograf has reportedly helped eliminate over 32 tonnes of ocean plastic, or about 32 million plastic soy sauce fish. That is a reminder that real change often starts with the smallest overlooked object. The bigger lesson here is simple. Sustainability is not about sacrifice, it is about smarter design choices that make the product better from start to finish. If even the tiny soy sauce fish can be redesigned this well, imagine how many other everyday plastics are ready for a better answer. Follow Paking Duck for more packaging ideas like this.

Jason Wong 🐤

1,275,730 views • 4 months ago

Made with seedance 2.5 Prompt: Create a highly cinematic, realistic action sequence inside a crowded traditional Asian wet market during heavy rain and flooding. A young Asian woman with long dark wet hair, wearing a pink waterproof rain suit and black rubber boots, runs rapidly through the narrow market aisles while trying to escape from a massive rushing wave of water behind her. The market is packed with seafood and vegetable stalls, plastic crates, fish tanks, metal counters, hanging tarps, fluorescent ceiling lights, vendors and crowds. The floor is completely flooded with ankle-to-knee-deep dirty rainwater, creating strong reflections and splashes everywhere. Water violently rushes through the market, knocking over crates and flooding the stalls. Start with a close-up tracking shot of the frightened woman looking back over her shoulder while running. Follow her with a fast handheld camera as she runs through the narrow aisle. Use dynamic low-angle shots close to the water, capturing her boots hitting the flooded floor and creating dramatic splashes. Show water crashing through the market behind her, people running in panic, overturned crates floating in the water, and objects being swept away. Use realistic physics, natural human movement, detailed wet clothing, wet hair sticking to her face, realistic water droplets, splashes, reflections and motion blur. The camera should move dynamically with fast tracking shots, low-angle shots, side tracking shots and occasional wide shots revealing the scale of the flooding. At one point, show the woman jumping over obstacles and running across a market counter/raised surface while the floodwater continues rushing behind her. Keep her appearance, hairstyle, pink outfit and facial features consistent throughout the entire sequence. Dark cinematic atmosphere, overcast rainy lighting, cool blue-gray tones mixed with warm fluorescent market lights, dramatic contrast, realistic skin texture, photorealistic environment, volumetric lighting, atmospheric mist, cinematic depth of field, subtle film grain, high-detail textures, realistic reflections and physically accurate water simulation. The sequence should feel like a high-budget survival/action movie, extremely immersive and intense, with realistic camera shake and fast-paced movement. Add large cinematic white brush-stroke typography reading “RUN” briefly across the center of the screen during the action sequence. Photorealistic, ultra-detailed, cinematic Hollywood-style action scene, realistic physics, natural motion, 4K film quality, anamorphic lens look, dynamic composition, dramatic pacing, no cartoon look, no CGI appearance, no distorted anatomy, no extra fingers, no duplicated people, no face changes.

Made with seedance 2.5 Prompt: Create a highly cinematic, realistic action sequence inside a crowded traditional Asian wet market during heavy rain and flooding. A young Asian woman with long dark wet hair, wearing a pink waterproof rain suit and black rubber boots, runs rapidly through the narrow market aisles while trying to escape from a massive rushing wave of water behind her. The market is packed with seafood and vegetable stalls, plastic crates, fish tanks, metal counters, hanging tarps, fluorescent ceiling lights, vendors and crowds. The floor is completely flooded with ankle-to-knee-deep dirty rainwater, creating strong reflections and splashes everywhere. Water violently rushes through the market, knocking over crates and flooding the stalls. Start with a close-up tracking shot of the frightened woman looking back over her shoulder while running. Follow her with a fast handheld camera as she runs through the narrow aisle. Use dynamic low-angle shots close to the water, capturing her boots hitting the flooded floor and creating dramatic splashes. Show water crashing through the market behind her, people running in panic, overturned crates floating in the water, and objects being swept away. Use realistic physics, natural human movement, detailed wet clothing, wet hair sticking to her face, realistic water droplets, splashes, reflections and motion blur. The camera should move dynamically with fast tracking shots, low-angle shots, side tracking shots and occasional wide shots revealing the scale of the flooding. At one point, show the woman jumping over obstacles and running across a market counter/raised surface while the floodwater continues rushing behind her. Keep her appearance, hairstyle, pink outfit and facial features consistent throughout the entire sequence. Dark cinematic atmosphere, overcast rainy lighting, cool blue-gray tones mixed with warm fluorescent market lights, dramatic contrast, realistic skin texture, photorealistic environment, volumetric lighting, atmospheric mist, cinematic depth of field, subtle film grain, high-detail textures, realistic reflections and physically accurate water simulation. The sequence should feel like a high-budget survival/action movie, extremely immersive and intense, with realistic camera shake and fast-paced movement. Add large cinematic white brush-stroke typography reading “RUN” briefly across the center of the screen during the action sequence. Photorealistic, ultra-detailed, cinematic Hollywood-style action scene, realistic physics, natural motion, 4K film quality, anamorphic lens look, dynamic composition, dramatic pacing, no cartoon look, no CGI appearance, no distorted anatomy, no extra fingers, no duplicated people, no face changes.

Elisia

30,340 views • 11 days ago

Chinese robotics company Astribot released their latest World-Action Model (WAM), Lumo-2. Technical breakdown: - based on a frozen 🥶 Qwen-3.5 4B VLM - trained in 3 progressive stages: 1. Action is aligned with latent world dynamics (an abstract representation of action). Real-world actions are anchored to physical constraints, while the latent space is guided to focus on motion-relevant changes. This bidirectional relationship makes the model physically grounded -> critical for a world model. 2. Action is aligned with vision and language. Reusing the vision backbone and action encoder from the frozen VLM, the authors add a custom vocabulary (for new actions), a semantic module, an action decoder, and an action projector. This aligns the (new) action representations with the (existing) vision-language semantic space. Most importantly: it builds a direct mapping from natural-language instructions to motor execution. 3. End-to-end training on language, video, and robot data. Only the new modules (everything outside the frozen backbone) are trained end-to-end across temporal reasoning, physical understanding, long-horizon, and dexterous manipulation. At the end of the day, Lumo-2 is not the best on benchmarks, but that's not the point. What's genuinely new: - a way to combine latent world modeling and action generation through progressive alignment - a physically-grounded latent dynamics space - it lifts performance on unseen objects using un-annotated human egocentric video + Vision Pro captures, no special transfer algorithm needed Why it matters: - the whole model is thin trainable adapters (semantic module, action decoder/projector) on a frozen 4B backbone (cheap) - that scale is suited for real-time embedded inference (~2.71× decode speedup, no accuracy loss) - its real moat is long-horizon execution, where the added temporal memory pays off far more than on any other task As a result, this robot can now make your latte (5x sped up video):

Chinese robotics company Astribot released their latest World-Action Model (WAM), Lumo-2. Technical breakdown: - based on a frozen 🥶 Qwen-3.5 4B VLM - trained in 3 progressive stages: 1. Action is aligned with latent world dynamics (an abstract representation of action). Real-world actions are anchored to physical constraints, while the latent space is guided to focus on motion-relevant changes. This bidirectional relationship makes the model physically grounded -> critical for a world model. 2. Action is aligned with vision and language. Reusing the vision backbone and action encoder from the frozen VLM, the authors add a custom vocabulary (for new actions), a semantic module, an action decoder, and an action projector. This aligns the (new) action representations with the (existing) vision-language semantic space. Most importantly: it builds a direct mapping from natural-language instructions to motor execution. 3. End-to-end training on language, video, and robot data. Only the new modules (everything outside the frozen backbone) are trained end-to-end across temporal reasoning, physical understanding, long-horizon, and dexterous manipulation. At the end of the day, Lumo-2 is not the best on benchmarks, but that's not the point. What's genuinely new: - a way to combine latent world modeling and action generation through progressive alignment - a physically-grounded latent dynamics space - it lifts performance on unseen objects using un-annotated human egocentric video + Vision Pro captures, no special transfer algorithm needed Why it matters: - the whole model is thin trainable adapters (semantic module, action decoder/projector) on a frozen 4B backbone (cheap) - that scale is suited for real-time embedded inference (~2.71× decode speedup, no accuracy loss) - its real moat is long-horizon execution, where the added temporal memory pays off far more than on any other task As a result, this robot can now make your latte (5x sped up video):

Léo

32,331 views • 1 month ago

🕹️ As the #vibejam organizer, I sadly can't participate But I still really really really wanted to make an FPV drone sim 😊 So I started to make it today, it has the real movement like a real drone, swerving left and right fast (with your mouse) and steering with keys WASD and Space to go up and Shift to go down, it's just a draft but you can try it here: 🚁 I love that typical VHS-ey analog video signal noise, so i tried to emulate it and of course it gets noisier the further you fly away and you lose radio signal I want to improve the look more to make it look really realistic this time, last year the plane game was fun but it didn't look realistic, this year we can try to go for more photorealistic as AI might finally be able to do it And of course I added an onboard gun and grenades you can throw off the drone Next I wanna add like more stuff to fly through like buildings and maybe some moving tanks and real enemies to shoot too A challenge is to get it to look realistic with just AI generated trees and scenery etc. I will follow the 90% AI rule and try to generate assets instead of importing them Anyway first impression is that there's been a lot of progress in AI models, they're much smarter than when we did the Vibe Jam a year ago, they still make mistakes but much less and it's easier to get your point across what you want them to build, very cool!

🕹️ As the #vibejam organizer, I sadly can't participate But I still really really really wanted to make an FPV drone sim 😊 So I started to make it today, it has the real movement like a real drone, swerving left and right fast (with your mouse) and steering with keys WASD and Space to go up and Shift to go down, it's just a draft but you can try it here: 🚁 I love that typical VHS-ey analog video signal noise, so i tried to emulate it and of course it gets noisier the further you fly away and you lose radio signal I want to improve the look more to make it look really realistic this time, last year the plane game was fun but it didn't look realistic, this year we can try to go for more photorealistic as AI might finally be able to do it And of course I added an onboard gun and grenades you can throw off the drone Next I wanna add like more stuff to fly through like buildings and maybe some moving tanks and real enemies to shoot too A challenge is to get it to look realistic with just AI generated trees and scenery etc. I will follow the 90% AI rule and try to generate assets instead of importing them Anyway first impression is that there's been a lot of progress in AI models, they're much smarter than when we did the Vibe Jam a year ago, they still make mistakes but much less and it's easier to get your point across what you want them to build, very cool!

@levelsio

73,071 views • 5 months ago

I’ve teamed up with DraftKings Sportsbook to make playoff Sundays even more exciting. Right now, every LIVE bet = 1 entry into DraftKings’ Live Millions promotion. ✨ Bet LIVE during NFL Playoff games for a share of $2.5 MILLION in prizes 👑 75,000+ winners every playoff Sunday 💥 Momentum-shifting moments, happening in real time Min. $1 live NFL Sunday bet • Min. -500 odds required Sign up with promo code: TWINS and get in on the action. All customers, bet live every NFL Playoff Sunday for a share of $2.5M in prizes each week. The Crown Is Yours. 👑 DraftKings Sportsbook DraftKings #dkpartner

I’ve teamed up with DraftKings Sportsbook to make playoff Sundays even more exciting. Right now, every LIVE bet = 1 entry into DraftKings’ Live Millions promotion. ✨ Bet LIVE during NFL Playoff games for a share of $2.5 MILLION in prizes 👑 75,000+ winners every playoff Sunday 💥 Momentum-shifting moments, happening in real time Min. $1 live NFL Sunday bet • Min. -500 odds required Sign up with promo code: TWINS and get in on the action. All customers, bet live every NFL Playoff Sunday for a share of $2.5M in prizes each week. The Crown Is Yours. 👑 DraftKings Sportsbook DraftKings #dkpartner

Nikki & Brie

17,026 views • 7 months ago

Building a house just across the street in Burnaby can cost roughly 25% less than building the same home in Vancouver. At a time when affordability is already crushing families, City Hall shouldn’t be adding more costs and delays. Today, we’re taking action to modernize Vancouver’s building rules and bring them more in line with the Province of BC. • Less red tape • Faster approvals • Lower building costs • More affordable housing Vancouver is the only city in BC with its own standalone building code — creating extra costs, delays, and complexity that ultimately get passed on to you. Our promise is simple: every decision we make should help make life more affordable for Vancouverites. Mike Klassen 麥嘉信 🇨🇦 #affordability #abcvancouver #vancouver #respectingyourtaxdollars

Building a house just across the street in Burnaby can cost roughly 25% less than building the same home in Vancouver. At a time when affordability is already crushing families, City Hall shouldn’t be adding more costs and delays. Today, we’re taking action to modernize Vancouver’s building rules and bring them more in line with the Province of BC. • Less red tape • Faster approvals • Lower building costs • More affordable housing Vancouver is the only city in BC with its own standalone building code — creating extra costs, delays, and complexity that ultimately get passed on to you. Our promise is simple: every decision we make should help make life more affordable for Vancouverites. Mike Klassen 麥嘉信 🇨🇦 #affordability #abcvancouver #vancouver #respectingyourtaxdollars

ABC Vancouver

18,676 views • 3 months ago

Curious Fox & Mountain Stream Vlog with Seedance 2.5 Prompt: Create a single continuous self-filmed vlog recorded on a handheld action camera in 16:9 aspect ratio. The camera is always held by the anthropomorphic fox, creating a natural first-person selfie perspective with light wind-induced shake, occasional soft lens flares from sunlight filtering through trees, realistic focus pulls, and dynamic walking/leaning motion. No cuts, transitions, or cinematic effects. Include a subtle realistic digital timestamp in the bottom-right corner that progresses naturally throughout the video. Visual Style: Bright modern 4K digital look with vibrant yet soft natural colors, warm late-afternoon golden sunlight mixed with dappled shade, gentle water reflections and soft mist rising from the stream, subtle water droplets or mist on the lens near the water, and crisp details on fur and leaves. Slight handheld energy but smooth enough for casual vlogging. Widescreen 16:9 framing. Character: Ember, a 24-year-old anthropomorphic red fox (bipedal, human-like proportions) with soft fluffy reddish-orange fur, white chest and muzzle, bright amber eyes, pointed ears, and a long bushy tail that sways naturally. He wears a simple light denim jacket with rolled sleeves over a soft cream t-shirt and comfortable cargo shorts. Personality: curious, warm, slightly playful and soft-spoken. Location: Starts on a wooden footbridge over a clear mountain stream in a lush temperate forest, surrounded by mossy rocks, ferns, wildflowers, and overhanging maple and pine branches. Soft green and golden foliage, clear water with gentle ripples and small fish darting below. Sequence (exactly 30 seconds, continuous take with timestamps): 0:00 – 0:05 Ember lifts the camera, smiles softly at the lens with his ears perking up, and says in a warm, slightly raspy voice: “Hey friends… you won’t believe this spot I found.” 0:05 – 0:13 He walks slowly along the wooden bridge, lowering the camera slightly to show the clear stream and small fish swimming just below the surface while continuing: “The water is so clear… I can see every little fish moving around.” 0:13 – 0:20 He crouches carefully at the edge, reaches one paw toward the water without touching it, and watches the fish dart past, laughing lightly: “They’re swimming right up to me. Hi little guys.” 0:20 – 0:26 He turns the camera to capture both his face and the stream, then sits on a flat mossy rock at the water’s edge, letting his tail curl beside him. He gazes at the water for a few seconds and says quietly: “Moments like this make everything feel peaceful.” 0:26 – 0:30 He stands up, waves one paw at the camera with a gentle smile, and says: “Thanks for exploring with me. See you next time.” The camera naturally lowers a little as he walks further along the path beside the stream.

Curious Fox & Mountain Stream Vlog with Seedance 2.5 Prompt: Create a single continuous self-filmed vlog recorded on a handheld action camera in 16:9 aspect ratio. The camera is always held by the anthropomorphic fox, creating a natural first-person selfie perspective with light wind-induced shake, occasional soft lens flares from sunlight filtering through trees, realistic focus pulls, and dynamic walking/leaning motion. No cuts, transitions, or cinematic effects. Include a subtle realistic digital timestamp in the bottom-right corner that progresses naturally throughout the video. Visual Style: Bright modern 4K digital look with vibrant yet soft natural colors, warm late-afternoon golden sunlight mixed with dappled shade, gentle water reflections and soft mist rising from the stream, subtle water droplets or mist on the lens near the water, and crisp details on fur and leaves. Slight handheld energy but smooth enough for casual vlogging. Widescreen 16:9 framing. Character: Ember, a 24-year-old anthropomorphic red fox (bipedal, human-like proportions) with soft fluffy reddish-orange fur, white chest and muzzle, bright amber eyes, pointed ears, and a long bushy tail that sways naturally. He wears a simple light denim jacket with rolled sleeves over a soft cream t-shirt and comfortable cargo shorts. Personality: curious, warm, slightly playful and soft-spoken. Location: Starts on a wooden footbridge over a clear mountain stream in a lush temperate forest, surrounded by mossy rocks, ferns, wildflowers, and overhanging maple and pine branches. Soft green and golden foliage, clear water with gentle ripples and small fish darting below. Sequence (exactly 30 seconds, continuous take with timestamps): 0:00 – 0:05 Ember lifts the camera, smiles softly at the lens with his ears perking up, and says in a warm, slightly raspy voice: “Hey friends… you won’t believe this spot I found.” 0:05 – 0:13 He walks slowly along the wooden bridge, lowering the camera slightly to show the clear stream and small fish swimming just below the surface while continuing: “The water is so clear… I can see every little fish moving around.” 0:13 – 0:20 He crouches carefully at the edge, reaches one paw toward the water without touching it, and watches the fish dart past, laughing lightly: “They’re swimming right up to me. Hi little guys.” 0:20 – 0:26 He turns the camera to capture both his face and the stream, then sits on a flat mossy rock at the water’s edge, letting his tail curl beside him. He gazes at the water for a few seconds and says quietly: “Moments like this make everything feel peaceful.” 0:26 – 0:30 He stands up, waves one paw at the camera with a gentle smile, and says: “Thanks for exploring with me. See you next time.” The camera naturally lowers a little as he walks further along the path beside the stream.

Mr Das

22,488 views • 14 days ago

Every morning the Kaluku orphans head out into the bush with their Keepers – and this is where the real learning happens. Out here the babies learn which greens to eat, how to use a mud bath, how to socialise, and how to have fun! Leading the charge today: Believe it or not, it's Bungalu! Close behind is Kaikai – who likes to think she runs the show – and, more often than not, she does! These two make a wonderfully odd couple: Bungalu is slow and steady, while Kaikai is a bundle of boundless energy. Get a flavour of life at Kaluku in our Keepers' Diaries:

Every morning the Kaluku orphans head out into the bush with their Keepers – and this is where the real learning happens. Out here the babies learn which greens to eat, how to use a mud bath, how to socialise, and how to have fun! Leading the charge today: Believe it or not, it's Bungalu! Close behind is Kaikai – who likes to think she runs the show – and, more often than not, she does! These two make a wonderfully odd couple: Bungalu is slow and steady, while Kaikai is a bundle of boundless energy. Get a flavour of life at Kaluku in our Keepers' Diaries:

Sheldrick Wildlife Trust

20,499 views • 1 month ago

Turns out every viral robot demo you've seen was... staged. The backflips, the coffee, the laundry-folding — the robot got handed the answers before the test. Jagdeep Singh says the whole industry's obsession with VLA models is lighting money on fire. You may know my guest as a CEO took QuantumScape public and built Infinera before that, betting against the "impossible" physics twice and proven right each time. Now he's taking another huge swing in Physical AI. The bet everyone else is making: pay humans to tele-operate robots through a task thousands of times, then train on the footage. Jagdeep calls this a dead end. "A drop in the bucket" next to what a robot actually needs to understand the physics of our world. Rhoda AI's approach is revolutionary, training on internet video instead. Turns out 80% of the internet is video, more than enough to teach a model how the physical world really moves. The payoff is that while the the teleoperation crowd burns 70,000 hours of data, some claim 500,000, Rhoda gets a robot doing real factory work on 10 to 20 hours. Proven fact. We're staring down labor shortages in every dirty, dangerous corner of the economy. Turns out the problem was never the robot. It was the number of hours it took to make one useful. Thrilled to be an investor in Jagdeep and Rhoda alongside great investors like Vinod Khosla and Navin Chaddha. New CLIMB is live below and linked in comments 👇

Turns out every viral robot demo you've seen was... staged. The backflips, the coffee, the laundry-folding — the robot got handed the answers before the test. Jagdeep Singh says the whole industry's obsession with VLA models is lighting money on fire. You may know my guest as a CEO took QuantumScape public and built Infinera before that, betting against the "impossible" physics twice and proven right each time. Now he's taking another huge swing in Physical AI. The bet everyone else is making: pay humans to tele-operate robots through a task thousands of times, then train on the footage. Jagdeep calls this a dead end. "A drop in the bucket" next to what a robot actually needs to understand the physics of our world. Rhoda AI's approach is revolutionary, training on internet video instead. Turns out 80% of the internet is video, more than enough to teach a model how the physical world really moves. The payoff is that while the the teleoperation crowd burns 70,000 hours of data, some claim 500,000, Rhoda gets a robot doing real factory work on 10 to 20 hours. Proven fact. We're staring down labor shortages in every dirty, dangerous corner of the economy. Turns out the problem was never the robot. It was the number of hours it took to make one useful. Thrilled to be an investor in Jagdeep and Rhoda alongside great investors like Vinod Khosla and Navin Chaddha. New CLIMB is live below and linked in comments 👇

Jay Kapoor

40,462 views • 3 months ago

What a Day for the people of Ol Kalou! The people of Ol Kalou deserve development, and that is exactly what they are getting this time. While some are busy talking about speed boats and exchanging IDs, we are on the ground delivering projects that will change lives for generations. The Last Mile Electrification Project is now underway at Kambi Minyore village, Ol Kalou Constituency where 96 households will soon be connected to the national grid. Combined with the improved access roads, this investment will open up the area for business, improve education and healthcare, and help farmers move their produce to market with ease. Those who thought these communities would continue surviving on endless promises can now see the work taking place with their own eyes. At Gwa Kiongo Dam, we launched transformative Blue Economy and irrigation programmes that are turning the dam into a source of jobs and income. More than 80 fisherfolk received 15,000 quality fish fingerlings, fish cages, fishing boats, fish feeds, and safety gear to begin commercial fish farming. We also commissioned solar-powered irrigation pumps that will support year-round farming and higher food production. Those dismissing these interventions as politics should explain to our youth why they oppose projects that create jobs and put money into people's pockets. The inspection of the Mirangine Dam Irrigation Project showed the scale of what is coming. Once complete, the project will irrigate 500 acres in two phases, benefit over 1,000 farmers, and support up to three cropping seasons every year. We also distributed 20,000 fish fingerlings as part of the wider plan to expand aquaculture. The people of Ol Kalou and Nyandarua at large can see the difference and have understood that development is no longer a campaign slogan it is happening now, and no amount of noise will stop the transformation reaching our villages. Those who have nothing to offer will always try to discredit development because they cannot compete with results. It is important to elect a leader who can open more doors for our people and ensure every village gets its fair share of development. That is why Ol Kalou needs a leader who knows how to bring development home. Electing Muchina as your Member of Parliament means choosing a leader who will work closely with the Government to attract more roads, electricity, irrigation, water projects, youth empowerment programmes, and investments that improve people's lives. Other leaders present included Principal Secretary Alex Wachira (State Department for Energy), Principal Secretary Betsy Muthoni Njagi (State Department for Blue Economy and Fisheries), and Principal Secretary Ephantus Kimotho (State Department for Irrigation).

What a Day for the people of Ol Kalou! The people of Ol Kalou deserve development, and that is exactly what they are getting this time. While some are busy talking about speed boats and exchanging IDs, we are on the ground delivering projects that will change lives for generations. The Last Mile Electrification Project is now underway at Kambi Minyore village, Ol Kalou Constituency where 96 households will soon be connected to the national grid. Combined with the improved access roads, this investment will open up the area for business, improve education and healthcare, and help farmers move their produce to market with ease. Those who thought these communities would continue surviving on endless promises can now see the work taking place with their own eyes. At Gwa Kiongo Dam, we launched transformative Blue Economy and irrigation programmes that are turning the dam into a source of jobs and income. More than 80 fisherfolk received 15,000 quality fish fingerlings, fish cages, fishing boats, fish feeds, and safety gear to begin commercial fish farming. We also commissioned solar-powered irrigation pumps that will support year-round farming and higher food production. Those dismissing these interventions as politics should explain to our youth why they oppose projects that create jobs and put money into people's pockets. The inspection of the Mirangine Dam Irrigation Project showed the scale of what is coming. Once complete, the project will irrigate 500 acres in two phases, benefit over 1,000 farmers, and support up to three cropping seasons every year. We also distributed 20,000 fish fingerlings as part of the wider plan to expand aquaculture. The people of Ol Kalou and Nyandarua at large can see the difference and have understood that development is no longer a campaign slogan it is happening now, and no amount of noise will stop the transformation reaching our villages. Those who have nothing to offer will always try to discredit development because they cannot compete with results. It is important to elect a leader who can open more doors for our people and ensure every village gets its fair share of development. That is why Ol Kalou needs a leader who knows how to bring development home. Electing Muchina as your Member of Parliament means choosing a leader who will work closely with the Government to attract more roads, electricity, irrigation, water projects, youth empowerment programmes, and investments that improve people's lives. Other leaders present included Principal Secretary Alex Wachira (State Department for Energy), Principal Secretary Betsy Muthoni Njagi (State Department for Blue Economy and Fisheries), and Principal Secretary Ephantus Kimotho (State Department for Irrigation).

Hon.Moses Kuria,HSC

15,372 views • 1 month ago