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Mandy gets fed up with being treated like she does nothing, leading to a hilarious family showdown. Audrey blames Jim, Jim defends himself, and chaos naturally follows. Mrs. Audrey is a character all on her own ngl 😆 . Georgie and Mandy's first marriage 🎦🍿

38,860 Aufrufe • vor 1 Monat •via X (Twitter)

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Audrey Hepburn’s philosophy on aging in her own words. “She deliberately looked different from other women and dramatised her own slenderness into her chief asset” ― Edith Head (Chief costume designer at Paramount) Since her debut in Roman Holiday, Audrey rejected Hollywood’s standards of beauty. At a time when Marilyn Monroe was considered the ultimate sex symbol: blonde hair, hourglass figure, and exuding sex appeal, Audrey, unwittingly, ushered in a new era femininity. Despite her own personal insecurities, which she had been more than candid about —her thinness, her small chest, the size of her nose, her crooked teeth, and large feet — Audrey learned to embrace her limitations and emphasise her flaws. With the help of her friend and French couturier, Hubert de Givenchy, together the two created “The Audrey Hepburn Look”. Instead of hiding or minimising her small waist, long neck, and ballerina posture, they dramatised it with the help of his designs and Audrey’s model figure. Her makeup artists would overdraw her eyebrows to exaggerate their fullness and emphasise her famous doe eyes. The idea was to learn to accept your imperfections as oppose to camouflaging them. In her later years, she embraced aging with the same principles. Having survived WWII, Audrey knew that getting older was a privilege, “I decided ages ago to like life unconditionally. I’ve never expected life to do anything special for me, yet I’ve accomplished more than I ever hoped for.” When she was asked to do interviews or engagements in her 50s and 60s she would do her own hair and makeup, “for myself, I never put on makeup base, never powder. I just make up my eyes, and then in the winter, if I’m feeling a bit green, I’ll use a little rouge. That’s it.” Although, we may remember Audrey as the epitome of beauty and a fashion icon, for Audrey attractiveness was about one’s character. It was an extension of one’s individuality and an expression of creativity. True beauty wasn’t defined by our outer appearance but by one’s humility, grace, and kindness. In her final years, she divided her time between her family and her philanthropy. As her son Luca Dotti noted, “She was actually very happy about growing older because it meant more time for herself, more time for her family, and separation from the frenzy of youth and beauty that is Hollywood.” Credit: Photos, text and video of Audrey Hepburn on The Phil Donahue Show in January 1990 courtesy of @rareaudreyhepburn

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226,439 Aufrufe • vor 7 Monaten

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 Aufrufe • vor 4 Monaten