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#ManiRatnam in Recent Interview - #KamalHaasan sir had written a full script called Amar. - So when I told him an idea and he thought that it could be a very difficult project which we can do later. - Then I asked him to give me the script. #ThugLife

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Movie Tamil

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173,422 Aufrufe • vor 1 Jahr •via X (Twitter)

Kunst#ManiRatnam#KamalHaasan#ThugLife
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"#ThugLife script was originally written by #KamalHassan titled as “Amar Hain” in which a man believed to be dead is not dead🤞. #ManiRatnam has tweaked it & developed the plot in his own style🔥" - KH
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"#ThugLife script was originally written by #KamalHassan titled as “Amar Hain” in which a man believed to be dead is not dead🤞. #ManiRatnam has tweaked it & developed the plot in his own style🔥" - KH

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#KamalHaasan in recent interview - The legend comforted him and said don't be afraid about what I'am as an actor. Do your stuff. - #SilambarasanTR said that sir you also don't take me lightly that I'am a new boy. Do your job properly. #ThugLife
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#KamalHaasan in recent interview - The legend comforted him and said don't be afraid about what I'am as an actor. Do your stuff. - #SilambarasanTR said that sir you also don't take me lightly that I'am a new boy. Do your job properly. #ThugLife

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👤: that would be great but i cant be with you pi cheolin bc the script told me to reject you... when i saw that script i felt so sad! if i can sing a song by picheolin i've made it! but i cant do that bc the script says to reject u! THIS WAS SO FUNNY AHSAJJSSJ
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👤: that would be great but i cant be with you pi cheolin bc the script told me to reject you... when i saw that script i felt so sad! if i can sing a song by picheolin i've made it! but i cant do that bc the script says to reject u! THIS WAS SO FUNNY AHSAJJSSJ

hannie ☻

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William Lustig on how Larry Cohen & he got the idea for "Maniac Cop" (1988) & how he got Bruce Campbell to star in the movie: "Larry Cohen was in New York shooting a movie – I think it starred Billy Dee Williams – and he had a falling out with the producers. So he left the project before it was finished. It was a snowy February in 1987, I’ll never forget it, and I was closing my apartment in New York. I had sublet it for a couple of years and now I was emptying it out. He calls me and says: let’s have lunch. And during that lunch the idea of 'Maniac Cop' came up. Larry asked me how come I never did a sequel to 'Maniac' (1980). And I told him I didn’t think it could be sequalized. At the time you had all these movies with COP in the title: 'Beverly Hills Cop' (1984), 'RoboCop' (1987), so Larry asked me: what about 'Maniac Cop'? So I said: Oooh, that sounds good! Then with that title and the copy line – You have the right to remain silent… forever! – but without a script or anything I started shooting the St. Patrick’s Day Parade the next month. I called Bruce and told him: Look, I’m doing a movie called 'Maniac Cop'. I’d like you to star in it. I don’t have script, but I would like for you to fly to New York and I wanna shoot some footage of you against the St. Patrick’s Day Parade. And I said: bring clothes that we can later duplicate. And that’s how it worked. While Larry wrote the script I put together the financing and everything. We shot the rest of the movie in August." (William Lustig's interview with Roel Haanen, 2019)
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William Lustig on how Larry Cohen & he got the idea for "Maniac Cop" (1988) & how he got Bruce Campbell to star in the movie: "Larry Cohen was in New York shooting a movie – I think it starred Billy Dee Williams – and he had a falling out with the producers. So he left the project before it was finished. It was a snowy February in 1987, I’ll never forget it, and I was closing my apartment in New York. I had sublet it for a couple of years and now I was emptying it out. He calls me and says: let’s have lunch. And during that lunch the idea of 'Maniac Cop' came up. Larry asked me how come I never did a sequel to 'Maniac' (1980). And I told him I didn’t think it could be sequalized. At the time you had all these movies with COP in the title: 'Beverly Hills Cop' (1984), 'RoboCop' (1987), so Larry asked me: what about 'Maniac Cop'? So I said: Oooh, that sounds good! Then with that title and the copy line – You have the right to remain silent… forever! – but without a script or anything I started shooting the St. Patrick’s Day Parade the next month. I called Bruce and told him: Look, I’m doing a movie called 'Maniac Cop'. I’d like you to star in it. I don’t have script, but I would like for you to fly to New York and I wanna shoot some footage of you against the St. Patrick’s Day Parade. And I said: bring clothes that we can later duplicate. And that’s how it worked. While Larry wrote the script I put together the financing and everything. We shot the rest of the movie in August." (William Lustig's interview with Roel Haanen, 2019)

DepressedBergman

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On this day, 61 years ago, Sidney J. Furie's "The Ipcress File" (1965) was released in the U.K. On the first day of shooting, director Sidney J. Furie gathered the cast and said, "This is what I think of the script." He then set it on fire. Michael Caine on the incident: "The driver picked me up for the first day of shooting and asked me if I was an actor in the movie, and if I had read Len Deighton’s book. When I told him I was the lead in it, he told me, ‘The whole thing is a load of rubbish, isn’t it?’ Then, when I arrived on set, Sidney had everyone gather around. He asked if anyone had any matches, and I smoked at that time, so I handed mine over. Sidney took the script, lit the match, looked at everyone and said, ‘Here’s what I think of this script’ and set the match to it. That was his copy of the script, so he asked if anyone had another copy to consult after he had burned his own, so I gave him mine. But it was a gesture, an illustration. It was a hell of a way to be christened into being the lead in a film." Sidney J. Furie on the reason for the movie's peculiar style: "I was very depressed always when we started shooting, thinking that it was going to be really lousy and I didn’t know what to do, so I told myself I would come up with a style of shooting that is different. I put shoulders across the screen, I shot up at things, I shot down, just to make it different, to give it ambiance. It was done out of insecurity, with a little cognac spiked in my morning coffee to give me courage." ("Sidney J. Furie: Life and Films", Daniel Kremer, 2015)
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On this day, 61 years ago, Sidney J. Furie's "The Ipcress File" (1965) was released in the U.K. On the first day of shooting, director Sidney J. Furie gathered the cast and said, "This is what I think of the script." He then set it on fire. Michael Caine on the incident: "The driver picked me up for the first day of shooting and asked me if I was an actor in the movie, and if I had read Len Deighton’s book. When I told him I was the lead in it, he told me, ‘The whole thing is a load of rubbish, isn’t it?’ Then, when I arrived on set, Sidney had everyone gather around. He asked if anyone had any matches, and I smoked at that time, so I handed mine over. Sidney took the script, lit the match, looked at everyone and said, ‘Here’s what I think of this script’ and set the match to it. That was his copy of the script, so he asked if anyone had another copy to consult after he had burned his own, so I gave him mine. But it was a gesture, an illustration. It was a hell of a way to be christened into being the lead in a film." Sidney J. Furie on the reason for the movie's peculiar style: "I was very depressed always when we started shooting, thinking that it was going to be really lousy and I didn’t know what to do, so I told myself I would come up with a style of shooting that is different. I put shoulders across the screen, I shot up at things, I shot down, just to make it different, to give it ambiance. It was done out of insecurity, with a little cognac spiked in my morning coffee to give me courage." ("Sidney J. Furie: Life and Films", Daniel Kremer, 2015)

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Matt Damon says Christopher Nolan flew a production assistant to rural Germany with The Interstellar script because it wasn’t allowed to leave his possession “They sent a production assistant to Germany hand carrying the script because they wouldn’t send it in the mail” “He showed up at 9:00 at night and said, ‘Here’s the script.’ I told him, ‘I have to shoot at 5:00 in the morning. I’m going to bed.’ Then I realized he had to stay because he couldn’t leave the script” “When I finally read it the next day, I was a puddle. I had never reacted to a script that way”

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Quentin Tarantino says Bruce Willis originally wanted to play Vincent or Jules in Pulp Fiction before he convinced him to take the role of Butch. Tom Segura : “How was casting? Bruce Willis is so great in the film. Was it an immediate yes from him?” Quentin Tarantino : “We weren’t even going out to Bruce Willis.” “At the time, he was one of the biggest movie stars in the world.” Tom Segura : “When you first watch the film, it’s almost shocking. You’re like, ‘Bruce Willis is in this?’” Quentin Tarantino: “Absolutely.” “One day he told me, ‘I read your script. I want to play Vincent.’” “I told him I already had John Travolta lined up for Vincent.” “He said, ‘Okay, then what if I play Jules?’” “He even suggested making Jules a white guy.” “I told him I’d think about it.” “I thought about it all night and realized I just couldn’t do it.” “The character was written as a Black guy.” “When I called him back, he completely understood.” “But I told him, ‘I still think you should be in this movie.’” “I asked him to read the script again with Butch in mind.” “I told him I saw Butch as a classic 1950s leading man.” “I said, ‘Forget Vincent. Forget Jules. Just think about Butch.’” “He agreed to read it again.” Quentin Tarantino: “The next day I called him.” “He said, ‘Quentin, I’m in.’”

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Wim Wenders explains how Peter Falk agreed to star in "Wings of Desire" (1987) without a script: "One evening I got Peter Falk on the telephone and told him this bewildering story of guardian angels, circuses, a trapeze artiste and an American actor who charms his former colleagues. There was a pause, and then he asked me if I could send him a script. I said: 'No, I can't. There's nothing in writing about this ex-angel. I can't even send you a single page: he's just an idea.' He liked that; if I'd sent him a script he might not have accepted. But since there was nothing to go on at all, he said: 'Ah, I've worked like that before with Cassavetes, and honestly I prefer working without a script.'" (Wim Wenders, 'Le Souffle de I'Ange', 1987)

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SIKANDAR SCRIPT CHANGED DURING THE MAKING. "#Sikandar, I remember talking to #ARMurugadoss sir, ofcourse later what happened was very different. But when I heard the script, it was indeed quite a different script" - #RashmikaMandanna #SalmanKhan

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#Throwback: #LokeshKanagaraj - During the release of #Coolie, #KamalHaasan sir and #Rajinikanth sir asked me to do a film with both of them. - I sincerely worked on the script for one month and narrated it separately to Kamal sir and Rajini sir. #KHxRK

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WEVERSE OFFLINE FANSIGN #SUNOO His reaction at the start was when I told him I became an ENGENE because of him, now it's my anniversary and I drew 24 for my fansign too! I told him I love his voice, the way he dance on stage, the way he's cool and cute and everything on stage. And then I told him, I'm always rooting for him that I even have a "Sunoo Happiness Fund" waiting for when the time comes. He couldn't understand it so I had to flip my script to find the Korean word for it and he even said sorry so gently and when he finally understood, just look at that reaction. And that's not just it, I told him that my whole family always come to cafe events as much as possible and always roots for him. I also shared the donations I've done and as a family to spread the happiness of Kim Sunoo. When he knew that my mama loves him so much, he asked where's my camera and look at him. I was rushed to finish so I only told him I can't wait to see him again. ENHYPEN OFFICIAL #ENHYPEN

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Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

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John Cusack read the script for "Being John Malkovich" (1999) after asking his agent to bring him the craziest, most unproducible script he can find. He was impressed, so he told his agent to keep track of it and get him an audition, which eventually won him the role.
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John Cusack read the script for "Being John Malkovich" (1999) after asking his agent to bring him the craziest, most unproducible script he can find. He was impressed, so he told his agent to keep track of it and get him an audition, which eventually won him the role.

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