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Marlene Dietrich performs a delightfully bizarre number in the Pre-code “Blonde Venus” (1932) , co-starring Cary Grant and Herbert Marshall.

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Petronella Wyatt

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12,920 görüntüleme • 14 gün önce •via X (Twitter)

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A cheekly little bit with Kay Francis and Herbert Marshall in the wonderful Pre-Code "Trouble in Paradise" (1932) Are you a fan of Pre-Code film?
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A cheekly little bit with Kay Francis and Herbert Marshall in the wonderful Pre-Code "Trouble in Paradise" (1932) Are you a fan of Pre-Code film?

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Welcome to the Public Domain, MOROCCO (1930) 🎩 🎥 Marlene Dietrich was bending the rules as she pleased. See her iconic suit & daring kiss in this pre-Code classic. 🌸💋 Learn more ➡️ #PublicDomainDay #PublicDomain #CopyrightFree
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Welcome to the Public Domain, MOROCCO (1930) 🎩 🎥 Marlene Dietrich was bending the rules as she pleased. See her iconic suit & daring kiss in this pre-Code classic. 🌸💋 Learn more ➡️ #PublicDomainDay #PublicDomain #CopyrightFree

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A luscious good morning from Pre-Code 1932 Hollywood - and Miss Claudette Colbert in her famous milk bath from "Sign of the Cross"....
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i love that rob reiner says “think cary grant” when it comes to seducing women in sleepless in seattle (1993) and that gives tom hanks the opportunity to give a cary grant impersonation
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Audrey Hepburn gives an eloquent and heartfelt tribute to her friend and 1981 Kennedy Centre Honoree Cary Grant, who were co-stars in the 1963 film “Charade”.
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Audrey Hepburn gives an eloquent and heartfelt tribute to her friend and 1981 Kennedy Centre Honoree Cary Grant, who were co-stars in the 1963 film “Charade”.
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Cary Grant, Sophia Loren and Harry Guardino in a clip from Houseboat (1958), directed by Melville Shavelson. Cary Grant initially accepted his role because he was dating Sophia Loren, with whom he was madly in love. After she married Carlo Ponti in September 1957, a heartbroken Grant wanted to back out. He couldn't, but the director made sure the production was a smooth one.
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Cary Grant, Sophia Loren and Harry Guardino in a clip from Houseboat (1958), directed by Melville Shavelson. Cary Grant initially accepted his role because he was dating Sophia Loren, with whom he was madly in love. After she married Carlo Ponti in September 1957, a heartbroken Grant wanted to back out. He couldn't, but the director made sure the production was a smooth one.

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Deborah Kerr and Cary Grant improvised many of their scenes throughout filming, and a number of lines that made it to the final cut of the film came from the actors' improvisation. 🎥 AN AFFAIR TO REMEMBER
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Clara Bow and Thelma Todd were good friends— even born on the same day of July 29. But in "Call Her Savage" (1932) they were anything but, clashing in a scene that still crackles as a Pre-Code stunner.
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Audrey Hepburn delivering a heartfelt, eloquent tribute to her Charade co-star Cary Grant at the 1981 Kennedy Center Honors. Her emotional speech honored Grant’s legacy and their close friendship, famously bringing him to tears. In December 1981, Cary Grant was among the prestigious honorees celebrated at the annual Kennedy Center Honors for his lifetime contributions to American culture. To celebrate his career and character, Audrey Hepburn—who starred alongside him in the 1963 classic film Charade—stepped up to speak on his behalf.

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Cary Grant, Sophia Loren and Harry Guardino ― “The Gold Dress” (Designed by Edith Head) scene in Houseboat (1958). Cary Grant initially accepted his role because he was dating Sophia Loren, with whom he was madly in love. After she married Carlo Ponti in September 1957, a heartbroken Grant wanted to back out. He couldn't, but the director made sure the production was a smooth one. The original screenplay was written by Betsy Drake, Cary Grant's wife at the time. Grant originally wanted it to star her, but his extramarital affair with Sophia Loren complicated the project. Grant decided to have Loren replace Drake. Adding insult to injury, it was drastically rewritten to accommodate Loren by two other writers, Jack Rose and Melville Shavelson (who also directed). Bearing little resemblance to her original script, Drake received no writing credit, and the reworked script was Oscar-nominated for Best Original Story and Screenplay.

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James Stewart and Cary Grant on working together in George Cukor's "The Philadelphia Story" (1940) & how this memorable scene was improvised: "James Stewart: I play a writer who falls in love with Katharine Hepburn. The night before her wedding I have a little too much to drink. This gives me the courage to go and talk to Cary, who’s playing her ex-husband. So I go to Cary’s house and knock on the door. It’s obvious I’ve had too much to drink, but he lets me in. It was time to do the scene, and Cary said, ‘George, why don’t we just go ahead? If you don’t like it, we’ll do it again.’ So, without a rehearsal or anything, we started the scene. As I was talking, it hit me that I’d had too much to drink. So, as I explained things to Cary, I hiccuped. In answer to the hiccup, Cary said —out of the clear blue sky —‘Excuse me.’ Well, I sort of said, ‘Umm?’ It was very difficult for me to keep a straight face, because his ad-libbed response had been so beautifully done. Cary had an almost perfect humor. Cary Grant: Jimmy simply mesmerized me on the screen. When I watched him act, I felt like a triangle player in the orchestra who keeps watching the conductor and then, when he finally gets the baton signal, he misses his triangle." ("Evenings with Cary Grant", Nancy Nelson, 1991) P.S: Remembering the great American Filmmaker George Cukor on his 127th birthday!

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