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Matt Damon says Christopher Nolan knew Oppenheimer would run exactly three hours before he shot a single frame “When he gave me the script to Oppenheimer, I couldn’t read it that night. He said, ‘What time are you going to start reading it tomorrow morning?’ I said, 9:00 am’”... show more

Yonan

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754,919 görüntüleme • 13 gün önce •via X (Twitter)

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Matt Damon says Christopher Nolan’s “Oppenheimer” script was the exact same length as the finished movie Matt Damon: “When he gave me the script to Oppenheimer, I couldn’t read it that night.” “He asked, ‘What time are you gonna start reading it tomorrow morning?’” “I said, ‘9 a.m.’” “‘How fast do you read?’” “‘Exactly at the pace the movie’s gonna play.’” “He said, ‘I’ll be here at noon.’” “At 11:59, I was turning the last page.” “At noon, he walked in.” “That movie played exactly the same length as the read.” “Nothing changed.” “He really thinks. He agonizes over how he’s gonna tell a story.” “Then he casts, and then he does it in stages.” “It’s incredible.”

Matt Damon says Christopher Nolan’s “Oppenheimer” script was the exact same length as the finished movie Matt Damon: “When he gave me the script to Oppenheimer, I couldn’t read it that night.” “He asked, ‘What time are you gonna start reading it tomorrow morning?’” “I said, ‘9 a.m.’” “‘How fast do you read?’” “‘Exactly at the pace the movie’s gonna play.’” “He said, ‘I’ll be here at noon.’” “At 11:59, I was turning the last page.” “At noon, he walked in.” “That movie played exactly the same length as the read.” “Nothing changed.” “He really thinks. He agonizes over how he’s gonna tell a story.” “Then he casts, and then he does it in stages.” “It’s incredible.”

agim𓍯

373,400 görüntüleme • 13 gün önce

Matt Damon says Christopher Nolan flew a production assistant to rural Germany with The Interstellar script because it wasn’t allowed to leave his possession “They sent a production assistant to Germany hand carrying the script because they wouldn’t send it in the mail” “He showed up at 9:00 at night and said, ‘Here’s the script.’ I told him, ‘I have to shoot at 5:00 in the morning. I’m going to bed.’ Then I realized he had to stay because he couldn’t leave the script” “When I finally read it the next day, I was a puddle. I had never reacted to a script that way”

Matt Damon says Christopher Nolan flew a production assistant to rural Germany with The Interstellar script because it wasn’t allowed to leave his possession “They sent a production assistant to Germany hand carrying the script because they wouldn’t send it in the mail” “He showed up at 9:00 at night and said, ‘Here’s the script.’ I told him, ‘I have to shoot at 5:00 in the morning. I’m going to bed.’ Then I realized he had to stay because he couldn’t leave the script” “When I finally read it the next day, I was a puddle. I had never reacted to a script that way”

Yonan

735,764 görüntüleme • 18 gün önce

Gena Rowlands explains the reason why "A Woman Under the Influence" (1974, Cassavetes), which was first written as a play, was made into a movie: "Rowlands: John wrote it as a play. He said, “Hey, I wrote you a play.” And I said, “Great, let’s read it.” I read it and I said, “John, I couldn’t do this every night and twice on Wednesday and Saturday. I wouldn’t be able to last two weeks. I’d die.” It was a very hard play to do every night. And he said, “Don’t worry. Don’t even think about it, you’re right. I hadn’t thought of that.” He said, “Just forget it.” Then in about two weeks he said, “Okay. I solved the problem. I wrote a different play for you.” He said, “So you won’t have to carry all of it every night. I used the same characters but I enlarged different parts of the scenes.” He changed it generally to make it humanly possible. And I said, “Oh, that’s a miracle, let me see it.” And I read it and I said, “Listen, you must know a lot of strong actresses!” [laughs] I said, “I still wouldn’t be able to do it. This is really hard.” She has a nervous breakdown—there’s a lot of things that are hard emotionally to do. So he said, “Okay. I’m going to write it as a picture.” I said, “I think I can get through it once.” [laughs] “But I’m not making any guarantees.” He thought that was funny and then he wrote it thinking like an actor too instead of just a writer. I think he took that into consideration. And it is, of course, much easier to do a film when you’re doing an extremely emotional part than it is doing it onstage over and over especially. Interviewer: Do you consider that to be your most challenging role? Mabel? Rowlands: Well, yes, it was my favorite. I loved doing that. And it was challenging. Interviewer: Since John gave you so much freedom to do what you liked as a character, how would you go about finding them? Was it something that was instinctual for you, from the script? Rowlands: I read the script, you know, 50 times. And I thought about it. And then I did it. [laughs]" (Gena Rowlands' interview with Colleen Kelsey, Interview Magazine, 2016) P.S: Remembering the great American Actress Gena Rowlands on her 96th birthday!

Gena Rowlands explains the reason why "A Woman Under the Influence" (1974, Cassavetes), which was first written as a play, was made into a movie: "Rowlands: John wrote it as a play. He said, “Hey, I wrote you a play.” And I said, “Great, let’s read it.” I read it and I said, “John, I couldn’t do this every night and twice on Wednesday and Saturday. I wouldn’t be able to last two weeks. I’d die.” It was a very hard play to do every night. And he said, “Don’t worry. Don’t even think about it, you’re right. I hadn’t thought of that.” He said, “Just forget it.” Then in about two weeks he said, “Okay. I solved the problem. I wrote a different play for you.” He said, “So you won’t have to carry all of it every night. I used the same characters but I enlarged different parts of the scenes.” He changed it generally to make it humanly possible. And I said, “Oh, that’s a miracle, let me see it.” And I read it and I said, “Listen, you must know a lot of strong actresses!” [laughs] I said, “I still wouldn’t be able to do it. This is really hard.” She has a nervous breakdown—there’s a lot of things that are hard emotionally to do. So he said, “Okay. I’m going to write it as a picture.” I said, “I think I can get through it once.” [laughs] “But I’m not making any guarantees.” He thought that was funny and then he wrote it thinking like an actor too instead of just a writer. I think he took that into consideration. And it is, of course, much easier to do a film when you’re doing an extremely emotional part than it is doing it onstage over and over especially. Interviewer: Do you consider that to be your most challenging role? Mabel? Rowlands: Well, yes, it was my favorite. I loved doing that. And it was challenging. Interviewer: Since John gave you so much freedom to do what you liked as a character, how would you go about finding them? Was it something that was instinctual for you, from the script? Rowlands: I read the script, you know, 50 times. And I thought about it. And then I did it. [laughs]" (Gena Rowlands' interview with Colleen Kelsey, Interview Magazine, 2016) P.S: Remembering the great American Actress Gena Rowlands on her 96th birthday!

DepressedBergman

67,326 görüntüleme • 1 ay önce

Zendaya reveals how she freaked out when Tom Holland told her about starring in The Odyssey. "He had the script, and I may have taken a little peek. I had to know. He had a Christopher Nolan script in my house, what am I gonna do? So I looked" "Then he went off to his meeting, and when he came home, I was like, 'Okay! Tell me all about it! How was it? What was it like?' You know what I mean? I was so ready, so excited" "And he goes, 'Read this again.' And I was like, 'What? Why? We just read it last night.' He was like, 'Read it again, but with Athena in mind.' And I was like, 'Yo, stop it right there'" "I freaked out. I was so grateful. And the fact that he got to be the one to tell me, it was so special"

Zendaya reveals how she freaked out when Tom Holland told her about starring in The Odyssey. "He had the script, and I may have taken a little peek. I had to know. He had a Christopher Nolan script in my house, what am I gonna do? So I looked" "Then he went off to his meeting, and when he came home, I was like, 'Okay! Tell me all about it! How was it? What was it like?' You know what I mean? I was so ready, so excited" "And he goes, 'Read this again.' And I was like, 'What? Why? We just read it last night.' He was like, 'Read it again, but with Athena in mind.' And I was like, 'Yo, stop it right there'" "I freaked out. I was so grateful. And the fact that he got to be the one to tell me, it was so special"

Buggy

6,520,039 görüntüleme • 18 gün önce

Matt Damon says Clint Eastwood told him Unforgiven was the script he went back to after 5 years of failed rewrites “I said to him, 'Hey boss, you know that scene on Tuesday, do you mind if I tinker with the dialogue?' And he goes, 'Yeah, sure. Go ahead.'” “I go, 'I wrote it and I rewrote it all weekend. I wrote it probably 27 drafts and then I got it perfect and I looked back and it was exactly the same as I originally was.'” “He goes, 'I worked for five years on this thing and it wasn't getting better and I couldn't figure it out.'” “He said, 'I'm making your script exactly as you wrote it.' And I said, 'No way. What movie?' And he said, 'Unforgiven.'”

Matt Damon says Clint Eastwood told him Unforgiven was the script he went back to after 5 years of failed rewrites “I said to him, 'Hey boss, you know that scene on Tuesday, do you mind if I tinker with the dialogue?' And he goes, 'Yeah, sure. Go ahead.'” “I go, 'I wrote it and I rewrote it all weekend. I wrote it probably 27 drafts and then I got it perfect and I looked back and it was exactly the same as I originally was.'” “He goes, 'I worked for five years on this thing and it wasn't getting better and I couldn't figure it out.'” “He said, 'I'm making your script exactly as you wrote it.' And I said, 'No way. What movie?' And he said, 'Unforgiven.'”

Zeus

811,882 görüntüleme • 21 gün önce

Trump: I don't know exactly what he means by turn the volume up. He has to be careful when he says that to me. I said what does that mean, turn the volume up? Does that mean let's go at it?

Trump: I don't know exactly what he means by turn the volume up. He has to be careful when he says that to me. I said what does that mean, turn the volume up? Does that mean let's go at it?

Acyn

800,880 görüntüleme • 8 ay önce

People say, “You should generate evidence first, and then have confidence.” They have it exactly backwards. Restaurateur Jeff Zalaznick’s story reminds me of a young Larry Bird. People said he was too slow, he never played against tough competition, and would never make it in the NBA. At the NBA’s rookie camp all the rookies would play together. Bird said it took him just three days at rookie camp to realize not only could he play in this league, he was going to dominate in this league. “That's very similar. What I went through was exactly that.” “It went from: I can be like these guys. To: I'm going to be able to dominate this world.”

People say, “You should generate evidence first, and then have confidence.” They have it exactly backwards. Restaurateur Jeff Zalaznick’s story reminds me of a young Larry Bird. People said he was too slow, he never played against tough competition, and would never make it in the NBA. At the NBA’s rookie camp all the rookies would play together. Bird said it took him just three days at rookie camp to realize not only could he play in this league, he was going to dominate in this league. “That's very similar. What I went through was exactly that.” “It went from: I can be like these guys. To: I'm going to be able to dominate this world.”

David Senra

13,684 görüntüleme • 12 gün önce

Luis J. Gomez: “The other thing, the big conspiracy theory is that Trump is mad at you, when he came up to you at UFC and he was talking sh*t to you?” Joe Rogan: “No, it was the opposite... I texted him on Friday about ibogaine… I told him about it, I said how effective it is and I said it’s been held up for so long. And he said, ‘What are you looking for? Are you looking for FDA approval?’ He goes, ‘that sounds good to me.’ He said, ‘Let’s do it!’” “Literally he sees me at the UFC the next day, shakes my hand and says ’tt’s done.’” “That’s what he saying and I said, ‘Thank you, sir.’ It wasn’t like he was mad at me at all, it was the opposite.”

Luis J. Gomez: “The other thing, the big conspiracy theory is that Trump is mad at you, when he came up to you at UFC and he was talking sh*t to you?” Joe Rogan: “No, it was the opposite... I texted him on Friday about ibogaine… I told him about it, I said how effective it is and I said it’s been held up for so long. And he said, ‘What are you looking for? Are you looking for FDA approval?’ He goes, ‘that sounds good to me.’ He said, ‘Let’s do it!’” “Literally he sees me at the UFC the next day, shakes my hand and says ’tt’s done.’” “That’s what he saying and I said, ‘Thank you, sir.’ It wasn’t like he was mad at me at all, it was the opposite.”

RedWave Press

532,127 görüntüleme • 3 ay önce

Walton Goggins tells Tarantino he's not leaving the audition room — 'Getting the job is irrelevant to me' “I said: I'm not leaving. He said: what do you mean? I said: I want to read all of these roles. He said: what are you talking about? I said: getting the job is irrelevant to me.” “Quentin read every other role as if he was filming it. And then I read Leo's role and he read every other role as if we were filming it — and it was one of the greatest days of my life as an artist.” “A couple of months go by — and I get a call that he wants me to come and play with him. And that was the beginning of two of the greatest experiences of my life.”

Walton Goggins tells Tarantino he's not leaving the audition room — 'Getting the job is irrelevant to me' “I said: I'm not leaving. He said: what do you mean? I said: I want to read all of these roles. He said: what are you talking about? I said: getting the job is irrelevant to me.” “Quentin read every other role as if he was filming it. And then I read Leo's role and he read every other role as if we were filming it — and it was one of the greatest days of my life as an artist.” “A couple of months go by — and I get a call that he wants me to come and play with him. And that was the beginning of two of the greatest experiences of my life.”

ramagazzi

2,687,033 görüntüleme • 21 gün önce

In Taxi Driver, Harvey Keitel became so panicked that he would ask prostitutes how to play a pimp. “I was looking to meet a pimp because I didn’t know what to do about being a pimp.” “I would hang out on 10th Avenue, Ninth Avenue. I walked over to one of the girls and I said, ‘I’m looking for someone to help me to understand what it’s like to be a pimp’ “And she looks at me and goes, ‘No one’s going to talk to you.’ “Then in New York, in the Hell’s Kitchen quarter, I had been walking past pimps and girls of the night, and so I asked this guy to help me.” “He said he was an ex-pimp, but I always thought he was lying.” “We spent two weeks working in the basement of Actors Studio.” “He taught me how to dance with the girl. First I played the girl and he was the guy, and then we switched roles.” “He taught me how to be a pimp.” “At one point he says, ‘Oh, and you love the girl.’ I said: ‘Yeah, but you don’t really love her.’ He said: ‘No, you love her.’

In Taxi Driver, Harvey Keitel became so panicked that he would ask prostitutes how to play a pimp. “I was looking to meet a pimp because I didn’t know what to do about being a pimp.” “I would hang out on 10th Avenue, Ninth Avenue. I walked over to one of the girls and I said, ‘I’m looking for someone to help me to understand what it’s like to be a pimp’ “And she looks at me and goes, ‘No one’s going to talk to you.’ “Then in New York, in the Hell’s Kitchen quarter, I had been walking past pimps and girls of the night, and so I asked this guy to help me.” “He said he was an ex-pimp, but I always thought he was lying.” “We spent two weeks working in the basement of Actors Studio.” “He taught me how to dance with the girl. First I played the girl and he was the guy, and then we switched roles.” “He taught me how to be a pimp.” “At one point he says, ‘Oh, and you love the girl.’ I said: ‘Yeah, but you don’t really love her.’ He said: ‘No, you love her.’

Emir Han

465,721 görüntüleme • 2 ay önce

Before the 2020 election, Biden said exactly what he was going to do with immigration if he were to win. As soon as he got into office, he used executive orders to do what he said he was going to do. He caused a border crisis and he ignored it for three years.

Before the 2020 election, Biden said exactly what he was going to do with immigration if he were to win. As soon as he got into office, he used executive orders to do what he said he was going to do. He caused a border crisis and he ignored it for three years.

MAZE

639,848 görüntüleme • 2 yıl önce

Arnold Schwarzenegger reveals he tried to change the iconic “I’ll be back” line because he thought it sounded weak “I very casually said Jim, I said I would just rather say I will be back, and I thought this was gonna go right by and he would say whatever you want.” “And he says I like it, I’ll be back, and I said no, a machine will not abbreviate, plus it sounds really weird when I said I’ll, it sounds weak, I said why don’t we say I will be back” “He says no no no just say I’ll be back, I said it’s better I will be back, and he says what does the goddamn script say, cause you’re being a pain, and I said the script says I’ll be back, and he says then say the fucking line, I don’t correct your acting so don’t correct my fucking writing, what’s the matter with you Arnold” “And he is so right, because there’s a reason why he wrote it this way, he maybe knew it’s going to be one of those powerful lines, I didn’t know, I didn’t see anything in it, who would know that” “I was amazed when we had the screening of the movie and then kids came up to me and said say the line I’ll be back, and I said I’ll be back, and they said no no no, the way you said it in the movie, so I said I’ll be back, yeah that’s the way, so then we knew that we had a big line here”

Arnold Schwarzenegger reveals he tried to change the iconic “I’ll be back” line because he thought it sounded weak “I very casually said Jim, I said I would just rather say I will be back, and I thought this was gonna go right by and he would say whatever you want.” “And he says I like it, I’ll be back, and I said no, a machine will not abbreviate, plus it sounds really weird when I said I’ll, it sounds weak, I said why don’t we say I will be back” “He says no no no just say I’ll be back, I said it’s better I will be back, and he says what does the goddamn script say, cause you’re being a pain, and I said the script says I’ll be back, and he says then say the fucking line, I don’t correct your acting so don’t correct my fucking writing, what’s the matter with you Arnold” “And he is so right, because there’s a reason why he wrote it this way, he maybe knew it’s going to be one of those powerful lines, I didn’t know, I didn’t see anything in it, who would know that” “I was amazed when we had the screening of the movie and then kids came up to me and said say the line I’ll be back, and I said I’ll be back, and they said no no no, the way you said it in the movie, so I said I’ll be back, yeah that’s the way, so then we knew that we had a big line here”

Third

786,680 görüntüleme • 1 ay önce

Matt Damon tells Amy Poehler how he left Harvard with just one semester left to go make a movie, revealing that he wrote the beginning of Good Will Hunting instead of doing his actual class assignment, and his professor was so IMPRESSED that he gave him an A and told him to keep writing 😳🎬🔥 “We were supposed to write a one-act play, and I wrote the first act of a three-act movie. I went to the guy and said, ‘I think I failed your class, but this is the first act of a movie.’” “He read it, gave me a straight A and just said, ‘Don’t stop. Keep going.’ That was when I took it out and showed it to Ben.”

Matt Damon tells Amy Poehler how he left Harvard with just one semester left to go make a movie, revealing that he wrote the beginning of Good Will Hunting instead of doing his actual class assignment, and his professor was so IMPRESSED that he gave him an A and told him to keep writing 😳🎬🔥 “We were supposed to write a one-act play, and I wrote the first act of a three-act movie. I went to the guy and said, ‘I think I failed your class, but this is the first act of a movie.’” “He read it, gave me a straight A and just said, ‘Don’t stop. Keep going.’ That was when I took it out and showed it to Ben.”

Killa 🌺

34,989 görüntüleme • 28 gün önce

#Pradeep Recent - I met #Keerthiswaran, and then he said that he wanted me because he had seen #LoveToday and had changed the script to suit me. - At first, I didn’t know whether to believe it or not. - But when he told me the script, I loved it. #Dude

#Pradeep Recent - I met #Keerthiswaran, and then he said that he wanted me because he had seen #LoveToday and had changed the script to suit me. - At first, I didn’t know whether to believe it or not. - But when he told me the script, I loved it. #Dude

Movie Tamil

51,149 görüntüleme • 10 ay önce

Samuel L. Jackson says Quentin Tarantino originally didn’t want to tell him he wasn’t playing Django. “He sent me the script without telling me I wasn’t going to be Django.” “He just said, ‘Read it. The character is Stephen.’” “I called him back and said, ‘So you want me to play the most despicable Black man in the history of cinema?’” “He said, ‘Well… yeah.’” “I told him, ‘Okay, let’s do it.’” “He actually toned Stephen down because he said, ‘I don’t want anybody to kill you.’” “People call Quentin racist because of his scripts.” “But every character he’s written for me has been intelligent, respected, and in control.” “It would be impossible for a racist to consistently write characters like that for me.”

Samuel L. Jackson says Quentin Tarantino originally didn’t want to tell him he wasn’t playing Django. “He sent me the script without telling me I wasn’t going to be Django.” “He just said, ‘Read it. The character is Stephen.’” “I called him back and said, ‘So you want me to play the most despicable Black man in the history of cinema?’” “He said, ‘Well… yeah.’” “I told him, ‘Okay, let’s do it.’” “He actually toned Stephen down because he said, ‘I don’t want anybody to kill you.’” “People call Quentin racist because of his scripts.” “But every character he’s written for me has been intelligent, respected, and in control.” “It would be impossible for a racist to consistently write characters like that for me.”

KΞRL_✂️

1,844,937 görüntüleme • 1 ay önce

Who remembers when OU faked a punt at Alabama in 2003? Bob Stoops shared with The Rush how he made the gutsy call that paid off for the Sooners. “I just said to Brent, I said run the fake. He looked at me wide-eyed like, ‘run it?’ I said run it.”

Who remembers when OU faked a punt at Alabama in 2003? Bob Stoops shared with The Rush how he made the gutsy call that paid off for the Sooners. “I just said to Brent, I said run the fake. He looked at me wide-eyed like, ‘run it?’ I said run it.”

The REF

84,207 görüntüleme • 1 yıl önce

René Meulensteen, former Manchester United coach, on Cristiano Ronaldo: “Basically, I told him, ‘I think I know exactly what you want.’ He looked at me like, ‘How can you know? We’ve never had a conversation.’ I said, ‘Yes, I know.’ He asked, ‘What is it?’ I said, ‘You want to be the best player in the world—not once, not twice, but many, many times to come.’ I asked, ‘Am I wrong?’ He said, ‘No, you’re right.’ Then I asked him, ‘Will you be the best player in the world tomorrow?’ He said, ‘No, probably not.’ I said, ‘Next week?’ He said, ‘No.’ ‘Next month?’ ‘No.’ So I told him, ‘By the end of the season, we need to work on what will bring you closer to what you want to achieve. One of those aspects is understanding and being aware of the kind of player you are and the position you play. But more than anything, you need to understand how to utilize your strengths—and one of them is scoring goals.’ I asked, ‘How many goals did you score last season?’ He said, ‘23.’ I said, ‘Okay, but I assume you want to get better, don’t you?’ He said, ‘Yes.’ So I asked, ‘What’s your target for this season? Because if it’s the same, you’re not really improving.’ He thought about it and said, ‘30?’ I nodded. Then he asked, ‘What do you think?’ I said, ‘I think 40.’ He said, ‘Forty? That’s nearly double.’ Then I took him inside and showed him a video of United’s top strikers—Dwight Yorke, Andy Cole, Teddy Sheringham, Ole Gunnar Solskjær, and Ruud van Nistelrooy. It was a three-minute clip—goals after goals, bang, bang, bang. I asked, ‘What did you see?’ He said, ‘A lot of goals—beautiful goals.’ I said, ‘Yeah, but what do you really see?’ He said, ‘Goals.’ I said, ‘No, no, no. You’re going to watch it again and then tell me what you see.’ We watched it again, and I asked, ‘What do you see?’ He said, ‘I know what you mean—most goals are scored from inside the box, most are scored with one or two touches, and there’s a variety: tap-ins, shots, headers, and so on.’ I said, ‘Correct. These are exactly the three things you’re going to work on on the pitch.’”

René Meulensteen, former Manchester United coach, on Cristiano Ronaldo: “Basically, I told him, ‘I think I know exactly what you want.’ He looked at me like, ‘How can you know? We’ve never had a conversation.’ I said, ‘Yes, I know.’ He asked, ‘What is it?’ I said, ‘You want to be the best player in the world—not once, not twice, but many, many times to come.’ I asked, ‘Am I wrong?’ He said, ‘No, you’re right.’ Then I asked him, ‘Will you be the best player in the world tomorrow?’ He said, ‘No, probably not.’ I said, ‘Next week?’ He said, ‘No.’ ‘Next month?’ ‘No.’ So I told him, ‘By the end of the season, we need to work on what will bring you closer to what you want to achieve. One of those aspects is understanding and being aware of the kind of player you are and the position you play. But more than anything, you need to understand how to utilize your strengths—and one of them is scoring goals.’ I asked, ‘How many goals did you score last season?’ He said, ‘23.’ I said, ‘Okay, but I assume you want to get better, don’t you?’ He said, ‘Yes.’ So I asked, ‘What’s your target for this season? Because if it’s the same, you’re not really improving.’ He thought about it and said, ‘30?’ I nodded. Then he asked, ‘What do you think?’ I said, ‘I think 40.’ He said, ‘Forty? That’s nearly double.’ Then I took him inside and showed him a video of United’s top strikers—Dwight Yorke, Andy Cole, Teddy Sheringham, Ole Gunnar Solskjær, and Ruud van Nistelrooy. It was a three-minute clip—goals after goals, bang, bang, bang. I asked, ‘What did you see?’ He said, ‘A lot of goals—beautiful goals.’ I said, ‘Yeah, but what do you really see?’ He said, ‘Goals.’ I said, ‘No, no, no. You’re going to watch it again and then tell me what you see.’ We watched it again, and I asked, ‘What do you see?’ He said, ‘I know what you mean—most goals are scored from inside the box, most are scored with one or two touches, and there’s a variety: tap-ins, shots, headers, and so on.’ I said, ‘Correct. These are exactly the three things you’re going to work on on the pitch.’”

(fan)28^

101,573 görüntüleme • 3 ay önce

DDP says Cody Rhodes was told for a long time that he was going to win at WrestleMania 39 “I said to him is it that bad if you don’t win? He goes I knew you were going to say that. I said you know man you don’t win they want it more.” (Chris Van Vliet interview)

DDP says Cody Rhodes was told for a long time that he was going to win at WrestleMania 39 “I said to him is it that bad if you don’t win? He goes I knew you were going to say that. I said you know man you don’t win they want it more.” (Chris Van Vliet interview)

Vick

281,266 görüntüleme • 7 ay önce

Matt Damon says he accepted Christopher Nolan’s next movie before Nolan even told him it was The Odyssey “About 15 minutes into the call, he said, ‘I’m thinking of going back to work, and I’d like to offer you the central role’ So I just said yes right away” “He goes, ‘Don’t you want to hear what it is?’ I was like, sure” “It’s a two word pitch: The Odyssey. My heart skipped a beat. It’s the role of a lifetime”

Matt Damon says he accepted Christopher Nolan’s next movie before Nolan even told him it was The Odyssey “About 15 minutes into the call, he said, ‘I’m thinking of going back to work, and I’d like to offer you the central role’ So I just said yes right away” “He goes, ‘Don’t you want to hear what it is?’ I was like, sure” “It’s a two word pitch: The Odyssey. My heart skipped a beat. It’s the role of a lifetime”

Yonan

1,000,439 görüntüleme • 12 gün önce

Matt Damon says he wrote Good Will Hunting instead of his Harvard assignment, and his professor gave him an A "I was an English major, and in fact I started writing Good Will Hunting for a class. I just had wonderful professors, and that professor really encouraged me to keep going with it" "We were supposed to write a one-act play, and I wrote the first act of a three-act movie. I went to the guy and said, ‘I think I failed your class, but this is the first act of a movie’" "He read it, gave me a straight A and just said, ‘Don’t stop. Keep going.’ That was when I took it out and showed it to Ben"

Matt Damon says he wrote Good Will Hunting instead of his Harvard assignment, and his professor gave him an A "I was an English major, and in fact I started writing Good Will Hunting for a class. I just had wonderful professors, and that professor really encouraged me to keep going with it" "We were supposed to write a one-act play, and I wrote the first act of a three-act movie. I went to the guy and said, ‘I think I failed your class, but this is the first act of a movie’" "He read it, gave me a straight A and just said, ‘Don’t stop. Keep going.’ That was when I took it out and showed it to Ben"

Yonan

4,034,887 görüntüleme • 28 gün önce