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Matthew McConaughey explaining his samurai beetle acting technique to Al Pacino and Robert De Niro is exactly the kind of unhinged energy I live for. Watching two acting titans try to process this is just hilarious. McConaughey: I look at myself and I go I'm a samurai beetle. Pacino:...

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Al Pacino is 86 years old but he’s still contributing to Cinema. Pacino stars in the new release In The Hand of Dante, available now on Netflix. Pacino is probably the biggest reason I’m going to watch. I savor any role Pacino or Robert De Niro take on at this stage in life. Never, ever take their longevity for granted.
3:38

Al Pacino is 86 years old but he’s still contributing to Cinema. Pacino stars in the new release In The Hand of Dante, available now on Netflix. Pacino is probably the biggest reason I’m going to watch. I savor any role Pacino or Robert De Niro take on at this stage in life. Never, ever take their longevity for granted.

Cinema Tweets

22,567 просмотров • 1 месяц назад

Matthew McConaughey says his parents were wild, lustful and complete outlaws. Howard Stern: “It seemed like a wild family. Your mom was a kindergarten teacher?” Matthew McConaughey: “Right. A teacher.” Howard Stern: “And she lived to what?” Matthew McConaughey: “She’s still alive. She just celebrated her 85th birthday.” Howard Stern: Yeah. “And your parents lived this lustful life” Matthew McConaughey: “They divorced twice, married three times, and were together for 39 years. Unbelievable. They were wild.” Howard Stern: “Even your dad always said, ‘I’m going to go out probably banging your mom.’” Matthew McConaughey: “He said, ‘Boys, when I go, I’m going to be making love to your mother.’ And he did. Called his shot. It happened at 6:30 a.m. on a Monday morning.” Howard Stern: “Then your mom said, “I want my man to be carried out of here nude because I want them to see the gift that was Jim McConaughey.” I mean… he must’ve had a big cock, right?” Matthew McConaughey: “Yeah. The paramedics are covering him up, all the neighbors are out in the street, and they’re taking him out through the garage. You know, the sensible thing to do at 7 a.m. is cover him. My mom’s out there, half-naked, ripping the sheet off him, yelling, ‘Get that sheet off of him! You’re going to see how big Jim went out!’ “They were badasses and complete outlaws.”
1:21

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Matthew McConaughey says his parents were wild, lustful and complete outlaws. Howard Stern: “It seemed like a wild family. Your mom was a kindergarten teacher?” Matthew McConaughey: “Right. A teacher.” Howard Stern: “And she lived to what?” Matthew McConaughey: “She’s still alive. She just celebrated her 85th birthday.” Howard Stern: Yeah. “And your parents lived this lustful life” Matthew McConaughey: “They divorced twice, married three times, and were together for 39 years. Unbelievable. They were wild.” Howard Stern: “Even your dad always said, ‘I’m going to go out probably banging your mom.’” Matthew McConaughey: “He said, ‘Boys, when I go, I’m going to be making love to your mother.’ And he did. Called his shot. It happened at 6:30 a.m. on a Monday morning.” Howard Stern: “Then your mom said, “I want my man to be carried out of here nude because I want them to see the gift that was Jim McConaughey.” I mean… he must’ve had a big cock, right?” Matthew McConaughey: “Yeah. The paramedics are covering him up, all the neighbors are out in the street, and they’re taking him out through the garage. You know, the sensible thing to do at 7 a.m. is cover him. My mom’s out there, half-naked, ripping the sheet off him, yelling, ‘Get that sheet off of him! You’re going to see how big Jim went out!’ “They were badasses and complete outlaws.”

𝓢𝓵𝓪𝓶 👁️⃤

2,821,013 просмотров • 20 дней назад

Joe Pesci is 83 & unlike Robert De Niro & Al Pacino, Pesci hasn’t made a film since starring in Martin Scorsese’s 2019 masterpiece The Irishman. I don’t know why I’m still holding out hope that Pesci will returning to acting. I guess it’s just seeing Bob & Al still act that makes me wish Joe still did it himself. What an amazing actor. #ScorseseSundays
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Joe Pesci is 83 & unlike Robert De Niro & Al Pacino, Pesci hasn’t made a film since starring in Martin Scorsese’s 2019 masterpiece The Irishman. I don’t know why I’m still holding out hope that Pesci will returning to acting. I guess it’s just seeing Bob & Al still act that makes me wish Joe still did it himself. What an amazing actor. #ScorseseSundays

Cinema Tweets

297,206 просмотров • 4 дней назад

Al Pacino as Lefty in Donnie Brasco is Pacino at his absolute most charismatic. Pacino has starred in so many great gangster films but what I love about him as Lefty is that he’s a bottom feeder/low-level guy rather than the one in charge. It gives way to some of Al’s best acting
4:46

Al Pacino as Lefty in Donnie Brasco is Pacino at his absolute most charismatic. Pacino has starred in so many great gangster films but what I love about him as Lefty is that he’s a bottom feeder/low-level guy rather than the one in charge. It gives way to some of Al’s best acting

Cinema Tweets

86,287 просмотров • 3 месяцев назад

Matthew McConaughey said Woody Harrelson wanted him to act “funnier” as Rust Cohle in True Detective. "Woody and I had worked together before. And then in real life, we kind of have a comedic vibe.” “And I remember on set he told me, 'I think we need to, you know, look for some funny in here.' And I'd be like, 'Mhm.' He'd be like, 'See! Like that! How you and I work, McConaughey, is I hit you the ball, you hit it back. I hit you the ball, you hit it back.’ “But now I'm like hitting you the ball, and you're just standing there letting it go by and hit the fence, bottom of the fence, and just staring at me. What the f*ck?”
0:27

Matthew McConaughey said Woody Harrelson wanted him to act “funnier” as Rust Cohle in True Detective. "Woody and I had worked together before. And then in real life, we kind of have a comedic vibe.” “And I remember on set he told me, 'I think we need to, you know, look for some funny in here.' And I'd be like, 'Mhm.' He'd be like, 'See! Like that! How you and I work, McConaughey, is I hit you the ball, you hit it back. I hit you the ball, you hit it back.’ “But now I'm like hitting you the ball, and you're just standing there letting it go by and hit the fence, bottom of the fence, and just staring at me. What the f*ck?”

Emir Han

72,552 просмотров • 25 дней назад

"I always try and step out of myself to just go, how amazing is this!" Will Will Mellor reflects on his acting career, and tells @MrDanWalker that having ADHD is a "superpower" that's enabled him to do what he loves. He's back with a new crime documentary series, #CopsGoneBad.
2:38

"I always try and step out of myself to just go, how amazing is this!" Will Will Mellor reflects on his acting career, and tells @MrDanWalker that having ADHD is a "superpower" that's enabled him to do what he loves. He's back with a new crime documentary series, #CopsGoneBad.

Channel 5 News

21,791 просмотров • 1 год назад

Connor Storrie on if his younger self would believe he is hosting SNL and his present self feelings about it: "Well, I think at that time I wanted to be a cast member on SNL, not necessarily hosting. So, yeah, I think he would just kind of probably explode and cease to exist. I feel good. The blizzard that we had at the beginning of the week kind of forced me to chill out for two days and, you know, really ground myself. I'm just excited. And I think everyone here is so funny. And, you know, I'm just I still can't believe it's happening."
0:25

Connor Storrie on if his younger self would believe he is hosting SNL and his present self feelings about it: "Well, I think at that time I wanted to be a cast member on SNL, not necessarily hosting. So, yeah, I think he would just kind of probably explode and cease to exist. I feel good. The blizzard that we had at the beginning of the week kind of forced me to chill out for two days and, you know, really ground myself. I'm just excited. And I think everyone here is so funny. And, you know, I'm just I still can't believe it's happening."

Connor Storrie Photos | Fansite

136,082 просмотров • 5 месяцев назад

Al Pacino became Frank Serpico in the 1973 film Serpico. This film was part of a ‘70s run from Pacino that included films like Dog Day Afternoon and two Godfathers. Pacino is in his utter prime in this movie- it’s arguably his finest moment. I strongly urge you to see this film.
0:52

Al Pacino became Frank Serpico in the 1973 film Serpico. This film was part of a ‘70s run from Pacino that included films like Dog Day Afternoon and two Godfathers. Pacino is in his utter prime in this movie- it’s arguably his finest moment. I strongly urge you to see this film.

Cinema Tweets

24,896 просмотров • 2 месяцев назад

If anybody out there is feeling bad about their life or a little hopeless or struggling with an injury, then this is the video for you. I still cannot understand how Stormzy made it back and is looking and acting as unbelievably well as he is today. It just fills my heart with so much joy. We've had a few tough losses recently with Apollo, Atlas, and little Al Pacino. I was just scrolling through my videos with dinner, looking at some of the success stories to try and remember the wins that we have. So so proud of this little boy. He's a perfect example of never giving up and always fighting because there is a better life out there ahead of us all.
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If anybody out there is feeling bad about their life or a little hopeless or struggling with an injury, then this is the video for you. I still cannot understand how Stormzy made it back and is looking and acting as unbelievably well as he is today. It just fills my heart with so much joy. We've had a few tough losses recently with Apollo, Atlas, and little Al Pacino. I was just scrolling through my videos with dinner, looking at some of the success stories to try and remember the wins that we have. So so proud of this little boy. He's a perfect example of never giving up and always fighting because there is a better life out there ahead of us all.

Niall Harbison

157,542 просмотров • 1 месяц назад

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”
5:57

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

Gangster Cinema Central

89,214 просмотров • 21 дней назад

Michelle Pfeiffer was relatively an unknown in 1983 when "Scarface" (1983) was made. Both Al Pacino & Brian De Palma were against casting her. De Palma wasn't convinced that she had the chops to pull off a part that was initially earmarked for Glenn Close. But Producer Martin Bregman fought for Pfeiffer to be cast & managed to achieve it. Here is Al Pacino and Bregman talking about it: While discussing the film's female casting, Bregman said, "Michelle Pfeiffer... That was a battle because of everybody in town was going out for that. In spite of what [Al] said before, [he was] a star at the time. Michelle wasn't known at the time." "And you had that sense about her," Pacino said "Because I probably would have said no." "You did say no!" replied Bregman, inciting laughter from Pacino and the entire theater. Michelle Pfeiffer explaining about it: "Al was probably more intense back then, or I think it was maybe the nature of the project, and he didn’t particularly want me for the part, It was a very long and drawn-out audition process. I don’t know it seemed like forever but I think it was about two or three months. And I was terrified and I was really young, and I knew he didn’t want me, and as it went on, the worse I got because I just got so afraid.” ("Why Al Pacino “didn’t want” Michelle Pfeiffer in ‘Scarface’", Scott Campbell, Farout Magazine, 2024 "Al Pacino Did Not Want Michelle Pfeiffer For Scarface and 8 Other Revelations About the Gangster Classic", Movieline, 2011) P.S: Happy 68th birthday, Michelle Pfeiffer!
1:35

Michelle Pfeiffer was relatively an unknown in 1983 when "Scarface" (1983) was made. Both Al Pacino & Brian De Palma were against casting her. De Palma wasn't convinced that she had the chops to pull off a part that was initially earmarked for Glenn Close. But Producer Martin Bregman fought for Pfeiffer to be cast & managed to achieve it. Here is Al Pacino and Bregman talking about it: While discussing the film's female casting, Bregman said, "Michelle Pfeiffer... That was a battle because of everybody in town was going out for that. In spite of what [Al] said before, [he was] a star at the time. Michelle wasn't known at the time." "And you had that sense about her," Pacino said "Because I probably would have said no." "You did say no!" replied Bregman, inciting laughter from Pacino and the entire theater. Michelle Pfeiffer explaining about it: "Al was probably more intense back then, or I think it was maybe the nature of the project, and he didn’t particularly want me for the part, It was a very long and drawn-out audition process. I don’t know it seemed like forever but I think it was about two or three months. And I was terrified and I was really young, and I knew he didn’t want me, and as it went on, the worse I got because I just got so afraid.” ("Why Al Pacino “didn’t want” Michelle Pfeiffer in ‘Scarface’", Scott Campbell, Farout Magazine, 2024 "Al Pacino Did Not Want Michelle Pfeiffer For Scarface and 8 Other Revelations About the Gangster Classic", Movieline, 2011) P.S: Happy 68th birthday, Michelle Pfeiffer!

DepressedBergman

54,057 просмотров • 3 месяцев назад

Jason Day was asked ahead of The Masters whether he has any empathy for what Tiger Woods is going through and he gave a brilliant answer that a lot of people can probably agree with: “So yeah, in regards to Tiger, it just shows the human element and the human side of someone that is struggling with some sort of an addiction. He's not immune to it just because he can hit a golf ball really well. He's had 25 to 30 something surgeries, and when you're going through that many procedures, it's painful coming out of those procedures. I've had procedures done and I typically try and stay away from all that stuff because I just know that -- painkillers, there can potentially be a downfall to it. “Granted, when I look at that, I look at it and go, he's just a human being like everyone else and we have struggles. It's unfortunate, the only thing that I don't understand is that it's a little bit selfish of him to drive and put other people in harm's way, as well. “But when you're the player that he was and how strong-willed he is, he thinks he can do almost anything, and that's probably why he's probably driving and a little bit under the influence. “He was my hero -- he's my hero. He was my hero growing up. The reason why I play golf is because of this tournament and Tiger. It's hard to see him go through what he's going through, and especially under the microscope that -- it must be hard to be who he is and have everything, everyone look on, kind of down on him. “Some people want him to fail. Some people obviously want him to succeed. It's really difficult for me to go through that and watch him, and I know that he's getting the help now, which is good. I'm just hoping he comes out on the other side and is better.” Well said. Jason Day The Masters
1:46

Jason Day was asked ahead of The Masters whether he has any empathy for what Tiger Woods is going through and he gave a brilliant answer that a lot of people can probably agree with: “So yeah, in regards to Tiger, it just shows the human element and the human side of someone that is struggling with some sort of an addiction. He's not immune to it just because he can hit a golf ball really well. He's had 25 to 30 something surgeries, and when you're going through that many procedures, it's painful coming out of those procedures. I've had procedures done and I typically try and stay away from all that stuff because I just know that -- painkillers, there can potentially be a downfall to it. “Granted, when I look at that, I look at it and go, he's just a human being like everyone else and we have struggles. It's unfortunate, the only thing that I don't understand is that it's a little bit selfish of him to drive and put other people in harm's way, as well. “But when you're the player that he was and how strong-willed he is, he thinks he can do almost anything, and that's probably why he's probably driving and a little bit under the influence. “He was my hero -- he's my hero. He was my hero growing up. The reason why I play golf is because of this tournament and Tiger. It's hard to see him go through what he's going through, and especially under the microscope that -- it must be hard to be who he is and have everything, everyone look on, kind of down on him. “Some people want him to fail. Some people obviously want him to succeed. It's really difficult for me to go through that and watch him, and I know that he's getting the help now, which is good. I'm just hoping he comes out on the other side and is better.” Well said. Jason Day The Masters

Flushing It

502,885 просмотров • 3 месяцев назад

Christopher Nolan interviewing Michael Mann, Al Pacino and Robert De Niro on the iconic coffee shop meeting in Heat... Nolan: So for all three of you, I mean, one of the great and memorable scenes in the film - there are many - but the iconic coffee shop meeting that people were so struck by when the film came out, seeing two such great actors who had not acted in the same scene together before, together. There was such mythology around it at the time. I remember several friends of mine being convinced that you'd shot it on different days because there was no two-shot… (Michael Mann laughs) Nolan: Was it single camera? Was it two cameras? Did you have two cameras so you could shoot both close-ups at the same time? How did you approach that momentous event? Mann: It started with this consummate respect for the great artists that these two guys are. We talked about the scene and we analysed the scene… We didn't want to do the scene until we were at Cape Mandelini's. And then it was so ingrained that I knew that in all the little tiny organic details it would be different from take to take. So what I wanted to do was shoot with two cameras, two over the shoulders – I knew that there would be an organic unity to one take, and it would be a slightly different organic unity to another; because if you look at it very carefully, if Bob shifts his hand like this a little bit, right in the middle of dialogue, Al is doing something to counter it - because maybe he's shifting his positions so he can get closer to a weapon… Nolan: What do you remember about that shoot? Pacino: I do remember that Bob said – at first I wondered about it and then I thought how right he is – he said, “let’s not rehearse it.” Nolan: Because you love to rehearse. Pacino: Oh yeah. And Bob does too. De Niro: No, I do too at times, but this kind of scene we didn't have to. Pacino: But the thing is, what Bob said is so true about rehearsal – and that is that there is no sense in rehearsing if the people around you don't know how to rehearse. That is an important factor. Might as well not rehearse or rehearse very little. But it's true because it's a certain kind of thing and people either respond to it or they don't. And so, they could be great actors, of course, but they don't want to rehearse. I've had experiences like that… De Niro: Well, it was also that we were stationary. So, it wasn't we had to sort of rehearse blocking or anything and discover how our physical moves would be. We were kind of, there, though there were subtle moves in the scene itself, obviously. But anyway, and we started late and.... we didn't start till after lunch or dinner, which was really like one o'clock in the morning...I loved the scene and I wanted, you know, really wanted it to be as best as it could be. So I was a little unhappy that we started so late in the middle of the night... Mann: It was actually intentional... De Niro: I know, he wanted to tire us out. Nolan: But getting into a scene like that, that you know is going to be such a significant part of the film, huge expectation from both of you as you sit down to perform it. At the end of that night, did you know you had it? Did you feel it? Pacino: I never knew that. De Niro: You never know that. Mann: I knew we had it. Nolan: You knew. That's your job. Pacino: I'd like to do it again actually. Mann: (laughs) We’ll re-shoot it… We normally would rehearse scenes. That scene we talked about, we all as a group decided, you know, we wanted to just talk it through and save it for the event of shooting it, which was the only scene we probably did that with. But I tend to not want to rehearse things to the point where I feel like I wish I'd shot it. That's a disaster – I think things will be perfect once, and they'll never be perfect. They'll never be 100% twice. They'll only be 100% once. You want that happening in front of the camera. From a panel discussion following a special screening of Heat at the Samuel Goldwyn Theater on September 7, 2016.
6:17

Christopher Nolan interviewing Michael Mann, Al Pacino and Robert De Niro on the iconic coffee shop meeting in Heat... Nolan: So for all three of you, I mean, one of the great and memorable scenes in the film - there are many - but the iconic coffee shop meeting that people were so struck by when the film came out, seeing two such great actors who had not acted in the same scene together before, together. There was such mythology around it at the time. I remember several friends of mine being convinced that you'd shot it on different days because there was no two-shot… (Michael Mann laughs) Nolan: Was it single camera? Was it two cameras? Did you have two cameras so you could shoot both close-ups at the same time? How did you approach that momentous event? Mann: It started with this consummate respect for the great artists that these two guys are. We talked about the scene and we analysed the scene… We didn't want to do the scene until we were at Cape Mandelini's. And then it was so ingrained that I knew that in all the little tiny organic details it would be different from take to take. So what I wanted to do was shoot with two cameras, two over the shoulders – I knew that there would be an organic unity to one take, and it would be a slightly different organic unity to another; because if you look at it very carefully, if Bob shifts his hand like this a little bit, right in the middle of dialogue, Al is doing something to counter it - because maybe he's shifting his positions so he can get closer to a weapon… Nolan: What do you remember about that shoot? Pacino: I do remember that Bob said – at first I wondered about it and then I thought how right he is – he said, “let’s not rehearse it.” Nolan: Because you love to rehearse. Pacino: Oh yeah. And Bob does too. De Niro: No, I do too at times, but this kind of scene we didn't have to. Pacino: But the thing is, what Bob said is so true about rehearsal – and that is that there is no sense in rehearsing if the people around you don't know how to rehearse. That is an important factor. Might as well not rehearse or rehearse very little. But it's true because it's a certain kind of thing and people either respond to it or they don't. And so, they could be great actors, of course, but they don't want to rehearse. I've had experiences like that… De Niro: Well, it was also that we were stationary. So, it wasn't we had to sort of rehearse blocking or anything and discover how our physical moves would be. We were kind of, there, though there were subtle moves in the scene itself, obviously. But anyway, and we started late and.... we didn't start till after lunch or dinner, which was really like one o'clock in the morning...I loved the scene and I wanted, you know, really wanted it to be as best as it could be. So I was a little unhappy that we started so late in the middle of the night... Mann: It was actually intentional... De Niro: I know, he wanted to tire us out. Nolan: But getting into a scene like that, that you know is going to be such a significant part of the film, huge expectation from both of you as you sit down to perform it. At the end of that night, did you know you had it? Did you feel it? Pacino: I never knew that. De Niro: You never know that. Mann: I knew we had it. Nolan: You knew. That's your job. Pacino: I'd like to do it again actually. Mann: (laughs) We’ll re-shoot it… We normally would rehearse scenes. That scene we talked about, we all as a group decided, you know, we wanted to just talk it through and save it for the event of shooting it, which was the only scene we probably did that with. But I tend to not want to rehearse things to the point where I feel like I wish I'd shot it. That's a disaster – I think things will be perfect once, and they'll never be perfect. They'll never be 100% twice. They'll only be 100% once. You want that happening in front of the camera. From a panel discussion following a special screening of Heat at the Samuel Goldwyn Theater on September 7, 2016.

Gangster Cinema Central

36,682 просмотров • 2 месяцев назад

Qullamaggie on Minervini Promoting Services “Minervini yeah. He’s promoting his services really hard. His books and services now. I think his books are decent. But when he starts tweeting about these thin stocks on Twitter, it kind of makes you think: is he even trading or is he just promoting? Selling books and making, you know, conferences. Making money that way. Because some of - a lot of the stocks he mentions are not even tradeable. And he’s tweeting them out to his tens of thousands of followers. I don’t know how many followers he has. I haven’t followed him for a while. I used to follow him. Uh Mark Minervini. He has 128 thousand followers. Yeah, that’s disgusting. And so he tweets out this. Let’s look at his tweets. If he has pumped any microcaps lately, hmm, CLGN. What’s this, yeah? So this one he, uh, tweeted about 2 days ago. You can’t even trade this shit. Like, what the f*ck is he doing? Is he trading a 10,000 dollar account? What the f*ck? I don’t know. He’s a sketchy dude. I think his book is great, but man, he should have no business tweeting about these thin stocks. Yeah, CLGN, exactly disgusting. Fucking disgusting, what is this TELA? Look at this thing it’s traded 3.9 thousand shares so far today. And he’s tweeting out these things. How do you even trade this thing? He was tweeting about stuff like AMD on a day like here, on oh, look at AMD’s breaking out. This is like an ultra liquid stock. But you know, when you tweet out something like this, I mean, I could make this thing double in five minutes if I wanted to. I could literally make this thing double if I use my intra-day margin. And he’s tweeting this thing out to his hundreds of thousands of followers. Really disgusting, Yeah. I was in his room. I took the trial, yeah. They’re super expensive. I guess that’s what happens if you don’t make money from trading. You know, you gotta sell. You gotta promote yourself. Exactly the same thing Tim Sykes is doing. They make no money from trading. But you know, it’s risk-free, right? You don’t have to take any trading risk. Just have to promote your stuff and you know, it’s kind of predictable income, I guess.”
2:16

Qullamaggie on Minervini Promoting Services “Minervini yeah. He’s promoting his services really hard. His books and services now. I think his books are decent. But when he starts tweeting about these thin stocks on Twitter, it kind of makes you think: is he even trading or is he just promoting? Selling books and making, you know, conferences. Making money that way. Because some of - a lot of the stocks he mentions are not even tradeable. And he’s tweeting them out to his tens of thousands of followers. I don’t know how many followers he has. I haven’t followed him for a while. I used to follow him. Uh Mark Minervini. He has 128 thousand followers. Yeah, that’s disgusting. And so he tweets out this. Let’s look at his tweets. If he has pumped any microcaps lately, hmm, CLGN. What’s this, yeah? So this one he, uh, tweeted about 2 days ago. You can’t even trade this shit. Like, what the f*ck is he doing? Is he trading a 10,000 dollar account? What the f*ck? I don’t know. He’s a sketchy dude. I think his book is great, but man, he should have no business tweeting about these thin stocks. Yeah, CLGN, exactly disgusting. Fucking disgusting, what is this TELA? Look at this thing it’s traded 3.9 thousand shares so far today. And he’s tweeting out these things. How do you even trade this thing? He was tweeting about stuff like AMD on a day like here, on oh, look at AMD’s breaking out. This is like an ultra liquid stock. But you know, when you tweet out something like this, I mean, I could make this thing double in five minutes if I wanted to. I could literally make this thing double if I use my intra-day margin. And he’s tweeting this thing out to his hundreds of thousands of followers. Really disgusting, Yeah. I was in his room. I took the trial, yeah. They’re super expensive. I guess that’s what happens if you don’t make money from trading. You know, you gotta sell. You gotta promote yourself. Exactly the same thing Tim Sykes is doing. They make no money from trading. But you know, it’s risk-free, right? You don’t have to take any trading risk. Just have to promote your stuff and you know, it’s kind of predictable income, I guess.”

Lone

56,088 просмотров • 6 месяцев назад

this year, angelina jolie told this sweet story about being directed by robert de niro, "he was really, really lovely, really tough. and i remember i was pregnant, i became pregnant he didn't know. it was tough, and tough, and then i kind of- because we had reshoots, and my prosthetics were kind of falling off, and i kind of-. and i got a bit sick, i was in a scene where everybody was smoking. and then i had to say to my very tough, cool director, who's just focused on what he wants, i said, 'i'm so sorry but i'm pregnant'. and then i saw a very different rob de niro, who went from being this very tough, strong director, to being a man who's saying 'get her a banana and help her', and he was the sweetest" #SBIFF
1:20

this year, angelina jolie told this sweet story about being directed by robert de niro, "he was really, really lovely, really tough. and i remember i was pregnant, i became pregnant he didn't know. it was tough, and tough, and then i kind of- because we had reshoots, and my prosthetics were kind of falling off, and i kind of-. and i got a bit sick, i was in a scene where everybody was smoking. and then i had to say to my very tough, cool director, who's just focused on what he wants, i said, 'i'm so sorry but i'm pregnant'. and then i saw a very different rob de niro, who went from being this very tough, strong director, to being a man who's saying 'get her a banana and help her', and he was the sweetest" #SBIFF

magali 🐼

584,040 просмотров • 7 месяцев назад

One of Michael Mann’s favorite Robert De Niro moments in Heat, comes right after he confronts Ashley Judd’s character and tells her, “Clean up, go home.” "There's a brilliant Robert De Niro moment here in the way he repeats “clean up, go home”. That is pure De Niro. It is genius. It is the genius of Robert De Niro. And you can't analyze why it's there, how it's there, how it's expressed. It's spontaneous and it's truly in character. And It's from the small moments that you see that just explode out of an actor sometimes, that to me, they demark genius. And you know it when you see it - and that's one of them." Quote is from Michael Mann’s director’s commentary on the Heat DVD
1:12

One of Michael Mann’s favorite Robert De Niro moments in Heat, comes right after he confronts Ashley Judd’s character and tells her, “Clean up, go home.” "There's a brilliant Robert De Niro moment here in the way he repeats “clean up, go home”. That is pure De Niro. It is genius. It is the genius of Robert De Niro. And you can't analyze why it's there, how it's there, how it's expressed. It's spontaneous and it's truly in character. And It's from the small moments that you see that just explode out of an actor sometimes, that to me, they demark genius. And you know it when you see it - and that's one of them." Quote is from Michael Mann’s director’s commentary on the Heat DVD

Gangster Cinema Central

113,060 просмотров • 3 месяцев назад

One of the best improvised moments in The Irishman isn’t fully visible in the finished film. Stephen Graham has said he was terrified filming opposite Al Pacino and Robert De Niro. During one take, he realised De Niro hadn’t spoken a word, so he improvised, “What do you think, Frank?” Without missing a beat, De Niro replied, “How about twelve and a half?” Graham’s improvised cue was cut from the final edit, but De Niro’s unscripted response remained, which is why, in the finished scene, Frank suddenly jumps into the conversation seemingly out of nowhere.
5:11

One of the best improvised moments in The Irishman isn’t fully visible in the finished film. Stephen Graham has said he was terrified filming opposite Al Pacino and Robert De Niro. During one take, he realised De Niro hadn’t spoken a word, so he improvised, “What do you think, Frank?” Without missing a beat, De Niro replied, “How about twelve and a half?” Graham’s improvised cue was cut from the final edit, but De Niro’s unscripted response remained, which is why, in the finished scene, Frank suddenly jumps into the conversation seemingly out of nowhere.

GangsterFilmz

103,759 просмотров • 17 дней назад

Nvidia CEO Jensen Huang tells Joe Rogan the defining trait of President Trump that sets him apart from career politicians. And it’s exactly why the media HATES him. A few moments later, Huang adds that whenever you speak with Trump, he always begins with his love for America. HUANG: “You know, part of his charm…well, part of his genius is just he says what’s on his mind.” ROGAN: “Yes, which is like an anti-politician in a lot of ways.” HUANG: “Yeah. Right. So you know, what’s on his mind is really what’s on his mind, and he’s telling you what he believes.” ROGAN: “Which, I think people prefer…some people. Some people would rather be lied to.” HUANG: “Yeah, but I…I like the fact that he’s telling you what’s on his mind.” “Almost every time he explains something and he says something, he starts with his…you could tell his love for America, what he wants to do for America.” “And everything that he thinks through is very practical and very common sense. And, you know, it’s very logical.”
0:40

Nvidia CEO Jensen Huang tells Joe Rogan the defining trait of President Trump that sets him apart from career politicians. And it’s exactly why the media HATES him. A few moments later, Huang adds that whenever you speak with Trump, he always begins with his love for America. HUANG: “You know, part of his charm…well, part of his genius is just he says what’s on his mind.” ROGAN: “Yes, which is like an anti-politician in a lot of ways.” HUANG: “Yeah. Right. So you know, what’s on his mind is really what’s on his mind, and he’s telling you what he believes.” ROGAN: “Which, I think people prefer…some people. Some people would rather be lied to.” HUANG: “Yeah, but I…I like the fact that he’s telling you what’s on his mind.” “Almost every time he explains something and he says something, he starts with his…you could tell his love for America, what he wants to do for America.” “And everything that he thinks through is very practical and very common sense. And, you know, it’s very logical.”

Overton

115,243 просмотров • 7 месяцев назад

Robert De Niro saying that Trump is a dictator who is going to round up Hollywood liberals like Maher and himself: "If he wins the election, you won't be on the show anymore. He will come looking for me. There'll be things that happen that none of us can imagine. That what happens in that kind of a dictatorship." The only one who is going to round up Maher and De Niro at this point is Father Time. Calm down old man.
0:54

Robert De Niro saying that Trump is a dictator who is going to round up Hollywood liberals like Maher and himself: "If he wins the election, you won't be on the show anymore. He will come looking for me. There'll be things that happen that none of us can imagine. That what happens in that kind of a dictatorship." The only one who is going to round up Maher and De Niro at this point is Father Time. Calm down old man.

Eric Abbenante

3,304,385 просмотров • 2 лет назад