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Mavuika release up on patreon. Sound pack By: OolayTiger Studios 🔞🎙 VA Pack by: MOO🩷COW #rule34 #GenshinImpact #Mavuika #マーヴィカ #原神

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No Maidens Behavior

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20,908 görüntüleme • 1 yıl önce •via X (Twitter)

NSFW#rule34#GenshinImpact#Mavuika#マーヴィカ#原神
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💋💄AshleyXAndy in: Everlasting Flavor💢🙄 C'mon Andy~ Just try at least once~🥺 Special thank you to the amazing people who worked really really hard on this 🙏❤️ 🎨Artist: Feyy ⚰️🕊️🔞 🎙️Ashley VA: MOO🩷COW 🎙️Andy VA: MeiVA🎙🔞 (Chapter 2: Retirement?) 🔊🎞️SFX & Edit: MOO🩷COW
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[COMMISSION] Do you think a secret agent would play around with their vulnerable victim? Yelan thinks so. Voice : MOO🩷COW sound pack (one of the most awesome stuff I found suited for ryona scenarios~) SFX : OpenNSFW 🟣 Available Now #GenshinImpact #Yelan #Eula #リョナ #ryona
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ITS OUT!!! here are my shots for our hoyofair submission!! was really fun working on it Tip The Scales by Winterstellar Studios #HoYoFair #Genshinimpact #原神 #HoYoDetective #SavePaimon
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ITS OUT!!! here are my shots for our hoyofair submission!! was really fun working on it Tip The Scales by Winterstellar Studios #HoYoFair #Genshinimpact #原神 #HoYoDetective #SavePaimon

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Kitty & Puppy 3 (Audio Version) is here! Full video on my Patreon! 💕🐶 Puppy: 🔞PhosphorusVA | NSFW Voice Actor | DM For Booking Kitty: vivi🎙️🔞 Commissions Open Puppy’s Sister: Misuzugon 🦕 Puppy’s Mom/Weather Woman: Icebubble_tea. Tera: MOO🩷COW SFX/Audio editing/Additional Voices: 🔞RayTracingVA🐕⚜️ | VA & EDITOR | COMMS OPEN!!
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Kitty & Puppy 3 (Audio Version) is here! Full video on my Patreon! 💕🐶 Puppy: 🔞PhosphorusVA | NSFW Voice Actor | DM For Booking Kitty: vivi🎙️🔞 Commissions Open Puppy’s Sister: Misuzugon 🦕 Puppy’s Mom/Weather Woman: Icebubble_tea. Tera: MOO🩷COW SFX/Audio editing/Additional Voices: 🔞RayTracingVA🐕⚜️ | VA & EDITOR | COMMS OPEN!!

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🎧 NEW ANTHEM: Pack It Out by ARRESTED DEVELOPMENT 🔥 Song Produced by Configa 🎶 Listen/Buy & watch the Video: Boom bap soul for grown-folk ears. Hard-hitting bars, meaningful music, classic sound. Album Adult Contemporary Hip-Hop drops 4 July (3 July on Bandcamp) — co-exec produced by Speech & Configa. This one slaps 👋 (plus the remixes!). Run it up and most importantly, PACK IT OUT!! 💥 #PackItOut #ACHH #ArrestedDevelopment #Configa #BoomBap #HipHop #RealHipHop #OldSchoolHipHop #ProducerLife #NewMusic #FigaFiga
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Animators across the world ASSEMBLED to present you with… Genshin Impact in 25 ANIMATION STYLES! 🔻Full Video: Ever wondered how Genshin Impact would look as a black-and-white cartoon, an 80s anime, or even a stop-motion puppet show? Experience 25 animation scenes crafted by artists worldwide, from renowned studios and professional animators to beloved influencers and content creators. Embark on mesmerizing adventures across a 'multiverse' of Genshin Impact, each uniquely dreamed by amazing animators. 世界中のアニメーターたちが贈る、原神の新しい姿！ 未見の25のアニメスタイルで原神を描出 モノクロ、80年代レトロ、ストップモーションといった多彩なスタイルが、旅人さんの想像を超え 各アニメーターの視点から紡がれる原神の多元宇宙での冒険に心躍らせよう… #AnimatorDreamsGenshin #GenshinImpact #原神
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Animators across the world ASSEMBLED to present you with… Genshin Impact in 25 ANIMATION STYLES! 🔻Full Video: Ever wondered how Genshin Impact would look as a black-and-white cartoon, an 80s anime, or even a stop-motion puppet show? Experience 25 animation scenes crafted by artists worldwide, from renowned studios and professional animators to beloved influencers and content creators. Embark on mesmerizing adventures across a 'multiverse' of Genshin Impact, each uniquely dreamed by amazing animators. 世界中のアニメーターたちが贈る、原神の新しい姿！ 未見の25のアニメスタイルで原神を描出 モノクロ、80年代レトロ、ストップモーションといった多彩なスタイルが、旅人さんの想像を超え 各アニメーターの視点から紡がれる原神の多元宇宙での冒険に心躍らせよう… #AnimatorDreamsGenshin #GenshinImpact #原神

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All hail our talented queen. 👑 For everyone out there in a creative rut, we’ve got something to inspire you. Here’s a little behind-the-scenes video from our Creativity Issue cover shoot with #AshtineOlviga, who brought her signature burst of fun, passion, and pure imagination to the studio. It’s no exaggeration to say that her energy lit up the room and left us all feeling a little more inspired (and a lot more colorful.) 🌈 Check out Ashtine’s exclusive cover story and snag her exclusive photo prints in the Creativity pack. 🧑‍🎨🎨 Grab a physical copy of the issue and a Binder to complete your NYLON Manila MyZine set. Available now on and Sari Sari Newsstand on Shopee and Lazada. Photographed by Belg Belgica, assisted by Ron Godinez as graphic artist, Jyllan Bitalac as lighting/digitech, and Robyn Josue as lighting assistant. Creative & Fashion Direction by Andre Chang. Art Direction by Gelo Quijencio. Styling by Andre Chang and Patty Yap, assisted by Len Abrillo and Luigi Bravo. BTS Video by JR Ramirez, edited by James Jacinto. Makeup by Aron Guevara. Hair by Bianca Vergara, assisted by Princess Quisel. Nails by Precy Tan. Shoot Coordination by Bianca Lao, Megan Lim, & Mika Cruz. Special thanks to our official venue partner SUHA Studios. Meal Partner BOTEJYU. Beverage Partner ZUS Coffee. Cover Story by Nica Glorioso. NYLON Manila, July 2025. Special thanks to VIVA Artists Agency and VIVA Records. #AshtineForNYLONManila #NYLONManilaMyZine

NYLON Manila

43,234 görüntüleme • 1 yıl önce

He's 26. He built a scale model of the Burj Khalifa so detailed the developer flew him to Dubai - on a used resin printer he runs in a Chicago apartment for a fraction of the $80,000 model studios charge The printer is a large-format resin machine he pulled from a shuttered Chicago prototype shop for $1,400. He models every building in Blender from the developer's own CAD files, splits it into hundreds of printable sections, and resin-prints them over week-long cycles - every balcony, every window mullion, every setback on a 6-foot tower, accurate to the millimeter. He wires fiber-optic lighting through the floors so the model glows like the real building at dusk. Total material cost per model: $600 in resin and $90 in LEDs. Model studios quoted the same developer $80,000 and a four-month wait. He delivered in six weeks for $9,000 He posted a time-lapse to Reddit r/architecture in October showing a 6-foot Burj Khalifa replica rising layer by layer, then lighting up floor by floor. The video hit 2.4 million views in nine days. By January he had built scale models for six developers - a Miami condo tower, a Chicago mixed-use block, a Riyadh masterplan - and one architecture firm that now subcontracts every presentation model to his apartment. $180,000 in his account. His father, a retired union electrician, wires the fiber-optic lighting harnesses on weekends Architectural model studios run on the premise that presentation-grade scale models require their workshops, their staff of twelve, and their $80,000 commissions. Autodesk sells the rendering software on the same premise at $2,400 a seat. He builds the same models on a resin printer in a Chicago apartment that could pack a full luxury tower into a padded crate and ship it to a developer's sales gallery across the country by Tuesday
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He's 26. He built a scale model of the Burj Khalifa so detailed the developer flew him to Dubai - on a used resin printer he runs in a Chicago apartment for a fraction of the $80,000 model studios charge The printer is a large-format resin machine he pulled from a shuttered Chicago prototype shop for $1,400. He models every building in Blender from the developer's own CAD files, splits it into hundreds of printable sections, and resin-prints them over week-long cycles - every balcony, every window mullion, every setback on a 6-foot tower, accurate to the millimeter. He wires fiber-optic lighting through the floors so the model glows like the real building at dusk. Total material cost per model: $600 in resin and $90 in LEDs. Model studios quoted the same developer $80,000 and a four-month wait. He delivered in six weeks for $9,000 He posted a time-lapse to Reddit r/architecture in October showing a 6-foot Burj Khalifa replica rising layer by layer, then lighting up floor by floor. The video hit 2.4 million views in nine days. By January he had built scale models for six developers - a Miami condo tower, a Chicago mixed-use block, a Riyadh masterplan - and one architecture firm that now subcontracts every presentation model to his apartment. $180,000 in his account. His father, a retired union electrician, wires the fiber-optic lighting harnesses on weekends Architectural model studios run on the premise that presentation-grade scale models require their workshops, their staff of twelve, and their $80,000 commissions. Autodesk sells the rendering software on the same premise at $2,400 a seat. He builds the same models on a resin printer in a Chicago apartment that could pack a full luxury tower into a padded crate and ship it to a developer's sales gallery across the country by Tuesday

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YOUNG AMERICANS 50TH ANNIVERSARY VINYL DUE IN MARCH “Young American, young American, you want the young American...” DAVID BOWIE YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER LIMITED EDITION RELEASES AVAILABLE 7th MARCH, 2025 ON PARLOPHONE PRE-ORDER HERE: (Link will be updated throughout the day) #BowieYoungAmericans #YoungAmericans50 7th March 2025 marks the 50th anniversary of the release of David Bowie's ninth studio album, YOUNG AMERICANS. On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP and a picture disc LP pressed from the same master. The picture disc comes with a poster of the album cover. The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., ‘FAME’, co-written with John Lennon and Bowie's then guitarist, Carlos Alomar. The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December ’74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles ‘ACROSS THE UNIVERSE’ and a new collaborative composition, ‘FAME’ at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin. Bowie opted not to tour following YOUNG AMERICANS’ release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios. DAVID BOWIE - YOUNG AMERICANS - TRACKLISTING SIDE ONE Young Americans Win Fascination Right SIDE TWO Somebody Up There Likes Me Across The Universe Can You Hear Me Fame YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER AVAILABLE 7th MARCH, 2025 ON PARLOPHONE
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YOUNG AMERICANS 50TH ANNIVERSARY VINYL DUE IN MARCH “Young American, young American, you want the young American...” DAVID BOWIE YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER LIMITED EDITION RELEASES AVAILABLE 7th MARCH, 2025 ON PARLOPHONE PRE-ORDER HERE: (Link will be updated throughout the day) #BowieYoungAmericans #YoungAmericans50 7th March 2025 marks the 50th anniversary of the release of David Bowie's ninth studio album, YOUNG AMERICANS. On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP and a picture disc LP pressed from the same master. The picture disc comes with a poster of the album cover. The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., ‘FAME’, co-written with John Lennon and Bowie's then guitarist, Carlos Alomar. The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December ’74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles ‘ACROSS THE UNIVERSE’ and a new collaborative composition, ‘FAME’ at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin. Bowie opted not to tour following YOUNG AMERICANS’ release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios. DAVID BOWIE - YOUNG AMERICANS - TRACKLISTING SIDE ONE Young Americans Win Fascination Right SIDE TWO Somebody Up There Likes Me Across The Universe Can You Hear Me Fame YOUNG AMERICANS 50th ANNIVERSARY HALF SPEED MASTERED LP 50th ANNIVERSARY PICTURE DISC LP WITH POSTER AVAILABLE 7th MARCH, 2025 ON PARLOPHONE

David Bowie Official

70,431 görüntüleme • 1 yıl önce

“Hollywood Steps Out” (1941). “Hollywood Steps Out” is a 1941 Warner Bros. Merrie Melodies cartoon short directed by Tex Avery and produced by Leon Schlesinger. The cartoon features caricatures of over forty contemporary Hollywood celebrities (along with guest appearances). PLOT A group of “caricatured” Hollywood stars is having an expensive dinner at Ciro's nightclub in West Hollywood. The first stars seen are Claudette Colbert, Don Ameche, Adolphe Menjou and Norma Shearer. Greta Garbo, working as a cigarette girl, sells a pack to Cary Grant, then lights his cigarette by striking a match on her very large foot. Edward G. Robinson asks Ann Sheridan “How's the Oomph girl tonight?”. Sheridan responds by uttering the word “oomph” several times. Warner Bros. staffers Henry Binder and Leon Schlesinger are shown. A seat is reserved for Bette Davis, as is an extra-wide sofa for Kate Smith. More seats are reserved for the characters of the Blondie films, including a fire hydrant for Daisy the dog. In the cloakroom, Johnny Weissmuller checks a coat with Paulette Goddard that reveals his Tarzan outfit. Sally Rand leaves her trademark feather fans behind and is presumably naked. James Cagney prepares Humphrey Bogart and George Raft for a risky task: pitching pennies. Harpo Marx gives Garbo a hot foot, who reacts with a weary “Ouch”. Clark Gable turns his head around 180 degrees to observe a blonde girl, whom he follows offscreen. Bing Crosby introduces the evening's entertainment, interrupted frequently by a racehorse with an apparently unconscious jockey. Crosby presents conductor Leopold Stokowski, who wears a snood before performing “Ahí, viene la conga” (also known as “Here comes the conga” in English). The conga inspires Dorothy Lamour to invite James Stewart to dance with her, who stutters, stammers, and runs away scared. Gable dances by, following the girl he saw earlier. Tyrone Power dances with Sonja Henie. Frankenstein's monster dances stiffly and woodenly. The Three Stooges abuse each other in rhythm to the beat. Oliver Hardy's dance partner is revealed to be twin blonde women initially hidden by his obese frame. Cesar Romero dances clumsily with Rita Hayworth. Mickey Rooney, sitting with Judy Garland, is presented with an expensive bill, who turns to ask his Andy Hardy movie father (Lewis Stone) for a heart-to-heart talk. In the next scene, they are seen washing dishes. Gable is still pursuing the girl. Crosby then introduces Sally Rand (identified as “Sally Strand”), performing a bubble dance to “I'm Forever Blowing Bubbles”, as the camera cuts between the men's reactions and her dancing. Spectators at various tables include: Kay Kyser, William Powell, Spencer Tracy, Ronald Colman, Errol Flynn, Wallace Beery, and C. Aubrey Smith, who wolf-whistle in unison (by saying “Baby!”), Peter Lorre, Henry Fonda, whose “mother” pulls him away by his ear (in its reference to The Aldrich Family), J. Edgar Hoover, Boris Karloff, Arthur Treacher, Buster Keaton, and Mischa Auer, asked by Ned Sparks if they are having a good time, and Jerry Colonna, who reveals an invisible character next to him called “Yehudi”. Now that Strand is standing still on the stage, this allows Harpo Marx an opportunity to shoot her bubble with a slingshot. The bubble explodes on impact, and she reacts with shock, as it reveals she is wearing a barrel, held up by suspenders. Meanwhile, Gable has finally caught up to the girl he was chasing and insists she kiss him. The girl turns out to be Groucho Marx in drag. CAST Kent Rogers as James Cagney, Cary Grant, Edward G. Robinson, Clark Gable, Ned Sparks, Peter Lorre, Groucho Marx, Mickey Rooney, James Stewart, J. Edgar Hoover, Henry Fonda, Bing Crosby, Kay Kyser, Lewis Stone, Mel Blanc as Jerry Colonna, Sara Berner as Greta Garbo, Ann Sheridan, Paulette Goddard, Dorothy Lamour, and Henry Fonda's mother. Directed by Supervision: Fred Avery Story by: Dave Monahan Produced by: Leon Schlesinger Starring Sara Berner, Mel Blanc and Kent Rogers Edited by: Treg Brown Music by: Carl W. Stalling Animation by: Rod Scribner Color Process: Technicolor Production Company: Leon Schlesinger Productions Distributed by: Warner Bros. Pictures Release Dates: May 24, 1941 (original); October 2, 1948 (Blue Ribbon reissue).
6:37

“Hollywood Steps Out” (1941). “Hollywood Steps Out” is a 1941 Warner Bros. Merrie Melodies cartoon short directed by Tex Avery and produced by Leon Schlesinger. The cartoon features caricatures of over forty contemporary Hollywood celebrities (along with guest appearances). PLOT A group of “caricatured” Hollywood stars is having an expensive dinner at Ciro's nightclub in West Hollywood. The first stars seen are Claudette Colbert, Don Ameche, Adolphe Menjou and Norma Shearer. Greta Garbo, working as a cigarette girl, sells a pack to Cary Grant, then lights his cigarette by striking a match on her very large foot. Edward G. Robinson asks Ann Sheridan “How's the Oomph girl tonight?”. Sheridan responds by uttering the word “oomph” several times. Warner Bros. staffers Henry Binder and Leon Schlesinger are shown. A seat is reserved for Bette Davis, as is an extra-wide sofa for Kate Smith. More seats are reserved for the characters of the Blondie films, including a fire hydrant for Daisy the dog. In the cloakroom, Johnny Weissmuller checks a coat with Paulette Goddard that reveals his Tarzan outfit. Sally Rand leaves her trademark feather fans behind and is presumably naked. James Cagney prepares Humphrey Bogart and George Raft for a risky task: pitching pennies. Harpo Marx gives Garbo a hot foot, who reacts with a weary “Ouch”. Clark Gable turns his head around 180 degrees to observe a blonde girl, whom he follows offscreen. Bing Crosby introduces the evening's entertainment, interrupted frequently by a racehorse with an apparently unconscious jockey. Crosby presents conductor Leopold Stokowski, who wears a snood before performing “Ahí, viene la conga” (also known as “Here comes the conga” in English). The conga inspires Dorothy Lamour to invite James Stewart to dance with her, who stutters, stammers, and runs away scared. Gable dances by, following the girl he saw earlier. Tyrone Power dances with Sonja Henie. Frankenstein's monster dances stiffly and woodenly. The Three Stooges abuse each other in rhythm to the beat. Oliver Hardy's dance partner is revealed to be twin blonde women initially hidden by his obese frame. Cesar Romero dances clumsily with Rita Hayworth. Mickey Rooney, sitting with Judy Garland, is presented with an expensive bill, who turns to ask his Andy Hardy movie father (Lewis Stone) for a heart-to-heart talk. In the next scene, they are seen washing dishes. Gable is still pursuing the girl. Crosby then introduces Sally Rand (identified as “Sally Strand”), performing a bubble dance to “I'm Forever Blowing Bubbles”, as the camera cuts between the men's reactions and her dancing. Spectators at various tables include: Kay Kyser, William Powell, Spencer Tracy, Ronald Colman, Errol Flynn, Wallace Beery, and C. Aubrey Smith, who wolf-whistle in unison (by saying “Baby!”), Peter Lorre, Henry Fonda, whose “mother” pulls him away by his ear (in its reference to The Aldrich Family), J. Edgar Hoover, Boris Karloff, Arthur Treacher, Buster Keaton, and Mischa Auer, asked by Ned Sparks if they are having a good time, and Jerry Colonna, who reveals an invisible character next to him called “Yehudi”. Now that Strand is standing still on the stage, this allows Harpo Marx an opportunity to shoot her bubble with a slingshot. The bubble explodes on impact, and she reacts with shock, as it reveals she is wearing a barrel, held up by suspenders. Meanwhile, Gable has finally caught up to the girl he was chasing and insists she kiss him. The girl turns out to be Groucho Marx in drag. CAST Kent Rogers as James Cagney, Cary Grant, Edward G. Robinson, Clark Gable, Ned Sparks, Peter Lorre, Groucho Marx, Mickey Rooney, James Stewart, J. Edgar Hoover, Henry Fonda, Bing Crosby, Kay Kyser, Lewis Stone, Mel Blanc as Jerry Colonna, Sara Berner as Greta Garbo, Ann Sheridan, Paulette Goddard, Dorothy Lamour, and Henry Fonda's mother. Directed by Supervision: Fred Avery Story by: Dave Monahan Produced by: Leon Schlesinger Starring Sara Berner, Mel Blanc and Kent Rogers Edited by: Treg Brown Music by: Carl W. Stalling Animation by: Rod Scribner Color Process: Technicolor Production Company: Leon Schlesinger Productions Distributed by: Warner Bros. Pictures Release Dates: May 24, 1941 (original); October 2, 1948 (Blue Ribbon reissue).

Hollywood Golden Age of cinema

54,656 görüntüleme • 5 ay önce

“Hollywood Steps Out” (1941) ― Merrie Melodies Cartoon. “Hollywood Steps Out” is a 1941 Warner Bros. Merrie Melodies cartoon short directed by Tex Avery and produced by Leon Schlesinger. The cartoon features caricatures of over forty contemporary Hollywood celebrities (along with guest appearances). PLOT A group of “caricatured” Hollywood stars is having an expensive dinner at Ciro's nightclub in West Hollywood. The first stars seen are Claudette Colbert, Don Ameche, Adolphe Menjou and Norma Shearer. Greta Garbo, working as a cigarette girl, sells a pack to Cary Grant, then lights his cigarette by striking a match on her very large foot. Edward G. Robinson asks Ann Sheridan “How's the Oomph girl tonight?”. Sheridan responds by uttering the word “oomph” several times. Warner Bros. staffers Henry Binder and Leon Schlesinger are shown. A seat is reserved for Bette Davis, as is an extra-wide sofa for Kate Smith. More seats are reserved for the characters of the Blondie films, including a fire hydrant for Daisy the dog. In the cloakroom, Johnny Weissmuller checks a coat with Paulette Goddard that reveals his Tarzan outfit. Sally Rand leaves her trademark feather fans behind and is presumably naked. James Cagney prepares Humphrey Bogart and George Raft for a risky task: pitching pennies. Harpo Marx gives Garbo a hot foot, who reacts with a weary “Ouch”. Clark Gable turns his head around 180 degrees to observe a blonde girl, whom he follows offscreen. Bing Crosby introduces the evening's entertainment, interrupted frequently by a racehorse with an apparently unconscious jockey. Crosby presents conductor Leopold Stokowski, who wears a snood before performing “Ahí, viene la conga” (also known as “Here comes the conga” in English). The conga inspires Dorothy Lamour to invite James Stewart to dance with her, who stutters, stammers, and runs away scared. Gable dances by, following the girl he saw earlier. Tyrone Power dances with Sonja Henie. Frankenstein's monster dances stiffly and woodenly. The Three Stooges abuse each other in rhythm to the beat. Oliver Hardy's dance partner is revealed to be twin blonde women initially hidden by his obese frame. Cesar Romero dances clumsily with Rita Hayworth. Mickey Rooney, sitting with Judy Garland, is presented with an expensive bill, who turns to ask his Andy Hardy movie father (Lewis Stone) for a heart-to-heart talk. In the next scene, they are seen washing dishes. Gable is still pursuing the girl. Crosby then introduces Sally Rand (identified as “Sally Strand”), performing a bubble dance to “I'm Forever Blowing Bubbles”, as the camera cuts between the men's reactions and her dancing. Spectators at various tables include: Kay Kyser, William Powell, Spencer Tracy, Ronald Colman, Errol Flynn, Wallace Beery, and C. Aubrey Smith, who wolf-whistle in unison (by saying “Baby!”), Peter Lorre, Henry Fonda, whose “mother” pulls him away by his ear (in its reference to The Aldrich Family), J. Edgar Hoover, Boris Karloff, Arthur Treacher, Buster Keaton, and Mischa Auer, asked by Ned Sparks if they are having a good time, and Jerry Colonna, who reveals an invisible character next to him called “Yehudi”. Now that Strand is standing still on the stage, this allows Harpo Marx an opportunity to shoot her bubble with a slingshot. The bubble explodes on impact, and she reacts with shock, as it reveals she is wearing a barrel, held up by suspenders. Meanwhile, Gable has finally caught up to the girl he was chasing and insists she kiss him. The girl turns out to be Groucho Marx in drag. CAST Kent Rogers as James Cagney, Cary Grant, Edward G. Robinson, Clark Gable, Ned Sparks, Peter Lorre, Groucho Marx, Mickey Rooney, James Stewart, J. Edgar Hoover, Henry Fonda, Bing Crosby, Kay Kyser, and Lewis Stone. Mel Blanc as Jerry Colonna. Sara Berner as Greta Garbo, Ann Sheridan, Paulette Goddard, Dorothy Lamour, and Henry Fonda's mother. Directed by Supervision: Fred Avery Story by: Dave Monahan Produced by: Leon Schlesinger Starring Kent Rogers, Sara Berner, and Mel Blanc Edited by: Treg Brown Music by: Carl W. Stalling Animation by: Rod Scribner Color Process: Technicolor Production Company: Leon Schlesinger Productions Distributed by: Warner Bros. Pictures Release Dates: May 24, 1941 (original); October 2, 1948 (Blue Ribbon reissue).
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“Hollywood Steps Out” (1941) ― Merrie Melodies Cartoon. “Hollywood Steps Out” is a 1941 Warner Bros. Merrie Melodies cartoon short directed by Tex Avery and produced by Leon Schlesinger. The cartoon features caricatures of over forty contemporary Hollywood celebrities (along with guest appearances). PLOT A group of “caricatured” Hollywood stars is having an expensive dinner at Ciro's nightclub in West Hollywood. The first stars seen are Claudette Colbert, Don Ameche, Adolphe Menjou and Norma Shearer. Greta Garbo, working as a cigarette girl, sells a pack to Cary Grant, then lights his cigarette by striking a match on her very large foot. Edward G. Robinson asks Ann Sheridan “How's the Oomph girl tonight?”. Sheridan responds by uttering the word “oomph” several times. Warner Bros. staffers Henry Binder and Leon Schlesinger are shown. A seat is reserved for Bette Davis, as is an extra-wide sofa for Kate Smith. More seats are reserved for the characters of the Blondie films, including a fire hydrant for Daisy the dog. In the cloakroom, Johnny Weissmuller checks a coat with Paulette Goddard that reveals his Tarzan outfit. Sally Rand leaves her trademark feather fans behind and is presumably naked. James Cagney prepares Humphrey Bogart and George Raft for a risky task: pitching pennies. Harpo Marx gives Garbo a hot foot, who reacts with a weary “Ouch”. Clark Gable turns his head around 180 degrees to observe a blonde girl, whom he follows offscreen. Bing Crosby introduces the evening's entertainment, interrupted frequently by a racehorse with an apparently unconscious jockey. Crosby presents conductor Leopold Stokowski, who wears a snood before performing “Ahí, viene la conga” (also known as “Here comes the conga” in English). The conga inspires Dorothy Lamour to invite James Stewart to dance with her, who stutters, stammers, and runs away scared. Gable dances by, following the girl he saw earlier. Tyrone Power dances with Sonja Henie. Frankenstein's monster dances stiffly and woodenly. The Three Stooges abuse each other in rhythm to the beat. Oliver Hardy's dance partner is revealed to be twin blonde women initially hidden by his obese frame. Cesar Romero dances clumsily with Rita Hayworth. Mickey Rooney, sitting with Judy Garland, is presented with an expensive bill, who turns to ask his Andy Hardy movie father (Lewis Stone) for a heart-to-heart talk. In the next scene, they are seen washing dishes. Gable is still pursuing the girl. Crosby then introduces Sally Rand (identified as “Sally Strand”), performing a bubble dance to “I'm Forever Blowing Bubbles”, as the camera cuts between the men's reactions and her dancing. Spectators at various tables include: Kay Kyser, William Powell, Spencer Tracy, Ronald Colman, Errol Flynn, Wallace Beery, and C. Aubrey Smith, who wolf-whistle in unison (by saying “Baby!”), Peter Lorre, Henry Fonda, whose “mother” pulls him away by his ear (in its reference to The Aldrich Family), J. Edgar Hoover, Boris Karloff, Arthur Treacher, Buster Keaton, and Mischa Auer, asked by Ned Sparks if they are having a good time, and Jerry Colonna, who reveals an invisible character next to him called “Yehudi”. Now that Strand is standing still on the stage, this allows Harpo Marx an opportunity to shoot her bubble with a slingshot. The bubble explodes on impact, and she reacts with shock, as it reveals she is wearing a barrel, held up by suspenders. Meanwhile, Gable has finally caught up to the girl he was chasing and insists she kiss him. The girl turns out to be Groucho Marx in drag. CAST Kent Rogers as James Cagney, Cary Grant, Edward G. Robinson, Clark Gable, Ned Sparks, Peter Lorre, Groucho Marx, Mickey Rooney, James Stewart, J. Edgar Hoover, Henry Fonda, Bing Crosby, Kay Kyser, and Lewis Stone. Mel Blanc as Jerry Colonna. Sara Berner as Greta Garbo, Ann Sheridan, Paulette Goddard, Dorothy Lamour, and Henry Fonda's mother. Directed by Supervision: Fred Avery Story by: Dave Monahan Produced by: Leon Schlesinger Starring Kent Rogers, Sara Berner, and Mel Blanc Edited by: Treg Brown Music by: Carl W. Stalling Animation by: Rod Scribner Color Process: Technicolor Production Company: Leon Schlesinger Productions Distributed by: Warner Bros. Pictures Release Dates: May 24, 1941 (original); October 2, 1948 (Blue Ribbon reissue).

Hollywood Golden Age of Cinema

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