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Max Strus Postgame With Serena Winters & Austin Carr After Win vs Bucks: ā€œ[0:30] A win is a win. I’d like to hear the game notes from my guy AC though…you should see his notes. He’s got a lot going here. [AC: I got a lot of notes up...

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Jon Rahm on the LIV format: ā€œYeah, obviously there’s been a bit of a change. There was a lot more about LIV Golf that was attractive to me, right. Yeah, maybe the format was a set back in the past, but at the same time there’s a lot of positives to it as well. And one of the things that a lot of players kept mentioning is you don’t have a wave weather difference, where you can simply get unlucky and you’re out of contention for that tournament. It’s part of the game, I get it, but it’s something you don’t have to deal with anymore. So that part is a very nice aspect. The team is what really made it for me. Being able to be part of a team, represent a team, play for my teammates, with my teammates and against my teammates, is something that to me that has always been very, very special. When you get a victory to share, it’s always better to have a team to share it with. So it’s what was the most attractive part and when we started discussions it gets to a point where even though I’m ambitious, I’m not greedy. So there’s a give and take and the format is something that I can easily overlook, and I’m pretty sure I can learn to enjoy it, I’ll just have to get used to it, but I’m pretty sure I’ll learn to enjoy it. To be honest, the more I started thinking about it, the more I started thinking about my college days that were 3 day tournaments, 54 holes, and everybody warmed up together for the most part. So it shouldn’t be an environment I’m unfamiliar with.ā€ This is from the LIV podcast called ā€œFairway to Heavenā€. Full link:

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Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… ā€œI wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, ā€œWell, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.ā€ Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, ā€œYeah, yeah. That’s just disappointing. It’s just regretful.ā€ I go, ā€œWhat?ā€ ā€œWell, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.ā€ And so he kind of gives me the – ā€œjust think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.ā€ So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, ā€œYeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.ā€ And he goes, ā€œYeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.ā€ And I go, ā€œYou would consider playing Louis?ā€ ā€œYeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.ā€ I go, ā€œWell, you didn’t let me know that before.ā€ He goes, ā€œWell, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.ā€ And then it was a done deal.ā€

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Iman Shumpert on the difference between playing with LeBron James and Carmelo Anthony: ā€œWith Bron, the most that I learned from was just like what I’m looking at in the game. Like the times that I’m thinking TA just trying to get a stop and Bron like no TA trying to speed you up or slow you down because it’s a two for one situation and you just don’t know. He taking advantage of you. So you taking the bait because you don’t know what the fu*k you doing. And he like, you know he looking at me like Melo ain’t teach you. But it’s like anytime Melo said two for one I went but I didn’t know what the fu*k you talking about gang. Like I was embarrassed to tell Melo I ain’t know what the fu*k going on. For real though. This me being transparent at 21. Like Melo telling me some sh*t I don’t know. But Melo not the type of n***a that’s going to grab you after the game, sit you down, say this was the play, circle it. Melo kind of internalizes it be like, Damn, his young a** I can’t expect his young a** to know that, so I need to score another five points, I need to do a little bit more. He like, it can’t be Shump fault. You know what I’m saying? And Bron kind holds you accountable like, I’m going to throw a turnover if you’re not in the spot I told you to be. I’m going to throw a blind pass over my head and if you not there I’m going to tell coach to take you out.ā€ (Via Out The Mud Podcast)

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