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Melo Ant Jaden Bron Rudy Ayo Donte TSJ Rui (he going wherever Bron goes) Joan Bones Isaiah We canāt losešš
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![Origins of Stairway to Heaven, The most requested song on US FM radio at the time of its release as a promo single, on 8 November 1971, Stairway To Heaven is now as ubiquitous in rock lore as the likes of Deep Purpleās Smoke On The Water or The Rolling Stonesā (I Canāt Get No) Satisfaction. Indeed, with the possible exception of Whole Lotta Love, Stairway To Heaven is still the song most people associate with Led Zeppelin, though its enduring appeal has sometimes surprised its chief creator over the years. āI knew it was good,ā guitarist Jimmy Page said in a 1977 interview with Trouser Press. āI didnāt know it was going to become like an anthem, but I did know it was the gem of the album, sure.ā āIt begins with the concept of trying to have something [that] would unravel in layers as the song progressed,ā Page explained in a 2014 interview with The Guardian. āYouāve got the fragile guitar that is going to open the whole thing, youāve got the vocal over that fragile guitar, and then it moves into the more sensual wave with the twin 12-strings, and the electric piano as wellā¦ The tempo changes from the beginning to the end ā itās quite radically different ā but that was the intention.ā Stairway To Heavenās genesis dates back to 1970, when Page and Plant spent time writing the songs for Led Zeppelin III at Bron-Y-Aur, a remote cottage in Snowdonia, North Wales. Page later recalled that he developed the music for Stairway To Heaven āover a long period, the first part coming at Bron-Y-Aur one nightā, though he later spent time working on the song with Plant. āStairway To Heaven was the result of an evening when Jimmy and I just sat down in front of the fire,ā Plant told the NME in 1972. āWe came up with a song which was later developed by the rest of the band in the studio.ā Led Zeppelin performing 'Stairway to Heaven' live in 1979.](https://image.24vids.com/tw-1984219644924760484/amplify_video_thumb/1984219243555041280/img/prTnAgD-A2opmP2I.jpg)
![Origins of Stairway to Heaven, The most requested song on US FM radio at the time of its release as a promo single, on 8 November 1971, Stairway To Heaven is now as ubiquitous in rock lore as the likes of Deep Purpleās Smoke On The Water or The Rolling Stonesā (I Canāt Get No) Satisfaction. Indeed, with the possible exception of Whole Lotta Love, Stairway To Heaven is still the song most people associate with Led Zeppelin, though its enduring appeal has sometimes surprised its chief creator over the years. āI knew it was good,ā guitarist Jimmy Page said in a 1977 interview with Trouser Press. āI didnāt know it was going to become like an anthem, but I did know it was the gem of the album, sure.ā āIt begins with the concept of trying to have something [that] would unravel in layers as the song progressed,ā Page explained in a 2014 interview with The Guardian. āYouāve got the fragile guitar that is going to open the whole thing, youāve got the vocal over that fragile guitar, and then it moves into the more sensual wave with the twin 12-strings, and the electric piano as wellā¦ The tempo changes from the beginning to the end ā itās quite radically different ā but that was the intention.ā Stairway To Heavenās genesis dates back to 1970, when Page and Plant spent time writing the songs for Led Zeppelin III at Bron-Y-Aur, a remote cottage in Snowdonia, North Wales. Page later recalled that he developed the music for Stairway To Heaven āover a long period, the first part coming at Bron-Y-Aur one nightā, though he later spent time working on the song with Plant. āStairway To Heaven was the result of an evening when Jimmy and I just sat down in front of the fire,ā Plant told the NME in 1972. āWe came up with a song which was later developed by the rest of the band in the studio.ā Led Zeppelin performing the rock anthem, Stairway to Heaven, live at the Earls Court, in 1975. This is what it is and it is called rock and roll if you wanna enjoy!](https://image.24vids.com/tw-1965452807730855973/ext_tw_video_thumb/1965452592479174656/pu/img/CnPdBOzF2ay3ByER.jpg)
![This is one of the greatest displays of the creative process Iāve seen. It perfectly illustrates something many of my favorite artists have described. When you go to the studio, Mayer was asked, what do you do to generate ideas? āWell, I donāt always do it,ā he admitted, ābecause it requires a stupid bravery all the time.ā Mayer strums a couple chords without singing. A nice melody begins to formāāyou can sit here all day [doing this] and go, āOkay, maybe thatās something.āā āBut if you donāt go,ā and then he starts improvising vocals, āSunlights beating on the corner of the walls / and Iām a Mr. know-it-all / heaven calls / get yourself right / get yourself right,ā he stops, raises his finger to his mouth, and explains, āif youāre not ouija boarding immediately, youāre wasting time.ā āYou just stare at the corner of the wall,ā he says, before improvising some more, āStare at the corner of the wall / try to get it going on / but I canāt sometimes / you just keep going 'til you get something / maybe Iām a little bit shy / maybe someday Iāll tell you why.ā He stops singing to say, āyou gotta keep forcing it, forcing it, forcing it. It doesnāt matter [what comes out of your mouth]...You gotta get fearless, fearless, fearless, fearlessā¦Itās hard to do.ā Takeaway: When talking about their creative processes, many artists describe something similar to what Mayer refers to as āouija boardingāāspitting out words and phrases, without worrying if theyāre good or even make sense). When asked where his ideas came from, Pablo Picasso said, āAs soon as I start to work, [ideas] well up in my pen. To know what youāre going to draw, you have to begin drawing.ā Joan Didion famously wrote, āI write entirely to find out what Iām thinking.ā And Judd Apatow said that his movie scripts are all a product of the Down-Up theory: āGet the ideas DOWN then fix them UP.ā āGive yourself permission to suck,ā Apatow says. āAnything goes. Just get something down.ā Make it exist, as they say, then make it good. Thereās a neural explanation for this process... I recently shared a clip of Dr. Andrew Huberman explaining what happens in our brain when we sit down to focus. Whether weāre trying to read, write, create a song, or generate ideasāwhen you sit down and try to focus, Huberman explains, āThe brain circuits that turn on first are of the stress system...The agitation and stress that you feel at the beginning of somethingāwhen youāre trying to lean into it and you canāt focus: you feel agitated and your mindās jumping all over the placeāthat is just a gate. You have to pass through that gate to get to the focus component.ā He uses a great analogy: āYou have to wade through some sewage before you can swim in clear water. Thatās the way I always think about it.ā Essentially: you become creative by creating, you get more creative the more you create. At the start of a focused creative session, bad ideas almost always come out first. You just have to wade through the sewage of bad ideas, ājust keep going ātil you get something,ā as Mayer sang, ātil you reach clear water. - - - āYou gotta keep forcing it, forcing it, forcing it...You gotta get fearless, fearless, fearless, fearless.ā ā John Mayer Follow Billy Oppenheimer for more content like this!](https://image.24vids.com/tw-1887557666001600522/amplify_video_thumb/1887557550876270592/img/3wupStnLB16e9elk.jpg)