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![Origins of Stairway to Heaven, The most requested song on US FM radio at the time of its release as a promo single, on 8 November 1971, Stairway To Heaven is now as ubiquitous in rock lore as the likes of Deep Purple’s Smoke On The Water or The Rolling Stones’ (I Can’t Get No) Satisfaction. Indeed, with the possible exception of Whole Lotta Love, Stairway To Heaven is still the song most people associate with Led Zeppelin, though its enduring appeal has sometimes surprised its chief creator over the years. “I knew it was good,” guitarist Jimmy Page said in a 1977 interview with Trouser Press. “I didn’t know it was going to become like an anthem, but I did know it was the gem of the album, sure.” “It begins with the concept of trying to have something [that] would unravel in layers as the song progressed,” Page explained in a 2014 interview with The Guardian. “You’ve got the fragile guitar that is going to open the whole thing, you’ve got the vocal over that fragile guitar, and then it moves into the more sensual wave with the twin 12-strings, and the electric piano as well… The tempo changes from the beginning to the end – it’s quite radically different – but that was the intention.” Stairway To Heaven’s genesis dates back to 1970, when Page and Plant spent time writing the songs for Led Zeppelin III at Bron-Y-Aur, a remote cottage in Snowdonia, North Wales. Page later recalled that he developed the music for Stairway To Heaven “over a long period, the first part coming at Bron-Y-Aur one night”, though he later spent time working on the song with Plant. “Stairway To Heaven was the result of an evening when Jimmy and I just sat down in front of the fire,” Plant told the NME in 1972. “We came up with a song which was later developed by the rest of the band in the studio.” Led Zeppelin performing 'Stairway to Heaven' live in 1979.](https://image.24vids.com/tw-1984219644924760484/amplify_video_thumb/1984219243555041280/img/prTnAgD-A2opmP2I.jpg)
![Origins of Stairway to Heaven, The most requested song on US FM radio at the time of its release as a promo single, on 8 November 1971, Stairway To Heaven is now as ubiquitous in rock lore as the likes of Deep Purple’s Smoke On The Water or The Rolling Stones’ (I Can’t Get No) Satisfaction. Indeed, with the possible exception of Whole Lotta Love, Stairway To Heaven is still the song most people associate with Led Zeppelin, though its enduring appeal has sometimes surprised its chief creator over the years. “I knew it was good,” guitarist Jimmy Page said in a 1977 interview with Trouser Press. “I didn’t know it was going to become like an anthem, but I did know it was the gem of the album, sure.” “It begins with the concept of trying to have something [that] would unravel in layers as the song progressed,” Page explained in a 2014 interview with The Guardian. “You’ve got the fragile guitar that is going to open the whole thing, you’ve got the vocal over that fragile guitar, and then it moves into the more sensual wave with the twin 12-strings, and the electric piano as well… The tempo changes from the beginning to the end – it’s quite radically different – but that was the intention.” Stairway To Heaven’s genesis dates back to 1970, when Page and Plant spent time writing the songs for Led Zeppelin III at Bron-Y-Aur, a remote cottage in Snowdonia, North Wales. Page later recalled that he developed the music for Stairway To Heaven “over a long period, the first part coming at Bron-Y-Aur one night”, though he later spent time working on the song with Plant. “Stairway To Heaven was the result of an evening when Jimmy and I just sat down in front of the fire,” Plant told the NME in 1972. “We came up with a song which was later developed by the rest of the band in the studio.” Led Zeppelin performing the rock anthem, Stairway to Heaven, live at the Earls Court, in 1975. This is what it is and it is called rock and roll if you wanna enjoy!](https://image.24vids.com/tw-1965452807730855973/ext_tw_video_thumb/1965452592479174656/pu/img/CnPdBOzF2ay3ByER.jpg)
![This is one of the greatest displays of the creative process I’ve seen. It perfectly illustrates something many of my favorite artists have described. When you go to the studio, Mayer was asked, what do you do to generate ideas? “Well, I don’t always do it,” he admitted, “because it requires a stupid bravery all the time.” Mayer strums a couple chords without singing. A nice melody begins to form—“you can sit here all day [doing this] and go, ‘Okay, maybe that’s something.’” “But if you don’t go,” and then he starts improvising vocals, “Sunlights beating on the corner of the walls / and I’m a Mr. know-it-all / heaven calls / get yourself right / get yourself right,” he stops, raises his finger to his mouth, and explains, “if you’re not ouija boarding immediately, you’re wasting time.” “You just stare at the corner of the wall,” he says, before improvising some more, “Stare at the corner of the wall / try to get it going on / but I can’t sometimes / you just keep going 'til you get something / maybe I’m a little bit shy / maybe someday I’ll tell you why.” He stops singing to say, “you gotta keep forcing it, forcing it, forcing it. It doesn’t matter [what comes out of your mouth]...You gotta get fearless, fearless, fearless, fearless…It’s hard to do.” Takeaway: When talking about their creative processes, many artists describe something similar to what Mayer refers to as “ouija boarding”—spitting out words and phrases, without worrying if they’re good or even make sense). When asked where his ideas came from, Pablo Picasso said, “As soon as I start to work, [ideas] well up in my pen. To know what you’re going to draw, you have to begin drawing.” Joan Didion famously wrote, “I write entirely to find out what I’m thinking.” And Judd Apatow said that his movie scripts are all a product of the Down-Up theory: “Get the ideas DOWN then fix them UP.” “Give yourself permission to suck,” Apatow says. “Anything goes. Just get something down.” Make it exist, as they say, then make it good. There’s a neural explanation for this process... I recently shared a clip of Dr. Andrew Huberman explaining what happens in our brain when we sit down to focus. Whether we’re trying to read, write, create a song, or generate ideas—when you sit down and try to focus, Huberman explains, “The brain circuits that turn on first are of the stress system...The agitation and stress that you feel at the beginning of something—when you’re trying to lean into it and you can’t focus: you feel agitated and your mind’s jumping all over the place—that is just a gate. You have to pass through that gate to get to the focus component.” He uses a great analogy: “You have to wade through some sewage before you can swim in clear water. That’s the way I always think about it.” Essentially: you become creative by creating, you get more creative the more you create. At the start of a focused creative session, bad ideas almost always come out first. You just have to wade through the sewage of bad ideas, “just keep going ‘til you get something,” as Mayer sang, ‘til you reach clear water. - - - “You gotta keep forcing it, forcing it, forcing it...You gotta get fearless, fearless, fearless, fearless.” — John Mayer Follow Billy Oppenheimer for more content like this!](https://image.24vids.com/tw-1887557666001600522/amplify_video_thumb/1887557550876270592/img/3wupStnLB16e9elk.jpg)