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Michael Jackson had an extraordinarily detailed musical memory… so precise that he could “teach” entire songs just by singing or vocalizing the instruments, without needing any written notes. David Williams, a guitarist who worked with Mike, said that sometimes he would create complex guitar riffs using only his voice,...

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170,963 görüntüleme • 8 ay önce •via X (Twitter)

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🗣Many people still think Michael Jackson only spoke with that soft voice from interviews, but those who worked with him have told a different story. Away from the cameras, his voice was deeper stronger that high, gentle tone was a choice, not a limitation. He had such control over his voice that he would even make prank calls, imitating different voices, changing accents, tone, and personality. In the studio, that vocal mastery showed up in tracks like 2000 Watts, Morphine, Threatened, and Privacy.
1:05

🗣Many people still think Michael Jackson only spoke with that soft voice from interviews, but those who worked with him have told a different story. Away from the cameras, his voice was deeper stronger that high, gentle tone was a choice, not a limitation. He had such control over his voice that he would even make prank calls, imitating different voices, changing accents, tone, and personality. In the studio, that vocal mastery showed up in tracks like 2000 Watts, Morphine, Threatened, and Privacy.

MJ Friends | Michael Movie 🎬

107,960 görüntüleme • 8 ay önce

#MICHAEL is a film that was made by the Jackson estate to highlight the good of Michael Jackson and to stand up to the Legacy Media that dragged his name for decades. If the media and haters can say what they want without any consequences or even proof then why can’t his family tell you the real story of Michael Jackson? Despite the hate, the film is close to $250M worldwide. Jaafar Jackson was phenomenal, the musical sequences were so satisfying and I absolutely adored seeing this innocent and kind side to Michael. He did so much good and people were literally obsessed with his glorious music. Once labeled the King of Pop is STILL THE KING. 👑
2:59

#MICHAEL is a film that was made by the Jackson estate to highlight the good of Michael Jackson and to stand up to the Legacy Media that dragged his name for decades. If the media and haters can say what they want without any consequences or even proof then why can’t his family tell you the real story of Michael Jackson? Despite the hate, the film is close to $250M worldwide. Jaafar Jackson was phenomenal, the musical sequences were so satisfying and I absolutely adored seeing this innocent and kind side to Michael. He did so much good and people were literally obsessed with his glorious music. Once labeled the King of Pop is STILL THE KING. 👑

MoviesThatMaher

14,133 görüntüleme • 4 ay önce

When Glen Campbell Sat Down and Silenced a Room Full of Legends Glen Campbell sat with his acoustic guitar and began “Gentle on My Mind” with a quiet, unforced confidence. He simply sang and played, without any dramatic gestures. His voice was warm, the guitar clear and steady. In a room full of some of the finest musicians in the business, he stayed completely at ease in his own rhythm. That calm came from a lifetime spent inside music. Long before he became a star, Glen had played on hundreds of records for other major artists. That deep experience showed in the way he sat on the Ryman Auditorium stage in 1999. He had nothing left to prove. He simply let the song move through his voice and his hands. This particular song had changed his life in an unusual way. In 1967, while still working as a session musician in Los Angeles, Glen heard John Hartford’s original version on the radio and was immediately drawn to it. He gathered a few fellow players and went into the studio to cut a quick demo. Between lines he gave spoken directions to the musicians—telling them the feel he wanted. He assumed it was only a rough take that would later be refined. The producer listened to the unfinished recording and loved it. He edited out Glen’s talking, left the vocal and guitar as they were, and released the demo as the single without telling him. Glen later admitted he hadn’t particularly liked his own singing on that version because it felt too casual, not polished enough. Yet that very casualness matched the spirit of the song—light, free, and unforced. The track became a major hit and opened an entirely new chapter in his career. When the solo arrived on the Ryman stage, the guitar grew clearer and more expressive. There was no flash, no strain. The notes seemed to continue the story the lyrics had begun. Listeners could feel the gentle freedom the song describes—a love without chains, memories that remain soft and present. The solo never stepped outside the song. It simply carried the emotion forward. The people sitting around him were not ordinary audience members. They were peers—Roy Clark, Willie Nelson, Chet Atkins, and other country greats. When Glen began the solo, their attention locked in. The quiet focus and the smiles of those who had reached the same heights became the clearest form of recognition. In music, the silent attention of equals often means more than any spoken praise. Years later the moment still holds its power. There are no effects, no showmanship. Just a man with a guitar, singing a quiet song and allowing its feeling to come through completely. In a room filled with people who had stood at the top of the profession, he simply sat down and played—and that was enough to create something lasting. When the final note faded, what remained was the image of a man with an acoustic guitar, delivering a gentle song that made the best in the business stop and listen. A recording that began almost by accident had become one of the deepest marks of his career—and it still reaches listeners today.
2:48

When Glen Campbell Sat Down and Silenced a Room Full of Legends Glen Campbell sat with his acoustic guitar and began “Gentle on My Mind” with a quiet, unforced confidence. He simply sang and played, without any dramatic gestures. His voice was warm, the guitar clear and steady. In a room full of some of the finest musicians in the business, he stayed completely at ease in his own rhythm. That calm came from a lifetime spent inside music. Long before he became a star, Glen had played on hundreds of records for other major artists. That deep experience showed in the way he sat on the Ryman Auditorium stage in 1999. He had nothing left to prove. He simply let the song move through his voice and his hands. This particular song had changed his life in an unusual way. In 1967, while still working as a session musician in Los Angeles, Glen heard John Hartford’s original version on the radio and was immediately drawn to it. He gathered a few fellow players and went into the studio to cut a quick demo. Between lines he gave spoken directions to the musicians—telling them the feel he wanted. He assumed it was only a rough take that would later be refined. The producer listened to the unfinished recording and loved it. He edited out Glen’s talking, left the vocal and guitar as they were, and released the demo as the single without telling him. Glen later admitted he hadn’t particularly liked his own singing on that version because it felt too casual, not polished enough. Yet that very casualness matched the spirit of the song—light, free, and unforced. The track became a major hit and opened an entirely new chapter in his career. When the solo arrived on the Ryman stage, the guitar grew clearer and more expressive. There was no flash, no strain. The notes seemed to continue the story the lyrics had begun. Listeners could feel the gentle freedom the song describes—a love without chains, memories that remain soft and present. The solo never stepped outside the song. It simply carried the emotion forward. The people sitting around him were not ordinary audience members. They were peers—Roy Clark, Willie Nelson, Chet Atkins, and other country greats. When Glen began the solo, their attention locked in. The quiet focus and the smiles of those who had reached the same heights became the clearest form of recognition. In music, the silent attention of equals often means more than any spoken praise. Years later the moment still holds its power. There are no effects, no showmanship. Just a man with a guitar, singing a quiet song and allowing its feeling to come through completely. In a room filled with people who had stood at the top of the profession, he simply sat down and played—and that was enough to create something lasting. When the final note faded, what remained was the image of a man with an acoustic guitar, delivering a gentle song that made the best in the business stop and listen. A recording that began almost by accident had become one of the deepest marks of his career—and it still reaches listeners today.

Music over time🎻

51,523 görüntüleme • 6 gün önce

Honestav talks about how MGK makes songs in the studio and his potential collaboration with him: "MGK writes the song, sings the song, plays the guitar, tells the drummer how to play the drums, records the song himself, edits everything himself, and people online still will be like, 'He's not a real musician.' He's one of the best workers that you will ever see. I watched him in a song that we made, he picks up the guitar, he plays it, and then he gives the guitar to his guitar player and he's like, 'Play this' cause he wants to involve his friends. He could have easily produced the whole thing by himself, but he wants to involve his people. So you'll look online, and it's gonna say produced by so and so whenever really he produced it, but he's putting his friends on” "We did multiple songs together. I got him on one of my songs that is gonna change my life. It's an amazing song."
1:09

Honestav talks about how MGK makes songs in the studio and his potential collaboration with him: "MGK writes the song, sings the song, plays the guitar, tells the drummer how to play the drums, records the song himself, edits everything himself, and people online still will be like, 'He's not a real musician.' He's one of the best workers that you will ever see. I watched him in a song that we made, he picks up the guitar, he plays it, and then he gives the guitar to his guitar player and he's like, 'Play this' cause he wants to involve his friends. He could have easily produced the whole thing by himself, but he wants to involve his people. So you'll look online, and it's gonna say produced by so and so whenever really he produced it, but he's putting his friends on” "We did multiple songs together. I got him on one of my songs that is gonna change my life. It's an amazing song."

Ahmed/The Ears/IG: BigBizTheGod 🇸🇴

41,179 görüntüleme • 3 ay önce

Before achieving global stardom, Michael Jackson was already showcasing a completely different side of his artistic talent. During a 1974 television performance with The Jackson 5, he sang “Killing Me Softly With His Song” in a softer, more controlled vocal style that contrasted with the group’s usual energetic sound. The performance highlighted a transitional moment in his voice, shifting from a youthful clarity to a more mature tone that he would develop later that same decade. Originally composed by Charles Fox and Norman Gimbel, and popularized by Roberta Flack in 1973, the song allowed Jackson to explore a more emotional and nuanced performance.
0:38

Before achieving global stardom, Michael Jackson was already showcasing a completely different side of his artistic talent. During a 1974 television performance with The Jackson 5, he sang “Killing Me Softly With His Song” in a softer, more controlled vocal style that contrasted with the group’s usual energetic sound. The performance highlighted a transitional moment in his voice, shifting from a youthful clarity to a more mature tone that he would develop later that same decade. Originally composed by Charles Fox and Norman Gimbel, and popularized by Roberta Flack in 1973, the song allowed Jackson to explore a more emotional and nuanced performance.

Today In History

24,063 görüntüleme • 2 ay önce

Probably the best scene in the flick. “You guys are gonna love it” The Singing: The vocals were dubbed by musician Mark Campbell (credited as "Marty McFly" on the original soundtrack). The Guitar: The actual guitar track was recorded by session guitarist Tim May. While Fox didn't play or sing on the final track, he did take intensive guitar lessons from Paul Hanson so his finger movements and chord changes would look entirely accurate on screen. To achieve those energetic movements, kicks, and rolls on the stage, Michael J. Fox not only learned chords but also practiced accurately mimicking the iconic performance styles of many later rock legends such as Chuck Berry, Jimi Hendrix, Pete Townshend (The Who), and Angus Young (AC/DC).
2:51

Probably the best scene in the flick. “You guys are gonna love it” The Singing: The vocals were dubbed by musician Mark Campbell (credited as "Marty McFly" on the original soundtrack). The Guitar: The actual guitar track was recorded by session guitarist Tim May. While Fox didn't play or sing on the final track, he did take intensive guitar lessons from Paul Hanson so his finger movements and chord changes would look entirely accurate on screen. To achieve those energetic movements, kicks, and rolls on the stage, Michael J. Fox not only learned chords but also practiced accurately mimicking the iconic performance styles of many later rock legends such as Chuck Berry, Jimi Hendrix, Pete Townshend (The Who), and Angus Young (AC/DC).

𝐌𝐮𝐬𝐢𝐜 - 𝐌𝐨𝐯𝐢𝐞 - 𝐀𝐧𝐝 𝐌𝐨𝐫𝐞⭐️❤️

53,991 görüntüleme • 1 ay önce

Celebrating Terry Alan Kath (January 31, 1946 - January 23, 1978) Terry would have been 80 today .. He played lead guitar and was the lead vocalist on many of the band's early hit singles alongside Robert Lamm and Peter Cetera. He was praised by his friends and fellow musicians for his guitar skills and his Ray Charles-influenced vocal style. Jimi Hendrix cited Terry Kath as one of his favorite guitarists, and considered Kath to be "the best guitarist in the universe." “25 or 6 to 4” is a song written by American musician Robert Lamm, one of the founding members of the band Chicago. It was recorded in August 1969 for their second album, Chicago, with Peter Cetera as lead vocalist, and released as a single in June 1970. #chicago #terrykath #25or6to4
2:58

Celebrating Terry Alan Kath (January 31, 1946 - January 23, 1978) Terry would have been 80 today .. He played lead guitar and was the lead vocalist on many of the band's early hit singles alongside Robert Lamm and Peter Cetera. He was praised by his friends and fellow musicians for his guitar skills and his Ray Charles-influenced vocal style. Jimi Hendrix cited Terry Kath as one of his favorite guitarists, and considered Kath to be "the best guitarist in the universe." “25 or 6 to 4” is a song written by American musician Robert Lamm, one of the founding members of the band Chicago. It was recorded in August 1969 for their second album, Chicago, with Peter Cetera as lead vocalist, and released as a single in June 1970. #chicago #terrykath #25or6to4

💜Music is Love💜

19,307 görüntüleme • 6 ay önce

#Ilaiyaraaja arranged his own music for the great melodies of classical musicians, The Beatles, and many popular artists from the 60s and 70s while working as an assistant music director. He even planned a concert in the 1970s that would have been entirely instrumental—just imagine how ahead of his time he was. Yet, as an audience, we've let him down by constantly asking for songs, despite his staggering output of over 7,000 compositions. If we had commercially supported his musical albums, he might have transcended all limits by now.
5:09

#Ilaiyaraaja arranged his own music for the great melodies of classical musicians, The Beatles, and many popular artists from the 60s and 70s while working as an assistant music director. He even planned a concert in the 1970s that would have been entirely instrumental—just imagine how ahead of his time he was. Yet, as an audience, we've let him down by constantly asking for songs, despite his staggering output of over 7,000 compositions. If we had commercially supported his musical albums, he might have transcended all limits by now.

Sridhar Ravi

40,066 görüntüleme • 2 yıl önce

FINALLY someone perfectly explained what makes Tae’s voice SO unique, to the point that it sounds like a voice effect but it’s just his way of singing higher notes in a low larynx that creates that hollow effect! He even mentions the way he rounds out his vowels too which add to his uniqueness and that he naturally does this while speaking. Tae was really blessed with the most beautiful and unique vocal texture Really really love this reactor. Most rectors on YouTube are sooo fake but Sam is always so genuine and spot on Watch him if you haven’t already
4:46

FINALLY someone perfectly explained what makes Tae’s voice SO unique, to the point that it sounds like a voice effect but it’s just his way of singing higher notes in a low larynx that creates that hollow effect! He even mentions the way he rounds out his vowels too which add to his uniqueness and that he naturally does this while speaking. Tae was really blessed with the most beautiful and unique vocal texture Really really love this reactor. Most rectors on YouTube are sooo fake but Sam is always so genuine and spot on Watch him if you haven’t already

taekookieluvr

22,957 görüntüleme • 2 yıl önce

Got to see the singer of simple songs, the McCartney of country music, take his final bow last night. To say this man wrote the soundtrack of my life is an understatement. Along with Leonard Cohen, he was my father’s favorite artist, I soaked up all of his brilliant records from Here in the Real World onwards as a kid. The iconic Brent Mason guitar licks, the way his lyrics would dart between profound poetry and equally profound simplicity, his invisibly perfect phrasing and deft instinct for singing singing or just being a transparent vessel for a genius melody or lyric that didn’t need any extra sauce. Tonight he stood on stage with his band the Strayhorns, many of whom have been by his side since his early days playing honky tonks four decades ago, and played a set that rarely betrayed the import of the occasion. We got to tour him twice in Australia, the first being a particularly momentous occasion in the history of country music down under, and tonight’s show wasn’t that different to any of those on those tours. About fifteen or so of the great country songs ever written - wry, sad, inspirational, heartbreaking - put across with dazzling sincerity and charisma from a man who has served as the North Star of an entire genre since he started putting out records. Alan Jackson is country music and country music is Alan Jackson, and tonight I was supremely grateful for both. #alanjackson #countrymusic
1:09

Got to see the singer of simple songs, the McCartney of country music, take his final bow last night. To say this man wrote the soundtrack of my life is an understatement. Along with Leonard Cohen, he was my father’s favorite artist, I soaked up all of his brilliant records from Here in the Real World onwards as a kid. The iconic Brent Mason guitar licks, the way his lyrics would dart between profound poetry and equally profound simplicity, his invisibly perfect phrasing and deft instinct for singing singing or just being a transparent vessel for a genius melody or lyric that didn’t need any extra sauce. Tonight he stood on stage with his band the Strayhorns, many of whom have been by his side since his early days playing honky tonks four decades ago, and played a set that rarely betrayed the import of the occasion. We got to tour him twice in Australia, the first being a particularly momentous occasion in the history of country music down under, and tonight’s show wasn’t that different to any of those on those tours. About fifteen or so of the great country songs ever written - wry, sad, inspirational, heartbreaking - put across with dazzling sincerity and charisma from a man who has served as the North Star of an entire genre since he started putting out records. Alan Jackson is country music and country music is Alan Jackson, and tonight I was supremely grateful for both. #alanjackson #countrymusic

Jeremy Dylan

12,810 görüntüleme • 2 ay önce

Paul McCartney explaining a song called 'Blackbird' live on Parkinson Show, in December, 2005. McCartney also explained on Chaos and Creation at Abbey Road that the guitar accompaniment for "Blackbird" was inspired by Johann Sebastian Bach's Bourrée in E minor, a well-known lute piece, often played on the classical guitar. As teenagers, he and George Harrison tried to learn Bourrée as a "show off" piece. The Bourrée is distinguished by melody and bass notes played simultaneously on the upper and lower strings. McCartney said that he adapted a segment of the Bourrée (reharmonised into the original's relative major key of G) as the opening of "Blackbird", and carried the musical idea throughout the song. The first three notes of the song, which then transitioned into the opening guitar riff, were inspired from Bach. The first night his future wife Linda Eastman stayed at his home, McCartney played "Blackbird" for the fans camped outside his house.
2:20

Paul McCartney explaining a song called 'Blackbird' live on Parkinson Show, in December, 2005. McCartney also explained on Chaos and Creation at Abbey Road that the guitar accompaniment for "Blackbird" was inspired by Johann Sebastian Bach's Bourrée in E minor, a well-known lute piece, often played on the classical guitar. As teenagers, he and George Harrison tried to learn Bourrée as a "show off" piece. The Bourrée is distinguished by melody and bass notes played simultaneously on the upper and lower strings. McCartney said that he adapted a segment of the Bourrée (reharmonised into the original's relative major key of G) as the opening of "Blackbird", and carried the musical idea throughout the song. The first three notes of the song, which then transitioned into the opening guitar riff, were inspired from Bach. The first night his future wife Linda Eastman stayed at his home, McCartney played "Blackbird" for the fans camped outside his house.

Rock'n Roll of All

73,742 görüntüleme • 1 yıl önce

Q. How did Suga (Min Yoongi) interact with children with autism spectrum disorder? 👩🏻‍⚕️ We conducted the program 10 times in total, and each time lasted about 90 minutes. There was a really impressive session. Do you know the song ? It’s a very famous song that everyone knows, young or old. He sang that song, and this one kid was like, “I know this song!” and then Suga-sshi be like, “How do you know this song?” and the kid would answer, “I listen to it all the time when I go camping with my dad!”, like that, and then we sang out loud. I remember all the therapists who worked together were all laughing happily. Isn’t music something that breaks down language barriers for people around the world? There were instruments on display, and when we asked them to choose the one they wanted, some chose hand bells, some chose xylophones, some chose drums, some chose electronic drums, and some brought instruments they liked or knew how to play, like clarinet or saxophones. They chose various instruments and played together. At that time, Suga-sshi be like, "You start first, and I'll match it." And he matched with the rhythm. And there was a session where they had to write letters to each other. Suga-sshi would gently play the guitar to match the speed of the speech, the rhythm too, he would match it like, speed up or slow down to match the speed. With that, thanks to Suga-sshi, the children got to experience the words and music coming together. Interestingly, although we told the parents (of children with autism spectrum disorder) that Suga-sshi was participating as an assistant therapist and volunteer, our children participated it without knowing that the music teacher was Suga-sshi at all. I want to tell you that they participated until the end without knowing at all that Suga-sshi was the music teacher or that he was the teacher who played the guitar. 👩🏻‍⚕️ Since Suga-sshi has always been interested in youth mental health, I think he felt more and more about the importance of these systematic treatment system, platform, and hardware for children and adolescents through continuous communication with me. So, Suga-sshi suddenly felt the desire to create such a dedicated space and provided financial support of 5 billion won.
3:22

Q. How did Suga (Min Yoongi) interact with children with autism spectrum disorder? 👩🏻‍⚕️ We conducted the program 10 times in total, and each time lasted about 90 minutes. There was a really impressive session. Do you know the song ? It’s a very famous song that everyone knows, young or old. He sang that song, and this one kid was like, “I know this song!” and then Suga-sshi be like, “How do you know this song?” and the kid would answer, “I listen to it all the time when I go camping with my dad!”, like that, and then we sang out loud. I remember all the therapists who worked together were all laughing happily. Isn’t music something that breaks down language barriers for people around the world? There were instruments on display, and when we asked them to choose the one they wanted, some chose hand bells, some chose xylophones, some chose drums, some chose electronic drums, and some brought instruments they liked or knew how to play, like clarinet or saxophones. They chose various instruments and played together. At that time, Suga-sshi be like, "You start first, and I'll match it." And he matched with the rhythm. And there was a session where they had to write letters to each other. Suga-sshi would gently play the guitar to match the speed of the speech, the rhythm too, he would match it like, speed up or slow down to match the speed. With that, thanks to Suga-sshi, the children got to experience the words and music coming together. Interestingly, although we told the parents (of children with autism spectrum disorder) that Suga-sshi was participating as an assistant therapist and volunteer, our children participated it without knowing that the music teacher was Suga-sshi at all. I want to tell you that they participated until the end without knowing at all that Suga-sshi was the music teacher or that he was the teacher who played the guitar. 👩🏻‍⚕️ Since Suga-sshi has always been interested in youth mental health, I think he felt more and more about the importance of these systematic treatment system, platform, and hardware for children and adolescents through continuous communication with me. So, Suga-sshi suddenly felt the desire to create such a dedicated space and provided financial support of 5 billion won.

Ai⁷

286,410 görüntüleme • 1 yıl önce

The IG account @/VozSemAutotune provides detailed analyses of truly talented artists who sing without autotune. Here’s what they wrote about #JUNGKOOK in one of their latest reviews: "Jung Kook's voice flows effortlessly, as if it encounters no obstacles. It adapts to the melody like water, changing shape without losing its identity. His timbre is clean, youthful, and perfectly balanced, with clear mid-tones that support the music and soft high notes that emerge effortlessly. When he sings without effects, what stands out most is his control. Nothing feels rushed or forced. He distributes his breath with precision, sustains long phrases with stability, and uses dynamics to gradually build emotion. Jung Kook doesn’t start singing loudly; he builds. His voice grows with the music, creating impact without exaggeration. Another remarkable aspect is his musical awareness. Jung Kook sings with the whole song in mind, not just his vocal line. He respects the space of the instrumental, fits syllables with refined rhythmic sense, and maintains pitch even during delicate vocal movements. In raw, live performances, this maturity becomes even more evident. His voice remains strong, clear, and emotionally connected, revealing a singer who trusts his own instrument. There’s a subtle sensitivity in the way he finishes phrases, often leaving emotion lingering in the air rather than forcefully closing it. His voice is versatile, yet never generic. It adapts to different styles without losing its essence, and this combination of technique, control, and emotion is what makes Jung Kook stand out so naturally. 💡 Fun fact: Jung Kook joined the group at a very young age and decided to dedicate himself intensely to singing after realizing he could use his own voice as his main form of artistic expression. #JungKook #voice #LivePerformance #music #NOAUTOTUNE " 🔗 This is an amazing analysis🥹 that showcases the full range of Jungkook’s voice and the power of his live performances. Thank them 🫶🏻
0:27

The IG account @/VozSemAutotune provides detailed analyses of truly talented artists who sing without autotune. Here’s what they wrote about #JUNGKOOK in one of their latest reviews: "Jung Kook's voice flows effortlessly, as if it encounters no obstacles. It adapts to the melody like water, changing shape without losing its identity. His timbre is clean, youthful, and perfectly balanced, with clear mid-tones that support the music and soft high notes that emerge effortlessly. When he sings without effects, what stands out most is his control. Nothing feels rushed or forced. He distributes his breath with precision, sustains long phrases with stability, and uses dynamics to gradually build emotion. Jung Kook doesn’t start singing loudly; he builds. His voice grows with the music, creating impact without exaggeration. Another remarkable aspect is his musical awareness. Jung Kook sings with the whole song in mind, not just his vocal line. He respects the space of the instrumental, fits syllables with refined rhythmic sense, and maintains pitch even during delicate vocal movements. In raw, live performances, this maturity becomes even more evident. His voice remains strong, clear, and emotionally connected, revealing a singer who trusts his own instrument. There’s a subtle sensitivity in the way he finishes phrases, often leaving emotion lingering in the air rather than forcefully closing it. His voice is versatile, yet never generic. It adapts to different styles without losing its essence, and this combination of technique, control, and emotion is what makes Jung Kook stand out so naturally. 💡 Fun fact: Jung Kook joined the group at a very young age and decided to dedicate himself intensely to singing after realizing he could use his own voice as his main form of artistic expression. #JungKook #voice #LivePerformance #music #NOAUTOTUNE " 🔗 This is an amazing analysis🥹 that showcases the full range of Jungkook’s voice and the power of his live performances. Thank them 🫶🏻

𝕁𝕌ℕ𝔾𝕂𝕆𝕆𝕂 | ℂ𝕀𝕊 𝔽𝔸ℕ𝔹𝔸𝕊𝔼

15,283 görüntüleme • 8 ay önce

Sometimes I would wonder if Glen Hansard really existed…. Seriously, he was such an angelic presence… not otherworldly…in fact, very present this presence… A smiling rascal if you needed him to be… this most musical and mischievous archangel of Ballymun… no airs, plenty of graces... Of course, Glen was the shining star of the Christmas Eve busk… sometimes the only one reminding the rest of us that Christmas began with a refugee born in a manger, which is hardly a step from living on the street. To be utterly yourself by being more interested in others - a clue for any of us trying out different personas. He really was who you thought he was. He could never walk by a person living rough without checking they were OK… and more than that, he worked very hard so that less people had to live on the streets in the first place. When the crowds got bigger and for safety’s sake Glen had to agree to move the busk to a stage kindly provided outside The Gaiety Theatre, he would say 'we’ll give it our best but it’s not a busk if we’re not on the street!’ …because that’s who he was - a performer at eye level in any situation. The stage was a separation he wouldn’t recognize. Of all the grand and gigantic venues he and The Frames played, you sensed the street was his most favoured place to perform. And street people, his favourite audience. Voice of the streets. A choir of angels in one man. The rest of us blessed to stand there beside our very own and very earthed Angel Gabriel… All of us welcome in his choir, whatever shape or form. ….and I’m telling myself this morning that if he never existed, then he can never cease to exist. For me, he will always be everywhere I see a coin spinning into an open guitar case. May you rest in the peace you gave to so many. Bono
2:06

Sometimes I would wonder if Glen Hansard really existed…. Seriously, he was such an angelic presence… not otherworldly…in fact, very present this presence… A smiling rascal if you needed him to be… this most musical and mischievous archangel of Ballymun… no airs, plenty of graces... Of course, Glen was the shining star of the Christmas Eve busk… sometimes the only one reminding the rest of us that Christmas began with a refugee born in a manger, which is hardly a step from living on the street. To be utterly yourself by being more interested in others - a clue for any of us trying out different personas. He really was who you thought he was. He could never walk by a person living rough without checking they were OK… and more than that, he worked very hard so that less people had to live on the streets in the first place. When the crowds got bigger and for safety’s sake Glen had to agree to move the busk to a stage kindly provided outside The Gaiety Theatre, he would say 'we’ll give it our best but it’s not a busk if we’re not on the street!’ …because that’s who he was - a performer at eye level in any situation. The stage was a separation he wouldn’t recognize. Of all the grand and gigantic venues he and The Frames played, you sensed the street was his most favoured place to perform. And street people, his favourite audience. Voice of the streets. A choir of angels in one man. The rest of us blessed to stand there beside our very own and very earthed Angel Gabriel… All of us welcome in his choir, whatever shape or form. ….and I’m telling myself this morning that if he never existed, then he can never cease to exist. For me, he will always be everywhere I see a coin spinning into an open guitar case. May you rest in the peace you gave to so many. Bono

U2

1,131,251 görüntüleme • 29 gün önce

“Billie Jean” is from Michael Jackson’s 1982 album Thriller, but the performance that permanently transformed the song into a cultural phenomenon came at the Motown 25: Yesterday, Today, Forever television special, recorded on March 25, 1983. Michael, only 24 at the time, was initially reluctant to participate but eventually agreed after Motown founder Berry Gordy and the show's producers persuaded him to take part. He chose “Billie Jean” to showcase his new artistic identity rather than simply revisit the Jackson 5 material that had made him famous. Michael's performance combined precise choreography, his distinctive vocal style and a dazzling stage presence, culminating in his now-legendary moonwalk during the song's performance. The move itself had existed in various forms before Michael adopted it, but he had learned and refined his version with dancers including Jeffrey Daniel, turning it into one of the most recognizable dance moves in pop culture. When Motown 25 aired on May 16, 1983, it attracted more than 47 million viewers in the US.
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“Billie Jean” is from Michael Jackson’s 1982 album Thriller, but the performance that permanently transformed the song into a cultural phenomenon came at the Motown 25: Yesterday, Today, Forever television special, recorded on March 25, 1983. Michael, only 24 at the time, was initially reluctant to participate but eventually agreed after Motown founder Berry Gordy and the show's producers persuaded him to take part. He chose “Billie Jean” to showcase his new artistic identity rather than simply revisit the Jackson 5 material that had made him famous. Michael's performance combined precise choreography, his distinctive vocal style and a dazzling stage presence, culminating in his now-legendary moonwalk during the song's performance. The move itself had existed in various forms before Michael adopted it, but he had learned and refined his version with dancers including Jeffrey Daniel, turning it into one of the most recognizable dance moves in pop culture. When Motown 25 aired on May 16, 1983, it attracted more than 47 million viewers in the US.

Ladytron Fan Account

47,071 görüntüleme • 18 gün önce

🐱: Back then, that guy... was it Curtis? The tall guy? I was inspired by him, so I said I’d try rapping in falsetto. I went in and just started rapping like that. 🐥: (Imitating SUGA) He was going like this! So I immediately said, "What are you doing? Why are you not rapping?” 🐿️: Wow, Yoongi-hyung... during this session, his guitar playing was just... 🐱: It was nothing but guitar and mumbling. 🐥: I was in the room next door, and he would play the guitar for eight hours! I couldn't sleep! 🐨: No, but during our session at the accommodation, hyung was playing the Evangelion OST until 2:00 AM! 🐨 & 🐿️: (Singing "A Cruel Angel's Thesis") Zankoku na tenshi no you ni... 🐹: Yeah, I heard it too! 🐱: I had learned it that day. I would learn one song a day. 🐨: So when I went to the session the next day, that was the only song stuck in my head! Zankoku na tenshi no... 🐿️: (Laughing) That’s hilarious. 🐥: It was fun.
0:58

🐱: Back then, that guy... was it Curtis? The tall guy? I was inspired by him, so I said I’d try rapping in falsetto. I went in and just started rapping like that. 🐥: (Imitating SUGA) He was going like this! So I immediately said, "What are you doing? Why are you not rapping?” 🐿️: Wow, Yoongi-hyung... during this session, his guitar playing was just... 🐱: It was nothing but guitar and mumbling. 🐥: I was in the room next door, and he would play the guitar for eight hours! I couldn't sleep! 🐨: No, but during our session at the accommodation, hyung was playing the Evangelion OST until 2:00 AM! 🐨 & 🐿️: (Singing "A Cruel Angel's Thesis") Zankoku na tenshi no you ni... 🐹: Yeah, I heard it too! 🐱: I had learned it that day. I would learn one song a day. 🐨: So when I went to the session the next day, that was the only song stuck in my head! Zankoku na tenshi no... 🐿️: (Laughing) That’s hilarious. 🐥: It was fun.

bts memeories⁷

253,403 görüntüleme • 5 ay önce

[Seoul Economic TV] "Genius-level brilliance recognized even by critics"... BTS V, the whole world fell in love with the sensibility of his self-composed song. 👩🏻: Some songs, the moment you hear them, go beyond just thinking ‘this is good’—they leave you asking, ‘who made this?’ And right now, at the center of that question is V-ssi. The outro track ‘Into The Sun,’ included in BTS’s album Arirang, is currently receiving rave reviews from critics. What’s even more surprising is that at the center of this song is V-ssi. He directly participated in writing the lyrics, composing, and even the overall direction of the track. But this story actually begins at a rather unexpected point. It is said that V-ssi actually opposed putting this song in the album. He looked at his own work so coldly that he even said, "There are many better songs, does this song really need to be included?" Through this song, V-ssi seems to be showing once again that he is an artist who can view his own music objectively, in addition to his skills. ++
3:03

[Seoul Economic TV] "Genius-level brilliance recognized even by critics"... BTS V, the whole world fell in love with the sensibility of his self-composed song. 👩🏻: Some songs, the moment you hear them, go beyond just thinking ‘this is good’—they leave you asking, ‘who made this?’ And right now, at the center of that question is V-ssi. The outro track ‘Into The Sun,’ included in BTS’s album Arirang, is currently receiving rave reviews from critics. What’s even more surprising is that at the center of this song is V-ssi. He directly participated in writing the lyrics, composing, and even the overall direction of the track. But this story actually begins at a rather unexpected point. It is said that V-ssi actually opposed putting this song in the album. He looked at his own work so coldly that he even said, "There are many better songs, does this song really need to be included?" Through this song, V-ssi seems to be showing once again that he is an artist who can view his own music objectively, in addition to his skills. ++

낭만태형 | ✌🏼❄️ᴡinter ahead Ⓥ🌬️

26,890 görüntüleme • 4 ay önce

The interview from #Flex1045xJossGawinConcert 🎙: What side of the other person do you find hot? 🐻: I think... when he's on stage. Especially when he's holding a guitar. And not just that. Like, during the fancan, his solo stages. Every song he performed, like, The Oasis one, right? or when he sang Call Me By Your Name. He has really good taste in music. 🐻: When he gets to perform songs that he genuinely loves, his charm comes out naturally. During guitar solos and moments like those, he really stands out. Anytime he's with an instrument, he looks cool. Somehow, when he's up there by himself, he just becomes P'Gawin. P'Gawin. 😆
0:41

The interview from #Flex1045xJossGawinConcert 🎙: What side of the other person do you find hot? 🐻: I think... when he's on stage. Especially when he's holding a guitar. And not just that. Like, during the fancan, his solo stages. Every song he performed, like, The Oasis one, right? or when he sang Call Me By Your Name. He has really good taste in music. 🐻: When he gets to perform songs that he genuinely loves, his charm comes out naturally. During guitar solos and moments like those, he really stands out. Anytime he's with an instrument, he looks cool. Somehow, when he's up there by himself, he just becomes P'Gawin. P'Gawin. 😆

🌛โตไม่โต🌈

39,713 görüntüleme • 2 ay önce

QD, an underground musician, was caught among the many residents in Tema who were spotted salvaging items washed away by flood waters from a big warehouse at Tema Comm 18 According to him, he heard the news and rushed to the place. He had picked up packs of Milo, adding that he would be using them to prepare his morning tea, as people continued salvaging items from the flood-affected warehouse.
0:35

QD, an underground musician, was caught among the many residents in Tema who were spotted salvaging items washed away by flood waters from a big warehouse at Tema Comm 18 According to him, he heard the news and rushed to the place. He had picked up packs of Milo, adding that he would be using them to prepare his morning tea, as people continued salvaging items from the flood-affected warehouse.

WithAlvin 🇬🇭

334,556 görüntüleme • 1 ay önce