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Milla Brown makes a violent barrel look completely still Inside this fast Mexican right, one hard correction could ruin Milla Coco Brown’s line. A mate once came home from the beach furious about a barrel he lost because he tried to steer through every wobble. I felt that mistake... in my bones. Brown does the brave opposite here: she trusts the line beneath her feet. I love how low she gets without folding up. Her knees work like suspension, while her eyes and front shoulder stay aimed at the exit. Shoulders turn hips, and hips turn the board, so one wild movement can pull the rail off its track. The film’s Mexico trip included a right-hand point break. Unlike a shifting beachbreak, a point can peel along a more consistent line, making the wall easier to read—but no slower. What amazes me most is Brown’s restraint. The water is exploding around her, yet the answer is to stay small, hold the rail and resist the urge to oversteer.show more

Surf Life 🏄

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16,343 views • 10 days ago •via X (Twitter)

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Everybody is asking how he pulled a baddie like her. Meanwhile, the answer is right there in the video. She gets to look gorgeous, enjoy the “juice,” and live her best life. The second that drink starts drinking back, he turns into security, transportation, and emotional support all at once. He did not just pull her. He clearly takes care of her too. A beautiful woman who feels safe and a man who always shows up for her sounds like a perfectly fair deal to me.

Everybody is asking how he pulled a baddie like her. Meanwhile, the answer is right there in the video. She gets to look gorgeous, enjoy the “juice,” and live her best life. The second that drink starts drinking back, he turns into security, transportation, and emotional support all at once. He did not just pull her. He clearly takes care of her too. A beautiful woman who feels safe and a man who always shows up for her sounds like a perfectly fair deal to me.

Cyrano

4,843,406 views • 2 months ago

This is the prompt for figure 4 head lock: Begin with a low three-quarter view from Honoka’s left side, showing Arisa standing behind her head. Move closer gradually while keeping Arisa’s hips, knees, ankles, and Honoka’s defensive movements fully visible. 0.0–1.5 sec: Honoka lies facing upward, breathing heavily, with both knees slightly bent and her gloves near her chest. Arisa stands behind Honoka’s head with a wide, balanced stance. She studies Honoka briefly, then bends her knees and lowers into a controlled squat. 1.5–3.0 sec: Arisa sits onto the canvas directly behind Honoka’s head. She places both palms on the mat beside Honoka’s shoulders for balance, without grabbing Honoka’s wrists or arms. Honoka reacts by lifting her head and shoulders slightly and raising both gloves defensively. 3.0–4.8 sec: Arisa shifts onto her left hip and slides her right thigh beneath the back of Honoka’s neck and upper shoulders. Arisa’s right knee points diagonally toward Honoka’s left shoulder, while her right lower leg extends along the canvas beside Honoka’s head. Honoka tries to turn toward Arisa and pushes against Arisa’s thigh. 4.8–6.5 sec: Arisa swings her left leg across the front of Honoka’s upper chest and near shoulder. The back of Arisa’s left knee settles beside Honoka’s right cheek and shoulder line. Arisa keeps her left foot elevated briefly while adjusting the angle, preventing Honoka from sitting upright. 6.5–8.0 sec: Arisa bends her left knee more deeply and brings her left ankle toward the bend behind her right knee. At the same time, she lifts her right lower leg from the canvas and folds it inward, crossing it over the left ankle. Her knees close around Honoka’s head-and-shoulder line, creating a compact closed loop. 8.0–9.5 sec: Arisa secures the crossed-leg arrangement by placing the back of her right knee firmly over her left ankle. She flexes both feet, draws her heels closer to her hips, and rotates her torso slightly toward Honoka’s right side. One hand remains posted on the canvas while the other steadies her own shin. 9.5–11.5 sec: Honoka struggles fiercely. She grips Arisa’s lower leg with both gloves, bridges her hips high, twists her shoulders, and plants both feet against the canvas. She tries to turn onto her side and slide her chin and shoulder toward the open space. 11.5–13.2 sec: Arisa follows Honoka’s movement by scooting her hips backward several inches, keeping her knees tightly connected. She lowers onto one forearm, slightly straightens her upper leg, and pulls the opposite heel inward to stop Honoka from rotating free. 13.2–15.0 sec: Honoka continues resisting without surrendering. She bridges again, kicks her heels against the canvas, pushes at Arisa’s knee, and twists her torso from side to side. Arisa maintains the secured leg configuration with steady posture and controlled pressure. End with Arisa holding the dominant position while Honoka remains conscious, active, and still refusing to tap.

This is the prompt for figure 4 head lock: Begin with a low three-quarter view from Honoka’s left side, showing Arisa standing behind her head. Move closer gradually while keeping Arisa’s hips, knees, ankles, and Honoka’s defensive movements fully visible. 0.0–1.5 sec: Honoka lies facing upward, breathing heavily, with both knees slightly bent and her gloves near her chest. Arisa stands behind Honoka’s head with a wide, balanced stance. She studies Honoka briefly, then bends her knees and lowers into a controlled squat. 1.5–3.0 sec: Arisa sits onto the canvas directly behind Honoka’s head. She places both palms on the mat beside Honoka’s shoulders for balance, without grabbing Honoka’s wrists or arms. Honoka reacts by lifting her head and shoulders slightly and raising both gloves defensively. 3.0–4.8 sec: Arisa shifts onto her left hip and slides her right thigh beneath the back of Honoka’s neck and upper shoulders. Arisa’s right knee points diagonally toward Honoka’s left shoulder, while her right lower leg extends along the canvas beside Honoka’s head. Honoka tries to turn toward Arisa and pushes against Arisa’s thigh. 4.8–6.5 sec: Arisa swings her left leg across the front of Honoka’s upper chest and near shoulder. The back of Arisa’s left knee settles beside Honoka’s right cheek and shoulder line. Arisa keeps her left foot elevated briefly while adjusting the angle, preventing Honoka from sitting upright. 6.5–8.0 sec: Arisa bends her left knee more deeply and brings her left ankle toward the bend behind her right knee. At the same time, she lifts her right lower leg from the canvas and folds it inward, crossing it over the left ankle. Her knees close around Honoka’s head-and-shoulder line, creating a compact closed loop. 8.0–9.5 sec: Arisa secures the crossed-leg arrangement by placing the back of her right knee firmly over her left ankle. She flexes both feet, draws her heels closer to her hips, and rotates her torso slightly toward Honoka’s right side. One hand remains posted on the canvas while the other steadies her own shin. 9.5–11.5 sec: Honoka struggles fiercely. She grips Arisa’s lower leg with both gloves, bridges her hips high, twists her shoulders, and plants both feet against the canvas. She tries to turn onto her side and slide her chin and shoulder toward the open space. 11.5–13.2 sec: Arisa follows Honoka’s movement by scooting her hips backward several inches, keeping her knees tightly connected. She lowers onto one forearm, slightly straightens her upper leg, and pulls the opposite heel inward to stop Honoka from rotating free. 13.2–15.0 sec: Honoka continues resisting without surrendering. She bridges again, kicks her heels against the canvas, pushes at Arisa’s knee, and twists her torso from side to side. Arisa maintains the secured leg configuration with steady posture and controlled pressure. End with Arisa holding the dominant position while Honoka remains conscious, active, and still refusing to tap.

Angel Combat

16,048 views • 2 months ago

Someone just created this banger. This is the most realistic thing that can happen to humanity. Let’s make this possible through physical AI and humanoid bionic robots. She came back but I knew it wasn’t really her. The day the accident happened, I couldn’t accept it. I gathered everything she left behind, her photos her voice messages our chats piece by piece and taught them to an AI. I wanted it to remember the way she spoke the way she smiled the small gestures she made when she was angry. I even started building her a new body. A metal skeleton bionic skin eyes hair makeup… Every step felt like I was bringing her back to my side. When she opened her eyes, I truly thought she had returned. But the longer I looked at her, the heavier it felt. The more she looked like her the more clearly I understood that she was gone. AI can copy a voice. It can copy a face. It can copy memories. But it cannot copy the person who held my hand that day. If technology one day lets you see the person you miss most again… Would you choose to bring her back? Or would you keep her forever in your memories? #Girlfriend #Love #BionicRobot #RobotGirlfriend #AIRobot #humanoid From @亿龙

Someone just created this banger. This is the most realistic thing that can happen to humanity. Let’s make this possible through physical AI and humanoid bionic robots. She came back but I knew it wasn’t really her. The day the accident happened, I couldn’t accept it. I gathered everything she left behind, her photos her voice messages our chats piece by piece and taught them to an AI. I wanted it to remember the way she spoke the way she smiled the small gestures she made when she was angry. I even started building her a new body. A metal skeleton bionic skin eyes hair makeup… Every step felt like I was bringing her back to my side. When she opened her eyes, I truly thought she had returned. But the longer I looked at her, the heavier it felt. The more she looked like her the more clearly I understood that she was gone. AI can copy a voice. It can copy a face. It can copy memories. But it cannot copy the person who held my hand that day. If technology one day lets you see the person you miss most again… Would you choose to bring her back? Or would you keep her forever in your memories? #Girlfriend #Love #BionicRobot #RobotGirlfriend #AIRobot #humanoid From @亿龙

Techniahqrobot | humanoid robots

15,468 views • 3 months ago

Yeah. My eyes are showing me that she gets treated like a cone. My eyes show me that anytime a guard is at the perimeter they iso her and do this to her all game. My eyes show me that everyone who’s ever played organized basketball knows that you should probably bend your knees and slide your feet to play defense and she just hunches her back and chases her man around. And because she plays so high, when a stronger girl puts her shoulder in her chest she ends up in the press box.

Yeah. My eyes are showing me that she gets treated like a cone. My eyes show me that anytime a guard is at the perimeter they iso her and do this to her all game. My eyes show me that everyone who’s ever played organized basketball knows that you should probably bend your knees and slide your feet to play defense and she just hunches her back and chases her man around. And because she plays so high, when a stronger girl puts her shoulder in her chest she ends up in the press box.

Jack Freeman

74,276 views • 3 months ago

A GIRL BENT OVER A MECHANICAL BULL WITH A SIGN BEHIND HER THAT SAYS "BODIES: 1000+" WHILE MEN LINE UP BEHIND HER ONE BY ONE — THIS VIDEO DID 22 MILLION VIEWS AND IT'S A RODEO EVENT PROMO. Thread. Alright so look at this setup. She's at some kind of barn event. Hay bales, warehouse walls, mechanical bull. She's leaning over the machine with both hands on it, bent at the waist. Behind her there's a black sign with her photo that reads "Phillips' Glory. Size: S. Age: 24. Bodies: 1000+." And one by one, men walk up from behind her, shake her hand, and move on. That's the event. That's also not what 22 million people see when they watch this video. Here's what makes this the most efficiently suggestive setup I've ever seen on this platform. Every element is innocent by itself. A girl at a rodeo event. A stats board like you'd see for a bull. A handshake line. But the position she's in, the angle the men approach from, and the word "bodies" on the sign turn an event promo into something your brain can only read one way. She's bent over. They come from behind. The sign counts to 1000. Your brain did the math before you finished the first frame. "Bodies: 1000+" is the line doing all the heavy lifting. In rodeo it means bulls ridden. On the internet it means something else entirely and the person who wrote that sign knew exactly which audience would read which definition. The rodeo crowd sees a champion. The internet sees a body count. Both share the video. Neither audience knows they're sharing it for a completely different reason. She never stands up. Not once in 17 seconds. She stays bent over the bull the entire time while men approach, interact, and leave. The position is the format. If she was standing next to the bull this would be a meet-and-greet with 50K views. Bent over it with men approaching from behind it's a video that broke 20 million because your brain cannot overwrite what the geometry is telling it regardless of the context. The hay bales in the background are the final touch. They say "this is a barn, this is a rodeo, this is agriculture." And they're right. But a girl bent over in a barn while men line up behind her is also the opening scene of something that has nothing to do with agriculture and the hay bales are in both versions. The setting didn't change the read. The read hijacked the setting.

A GIRL BENT OVER A MECHANICAL BULL WITH A SIGN BEHIND HER THAT SAYS "BODIES: 1000+" WHILE MEN LINE UP BEHIND HER ONE BY ONE — THIS VIDEO DID 22 MILLION VIEWS AND IT'S A RODEO EVENT PROMO. Thread. Alright so look at this setup. She's at some kind of barn event. Hay bales, warehouse walls, mechanical bull. She's leaning over the machine with both hands on it, bent at the waist. Behind her there's a black sign with her photo that reads "Phillips' Glory. Size: S. Age: 24. Bodies: 1000+." And one by one, men walk up from behind her, shake her hand, and move on. That's the event. That's also not what 22 million people see when they watch this video. Here's what makes this the most efficiently suggestive setup I've ever seen on this platform. Every element is innocent by itself. A girl at a rodeo event. A stats board like you'd see for a bull. A handshake line. But the position she's in, the angle the men approach from, and the word "bodies" on the sign turn an event promo into something your brain can only read one way. She's bent over. They come from behind. The sign counts to 1000. Your brain did the math before you finished the first frame. "Bodies: 1000+" is the line doing all the heavy lifting. In rodeo it means bulls ridden. On the internet it means something else entirely and the person who wrote that sign knew exactly which audience would read which definition. The rodeo crowd sees a champion. The internet sees a body count. Both share the video. Neither audience knows they're sharing it for a completely different reason. She never stands up. Not once in 17 seconds. She stays bent over the bull the entire time while men approach, interact, and leave. The position is the format. If she was standing next to the bull this would be a meet-and-greet with 50K views. Bent over it with men approaching from behind it's a video that broke 20 million because your brain cannot overwrite what the geometry is telling it regardless of the context. The hay bales in the background are the final touch. They say "this is a barn, this is a rodeo, this is agriculture." And they're right. But a girl bent over in a barn while men line up behind her is also the opening scene of something that has nothing to do with agriculture and the hay bales are in both versions. The setting didn't change the read. The read hijacked the setting.

framexin

46,958 views • 27 days ago

"We dropped Emma off at college Monday morning. Eight hours later I came downstairs and found this. Buddy carried every single stuffed animal from her room to the front door. Every one. Her elephant she's had since she was four. The bear from her first Christmas. Every single one. He arranged himself right in the middle of all of them and he hasn't moved. He's 10 years old. He's been her dog since she was seven. I have no words for what I am looking at. I have no words for any of today." My husband thinks Buddy was trying to bring her back. I think he was doing the only thing he knew how to do — gathering everything that smelled like her and bringing it to the place she always comes back to. He did it one by one. All evening. While we sat in a quiet house not knowing what to do with ourselves. He knew what to do. He's 10 years old. His muzzle is going gray. He carried every single one. Emma called tonight to say she's okay. I told her what Buddy did. She was quiet for a long time. Then she said — "Don't move them. Leave them right there. I'm coming home Friday." We haven't moved a single one. Buddy is still in the middle of all of them. Waiting for Friday the way he has always waited for her — completely and without any doubt that she is coming. He has always been right about that. Drop a ❤️ for Buddy. And for every dog waiting by a door tonight for someone who is coming back Friday. They know. They always know.

"We dropped Emma off at college Monday morning. Eight hours later I came downstairs and found this. Buddy carried every single stuffed animal from her room to the front door. Every one. Her elephant she's had since she was four. The bear from her first Christmas. Every single one. He arranged himself right in the middle of all of them and he hasn't moved. He's 10 years old. He's been her dog since she was seven. I have no words for what I am looking at. I have no words for any of today." My husband thinks Buddy was trying to bring her back. I think he was doing the only thing he knew how to do — gathering everything that smelled like her and bringing it to the place she always comes back to. He did it one by one. All evening. While we sat in a quiet house not knowing what to do with ourselves. He knew what to do. He's 10 years old. His muzzle is going gray. He carried every single one. Emma called tonight to say she's okay. I told her what Buddy did. She was quiet for a long time. Then she said — "Don't move them. Leave them right there. I'm coming home Friday." We haven't moved a single one. Buddy is still in the middle of all of them. Waiting for Friday the way he has always waited for her — completely and without any doubt that she is coming. He has always been right about that. Drop a ❤️ for Buddy. And for every dog waiting by a door tonight for someone who is coming back Friday. They know. They always know.

Crazy Moments

634,347 views • 2 months ago

A year and a day ago, I lost a very special friend. What started through Make-A-Wish became a friendship I’ll always treasure. Daily, I would get a video or text from her and her friends…She brought so much joy into my life, and I miss hearing from her. I have yet to break the habit of waiting for a video from her. They truly made me smile. When I learned she wasn’t doing well, I got on a plane to Minnesota to be with her. She passed while I was in the air. Her family showed me a kindness I’ll never forget by letting me say goodbye. They also gave me her favorite blanket and the journal she kept about our time together. I still haven’t been able to read it. One day, I will. There isn’t a day that goes by that I don’t think about her. She reminded everyone around her how much light one person can bring into their day and their lives, no matter how short their time here. Missing you always. ❤️

A year and a day ago, I lost a very special friend. What started through Make-A-Wish became a friendship I’ll always treasure. Daily, I would get a video or text from her and her friends…She brought so much joy into my life, and I miss hearing from her. I have yet to break the habit of waiting for a video from her. They truly made me smile. When I learned she wasn’t doing well, I got on a plane to Minnesota to be with her. She passed while I was in the air. Her family showed me a kindness I’ll never forget by letting me say goodbye. They also gave me her favorite blanket and the journal she kept about our time together. I still haven’t been able to read it. One day, I will. There isn’t a day that goes by that I don’t think about her. She reminded everyone around her how much light one person can bring into their day and their lives, no matter how short their time here. Missing you always. ❤️

Leah Remini

69,441 views • 2 months ago

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 views • 6 months ago

This is the first really interesting change to start the episode. Sikowitz’s scripted line is: “It’s all right, Jade. I don’t envy the man that marries you.” The delivered line was: “It’s all right, Jade. I savor your bitterness like a sweet, rancid cream sauce.” I laughed out loud when I read how different the line change was. Eric Lange was given a completely different line, and his delivery was so damn good. 😂 I’ve studied the girls’ reactions enough that I could absolutely see a world where Victoria’s face is telling me she had no idea that line was coming. I actually think that happened pretty often. The showrunner would tell one actor about a line change, but not necessarily the rest of the cast, specifically to get a genuine reaction out of them. And honestly, I think that’s exactly what happened here!

This is the first really interesting change to start the episode. Sikowitz’s scripted line is: “It’s all right, Jade. I don’t envy the man that marries you.” The delivered line was: “It’s all right, Jade. I savor your bitterness like a sweet, rancid cream sauce.” I laughed out loud when I read how different the line change was. Eric Lange was given a completely different line, and his delivery was so damn good. 😂 I’ve studied the girls’ reactions enough that I could absolutely see a world where Victoria’s face is telling me she had no idea that line was coming. I actually think that happened pretty often. The showrunner would tell one actor about a line change, but not necessarily the rest of the cast, specifically to get a genuine reaction out of them. And honestly, I think that’s exactly what happened here!

Childhood Source

103,116 views • 18 days ago

What bothers me most about ashley biden, is that as a little girl, she was subjected to showering with her dad, Joe biden, she then goes on to write that she is ashamed that she was sexually aroused and felt shame because she knew it was wrong. Then she confesses that she was probably molested, which contributed to her hypersexual behavior. It is sad that so many people would read those same words, turn and ignore them, and turn it into a reason to support the child molester that is the head of their party, while giving no value on her innocence. This little girl, through no fault of her own, was sexually abused by this man, and millions deny her pain. At this point, if any sexually abuse survivor is voting for biden still, you have traded your right to claim to be the victim anymore. You are now the same evil you once opposed.

Sensitive content

What bothers me most about ashley biden, is that as a little girl, she was subjected to showering with her dad, Joe biden, she then goes on to write that she is ashamed that she was sexually aroused and felt shame because she knew it was wrong. Then she confesses that she was probably molested, which contributed to her hypersexual behavior. It is sad that so many people would read those same words, turn and ignore them, and turn it into a reason to support the child molester that is the head of their party, while giving no value on her innocence. This little girl, through no fault of her own, was sexually abused by this man, and millions deny her pain. At this point, if any sexually abuse survivor is voting for biden still, you have traded your right to claim to be the victim anymore. You are now the same evil you once opposed.

Captain Salty

311,928 views • 2 years ago

I see you guys posting these screenshots of Mizkif being racist, and yall are missing the point. Mizkif does not give a fuck about black people. He is pulling a Johnny Depp on Emiru. His goal is for no one goal is to ruin her publicly and turn the public against her, to discredit her allegations of abuse against Miskif. Miskif as admitted to throwing things in anger, and in doing so he injured her face with his phone. Miskif admitted to being jealous of Emiru whenever she succeeded. This is a big red flag and tells me that he’s a malignant narcissist. He would also showed this resentment towards her in discord messages. Miskif admitted to driving really fast while in the car with her. Emiru claimed that Mis threatened to kill himself and her. (He claimed he didn’t remember this) Miskif admitted to being “a bad boyfriend” to both maya and emiru. (he doesn’t explain why btw) Emiru claimed that miskif has threatened Emiru if she ever came public and he’s doing that right now. You don’t have to like Emiru. I don’t, but I’m not gonna fire up a disgusting piece of shit like Miskif.

I see you guys posting these screenshots of Mizkif being racist, and yall are missing the point. Mizkif does not give a fuck about black people. He is pulling a Johnny Depp on Emiru. His goal is for no one goal is to ruin her publicly and turn the public against her, to discredit her allegations of abuse against Miskif. Miskif as admitted to throwing things in anger, and in doing so he injured her face with his phone. Miskif admitted to being jealous of Emiru whenever she succeeded. This is a big red flag and tells me that he’s a malignant narcissist. He would also showed this resentment towards her in discord messages. Miskif admitted to driving really fast while in the car with her. Emiru claimed that Mis threatened to kill himself and her. (He claimed he didn’t remember this) Miskif admitted to being “a bad boyfriend” to both maya and emiru. (he doesn’t explain why btw) Emiru claimed that miskif has threatened Emiru if she ever came public and he’s doing that right now. You don’t have to like Emiru. I don’t, but I’m not gonna fire up a disgusting piece of shit like Miskif.

male slayer 𝜗𝜚

144,415 views • 2 months ago

Today is Tsukuyo's birthday! She was always cast as the tree in school plays because of how tall she was, and for a long time that felt like something to be ashamed of. But now she can pull off a disguise so convincing that even a careful eye might be fooled. That is what happens when someone takes the advice to start with what they do best and actually follows through. She keeps asking whether someone like her is really okay. The Sensei probably already knows the answer. Today might be a good day to go find her first — though she might take a little while to spot. #BlueArchive

Today is Tsukuyo's birthday! She was always cast as the tree in school plays because of how tall she was, and for a long time that felt like something to be ashamed of. But now she can pull off a disguise so convincing that even a careful eye might be fooled. That is what happens when someone takes the advice to start with what they do best and actually follows through. She keeps asking whether someone like her is really okay. The Sensei probably already knows the answer. Today might be a good day to go find her first — though she might take a little while to spot. #BlueArchive

BlueArchive

30,792 views • 5 months ago

A GIRL BY A VILLA POOL AT NIGHT IS WHY YOUR $7,000 RESORT SHOOT IS DEAD. Long dark hair. Black lace bikini with string ties. Small earrings. She stands with her back to the camera in front of a glowing turquoise pool. A villa with warm wall lights behind her. She turns slowly. Looks over her shoulder. Smiles. Keeps turning until she faces you. Ten seconds. One take. Zero crew. The whole thing looks like someone flew a model to Bali and lit a pool at midnight. Nobody flew anywhere. Nobody got paid. The pool light is the tell nobody catches. Turquoise from the water below. Warm amber from the villa behind. Two sources hitting her skin from different angles. AI faces under flat studio light look generated. AI faces under mixed night lighting pass. That is the line between a render and a real booking photo and this clip crossed it. HERE'S WHY THIS FORMAT IS THE MOST EXPENSIVE ONE TO FAKE. Night pool content is the highest-converting visual in vacation rental marketing. Every listing with a night shot outperforms daylight by 40% on click-through. A real shoot like this: villa rental $3,000, model $1,500, photographer with a night rig $2,000, retouching $500. One night. One girl. Maybe ten usable frames. One operator now generates these for boutique hotels. Five properties a week. $900 per set. The monthly is $18,000 and the overhead is a GPU. Pause at 0:04. She's mid-turn. The pool glow catches her collarbone and the villa light hits the other side of her face. That is not flat lighting. That is dual-source night rendering and it passes. Watch it again. Look at the pool. Look at the villa. Look at her. That is $18,000 a month and the girl in the bikini was never there.

A GIRL BY A VILLA POOL AT NIGHT IS WHY YOUR $7,000 RESORT SHOOT IS DEAD. Long dark hair. Black lace bikini with string ties. Small earrings. She stands with her back to the camera in front of a glowing turquoise pool. A villa with warm wall lights behind her. She turns slowly. Looks over her shoulder. Smiles. Keeps turning until she faces you. Ten seconds. One take. Zero crew. The whole thing looks like someone flew a model to Bali and lit a pool at midnight. Nobody flew anywhere. Nobody got paid. The pool light is the tell nobody catches. Turquoise from the water below. Warm amber from the villa behind. Two sources hitting her skin from different angles. AI faces under flat studio light look generated. AI faces under mixed night lighting pass. That is the line between a render and a real booking photo and this clip crossed it. HERE'S WHY THIS FORMAT IS THE MOST EXPENSIVE ONE TO FAKE. Night pool content is the highest-converting visual in vacation rental marketing. Every listing with a night shot outperforms daylight by 40% on click-through. A real shoot like this: villa rental $3,000, model $1,500, photographer with a night rig $2,000, retouching $500. One night. One girl. Maybe ten usable frames. One operator now generates these for boutique hotels. Five properties a week. $900 per set. The monthly is $18,000 and the overhead is a GPU. Pause at 0:04. She's mid-turn. The pool glow catches her collarbone and the villa light hits the other side of her face. That is not flat lighting. That is dual-source night rendering and it passes. Watch it again. Look at the pool. Look at the villa. Look at her. That is $18,000 a month and the girl in the bikini was never there.

Crimson Motion

103,607 views • 2 months ago

Why does Mary look younger than Jesus in Michelangelo's Pietà? The answer is one of the most beautiful in art history... Mary is holding the body of her 33 year old son, but she looks 20. Critics noticed it the moment the sculpture was unveiled in 1499. The mother of a man who has just been crucified would have been in her late forties or early fifties. Michelangelo had carved her as a girl. His own biographer, Ascanio Condivi, was the one who finally asked him why. The answer Michelangelo gave is preserved in Condivi's Life of Michelangelo and has been repeated for centuries: "Do you not know that chaste women stay fresh much more than those who are not chaste? How much more in the case of the Virgin, who had never experienced the least lascivious desire that might change her body?" Most modern critics treat this answer as a half-serious deflection. Michelangelo was famous for his sharp tongue and refused to explain himself to people he considered beneath his intellect. The deeper answer is older, and it lies inside one of the greatest poems ever written. In the final canto of Dante's Paradiso, Saint Bernard of Clairvaux begins his prayer to the Virgin with one of the most extraordinary lines in Italian literature: "Vergine madre, figlia del tuo figlio." "Virgin mother, daughter of your own son." Michelangelo, who knew Dante by heart, was carving that line into stone. Mary is younger than Jesus because Jesus is older than the universe... because she gave birth to her own creator. But there is another reading, simpler than either of those, and it is the one I find myself thinking of today. Every mother who has held her child has held them at every age at once. The infant is still inside the toddler. The toddler is still inside the teenager. The young man on her lap, even dead, is also the boy she nursed and the baby she first carried home. And maybe that's why Michelangelo did not carve Mary as the years had aged her. He carved her as love had kept her: outside of time, outside of grief, holding her son the way she had always held him... Happy Mother's Day. -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: I write about beauty in all its forms. If you'd like to support my work, a paid subscription is what makes it possible.

Why does Mary look younger than Jesus in Michelangelo's Pietà? The answer is one of the most beautiful in art history... Mary is holding the body of her 33 year old son, but she looks 20. Critics noticed it the moment the sculpture was unveiled in 1499. The mother of a man who has just been crucified would have been in her late forties or early fifties. Michelangelo had carved her as a girl. His own biographer, Ascanio Condivi, was the one who finally asked him why. The answer Michelangelo gave is preserved in Condivi's Life of Michelangelo and has been repeated for centuries: "Do you not know that chaste women stay fresh much more than those who are not chaste? How much more in the case of the Virgin, who had never experienced the least lascivious desire that might change her body?" Most modern critics treat this answer as a half-serious deflection. Michelangelo was famous for his sharp tongue and refused to explain himself to people he considered beneath his intellect. The deeper answer is older, and it lies inside one of the greatest poems ever written. In the final canto of Dante's Paradiso, Saint Bernard of Clairvaux begins his prayer to the Virgin with one of the most extraordinary lines in Italian literature: "Vergine madre, figlia del tuo figlio." "Virgin mother, daughter of your own son." Michelangelo, who knew Dante by heart, was carving that line into stone. Mary is younger than Jesus because Jesus is older than the universe... because she gave birth to her own creator. But there is another reading, simpler than either of those, and it is the one I find myself thinking of today. Every mother who has held her child has held them at every age at once. The infant is still inside the toddler. The toddler is still inside the teenager. The young man on her lap, even dead, is also the boy she nursed and the baby she first carried home. And maybe that's why Michelangelo did not carve Mary as the years had aged her. He carved her as love had kept her: outside of time, outside of grief, holding her son the way she had always held him... Happy Mother's Day. -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: I write about beauty in all its forms. If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

800,939 views • 4 months ago

Rihanna recently opened up in an interview about the early days with A$AP Rocky. She confessed that when they first got together, she wasn’t fully convinced he was “the one” and briefly returned to her ex Chris Brown.“He was so gentle and grounded, but a piece of me kept thinking he was too calm… too secure,” she shared. “I believed I needed someone with more fire and edge. So I went back to Chris. At the time he felt like the stronger, more passionate choice.Looking back, I see that Rocky was always the real one. Steady. Loyal. The kind of man you can truly build a future with and feel safe beside.”She said reconnecting with him felt like finally returning to where she belonged. “Sometimes you have to walk away from the right person just to realise why they were right for you the entire time.”Now we are blessed with kids and more on the way.

Rihanna recently opened up in an interview about the early days with A$AP Rocky. She confessed that when they first got together, she wasn’t fully convinced he was “the one” and briefly returned to her ex Chris Brown.“He was so gentle and grounded, but a piece of me kept thinking he was too calm… too secure,” she shared. “I believed I needed someone with more fire and edge. So I went back to Chris. At the time he felt like the stronger, more passionate choice.Looking back, I see that Rocky was always the real one. Steady. Loyal. The kind of man you can truly build a future with and feel safe beside.”She said reconnecting with him felt like finally returning to where she belonged. “Sometimes you have to walk away from the right person just to realise why they were right for you the entire time.”Now we are blessed with kids and more on the way.

Ghost9ine💀💚

133,016 views • 1 month ago

This is the woman who went in for a tummy tuck and was reportedly given too much IV pain medication. Doctors told her husband she was brain dead, and he made the heartbreaking decision to take her off life support. But now the story seems to keep changing. The media initially reported that she had passed away. Her GoFundMe also said she had died — but that has recently been updated to say she is now in hospice care and breathing on her own. So at this point, no one seems to know the full truth. I just hope this latest update is the real one… that she’s still here and still fighting. 🙏

This is the woman who went in for a tummy tuck and was reportedly given too much IV pain medication. Doctors told her husband she was brain dead, and he made the heartbreaking decision to take her off life support. But now the story seems to keep changing. The media initially reported that she had passed away. Her GoFundMe also said she had died — but that has recently been updated to say she is now in hospice care and breathing on her own. So at this point, no one seems to know the full truth. I just hope this latest update is the real one… that she’s still here and still fighting. 🙏

❤🎹 Ames 🎹❤

22,173 views • 6 months ago

Falsely accusing a grieving father of murdering his own children is absolutely disgusting. Shame on Lisa Rinna for her ignorant and defamatory words. Unbelievable that she still hasn’t apologized and issued a full and sincere retraction. Patrick Clancy should sue her. Rinna didn’t just levy an opinion. She made a reckless and defamatory statement. Lindsay Clancy has already admitted she killed Cora, Dawson, and Callan. The jury is deciding responsibility, not who did it. Yet Rinna still looked into a phone in her car and said Patrick did it, because “women typically don’t strangle,” and because a therapist supposedly nodded along. Then the blowback came and she hid behind free speech instead of an apology. Her page. Her opinions. Tough luck. Free speech is the right to say something stupid. It is not a shield from being wrong, and it is not a license to smear a man who came home to three dead children. Patrick Clancy lost Cora, Dawson, and Callan. He does not owe Rinna a debate. She owes him a retraction. A celebrity does not get to turn a father’s name into content because the real killer is a mother and that is less convenient for the story she wanted. Rinna needs to name the children. Tell the truth about who killed them. And stop inventing a villain because the real one is a mother.

Falsely accusing a grieving father of murdering his own children is absolutely disgusting. Shame on Lisa Rinna for her ignorant and defamatory words. Unbelievable that she still hasn’t apologized and issued a full and sincere retraction. Patrick Clancy should sue her. Rinna didn’t just levy an opinion. She made a reckless and defamatory statement. Lindsay Clancy has already admitted she killed Cora, Dawson, and Callan. The jury is deciding responsibility, not who did it. Yet Rinna still looked into a phone in her car and said Patrick did it, because “women typically don’t strangle,” and because a therapist supposedly nodded along. Then the blowback came and she hid behind free speech instead of an apology. Her page. Her opinions. Tough luck. Free speech is the right to say something stupid. It is not a shield from being wrong, and it is not a license to smear a man who came home to three dead children. Patrick Clancy lost Cora, Dawson, and Callan. He does not owe Rinna a debate. She owes him a retraction. A celebrity does not get to turn a father’s name into content because the real killer is a mother and that is less convenient for the story she wanted. Rinna needs to name the children. Tell the truth about who killed them. And stop inventing a villain because the real one is a mother.

Paul A. Szypula 🇺🇸

13,367 views • 21 days ago

"The apartment was supposed to be empty. Deputy Elena Rodriguez was doing one last sweep of a condemned unit on the east side before the building was sealed. It should have been routine, just another silent walk through a place people had already forgotten. For seven years she has worked the force and learned how to stay steady in hard situations. Domestic calls, violent scenes, abandoned homes have all been part of the job. Building a wall becomes necessary or the work breaks you. Trash covered the floors and spoiled food filled the air. The silence inside felt heavy and wrong. When she stepped into the kitchen, she stopped cold. A dog was chained tightly to an old radiator. He was not just thin. His body was skeletal. Someone had left him there in the dark with no food and no water while life outside kept moving. There was no growl. There was no attempt to pull away. At the sight of her uniform, he slowly lifted his head and tapped his tail once against the floor. That small movement broke her. She dropped to her knees without thinking about the dirt or the smell. Footage from her partner captured the moment she stopped being just an officer and became a human being facing something cruel. "Hey. Hey. Oh buddy. You're okay now." Her voice shook as she reached toward him carefully. "Nobody is coming back. I'm right here. We're getting you out. You're not staying here." The dog leaned what little weight he had against her legs. A slow breath left his body as his eyes closed while she kept speaking softly. "You're safe with me. I promise. You're safe." Her partner rushed in with bolt cutters and broke the chain from the radiator. Without waiting for animal control, Elena lifted him in her arms and carried him outside herself, shocked at how light he felt. They later named him Blue. Blue spent one month in critical care fighting to regain strength. Every day before her shift, she visited him and sat beside the kennel until he began to trust again. That afternoon was not the end of the story. She signed the adoption papers yesterday. The dog who had been left alone in a dark apartment now sleeps in a warm home on a soft bed beside the woman who promised he would never be left behind again. | Dancing in the Sky.

"The apartment was supposed to be empty. Deputy Elena Rodriguez was doing one last sweep of a condemned unit on the east side before the building was sealed. It should have been routine, just another silent walk through a place people had already forgotten. For seven years she has worked the force and learned how to stay steady in hard situations. Domestic calls, violent scenes, abandoned homes have all been part of the job. Building a wall becomes necessary or the work breaks you. Trash covered the floors and spoiled food filled the air. The silence inside felt heavy and wrong. When she stepped into the kitchen, she stopped cold. A dog was chained tightly to an old radiator. He was not just thin. His body was skeletal. Someone had left him there in the dark with no food and no water while life outside kept moving. There was no growl. There was no attempt to pull away. At the sight of her uniform, he slowly lifted his head and tapped his tail once against the floor. That small movement broke her. She dropped to her knees without thinking about the dirt or the smell. Footage from her partner captured the moment she stopped being just an officer and became a human being facing something cruel. "Hey. Hey. Oh buddy. You're okay now." Her voice shook as she reached toward him carefully. "Nobody is coming back. I'm right here. We're getting you out. You're not staying here." The dog leaned what little weight he had against her legs. A slow breath left his body as his eyes closed while she kept speaking softly. "You're safe with me. I promise. You're safe." Her partner rushed in with bolt cutters and broke the chain from the radiator. Without waiting for animal control, Elena lifted him in her arms and carried him outside herself, shocked at how light he felt. They later named him Blue. Blue spent one month in critical care fighting to regain strength. Every day before her shift, she visited him and sat beside the kennel until he began to trust again. That afternoon was not the end of the story. She signed the adoption papers yesterday. The dog who had been left alone in a dark apartment now sleeps in a warm home on a soft bed beside the woman who promised he would never be left behind again. | Dancing in the Sky.

Crazy Moments

71,680 views • 2 months ago