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Minimax Natural Motion → Solid. All the video tools offer something different. MJ PROMPT: homesteader, epic cinema --ar 5:3 --p MINIMAX PROMPTS: 1. zooming in shot of a man eating arguala from a bowl 2. pulling in shot as a donkey walks towards a young girl and nuzzles her...

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Rory Flynn

28,883 subscribers

77,877 görüntüleme • 2 yıl önce •via X (Twitter)

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Brent Lynch profil fotoğrafı
Brent Lynch2 yıl önce

I'm going to blowout my @X bookmark, like, and repost buttons now that I have come across your account! Incredible. @Hailuo_AI

Rory Flynn profil fotoğrafı
Rory Flynn2 yıl önce

@X @Hailuo_AI 🤣🤣🤣 thanks man...i'll try to keep them coming

Trisha Code profil fotoğrafı
Trisha Code2 yıl önce

that thing really knows the soul of a donkey, excellent

Rory Flynn profil fotoğrafı
Rory Flynn2 yıl önce

💯 that was the most impressive aspect of the entire thing.

Artvisionᴺᶠᵀ profil fotoğrafı
Artvisionᴺᶠᵀ2 yıl önce

whoaaaa... Rory... you do magic with ai

Rory Flynn profil fotoğrafı
Rory Flynn2 yıl önce

🙏 much appreciated

Tabi Yume profil fotoğrafı
Tabi Yume2 yıl önce

all IG have their own flaws and strength however @Hailuo_AI has edge over others with motion fluid realistic movement. But their main stength is how we are able to prompt camera and action in depth. This is I2V full control over output with kick at end too is coomand at prompt😜

Pablo Chaco profil fotoğrafı
Pablo Chaco2 yıl önce

wild!

padphone profil fotoğrafı
padphone2 yıl önce

Good case

Michael Aubry — BasedLabs.ai profil fotoğrafı
Michael Aubry — BasedLabs.ai2 yıl önce

We should make content like this @AndyAI_ showcasing basedlabs

Benzer Videolar

Frames + Midjourney → RUNWAY GEN-4. Big update...much improved. PROMPT STRUCTURE: [shot type], [subject + action + motion + direction] [env]. [Camera motion], [env description], [lighting], [mood/emotion]. PROMPT EX: A fast action tracking shot of a young man skateboarding towards us down a dusty desert road. The camera pulls out on him as he weaves on his skateboard casually. Behind him, a colossal fiery mushroom cloud expands into the sky and towards us, growing methodically larger. The lighting is natural and cinematic, with warm tones from the blast contrasting against the cool shadows of the dunes. The handheld camera movement adds rawness and tension to the scene. #midjourney #runway #promptshare
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Frames + Midjourney → RUNWAY GEN-4. Big update...much improved. PROMPT STRUCTURE: [shot type], [subject + action + motion + direction] [env]. [Camera motion], [env description], [lighting], [mood/emotion]. PROMPT EX: A fast action tracking shot of a young man skateboarding towards us down a dusty desert road. The camera pulls out on him as he weaves on his skateboard casually. Behind him, a colossal fiery mushroom cloud expands into the sky and towards us, growing methodically larger. The lighting is natural and cinematic, with warm tones from the blast contrasting against the cool shadows of the dunes. The handheld camera movement adds rawness and tension to the scene. #midjourney #runway #promptshare

Rory Flynn

39,281 görüntüleme • 1 yıl önce

So Runway Gen 4.5 finally adds image-to-video, the workflow most pros rely on for consistency. We put it head to head with Kling AI and Google Flow VEO using the same reference images and prompts (below) to evaluate motion quality, stability, and cinematic realism. 1. Action/WaterPhysics Test Prompt: Cinematic, wide-shot of a man running in a shallow river. The camera is tracking the man from behind as he runs up the river. Handheld camera shake as the camera follows the man. 2. Fire Physics Test Prompt: Cinematic, wide-shot of terrified woman running towards her burning barn. She abruptly stops, and puts in hands on her head as she watches her barn burn down. 3. VFX test prompt: Cinematic, wide-shot of a hooded figure. Flashes of purple magic and smoke whirl around the figure. The figure lifts its arms as the purple magic and smoke intensifies. 4. 2D Animation Test Prompt: 2D animated shot of a waiting at a bus stop in a thunderstorm. The man turns, walks to the bench, and sits down. 5. 3D Animation Test Prompt: 3D animated shot of an octopus. The octopus reaches into a coral and picks up a glowing white gem. 6. Conversation Test Prompt: slow camera push-in as two friends are having a conversation at a coffee shop Overall verdict: Despite the “world’s best” claim, Runway Gen 4.5 is not there yet. Prompt adherence is solid, but motion, physics, and cinematic realism still lag behind tools like Kling and VEO. Great platform, mid-tier model for now.
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So Runway Gen 4.5 finally adds image-to-video, the workflow most pros rely on for consistency. We put it head to head with Kling AI and Google Flow VEO using the same reference images and prompts (below) to evaluate motion quality, stability, and cinematic realism. 1. Action/WaterPhysics Test Prompt: Cinematic, wide-shot of a man running in a shallow river. The camera is tracking the man from behind as he runs up the river. Handheld camera shake as the camera follows the man. 2. Fire Physics Test Prompt: Cinematic, wide-shot of terrified woman running towards her burning barn. She abruptly stops, and puts in hands on her head as she watches her barn burn down. 3. VFX test prompt: Cinematic, wide-shot of a hooded figure. Flashes of purple magic and smoke whirl around the figure. The figure lifts its arms as the purple magic and smoke intensifies. 4. 2D Animation Test Prompt: 2D animated shot of a waiting at a bus stop in a thunderstorm. The man turns, walks to the bench, and sits down. 5. 3D Animation Test Prompt: 3D animated shot of an octopus. The octopus reaches into a coral and picks up a glowing white gem. 6. Conversation Test Prompt: slow camera push-in as two friends are having a conversation at a coffee shop Overall verdict: Despite the “world’s best” claim, Runway Gen 4.5 is not there yet. Prompt adherence is solid, but motion, physics, and cinematic realism still lag behind tools like Kling and VEO. Great platform, mid-tier model for now.

Curious Refuge

25,712 görüntüleme • 8 ay önce

MINIMAX IS UNHINGED → NAUGHTY PIKACHU This tool is too much fun. MIDJOURNEY PROMPT: flash photo, Batman and real life pikachu having fun at a house party, 1980s --ar 3:2 --stylize 75 --v 6.1 MINMAX PROMPT STRUCTURES: 01. The camera [motion/direction] as Pikachu and Batman [action] 02. The camera [motion/direction] revealing [outcome] MINIMAX PROMPT EXAMPLES: 01. The camera pans down to reveal empty beer bottles everywhere 02. The camera pulls out revealing a man walking into the scene and offering Pikachu and batman comical mushrooms 03. The camera pans up to reveal Spiderman crawling on the ceiling upside down 04. The camera pans down to reveal the joker crawling on the ground, before he looks at the camera and waves awkwardly 05. The camera pulls out revealing a Wonder Woman walking into the scene, blowing smoke into Pikachus face comedically 06. The camera pulls out revealing Deadpool throwing Pikachu out of the party #minimax #hailuo_ai #midjourney Hailuo AI-MiniMax Hub
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MINIMAX IS UNHINGED → NAUGHTY PIKACHU This tool is too much fun. MIDJOURNEY PROMPT: flash photo, Batman and real life pikachu having fun at a house party, 1980s --ar 3:2 --stylize 75 --v 6.1 MINMAX PROMPT STRUCTURES: 01. The camera [motion/direction] as Pikachu and Batman [action] 02. The camera [motion/direction] revealing [outcome] MINIMAX PROMPT EXAMPLES: 01. The camera pans down to reveal empty beer bottles everywhere 02. The camera pulls out revealing a man walking into the scene and offering Pikachu and batman comical mushrooms 03. The camera pans up to reveal Spiderman crawling on the ceiling upside down 04. The camera pans down to reveal the joker crawling on the ground, before he looks at the camera and waves awkwardly 05. The camera pulls out revealing a Wonder Woman walking into the scene, blowing smoke into Pikachus face comedically 06. The camera pulls out revealing Deadpool throwing Pikachu out of the party #minimax #hailuo_ai #midjourney Hailuo AI-MiniMax Hub

Rory Flynn

78,300 görüntüleme • 1 yıl önce

KLING ELEMENTS → More tests. Subject + Environment + Object. KLING PROMPT EX: A cinematic tracking shot of a beautiful woman wearing black swimwear, a black coverup skirt, and a feathered headdress, walking out of a stunning Morrocan hotel doorway down a tiled path toward the camera. She is strutting with extreme confidence as she walks towards the camera. As she comes close, the scene reveals she is walking towards A smokey blue lamborghini in the hotel entrance. The car is shiny with immaculate reflections. Shot in cinematic 4k. #midjourney #kling Kling AI
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KLING ELEMENTS → More tests. Subject + Environment + Object. KLING PROMPT EX: A cinematic tracking shot of a beautiful woman wearing black swimwear, a black coverup skirt, and a feathered headdress, walking out of a stunning Morrocan hotel doorway down a tiled path toward the camera. She is strutting with extreme confidence as she walks towards the camera. As she comes close, the scene reveals she is walking towards A smokey blue lamborghini in the hotel entrance. The car is shiny with immaculate reflections. Shot in cinematic 4k. #midjourney #kling Kling AI

Rory Flynn

106,461 görüntüleme • 1 yıl önce

MINIMAX OUTTAKES V2 → ABSURD I swear it has comedic timing. MIDJOURNEY PROMPT: movie still of a comedy film that was never made, and movie we never needed lol --chaos 10 --ar 16:9 --p--stylize 200 --v 6.1 MINIMAX PROMPT STRUCTURE: The camera [motion] as 2 men [action] MINIMAX EX: the camera follows as 2 men run to the right as they are chased by a goofy t-rex #minimax #hailuo_ai #midjourney MiniMax Design (H3)
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MINIMAX OUTTAKES V2 → ABSURD I swear it has comedic timing. MIDJOURNEY PROMPT: movie still of a comedy film that was never made, and movie we never needed lol --chaos 10 --ar 16:9 --p--stylize 200 --v 6.1 MINIMAX PROMPT STRUCTURE: The camera [motion] as 2 men [action] MINIMAX EX: the camera follows as 2 men run to the right as they are chased by a goofy t-rex #minimax #hailuo_ai #midjourney MiniMax Design (H3)

Rory Flynn

61,709 görüntüleme • 1 yıl önce

Minimax is drunk → And it's awesome. So stupid...but I can't stop. (11) prompts used ↓ MJ PROMPT: movie still of a comedy film that was never made, and movie we never needed lol --chaos 10 --p --stylize 200 MINIMAX PROMPTS: 01. 2 men walking towards a bodega counter, offering the cashier and ice cream cone. 02. the camera pans down as a peacock walks through a bodega by 2 men 03. the camera pans right as 2 men walk right towards the bodega counter to offer the cashier a kitten 04. the camera pans down to reveal 2 men wearing clown shoes as they start to dance 05. the camera follows as 2 men shake pom-poms 06. 2 men turn to eachother and point at each other awkwardly 07. 2 men slowly raise pumpkins into the frame awkwardly 08. the camera pans right as 2 men walk right before shaking hands with a goofy alien 09. the camera whip-pans right to two children in goofy suits wearing oversized sunglasses with their arms crossed 10. the camera dolly-pushes in on the man's awkward terrified face lol #minimax #hailuo_ai #midjourney
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Minimax is drunk → And it's awesome. So stupid...but I can't stop. (11) prompts used ↓ MJ PROMPT: movie still of a comedy film that was never made, and movie we never needed lol --chaos 10 --p --stylize 200 MINIMAX PROMPTS: 01. 2 men walking towards a bodega counter, offering the cashier and ice cream cone. 02. the camera pans down as a peacock walks through a bodega by 2 men 03. the camera pans right as 2 men walk right towards the bodega counter to offer the cashier a kitten 04. the camera pans down to reveal 2 men wearing clown shoes as they start to dance 05. the camera follows as 2 men shake pom-poms 06. 2 men turn to eachother and point at each other awkwardly 07. 2 men slowly raise pumpkins into the frame awkwardly 08. the camera pans right as 2 men walk right before shaking hands with a goofy alien 09. the camera whip-pans right to two children in goofy suits wearing oversized sunglasses with their arms crossed 10. the camera dolly-pushes in on the man's awkward terrified face lol #minimax #hailuo_ai #midjourney

Rory Flynn

41,143 görüntüleme • 1 yıl önce

Runway Key Frames → Pretty damn cool. Impressed with how smooth it is. Need to test the hell out of this. PROMPTS: Scorpion → panning left shot, scorpion monster walking eerily towards as the camera focuses for a closeup Tesla Sketch → hand drawn sketch comes to life quick, tracking shot of a tesla cyber truck driving left on a desert road environmentCyber Truck Orbit → camera rotates left around a tesla cyber truck in a dark studio enviornment Hamburger → static shot, hand placing a bun atop of a juicy hamburger, natural dynamic motion, 35mm style #runwaygen3 #runwayml #midjourney
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Runway Key Frames → Pretty damn cool. Impressed with how smooth it is. Need to test the hell out of this. PROMPTS: Scorpion → panning left shot, scorpion monster walking eerily towards as the camera focuses for a closeup Tesla Sketch → hand drawn sketch comes to life quick, tracking shot of a tesla cyber truck driving left on a desert road environmentCyber Truck Orbit → camera rotates left around a tesla cyber truck in a dark studio enviornment Hamburger → static shot, hand placing a bun atop of a juicy hamburger, natural dynamic motion, 35mm style #runwaygen3 #runwayml #midjourney

Rory Flynn

156,154 görüntüleme • 2 yıl önce

MJ + RUNWAY ACT-1 → EPIC 🤣 Retooling a classic scene from Dude Where's My Car. (Last shot is Minimax) PROCESS: 01. Gen characters in Midjourney 02. Animate conversation in RW ACT-1 03. B-Roll with Minimax + RW MJ PROMPT STRUCTURE: 3d render, goofy pixar closeup of a man with a goofy face, shot through a car window, body facing left, head facing right, arm resting on the window of the car --ar 5:3 --stylize 200 --v 6.1 POSITION CHANGE EX: 3d render, goofy pixar {medium, rear} profile shot of a man with a goofy face, sitting in the driver's seat of a car, {looking over his shoulder, looking outside his window} --ar 89:53 --sref --sw 50 --cref --cw 90 --stylize 200 --v 6.1 >> This is for entertainment only (no affiliation)<< #runwaygen3 #runwayml #midjourney
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MJ + RUNWAY ACT-1 → EPIC 🤣 Retooling a classic scene from Dude Where's My Car. (Last shot is Minimax) PROCESS: 01. Gen characters in Midjourney 02. Animate conversation in RW ACT-1 03. B-Roll with Minimax + RW MJ PROMPT STRUCTURE: 3d render, goofy pixar closeup of a man with a goofy face, shot through a car window, body facing left, head facing right, arm resting on the window of the car --ar 5:3 --stylize 200 --v 6.1 POSITION CHANGE EX: 3d render, goofy pixar {medium, rear} profile shot of a man with a goofy face, sitting in the driver's seat of a car, {looking over his shoulder, looking outside his window} --ar 89:53 --sref --sw 50 --cref --cw 90 --stylize 200 --v 6.1 >> This is for entertainment only (no affiliation)<< #runwaygen3 #runwayml #midjourney

Rory Flynn

36,000 görüntüleme • 1 yıl önce

SORA FIRST TESTS → WOAH. Sharpness...clarity...eye motion...emotion. The subtle details are impressive. MIDJOURNEY PROMPT: cinematic still, extreme closeup side profile shot, Ancient Mayan Chieftan in the Yucatan jungle gazing anxiously, weathered skin, intricate colorful face paint, turquoise and deep greens, color blocking, 35mm dslr, cinematic lighting, light rays, deep shadows, exuberance, presence --c 15 --ar 2:1 --style jo6aL9xt --s 650 --v 5.2 (yes...this is a MJ V5.2 prompt) SORA PROMPT: The camera focuses on an older, weathered man in a dense, lush forest. His face is marked with blue paint and mud, highlighting deep lines that speak of a life spent in the wilderness. The background is a blur of greens and browns, capturing the essence of an untamed environment. The man's stern, anxiety-laden gaze suggests a narrative of survival, resilience, and deep connection with nature, adding a sense of mystery and intensity to the scene. #sora #openai #midjourney
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SORA FIRST TESTS → WOAH. Sharpness...clarity...eye motion...emotion. The subtle details are impressive. MIDJOURNEY PROMPT: cinematic still, extreme closeup side profile shot, Ancient Mayan Chieftan in the Yucatan jungle gazing anxiously, weathered skin, intricate colorful face paint, turquoise and deep greens, color blocking, 35mm dslr, cinematic lighting, light rays, deep shadows, exuberance, presence --c 15 --ar 2:1 --style jo6aL9xt --s 650 --v 5.2 (yes...this is a MJ V5.2 prompt) SORA PROMPT: The camera focuses on an older, weathered man in a dense, lush forest. His face is marked with blue paint and mud, highlighting deep lines that speak of a life spent in the wilderness. The background is a blur of greens and browns, capturing the essence of an untamed environment. The man's stern, anxiety-laden gaze suggests a narrative of survival, resilience, and deep connection with nature, adding a sense of mystery and intensity to the scene. #sora #openai #midjourney

Rory Flynn

48,047 görüntüleme • 1 yıl önce

POV: turning a simple morning routine into a cinematic little story ☕🐶✨ From waking up and making coffee to taking the dog out for a peaceful morning walk. Created with Seedance 2.5 on TapNow PROMPT: 30-SECOND CINEMATIC MORNING VLOG — “FROM BED TO OUTSIDE” Use the user-provided character reference as a strict identity lock and the user-provided outfit reference exactly. Keep the same face, hairstyle, body proportions, clothing, shoes, and accessories throughout the entire video. Use the same dog consistently in every shot. FORMAT: 16:9 widescreen, photorealistic, premium lifestyle vlog, cinematic natural lighting, realistic motion, subtle film grain, warm morning color grading. 0–5 SEC — WAKE UP Soft morning sunlight enters the bedroom. The character slowly wakes up, sits on the edge of the bed, runs a hand through his hair, and takes a quiet moment before getting up. Slow cinematic push-in, natural bedroom ambience. 5–10 SEC — COFFEE Cut to the kitchen. He prepares a simple morning coffee. Close-up of coffee beans, water pouring, coffee filling the cup, then him taking the first sip beside the kitchen window. Warm sunlight, shallow depth of field, gentle handheld camera movement. 10–15 SEC — GETTING READY He puts on his shoes, grabs his keys and leash, and looks toward his dog waiting excitedly near the door. Quick but smooth cinematic cuts. The dog happily follows him toward the entrance. 15–25 SEC — MORNING WALK He steps outside with his dog into a peaceful morning street. They walk casually together through a quiet neighborhood. Capture wide establishing shots, low-angle walking shots, close-ups of their feet, the dog walking beside him, and natural sunlight filtering through trees. 25–30 SEC — FINAL SHOT Wide cinematic shot from behind as the character and dog continue walking down the street. He briefly looks toward the morning sky while the dog walks beside him. Slow camera pull-back, peaceful ending. CAMERA STYLE: Smooth handheld movement, slow push-ins, gentle tracking shots, occasional low angles, natural transitions, realistic depth of field, cinematic framing. AUDIO: Natural morning ambience, birds, subtle footsteps, coffee machine sounds, leash movement, soft city atmosphere. Minimal calm background music. NEGATIVE PROMPT: identity changes, outfit changes, inconsistent dog, different dog breed, distorted anatomy, extra limbs, unnatural walking, floating objects, unrealistic motion, excessive camera shake, oversaturated colors, artificial skin, cartoon, anime, CGI look, text, subtitles, watermark, logo.
0:30

POV: turning a simple morning routine into a cinematic little story ☕🐶✨ From waking up and making coffee to taking the dog out for a peaceful morning walk. Created with Seedance 2.5 on TapNow PROMPT: 30-SECOND CINEMATIC MORNING VLOG — “FROM BED TO OUTSIDE” Use the user-provided character reference as a strict identity lock and the user-provided outfit reference exactly. Keep the same face, hairstyle, body proportions, clothing, shoes, and accessories throughout the entire video. Use the same dog consistently in every shot. FORMAT: 16:9 widescreen, photorealistic, premium lifestyle vlog, cinematic natural lighting, realistic motion, subtle film grain, warm morning color grading. 0–5 SEC — WAKE UP Soft morning sunlight enters the bedroom. The character slowly wakes up, sits on the edge of the bed, runs a hand through his hair, and takes a quiet moment before getting up. Slow cinematic push-in, natural bedroom ambience. 5–10 SEC — COFFEE Cut to the kitchen. He prepares a simple morning coffee. Close-up of coffee beans, water pouring, coffee filling the cup, then him taking the first sip beside the kitchen window. Warm sunlight, shallow depth of field, gentle handheld camera movement. 10–15 SEC — GETTING READY He puts on his shoes, grabs his keys and leash, and looks toward his dog waiting excitedly near the door. Quick but smooth cinematic cuts. The dog happily follows him toward the entrance. 15–25 SEC — MORNING WALK He steps outside with his dog into a peaceful morning street. They walk casually together through a quiet neighborhood. Capture wide establishing shots, low-angle walking shots, close-ups of their feet, the dog walking beside him, and natural sunlight filtering through trees. 25–30 SEC — FINAL SHOT Wide cinematic shot from behind as the character and dog continue walking down the street. He briefly looks toward the morning sky while the dog walks beside him. Slow camera pull-back, peaceful ending. CAMERA STYLE: Smooth handheld movement, slow push-ins, gentle tracking shots, occasional low angles, natural transitions, realistic depth of field, cinematic framing. AUDIO: Natural morning ambience, birds, subtle footsteps, coffee machine sounds, leash movement, soft city atmosphere. Minimal calm background music. NEGATIVE PROMPT: identity changes, outfit changes, inconsistent dog, different dog breed, distorted anatomy, extra limbs, unnatural walking, floating objects, unrealistic motion, excessive camera shake, oversaturated colors, artificial skin, cartoon, anime, CGI look, text, subtitles, watermark, logo.

Caden Flux

23,181 görüntüleme • 1 ay önce

Godzilla vs Cybertruck Pt 2. With Kling Elements + Midjourney. KLING PROMPT EX: A cinematic tracking shot follows a massive Godzilla as it fights a tesla cybertruck with a mounted 50 caliber gun on it's back. The camera rises to a high-angle view, of the monstrous Godzilla as it looks down at the tesla cybertruck. Showing his impressive size and scale over the small tesla cybertruck below. Godzilla's body recoils smoothly as electricity charges through his body, illuminating his scales and spines, before godzilla blasts an intense energy beam from his mouth directly at the cybertruck. Directly hitting the tesla cybertruck. The scene is action-filled and adrenaline-pumping intensity. Shot in a desolate desert with high contrast and warm lighting. Shot in cinematic 4k. #midjourney #klingai Kling AI
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Godzilla vs Cybertruck Pt 2. With Kling Elements + Midjourney. KLING PROMPT EX: A cinematic tracking shot follows a massive Godzilla as it fights a tesla cybertruck with a mounted 50 caliber gun on it's back. The camera rises to a high-angle view, of the monstrous Godzilla as it looks down at the tesla cybertruck. Showing his impressive size and scale over the small tesla cybertruck below. Godzilla's body recoils smoothly as electricity charges through his body, illuminating his scales and spines, before godzilla blasts an intense energy beam from his mouth directly at the cybertruck. Directly hitting the tesla cybertruck. The scene is action-filled and adrenaline-pumping intensity. Shot in a desolate desert with high contrast and warm lighting. Shot in cinematic 4k. #midjourney #klingai Kling AI

Rory Flynn

48,103 görüntüleme • 1 yıl önce

Made with seedance 2.5 Prompt: Create a cinematic, photorealistic Korean high-school cafeteria scene during lunchtime. A beautiful young Korean female student, around 18–20 years old, with long straight black hair, fair natural skin, delicate facial features, and a calm expressive face, walks through a large busy school cafeteria carrying a stainless-steel lunch tray. She wears a neat white short-sleeve school uniform shirt with a dark navy ribbon bow/tie, a navy pleated skirt, and a small school name tag. The cafeteria is filled with many Korean high-school students wearing matching white uniforms, sitting at long wooden tables and eating lunch. Opening shot: wide cinematic shot following the girl as she walks between crowded cafeteria tables carrying her tray. Bright fluorescent ceiling lights, large windows, realistic school cafeteria architecture, natural background activity, shallow depth of field. Cut to a medium close-up of the girl walking toward the camera, looking slightly surprised and opening her mouth as if speaking. Her black hair moves naturally while walking. Cut to a detailed close-up of the stainless-steel cafeteria tray being carried, containing Korean-style school lunch: white rice, fried chicken pieces, sausages, vegetables, side dishes, and red sauce. Another hand holding a spoon appears in the foreground. Top-down shot of the complete lunch tray placed on the table, showing separate metal compartments filled with rice, fried food, vegetables, and red soup/sauce. Show the busy cafeteria reaction: several male students suddenly look toward the girl with surprised and curious expressions while eating. Capture natural facial expressions and realistic reactions. A dramatic close-up of the girl looking directly toward the camera with a confident, slightly serious expression. Her long black hair frames her face, with realistic skin texture, detailed eyes, subtle makeup, and cinematic soft lighting. Background students and cafeteria lights are heavily blurred with natural bokeh. Show the girl approaching a seated male student and placing/serving the lunch tray near him. The students react naturally, looking surprised and confused. Finish with a wide rear shot of the girl walking away through the crowded cafeteria while carrying the tray, with rows of students visible on both sides. Visual style: ultra-realistic Korean school drama / K-drama cinematography, photorealistic human faces, realistic skin texture, natural body proportions, authentic Korean school cafeteria, cinematic composition, soft depth of field, realistic fluorescent lighting, subtle handheld camera movement, smooth cinematic transitions, detailed food textures, natural facial expressions, realistic motion, 4K, high detail, professional cinema camera, 35mm and 85mm lens look, natural color grading, atmospheric background blur. No text, no subtitles, no watermark, no logos, no distorted faces, no extra fingers, no unnatural body proportions, no cartoon or anime appearance.
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Made with seedance 2.5 Prompt: Create a cinematic, photorealistic Korean high-school cafeteria scene during lunchtime. A beautiful young Korean female student, around 18–20 years old, with long straight black hair, fair natural skin, delicate facial features, and a calm expressive face, walks through a large busy school cafeteria carrying a stainless-steel lunch tray. She wears a neat white short-sleeve school uniform shirt with a dark navy ribbon bow/tie, a navy pleated skirt, and a small school name tag. The cafeteria is filled with many Korean high-school students wearing matching white uniforms, sitting at long wooden tables and eating lunch. Opening shot: wide cinematic shot following the girl as she walks between crowded cafeteria tables carrying her tray. Bright fluorescent ceiling lights, large windows, realistic school cafeteria architecture, natural background activity, shallow depth of field. Cut to a medium close-up of the girl walking toward the camera, looking slightly surprised and opening her mouth as if speaking. Her black hair moves naturally while walking. Cut to a detailed close-up of the stainless-steel cafeteria tray being carried, containing Korean-style school lunch: white rice, fried chicken pieces, sausages, vegetables, side dishes, and red sauce. Another hand holding a spoon appears in the foreground. Top-down shot of the complete lunch tray placed on the table, showing separate metal compartments filled with rice, fried food, vegetables, and red soup/sauce. Show the busy cafeteria reaction: several male students suddenly look toward the girl with surprised and curious expressions while eating. Capture natural facial expressions and realistic reactions. A dramatic close-up of the girl looking directly toward the camera with a confident, slightly serious expression. Her long black hair frames her face, with realistic skin texture, detailed eyes, subtle makeup, and cinematic soft lighting. Background students and cafeteria lights are heavily blurred with natural bokeh. Show the girl approaching a seated male student and placing/serving the lunch tray near him. The students react naturally, looking surprised and confused. Finish with a wide rear shot of the girl walking away through the crowded cafeteria while carrying the tray, with rows of students visible on both sides. Visual style: ultra-realistic Korean school drama / K-drama cinematography, photorealistic human faces, realistic skin texture, natural body proportions, authentic Korean school cafeteria, cinematic composition, soft depth of field, realistic fluorescent lighting, subtle handheld camera movement, smooth cinematic transitions, detailed food textures, natural facial expressions, realistic motion, 4K, high detail, professional cinema camera, 35mm and 85mm lens look, natural color grading, atmospheric background blur. No text, no subtitles, no watermark, no logos, no distorted faces, no extra fingers, no unnatural body proportions, no cartoon or anime appearance.

Zoya

29,161 görüntüleme • 23 gün önce

Three bears were captured on camera charging through the snow on a ski slope, right in the path of skiers coming down the hill in California. The video was shot from a chairlift at the Northstar California Resort near Lake Tahoe. In the video, a person behind the camera can be heard yelling “stop,” “move,” and “get out of there” as the bears run across the path of people skiing.
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Three bears were captured on camera charging through the snow on a ski slope, right in the path of skiers coming down the hill in California. The video was shot from a chairlift at the Northstar California Resort near Lake Tahoe. In the video, a person behind the camera can be heard yelling “stop,” “move,” and “get out of there” as the bears run across the path of people skiing.

ABC7 Eyewitness News

54,863 görüntüleme • 7 ay önce

With the release of Kling AI 2.6, I was eager to put it up against one of its arch-rivals….Google Flow Veo 3.1. I ran four separate tests. First, I tested their ability to generate consistent and stable action shots. Second, I tested camera movement in a crowded scene. Third, I tested their ability to generate consistent facial details and emotion. Fourth, I wanted to see how well they can generated an interaction between two characters. Prompt 1: camera tracking shot, wide-shot. The camera tracks above as two nights ride on horses through a forest. The horses a galloping fast. The camera is tracking the knights from above. Prompt 2: Slow camera push in on a man eating Ramen at a Ramen house in Japan. The alley street is busy with people. Prompt 3: Close-up shot of a man on a sailboat. The man has a scared look on his face. After a short pause, the man says, "I'm gonna need a bigger boat” Prompt 4: Static camera. A man picks up a cookie from a plate and takes a bite. His dog looks up at him; eagerly wanting a bite of the cookie. The man turns, looks at the dog, and says, "no cookies for you mister” Verdict🏆: To be honest, I was surprised by Kling 2.6. While Veo 3.1 outperformed Kling 2.6 in the close-up shot test, it slightly underperformed in every other test. In the Veo 3.1 outputs, objects would randomly appear and camera movements were abrupt or didn’t adhere to the prompt. Don’t get me wrong, Kling 2.6 definitely had its flaws (its audio was quieter and often mismatched the prompt). That said, I was impressed with Kling 2.6 more than I imagined I would be. Although a somewhat small lead, I would give Kling 2.6 the slight advantage for this round of tests.
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With the release of Kling AI 2.6, I was eager to put it up against one of its arch-rivals….Google Flow Veo 3.1. I ran four separate tests. First, I tested their ability to generate consistent and stable action shots. Second, I tested camera movement in a crowded scene. Third, I tested their ability to generate consistent facial details and emotion. Fourth, I wanted to see how well they can generated an interaction between two characters. Prompt 1: camera tracking shot, wide-shot. The camera tracks above as two nights ride on horses through a forest. The horses a galloping fast. The camera is tracking the knights from above. Prompt 2: Slow camera push in on a man eating Ramen at a Ramen house in Japan. The alley street is busy with people. Prompt 3: Close-up shot of a man on a sailboat. The man has a scared look on his face. After a short pause, the man says, "I'm gonna need a bigger boat” Prompt 4: Static camera. A man picks up a cookie from a plate and takes a bite. His dog looks up at him; eagerly wanting a bite of the cookie. The man turns, looks at the dog, and says, "no cookies for you mister” Verdict🏆: To be honest, I was surprised by Kling 2.6. While Veo 3.1 outperformed Kling 2.6 in the close-up shot test, it slightly underperformed in every other test. In the Veo 3.1 outputs, objects would randomly appear and camera movements were abrupt or didn’t adhere to the prompt. Don’t get me wrong, Kling 2.6 definitely had its flaws (its audio was quieter and often mismatched the prompt). That said, I was impressed with Kling 2.6 more than I imagined I would be. Although a somewhat small lead, I would give Kling 2.6 the slight advantage for this round of tests.

Curious Refuge

24,695 görüntüleme • 10 ay önce

The moment Israeli special forces fatally shot Rami al-Kakhn was captured on camera. Israeli authorities later confirmed the killing of the 30-year-old and the arrest of a young man who was with him during a raid in Nablus.
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The moment Israeli special forces fatally shot Rami al-Kakhn was captured on camera. Israeli authorities later confirmed the killing of the 30-year-old and the arrest of a young man who was with him during a raid in Nablus.

Middle East Eye

13,659 görüntüleme • 1 yıl önce

Somewhere between reality and a dream.🌫️✨ Created with Seedance 2.5 on Fish Creative PROMPT : Create a cinematic, photorealistic 30-second vertical video using the provided girl reference image as the strict character reference. Preserve her exact facial identity, facial structure, skin tone, hairstyle, age, and natural proportions throughout the entire video. Do not change her identity or facial features. Character: The same woman from the reference image, wearing an elegant deep burgundy/red long-sleeve midi dress with a subtle vintage pattern, a matching belt, and elegant burgundy high heels. She carries a simple brown kraft-paper grocery bag containing a few visible groceries. Shot 1 — 0–5 sec Begin with a breathtaking aerial establishing shot high above the clouds. A gigantic, extremely tall, narrow rocky mountain spire rises vertically through a sea of white clouds. The peak is covered with patches of green vegetation, with a tiny charming house perched impossibly at the very top. Slow cinematic drone movement toward the mountain. Bright blue sky, warm sunlight, soft atmospheric haze, realistic clouds, immense sense of scale. Shot 2 — 5–10 sec Cut to a close-up of the woman's feet as she carefully climbs uneven stone steps carved into the side of the mountain. Her burgundy high heels step naturally from one stone ledge to another. The hem of her dress moves gently in the wind. Far below, clouds and the distant landscape are visible. Use realistic foot movement, natural weight, physically accurate fabric motion, shallow depth of field, cinematic lens. Shot 3 — 10–15 sec Reveal the woman from a side/back angle as she continues climbing toward the summit. She carries the brown grocery bag naturally in one hand. Her burgundy dress flows slightly in the strong mountain breeze. The camera slowly tracks beside her, revealing the enormous drop and clouds stretching endlessly below. She remains calm and composed despite the surreal height. Shot 4 — 15–20 sec The woman reaches the tiny house at the summit and walks through its doorway while still holding the grocery bag. Transition from the bright outdoor environment into a warm, cozy interior. Golden sunlight enters through the doorway. She walks naturally through the small home and places the grocery bag inside. Maintain the exact same character appearance, dress, hairstyle, and proportions. Shot 5 — 20–26 sec Show the woman standing inside the cozy house beside a huge floor-to-ceiling window overlooking the clouds. She pauses with a cup in her hand and looks peacefully toward the breathtaking view. The camera slowly moves backward, revealing the warm interior, wooden furniture, soft curtains, and the enormous mountain landscape outside. Golden-hour lighting, subtle curtain movement, realistic shadows, cinematic atmosphere. Shot 6 — 26–30 sec Return to a spectacular wide aerial shot of the entire impossibly tall mountain spire rising above the clouds. The tiny house is visible at the very top, emphasizing the incredible scale. Slowly pull the camera farther away until the mountain becomes surrounded by an endless sea of clouds. End on a beautiful cinematic wide shot. Visual style: ultra-realistic cinematic photography, premium film look, natural skin texture, realistic physics, realistic fabric and hair movement, volumetric sunlight, atmospheric perspective, detailed environments, subtle film grain, shallow depth of field where appropriate, high dynamic range, smooth camera motion, believable lighting. Camera: cinematic drone shots, slow tracking shots, low-angle detail shots, gentle push-ins, smooth aerial pullback, realistic handheld micro-movements only when appropriate. Important: Keep the woman's identity perfectly consistent across every shot. No face morphing, no character changes, no extra fingers, no distorted hands, no warped feet, no duplicated objects, no floating objects, no unnatural body movement, no cartoon or CGI appearance, no text, no subtitles, no logos.
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Somewhere between reality and a dream.🌫️✨ Created with Seedance 2.5 on Fish Creative PROMPT : Create a cinematic, photorealistic 30-second vertical video using the provided girl reference image as the strict character reference. Preserve her exact facial identity, facial structure, skin tone, hairstyle, age, and natural proportions throughout the entire video. Do not change her identity or facial features. Character: The same woman from the reference image, wearing an elegant deep burgundy/red long-sleeve midi dress with a subtle vintage pattern, a matching belt, and elegant burgundy high heels. She carries a simple brown kraft-paper grocery bag containing a few visible groceries. Shot 1 — 0–5 sec Begin with a breathtaking aerial establishing shot high above the clouds. A gigantic, extremely tall, narrow rocky mountain spire rises vertically through a sea of white clouds. The peak is covered with patches of green vegetation, with a tiny charming house perched impossibly at the very top. Slow cinematic drone movement toward the mountain. Bright blue sky, warm sunlight, soft atmospheric haze, realistic clouds, immense sense of scale. Shot 2 — 5–10 sec Cut to a close-up of the woman's feet as she carefully climbs uneven stone steps carved into the side of the mountain. Her burgundy high heels step naturally from one stone ledge to another. The hem of her dress moves gently in the wind. Far below, clouds and the distant landscape are visible. Use realistic foot movement, natural weight, physically accurate fabric motion, shallow depth of field, cinematic lens. Shot 3 — 10–15 sec Reveal the woman from a side/back angle as she continues climbing toward the summit. She carries the brown grocery bag naturally in one hand. Her burgundy dress flows slightly in the strong mountain breeze. The camera slowly tracks beside her, revealing the enormous drop and clouds stretching endlessly below. She remains calm and composed despite the surreal height. Shot 4 — 15–20 sec The woman reaches the tiny house at the summit and walks through its doorway while still holding the grocery bag. Transition from the bright outdoor environment into a warm, cozy interior. Golden sunlight enters through the doorway. She walks naturally through the small home and places the grocery bag inside. Maintain the exact same character appearance, dress, hairstyle, and proportions. Shot 5 — 20–26 sec Show the woman standing inside the cozy house beside a huge floor-to-ceiling window overlooking the clouds. She pauses with a cup in her hand and looks peacefully toward the breathtaking view. The camera slowly moves backward, revealing the warm interior, wooden furniture, soft curtains, and the enormous mountain landscape outside. Golden-hour lighting, subtle curtain movement, realistic shadows, cinematic atmosphere. Shot 6 — 26–30 sec Return to a spectacular wide aerial shot of the entire impossibly tall mountain spire rising above the clouds. The tiny house is visible at the very top, emphasizing the incredible scale. Slowly pull the camera farther away until the mountain becomes surrounded by an endless sea of clouds. End on a beautiful cinematic wide shot. Visual style: ultra-realistic cinematic photography, premium film look, natural skin texture, realistic physics, realistic fabric and hair movement, volumetric sunlight, atmospheric perspective, detailed environments, subtle film grain, shallow depth of field where appropriate, high dynamic range, smooth camera motion, believable lighting. Camera: cinematic drone shots, slow tracking shots, low-angle detail shots, gentle push-ins, smooth aerial pullback, realistic handheld micro-movements only when appropriate. Important: Keep the woman's identity perfectly consistent across every shot. No face morphing, no character changes, no extra fingers, no distorted hands, no warped feet, no duplicated objects, no floating objects, no unnatural body movement, no cartoon or CGI appearance, no text, no subtitles, no logos.

Sophia

53,752 görüntüleme • 6 gün önce

Falling through the city, then turning into pure power. Anime energy with a cinematic twist. Created on seedance 2.0 Prompt: Created a dramatic top-down shot of a pink-haired anime-style girl falling through a futuristic glass skyscraper at night, surrounded by reflections, lights, and intense motion blur. The camera rapidly rotates and follows her descent, then cut to a dark close-up where she looks calm and mysterious. Show detailed shots of her pink outfit, clenched hand, and flowing hair. Build tension with cinematic lighting and deep shadows, then transition into a powerful final shot where she flies forward toward the camera with glowing golden eyes, wind blowing through her hair, bright warm light and wings-like energy behind her. Ultra-detailed 3D anime cinematic style, realistic motion, smooth camera movement, dramatic depth of field, high-quality lighting, dynamic action, consistent character design, epic cinematic atmosphere.
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Falling through the city, then turning into pure power. Anime energy with a cinematic twist. Created on seedance 2.0 Prompt: Created a dramatic top-down shot of a pink-haired anime-style girl falling through a futuristic glass skyscraper at night, surrounded by reflections, lights, and intense motion blur. The camera rapidly rotates and follows her descent, then cut to a dark close-up where she looks calm and mysterious. Show detailed shots of her pink outfit, clenched hand, and flowing hair. Build tension with cinematic lighting and deep shadows, then transition into a powerful final shot where she flies forward toward the camera with glowing golden eyes, wind blowing through her hair, bright warm light and wings-like energy behind her. Ultra-detailed 3D anime cinematic style, realistic motion, smooth camera movement, dramatic depth of field, high-quality lighting, dynamic action, consistent character design, epic cinematic atmosphere.

Maha

15,860 görüntüleme • 19 gün önce

Towards the end of Goodfellas, when Henry meets Jimmy in the diner, Scorsese uses a dolly zoom - pulling the camera back while zooming in - so the background outside the window seems to creep inward, as if Henry’s world is caving in on him.
2:01

Towards the end of Goodfellas, when Henry meets Jimmy in the diner, Scorsese uses a dolly zoom - pulling the camera back while zooming in - so the background outside the window seems to creep inward, as if Henry’s world is caving in on him.

Gangster Cinema Central

706,190 görüntüleme • 4 ay önce