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Mint sees her favorite Dinosaur #MintoLive (SOUND WARNING 🎧❌)

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👻Gupple👻✨

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26,433 Aufrufe • vor 3 Monaten •via X (Twitter)

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✨🔔🗝️🔮 The Night Emissary’s Hollow Adventure is a go! 🔮🗝️🔔✨ I am beyond ecstatic to announce I’m the English acting & singing voice of Lucia (the GOAT 🐐🌟) and her child form in Zenless Zone Zero 2.3!!! After voicing Mevorakh and Isolde it’s such an honor to be brought back to voice a playable character and I have so much love for her and her story, I hope you’ll enjoy it just as much! 💖 These sessions became extra special since my love Jason Armstrong recently started working as an engineer for Sound Cadence and we got to record pretty much all of Lucia’s content together from our own home studio including SC’s first ZZZ English singing session for the song “Hide and Seek”. 🥰🎧🎙️ Eternally grateful to Zenless Zone Zero, miHoYo, Sound Cadence Studios, Amber Lee Connors, Alexis Tipton, Molly Zhang 🔜 San Japan, Mark Allen, Jr., Dawn M. Bennett, Patrick Morphy for this superduper special experience. 🙏
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Tried Minimax H3 on DomoAI official Prompt Here’s a production-ready prompt rewritten for **the girl in your image**, with a **different graphic language** and **different typography**. Her look stays locked to the picture. Structure stays 13 cuts / 16:9 / 24fps. --- **PROMPT** Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps, total 15.00s. CHARACTER (lock this design; never redesign): Anime streetwear girl from the reference still. Twin high buns of vivid mint-teal hair with long flowing tails and warm orange/gold streaks. Messy side-swept bangs. Large orange over-ear headphones with mint accents and a small logo plate. Sharp amber-orange eyes, one eye winking. Playful open-mouth grin. Oversized color-block windbreaker: navy body, vivid orange sleeves, white ribbed cuffs, silver zippers, circular teal tech buttons, a teal utility pocket on the sleeve. Orange cropped turtleneck under the open jacket. Light-wash ripped denim shorts, thick orange belt with a silver buckle. Navy thigh-high socks with orange ribbed cuffs and an orange X stitch on the left shin. Chunky white sneakers with orange details. Preserve exact face, proportions, hairstyle, outfit, materials, accessories and colors in every frame. This film is 80% bold graphic design in motion and 20% character action. Graphic language is **retro OS chrome + music-player UI**, not ice/frost/barcode-lock. Use slamming window frames, title bars, close/minimize widgets, equalizer bars, waveforms, progress ticks, folder tiles, cursor arrows, CRT scanlines, pixel shatter, vinyl-ring stamps, music-note particles, media-player transport icons. Palette: mint teal, vivid orange, navy, cream-white, silver. Style: premium AAA motion-graphics title sequence × streetwear campaign film × Windows-era media player. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00–1.00s — Pure graphics: a mint title-bar slams onto a cream field, an orange CLOSE widget punches the corner, two navy window borders wipe in. Tiny equalizer ticks and a progress strip flicker. The letters **P** then **LAY** punch in one after another with heavy impact shake. CUT 02 | 1.00–2.00s — The **A** becomes a headphone cup: extreme close-up of her amber eye inside the orange earcup, glancing up; RGB split flash, then the cup shatters into flat mint/orange tiles. CUT 03 | 2.00–3.10s — Navy frame with enormous cream **PLAY**. She sprints in from frame left and power-slides across the baseline of the type, speed lines and orange streaks trailing, shards of the letters kicked up like sparks. Whip-pan out. CUT 04 | 3.10–4.00s — A giant retro media-player waveform explodes across the frame as a thick mint-and-orange audio spectrum bends into a tunnel. She bursts through the center of the waveform at full speed, briefly breaking into three stroboscopic motion trails behind her. Each trail leaves behind chunky navy equalizer blocks that rise and collapse to the beat. The camera rapidly pushes through the waveform tunnel with her, while huge vertical text **TRACK 01** scrolls continuously in the background. The waveform suddenly compresses into a single horizontal line and snaps shut behind her on the final beat. CUT 05 | 4.00–5.10s — She leaps through a giant rotating ring of typography reading **MAX VOLUME**. Camera tracks her mid-air spin in slow motion as the letters scatter, then snap-zoom on her wink. CUT 06 | 5.10–6.00s — Hard cut: cream editorial card, huge navy **DROP** with an orange slash. She vaults over the word itself, palm planted on the D, legs whipping across frame; the word compresses like a spring under her hand and rebounds. CUT 07 | 6.00–7.00s — Mint field with a navy diagonal window-bar. She back-flips along the bar in three stroboscopic ghost frames, each ghost tinted mint, orange, or navy. Giant outlined text **LOOP** rotates 180 degrees in sync with her rotation. CUT 08 | 7.00–8.00s — Kinetic type barrage: the words **LOUD / WILD / TEAL / HEAT** slam in one per beat with shutter flashes and camera shake, while she slides on her knees across the foreground, jacket flaring, music-note particles bursting from her sneakers. CUT 09 | 8.00–9.00s — Navy frame, giant cream wireframe window-grid tilting in 3D. She runs up the grid like a wall, kicks off, and hangs in the air as everything freezes. An orange circular stamp locks around her pose like a media-player target, with transport icons and EQ ticks. CUT 10 | 9.00–10.10s — Freeze releases into a burst: she dives toward camera through layered flat-color window panes that shatter one by one like glass shutters, each pane revealing a bigger letter of **P-L-A-Y**. Foreground wipe with her sneaker. CUT 11 | 10.10–11.10s — Rapid-fire poster montage: four full-screen graphic posters of her in different action poses (mid-flip, sliding, landing, headphones-up wink) snap past with hard cuts. Each has a different bold layout, oversized numbers **01–04**, equalizer strips and slashes. CUT 12 | 11.10–13.00s — Hero moment on a clean cream cyclorama: she lands a final backflip dead center in slow motion, straightens with one hand on her headphones, and a shockwave of concentric mint rings, wind streaks and shattered typography blasts outward from her landing. Brief iconic freeze on her wink, overexpose to white. CUT 13 | 13.00–15.00s — Final identity card: enormous navy **PLAY** dominates a pale cream field with translucent mint rings, technical arcs, scanlines, and a rough orange circular emblem containing a ghosted headphone / waveform motif. She stands relaxed overlapping the letters, wind rippling her jacket. One last orange pulse sweeps through the typography and a window-chrome flash punctuates the end. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps. Every cut must feel compositionally different. Typography is always fully readable before the character overlaps it. No weapons, no combat, no fire. All energy comes from motion design, wind, glass, UI chrome and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut. Sneaker impacts, whooshes, glass shatters, window-slam hits and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts. #DomoAI #DomoAICPP
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Tried Minimax H3 on DomoAI official Prompt Here’s a production-ready prompt rewritten for **the girl in your image**, with a **different graphic language** and **different typography**. Her look stays locked to the picture. Structure stays 13 cuts / 16:9 / 24fps. --- **PROMPT** Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps, total 15.00s. CHARACTER (lock this design; never redesign): Anime streetwear girl from the reference still. Twin high buns of vivid mint-teal hair with long flowing tails and warm orange/gold streaks. Messy side-swept bangs. Large orange over-ear headphones with mint accents and a small logo plate. Sharp amber-orange eyes, one eye winking. Playful open-mouth grin. Oversized color-block windbreaker: navy body, vivid orange sleeves, white ribbed cuffs, silver zippers, circular teal tech buttons, a teal utility pocket on the sleeve. Orange cropped turtleneck under the open jacket. Light-wash ripped denim shorts, thick orange belt with a silver buckle. Navy thigh-high socks with orange ribbed cuffs and an orange X stitch on the left shin. Chunky white sneakers with orange details. Preserve exact face, proportions, hairstyle, outfit, materials, accessories and colors in every frame. This film is 80% bold graphic design in motion and 20% character action. Graphic language is **retro OS chrome + music-player UI**, not ice/frost/barcode-lock. Use slamming window frames, title bars, close/minimize widgets, equalizer bars, waveforms, progress ticks, folder tiles, cursor arrows, CRT scanlines, pixel shatter, vinyl-ring stamps, music-note particles, media-player transport icons. Palette: mint teal, vivid orange, navy, cream-white, silver. Style: premium AAA motion-graphics title sequence × streetwear campaign film × Windows-era media player. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00–1.00s — Pure graphics: a mint title-bar slams onto a cream field, an orange CLOSE widget punches the corner, two navy window borders wipe in. Tiny equalizer ticks and a progress strip flicker. The letters **P** then **LAY** punch in one after another with heavy impact shake. CUT 02 | 1.00–2.00s — The **A** becomes a headphone cup: extreme close-up of her amber eye inside the orange earcup, glancing up; RGB split flash, then the cup shatters into flat mint/orange tiles. CUT 03 | 2.00–3.10s — Navy frame with enormous cream **PLAY**. She sprints in from frame left and power-slides across the baseline of the type, speed lines and orange streaks trailing, shards of the letters kicked up like sparks. Whip-pan out. CUT 04 | 3.10–4.00s — A giant retro media-player waveform explodes across the frame as a thick mint-and-orange audio spectrum bends into a tunnel. She bursts through the center of the waveform at full speed, briefly breaking into three stroboscopic motion trails behind her. Each trail leaves behind chunky navy equalizer blocks that rise and collapse to the beat. The camera rapidly pushes through the waveform tunnel with her, while huge vertical text **TRACK 01** scrolls continuously in the background. The waveform suddenly compresses into a single horizontal line and snaps shut behind her on the final beat. CUT 05 | 4.00–5.10s — She leaps through a giant rotating ring of typography reading **MAX VOLUME**. Camera tracks her mid-air spin in slow motion as the letters scatter, then snap-zoom on her wink. CUT 06 | 5.10–6.00s — Hard cut: cream editorial card, huge navy **DROP** with an orange slash. She vaults over the word itself, palm planted on the D, legs whipping across frame; the word compresses like a spring under her hand and rebounds. CUT 07 | 6.00–7.00s — Mint field with a navy diagonal window-bar. She back-flips along the bar in three stroboscopic ghost frames, each ghost tinted mint, orange, or navy. Giant outlined text **LOOP** rotates 180 degrees in sync with her rotation. CUT 08 | 7.00–8.00s — Kinetic type barrage: the words **LOUD / WILD / TEAL / HEAT** slam in one per beat with shutter flashes and camera shake, while she slides on her knees across the foreground, jacket flaring, music-note particles bursting from her sneakers. CUT 09 | 8.00–9.00s — Navy frame, giant cream wireframe window-grid tilting in 3D. She runs up the grid like a wall, kicks off, and hangs in the air as everything freezes. An orange circular stamp locks around her pose like a media-player target, with transport icons and EQ ticks. CUT 10 | 9.00–10.10s — Freeze releases into a burst: she dives toward camera through layered flat-color window panes that shatter one by one like glass shutters, each pane revealing a bigger letter of **P-L-A-Y**. Foreground wipe with her sneaker. CUT 11 | 10.10–11.10s — Rapid-fire poster montage: four full-screen graphic posters of her in different action poses (mid-flip, sliding, landing, headphones-up wink) snap past with hard cuts. Each has a different bold layout, oversized numbers **01–04**, equalizer strips and slashes. CUT 12 | 11.10–13.00s — Hero moment on a clean cream cyclorama: she lands a final backflip dead center in slow motion, straightens with one hand on her headphones, and a shockwave of concentric mint rings, wind streaks and shattered typography blasts outward from her landing. Brief iconic freeze on her wink, overexpose to white. CUT 13 | 13.00–15.00s — Final identity card: enormous navy **PLAY** dominates a pale cream field with translucent mint rings, technical arcs, scanlines, and a rough orange circular emblem containing a ghosted headphone / waveform motif. She stands relaxed overlapping the letters, wind rippling her jacket. One last orange pulse sweeps through the typography and a window-chrome flash punctuates the end. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps. Every cut must feel compositionally different. Typography is always fully readable before the character overlaps it. No weapons, no combat, no fire. All energy comes from motion design, wind, glass, UI chrome and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut. Sneaker impacts, whooshes, glass shatters, window-slam hits and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts. #DomoAI #DomoAICPP

Sharon Riley

16,537 Aufrufe • vor 7 Tagen

The last ticket and the dream GPT Image 2 and Seedance on Pollo AI Prompt : Pixar-Inspired 3D Animated World Cup 2026 Story Create a cinematic Pixar-style 3D animated short about a passionate young football fan whose biggest dream is to attend a FIFA World Cup match. A cheerful girl spends years saving coins in a jar labeled "World Cup." Show emotional montages of her adding spare change, counting her savings late at night, watching football highlights on TV, and imagining herself inside a giant stadium. Finally, World Cup match day arrives. She proudly wears her favorite team's jersey, wraps a scarf around her neck, and heads toward a massive World Cup stadium surrounded by thousands of excited fans waving flags and singing chants. Her eyes sparkle as she sees the stadium for the first time. At the ticket booth, disaster strikes. A giant sign reads: SOLD OUT Her smile disappears. She checks her savings again. Too late. No tickets remain. Heartbroken, she sits alone outside the stadium gates while thousands of fans enter. The atmosphere grows louder. Stadium lights illuminate the sky. Chants echo from inside. She watches families and supporters celebrating while she remains outside holding her jar of savings. Kickoff approaches. The stadium roars. Tears begin to form. Just when all hope seems lost, a kind football fan notices her sadness. He walks over and reveals something incredible: An extra World Cup ticket. The girl freezes. She can't believe it. Her eyes widen with excitement. She thanks him and runs toward the entrance as fast as she can. The gates open. She enters the stadium just as the players walk onto the pitch. The crowd erupts. Fireworks explode. Flags wave everywhere. The girl stands completely speechless as she sees the glowing stadium from inside for the very first time. As the match begins, she joins thousands of fans singing, cheering, and celebrating together. The game becomes everything she imagined and more. Every goal, every chant, every moment feels magical. Final cinematic shot: the girl standing among thousands of fans under dazzling stadium lights, holding her ticket close to her heart while fireworks burst above the arena. On-screen Text: "Sometimes one act of kindness can make a dream come true." Final Frame Text: THE LAST TICKET "Some dreams are worth waiting for." Pixar-quality 3D animation, emotional storytelling, expressive facial animation, cinematic camera movement, massive World Cup stadium atmosphere, vibrant crowd energy, golden-hour arrival, night stadium lighting, confetti, fireworks, emotional music, ultra-detailed rendering, movie-quality visuals, smooth scene transitions, 16:9 widescreen.
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The last ticket and the dream GPT Image 2 and Seedance on Pollo AI Prompt : Pixar-Inspired 3D Animated World Cup 2026 Story Create a cinematic Pixar-style 3D animated short about a passionate young football fan whose biggest dream is to attend a FIFA World Cup match. A cheerful girl spends years saving coins in a jar labeled "World Cup." Show emotional montages of her adding spare change, counting her savings late at night, watching football highlights on TV, and imagining herself inside a giant stadium. Finally, World Cup match day arrives. She proudly wears her favorite team's jersey, wraps a scarf around her neck, and heads toward a massive World Cup stadium surrounded by thousands of excited fans waving flags and singing chants. Her eyes sparkle as she sees the stadium for the first time. At the ticket booth, disaster strikes. A giant sign reads: SOLD OUT Her smile disappears. She checks her savings again. Too late. No tickets remain. Heartbroken, she sits alone outside the stadium gates while thousands of fans enter. The atmosphere grows louder. Stadium lights illuminate the sky. Chants echo from inside. She watches families and supporters celebrating while she remains outside holding her jar of savings. Kickoff approaches. The stadium roars. Tears begin to form. Just when all hope seems lost, a kind football fan notices her sadness. He walks over and reveals something incredible: An extra World Cup ticket. The girl freezes. She can't believe it. Her eyes widen with excitement. She thanks him and runs toward the entrance as fast as she can. The gates open. She enters the stadium just as the players walk onto the pitch. The crowd erupts. Fireworks explode. Flags wave everywhere. The girl stands completely speechless as she sees the glowing stadium from inside for the very first time. As the match begins, she joins thousands of fans singing, cheering, and celebrating together. The game becomes everything she imagined and more. Every goal, every chant, every moment feels magical. Final cinematic shot: the girl standing among thousands of fans under dazzling stadium lights, holding her ticket close to her heart while fireworks burst above the arena. On-screen Text: "Sometimes one act of kindness can make a dream come true." Final Frame Text: THE LAST TICKET "Some dreams are worth waiting for." Pixar-quality 3D animation, emotional storytelling, expressive facial animation, cinematic camera movement, massive World Cup stadium atmosphere, vibrant crowd energy, golden-hour arrival, night stadium lighting, confetti, fireworks, emotional music, ultra-detailed rendering, movie-quality visuals, smooth scene transitions, 16:9 widescreen.

Synthia

12,081 Aufrufe • vor 2 Monaten

Listen up! You see this little red fuzzy land shark crawling across the dirt? That’s the Red Velvet Ant, aka the Cow Killer (Dasymutilla occidentalis). First off, it’s not even an ant. It’s a wingless female wasp. She looks like a rejected Muppet with bright orange-red velvet fur on black armor, strutting through sandy fields and open grass like she pays rent. No wings, just attitude and a stinger longer than some of y’all’s attention spans. Funny facts you didn’t know you needed: • Her sting is ranked #3 on the Schmidt Pain Index. They call it “Cow Killer” because legend says it’s painful enough to drop a full-grown cow. (Spoiler: It won’t kill the cow, but that cow will be filing complaints for weeks.) • She squeaks like a pissed-off rubber duck when mad. She rubs her segments together to make this ridiculous warning sound before she lights you up. • Parasitoid queen: She sneaks into bumblebee nests, lays eggs on the larvae, and her kids eat the bee babies alive from the inside. That’s some horror movie shit right there. • Males? Total freeloaders with wings. They can’t sting, just fly around looking pretty while the girls do all the heavy lifting (and stinging). • Thick exoskeleton, runs fast, bright warning colors,this thing is basically a tiny, fuzzy tank with anger issues. Pro tip: If you spot one, admire from a distance like a museum piece. Step on it barefoot and you’ll be doing the “Cow Killer Dance,” hopping, cussing, and questioning every life choice that led you there. Nature’s out here making velvet-covered nightmares and y’all still scared of house spiders.
0:14

Listen up! You see this little red fuzzy land shark crawling across the dirt? That’s the Red Velvet Ant, aka the Cow Killer (Dasymutilla occidentalis). First off, it’s not even an ant. It’s a wingless female wasp. She looks like a rejected Muppet with bright orange-red velvet fur on black armor, strutting through sandy fields and open grass like she pays rent. No wings, just attitude and a stinger longer than some of y’all’s attention spans. Funny facts you didn’t know you needed: • Her sting is ranked #3 on the Schmidt Pain Index. They call it “Cow Killer” because legend says it’s painful enough to drop a full-grown cow. (Spoiler: It won’t kill the cow, but that cow will be filing complaints for weeks.) • She squeaks like a pissed-off rubber duck when mad. She rubs her segments together to make this ridiculous warning sound before she lights you up. • Parasitoid queen: She sneaks into bumblebee nests, lays eggs on the larvae, and her kids eat the bee babies alive from the inside. That’s some horror movie shit right there. • Males? Total freeloaders with wings. They can’t sting, just fly around looking pretty while the girls do all the heavy lifting (and stinging). • Thick exoskeleton, runs fast, bright warning colors,this thing is basically a tiny, fuzzy tank with anger issues. Pro tip: If you spot one, admire from a distance like a museum piece. Step on it barefoot and you’ll be doing the “Cow Killer Dance,” hopping, cussing, and questioning every life choice that led you there. Nature’s out here making velvet-covered nightmares and y’all still scared of house spiders.

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27,708 Aufrufe • vor 2 Monaten

Created with Seedance 2.0 on BudgetPixel AI Prompt: Create a realistic 15-second vertical (9:16) handheld smartphone vlog . The video begins outside a modern supermarket in bright daylight. She holds the phone in selfie mode, smiles, and says, "Come grocery shopping with me!" She walks inside while pushing a shopping cart, naturally filming herself. She picks fresh strawberries, bananas, vegetables, milk, bread, cereal, and snacks, occasionally turning the camera to show what's going into the cart. Include close-up shots of products, authentic aisle lighting, and realistic interactions with the environment. She laughs after finding her favorite snack, then films herself using the self-checkout. The final scene shows her walking out of the supermarket carrying grocery bags and an iced coffee, smiling at the camera and saying, "Shopping done! See you in my next vlog!" Ultra-realistic, cinematic smartphone footage, natural facial expressions, smooth handheld camera movement, realistic lighting, 4K quality, shallow depth of field, no AI artifacts, lifestyle influencer aesthetic. Voiceover: > "Come grocery shopping with me! Today I'm picking up fresh fruits, snacks, and a few essentials. I even found my favorite treats! That's everything for today—see you in my next vlog!" Sound Design: Natural supermarket ambience Shopping cart rolling Footsteps Soft conversations in the background Product handling sounds Barcode scanner beeps Checkout bag rustling Outdoor city ambience at the end No background music
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Created with Seedance 2.0 on BudgetPixel AI Prompt: Create a realistic 15-second vertical (9:16) handheld smartphone vlog . The video begins outside a modern supermarket in bright daylight. She holds the phone in selfie mode, smiles, and says, "Come grocery shopping with me!" She walks inside while pushing a shopping cart, naturally filming herself. She picks fresh strawberries, bananas, vegetables, milk, bread, cereal, and snacks, occasionally turning the camera to show what's going into the cart. Include close-up shots of products, authentic aisle lighting, and realistic interactions with the environment. She laughs after finding her favorite snack, then films herself using the self-checkout. The final scene shows her walking out of the supermarket carrying grocery bags and an iced coffee, smiling at the camera and saying, "Shopping done! See you in my next vlog!" Ultra-realistic, cinematic smartphone footage, natural facial expressions, smooth handheld camera movement, realistic lighting, 4K quality, shallow depth of field, no AI artifacts, lifestyle influencer aesthetic. Voiceover: > "Come grocery shopping with me! Today I'm picking up fresh fruits, snacks, and a few essentials. I even found my favorite treats! That's everything for today—see you in my next vlog!" Sound Design: Natural supermarket ambience Shopping cart rolling Footsteps Soft conversations in the background Product handling sounds Barcode scanner beeps Checkout bag rustling Outdoor city ambience at the end No background music

Yashal Ai

22,678 Aufrufe • vor 1 Monat

I think this Japanese ARMY is just so adorable. At first, I thought she was Korean because her Korean is so fluent. She said she spent years learning Korean because she wanted to make Taehyung smile one day. Since then, she has created many ARMY vlogs in Korean. I hope her sweet and thoughtful heart reaches Taehyung someday. ✨🙏 "I really wanted to film my favorite song (Into the Sun), which Taetae made, in a place where I can finally see Taetae again after such a long time. So my friend and I worked hard and filmed this video. To make sure people wouldn't mistake us for suspicious people, we started filming at Tokyo Dome early in the morning when no one was around, lol. The excitement of wondering, 'Will Taetae watch this?' and the excitement of knowing that I'll be able to see Taetae from now on make this time feel like a real treasure too. I hope Taetae sees this and smiles, even just a little. 🧸🩷 Taetae, thank you so much for this really wonderful song." #태형 #뷔 #아미로그
0:19

I think this Japanese ARMY is just so adorable. At first, I thought she was Korean because her Korean is so fluent. She said she spent years learning Korean because she wanted to make Taehyung smile one day. Since then, she has created many ARMY vlogs in Korean. I hope her sweet and thoughtful heart reaches Taehyung someday. ✨🙏 "I really wanted to film my favorite song (Into the Sun), which Taetae made, in a place where I can finally see Taetae again after such a long time. So my friend and I worked hard and filmed this video. To make sure people wouldn't mistake us for suspicious people, we started filming at Tokyo Dome early in the morning when no one was around, lol. The excitement of wondering, 'Will Taetae watch this?' and the excitement of knowing that I'll be able to see Taetae from now on make this time feel like a real treasure too. I hope Taetae sees this and smiles, even just a little. 🧸🩷 Taetae, thank you so much for this really wonderful song." #태형 #뷔 #아미로그

낭만태형 | ✌🏼❄️ᴡinter ahead Ⓥ🌬️

30,976 Aufrufe • vor 3 Monaten

Is this already Bangladesh❓ ❌TMC MLA Rafiqur Rahaman is now asking to shut off light and sound during namaaz. ❌Ever since Mamata Banerjee came to power, such statements have become common. ‼️Let us be very clear 👉🏻Rafiqur Rahaman dares to say this because his constituency has more than 45% of the vote bank, so he no longer cares about Bengali Hindus. 👉🏻Mamata Banerjee is following the same playbook across Bengal. 👉🏻The percentage of Bengali Hindus has already fallen from 78% during Independence to 67%, and the day is not far when with her policy of settling Bangladeshi vote banks in Bengal, this number will fall to 50%. Today they are telling us to stop Durga Puja celebrations for namaaz. Tomorrow they will ask us to stop everything for Friday prayers. Soon we will have to take permission to celebrate our own festivals in our own land. This is not just politics. This is a direct attack on Bengali culture, Bengali identity and Bengali pride. Demographic change is the biggest threat to Bengali Hindus. We already left our homes and properties once in East Bengal, today’s Bangladesh. Where will we go now? UP? Bihar?
0:13

Is this already Bangladesh❓ ❌TMC MLA Rafiqur Rahaman is now asking to shut off light and sound during namaaz. ❌Ever since Mamata Banerjee came to power, such statements have become common. ‼️Let us be very clear 👉🏻Rafiqur Rahaman dares to say this because his constituency has more than 45% of the vote bank, so he no longer cares about Bengali Hindus. 👉🏻Mamata Banerjee is following the same playbook across Bengal. 👉🏻The percentage of Bengali Hindus has already fallen from 78% during Independence to 67%, and the day is not far when with her policy of settling Bangladeshi vote banks in Bengal, this number will fall to 50%. Today they are telling us to stop Durga Puja celebrations for namaaz. Tomorrow they will ask us to stop everything for Friday prayers. Soon we will have to take permission to celebrate our own festivals in our own land. This is not just politics. This is a direct attack on Bengali culture, Bengali identity and Bengali pride. Demographic change is the biggest threat to Bengali Hindus. We already left our homes and properties once in East Bengal, today’s Bangladesh. Where will we go now? UP? Bihar?

BJP West Bengal

84,831 Aufrufe • vor 11 Monaten

Seedance 2.5 just got us amazed Prompt : SHOT 1: ECU, 85mm push-in / on the phone screen as it shakes on rumpled sheets / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a sleep tee and lounge shorts / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light / SFX: faucet rush, water slap. SHOT 4: Insert shot, 85mm lens focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth; hand relaxed and upright, mint foam and mirror eye / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue light framing a hurried grab for breakfast ingredients / SFX: fridge hum, bottle clink, shelf scrape. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into egg and toast hitting the pan under warm practical light / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird’s-eye, 35mm overhead / Match cut on action as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 9: MS, 35mm pan / Camera slips into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallel / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment corridor into bright light without breaking stride / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide, 85mm push-in / Sound bridge into the metro interior as she grips the pole and slips through just before the closing doors, reflected chrome streaking around her and the city blurring outside / SFX: train rattle, carriage screech, door warning chime, light breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through before dropping into her chair and opening her laptop / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into her fingers racing across the keyboard with blue monitor light illuminating her face / SFX: keyboard clicks, notification sounds, mouse click. SHOT 15: WS, 24mm pull-out / Match cut back to the bedroom composition from the opening shot as she collapses onto the bed after a long day / SFX: body drop, fabric rustle, heavy exhale.
0:15

Seedance 2.5 just got us amazed Prompt : SHOT 1: ECU, 85mm push-in / on the phone screen as it shakes on rumpled sheets / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a sleep tee and lounge shorts / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light / SFX: faucet rush, water slap. SHOT 4: Insert shot, 85mm lens focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth; hand relaxed and upright, mint foam and mirror eye / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue light framing a hurried grab for breakfast ingredients / SFX: fridge hum, bottle clink, shelf scrape. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into egg and toast hitting the pan under warm practical light / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird’s-eye, 35mm overhead / Match cut on action as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 9: MS, 35mm pan / Camera slips into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallel / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment corridor into bright light without breaking stride / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide, 85mm push-in / Sound bridge into the metro interior as she grips the pole and slips through just before the closing doors, reflected chrome streaking around her and the city blurring outside / SFX: train rattle, carriage screech, door warning chime, light breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through before dropping into her chair and opening her laptop / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into her fingers racing across the keyboard with blue monitor light illuminating her face / SFX: keyboard clicks, notification sounds, mouse click. SHOT 15: WS, 24mm pull-out / Match cut back to the bedroom composition from the opening shot as she collapses onto the bed after a long day / SFX: body drop, fabric rustle, heavy exhale.

Synthia

52,862 Aufrufe • vor 1 Monat