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#Miraireview - Rating : ⭐️⭐️⭐⭐ 4/5 !! #Mirai A visually spectacular entertainer that keeps you hooked for the most part… Special mention of the superb VFX and the emotional undercurrent… Definitely worth a watch! #MiraiReview Director #KarthikGattamneni presents a film that's grand in vision, sharp in execution, and engaging... in writing… The fusion of mythology with present-day characters is a masterstroke. One of the film's biggest assets is the VFX – seamlessly integrated, enhancing the storytelling instead of overshadowing it. #TejaSajja is terrific, carrying the film with sincerity, conviction, and infectious energy… #ManojManchu gets solid scope to shine and he delivers with impact… Their good-versus-evil clash is undoubtedly the film's strongest pillar. The supporting cast makes its presence felt too, with #JagapathiBabu and #ShriyaSaran standing out. #Mirai is a big-screen spectacle – yet another triumph for the #Telugu film industry. #MiraiMovie #MiraiOnSep12Thshow more

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The Jacksons created their short film for "Can You Feel It" in March 1980, coinciding with the recording of the song. The rarely seen film, titled "The Triumph," was noted for its advanced special effects and was released alongside the single on March 5, 1981. #MichaelJackson conceptualized the video, which features a blend of visual artistry and performance, and it later gained acclaim as one of the best music videos of its time. Here is the (nearly) 10m Short Film!!!

The Jacksons created their short film for "Can You Feel It" in March 1980, coinciding with the recording of the song. The rarely seen film, titled "The Triumph," was noted for its advanced special effects and was released alongside the single on March 5, 1981. #MichaelJackson conceptualized the video, which features a blend of visual artistry and performance, and it later gained acclaim as one of the best music videos of its time. Here is the (nearly) 10m Short Film!!!

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Charlie Chaplin played a dual role in "The Great Dictator," a satirical comedy-drama film released in 1940. In the film, he portrayed both Adenoid Hynkel, a parody of Adolf Hitler, and a Jewish barber who looks nearly identical to Hynkel. The film is famous for its political and social commentary, with Chaplin using humor to criticize the rise of fascism and totalitarianism in Europe during that era. The movie's final speech, delivered by Chaplin as the Jewish barber, is particularly renowned for its powerful message of hope and peace. "The Great Dictator" remains a classic in the history of cinema.

Charlie Chaplin played a dual role in "The Great Dictator," a satirical comedy-drama film released in 1940. In the film, he portrayed both Adenoid Hynkel, a parody of Adolf Hitler, and a Jewish barber who looks nearly identical to Hynkel. The film is famous for its political and social commentary, with Chaplin using humor to criticize the rise of fascism and totalitarianism in Europe during that era. The movie's final speech, delivered by Chaplin as the Jewish barber, is particularly renowned for its powerful message of hope and peace. "The Great Dictator" remains a classic in the history of cinema.

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Charlie Chaplin played a dual role in "The Great Dictator," a satirical comedy-drama film released in 1940. In the film, he portrayed both Adenoid Hynkel, a parody of Adolf Hitler, and a Jewish barber who looks nearly identical to Hynkel. The film is famous for its political and social commentary, with Chaplin using humor to criticize the rise of fascism and totalitarianism in Europe during that era. The movie's final speech, delivered by Chaplin as the Jewish barber, is particularly renowned for its powerful message of hope and peace. "The Great Dictator" remains a classic in the history of cinema.

Charlie Chaplin played a dual role in "The Great Dictator," a satirical comedy-drama film released in 1940. In the film, he portrayed both Adenoid Hynkel, a parody of Adolf Hitler, and a Jewish barber who looks nearly identical to Hynkel. The film is famous for its political and social commentary, with Chaplin using humor to criticize the rise of fascism and totalitarianism in Europe during that era. The movie's final speech, delivered by Chaplin as the Jewish barber, is particularly renowned for its powerful message of hope and peace. "The Great Dictator" remains a classic in the history of cinema.

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On this day, 51 years ago, Michelangelo Antonioni's 'The Passenger' (1975) was released in Italy. Jack Nicholson on the theme of 'The Passenger' (1975): "The new film is a risky film; all the films I’ve done in the last few years have had huge risks attached to them, though fortunately people are willing to gamble on the possibility that they just might bring the big one in. The risk of this one is that the strength is in the structure of the film. There is a narrative, but it’s fragmented in a particular way which makes still a second or third narrative point. The basic theme of 'The Passenger' (1975) is an identity change: it deals with the area of fantasy and the subconscious in a man who says ‘Why don’t I just walk out of my life and become someone new tomorrow?’ It deals with the releasing of all the super-psychic energy which is locked around that fantasy, and makes the comments about why you can and why you can’t do this, how far it’s real and how far it’s a fantasy. Its success depends on whether it can express a very high-flown and esoteric theme compellingly. The structure is that of a mystery; the man who chooses the change is in a very mysterious situation, and the film tries to reach out and capture an audience by shaping itself fundamentally as a very long and elaborate and elusive chase." (Jack Nicholson's interview with John Russell Taylor, Sight and Sound, 1974)

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DepressedBergman

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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

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DepressedBergman

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With a grand worldwide release locked for 6 March 2026, the film is gearing up to hit the big screen in multiple languages, including Telugu and Hindi—setting the stage for a massive pan-India spectacle. SV CREATION Kabir Duhan Singh Mediafourth #missionc1000

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This is a film that weaves horror with threads of humanity. Amid shadows, silence, and scars, it turns the postwar world into a mirror of the soul, where every open wound becomes an act of survival. Victoria Carmen Sonne delivered one of the most powerful performances of recent years, in a film inspired by a true story that shocked Denmark in the early 20th century The black-and-white cinematography was a deliberate stylistic choice, meant to evoke expressionist cinema and the visual atmosphere of the 1910s and 1920s. This film is called “THE GIRL WITH THE NEEDLE” from 2024

This is a film that weaves horror with threads of humanity. Amid shadows, silence, and scars, it turns the postwar world into a mirror of the soul, where every open wound becomes an act of survival. Victoria Carmen Sonne delivered one of the most powerful performances of recent years, in a film inspired by a true story that shocked Denmark in the early 20th century The black-and-white cinematography was a deliberate stylistic choice, meant to evoke expressionist cinema and the visual atmosphere of the 1910s and 1920s. This film is called “THE GIRL WITH THE NEEDLE” from 2024

Love Classical Music and Movies 🎺🎻💖🎥🎬

105,560 views • 7 months ago