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[🦋🩵] #MiraitowaTH Just announced at #2024_365nichinoKamihikoukiTH_Final BNK48 17th Single Coupling Song BNK48 5th Generation Debut Song 「Mirai to wa?」（未来とは？） Originally from SKE48 14th Single #BNK48_BORDERLESS #KokkyounoNaiJidaiTH #BNK485thGeneration #BNK48

BNK48

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42,806 次观看 • 2 年前 •via X (Twitter)

艺术音乐教育 #MiraitowaTH #2024_365nichinoKamihikoukiTH_Final #BNK48_BORDERLESS #KokkyounoNaiJidaiTH #BNK485thGeneration #BNK48

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[🦋⏳] #MiraitowaTH BNK48 5th Generation Debut Song 「Mirai to wa?」 [Dance Challenge] – with 大久保美織 ver. – MV OUT NOW! 🔗 #09bo30ri #MioriOhkubo #大久保美織 #NipponHakuBangkok2024 #BNK485thGeneration #BNK48

[🦋⏳] #MiraitowaTH BNK48 5th Generation Debut Song 「Mirai to wa?」 [Dance Challenge] – with 大久保美織 ver. – MV OUT NOW! 🔗 #09bo30ri #MioriOhkubo #大久保美織 #NipponHakuBangkok2024 #BNK485thGeneration #BNK48

BNK48

28,228 次观看 • 2 年前

[☁️✈️] #2024_365NichinoKamihikoukiTH Just announced at #BNK487thAnniversary BNK48 17th Single Coupling Song 「365-Nichi no Kamihikouki – 365 วันกับเครื่องบินกระดาษ (2024 ver.)」 #BNK48CGM48RequestHour2024 Theme Song #BNK4817thSINGLE #BNK48 #CGM48

[☁️✈️] #2024_365NichinoKamihikoukiTH Just announced at #BNK487thAnniversary BNK48 17th Single Coupling Song 「365-Nichi no Kamihikouki – 365 วันกับเครื่องบินกระดาษ (2024 ver.)」 #BNK48CGM48RequestHour2024 Theme Song #BNK4817thSINGLE #BNK48 #CGM48

BNK48

49,062 次观看 • 2 年前

[📰🚨] #BNK48_RUMOR Just announced at #GreenFlashTH_Handshake BNK48 & CGM48 Request Hour 2024 Special Song – 1st Place BNK48 SPECIAL SINGLE 《RUMOR》 OFFICIAL LAUNCH 29 MAR 2025 @ #BNK48CGM48_BattleofLegacy #BNK48CGM48RequestHour2024 #NemoHamoRumorTH #BNK48

[📰🚨] #BNK48_RUMOR Just announced at #GreenFlashTH_Handshake BNK48 & CGM48 Request Hour 2024 Special Song – 1st Place BNK48 SPECIAL SINGLE 《RUMOR》 OFFICIAL LAUNCH 29 MAR 2025 @ #BNK48CGM48_BattleofLegacy #BNK48CGM48RequestHour2024 #NemoHamoRumorTH #BNK48

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BNK48 released 'Saikou ka yo', a coupling song from 20th Single 'Masaka no Confession' on Streaming Platforms!

BNK48 released 'Saikou ka yo', a coupling song from 20th Single 'Masaka no Confession' on Streaming Platforms!

48RH

45,096 次观看 • 8 个月前

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"Supersonic" was written and recorded in a single day, with Noel Gallagher reportedly finishing the song while the rest of Oasis took a break from the studio. Released as their debut single and later featured on Definitely Maybe, it was the first glimpse of the sound and attitude that would define the band. Two years later, this performance at Maine Road in 1996 shows just how far Oasis had travelled, playing their first single to a huge hometown crowd.

"Supersonic" was written and recorded in a single day, with Noel Gallagher reportedly finishing the song while the rest of Oasis took a break from the studio. Released as their debut single and later featured on Definitely Maybe, it was the first glimpse of the sound and attitude that would define the band. Two years later, this performance at Maine Road in 1996 shows just how far Oasis had travelled, playing their first single to a huge hometown crowd.

Batfox Pictures

12,243 次观看 • 23 天前

LIFE ON MARS? 45 IS 50 - WATCH 4K UPGRADE “To the seat with the clearest view...” With the many celebrations posted today, you’ve no doubt noticed that 22nd June 2023 marks the 50th anniversary of the Life On Mars? single. The song was originally released on the Hunky Dory album at the tail end of 1971 and by the following year Bowie had answered his own question by finding some Spiders on the Red Planet. According to music press reports from the time, the single was issued due to the overwhelming positive audience response to the song during the current 1973 tour. Ironic then that Bowie didn’t perform it at Hammersmith on 3rd July when the single had entered the top five of the official UK charts. Meanwhile, feast your eyes on this 4k upgrade of the Mick Rock directed promotional video over on YouTube: A word of warning for those of you used to the oversaturated previous versions of the video, you’re in for a bit of a shock. This upgrade has finally been colour corrected to something approaching reality. Those of you who saw the Life On Mars? suit at the David Bowie Is exhibition will recognise that this version is a far more accurate representation of the original colouring. And just for fun, we’ve also synced the video to the audio of the Life On Mars? Original Ending Version from Divine Symmetry. For a more in-depth appreciation of the track, Alan York’s piece from November 2021: LIFE ON MARS?: HOW DAVID BOWIE CREATED AN OUT-OF-THIS-WORLD CLASSIC, is still well worth a read: #BowieLOM #BowieLOM50 #BowieMickRock

LIFE ON MARS? 45 IS 50 - WATCH 4K UPGRADE “To the seat with the clearest view...” With the many celebrations posted today, you’ve no doubt noticed that 22nd June 2023 marks the 50th anniversary of the Life On Mars? single. The song was originally released on the Hunky Dory album at the tail end of 1971 and by the following year Bowie had answered his own question by finding some Spiders on the Red Planet. According to music press reports from the time, the single was issued due to the overwhelming positive audience response to the song during the current 1973 tour. Ironic then that Bowie didn’t perform it at Hammersmith on 3rd July when the single had entered the top five of the official UK charts. Meanwhile, feast your eyes on this 4k upgrade of the Mick Rock directed promotional video over on YouTube: A word of warning for those of you used to the oversaturated previous versions of the video, you’re in for a bit of a shock. This upgrade has finally been colour corrected to something approaching reality. Those of you who saw the Life On Mars? suit at the David Bowie Is exhibition will recognise that this version is a far more accurate representation of the original colouring. And just for fun, we’ve also synced the video to the audio of the Life On Mars? Original Ending Version from Divine Symmetry. For a more in-depth appreciation of the track, Alan York’s piece from November 2021: LIFE ON MARS?: HOW DAVID BOWIE CREATED AN OUT-OF-THIS-WORLD CLASSIC, is still well worth a read: #BowieLOM #BowieLOM50 #BowieMickRock

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Before Day26, before Mindless Behavior, there was an R&B Boy Band straight outta Chicago with all the promise in the WORLD. Originally a five piece and then four, One Chance was discovered by Usher and signed by Clive Davis on the spot. Their debut single “Look At Her” featuring Fabo of D4L had MySpace and 106 & Park in a chokehold. Their debut album ‘Private’ continued to get pushed back and eventually shelved due to continuing changes at J Records [several acts saw this fate during the J/Jive/Zomba/RCA shakeup]. After leaving J/US, they signed with T-Pain over at Nappy Boy which brought their mixtape ‘Ain’t No Room For Talkin’’. One Chance never really got their “chance” and that sucks because they truly deserved it. “Could This Be Love” is one of my favorite leaks from them. I remember everyone always said Rob looked like Lloyd 🤣. Can’t believe this was 20 years ago. Song: “Look At Her” - full ATL Snap anthem. #TBT

Before Day26, before Mindless Behavior, there was an R&B Boy Band straight outta Chicago with all the promise in the WORLD. Originally a five piece and then four, One Chance was discovered by Usher and signed by Clive Davis on the spot. Their debut single “Look At Her” featuring Fabo of D4L had MySpace and 106 & Park in a chokehold. Their debut album ‘Private’ continued to get pushed back and eventually shelved due to continuing changes at J Records [several acts saw this fate during the J/Jive/Zomba/RCA shakeup]. After leaving J/US, they signed with T-Pain over at Nappy Boy which brought their mixtape ‘Ain’t No Room For Talkin’’. One Chance never really got their “chance” and that sucks because they truly deserved it. “Could This Be Love” is one of my favorite leaks from them. I remember everyone always said Rob looked like Lloyd 🤣. Can’t believe this was 20 years ago. Song: “Look At Her” - full ATL Snap anthem. #TBT

ERIC LAMONT

235,308 次观看 • 5 个月前

“Careless Whisper”was originally released as George Michael’s debut solo single in 1984, although in the US it was credited to Wham! featuring George Michael and included on the album Make It Big. Co-written by George Michael and Andrew Ridgeley while they were still teenagers, the smooth, saxophone-driven ballad became a global phenomenon, spending three weeks at #1 on the Billboard Hot 100, reaching #1 in the UK and topping the charts in 25 countries. It was also named Billboard's #2 song of 1985, finishing just behind Madonna's "Like a Virgin" on the magazine's year-end Hot 100 chart. Its themes of guilt and infidelity, combined with Michael’s soulful vocal delivery, cemented it as one of the most iconic pop songs of the 1980s. The legendary saxophone intro was crafted by Michael at age 17 on a school bus and eventually recorded by session musician Steve Gregory, who was the only one able to capture the slightly "imperfect" and melancholic timing Michael demanded. Despite its massive success, Michael later grew to dislike the song, criticizing his own teenage lyrics as presumptuous and even disliking its Miami-filmed music video.

“Careless Whisper”was originally released as George Michael’s debut solo single in 1984, although in the US it was credited to Wham! featuring George Michael and included on the album Make It Big. Co-written by George Michael and Andrew Ridgeley while they were still teenagers, the smooth, saxophone-driven ballad became a global phenomenon, spending three weeks at #1 on the Billboard Hot 100, reaching #1 in the UK and topping the charts in 25 countries. It was also named Billboard's #2 song of 1985, finishing just behind Madonna's "Like a Virgin" on the magazine's year-end Hot 100 chart. Its themes of guilt and infidelity, combined with Michael’s soulful vocal delivery, cemented it as one of the most iconic pop songs of the 1980s. The legendary saxophone intro was crafted by Michael at age 17 on a school bus and eventually recorded by session musician Steve Gregory, who was the only one able to capture the slightly "imperfect" and melancholic timing Michael demanded. Despite its massive success, Michael later grew to dislike the song, criticizing his own teenage lyrics as presumptuous and even disliking its Miami-filmed music video.

Ladytron Fan Account

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"The Sound of Silence" is an iconic folk-rock song by the American duo Simon & Garfunkel. It was written by Paul Simon and released as a single in 1965. The song's haunting melody and evocative lyrics made it a timeless classic that continues to resonate with audiences across generations. The genesis of "The Sound of Silence" can be traced back to Paul Simon's early days as a songwriter in the early 1960s. He wrote the original version of the song when he was just 21 years old and it was initially titled "The Sounds of Silence." The song was included in their debut album, "Wednesday Morning, 3 A.M," released in 1964. However, the album had limited success, and Simon & Garfunkel's future as a duo was uncertain. Despite the lackluster performance of their debut album, the song's potential caught the attention of Tom Wilson, a producer at Columbia Records. Without Simon or Garfunkel's knowledge, he decided to remix "The Sound of Silence," adding electric instruments and drums to the acoustic version. This new version gave the song a more contemporary and dynamic sound, capitalizing on the folk-rock movement that was gaining popularity at the time. In January 1966, the remixed version of "The Sound of Silence" was released as a single, and it quickly began to climb the charts. The song struck a chord with listeners, as its lyrics tapped into feelings of isolation, alienation, and the struggle to communicate in an increasingly disconnected world. The opening lines, "Hello darkness, my old friend, I've come to talk with you again," instantly captured the imaginations of listeners and set the tone for the rest of the song. As "The Sound of Silence" gained traction, Simon & Garfunkel's popularity surged, and they went on to release more successful albums, becoming one of the most influential and celebrated musical acts of the 1960s. The song's success also played a significant role in propelling the folk-rock genre into the mainstream. Over the years, "The Sound of Silence" has been covered by numerous artists, further cementing its status as a timeless classic. Its enduring appeal lies in its ability to evoke deep emotions and contemplation, making it relevant in different historical and cultural contexts. The song's legacy has been immortalized in popular culture, appearing in films, television shows, and advertisements, further solidifying its status as a song that transcends time and resonates with people from all walks of life. Its powerful message about the importance of meaningful communication in a world filled with noise and distraction continues to be relevant and poignant to this day.

"The Sound of Silence" is an iconic folk-rock song by the American duo Simon & Garfunkel. It was written by Paul Simon and released as a single in 1965. The song's haunting melody and evocative lyrics made it a timeless classic that continues to resonate with audiences across generations. The genesis of "The Sound of Silence" can be traced back to Paul Simon's early days as a songwriter in the early 1960s. He wrote the original version of the song when he was just 21 years old and it was initially titled "The Sounds of Silence." The song was included in their debut album, "Wednesday Morning, 3 A.M," released in 1964. However, the album had limited success, and Simon & Garfunkel's future as a duo was uncertain. Despite the lackluster performance of their debut album, the song's potential caught the attention of Tom Wilson, a producer at Columbia Records. Without Simon or Garfunkel's knowledge, he decided to remix "The Sound of Silence," adding electric instruments and drums to the acoustic version. This new version gave the song a more contemporary and dynamic sound, capitalizing on the folk-rock movement that was gaining popularity at the time. In January 1966, the remixed version of "The Sound of Silence" was released as a single, and it quickly began to climb the charts. The song struck a chord with listeners, as its lyrics tapped into feelings of isolation, alienation, and the struggle to communicate in an increasingly disconnected world. The opening lines, "Hello darkness, my old friend, I've come to talk with you again," instantly captured the imaginations of listeners and set the tone for the rest of the song. As "The Sound of Silence" gained traction, Simon & Garfunkel's popularity surged, and they went on to release more successful albums, becoming one of the most influential and celebrated musical acts of the 1960s. The song's success also played a significant role in propelling the folk-rock genre into the mainstream. Over the years, "The Sound of Silence" has been covered by numerous artists, further cementing its status as a timeless classic. Its enduring appeal lies in its ability to evoke deep emotions and contemplation, making it relevant in different historical and cultural contexts. The song's legacy has been immortalized in popular culture, appearing in films, television shows, and advertisements, further solidifying its status as a song that transcends time and resonates with people from all walks of life. Its powerful message about the importance of meaningful communication in a world filled with noise and distraction continues to be relevant and poignant to this day.

Historic Vids

3,178,838 次观看 • 3 年前

Namjoon about Swim💜 🐨: Next is “Swim,” and honestly, I really love this song. I think a lot of people were probably disappointed by it. Like, it’s not exciting in the way “Dynamite” was, and it’s not an intense hip-hop performance track like “Hooligan” or “2.0,” so some people probably thought, “Why did they release such a subdued, low-energy song?” 🐨: But the reality is simple: No better song than “Swim” came out. We never originally intended for “Swim” to be the title track. But we had to think about radio play too, whether the song would have longevity, versatility, and lasting appeal. And in the end, “Swim” was the only song that checked all those boxes. 🐨: Honestly, I think title tracks themselves barely mean anything anymore these days. There’s more of a “lead single” concept now. Especially in American pop music, there really isn’t this rigid “title track” idea anymore. 🐨: So what made me really happy after “Arirang” came out was that it wasn’t just “Swim” getting attention. Of course Jungkook charting happened and ARMY worked incredibly hard streaming and supporting, but I also loved seeing “Body to Body” becoming a hot topic “Hooligan” getting talked about, “2.0” getting attention, even “Normal” being discussed. For an idol group album, it’s honestly really hard for so many tracks from the same album to all get talked about and chart simultaneously. 🐨: Maybe “Swim” felt less sonically stimulating compared to the others, but I was still so happy that the album as a whole was getting that much discussion and love. 🐨: Writing the lyrics for “Swim” took a really long time. And honestly, it feels sad to say this in 2026, but I wanted this to become a meaningful song too. Since it became the title track — because no stronger radio song than “Swim” came out — I wanted it to carry meaning. 🐨: The truth is, I’m actually not very good at swimming. But I think I started seeing life itself as swimming. Even during military service, counting down days one by one… waiting, wandering, just swimming forward through each day, one breath at a time. That’s why this song feels really sad to me. To me, it feels like the song of BTS in their thirties: becoming more mature, building deeper rapport with fans, living more adult lives, each person carrying their own life forward. 🐨: So lyrically and emotionally, this song means a lot to me personally. Of course, maybe it would’ve been nice if there had been an even better title track. But I think this is the kind of song that will stay with me for a very long time. Honestly, I wish it received even more love. 🐨: Of course, performance is such an important part of who we are, and BTS grew from intense hip-hop sounds and powerful performances, so I understand why some people might find “Swim” underwhelming. 🐨: But for me… “Swim” is the kind of song I’d want to hear at my own grave someday. It sounds like a love song, but it’s also about life itself. I wanted it to feel open enough to be interpreted both ways. Looking at “you” beneath the moon and the sharks — that “you” could be someone I love, the fans, myself, or even my own life. 🐨: I think it’s a very rare song that contains all kinds of emotions together, joy, anger, sorrow, happiness. So yeah… that’s what “Swim” is to me. Personally, I just wish more people would love it a little more. And honestly, after finishing this album, I think I came to a sad conclusion: people don’t really listen to lyrics anymore. So if anyone hears what I’m saying now, I hope they’ll go back and look a little more deeply at what we were trying to say through this album. That’s my personal wish. 🐨: I still have a lot more I want to say about “Swim,” and I think I’ll probably keep talking about it in the future too. But anyway, I really love this song. I also really loved the “Keep Swimming” campaign. Because honestly, life isn’t all that extraordinary. There are happy days, sad days… and all of us are just swimming forward one day at a time.

Namjoon about Swim💜 🐨: Next is “Swim,” and honestly, I really love this song. I think a lot of people were probably disappointed by it. Like, it’s not exciting in the way “Dynamite” was, and it’s not an intense hip-hop performance track like “Hooligan” or “2.0,” so some people probably thought, “Why did they release such a subdued, low-energy song?” 🐨: But the reality is simple: No better song than “Swim” came out. We never originally intended for “Swim” to be the title track. But we had to think about radio play too, whether the song would have longevity, versatility, and lasting appeal. And in the end, “Swim” was the only song that checked all those boxes. 🐨: Honestly, I think title tracks themselves barely mean anything anymore these days. There’s more of a “lead single” concept now. Especially in American pop music, there really isn’t this rigid “title track” idea anymore. 🐨: So what made me really happy after “Arirang” came out was that it wasn’t just “Swim” getting attention. Of course Jungkook charting happened and ARMY worked incredibly hard streaming and supporting, but I also loved seeing “Body to Body” becoming a hot topic “Hooligan” getting talked about, “2.0” getting attention, even “Normal” being discussed. For an idol group album, it’s honestly really hard for so many tracks from the same album to all get talked about and chart simultaneously. 🐨: Maybe “Swim” felt less sonically stimulating compared to the others, but I was still so happy that the album as a whole was getting that much discussion and love. 🐨: Writing the lyrics for “Swim” took a really long time. And honestly, it feels sad to say this in 2026, but I wanted this to become a meaningful song too. Since it became the title track — because no stronger radio song than “Swim” came out — I wanted it to carry meaning. 🐨: The truth is, I’m actually not very good at swimming. But I think I started seeing life itself as swimming. Even during military service, counting down days one by one… waiting, wandering, just swimming forward through each day, one breath at a time. That’s why this song feels really sad to me. To me, it feels like the song of BTS in their thirties: becoming more mature, building deeper rapport with fans, living more adult lives, each person carrying their own life forward. 🐨: So lyrically and emotionally, this song means a lot to me personally. Of course, maybe it would’ve been nice if there had been an even better title track. But I think this is the kind of song that will stay with me for a very long time. Honestly, I wish it received even more love. 🐨: Of course, performance is such an important part of who we are, and BTS grew from intense hip-hop sounds and powerful performances, so I understand why some people might find “Swim” underwhelming. 🐨: But for me… “Swim” is the kind of song I’d want to hear at my own grave someday. It sounds like a love song, but it’s also about life itself. I wanted it to feel open enough to be interpreted both ways. Looking at “you” beneath the moon and the sharks — that “you” could be someone I love, the fans, myself, or even my own life. 🐨: I think it’s a very rare song that contains all kinds of emotions together, joy, anger, sorrow, happiness. So yeah… that’s what “Swim” is to me. Personally, I just wish more people would love it a little more. And honestly, after finishing this album, I think I came to a sad conclusion: people don’t really listen to lyrics anymore. So if anyone hears what I’m saying now, I hope they’ll go back and look a little more deeply at what we were trying to say through this album. That’s my personal wish. 🐨: I still have a lot more I want to say about “Swim,” and I think I’ll probably keep talking about it in the future too. But anyway, I really love this song. I also really loved the “Keep Swimming” campaign. Because honestly, life isn’t all that extraordinary. There are happy days, sad days… and all of us are just swimming forward one day at a time.

bangtan⁷ | ⊙⊝⊜

52,883 次观看 • 3 个月前

“Sultans of Swing” is the debut single from Dire Straits’ 1978 self-titled debut album. Written by Mark Knopfler, the rootsy rock classic introduced the band's distinctive sound, reaching #4 on the Billboard Hot 100, #8 on the UK Singles Chart, and the Top 10 in several other countries. Knopfler's clean, fingerpicked guitar style quickly became one of the most recognizable sounds in rock music. The song was inspired by a real, modest jazz band performing in a nearly empty pub in Deptford, London. When the singer announced they were the "Sultans of Swing," Mark Knopfler found the contrast between the gritty pub setting and the grandiose name too good to ignore, inspiring an affectionate tribute to musicians who play purely for the love of music. Before becoming a global hit, the original demo was famously recorded for just £12.50, and after receiving airplay on BBC Radio London, it attracted the attention of several major record labels, eventually leading to the band's recording contract with Vertigo Records. Its guitar solo has since been frequently ranked among the greatest of all time, helping establish Dire Straits as one of the most influential guitar-driven bands of the late 1970s.

“Sultans of Swing” is the debut single from Dire Straits’ 1978 self-titled debut album. Written by Mark Knopfler, the rootsy rock classic introduced the band's distinctive sound, reaching #4 on the Billboard Hot 100, #8 on the UK Singles Chart, and the Top 10 in several other countries. Knopfler's clean, fingerpicked guitar style quickly became one of the most recognizable sounds in rock music. The song was inspired by a real, modest jazz band performing in a nearly empty pub in Deptford, London. When the singer announced they were the "Sultans of Swing," Mark Knopfler found the contrast between the gritty pub setting and the grandiose name too good to ignore, inspiring an affectionate tribute to musicians who play purely for the love of music. Before becoming a global hit, the original demo was famously recorded for just £12.50, and after receiving airplay on BBC Radio London, it attracted the attention of several major record labels, eventually leading to the band's recording contract with Vertigo Records. Its guitar solo has since been frequently ranked among the greatest of all time, helping establish Dire Straits as one of the most influential guitar-driven bands of the late 1970s.

Ladytron Fan Account

47,525 次观看 • 20 天前

“Never Gonna Give You Up” is the debut single from Rick Astley’s 1987 album Whenever You Need Somebody. Produced by the legendary Stock Aitken Waterman (SAW), the infectious dance-pop track became a massive global phenomenon, reaching #1 on the Billboard Hot 100 and the UK Singles Chart, and topping the charts in 25 countries. Astley’s rich, deep baritone voice surprised the world, making him an overnight sensation. Astley was originally working as a "tea boy" in the SAW studios when producers discovered his incredible singing voice. When the song first hit the radio, listeners assumed the deep, soulful voice belonged to an older Black American singer, only to be shocked when the music video revealed a skinny, 21-year-old redhead. Two decades later, the track achieved immortality when it became the centerpiece of the "Rickroll," the internet's most famous bait-and-switch meme. The phenomenon was so culturally significant that Astley himself Rickrolled millions of Americans during a surprise live performance at the 2008 Macy's Thanksgiving Day Parade.

“Never Gonna Give You Up” is the debut single from Rick Astley’s 1987 album Whenever You Need Somebody. Produced by the legendary Stock Aitken Waterman (SAW), the infectious dance-pop track became a massive global phenomenon, reaching #1 on the Billboard Hot 100 and the UK Singles Chart, and topping the charts in 25 countries. Astley’s rich, deep baritone voice surprised the world, making him an overnight sensation. Astley was originally working as a "tea boy" in the SAW studios when producers discovered his incredible singing voice. When the song first hit the radio, listeners assumed the deep, soulful voice belonged to an older Black American singer, only to be shocked when the music video revealed a skinny, 21-year-old redhead. Two decades later, the track achieved immortality when it became the centerpiece of the "Rickroll," the internet's most famous bait-and-switch meme. The phenomenon was so culturally significant that Astley himself Rickrolled millions of Americans during a surprise live performance at the 2008 Macy's Thanksgiving Day Parade.

Ladytron Fan Account

19,051 次观看 • 12 天前

2025年もありがとうございました♡ 今年は引退を発表し、改めて「感謝を伝える一年にしよう」と決めて、たくさん活動することができた1年でした。どんな時も応援してくれて、会いに来てくれて、たくさん愛の言葉をかけてくれて本当にありがとうございました💕 皆さん一人ひとりの存在があったから笑顔でこの一年を締めくくることができました😍 来年の5月の作品をもって女優業は引退しますが最後まで走り切りますのでどうぞよろしくお願いいたします✨ そして新たなステージに向けて、また一歩ずつ頑張っていきます。これからも自分らしく進んでいくのでそばにいてもらえたら嬉しいです。どうか皆さん良いお年をお迎えください🩵 Thank you so much for 2025 ♡ This year, I announced my retirement, and decided to make 2025 a year dedicated to expressing my gratitude. Thanks to all of you, I was able to stay active and share so many meaningful moments throughout the year. No matter what, you supported me, came to see me, and sent me so many words filled with love — thank you from the bottom of my heart 💓 Because each and every one of you was there, I’m able to end this year with a big smile 🥰 I will be retiring from my acting career with my final work in May next year, but I promise to run all the way to the end, so please continue to support me ✨ At the same time, I’ll be taking steady steps toward a new stage in my life. I’ll keep moving forward in my own way, and I’d be happy if you continue to watch over me gently. Wishing you all a wonderful New Year 🩵🦋

2025年もありがとうございました♡ 今年は引退を発表し、改めて「感謝を伝える一年にしよう」と決めて、たくさん活動することができた1年でした。どんな時も応援してくれて、会いに来てくれて、たくさん愛の言葉をかけてくれて本当にありがとうございました💕 皆さん一人ひとりの存在があったから笑顔でこの一年を締めくくることができました😍 来年の5月の作品をもって女優業は引退しますが最後まで走り切りますのでどうぞよろしくお願いいたします✨ そして新たなステージに向けて、また一歩ずつ頑張っていきます。これからも自分らしく進んでいくのでそばにいてもらえたら嬉しいです。どうか皆さん良いお年をお迎えください🩵 Thank you so much for 2025 ♡ This year, I announced my retirement, and decided to make 2025 a year dedicated to expressing my gratitude. Thanks to all of you, I was able to stay active and share so many meaningful moments throughout the year. No matter what, you supported me, came to see me, and sent me so many words filled with love — thank you from the bottom of my heart 💓 Because each and every one of you was there, I’m able to end this year with a big smile 🥰 I will be retiring from my acting career with my final work in May next year, but I promise to run all the way to the end, so please continue to support me ✨ At the same time, I’ll be taking steady steps toward a new stage in my life. I’ll keep moving forward in my own way, and I’d be happy if you continue to watch over me gently. Wishing you all a wonderful New Year 🩵🦋

橘メアリー🦖めめたん

43,294 次观看 • 7 个月前

“The House of the Rising Sun” is one of the oldest and most mysterious folk songs in the United States, which became a rock anthem thanks to The Animals in 1964. Its origins are lost in time. It is a traditional American ballad, likely from the 19th century or even earlier, with possible roots in old English ballads. No one knows who wrote it: it is a song of unknown authorship that was passed down orally among folk musicians, miners, travelers, and singers in the southern United States. It tells of a life ruined in New Orleans (Louisiana), at a place called “The House of the Rising Sun,” which many interpret as a brothel, a casino, or a disreputable hotel. Depending on the version, it can be told from the perspective of a woman who falls into prostitution or a man who loses himself to gambling and alcohol. The first known recording dates from 1933–1934, when Clarence Ashley and Gwen Foster recorded it. Shortly thereafter, Alan Lomax recorded a 16-year-old girl named Georgia Turner singing it a cappella in Kentucky. Even then, it was called “Rising Sun Blues.” Over time, it was covered by artists such as Lead Belly, Woody Guthrie, Joan Baez, and Bob Dylan (on his 1962 debut album). Everything changed in 1964. The Animals, a British band from Newcastle, heard it in Dylan’s version (and also in English folk circles). Eric Burdon and the others adapted it to their style: they gave it a darker, electric, and more powerful rhythm, with Alan Price’s famous organ riff and Burdon’s raspy voice. They recorded it in a single take on May 18, 1964, in just 15 minutes, during a break on their tour. At first, producer Mickie Most hesitated because of its length (over 4 minutes), but it was released as a single and became a massive hit: number 1 in the United States, the United Kingdom, and several other countries. It is considered one of the first great folk rock songs. Since then, the song has been covered hundreds of times (by Nina Simone, Dolly Parton, Muse, among many others) and continues to be featured in movies, TV shows, and stadiums.

“The House of the Rising Sun” is one of the oldest and most mysterious folk songs in the United States, which became a rock anthem thanks to The Animals in 1964. Its origins are lost in time. It is a traditional American ballad, likely from the 19th century or even earlier, with possible roots in old English ballads. No one knows who wrote it: it is a song of unknown authorship that was passed down orally among folk musicians, miners, travelers, and singers in the southern United States. It tells of a life ruined in New Orleans (Louisiana), at a place called “The House of the Rising Sun,” which many interpret as a brothel, a casino, or a disreputable hotel. Depending on the version, it can be told from the perspective of a woman who falls into prostitution or a man who loses himself to gambling and alcohol. The first known recording dates from 1933–1934, when Clarence Ashley and Gwen Foster recorded it. Shortly thereafter, Alan Lomax recorded a 16-year-old girl named Georgia Turner singing it a cappella in Kentucky. Even then, it was called “Rising Sun Blues.” Over time, it was covered by artists such as Lead Belly, Woody Guthrie, Joan Baez, and Bob Dylan (on his 1962 debut album). Everything changed in 1964. The Animals, a British band from Newcastle, heard it in Dylan’s version (and also in English folk circles). Eric Burdon and the others adapted it to their style: they gave it a darker, electric, and more powerful rhythm, with Alan Price’s famous organ riff and Burdon’s raspy voice. They recorded it in a single take on May 18, 1964, in just 15 minutes, during a break on their tour. At first, producer Mickie Most hesitated because of its length (over 4 minutes), but it was released as a single and became a massive hit: number 1 in the United States, the United Kingdom, and several other countries. It is considered one of the first great folk rock songs. Since then, the song has been covered hundreds of times (by Nina Simone, Dolly Parton, Muse, among many others) and continues to be featured in movies, TV shows, and stadiums.

🎸 Rock History 🎸

149,268 次观看 • 3 个月前

CILLIAN MURPHY & JOHN LENNON/PLASTIC ONO BAND. Actor Cillian Murphy is known to be crazy about his music. A musician himself, his taste in tunes is widely celebrated, and he has gone on record a number of times to state his love for the Beatles and particularly their singer John Lennon. When it comes to Murphy’s favourite Lennon album, he can’t look beyond his debut solo album, John Lennon/Plastic Ono Band. In a recent interview with Rolling Stone, Murphy was asked what the best music he’s ever been recommended is. He replied, “So I’m a Beatles fanatic, a Beatles nut, and I have been ever since I was very young. My dad has been playing the Beatles since I was tiny.” He added, “I don’t know what age I was, and I don’t know exactly who it was, but someone introduced me to the Plastic Ono Band, the John Lennon record. It’s probably one of my favourite records of all time. Probably my favourite solo Beatles record.” The record was originally released back in 1970 on Apple Records. Reflecting on the particularities of the album, Murphy noted. “He was going through this kind of primal scream therapy at the time. He was just 29 or 30; they’d just broken up. Every single song on it is perfect and beautiful. Ringo’s playing the drums, Klaus Voorman on bass, and it’s got ‘God’, ‘Mother’, and ‘Isolation’, and I think it’s an underappreciated record, but I go back to it over and over again.” 📺→ 🎧→ Rolling Stone @FarOut The Beatles John Lennon

CILLIAN MURPHY & JOHN LENNON/PLASTIC ONO BAND. Actor Cillian Murphy is known to be crazy about his music. A musician himself, his taste in tunes is widely celebrated, and he has gone on record a number of times to state his love for the Beatles and particularly their singer John Lennon. When it comes to Murphy’s favourite Lennon album, he can’t look beyond his debut solo album, John Lennon/Plastic Ono Band. In a recent interview with Rolling Stone, Murphy was asked what the best music he’s ever been recommended is. He replied, “So I’m a Beatles fanatic, a Beatles nut, and I have been ever since I was very young. My dad has been playing the Beatles since I was tiny.” He added, “I don’t know what age I was, and I don’t know exactly who it was, but someone introduced me to the Plastic Ono Band, the John Lennon record. It’s probably one of my favourite records of all time. Probably my favourite solo Beatles record.” The record was originally released back in 1970 on Apple Records. Reflecting on the particularities of the album, Murphy noted. “He was going through this kind of primal scream therapy at the time. He was just 29 or 30; they’d just broken up. Every single song on it is perfect and beautiful. Ringo’s playing the drums, Klaus Voorman on bass, and it’s got ‘God’, ‘Mother’, and ‘Isolation’, and I think it’s an underappreciated record, but I go back to it over and over again.” 📺→ 🎧→ Rolling Stone @FarOut The Beatles John Lennon

John Lennon

91,745 次观看 • 3 年前

DANCING IN THE STREET - 40th ANNIVERSARY WHITE VINYL 12” - JAGGER SPEAKS “When people stared in Jagger’s eyes and scored, Like the video films we saw...” The headline says it all but keep reading for the press release and a few words from Sir Michael Philip Jagger himself, along with a link to the upgraded 4k video. #BowieLiveAid #BowieJaggerDancing #BowieJaggerDITS + - + - + - + - + - + - + - + - + - + - + - + DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” AVAILABLE 29th AUGUST 2025 ON PARLOPHONE: (Link will update throughout the day) WATCH THE UPGRADED 4K VIDEO NOW: ‘’We had such a laugh doing Dancing in the Street with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Mick Jagger, June 2025 LONDON, 10TH JUNE 2025 - 40 years ago today, Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for relief of the famine in Ethiopia, was announced with a press conference on the pitch at Wembley Stadium. The show was held simultaneously on Saturday, 13th July 1985, at Wembley and John F. Kennedy Stadium in Philadelphia. One of the day's highlights was the surprise duet of the Motown classic, 'Dancing In The Street', between David Bowie and Mick Jagger. The video for the track, which, like the song, had only been recorded and filmed in thirteen hours, only fourteen days earlier, was shown at 7 pm in the UK (2 pm in Philadelphia), just before Bowie took to the stage at Wembley Stadium. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100 chart. To celebrate the 40th anniversary of the track, a limited edition white vinyl 12" will be released on 29th August, 2 days after its anniversary, bringing together all of the song's mixes for the first time. 30% of the retail price from the sale of this single will be donated by David Bowie, Mick Jagger and Parlophone Records to The Band Aid Charitable Trust (Charity Number 292199). The original plan for Live Aid was to perform the track together live, with Bowie at Wembley Stadium and Jagger at John F. Kennedy Stadium in Philadelphia. It soon became apparent that the satellite link-up between the two countries would mean a half-second delay, rendering the plan impossible. Instead, the pair convened at Westside Studios in London on 29th June, where Bowie was working with producers Clive Langer & Alan Winstanley. The duo went directly from the studio to Spillers Millennium Mills in the East End to shoot the video with director David Mallet, who had previously worked with Bowie on the groundbreaking Ashes To Ashes video. The video has been upgraded to high resolution to celebrate the anniversary using the original film negative. Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying, “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) + - + - + - + - + - + - + - + - + - + - + - +

DANCING IN THE STREET - 40th ANNIVERSARY WHITE VINYL 12” - JAGGER SPEAKS “When people stared in Jagger’s eyes and scored, Like the video films we saw...” The headline says it all but keep reading for the press release and a few words from Sir Michael Philip Jagger himself, along with a link to the upgraded 4k video. #BowieLiveAid #BowieJaggerDancing #BowieJaggerDITS + - + - + - + - + - + - + - + - + - + - + - + DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” AVAILABLE 29th AUGUST 2025 ON PARLOPHONE: (Link will update throughout the day) WATCH THE UPGRADED 4K VIDEO NOW: ‘’We had such a laugh doing Dancing in the Street with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Mick Jagger, June 2025 LONDON, 10TH JUNE 2025 - 40 years ago today, Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for relief of the famine in Ethiopia, was announced with a press conference on the pitch at Wembley Stadium. The show was held simultaneously on Saturday, 13th July 1985, at Wembley and John F. Kennedy Stadium in Philadelphia. One of the day's highlights was the surprise duet of the Motown classic, 'Dancing In The Street', between David Bowie and Mick Jagger. The video for the track, which, like the song, had only been recorded and filmed in thirteen hours, only fourteen days earlier, was shown at 7 pm in the UK (2 pm in Philadelphia), just before Bowie took to the stage at Wembley Stadium. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100 chart. To celebrate the 40th anniversary of the track, a limited edition white vinyl 12" will be released on 29th August, 2 days after its anniversary, bringing together all of the song's mixes for the first time. 30% of the retail price from the sale of this single will be donated by David Bowie, Mick Jagger and Parlophone Records to The Band Aid Charitable Trust (Charity Number 292199). The original plan for Live Aid was to perform the track together live, with Bowie at Wembley Stadium and Jagger at John F. Kennedy Stadium in Philadelphia. It soon became apparent that the satellite link-up between the two countries would mean a half-second delay, rendering the plan impossible. Instead, the pair convened at Westside Studios in London on 29th June, where Bowie was working with producers Clive Langer & Alan Winstanley. The duo went directly from the studio to Spillers Millennium Mills in the East End to shoot the video with director David Mallet, who had previously worked with Bowie on the groundbreaking Ashes To Ashes video. The video has been upgraded to high resolution to celebrate the anniversary using the original film negative. Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying, “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) + - + - + - + - + - + - + - + - + - + - + - +

David Bowie Official

50,698 次观看 • 1 年前

[#QWER's answer to LE SSERAFIM's questions] (QWER collectively shaking) 🐱: There's too many to name...! 🐶: How...? I love all of their songs... 🐹: But for us, instead of one member, we love all of them. They're a group of sunbaenims we love. We love their songs too. 🐶: For real! 🐹: Oh, but your phone wallpaper...? 🦊: Yes, my phone wallpaper actually changes every week and this week, I'm doing my best to exercise so I set it to Kazuha sunbaenim who gives me the motivation to work out. Every time I look at it, it inspires me to obtain that healthy and cool charm. So I always look at it like... 🥰 🐱: So she's totally your inspiration 🐹: Her motivation 🦊: Yes, I'm getting my motivation from her. I love you! 🐹: She (Kazuha) has great core strength, right? 🦊: Yes! 🐶: She didn't change her phone wallpaper just for this shoot. Her wallpapers are always pictures of LE SSERAFIM sunbaenim. 🦊: That's true. It changes every week. 🐹: I really like their debut song 'FEARLESS'. I listened to that song a lot when I was living in Japan and I tried my best to copy the moves on my own so I still kinda remember it. Like this. I was kinda stiff back then so I can't do it well but it was a very fun dance! 🐱: For me, it's "Smarter, baby, smarter~" 🐶🦊🐹: Ahhh!!! 🐱: Either that or 'Perfect Night'. I like those songs. I listened to them a lot! 🐶: I watched all of LE SSERAFIM sunbaenim's live showcase performances while I was working in my studio. Their songs from then were really good, and for me, I like 'Smart' too~ 🐹: And for you, (Magenta) unnie... 🦊: Of course it's 'SPAGHETTI' for me! 🐹: Every single day... 🦊: "Eat it up~ Eat it~ Eat it up~" 🐶: I swear she listens to it more than a thousand times a day and she doesn't get tired of it 🐱: We became addicted to it too because of her 🐹: Her dance skills improves every time she dances to it 🦊: It's my dance teacher 🐱: You should dance and we will sing it for you! 🐹: You can do it sitting down 🐶: As expected from our main dancer 🐱: Just this move~ 🐹: She really practices this every day! 🐱: Show them the results of your practice until today! They might be watching too, you know! Okay. 1, 2, 3, 4! (Magenta 'SPAGHETTI' dance time) 🦊: Thank you! (LOL) I'm really bad at dancing but thanks to this, my skills have greatly improved. Thank you very much. 🐱: She watched their fancams for like a thousand times every day as soon as they had their comeback 🐹: Thank you

[#QWER's answer to LE SSERAFIM's questions] (QWER collectively shaking) 🐱: There's too many to name...! 🐶: How...? I love all of their songs... 🐹: But for us, instead of one member, we love all of them. They're a group of sunbaenims we love. We love their songs too. 🐶: For real! 🐹: Oh, but your phone wallpaper...? 🦊: Yes, my phone wallpaper actually changes every week and this week, I'm doing my best to exercise so I set it to Kazuha sunbaenim who gives me the motivation to work out. Every time I look at it, it inspires me to obtain that healthy and cool charm. So I always look at it like... 🥰 🐱: So she's totally your inspiration 🐹: Her motivation 🦊: Yes, I'm getting my motivation from her. I love you! 🐹: She (Kazuha) has great core strength, right? 🦊: Yes! 🐶: She didn't change her phone wallpaper just for this shoot. Her wallpapers are always pictures of LE SSERAFIM sunbaenim. 🦊: That's true. It changes every week. 🐹: I really like their debut song 'FEARLESS'. I listened to that song a lot when I was living in Japan and I tried my best to copy the moves on my own so I still kinda remember it. Like this. I was kinda stiff back then so I can't do it well but it was a very fun dance! 🐱: For me, it's "Smarter, baby, smarter~" 🐶🦊🐹: Ahhh!!! 🐱: Either that or 'Perfect Night'. I like those songs. I listened to them a lot! 🐶: I watched all of LE SSERAFIM sunbaenim's live showcase performances while I was working in my studio. Their songs from then were really good, and for me, I like 'Smart' too~ 🐹: And for you, (Magenta) unnie... 🦊: Of course it's 'SPAGHETTI' for me! 🐹: Every single day... 🦊: "Eat it up~ Eat it~ Eat it up~" 🐶: I swear she listens to it more than a thousand times a day and she doesn't get tired of it 🐱: We became addicted to it too because of her 🐹: Her dance skills improves every time she dances to it 🦊: It's my dance teacher 🐱: You should dance and we will sing it for you! 🐹: You can do it sitting down 🐶: As expected from our main dancer 🐱: Just this move~ 🐹: She really practices this every day! 🐱: Show them the results of your practice until today! They might be watching too, you know! Okay. 1, 2, 3, 4! (Magenta 'SPAGHETTI' dance time) 🦊: Thank you! (LOL) I'm really bad at dancing but thanks to this, my skills have greatly improved. Thank you very much. 🐱: She watched their fancams for like a thousand times every day as soon as they had their comeback 🐹: Thank you

😼 CEREMONY OUT NOW!

42,456 次观看 • 5 个月前